<?xml version="1.0" encoding="UTF-8"?>
<FictionBook xmlns="http://www.gribuser.ru/xml/fictionbook/2.0" xmlns:l="http://www.w3.org/1999/xlink"><description><title-info><author><first-name>Eugène Sue</first-name></author><book-title>The Wandering Jew — Complete</book-title><lang>uk</lang></title-info></description><body><section><p>Produced by David Widger and Pat Castevens</p><p>THE WANDERING JEW</p><p>By Eugene Sue</p><p>A NOTE ON THE AUTHOR OF THE WANDERING JEW: EUGENE SUE</p><p>(1804-1857)</p><p>Time and again physicians and seamen have made noteworthy reputations as&#13;
novelists. But it is rare in the annals of literature that a man trained&#13;
in both professions should have gained his greatest fame as a writer of&#13;
novels. Eugene Sue began his career as a physician and surgeon, and then&#13;
spent six years in the French Navy. In 1830, when he returned to&#13;
France, he inherited his father's rich estate and was free to follow&#13;
his inclination to write. His first novel, "Plick et Plock", met with&#13;
an unexpected success, and he at once foreswore the arts of healing and&#13;
navigation for the precarious life of a man of letters. With varying&#13;
success he produced books from his inexhaustible store of personal&#13;
experiences as a doctor and sailor. In 1837, he wrote an authoritative&#13;
work on the French Navy, "Histoire de la marine Francaise".</p><p>More and more the novel appealed to his imagination and suited his&#13;
gifts. His themes ranged from the fabulous to the strictly historical,&#13;
and he became popular as a writer of romance and fictionized fact.&#13;
His plays, however, were persistent failures. When he published "The&#13;
Mysteries of Paris", his national fame was assured, and with the writing&#13;
of "The Wandering Jew" he achieved world-wide renown. Then, at the&#13;
height of his literary career, Eugene Sue was driven into exile after&#13;
Louis Napoleon overthrew the Constitutional Government in a coup d'etat&#13;
and had himself officially proclaimed Emperor Napoleon III. The author&#13;
of "The Wandering Jew" died in banishment five years later.</p><p>Book I.</p><p>Part First.--The Transgression.&#13;
       Prologue.--The Lands End of the World.&#13;
  I.        Morok&#13;
  II.       The Travellers&#13;
  III.      The Arrival&#13;
  IV.       Morok and Dagobert&#13;
  V.        Rose and Blanche&#13;
  VI.       The Secret&#13;
  VII.      The Traveller&#13;
  VIII.     Extracts from General Simon's Diary&#13;
  IX.       The Cages&#13;
  X.        The Surprise&#13;
  XI.       Jovial and Death&#13;
  XII.      The Burgomaster&#13;
  XIII.     The Judgment&#13;
  XIV.      The Decision&#13;
  XV.       The Despatches&#13;
  XVI.      The Orders</p><p>Book II.</p><p>Interval.--The Wandering Jew's Sentence.</p><p>XVII.     The Ajoupa&#13;
  XVIII.    The Tattooing&#13;
  XIX.      The Smuggler&#13;
  XX.       M. Joshua Van Dael&#13;
  XXI.      The Ruins of Tchandi&#13;
  XXII.     The Ambuscade&#13;
  XXIII.    M. Rodin&#13;
  XXIV.     The Tempest&#13;
  XXV.      The Shipwreck&#13;
  XXVI.     The Departure for Paris&#13;
  XXVII.    Dagobert's Wife&#13;
  XXVIII.   The Sister of the Bacchanal Queen&#13;
  XXIX.     Agricola Baudoin&#13;
  XXX.      The Return&#13;
  XXXI.     Agricola and Mother Bunch&#13;
  XXXII.    The Awakening&#13;
  XXXIII.   The Pavilion&#13;
  XXXIV.    Adrienne at her Toilet&#13;
  XXXV.     The Interview</p><p>Book III.</p><p>XXXVI.    A Female Jesuit&#13;
  XXXVII.   The Plot&#13;
  XXXVIII.  Adrienne's  Enemies&#13;
  XXXIX.    The Skirmish&#13;
  XL.       The Revolt&#13;
  XLI.      Treachery&#13;
  XLII.     The Snare&#13;
  XLIII.    A False Friend&#13;
  XLIV.     The Minister's Cabinet&#13;
  XLV.      The Visit&#13;
  XLVI.     Presentiments&#13;
  XLVII.    The Letter&#13;
  XLVIII.   The Confessional&#13;
  XLIX.     My Lord and Spoil-sport&#13;
  L.        Appearances&#13;
  LI.       The Convent&#13;
  LII.      The Influence of a Confessor&#13;
  LIII.     The Examination</p><p>Book IV.</p><p>Part Second.--The Chastisement.&#13;
  Prologue.--The Bird's-Eye View of Two Worlds.</p><p>I.        The Masquerade&#13;
  II.       The Contrast&#13;
  III.      The Carouse&#13;
  IV.       The Farewell&#13;
  V.        The Florine&#13;
  VI.       Mother Sainte-Perpetue&#13;
  VII.      The Temptation&#13;
  VIII.     Mother Bunch and Mdlle. De Cardoville&#13;
  IX.       The Encounters--The Meeting&#13;
  XI.       Discoveries&#13;
  XII.      The Penal Code&#13;
  XIII.     Burglary</p><p>Book V.</p><p>XIV.      The Eve of a Great Day&#13;
  XV.       The Thug&#13;
  XVI.      The Two Brothers of the Good Work&#13;
  XVII.     The House in the Rue Saint-Francois&#13;
  XVIII.    Debit and Credit&#13;
  XIX.      The Heir&#13;
  XX.       The Rupture&#13;
  XXI.      The Change&#13;
  XXII.     The Red Room&#13;
  XXIII.    The Testament&#13;
  XXIV.     The Last Stroke of Noon&#13;
  XXV.      The Deed of Gift</p><p>Book VI.</p><p>Part Second.--The Chastisement. (Concluded.)</p><p>XXVI.     A Good Genius&#13;
  XXVII.    The First Last, And the Last First&#13;
  XXVIII.   The Stranger&#13;
  XXIX.     The Den&#13;
  XXX.      An Unexpected Visit&#13;
  XXXI.     Friendly Services&#13;
  XXXII.    The Advice&#13;
  XXXIII.   The Accuser&#13;
  XXXIV.    Father d'Aigrigny's Secretary&#13;
  XXXV.     Sympathy&#13;
  XXXVI.    Suspicions&#13;
  XXXVII.   Excuses&#13;
  XXXVIII.  Revelations&#13;
  XXXIX.    Pierre Simon</p><p>Book VII.</p><p>XL.       The East Indian in Paris&#13;
  XLI.      Rising&#13;
  XLII.     Doubts&#13;
  XLIII.    The Letter&#13;
  XLIV.     Adrienne and Djalma&#13;
  XLV.      The Consultation&#13;
  XLVI.     Mother Bunch's Diary&#13;
  XLVII.    The Diary Continued&#13;
  XLVIII.   The Discovery&#13;
  XLIX.     The Trysting-Place of the Wolves&#13;
  L.        The Common Dwelling-House&#13;
  LI.       The Secret&#13;
  LII.      Revelations</p><p>Book VIII.</p><p>Part Third.--The Redemption.</p><p>I.        The Wandering Jew's Chastisement&#13;
  II.       The Descendants of the Wandering Jew&#13;
  III.      The Attack&#13;
  IV.       The Wolves and the Devourers&#13;
  V.        The Return&#13;
  VI.       The Go-Between&#13;
  VII.      Another Secret&#13;
  VIII.     The Confession&#13;
  IX.       Love&#13;
  X.        The Execution&#13;
  XI.       The Champs-Elysees&#13;
  XII.      Behind the Scenes&#13;
  XIII.     Up with the Curtain&#13;
  XIV.      Death</p><p>Book IX.</p><p>XV.       The Constant Wanderer&#13;
  XVI.      The Luncheon&#13;
  XVII.     Rendering the Account&#13;
  XVIII.    The Square of Notre Dame&#13;
  XIX.      The Cholera Masquerade&#13;
  XX.       The Defiance&#13;
  XXI.      Brandy to the Rescue&#13;
  XXII.     Memories&#13;
  XXIII.    The Poisoner&#13;
  XXIV.     In the Cathedral&#13;
  XXV.      The Murderers&#13;
  XXVI.     The Patient&#13;
  XXVII.    The Lure&#13;
  XXVIII.   Good News&#13;
  XXIX.     The Operation&#13;
  XXX.      The Torture&#13;
  XXXI.     Vice and Virtue&#13;
  XXXII.    Suicide</p><p>Book X.</p><p>XXXIII.   Confessions&#13;
  XXXIV.    More Confessions&#13;
  XXXV.     The Rivals&#13;
  XXXVI.    The Interview&#13;
  XXXVII.   Soothing Words&#13;
  XXXVIII.  The Two Carriages&#13;
  XXXIX.    The Appointment&#13;
  XL.       Anxiety&#13;
  XLI.      Adrienne and Djalma&#13;
  XLII.     "The Imitation"&#13;
  XLIII.    Prayer&#13;
  XLIV.     Remembrances&#13;
  XLV.      The Blockhead&#13;
  XLVI.     The Anonymous Letters&#13;
  XLVII.    The Golden City&#13;
  XLVIII.   The Stung Lion&#13;
  XLIX.     The Test</p><p>Book XI.</p><p>L.        The Ruins of the Abbey of St. John the Baptist&#13;
  LI.       The Calvary&#13;
  LII.      The Council&#13;
  LIII.     Happiness&#13;
  LIV.      Duty&#13;
  LV.       The Improvised Hospital&#13;
  LVI.      Hydrophobia&#13;
  LVII.     The Guardian Angel&#13;
  LVIII.    Ruin&#13;
  LIX.      Memories&#13;
  LX.       The Ordeal&#13;
  LXI.      Ambition&#13;
  LXII.     To a Socius, a Socius and a Half&#13;
  LXIII.    Faringhea's Affection&#13;
  LXIV.     An Evening at St. Colombe's&#13;
  LXV.      The Nuptial Bed&#13;
  LXVI.     A Duel to the Death&#13;
  LXVII.    A Message&#13;
  LXVIII.   The First of June</p><p>Epilogue.</p><p>I.        Four Years After&#13;
  II.       The Redemption</p><p>THE WANDERING JEW.</p><p>First Part.--The Transgression.</p><p>Prologue.</p><p>The Land's End of Two Worlds.</p><p>The Arctic Ocean encircles with a belt of eternal ice the desert&#13;
confines of Siberia and North America--the uttermost limits of the Old&#13;
and New worlds, separated by the narrow, channel, known as Behring's&#13;
Straits.</p><p>The last days of September have arrived.</p><p>The equinox has brought with it darkness and Northern storms, and night&#13;
will quickly close the short and dismal polar day. The sky of a dull&#13;
and leaden blue is faintly lighted by a sun without warmth, whose&#13;
white disk, scarcely seen above the horizon, pales before the dazzling,&#13;
brilliancy of the snow that covers, as far as the eyes can reach, the&#13;
boundless steppes.</p><p>To the North, this desert is bounded by a ragged coast, bristling with&#13;
huge black rocks.</p><p>At the base of this Titanic mass lied enchained the petrified ocean,&#13;
whose spell-bound waves appear fired as vast ranges of ice mountains,&#13;
their blue peaks fading away in the far-off frost smoke, or snow vapor.</p><p>Between the twin-peaks of Cape East, the termination of Siberia, the&#13;
sullen sea is seen to drive tall icebergs across a streak of dead green.&#13;
There lies Behring's Straits.</p><p>Opposite, and towering over the channel, rise the granite masses of Cape&#13;
Prince of Wales, the headland of North America.</p><p>These lonely latitudes do not belong to the habitable world; for the&#13;
piercing cold shivers the stones, splits the trees, and causes the earth&#13;
to burst asunder, which, throwing forth showers of icy spangles seems&#13;
capable of enduring this solitude of frost and tempest, of famine and&#13;
death.</p><p>And yet, strange to say, footprints may be traced on the snow, covering&#13;
these headlands on either side of Behring's Straits.</p><p>On the American shore, the footprints are small and light, thus&#13;
betraying the passage of a woman.</p><p>She has been hastening up the rocky peak, whence the drifts of Siberia&#13;
are visible.</p><p>On the latter ground, footprints larger and deeper betoken the passing&#13;
of a man. He also was on his way to the Straits.</p><p>It would seem that this man and woman had arrived here from opposite&#13;
directions, in hope of catching a glimpse of one another, across the arm&#13;
of the sea dividing the two worlds--the Old and the New.</p><p>More strange still! the man and the woman have crossed the solitudes&#13;
during a terrific storm! Black pines, the growth of centuries, pointing&#13;
their bent heads in different parts of the solitude like crosses in a&#13;
churchyard, have been uprooted, rent, and hurled aside by the blasts!</p><p>Yet the two travellers face this furious tempest, which has plucked up&#13;
trees, and pounded the frozen masses into splinters, with the roar of&#13;
thunder.</p><p>They face it, without for one single instant deviating from the straight&#13;
line hitherto followed by them.</p><p>Who then are these two beings who advance thus calmly amidst the storms&#13;
and convulsions of nature?</p><p>Is it by chance, or design, or destiny, that the seven nails in the sole&#13;
of the man's shoe form a cross--thus:</p><p>*&#13;
             * * *&#13;
               *&#13;
               *&#13;
               *</p><p>Everywhere he leaves this impress behind him.</p><p>On the smooth and polished snow, these footmarks seem imprinted by a&#13;
foot of brass on a marble floor.</p><p>Night without twilight has soon succeeded day--a night of foreboding&#13;
gloom.</p><p>The brilliant reflection of the snow renders the white steppes still&#13;
visible beneath the azure darkness of the sky; and the pale stars&#13;
glimmer on the obscure and frozen dome.</p><p>Solemn silence reigns.</p><p>But, towards the Straits, a faint light appears.</p><p>At first, a gentle, bluish light, such as precedes moonrise; it&#13;
increases in brightness, and assumes a ruddy hue.</p><p>Darkness thickens in every other direction; the white wilds of the&#13;
desert are now scarcely visible under the black vault of the firmament.</p><p>Strange and confused noises are heard amidst this obscurity.</p><p>They sound like the flight of large night--birds--now flapping&#13;
now-heavily skimming over the steppes-now descending.</p><p>But no cry is heard.</p><p>This silent terror heralds the approach of one of those imposing&#13;
phenomena that awe alike the most ferocious and the most harmless, of&#13;
animated beings. An Aurora Borealis (magnificent sight!) common in the&#13;
polar regions, suddenly beams forth.</p><p>A half circle of dazzling whiteness becomes visible in the horizon.&#13;
Immense columns of light stream forth from this dazzling centre, rising&#13;
to a great height, illuminating earth, sea, and sky. Then a brilliant&#13;
reflection, like the blaze of a conflagration, steals over the snow of&#13;
the desert, purples the summits of the mountains of ice, and imparts a&#13;
dark red hue to the black rocks of both continents.</p><p>After attaining this magnificent brilliancy, the Northern Lights fade&#13;
away gradually, and their vivid glow is lost in a luminous fog.</p><p>Just then, by a wondrous mirage an effect very common in high latitudes,&#13;
the American Coast, though separated from Siberia by a broad arm of the&#13;
sea, loomed so close that a bridge might seemingly be thrown from one&#13;
world to other.</p><p>Then human forms appeared in the transparent azure haze overspreading&#13;
both forelands.</p><p>On the Siberian Cape, a man on his knees, stretched his arms towards&#13;
America, with an expression of inconceivable despair.</p><p>On the American promontory, a young and handsome woman replied to the&#13;
man's despairing gesture by pointing to heaven.</p><p>For some seconds, these two tall figures stood out, pale and shadowy, in&#13;
the farewell gleams of the Aurora.</p><p>But the fog thickens, and all is lost in the darkness.</p><p>Whence came the two beings, who met thus amidst polar glaciers, at the&#13;
extremities of the Old and New worlds?</p><p>Who were the two creatures, brought near for a moment by a deceitful&#13;
mirage, but who seemed eternally separated?</p><p>CHAPTER I. MOROK.</p><p>The month of October, 1831, draws to its close.</p><p>Though it is still day, a brass lamp, with four burners, illumines the&#13;
cracked walls of a large loft, whose solitary window is closed against&#13;
outer light. A ladder, with its top rungs coming up through an open trap&#13;
leads to it.</p><p>Here and there at random on the floor lie iron chains, spiked collars,&#13;
saw-toothed snaffles, muzzles bristling with nails, and long iron rods&#13;
set in wooden handles. In one corner stands a portable furnace, such as&#13;
tinkers use to melt their spelter; charcoal and dry chips fill it, so&#13;
that a spark would suffice to kindle this furnace in a minute.</p><p>Not far from this collection of ugly instruments, putting one in mind&#13;
of a torturer's kit of tools, there are some articles of defence and&#13;
offence of a bygone age. A coat of mail, with links so flexible, close,&#13;
and light, that it resembles steel tissue, hangs from a box beside iron&#13;
cuishes and arm-pieces, in good condition, even to being properly fitted&#13;
with straps. A mace, and two long three-cornered-headed pikes, with ash&#13;
handles, strong, and light at the same time; spotted with lately-shed&#13;
blood, complete the armory, modernized somewhat by the presence of two&#13;
Tyrolese rifles, loaded and primed.</p><p>Along with this arsenal of murderous weapons and out-of-date&#13;
instruments, is strangely mingled a collection of very different&#13;
objects, being small glass-lidded boxes, full of rosaries, chaplets,&#13;
medals, AGNUS DEI, holy water bottles, framed pictures of saints, etc.,&#13;
not to forget a goodly number of those chapbooks, struck off in Friburg&#13;
on coarse bluish paper, in which you can hear about miracles of our own&#13;
time, or "Jesus Christ's Letter to a true believer," containing awful&#13;
predictions, as for the years 1831 and '32, about impious revolutionary&#13;
France.</p><p>One of those canvas daubs, with which strolling showmen adorn their&#13;
booths, hangs from a rafter, no doubt to prevent its being spoilt by too&#13;
long rolling up. It bore the following legend:</p><p>"THE DOWNRIGHT TRUE AND MOST MEMORABLE CONVERSION OF IGNATIUS MOROK,&#13;
 KNOWN AS THE PROPHET, HAPPENING IN FRIBURG, 1828TH YEAR OF GRACE."</p><p>This picture, of a size larger than natural, of gaudy color, and in bad&#13;
taste, is divided into three parts, each presenting an important phase&#13;
in the life of the convert, surnamed "The Prophet." In the first, behold&#13;
a long-bearded man, the hair almost white, with uncouth face, and clad&#13;
in reindeer skin, like the Siberian savage. His black foreskin cap is&#13;
topped with a raven's head; his features express terror. Bent forward in&#13;
his sledge, which half-a-dozen huge tawny dogs draw over the snow, he&#13;
is fleeing from the pursuit of a pack of foxes, wolves, and big bears,&#13;
whose gaping jaws, and formidable teeth, seem quite capable of devouring&#13;
man, sledge, and dogs, a hundred times over. Beneath this section,&#13;
reads:</p><p>"IN 1810, MOROK, THE IDOLATER, FLED FROM WILD BEASTS."</p><p>In the second picture, Morok, decently clad in a catechumen's white gown&#13;
kneels, with clasped hands, to a man who wears a white neckcloth, and&#13;
flowing black robe. In a corner, a tall angel, of repulsive aspect,&#13;
holds a trumpet in one hand, and flourishes a flaming sword with the&#13;
other, while the words which follow flow out of his mouth, in red&#13;
letters on a black ground:</p><p>"MOROK, THE IDOLATER, FLED FROM WILD BEASTS; BUT WILD BEASTS WILL FLEE&#13;
 FROM IGNATIUS MOROK, CONVERTED AND BAPTIZED IN FRIBURG."</p><p>Thus, in the last compartment, the new convert proudly, boastfully, and&#13;
triumphantly parades himself in a flowing robe of blue; head up, left&#13;
arm akimbo, right hand outstretched, he seems to scare the wits out of a&#13;
multitude of lions, tigers, hyenas, and bears, who, with sheathed claws,&#13;
and masked teeth, crouch at his feet, awestricken, and submissive.</p><p>Under this, is the concluding moral:</p><p>"IGNATIUS MOROK BEING CONVERTED, WILD BEASTS CROUCH BEFORE HIM."</p><p>Not far from this canvas are several parcels of halfpenny books,&#13;
likewise from the Friburg press, which relate by what an astounding&#13;
miracle Morok, the Idolater, acquired a supernatural power almost&#13;
divine, the moment he was converted--a power which the wildest animal&#13;
could not resist, and which was testified to every day by the lion&#13;
tamer's performances, "given less to display his courage than to show&#13;
his praise unto the Lord."</p><p>Through the trap-door which opens into the loft, reek up puffs of a&#13;
rank, sour, penetrating odor. From time to time are heard sonorous&#13;
growls and deep breathings, followed by a dull sound, as of great bodies&#13;
stretching themselves heavily along the floor.</p><p>A man is alone in this loft. It is Morok, the tamer of wild beasts,&#13;
surnamed the Prophet.</p><p>He is forty years old, of middle height, with lank limbs, and an&#13;
exceedingly spare frame; he is wrapped in a long, blood-red pelisse,&#13;
lined with black fur; his complexion, fair by nature is bronzed by the&#13;
wandering life he has led from childhood; his hair, of that dead yellow&#13;
peculiar to certain races of the Polar countries, falls straight&#13;
and stiff down his shoulders; and his thin, sharp, hooked nose, and&#13;
prominent cheek-bones, surmount a long beard, bleached almost to&#13;
whiteness. Peculiarly marking the physiognomy of this man is the wide&#13;
open eye, with its tawny pupil ever encircled by a rim of white.&#13;
This fixed, extraordinary look, exercises a real fascination over&#13;
animals--which, however, does not prevent the Prophet from also&#13;
employing, to tame them, the terrible arsenal around him.</p><p>Seated at a table, he has just opened the false bottom of a box, filled&#13;
with chaplets and other toys, for the use of the devout. Beneath this&#13;
false bottom, secured by a secret lock, are several sealed envelopes,&#13;
with no other address than a number, combined with a letter of the&#13;
alphabet. The Prophet takes one of these packets, conceals it in the&#13;
pocket of his pelisse, and, closing the secret fastening of the false&#13;
bottom, replaces the box upon a shelf.</p><p>This scene occurs about four o'clock in the afternoon, in the White&#13;
Falcon, the only hostelry in the little village of Mockern, situated&#13;
near Leipsic, as you come from the north towards France.</p><p>After a few moments, the loft is shaken by a hoarse roaring from below.</p><p>"Judas! be quiet!" exclaims the Prophet, in a menacing tone, as he turns&#13;
his head towards the trap door.</p><p>Another deep growl is heard, formidable as distant thunder.</p><p>"Lie down, Cain!" cries Morok, starting from his seat.</p><p>A third roar, of inexpressible ferocity, bursts suddenly on the ear.</p><p>"Death! Will you have done," cries the Prophet, rushing towards the trap&#13;
door, and addressing a third invisible animal, which bears this ghastly&#13;
name.</p><p>Notwithstanding the habitual authority of his voice--notwithstanding&#13;
his reiterated threats--the brute-tamer cannot obtain silence: on the&#13;
contrary, the barking of several dogs is soon added to the roaring of&#13;
the wild beasts. Morok seizes a pike, and approaches the ladder; he is&#13;
about to descend, when he sees some one issuing from the aperture.</p><p>The new-comer has a brown, sun-burnt face; he wears a gray hat, bell&#13;
crowned and broad-brimmed, with a short jacket, and wide trousers of&#13;
green cloth; his dusty leathern gaiters show that he has walked some&#13;
distance; a game-bag is fastened by straps to his back.</p><p>"The devil take the brutes!" cried he, as he set foot on the floor;&#13;
"one would think they'd forgotten me in three days. Judas thrust his paw&#13;
through the bars of his cage, and Death danced like a fury. They don't&#13;
know me any more, it seems?"</p><p>This was said in German. Morok answered in the same language, but with a&#13;
slightly foreign accent.</p><p>"Good or bad news, Karl?" he inquired, with some uneasiness.</p><p>"Good news."</p><p>"You've met them!"</p><p>"Yesterday; two leagues from Wittenberg."</p><p>"Heaven be praised!" cried Morok, clasping his hands with intense&#13;
satisfaction.</p><p>"Oh, of course, 'tis the direct road from Russia to France, 'twas a&#13;
thousand to one that we should find them somewhere between Wittenberg&#13;
and Leipsic."</p><p>"And the description?"</p><p>"Very close: two young girls in mourning; horse, white; the old man has&#13;
long moustache, blue forage-cap; gray topcoat and a Siberian dog at his&#13;
heels."</p><p>"And where did you leave them?"</p><p>"A league hence. They will be here within the hour."</p><p>"And in this inn--since it is the only one in the village," said Morok,&#13;
with a pensive air.</p><p>"And night drawing on," added Karl.</p><p>"Did you get the old man to talk?"</p><p>"Him!--you don't suppose it!"</p><p>"Why not?"</p><p>"Go, and try yourself."</p><p>"And for what reason?"</p><p>"Impossible."</p><p>"Impossible--why?"</p><p>"You shall know all about it. Yesterday, as if I had fallen in with&#13;
them by chance, I followed them to the place where they stopped for the&#13;
night. I spoke in German to the tall old man, accosting him, as is usual&#13;
with wayfarers, 'Good-day, and a pleasant journey, comrade!' But, for an&#13;
answer, he looked askant at me, and pointed with, the end of his stick&#13;
to the other side of the road."</p><p>"He is a Frenchman, and, perhaps, does not understand German."</p><p>"He speaks it, at least as well as you; for at the inn I heard him ask&#13;
the host for whatever he and the young girls wanted."</p><p>"And did you not again attempt to engage him in conversation?"</p><p>"Once only; but I met with such a rough reception, that for fear of&#13;
making mischief, I did not try again. Besides, between ourselves, I can&#13;
tell you this man has a devilish ugly look; believe me, in spite of his&#13;
gray moustache, he looks so vigorous and resolute, though with no more&#13;
flesh on him than a carcass, that I don't know whether he or my mate&#13;
Giant Goliath, would have the best of it in a struggle. I know not your&#13;
plans: only take care, master--take care!"</p><p>"My black panther of Java was also very vigorous and very vicious," said&#13;
Morok, with a grim, disdainful, smile.</p><p>"What, Death? Yes; in truth; and she is vigorous and vicious as ever.&#13;
Only to you she is almost mild."</p><p>"And thus I will break this tall old man; notwithstanding his strength&#13;
and surliness."</p><p>"Humph! humph! be on your guard, master. You are clever, you are as&#13;
brave as any one; but, believe me, you will never make a lamb out of the&#13;
old wolf that will be here presently."</p><p>"Does not my lion, Cain--does not my tiger, Judas, crouch in terror&#13;
before me?"</p><p>"Yes, I believe you there--because you have means--"</p><p>"Because I have faith: that is all--and it is all," said Morok,&#13;
imperiously interrupting Karl, and accompanying these words with such a&#13;
look, that the other hung his head and was silent.</p><p>"Why should not he whom the Lord upholds in his struggle with wild&#13;
beasts, be also upheld in his struggle with men, when those men are&#13;
perverse and impious?" added the Prophet, with a triumphant, inspired&#13;
air.</p><p>Whether from belief in his master's conviction, or from inability to&#13;
engage in a controversy with him on so delicate a subject, Karl answered&#13;
the Prophet, humbly: "you are wiser than I am, master; what you do must&#13;
be well done."</p><p>"Did you follow this old man and these two young girls all day long?"&#13;
resumed the Prophet, after a moment's silence.</p><p>"Yes; but at a distance. As I know the country well, I sometimes cut&#13;
across a valley, sometimes over a hill, keeping my eye upon the road,&#13;
where they were always to be seen. The last time I saw them, I was hid&#13;
behind the water-mill by the potteries. As they were on the highway for&#13;
this place, and night was drawing on, I quickened my pace to get here&#13;
before them, and be the bearer of what you call good news."</p><p>"Very good--yes--very good: and you shall be rewarded; for if these&#13;
people had escaped me--"</p><p>The Prophet started, and did not conclude the sentence. The expression&#13;
of his face, and the tones of his voice, indicated the importance of the&#13;
intelligence which had just been brought him.</p><p>"In truth," rejoined Karl, "it may be worth attending to; for that&#13;
Russian courier, all plastered with lace, who came, without slacking&#13;
bridle, from St. Petersburg to Leipsic, only to see you, rode so fast,&#13;
perhaps, for the purpose--"</p><p>Morok abruptly interrupted Karl, and said:</p><p>"Who told you that the arrival of the courier had anything to do with&#13;
these travellers? You are mistaken; you should only know what I choose&#13;
to tell you."</p><p>"Well, master, forgive me, and let's say no more about it. So! I will&#13;
get rid of my game-bag, and go help Goliath to feed the brutes, for&#13;
their supper time draws near, if it is not already past. Does our big&#13;
giant grow lazy, master?"</p><p>"Goliath is gone out; he must not know that you are returned; above all,&#13;
the tall old man and the maidens must not see you here--it would make&#13;
them suspect something."</p><p>"Where do you wish me to go, then?"</p><p>"Into the loft, at the end of the stable, and wait my orders; you may&#13;
this night have to set out for Leipsic."</p><p>"As you please; I have some provisions left in my pouch, and can sup in&#13;
the loft whilst I rest myself."</p><p>"Go."</p><p>"Master, remember what I told you. Beware of that old fellow with&#13;
the gray moustache; I think he's devilish tough; I'm up to these&#13;
things--he's an ugly customer--be on your guard!"</p><p>"Be quite easy! I am always on my guard," said Morok.</p><p>"Then good luck to you, master!"--and Karl, having reached the ladder,&#13;
suddenly disappeared.</p><p>After making a friendly farewell gesture to his servant, the Prophet&#13;
walked up and down for some time, with an air of deep meditation; then,&#13;
approaching the box which contained the papers, he took out a pretty&#13;
long letter, and read it over and over with profound attention. From&#13;
time to time he rose and went to the closed window, which looked upon&#13;
the inner court of the inn, and appealed to listen anxiously; for he&#13;
waited with impatience the arrival of the three persons whose approach&#13;
had just been announced to him.</p><p>CHAPTER II. THE TRAVELLERS.</p><p>While the above scene was passing in the White Falcon at Mockern, the&#13;
three persons whose arrival Morok was so anxiously expecting, travelled&#13;
on leisurely in the midst of smiling meadows, bounded on one side by&#13;
a river, the current of which turned a mill; and on the other by the&#13;
highway leading to the village, which was situated on an eminence, at&#13;
about a league's distance.</p><p>The sky was beautifully serene; the bubbling of the river, beaten by the&#13;
mill-wheel and sparkling with foam, alone broke upon the silence of an&#13;
evening profoundly calm. Thick willows, bending over the river, covered&#13;
it with their green transparent shadow; whilst, further on, the stream&#13;
reflected so splendidly the blue heavens and the glowing tints of the&#13;
west, that, but for the hills which rose between it and the sky, the&#13;
gold and azure of the water would have mingled in one dazzling sheet&#13;
with the gold and azure of the firmament. The tall reeds on the bank&#13;
bent their black velvet heads beneath the light breath of the breeze&#13;
that rises at the close of day--for the sun was gradually sinking behind&#13;
a broad streak of purple clouds, fringed with fire. The tinkling bells&#13;
of a flock of sheep sounded from afar in the clear and sonorous air.</p><p>Along a path trodden in the grass of the meadow, two girls, almost&#13;
children--for they had but just completed their fifteenth year--were&#13;
riding on a white horse of medium size, seated upon a large saddle with&#13;
a back to it, which easily took them both in, for their figures were&#13;
slight and delicate.</p><p>A man of tall stature, with a sun-burnt face, and long gray moustache,&#13;
was leading the horse by the bridle, and ever and anon turned towards&#13;
the girls, with an air of solicitude at once respectful and paternal. He&#13;
leaned upon a long staff; his still robust shoulders carried a soldier's&#13;
knapsack; his dusty shoes, and step that began to drag a little, showed&#13;
that he had walked a long way.</p><p>One of those dogs which the tribes of Northern Siberia harness to their&#13;
sledges--a sturdy animal, nearly of the size, form, and hairy coat of&#13;
the wolf--followed closely in the steps of the leader of this little&#13;
caravan, never quitting, as it is commonly said, the heels of his&#13;
master.</p><p>Nothing could be more charming than the group formed by the girls. One&#13;
held with her left hand the flowing reins, and with her right encircled&#13;
the waist of her sleeping sister, whose head reposed on her shoulder.&#13;
Each step of the horse gave a graceful swaying to these pliant forms,&#13;
and swung their little feet, which rested on a wooden ledge in lieu of a&#13;
stirrup.</p><p>These twin sisters, by a sweet maternal caprice, had been called Rose&#13;
and Blanche; they were now orphans, as might be seen by their sad&#13;
mourning vestments, already much worn. Extremely, like in feature, and&#13;
of the same size, it was necessary to be in the constant habit of seeing&#13;
them, to distinguish one from the other. The portrait of her who slept&#13;
not, might serve them for both of them; the only difference at the&#13;
moment being, that Rose was awake and discharging for that day the&#13;
duties of elder sister--duties thus divided between then, according to&#13;
the fancy of their guide, who, being an old soldier of the empire, and a&#13;
martinet, had judged fit thus to alternate obedience and command between&#13;
the orphans.</p><p>Greuze would have been inspired by the sight of those sweet faces,&#13;
coifed in close caps of black velvet, from beneath which strayed a&#13;
profusion of thick ringlets of a light chestnut color, floating down&#13;
their necks and shoulders, and setting, as in a frame, their round,&#13;
firm, rosy, satin like cheeks. A carnation, bathed in dew, is of no&#13;
richer softness than their blooming lips; the wood violet's tender blue&#13;
would appear dark beside the limpid azure of their large eyes, in which&#13;
are depicted the sweetness of their characters, and the innocence of&#13;
their age; a pure and white forehead, small nose, dimpled chin, complete&#13;
these graceful countenances, which present a delightful blending of&#13;
candor and gentleness.</p><p>You should have seen them too, when, on the threatening of rain or&#13;
storm, the old soldier carefully wrapped them both in a large pelisse&#13;
of reindeer fur, and pulled over their heads the ample hood of this&#13;
impervious garment; then nothing could be more lovely than those fresh&#13;
and smiling little faces, sheltered beneath the dark-colored cowl.</p><p>But now the evening was fine and calm; the heavy cloak hung in folds&#13;
about the knees of the sisters, and the hood rested on the back of their&#13;
saddle.</p><p>Rose, still encircling with her right arm the waist of her sleeping&#13;
sister, contemplated her with an expression of ineffable tenderness,&#13;
akin to maternal; for Rose was the eldest for the day, and an elder&#13;
sister is almost a mother.</p><p>Not only, did the orphans idolize each other; but, by a psychological&#13;
phenomenon, frequent with twins, they were almost always simultaneously&#13;
affected; the emotion of one was reflected instantly in the countenance&#13;
of the other; the same cause would make both of them start or blush, so&#13;
closely did their young hearts beat in unison; all ingenuous joys, all&#13;
bitter griefs were mutually felt, and shared in a moment between them.</p><p>In their infancy, simultaneously attacked by a severe illness, like two&#13;
flowers on the same steam, they had drooped, grown pale, and languished&#13;
together; but together also had they again found the pure, fresh hues of&#13;
health.</p><p>Need it be said, that those mysterious, indissoluble links which united&#13;
the twins, could not have been broken without striking a mortal blow at&#13;
the existence of the poor children?</p><p>Thus the sweet birds called love-birds, only living in pairs, as if&#13;
endowed with a common life, pine, despond, and die, when parted by a&#13;
barbarous hand.</p><p>The guide of the orphans, a man of about fifty-five, distinguished by&#13;
his military air and gait, preserved the immortal type of the warriors&#13;
of the republic and the empire--some heroic of the people, who became,&#13;
in one campaign, the first soldiers in the world--to prove what the&#13;
people can do, have done, and will renew, when the rulers of their&#13;
choice place in them confidence, strength, and their hope.</p><p>This soldier, guide of the sisters, and formerly a horse-grenadier&#13;
of the Imperial Guard, had been nicknamed Dagobert. His grave, stern&#13;
countenance was strongly marked; his long, gray, and thick moustache&#13;
completely concealed his upper lip, and united with a large imperial,&#13;
which almost covered his chin; his meagre cheeks, brick-colored, and&#13;
tanned as parchment, were carefully shaven; thick eyebrows, still black,&#13;
overhung and shaded his light blue eyes; gold ear-rings reached down to&#13;
his white-edged military stock; his topcoat, of coarse gray cloth, was&#13;
confined at the waist by a leathern belt; and a blue foraging cap, with&#13;
a red tuft falling on his left shoulder, covered his bald head.</p><p>Once endowed with the strength of Hercules, and having still the&#13;
heart of a lion--kind and patient, because he was courageous and&#13;
strong--Dagobert, notwithstanding his rough exterior, evinced for his&#13;
orphan charges an exquisite solicitude, a watchful kindness, and a&#13;
tenderness almost maternal. Yes, motherly; for the heroism of affection&#13;
dwells alike in the mother's heart and the soldiers.</p><p>Stoically calm, and repressing all emotion, the unchangeable coolness of&#13;
Dagobert never failed him; and, though few were less given to drollery,&#13;
he was now and then highly comic, by reason of the imperturbable gravity&#13;
with which he did everything.</p><p>From time to time, as they journeyed on, Dagobert would turn to bestow&#13;
a caress or friendly word on the good white home upon which the orphans&#13;
were mounted. Its furrowed sides and long teeth betrayed a venerable&#13;
age. Two deep scars, one on the flank and the other on the chest, proved&#13;
that his horse had been present in hot battles; nor was it without an&#13;
act of pride that he sometimes shook his old military bridle, the brass&#13;
stud of which was still adorned with an embossed eagle. His pace was&#13;
regular, careful, and steady; his coat sleek, and his bulk moderate; the&#13;
abundant foam, which covered his bit, bore witness to that health which&#13;
horses acquire by the constant, but not excessive, labor of a long&#13;
journey, performed by short stages. Although he had been more than six&#13;
months on the road, this excellent animal carried the orphans, with a&#13;
tolerably heavy portmanteau fastened to the saddle, as freely as on the&#13;
day they started.</p><p>If we have spoken of the excessive length of the horse's teeth--the&#13;
unquestionable evidence of great age--it is chiefly because he often&#13;
displayed them, for the sole purpose of acting up to his name (he was&#13;
called Jovial), by playing a mischievous trick, of which the dog was the&#13;
victim.</p><p>This latter, who, doubtless for the sake of contrast, was called&#13;
Spoil-sport (Rabat-joie), being always at his master's heels, found&#13;
himself within the reach of Jovial, who from time to time nipped him&#13;
delicately by the nape of the neck, lifted him from the ground, and&#13;
carried him thus for a moment. The dog, protected by his thick coat,&#13;
and no doubt long accustomed to the practical jokes of his companion,&#13;
submitted to all this with stoical complacency; save that, when he&#13;
thought the jest had lasted long enough, he would turn his head and&#13;
growl. Jovial understood him at the first hint, and hastened to set him&#13;
down again. At other times, just to avoid monotony, Jovial would gently&#13;
bite the knapsack of the soldier, who seemed, as well as the dog, to be&#13;
perfectly accustomed to his pleasantries.</p><p>These details will give a notion of the excellent understanding that&#13;
existed between the twin sisters, the old soldier, the horse, and the&#13;
dog.</p><p>The little caravan proceeded on its ways anxious to reach, before night,&#13;
the village of Mockern, which was now visible on the summit of a hill.&#13;
Ever and anon, Dagobert looked around him, and seemed to be gathering up&#13;
old recollections; by degrees, his countenance became clouded, and&#13;
when he was at a little distance from the mill, the noise of which had&#13;
arrested his attention, he stopped, and drew his long moustache several&#13;
times between his finger and thumb, the only sign which revealed in him&#13;
any strong and concentrated feeling.</p><p>Jovial, having stopped short behind his master, Blanche, awakened&#13;
suddenly by the shock, raised her head; her first look sought her&#13;
sister, on whom she smiled sweetly; then both exchanged glances of&#13;
surprise, on seeing Dagobert motionless, with his hands clasped and&#13;
resting on his long staff, apparently affected by some painful and deep&#13;
emotion.</p><p>The orphans just chanced to be at the foot of a little mound, the summit&#13;
of which was buried in the thick foliage of a huge oak, planted half&#13;
way down the slope. Perceiving that Dagobert continued motionless and&#13;
absorbed in thought, Rose leaned over her saddle, and, placing her&#13;
little white hand on the shoulder of their guide, whose back was turned&#13;
towards her, said to him, in a soft voice, "Whatever is the matter with&#13;
you, Dagobert?"</p><p>The veteran turned; to the great astonishment of the sisters, they&#13;
perceived a large tear, which traced its humid furrow down his tanned&#13;
cheek, and lost itself in his thick moustache.</p><p>"You weeping--you!" cried Rose and Blanche together, deeply moved. "Tell&#13;
us, we beseech, what is the matter?"</p><p>After a moments hesitation, the soldier brushed his horny hand across&#13;
his eyes, and said to the orphans in a faltering voice, whilst he&#13;
pointed to the old oak beside them: "I shall make you sad, my poor&#13;
children: and yet what I'm going to tell you has something sacred in it.&#13;
Well, eighteen years ago, on the eve of the great battle of Leipsic,&#13;
I carried your father to this very tree. He had two sabre-cuts on the&#13;
head, a musket ball in his shoulder; and it was here that he and I--who&#13;
had got two thrust of a lance for my share--were taken prisoners; and by&#13;
whom, worse luck?--why, a renegado! By a Frenchman--an emigrant marquis,&#13;
then colonel in the service of Russia--and who afterwards--but one day&#13;
you shall know all."</p><p>The veteran paused; then, pointing with his staff to the village of&#13;
Mockern, he added: "Yes, yes, I can recognize the spot. Yonder are the&#13;
heights where your brave father--who commanded us, and the Poles of&#13;
the Guard--overthrew the Russian Cuirassiers, after having carried&#13;
the battery. Ah, my children!" continued the soldier, with the utmost&#13;
simplicity, "I wish you had, seen your brave father, at the head of our&#13;
brigade of horse, rushing on in a desperate charge in the thick of a&#13;
shower of shells!--There was nothing like it--not a soul so grand as&#13;
he!"</p><p>Whilst Dagobert thus expressed, in his own way, his regrets and&#13;
recollections, the two orphans--by a spontaneous movement, glided gently&#13;
from the horse, and holding each other by the hand, went together to&#13;
kneel at the foot of the old oak. And there, closely pressed in each&#13;
other's arms, they began to weep; whilst the soldier, standing behind&#13;
them, with his hands crossed on his long staff, rested his bald front&#13;
upon it.</p><p>"Come, come you must not fret," said he softly, when, after a pause of&#13;
a few minutes, he saw tears run down the blooming cheeks of Rose and&#13;
Blanche, still on their knees. "Perhaps we may find General Simon in&#13;
Paris," added he; "I will explain all that to you this evening at the&#13;
inn. I purposely waited for this day, to tell you many things about&#13;
your father; it was an idea of mine, because this day is a sort of&#13;
anniversary."</p><p>"We weep because we think also of our mother," said Rose.</p><p>"Of our mother, whom we shall only see again in heaven," added Blanche.</p><p>The soldier raised the orphans, took each by the hand, and gazing from&#13;
one to the other with ineffable affection, rendered still the more&#13;
touching by the contrast of his rude features, "You must not give way&#13;
thus, my children," said he; "it is true your mother was the best of&#13;
women. When she lived in Poland, they called her the Pearl of Warsaw--it&#13;
ought to have been the Pearl of the Whole World--for in the whole world&#13;
you could not have found her match. No--no!"</p><p>The voice of Dagobert faltered; he paused, and drew his long gray&#13;
moustache between finger and thumb, as was his habit. "Listen, my&#13;
girls," he resumed, when he had mastered his emotion; "your mother could&#13;
give you none but the best advice, eh?"</p><p>"Yes Dagobert."</p><p>"Well, what instructions did she give you before she died? To think&#13;
often of her, but without grieving?"</p><p>"It is true; she told us than our Father in heaven, always good to poor&#13;
mothers whose children are left on earth, would permit her to hear us&#13;
from above," said Blanche.</p><p>"And that her eyes would be ever fixed upon us," added Rose.</p><p>And the two, by a spontaneous impulse, replete with the most touching&#13;
grace, joined hands, raised their innocent looks to heaven, and&#13;
exclaimed, with that beautiful faith natural to their age: "Is it not&#13;
so, mother?--thou seest us?--thou hearest us?"</p><p>"Since your mother sees and hears you," said Dagobert, much moved, "do&#13;
not grieve her by fretting. She forbade you to do so."</p><p>"You are right, Dagobert. We will not cry any more."--And the orphans&#13;
dried their eyes.</p><p>Dagobert, in the opinion of the devout, would have passed for a very&#13;
heathen. In Spain, he had found pleasure in cutting down those monks of&#13;
all orders and colors, who, bearing crucifix in one hand, and poniard&#13;
in the other, fought not for liberty--the Inquisition had strangled her&#13;
centuries ago--but, for their monstrous privileges. Yet, in forty years,&#13;
Dagobert had witnessed so many sublime and awful scenes--he had been&#13;
so many times face to face with death--that the instinct of natural&#13;
religion, common to every simple, honest heart, had always remained&#13;
uppermost in his soul. Therefore, though he did not share in the&#13;
consoling faith of the two sisters, he would have held as criminal any&#13;
attempt to weaken its influence.</p><p>Seeing them this downcast, he thus resumed: "That's right, my&#13;
pretty ones: I prefer to hear you chat as you did this morning and&#13;
yesterday--laughing at times, and answering me when I speak, instead of&#13;
being so much engrossed with your own talk. Yes, yes, my little ladies!&#13;
you seem to have had famous secrets together these last two days--so,&#13;
much the better, if it amuses you."</p><p>The sisters colored, and exchanged a subdued smile, which contrasted&#13;
with the tears that yet filled their eyes, and Rose said to the soldier,&#13;
with a little embarrassment. "No, I assure you, Dagobert, we talk of&#13;
nothing in particular."</p><p>"Well, well; I don't wish to know it. Come, rest yourselves, a few&#13;
moments more, and then we must start again; for it grows late, and we&#13;
have to reach Mockern before night, so that we may be early on the road&#13;
to-morrow."</p><p>"Have we still a long, long way to go?" asked Rose.</p><p>"What, to reach Paris? Yes, my children; some hundred days' march. We&#13;
don't travel quick, but we get on; and we travel cheap, because we have&#13;
a light purse. A closet for you, a straw mattress and a blanket at your&#13;
door for me, with Spoil-sport on my feet, and a clean litter for old&#13;
Jovial, these are our whole traveling expenses. I say nothing about&#13;
food, because you two together don't eat more than a mouse, and I have&#13;
learnt in Egypt and Spain to be hungry only when it suits."</p><p>"Not forgetting that, to save still more, you do all the cooking for us,&#13;
and will not even let us assist."</p><p>"And to think, good Dagobert, that you wash almost every evening at our&#13;
resting-place. As if it were not for us to--"</p><p>"You!" said the soldier, interrupting Blanche, "I, allow you to chap&#13;
your pretty little hands in soap-suds! Pooh! don't a soldier on a&#13;
campaign always wash his own linen? Clumsy as you see me, I was the best&#13;
washerwoman in my squadron--and what a hand at ironing! Not to make a&#13;
brag of it."</p><p>"Yes, yes--you can iron well--very well."</p><p>"Only sometimes, there will be a little singe," said Rose, smiling.</p><p>"Hah! when the iron is too hot. Zounds! I may bring it as near my cheek&#13;
as I please; my skin is so tough that I don't feel the heat," said&#13;
Dagobert, with imperturbable gravity.</p><p>"We are only jesting, good Dagobert!"</p><p>"Then, children, if you think that I know my trade as a washerwoman, let&#13;
me continue to have your custom: it is cheaper; and, on a journey, poor&#13;
people like us should save where we can, for we must, at all events,&#13;
keep enough to reach Paris. Once there, our papers and the medal you&#13;
wear will do the rest--I hope so, at least."</p><p>"This medal is sacred to us; mother gave it to us on her death-bed."</p><p>"Therefore, take great care that you do not lose it: see, from time to&#13;
time, that you have it safe."</p><p>"Here it is," said Blanche, as she drew from her bosom a small bronze&#13;
medal, which she wore suspended from her neck by a chain of the same&#13;
material. The medal bore on its faces the following inscriptions:</p><p>Victim&#13;
                  of&#13;
               L. C. D. J.&#13;
               Pray for me!&#13;
                   ----&#13;
                  Paris&#13;
            February the, 13th, 1682.</p><p>At Paris.&#13;
            Rue Saint Francois, No. 3,&#13;
            In a century and a half&#13;
               you will be.&#13;
            February the 13th, 1832.&#13;
                   ----&#13;
                PRAY FOR ME!</p><p>"What does it mean, Dagobert?" resumed Blanche, as she examined the&#13;
mournful inscriptions. "Mother was not able to tell us."</p><p>"We will discuss all that this evening; at the place where we sleep,"&#13;
answered Dagobert. "It grows late, let us be moving. Put up the medal&#13;
carefully, and away!--We have yet nearly an hour's march to arrive at&#13;
quarters. Come, my poor pets, once more look at the mound where your&#13;
brave father fell--and then--to horse! to horse!"</p><p>The orphans gave a last pious glance at the spot which had recalled to&#13;
their guide such painful recollections, and, with his aid, remounted&#13;
Jovial.</p><p>This venerable animal had not for one moment dreamed of moving; but,&#13;
with the consummate forethought of a veteran, he had made the best use&#13;
of his time, by taking from that foreign soil a large contribution of&#13;
green and tender grass, before the somewhat envious eyes of Spoil-sport,&#13;
who had comfortably established himself in the meadow, with his snout&#13;
protruding between his fore-paws. On the signal of departure, the dog&#13;
resumed his post behind his master, and Dagobert, trying the ground with&#13;
the end of his long staff, led the horse carefully along by the bridle,&#13;
for the meadow was growing more and more marshy; indeed, after advancing&#13;
a few steps, he was obliged to turn off to the left, in order to regain&#13;
the high-road.</p><p>On reaching Mockern, Dagobert asked for the least expensive inn, and was&#13;
told there was only one in the village--the White Falcon.</p><p>"Let us go then to the White Falcon," observed the soldier.</p><p>CHAPTER III. THE ARRIVAL.</p><p>Already had Morok several times opened with impatience the window&#13;
shutters of the loft, to look out upon the inn-yard, watching for the&#13;
arrival of the orphans and the soldier. Not seeing them, he began once&#13;
more to walk slowly up and down, with his head bent forward, and his&#13;
arms folded on his bosom, meditating on the best means to carry out&#13;
the plan he had conceived. The ideas which possessed his mind, were,&#13;
doubtless, of a painful character, for his countenance grew even more&#13;
gloomy than usual.</p><p>Notwithstanding his ferocious appearance, he was by no means deficient&#13;
in intelligence. The courage displayed in his taming exercises (which&#13;
he gravely attributed to his recent conversion), a solemn and mystical&#13;
style of speech, and a hypocritical affectation of austerity, had given&#13;
him a species of influence over the people he visited in his travels.&#13;
Long before his conversion, as may well be supposed, Morok had been&#13;
familiar with the habits of wild beasts. In fact born in the north of&#13;
Siberia, he had been, from his boyhood, one of the boldest hunters of&#13;
bears and reindeer; later, in 1810, he had abandoned this profession, to&#13;
serve as guide to a Russian engineer, who was charged with an exploring&#13;
expedition to the Polar regions. He afterwards followed him to St.&#13;
Petersburg, and there, after some vicissitudes of fortune, Morok became&#13;
one of the imperial couriers--these iron automata, that the least&#13;
caprice of the despot hurls in a frail sledge through the immensity of&#13;
the empire, from Persia to the Frozen Sea. For these men, who travel&#13;
night and day, with the rapidity of lightning there are neither seasons&#13;
nor obstacles, fatigues nor danger; living projectiles, they must either&#13;
be broken to pieces, or reach the intended mark. One may conceive the&#13;
boldness, the vigor, and the resignation, of men accustomed to such a&#13;
life.</p><p>It is useless to relate here, by what series of singular circumstances&#13;
Morok was induced to exchange his rough pursuit for another profession,&#13;
and at last to enter, as catechumen, a religious house at Friburg;&#13;
after which, being duly and properly converted, he began his nomadic&#13;
excursions, with his menagerie of unknown origin.</p><p>Morok continued to walk up and down the loft. Night had come. The three&#13;
persons whose arrival he so impatiently expected had not yet made their&#13;
appearance. His walk became more and more nervous and irregular.</p><p>On a sudden he stopped abruptly; leaned his head towards the window; and&#13;
listened. His ear was quick as a savage's.</p><p>"They are here!" he exclaimed and his fox like eye shone with diabolic&#13;
joy. He had caught the sound of footsteps--a man's and a horse's.&#13;
Hastening to the window-shutter of the loft, he opened it cautiously,&#13;
and saw the two young girls on horseback, and the old soldier who served&#13;
them as a guide, enter the inn-yard together.</p><p>The night had set in, dark and cloudy; a high wind made the lights&#13;
flicker in the lanterns which were used to receive the new guests. But&#13;
the description given to Morok had been so exact, that it was impossible&#13;
to mistake them. Sure of his prey, he closed the window. Having remained&#13;
in meditation for another quarter of an hour--for the purpose, no doubt,&#13;
of thoroughly digesting his projects--he leaned over the aperture, from&#13;
which projected the ladder, and called, "Goliath!"</p><p>"Master!" replied a hoarse voice.</p><p>"Come up to me."</p><p>"Here I am--just come from the slaughter-house with the meat."</p><p>The steps of the ladder creaked as an enormous head appeared on a level&#13;
with the floor. The new-comer, who was more than six feet high, and&#13;
gifted with herculean proportions, had been well-named Goliath. He was&#13;
hideous. His squinting eyes were deep set beneath a low and projecting&#13;
forehead; his reddish hair and beard, thick and coarse as horse-hair,&#13;
gave his features a stamp of bestial ferocity; between his broad jaws,&#13;
armed with teeth which resembled fangs, he held by one corner a piece of&#13;
raw beef weighing ten or twelve pounds, finding it, no doubt, easier to&#13;
carry in that fashion, whilst he used his hands to ascend the ladder,&#13;
which bent beneath his weight.</p><p>At length the whole of this tall and huge body issued from the aperture.&#13;
Judging by his bull-neck, the astonishing breadth of his chest and&#13;
shoulders, and the vast bulk of his arms and legs, this giant need not&#13;
have feared to wrestle single-handed with a bear. He wore an old pair&#13;
of blue trousers with red stripes, faced with tanned sheep's-skin, and&#13;
a vest, or rather cuirass, of thick leather, which was here and there&#13;
slashed by the sharp claws of the animals.</p><p>When he was fairly on the floor, Goliath unclasped his fangs, opened his&#13;
mouth, and let fall the great piece of beef, licking his blood-stained&#13;
lips with greediness. Like many other mountebanks, this species of&#13;
monster had began by eating raw meat at the fairs for the amusement of&#13;
the public. Thence having gradually acquired a taste for this barbarous&#13;
food, and uniting pleasure with profit, he engaged himself to perform&#13;
the prelude to the exercises of Morok, by devouring, in the presence of&#13;
the crowd, several pounds of raw flesh.</p><p>"My share and Death's are below stairs, and here are those of Cain&#13;
and Judas," said Goliath, pointing to the chunk of beef. "Where is&#13;
the cleaver, that I may cut it in two?--No preference here--beast or&#13;
man--every gullet must have it's own."</p><p>Then, rolling up one of the sleeves of his vest, he exhibited a fore-arm&#13;
hairy as skin of a wolf, and knotted with veins as large as one's thumb.</p><p>"I say, master, where's the cleaver?"--He again began, as he cast round&#13;
his eyes in search of that instrument. But instead of replying to this&#13;
inquiry, the Prophet put many questions to his disciple.</p><p>"Were you below when just now some new travellers arrived at the inn?"</p><p>"Yes, master; I was coming from the slaughter-house."</p><p>"Who are these travellers?"</p><p>"Two young lasses mounted on a white horse, and an old fellow with a&#13;
big moustache. But the cleaver?--my beasts are hungry and so am I--the&#13;
cleaver!"</p><p>"Do you know where they have lodged these travellers?"</p><p>"The host took them to the far end of the court-yard."</p><p>"The building, which overlooks the fields?"</p><p>"Yes, master--but the cleaver--"</p><p>A burst of frightful roaring shook the loft, and interrupted Goliath.</p><p>"Hark to them!" he exclaimed; "hunger has driven the beasts wild. If I&#13;
could roar, I should do as they do. I have never seen Judas and Cain as&#13;
they are to-night; they leap in their cages as if they'd knock all to&#13;
pieces. As for Death, her eyes shine more than usual like candles--poor&#13;
Death!"</p><p>"So these girls are lodged in the building at the end of the&#13;
court-yard," resumed Morok, without attending to the observations of&#13;
Goliath.</p><p>"Yes, yes--but in the devil's name, where is the cleaver? Since Karl&#13;
went away I have to do all the work, and that makes our meals very&#13;
late."</p><p>"Did the old man remain with the young girls?" asked Morok.</p><p>Goliath, amazed that, notwithstanding his importunities, his master&#13;
should still appear to neglect the animals' supper, regarded the Prophet&#13;
with an increase of stupid astonishment.</p><p>"Answer, you brute!"</p><p>"If I am a brute, I have a brute's strength," said Goliath, in a surly&#13;
tone, "and brute against brute, I have not always come the worst off."</p><p>"I ask if the old man remained with the girls," repeated Morok.</p><p>"Well, then--no!" returned the giant. "The old man, after leading his&#13;
horse to the stable, asked for a tub and some water, took his stand&#13;
under the porch--and there--by the light of a lantern--he is washing&#13;
out clothes. A man with a gray moustache!--paddling in soap-suds like&#13;
a washerwoman--it's as if I were to feed canaries!" added Goliath,&#13;
shrugging his shoulders with disdain. "But now I've answered you,&#13;
master, let me attend to the beasts' supper,"--and, looking round for&#13;
something, he added, "where is the cleaver?"</p><p>After a moment of thoughtful silence, the Prophet said to Goliath, "You&#13;
will give no food to the beasts this evening."</p><p>At first the giant could not understand these words, the idea was so&#13;
incomprehensible to him.</p><p>"What is your pleasure, master?" said he.</p><p>"I forbid you to give any food to the beasts this evening."</p><p>Goliath did not answer, but he opened wide his squinting eyes, folded&#13;
his hands, and drew back a couple of steps.</p><p>"Well, dost hear me?" said Morok, with impatience. "Is it plain enough?"</p><p>"Not feed? when our meat is there, and supper is already three hours&#13;
after time!" cried Goliath, with ever-increasing amazement.</p><p>"Obey, and hold your tongue."</p><p>"You must wish something bad to happen this evening. Hunger makes the&#13;
beasts furious--and me also."</p><p>"So much the better!"</p><p>"It'll drive 'em mad."</p><p>"So much the better!"</p><p>"How, so much the better?--But--"</p><p>"It is enough!"</p><p>"But, devil take me, I am as hungry as the beasts!"</p><p>"Eat then--who prevents it? Your supper is ready, as you devour it raw."</p><p>"I never eat without my beasts, nor they without me."</p><p>"I tell you again, that, if you dare give any food to the beasts--I will&#13;
turn you away."</p><p>Goliath uttered a low growl as hoarse as a bear's, and looked at the&#13;
Prophet with a mixture of anger and stupefaction.</p><p>Morok, having given his orders, walked up and down the loft, appearing&#13;
to reflect. Then, addressing himself to Goliath, who was still plunged&#13;
in deep perplexity, he said to him.</p><p>"Do you remember the burgomaster's, where I went to get my passport&#13;
signed?--To-day his wife bought some books and a chaplet."</p><p>"Yes," answered the giant shortly.</p><p>"Go and ask his servant if I may be sure to find the burgomaster early&#13;
to-morrow morning."</p><p>"What for?"</p><p>"I may, perhaps, have something important to communicate; at all events,&#13;
say that I beg him not to leave home without seeing me."</p><p>"Good! but may I feed the beasts before I go to the burgomaster's?--only&#13;
the panther, who is most hungry? Come, master; only poor Death? just a&#13;
little morsel to satisfy her; Cain and I and Judas can wait."</p><p>"It is the panther, above all, that I forbid you to feed. Yes, her,&#13;
above all the rest."</p><p>"By the horns of the devil!" cried Goliath, "what is the matter with you&#13;
to-day? I can make nothing of it. It is a pity that Karl's not here; he,&#13;
being cunning, would help me to understand why you prevent the beasts&#13;
from eating when they are hungry."</p><p>"You have no need to understand it."</p><p>"Will not Karl soon come back?"</p><p>"He has already come back."</p><p>"Where is he, then?"</p><p>"Off again."</p><p>"What can be going on here? There is something in the wind. Karl goes,&#13;
and returns, and goes again, and--"</p><p>"We are not talking of Karl, but of you; though hungry as a wolf you&#13;
are cunning as a fox, and, when it suits you, as cunning as Karl." And,&#13;
changing on the sudden his tone and manner, Morok slapped the giant&#13;
cordially on the shoulder.</p><p>"What! am I cunning?"</p><p>"The proof is, that there are ten florins to earn to-night--and you will&#13;
be keen enough to earn them, I am sure."</p><p>"Why, on those terms, yes--I am awake," said the giant, smiling with a&#13;
stupid, self-satisfied air. "What must I do for ten florins?"</p><p>"You shall see."</p><p>"Is it hard work?"</p><p>"You shall see. Begin by going to the burgomaster's--but first light the&#13;
fire in that stove." He pointed to it with his finger.</p><p>"Yes, master," said Goliath, somewhat consoled for the delay of his&#13;
supper by the hope of gaining ten florins.</p><p>"Put that iron bar in the stove," added the Prophet, "to make it&#13;
red-hot."</p><p>"Yes, master."</p><p>"You will leave it there; go to the burgomaster's, and return here to&#13;
wait for me."</p><p>"Yes, master.</p><p>"You will keep the fire up in the stove."</p><p>"Yes, master."</p><p>Morok took a step away, but recollecting himself, he resumed: "You say&#13;
the old man is busy washing under the porch?"</p><p>"Yes, master."</p><p>"Forget nothing: the iron bar in the fire--the burgomaster--and return&#13;
here to wait my orders." So saying, Morok descended by the trap-door and&#13;
disappeared.</p><p>CHAPTER IV. MOROK and DAGOBERT</p><p>Goliath had not been mistaken, for Dagobert was washing with that&#13;
imperturbable gravity with which he did everything else.</p><p>When we remember the habits of a soldier a-field, we need not be&#13;
astonished at this apparent eccentricity. Dagobert only thought of&#13;
sparing the scanty purse of the orphans, and of saving them all care and&#13;
trouble; so every evening when they came to a halt he devoted himself&#13;
to all sorts of feminine occupations. But he was not now serving his&#13;
apprenticeship in these matters; many times, during his campaigns, he&#13;
had industriously repaired the damage and disorder which a day of battle&#13;
always brings to the garments of the soldier; for it is not enough to&#13;
receive a sabre-cut--the soldier has also to mend his uniform; for the&#13;
stroke which grazes the skin makes likewise a corresponding fissure in&#13;
the cloth.</p><p>Therefore, in the evening or on the morrow of a hard-fought engagement,&#13;
you will see the best soldiers (always distinguished by their fine&#13;
military appearance) take from their cartridge-box or knapsack a&#13;
housewife, furnished with needles, thread, scissors, buttons, and other&#13;
such gear, and apply themselves to all kinds of mending and darning,&#13;
with a zeal that the most industrious workwoman might envy.</p><p>We could not find a better opportunity to explain the name of Dagobert,&#13;
given to Francis Baudoin (the guide of the orphans) at a time when he&#13;
was considered one of the handsomest and bravest horse-grenadiers of the&#13;
Imperial Guard.</p><p>They had been fighting hard all day, without any decisive advantage. In&#13;
the evening, the company to which our hero belonged was sent as outliers&#13;
to occupy the ruins of a deserted village. Videttes being posted, half&#13;
the troopers remained in saddle, whilst the others, having picketed&#13;
their horses, were able to take a little rest. Our hero had charged&#13;
valiantly that day without receiving any wound--for he counted as a mere&#13;
memento the deep scratch on his thigh, which a kaiserlitz had inflicted&#13;
in awkwardly attempting an upward thrust with the bayonet.</p><p>"You donkey! my new breeches!" the grenadier had exclaimed, when he&#13;
saw the wide yawning rent, which he instantly avenged by running the&#13;
Austrian through, with a thrust scientifically administered. For, if he&#13;
showed a stoical indifference on the subject of injury to his skin, it&#13;
was not so with regard to the ripping up of his best parade uniform.</p><p>He undertook, therefore, the same evening, at the bivouac, to repair&#13;
this accident. Selecting his best needle and thread from the stores of&#13;
his housewife, and arming his finger with a thimble, he began to play&#13;
the tailor by the light of the watch-fire, having first drawn off his&#13;
cavalry-boots, and also (if it must be confessed) the injured garment&#13;
itself, which he turned the wrong side out the better to conceal the&#13;
stitches.</p><p>This partial undress was certainly a breach of discipline: but the&#13;
captain, as he went his round, could not forbear laughing at the sight&#13;
of the veteran soldier, who, gravely seated, in a squatting position,&#13;
with his grenadier cap on, his regimental coat on his back, his boots&#13;
by his side, and his galligaskins in his lap, was sewing with all the&#13;
coolness of a tailor upon his own shop-board.</p><p>Suddenly, a musket-shot is heard, and the videttes fall back upon the&#13;
detachment, calling to arms. "To horse!" cries the captain, in a voice&#13;
of thunder.</p><p>In a moment, the troopers are in their saddles, the unfortunate clothes&#13;
mender having to lead the first rank; there is no time to turn the&#13;
unlucky garment, so he slips it on, as well as he can, wrong side out,&#13;
and leaps upon his horse, without even stopping to put on his boots.</p><p>A party of Cossacks, profiting by the cover of a neighboring wood, had&#13;
attempted to surprise the detachment: the fight was bloody, and our hero&#13;
foamed with rage, for he set much value on his equipments, and the day&#13;
had been fatal to him. Thinking of his torn clothes and lost boots, he&#13;
hacked away with more fury than ever; a bright moon illumined the scene&#13;
of action, and his comrades were able to appreciate the brilliant valor&#13;
of our grenadier, who killed two Cossacks, and took an officer prisoner,&#13;
with his own hand.</p><p>After this skirmish, in which the detachment had maintained its&#13;
position, the captain drew up his men to compliment them on their&#13;
success, and ordered the clothes-mender to advance from the ranks, that&#13;
he might thank him publicly for his gallant behavior. Our hero could&#13;
have dispensed with this ovation, but he was not the less obliged to&#13;
obey.</p><p>Judge of the surprise of both captain and troopers, when they saw this&#13;
tall and stern-looking figure ride forward at a slow pace, with his&#13;
naked feet in the stirrups, and naked legs pressing the sides of his&#13;
charger.</p><p>The captain drew near in astonishment; but recalling the occupation of&#13;
the soldier at the moment when the alarm was given, he understood the&#13;
whole mystery. "Ha, my old comrade!" he exclaimed, "thou art like King&#13;
Dagobert--wearing thy breeches inside out."</p><p>In spite of discipline, this joke of the captain's was received with&#13;
peals of ill-repressed laughter. But our friend, sitting upright in his&#13;
saddle, with his left thumb pressing the well adjusted reins, and his&#13;
sword-hilt carried close to his right thigh, made a half-wheel, and&#13;
returned to his place in the ranks without changing countenance, after&#13;
he had duly received the congratulations of his captain. From that day,&#13;
Francis Baudoin received and kept the nickname of Dagobert.</p><p>Now Dagobert was under the porch of the inn, occupied in washing, to the&#13;
great amazement of sundry beer-drinkers, who observed him with curious&#13;
eyes from the large common room in which they were assembled.</p><p>In truth, it was a curious spectacle. Dagobert had laid aside his gray&#13;
top-coat, and rolled up the sleeves of his shirt; with a vigorous hand,&#13;
and good supply of soap, he was rubbing away at a wet handkerchief,&#13;
spread out on the board, the end of which rested in a tub full of&#13;
water. Upon his right arm, tattooed with warlike emblems in red and&#13;
blue colors, two scars, deep enough to admit the finger, were distinctly&#13;
visible. No wonder then, that, while smoking their pipes, and emptying&#13;
their pots of beer, the Germans should display some surprise at the&#13;
singular occupation of this tall, moustached, bald-headed old man, with&#13;
the forbidding countenance--for the features of Dagobert assumed a harsh&#13;
and grim expression, when he was no longer in presence of the two girls.</p><p>The sustained attention, of which he saw himself the object, began&#13;
to put him out of patience, for his employment appeared to him quite&#13;
natural. At this moment, the Prophet entered the porch, and, perceiving&#13;
the soldier, eyed him attentively for several seconds; then approaching,&#13;
he said to him in French, in a rather sly tone: "It would seem, comrade,&#13;
that you have not much confidence in the washerwomen of Mockern?"</p><p>Dagobert, without discontinuing his work, half turned his head with a&#13;
frown, looked askant at the Prophet, and made him no answer.</p><p>Astonished at this silence, Morok resumed: "If I do not deceive myself,&#13;
you are French, my fine fellow. The words on your arm prove it, and your&#13;
military air stamps you as an old soldier of the Empire. Therefore I&#13;
find, that, for a hero, you have taken rather late to wear petticoats."</p><p>Dagobert remained mute, but he gnawed his moustache, and plied the soap,&#13;
with which he was rubbing the linen, in a most hurried, not to say angry&#13;
style; for the face and words of the beast-tamer displeased him&#13;
more than he cared to show. Far from being discouraged, the Prophet&#13;
continued: "I am sure, my fine fellow, that you are neither deaf nor&#13;
dumb; why, then, will you not answer me?"</p><p>Losing all patience, Dagobert turned abruptly round, looked Morok full&#13;
in the face, and said to him in a rough voice: "I don't know you: I&#13;
don't wish to know you! Chain up your curb!" And he betook himself again&#13;
to his washing.</p><p>"But we may make acquaintance. We can drink a glass of Rhine-wine&#13;
together, and talk of our campaigns. I also have seen some service, I&#13;
assure you; and that, perhaps, will induce you to be more civil."</p><p>The veins on the bald forehead of Dagobert swelled perceptibly; he saw&#13;
in the look and accent of the man, who thus obstinately addressed him,&#13;
something designedly provoking; still he contained himself.</p><p>"I ask you, why should you not drink a glass of wine with me--we could&#13;
talk about France. I lived there a long time; it is a fine country; and&#13;
when I meet Frenchmen abroad, I feel sociable--particularly when they&#13;
know how to use the soap as well as you do. If I had a housewife I'd&#13;
send her to your school."</p><p>The sarcastic meaning was no longer disguised; impudence and bravado&#13;
were legible in the Prophet's looks. Thinking that, with such an&#13;
adversary, the dispute might become serious, Dagobert, who wished to&#13;
avoid a quarrel at any price, carried off his tub to the other end of&#13;
the porch, hoping thus to put an end to the scene which was a sore&#13;
trial of his temper. A flash of joy lighted up the tawny eyes of the&#13;
brute-tamer. The white circle, which surrounded the pupil seemed to&#13;
dilate. He ran his crooked fingers two or three times through his yellow&#13;
beard, in token of satisfaction; then he advanced slowly towards the&#13;
soldier, accompanied by several idlers from the common-room.</p><p>Notwithstanding his coolness, Dagobert, amazed and incensed at the&#13;
impudent pertinacity of the Prophet, was at first disposed to break&#13;
the washing-board on his head; but, remembering the orphans, he thought&#13;
better of it.</p><p>Folding his arms upon his breast, Morok said to him, in a dry and&#13;
insolent tone: "It is very certain you are not civil, my man of suds!"&#13;
Then, turning to the spectators, he continued in German: "I tell this&#13;
Frenchman, with his long moustache, that he is not civil. We shall&#13;
see what answer he'll make. Perhaps it will be necessary to give him&#13;
a lesson. Heaven preserve me from quarrels!" he added, with mock&#13;
compunction; "but the Lord has enlightened me--I am his creature, and I&#13;
ought to make his work respected."</p><p>The mystical effrontery of this peroration was quite to the taste of&#13;
the idlers; the fame of the Prophet had reached Mockern, and, as a&#13;
performance was expected on the morrow, this prelude much amused the&#13;
company. On hearing the insults of his adversary, Dagobert could not&#13;
help saying in the German language: "I know German. Speak in German--the&#13;
rest will understand you."</p><p>New spectators now arrived, and joined the first comers; the adventure&#13;
had become exciting, and a ring was formed around the two persons most&#13;
concerned.</p><p>The Prophet resumed in German: "I said that you were not civil, and I&#13;
now say you are grossly rude. What do you answer to that?"</p><p>"Nothing!" said Dagobert, coldly, as he proceeded to rinse out another&#13;
piece of linen.</p><p>"Nothing!" returned Morok; "that is very little. I will be less brief,&#13;
and tell you, that, when an honest man offers a glass of wine civilly&#13;
to a stranger, that stranger has no right to answer with insolence, and&#13;
deserves to be taught manners if he does so."</p><p>Great drops of sweat ran down Dagobert's forehead and cheeks; his&#13;
large imperial was incessantly agitated by nervous trembling--but he&#13;
restrained himself. Taking, by two of the corners, the handkerchief&#13;
which he had just dipped in the water, he shook it, wrung it, and began&#13;
to hum to himself the burden of the old camp ditty:</p><p>"Out of Tirlemont's flea-haunted den,&#13;
     We ride forth next day of the sen,&#13;
     With sabre in hand, ah!&#13;
     Good-bye to Amanda," etc.</p><p>The silence to which Dagobert had condemned himself, almost choked him;&#13;
this song afforded him some relief.</p><p>Morok, turning towards the spectators, said to them, with an air of&#13;
hypocritical restraint: "We knew that the soldiers of Napoleon were&#13;
pagans, who stabled their horses in churches, and offended the Lord a&#13;
hundred times a day, and who, for their sins, were justly drowned in the&#13;
Beresino, like so many Pharaohs; but we did not know that the Lord,&#13;
to punish these miscreants, had deprived them of courage--their single&#13;
gift. Here is a man, who has insulted, in me, a creature favored by&#13;
divine grace, and who affects not to understand that I require an&#13;
apology; or else--"</p><p>"What?" said Dagobert, without looking at the Prophet.</p><p>"Or you must give me satisfaction!--I have already told you that I have&#13;
seen service. We shall easily find somewhere a couple of swords, and to&#13;
morrow morning, at peep of day, we can meet behind a wall, and show the&#13;
color of our blood--that is, if you have any in your veins!"</p><p>This challenge began to frighten the spectators, who were not prepared&#13;
for so tragical a conclusion.</p><p>"What, fight?--a very, fine idea!" said one. "To get yourself both&#13;
locked up in prison: the laws against duelling are strict."</p><p>"Particularly with relation to strangers or nondescripts," added&#13;
another. "If they were to find you with arms in your hands, the&#13;
burgomaster would shut you up in jail, and keep you there two or three&#13;
months before trial."</p><p>"Would you be so mean as to denounce us?" asked Morok.</p><p>"No, certainly not," cried several; "do as you like. We are only giving&#13;
you a friendly piece of advice, by which you may profit, if you think&#13;
fit."</p><p>"What care I for prison?" exclaimed the Prophet. "Only give me a couple&#13;
of swords, and you shall see to-morrow morning if I heed what the&#13;
burgomaster can do or say."</p><p>"What would you do with two swords?" asked Dagobert, quietly.</p><p>"When you have one in your grasp, and I one in mine, you'd see. The Lord&#13;
commands us to have a care of his honor!"</p><p>Dagobert shrugged his shoulders, made a bundle of his linen in his&#13;
handkerchief, dried his soap, and put it carefully into a little&#13;
oil-silk bag--then, whistling his favorite air of Tirlemont, moved to&#13;
depart.</p><p>The Prophet frowned; he began to fear that his challenge would not be&#13;
accepted. He advanced a step or so to encounter Dagobert, placed himself&#13;
before him, as if to intercept his passage, and, folding his arms, and&#13;
scanning him from head to foot with bitter insolence, said to him:&#13;
"So! an old soldier of that arch-robber, Napoleon, is only fit for a&#13;
washerwoman, and refuses to fight!"</p><p>"Yes, he refuses to fight," answered Dagobert, in a firm voice, but&#13;
becoming fearfully pale. Never, perhaps, had the soldier given to his&#13;
orphan charge such a proof of tenderness and devotion. For a man of&#13;
his character to let himself be insulted with impunity, and refuse to&#13;
fight--the sacrifice was immense.</p><p>"So you are a coward--you are afraid of me--and you confess it?"</p><p>At these words Dagobert made, as it were, a pull upon himself--as if a&#13;
sudden thought had restrained him the moment he was about to rush on&#13;
the Prophet. Indeed, he had remembered the two maidens, and the fatal&#13;
hindrance which a duel, whatever might be the result, would occasion&#13;
to their journey. But the impulse of anger, though rapid, had been so&#13;
significant--the expression of the stern, pale face, bathed in sweat,&#13;
was so daunting, that the Prophet and the spectators drew back a step.</p><p>Profound silence reigned for some seconds, and then, by a sudden&#13;
reaction, Dagobert seemed to have gained the general interest. One of&#13;
the company said to those near him; "This man is clearly not a coward."</p><p>"Oh, no! certainly not."</p><p>"It sometimes requires more courage to refuse a challenge than to accept&#13;
one."</p><p>"After all the Prophet was wrong to pick a quarrel about nothing--and&#13;
with a stranger, too."</p><p>"Yes, for a stranger, if he fought and was taken up, would have a good&#13;
long imprisonment."</p><p>"And then, you see," added another, "he travels with two young girls.&#13;
In such a position, ought a man to fight about trifles? If he should be&#13;
killed or put in prison, what would become of them, poor children?"</p><p>Dagobert turned towards the person who had pronounced these last words.&#13;
He saw a stout fellow, with a frank and simple countenance; the soldier&#13;
offered him his hand, and said with emotion:</p><p>"Thank you, sir."</p><p>The German shook cordially the hand, which Dagobert had proffered, and,&#13;
holding it still in his own, he added: "Do one thing, sir--share a bowl&#13;
of punch with us. We will make that mischief-making Prophet acknowledge&#13;
that he has been too touchy, and he shall drink to your health."</p><p>Up to this moment the brute-tamer, enraged at the issue of this scene,&#13;
for he had hoped that the soldier would accept his challenge, looked on&#13;
with savage contempt at those who had thus sided against him. But now&#13;
his features gradually relaxed; and, believing it useful to his projects&#13;
to hide his disappointment, he walked up to the soldier, and said to&#13;
him, with a tolerably good grace: "Well, I give way to these gentlemen.&#13;
I own I was wrong. Your frigid air had wounded me, and I was not master&#13;
of myself. I repeat, that I was wrong," he added, with suppressed&#13;
vexation; "the Lord commands humility--and--I beg your pardon."</p><p>This proof of moderation and regret was highly appreciated and loudly&#13;
applauded by the spectators. "He asks your pardon; you cannot expect&#13;
more, my brave fellow?" said one of them, addressing Dagobert. "Come,&#13;
let us all drink together; we make you this offer frankly--accept it in&#13;
the same spirit."</p><p>"Yes, yes; accept it, we beg you, in the name of your pretty little&#13;
girls," said the stout man, hoping to decide Dagobert by this argument.</p><p>"Many thanks, gentlemen," replied he, touched by the hearty advances of&#13;
the Germans; "you are very worthy people. But, when one is treated, he&#13;
must offer drink in return."</p><p>"Well, we will accept it--that's understood. Each his turn, and all&#13;
fair. We will pay for the first bowl, you for the second."</p><p>"Poverty is no crime," answered Dagobert; "and I must tell you honestly&#13;
that I cannot afford to pay for drink. We have still a long journey to&#13;
go, and I must not incur any useless expenses."</p><p>The soldier spoke these words with such firm, but simple dignity, that&#13;
the Germans did not venture to renew their offer, feeling that a man of&#13;
Dagobert's character could not accept it without humiliation.</p><p>"Well, so much the worse," said the stout man. "I should have liked to&#13;
clink glasses with you. Good-night, my brave trooper!--Good-night--for&#13;
it grows late, and mine host of the Falcon will soon turn us out of&#13;
doors."</p><p>"Good-night, gentlemen," replied Dagobert, as he directed his steps&#13;
towards the stable, to give his horse a second allowance of provender.</p><p>Morok approached him, and said in a voice even more humble than before:&#13;
"I have acknowledged my error, and asked your pardon. You have not&#13;
answered me; do you still bear malice?"</p><p>"If ever I meet you," said the veteran, in a suppressed and hollow tone,&#13;
"when my children have no longer need of me, I will just say two words&#13;
to you, and they will not be long ones."</p><p>Then he turned his back abruptly on the Prophet, who walked slowly out&#13;
of the yard.</p><p>The inn of the White Falcon formed a parallelogram. At one end rose&#13;
the principal dwelling; at the other was a range of buildings, which&#13;
contained sundry chambers, let at a low price to the poorer sort of&#13;
travellers; a vaulted passage opened a way through this latter into&#13;
the country; finally, on either side of the court-yard were sheds and&#13;
stables, with lofts and garrets erected over them.</p><p>Dagobert, entering one of these stables, took from off a chest the&#13;
portion of oats destined for his horse, and, pouring it into a winnowing&#13;
basket, shook it as he approached Jovial.</p><p>To his great astonishment, his old travelling companion did not respond&#13;
with a joyous neigh to the rustle of the oats rattling on the wicker&#13;
work. Alarmed, he called Jovial with a friendly voice; but the animal,&#13;
instead of turning towards his master a look of intelligence, and&#13;
impatiently striking the ground with his fore-feet, remained perfectly&#13;
motionless.</p><p>More and more surprised, the soldier went up to him. By the dubious&#13;
light of a stable-lantern, he saw the poor animal in an attitude which&#13;
implied terror--his legs half bent, his head stretched forward, his ears&#13;
down, his nostrils quivering; he had drawn tight his halter, as if&#13;
he wished to break it, in order to get away from the partition that&#13;
supported his rack and manger; abundant cold-sweat had speckled his hide&#13;
with bluish stains, and his coat altogether looked dull and bristling,&#13;
instead of standing out sleek and glossy from the dark background of&#13;
the stable; lastly, from time to time, his body shook with convulsive&#13;
starts.</p><p>"Why, old Jovial!" said the soldier, as he put down the basket, in&#13;
order to soothe his horse with more freedom, "you are like thy&#13;
master--afraid!--Yes," he added with bitterness, as he thought of the&#13;
offence he had himself endured, "you are afraid--though no coward in&#13;
general."</p><p>Notwithstanding the caresses and the voice of his master, the horse&#13;
continued to give signs of terror; he pulled somewhat less violently&#13;
at his halter, and approaching his nostrils to the hand of Dagobert,&#13;
sniffed audibly, as if he doubted it were he.</p><p>"You don't know me!" cried Dagobert. "Something extraordinary must be&#13;
passing here."</p><p>The soldier looked around him with uneasiness. It was a large stable,&#13;
faintly lighted by the lantern suspended from the roof, which was&#13;
covered with innumerable cobwebs; at the further end, separated from&#13;
Jovial by some stalls with bars between, were the three strong, black,&#13;
horses of the brute-tamer--as tranquil as Jovial was frightened.</p><p>Dagobert, struck with this singular contrast, of which he was soon&#13;
to have the explanation, again caressed his horse; and the animal,&#13;
gradually reassured by his master's presence, licked his hands, rubbed&#13;
his head against him, uttered a low neigh, and gave him his usual tokens&#13;
of affection.</p><p>"Come, come, this is how I like to see my old Jovial!" said Dagobert,&#13;
as he took up the winnowing-basket, and poured its contents into the&#13;
manger. "Now eat with a good appetite, for we have a long day's march&#13;
tomorrow; and, above all, no more of these foolish fears about nothing!&#13;
If thy comrade, Spoil-sport, was here, he would keep you in heart; but&#13;
he is along with the children, and takes care of them in my absence.&#13;
Come, eat! Instead of staring at me in that way."</p><p>But the horse, having just touched the oats with his mouth, as if in&#13;
obedience to his master, returned to them no more, and began to nibble&#13;
at the sleeve of Dagobert's coat.</p><p>"Come, come, my poor Jovial! there is something the matter with you. You&#13;
have generally such a good appetite, and now you leave your corn. 'Tis&#13;
the first time this has happened since our departure," said the soldier,&#13;
who was now growing seriously uneasy, for the issue of his journey&#13;
greatly depended on the health and vigor of his horse.</p><p>Just then a frightful roaring, so near that it seemed to come from the&#13;
stable in which they were, gave so violent a shock to Jovial, that with&#13;
one effort he broke his halter, leaped over the bar that marked his&#13;
place, and rushing at the open door, escaped into the court-yard.</p><p>Dagobert had himself started at the suddenness of this wild and fearful&#13;
sound, which at once explained to him the cause of his horse's terror.&#13;
The adjoining stable was occupied by the itinerant menagerie of the&#13;
brute-tamer, and was only separated by the partition, which supported&#13;
the mangers. The three horses of the Prophet, accustomed to these&#13;
howlings, had remained perfectly quiet.</p><p>"Good!" said the soldier, recovering himself; "I understand it now.&#13;
Jovial has heard another such roar before, and he can scent the animals&#13;
of that insolent scoundrel. It is enough to frighten him," added he,&#13;
as he carefully collected the oats from the manger; "once in another&#13;
stable, and there must be others in this place, he will no longer leave&#13;
his peck, and we shall be able to start early to-morrow morning!"</p><p>The terrified horse, after running and galloping about the yard,&#13;
returned at the voice of the soldier, who easily caught him by the&#13;
broken halter; and a hostler, whom Dagobert asked if there was another&#13;
vacant stable, having pointed out one that was only intended for a&#13;
single animal, Jovial was comfortably installed there.</p><p>When delivered from his ferocious neighbors, the horse became tranquil&#13;
as before, and even amused himself much at the expense of Dagobert's&#13;
top coat, which, thanks to his tricks, might have afforded immediate&#13;
occupation for his master's needle, if the latter had not been fully&#13;
engaged in admiring the eagerness with which Jovial dispatched his&#13;
provender. Completely reassured on his account, the soldier shut the&#13;
door of the stable, and proceeded to get his supper as quickly as&#13;
possible, in order to rejoin the orphans, whom he reproached himself&#13;
with having left so long.</p><p>CHAPTER V. ROSE AND BLANCHE.</p><p>The orphans occupied a dilapidated chamber in one of the most remote&#13;
wings of the inn, with a single window opening upon the country. A bed&#13;
without curtains, a table, and two chairs, composed the more than modest&#13;
furniture of this retreat, which was now lighted by a lamp. On the&#13;
table, which stood near the window, was deposited the knapsack of the&#13;
soldier.</p><p>The great Siberian dog, who was lying close to the door, had already&#13;
twice uttered a deep growl, and turned his head towards the window--but&#13;
without giving any further affect to this hostile manifestation.</p><p>The two sisters, half recumbent in their bed, were clad in long white&#13;
wrappers, buttoned at the neck and wrists. They wore no caps, but their&#13;
beautiful chestnut hair was confined at the temples by a broad piece&#13;
of tape, so that it might not get tangled during the night. These white&#13;
garments, and the white fillet that like a halo encircled their brows,&#13;
gave to their fresh and blooming faces a still more candid expression.</p><p>The orphans laughed and chatted, for, in spite of some early sorrows,&#13;
they still retained the ingenuous gayety of their age. The remembrance&#13;
of their mother would sometimes make them sad, but this sorrow had in it&#13;
nothing bitter; it was rather a sweet melancholy, to be sought instead&#13;
of shunned. For them, this adored mother was not dead--she was only&#13;
absent.</p><p>Almost as ignorant as Dagobert, with regard to devotional exercises, for&#13;
in the desert where they had lived there was neither church nor priest,&#13;
their faith, as was already said, consisted in this--that God, just and&#13;
good, had so much pity for the poor mothers whose children were left&#13;
on earth, that he allowed them to look down upon them from highest&#13;
heaven--to see them always, to hear them always, and sometimes to&#13;
send fair guardian angels to protect therein. Thanks to this guileless&#13;
illusion, the orphans, persuaded that their mother incessantly watched&#13;
over them, felt, that to do wrong would be to afflict her, and to&#13;
forfeit the protection of the good angels.--This was the entire theology&#13;
of Rose and Blanche--a creed sufficient for such pure and loving souls.</p><p>Now, on the evening in question, the two sisters chatted together whilst&#13;
waiting for Dagobert. Their theme interested them much, for, since&#13;
some days, they had a secret, a great secret, which often quickened the&#13;
beatings of their innocent hearts, often agitated their budding bosoms,&#13;
changed to bright scarlet the roses on their cheeks, and infused a&#13;
restless and dreamy langour into the soft blue of their large eyes.</p><p>Rose, this evening, occupied the edge of the couch, with her rounded&#13;
arms crossed behind her head, which was half turned towards her sister;&#13;
Blanche, with her elbow resting on the bolster, looked at her smilingly,&#13;
and said: "Do you think he will come again to-night?"</p><p>"Oh, yes! certainly. He promised us yesterday."</p><p>"He is so good, he would not break his promise."</p><p>"And so handsome, with his long fair curls."</p><p>"And his name--what a charming name!--How well it suits his face."</p><p>"And what a sweet smile and soft voice, when he says to us, taking us by&#13;
the hand: 'My children, bless God that he has given you one soul. What&#13;
others seek elsewhere, you will find in yourselves.'"</p><p>"'Since your two hearts,' he added, 'only make one.'"</p><p>"What pleasure to remember his words, sister!"</p><p>"We are so attentive! When I see you listening to him, it is as if I&#13;
saw myself, my dear little mirror!" said Rose, laughing, and kissing her&#13;
sister's forehead. "Well--when he speaks, your--or rather our eyes--are&#13;
wide, wide open, our lips moving as if we repeated every word after him.&#13;
It is no wonder we forget nothing that he says."</p><p>"And what he says is so grand, so noble, and generous."</p><p>"Then, my sister, as he goes on talking, what good thoughts rise within&#13;
us! If we could but always keep them in mind."</p><p>"Do not be afraid! they will remain in our hearts, like little birds in&#13;
their mother's nests."</p><p>"And how lucky it is, Rose, that he loves us both at the same time!"</p><p>"He could not do otherwise, since we have but one heart between us."</p><p>"How could he love Rose, without loving Blanche?"</p><p>"What would have become of the poor, neglected one?"</p><p>"And then again he would have found it so difficult to choose."</p><p>"We are so much like one another."</p><p>"So, to save himself that trouble," said Rose, laughing, "he has chosen&#13;
us both."</p><p>"And is it not the best way? He is alone to love us; we are two together&#13;
to think of him."</p><p>"Only he must not leave us till we reach Paris."</p><p>"And in Paris, too--we must see him there also."</p><p>"Oh, above all at Paris; it will be good to have him with us--and&#13;
Dagobert, too--in that great city. Only think, Blanche, how beautiful it&#13;
must be."</p><p>"Paris!--it must be like a city all of gold."</p><p>"A city, where every one must be happy, since it is so beautiful."</p><p>"But ought we, poor orphans, dare so much as to enter it? How people&#13;
will look at us!"</p><p>"Yes--but every one there is happy, every one must be good also."</p><p>"They will love us."</p><p>"And, besides, we shall be with our friend with the fair hair and blue&#13;
eyes."</p><p>"He has yet told us nothing of Paris."</p><p>"He has not thought of it; we must speak to him about it this very&#13;
night."</p><p>"If he is in the mood for talking. Often you know, he likes best to gaze&#13;
on us in silence--his eyes on our eyes."</p><p>"Yes. In those moments, his look recalls to me the gaze of our dear&#13;
mother."</p><p>"And, as she sees it all, how pleased she must be at what has happened&#13;
to us!"</p><p>"Because, when we are so much beloved, we must, I hope, deserve it."</p><p>"See what a vain thing it is!" said Blanche, smoothing with her slender&#13;
fingers the parting of the hair on her sister's forehead.</p><p>After a moment's reflection, Rose said to her: "Don't you think we&#13;
should relate all this to Dagobert?"</p><p>"If you think so, let us do it."</p><p>"We tell him everything, as we told everything to mother. Why should we&#13;
conceal this from him?"</p><p>"Especially as it is something which gives us so much pleasure."</p><p>"Do you not find that, since we have known our friend, our hearts beat&#13;
quicker and stronger?"</p><p>"Yes, they seem to be more full."</p><p>"The reason why is plain enough; our friend fills up a good space in&#13;
them."</p><p>"Well, we will do best to tell Dagobert what a lucky star ours is."</p><p>"You are right--" At this moment the dog gave another deep growl.</p><p>"Sister," said Rose, as she pressed closer to Blanche, "there is the dog&#13;
growling again. What can be the matter with him?"</p><p>"Spoil-sport, do not growl! Come hither," said Blanche, striking with&#13;
her little hand on the side of the bed.</p><p>The dog rose, again growled deeply, and came to lay his great,&#13;
intelligent looking head on the counterpane, still obstinately casting&#13;
a sidelong glance at the window; the sisters bent over him to pat&#13;
his broad forehead, in the centre of which was a remarkable bump, the&#13;
certain sign of extreme purity of race.</p><p>"What makes you growl so, Spoil-sport?" said Blanche, pulling him gently&#13;
by the ears--"eh, my good dog?"</p><p>"Poor beast! he is always so uneasy when Dagobert is away."</p><p>"It is true; one would think he knows that he then has a double charge&#13;
over us."</p><p>"Sister, it seems to me, Dagobert is late in coming to say good-night."</p><p>"No doubt he is attending to Jovial."</p><p>"That makes me think that we did not bid good-night to dear old Jovial.</p><p>"I am sorry for it."</p><p>"Poor beast! he seems so glad when he licks our hands. One would think&#13;
that he thanked us for our visit."</p><p>"Luckily, Dagobert will have wished him good-night for us."</p><p>"Good Dagobert! he is always thinking of us. How he spoils us! We remain&#13;
idle, and he has all the trouble."</p><p>"How can we prevent it?"</p><p>"What a pity that we are not rich, to give him a little rest."</p><p>"We rich! Alas, my sister! we shall never be anything but poor orphans."</p><p>"Oh, there's the medal!"</p><p>"Doubtless, there is some hope attached to it, else we should not have&#13;
made this long journey."</p><p>"Dagobert has promised to tell us all, this evening."</p><p>She was prevented from continuing, for two of the windowpanes flew to&#13;
pieces with a loud crash.</p><p>The orphans, with a cry of terror, threw themselves into each other's&#13;
arms, whilst the dog rushed towards the window, barking furiously.</p><p>Pale, trembling, motionless with affright, clasping each other in a&#13;
close embrace, the two sisters held their breath; in their extreme fear,&#13;
they durst not even cast their eyes in the direction of the window.&#13;
The dog, with his forepaws resting on the sill, continued to bark with&#13;
violence.</p><p>"Alas! what can it be?" murmured the orphans. "And Dagobert not here!"</p><p>"Hark!" cried Rose, suddenly seizing Blanche by the arm; "hark!--some&#13;
one coming up the stairs!"</p><p>"Good heaven! it does not sound like the tread of Dagobert. Do you not&#13;
hear what heavy footsteps?"</p><p>"Quick! come, Spoil-sport, and defend us!" cried the two sisters at&#13;
once, in an agony of alarm.</p><p>The boards of the wooden staircase really creaked beneath the weight&#13;
of unusually heavy footsteps, and a singular kind of rustling was&#13;
heard along the thin partition that divided the chamber from the&#13;
landing-place. Then a ponderous mass, falling against the door of the&#13;
room, shook it violently; and the girls, at the very height of terror,&#13;
looked at each other without the power of speech.</p><p>The door opened. It was Dagobert.</p><p>At the sight of him Rose and Blanche joyfully exchanged a kiss, as if&#13;
they had just escaped from a great danger.</p><p>"What is the matter? why are you afraid?" asked the soldier in surprise.</p><p>"Oh, if you only knew!" said Rose, panting as she spoke, for both her&#13;
own heart and her sister's beat with violence.</p><p>"If you knew what has just happened! We did not recognize your&#13;
footsteps--they seemed so heavy--and then that noise behind the&#13;
partition!"</p><p>"Little frightened doves that you are! I could not run up the stairs&#13;
like a boy of fifteen, seeing that I carried my bed upon my back--a&#13;
straw mattress that I have just flung down before your door, to sleep&#13;
there as usual."</p><p>"Bless me! how foolish we must be, sister, not to have thought of&#13;
that!" said Rose, looking at Blanche. And their pretty faces, which had&#13;
together grown pale, together resumed their natural color.</p><p>During this scene the dog, still resting against the window, did not&#13;
cease barking a moment.</p><p>"What makes Spoil-sport bark in that direction, my children?" said the&#13;
soldier.</p><p>"We do not know. Two of our windowpanes have just been broken. That is&#13;
what first frightened us so much."</p><p>Without answering a word Dagobert flew to the window, opened it quickly,&#13;
pushed back the shutter, and leaned out.</p><p>He saw nothing; it was a dark night. He listened; but heard only the&#13;
moaning of the wind.</p><p>"Spoil-sport," said he to his dog, pointing to the open window, "leap&#13;
out, old fellow, and search!" The faithful animal took one mighty spring&#13;
and disappeared by the window, raised only about eight feet above the&#13;
ground.</p><p>Dagobert, still leaning over, encouraged his dog with voice and gesture:&#13;
"Search, old fellow, search! If there is any one there, pin him--your&#13;
fangs are strong--and hold him fast till I come."</p><p>But Spoil-sport found no one. They heard him go backwards and forwards,&#13;
snuffing on every side, and now and then uttering a low cry like a hound&#13;
at fault.</p><p>"There is no one, my good dog, that's clear, or you would have had him&#13;
by the throat ere this." Then, turning to the maidens, who listened to&#13;
his words and watched his movements with uneasiness: "My girls," said&#13;
he, "how were these panes broken? Did you not remark?"</p><p>"No, Dagobert; we were talking together when we heard a great crash, and&#13;
then the glass fell into the room."</p><p>"It seemed to me," added Rose, "as if a shutter had struck suddenly&#13;
against the window."</p><p>Dagobert examined the shutter, and observed a long movable hook,&#13;
designed to fasten it on the inside.</p><p>"It blows hard," said he; "the wind must have swung round the shutter,&#13;
and this hook broke the window. Yes, yes; that is it. What interest&#13;
could anybody have to play such a sorry trick?" Then, speaking to Spoil&#13;
sport, he asked, "Well, my good fellow, is there no one?"</p><p>The dog answered by a bark, which the soldier no doubt understood as a&#13;
negative, for he continued: "Well, then, come back! Make the round--you&#13;
will find some door open--you are never at a loss."</p><p>The animal followed this advice. After growling for a few seconds&#13;
beneath the window, he set off at a gallop to make the circuit of the&#13;
buildings, and come back by the court-yard.</p><p>"Be quite easy, my children!" said the soldier, as he again drew near&#13;
the orphans; "it was only the wind."</p><p>"We were a good deal frightened," said Rose.</p><p>"I believe you. But now I think of it, this draught is likely to give&#13;
you cold." And seeking to remedy this inconvenience, he took from a&#13;
chair the reindeer pelisse, and suspended it from the spring-catch&#13;
of the curtainless window, using the skirts to stop up as closely as&#13;
possible the two openings made by the breaking of the panes.</p><p>"Thanks, Dagobert, how good you are! We were very uneasy at not seeing&#13;
you."</p><p>"Yes, you were absent longer than usual. But what is the matter with&#13;
you?" added Rose, only just then perceiving that his countenance was&#13;
disturbed and pallid, for he was still under the painful influence of&#13;
the brawl with Morok; "how pale you are!"</p><p>"Me, my pets?--Oh, nothing."</p><p>"Yes, I assure you, your countenance is quite changed. Rose is right."</p><p>"I tell you there is nothing the matter," answered the soldier, not&#13;
without some embarrassment, for he was little used to deceive; till,&#13;
finding an excellent excuse for his emotion, he added: "If I do look at&#13;
all uncomfortable, it is your fright that has made me so, for indeed it&#13;
was my fault."</p><p>"Your fault!"</p><p>"Yes; for if I had not lost so much time at supper, I should have been&#13;
here when the window was broken, and have spared you the fright."</p><p>"Anyhow, you are here now, and we think no more of it."</p><p>"Why don't you sit down?"</p><p>"I will, my children, for we have to talk together," said Dagobert, as&#13;
he drew a chair close to the head of the bed.</p><p>"Now tell me, are you quite awake?" he added, trying to smile in order&#13;
to reassure them. "Are those large eyes properly open?"</p><p>"Look, Dagobert!" cried the two girls, smiling in their turn, and&#13;
opening their blue eyes to the utmost extent.</p><p>"Well, well," said the soldier, "they are yet far enough, from shutting;&#13;
besides, it is only nine o'clock."</p><p>"We also have something to tell, Dagobert," resumed Rose, after&#13;
exchanging glances with her sister.</p><p>"Indeed!"</p><p>"A secret to tell you."</p><p>"A secret?"</p><p>"Yes, to be sure."</p><p>"Ah, and a very great secret!" added Rose, quite seriously.</p><p>"A secret which concerns us both," resumed Blanche.</p><p>"Faith! I should think so. What concerns the one always concerns the&#13;
other. Are you not always, as the saying goes, 'two faces under one&#13;
hood?'"</p><p>"Truly, how can it be otherwise, when you put our heads under the great&#13;
hood of your pelisse?" said Rose, laughing.</p><p>"There they are again, mocking-birds! One never has the last word with&#13;
them. Come, ladies, your secret, since a secret there is."</p><p>"Speak, sister," said Rose.</p><p>"No, miss, it is for you to speak. You are to-day on duty, as eldest,&#13;
and such an important thing as telling a secret like that you talk of&#13;
belongs of right to the elder sister. Come, I am listening to you,"&#13;
added the soldier, as he forced a smile, the better to conceal from&#13;
the maidens how much he still felt the unpunished affronts of the brute&#13;
tamer.</p><p>It was Rose (who, as Dagobert said, was doing duty as eldest) that spoke&#13;
for herself and for her sister.</p><p>CHAPTER VI. THE SECRET.</p><p>"First of all, good Dagobert," said Rose, in a gracefully caressing&#13;
manner, "as we are going to tell our secret--you must promise not to&#13;
scold us."</p><p>"You will not scold your darlings, will you?" added Blanche, in a no&#13;
less coaxing voice.</p><p>"Granted!" replied Dagobert gravely; "particularly as I should not well&#13;
know how to set about it--but why should I scold you."</p><p>"Because we ought perhaps to have told you sooner what we are going to&#13;
tell you."</p><p>"Listen, my children," said Dagobert sententiously, after reflecting a&#13;
moment on this case of conscience; "one of two things must be. Either&#13;
you were right, or else you were wrong, to hide this from me. If you&#13;
were right, very well; if you were wrong, it is done: so let's say no&#13;
more about it. Go on--I am all attention."</p><p>Completely reassured by this luminous decision, Rose resumed, while she&#13;
exchanged a smile with her sister.</p><p>"Only think, Dagobert; for two successive nights we have had a visitor."</p><p>"A visitor!" cried the soldier, drawing himself up suddenly in his&#13;
chair.</p><p>"Yes, a charming visitor--he is so very fair."</p><p>"Fair--the devil!" cried Dagobert, with a start.</p><p>"Yes, fair--and with blue eyes," added Blanche.</p><p>"Blue eyes--blue devils!" and Dagobert again bounded on his seat.</p><p>"Yes, blue eyes--as long as that," resumed Rose, placing the tip of one&#13;
forefinger about the middle of the other.</p><p>"Zounds! they might be as long as that," said the veteran, indicating&#13;
the whole length of his term from the elbow, "they might be as long as&#13;
that, and it would have nothing to do with it. Fair, and with blue eyes.&#13;
Pray what may this mean, young ladies?" and Dagobert rose from his seat&#13;
with a severe and painfully unquiet look.</p><p>"There now, Dagobert, you have begun to scold us already."</p><p>"Just at the very commencement," added Blanche.</p><p>"Commencement!--what, is there to be a sequel? a finish?"</p><p>"A finish? we hope not," said Rose, laughing like mad.</p><p>"All we ask is, that it should last forever," added Blanche, sharing in&#13;
the hilarity of her sister.</p><p>Dagobert looked gravely from one to the other of the two maidens, as if&#13;
trying to guess this enigma; but when he saw their sweet, innocent faces&#13;
gracefully animated by a frank, ingenuous laugh, he reflected that they&#13;
would not be so gay if they had any serious matter for self-reproach,&#13;
and he felt pleased at seeing them so merry in the midst of their&#13;
precarious position.</p><p>"Laugh on, my children!" he said. "I like so much to see you laugh."</p><p>Then, thinking that was not precisely the way in which he ought to treat&#13;
the singular confession of the young girls, he added in a gruff voice:&#13;
"Yes, I like to see you laugh--but not when you receive fair visitors&#13;
with blue eyes, young ladies!--Come, acknowledge that I'm an old fool to&#13;
listen to such nonsense--you are only making game of me."</p><p>"Nay, what we tell you is quite true."</p><p>"You know we never tell stories," added Rose.</p><p>"They are right--they never fib," said the soldier, in renewed&#13;
perplexity.</p><p>"But how the devil is such a visit possible? I sleep before your&#13;
door--Spoil-sport sleeps under your window--and all the blue eyes and&#13;
fair locks in the world must come in by one of those two ways--and, if&#13;
they had tried it, the dog and I, who have both of us quick ears, would&#13;
have received their visits after our fashion. But come, children! pray,&#13;
speak to the purpose. Explain yourselves!"</p><p>The two sisters, who saw, by the expression of Dagobert's countenance,&#13;
that he felt really uneasy, determined no longer to trifle with his&#13;
kindness. They exchanged a glance, and Rose, taking in her little hand&#13;
the coarse, broad palm of the veteran, said to him: "Come, do not plague&#13;
yourself! We will tell you all about the visits of our friend, Gabriel."</p><p>"There you are again!--He has a name, then?"</p><p>"Certainly, he has a name. It is Gabriel."</p><p>"Is it not a pretty name, Dagobert? Oh, you will see and love, as we do,&#13;
our beautiful Gabriel!"</p><p>"I'll love your beautiful Gabriel, will I?" said the veteran, shaking&#13;
his head--"Love your beautiful Gabriel?--that's as it may be. I must&#13;
first know--" Then, interrupting himself, he added: "It is queer. That&#13;
reminds me of something."</p><p>"Of what, Dagobert?"</p><p>"Fifteen years ago, in the last letter that your father, on his return&#13;
from France, brought me from my wife: she told me that, poor as she was,&#13;
and with our little growing Agricola on her hands, she had taken in&#13;
a poor deserted child, with the face of a cherub, and the name of&#13;
Gabriel--and only a short time since I heard of him again."</p><p>"And from whom, then?"</p><p>"You shall know that by and by."</p><p>"Well, then--since you have a Gabriel of your own--there is the more&#13;
reason that you should love ours."</p><p>"Yours! but who is yours? I am on thorns till you tell me."</p><p>"You know, Dagobert," resumed Rose, "that Blanche and I are accustomed&#13;
to fall asleep, holding each other by the hand."</p><p>"Yes, yes, I have often seen you in your cradle. I was never tired of&#13;
looking at you; it was so pretty."</p><p>"Well, then--two nights ago, we had just fallen asleep, when we&#13;
beheld--"</p><p>"Oh, it was in a dream!" cried Dagobert. "Since you were asleep, it was&#13;
in a dream!"</p><p>"Certainly, in a dream--how else would you have it?"</p><p>"Pray let my sister go on with her tale!"</p><p>"All, well and good!" said the soldier with a sigh of satisfaction;&#13;
"well and good! To be sure, I was tranquil enough in any&#13;
case--because--but still--I like it better to be a dream. Continue, my&#13;
little Rose."</p><p>"Once asleep, we both dreamt the same thing."</p><p>"What! both the same?"</p><p>"Yes, Dagobert; for the next morning when we awoke we related our two&#13;
dreams to each other."</p><p>"And they were exactly alike."</p><p>"That's odd enough, my children; and what was this dream all about?"</p><p>"In our dream, Blanche and I were seated together, when we saw enter a&#13;
beautiful angel, with a long white robe, fair locks, blue eyes, and so&#13;
handsome and benign a countenance, that we elapsed our hands as if&#13;
to pray to him. Then he told us, in a soft voice, that he was called&#13;
Gabriel; that our mother had sent him to be our guardian angel, and that&#13;
he would never abandon us."</p><p>"And, then," added Blanche, "he took us each by the hand, and, bending&#13;
his fair face over us, looked at us for a long time in silence, with&#13;
so much goodness--with so much goodness, that we could not withdraw our&#13;
eyes from his."</p><p>"Yes," resumed Rose, "and his look seemed, by turns, to attract us, or&#13;
to go to our hearts. At length, to our great sorrow, Gabriel quitted us,&#13;
having told us that we should see him again the following night."</p><p>"And did he make his appearance?"</p><p>"Certainly. Judge with what impatience we waited the moment of sleep, to&#13;
see if our friend would return, and visit us in our slumbers."</p><p>"Humph!" said Dagobert, scratching his forehead; "this reminds me, young&#13;
ladies, that you kept on rubbing your eyes last evening, and pretending&#13;
to be half asleep. I wager, it was all to send me away the sooner, and&#13;
to get to your dream as fast as possible."</p><p>"Yes, Dagobert."</p><p>"The reason being, you could not say to me, as you would to Spoil-sport:&#13;
Lie down, Dagobert! Well--so your friend Gabriel came back?"</p><p>"Yes, and this time he talked to us a great deal, and gave us, in the&#13;
name of our mother, such touching, such noble counsels, that the next&#13;
day, Rose and I spent our whole time in recalling every word of our&#13;
guardian angel--and his face, and his look--"</p><p>"This reminds me again, young ladies, that you were whispering all along&#13;
the road this morning; and that when I spoke of white, you answered&#13;
black."</p><p>"Yes, Dagobert, we were thinking of Gabriel."</p><p>"And, ever since, we love him as well as he loves us."</p><p>"But he is only one between both of you!"</p><p>"Was not our mother one between us?"</p><p>"And you, Dagobert--are you not also one for us both?"</p><p>"True, true! And yet, do you know, I shall finish by being jealous of&#13;
that Gabriel?"</p><p>"You are our friend by day--he is our friend by night."</p><p>"Let's understand it clearly. If you talk of him all day, and dream of&#13;
him all night, what will there remain for me?"</p><p>"There will remain for you your two orphans, whom you love so much,"&#13;
said Rose.</p><p>"And who have only you left upon earth," added Blanche, in a caressing&#13;
tongue.</p><p>"Humph! humph! that's right, coax the old man over, Nay, believe me, my&#13;
children," added the soldier, tenderly, "I am quite satisfied with my&#13;
lot. I can afford to let you have your Gabriel. I felt sure that Spoil&#13;
sport and myself could take our rest in quiet. After all, there is&#13;
nothing so astonishing in what you tell me; your first dream struck your&#13;
fancy, and you talked so much about it that you had a second; nor should&#13;
I be surprised if you were to see this fine fellow a third time."</p><p>"Oh, Dagobert! do not make a jest of it! They are only dreams, but&#13;
we think our mother sends them to us. Did she not tell us that orphan&#13;
children were watched over by guardian angels? Well, Gabriel is our&#13;
guardian angel; he will protect us, and he will protect you also."</p><p>"Very kind of him to think of me; but you see, my dear children, for the&#13;
matter of defence, I prefer the dog; he is less fair than your angel,&#13;
but he has better teeth, and that is more to be depended on."</p><p>"How provoking you are, Dagobert--always jesting!"</p><p>"It is true; you can laugh at everything."</p><p>"Yes, I am astonishingly gay; I laugh with my teeth shut, in the style&#13;
of old Jovial. Come, children, don't scold me: I know I am wrong. The&#13;
remembrance of your dear mother is mixed with this dream, and you do&#13;
well to speak of it seriously. Besides," added he, with a grave air,&#13;
"dreams will sometimes come true. In Spain, two of the Empress's&#13;
dragoons, comrades of mine, dreamt, the night before their death, that&#13;
they would be poisoned by the monks--and so it happened. If you continue&#13;
to dream of this fair angel Gabriel, it is--it is--why, it is, because&#13;
you are amused by it; and, as you have none too many pleasures in the&#13;
daytime, you may as well get an agreeable sleep at night. But, now, my&#13;
children, I have also much to tell you; it will concern your mother;&#13;
promise me not to be sad."</p><p>"Be satisfied! when we think of her we are not sad, though serious."</p><p>"That is well. For fear of grieving you, I have always delayed the&#13;
moment of telling what your poor mother would have confided to you as&#13;
soon as you were no longer children. But she died before she had time to&#13;
do so, and that which I have to tell broke her heart--as it nearly&#13;
did mine. I put off this communication as long as I could, taking for&#13;
pretext that I would say nothing till we came to the field of battle&#13;
where your father was made prisoner. That gave me time; but the moment&#13;
is now come; I can shuffle it off no longer."</p><p>"We listen, Dagobert," responded the two maidens, with an attentive and&#13;
melancholy air.</p><p>After a moment's silence, during which he appeared to reflect, the&#13;
veteran thus addressed the young girls:</p><p>"Your father, General Simon, was the son of a workman, who remained a&#13;
workman; for, notwithstanding all that the general could say or do, the&#13;
old man was obstinate in not quitting his trade. He had a heart of gold&#13;
and a head of iron, just like his son. You may suppose, my children,&#13;
that when your father, who had enlisted as a private soldier, became a&#13;
general and a count of the empire, it was not without toil or without&#13;
glory."</p><p>"A count of the Empire! what is that, Dagobert?"</p><p>"Flummery--a title, which the Emperor gave over and above the promotion,&#13;
just for the sake of saying to the people, whom he loved because he was&#13;
one of them: Here, children! You wish to play at nobility! You shall be&#13;
nobles. You wish to play at royalty! You shall be kings. Take what you&#13;
like--nothing is too good for you--enjoy yourselves!"</p><p>"Kings!" said the two girls, joining their hands in admiration.</p><p>"Kings of the first water. Oh, he was no niggard of his crowns, our&#13;
Emperor! I had a bed-fellow of mine, a brave soldier, who was afterwards&#13;
promoted to be king. This flattered us; for, if it was not one, it was&#13;
the other. And so, at this game, your father became count; but, count or&#13;
not, he was one of the best and bravest generals of the army."</p><p>"He was handsome, was he not, Dagobert?--mother always said so."</p><p>"Oh, yes! indeed he was--but quite another thing from your fair guardian&#13;
angel. Picture to yourself a fine, dark man, who looked splendid in his&#13;
full uniform, and could put fire into the soldiers' hearts. With him to&#13;
lead, we would have charged up into Heaven itself--that is, if Heaven&#13;
had, permitted it," added Dagobert, not wishing to wound in any way the&#13;
religious beliefs of the orphans.</p><p>"And father was as good as he was brave, Dagobert."</p><p>"Good, my children? Yes, I should say so!--He could bend a horse-shoe in&#13;
his hand as you would bend a card, and the day he was taken prisoner&#13;
he had cut down the Prussian artillerymen on their very cannon. With&#13;
strength and courage like that, how could he be otherwise than good? It&#13;
is then about nineteen years ago, not far from this place--on the spot&#13;
I showed you before we arrived at the village--that the general,&#13;
dangerously wounded, fell from his horse. I was following him at&#13;
the time, and ran to his assistance. Five minutes after we were made&#13;
prisoners--and by whom think you?--by a Frenchman."</p><p>"A Frenchman?"</p><p>"Yes, an emigrant marquis, a colonel in the service of Russia," answered&#13;
Dagobert, with bitterness. "And so, when this marquis advanced towards&#13;
us, and said to the general: 'Surrender, sir, to a countryman!'--'A&#13;
Frenchman, who fights against France,' replied the general, 'is no&#13;
longer my countryman; he is a traitor, and I'd never surrender to a&#13;
traitor!' And, wounded though he was, he dragged himself up to a Russian&#13;
grenadier, and delivered him his sabre, saying: 'I surrender to you my&#13;
brave fellow!' The marquis became pale with rage at it."</p><p>The orphans looked at each other with pride, and a rich crimson mantled&#13;
their cheeks, as they exclaimed: "Oh, our brave father!"</p><p>"Ah, those children," said Dagobert, as he proudly twirled his&#13;
moustache. "One sees they have soldier's blood in their veins! Well,"&#13;
he continued, "we were now prisoners. The general's last horse had been&#13;
killed under him; and, to perform the journey, he mounted Jovial, who&#13;
had not been wounded that day. We arrived at Warsaw, and there it was&#13;
that the general first saw your mother. She was called the Pearl of&#13;
Warsaw; that is saying everything. Now he, who admired all that is good&#13;
and beautiful, fell in love with her almost immediately; and she loved&#13;
him in return; but her parents had promised her to another--and that&#13;
other was the same--"</p><p>Dagobert was unable to proceed. Rose uttered a piercing cry, and pointed&#13;
in terror to the window.</p><p>CHAPTER VII. THE TRAVELER.</p><p>Upon the cry of the young girl, Dagobert rose abruptly.</p><p>"What is the matter, Rose?"</p><p>"There--there!" she said, pointing to the window. "I thought I saw a&#13;
hand move the pelisse."</p><p>She had not concluded these words before Dagobert rushed to the window&#13;
and opened it, tearing down the mantle, which had been suspended from&#13;
the fastening.</p><p>It was still dark night, and the wind was blowing hard. The soldier&#13;
listened, but could hear nothing.</p><p>Returning to fetch the lamp from the table, he shaded the flame with&#13;
his hand, and strove to throw the light outside. Still he saw nothing.&#13;
Persuaded that a gust of wind had disturbed and shaken the pelisse: and&#13;
that Rose had been deceived by her own fears he again shut the window.</p><p>"Be satisfied, children! The wind is very high; it is that which lifted&#13;
the corner of the pelisse."</p><p>"Yet methought I saw plainly the fingers which had hold of it," said&#13;
Rose, still trembling.</p><p>"I was looking at Dagobert," said Blanche, "and I saw nothing."</p><p>"There was nothing to see, my children; the thing is clear enough. The&#13;
window is at least eight feet above the ground; none but a giant could&#13;
reach it without a ladder. Now, had any one used a ladder, there would&#13;
not have been time to remove it; for, as soon as Rose cried out, I ran&#13;
to the window, and, when I held out the light, I could see nothing."</p><p>"I must have been deceived," said Rose.</p><p>"You may be sure, sister, it was only the wind," added Blanche.</p><p>"Then I beg pardon for having disturbed you, my good Dagobert."</p><p>"Never mind!" replied the soldier musingly, "I am only sorry that Spoil&#13;
sport is not come back. He would have watched the window, and that would&#13;
have quite tranquillized you. But he no doubt scented the stable of his&#13;
comrade, Jovial, and will have called in to bid him good-night on the&#13;
road. I have half a mind to go and fetch him."</p><p>"Oh, no, Dagobert! do not leave us alone," cried the maidens; "we are&#13;
too much afraid."</p><p>"Well, the dog is not likely to remain away much longer, and I am sure&#13;
we shall soon hear him scratching at the door, so we will continue our&#13;
story," said Dagobert, as he again seated himself near the head of the&#13;
bed, but this time with his face towards the window.</p><p>"Now the general was prisoner at Warsaw," continued he, "and in love&#13;
with your mother, whom they wished to marry to another. In 1814, we&#13;
learned the finish of the war, the banishment of the Emperor to the Isle&#13;
of Elba, and the return of the Bourbons. In concert with the Prussians&#13;
and Russians, who had brought them back, they had exiled the Emperor.&#13;
Learning all this, your mother said to the general: 'The war is&#13;
finished; you are free, but your Emperor is in trouble. You owe&#13;
everything to him; go and join him in his misfortunes. I know not when&#13;
we shall meet again, but I shall never marry any one but you, I am yours&#13;
till death!'--Before he set out the general called me to him, and said:&#13;
'Dagobert, remain here; Mademoiselle Eva may have need of you to&#13;
fly from her family, if they should press too hard upon her; our&#13;
correspondence will have to pass through your hands; at Paris, I shall&#13;
see your wife and son; I will comfort them, and tell them you are my&#13;
friend.'"</p><p>"Always the same," said Rose, with emotion, as she looked affectionately&#13;
at Dagobert.</p><p>"As faithful to the father and mother as to their children," added&#13;
Blanche.</p><p>"To love one was to love them all," replied the soldier. "Well, the&#13;
general joined the Emperor at Elba; I remained at Warsaw, concealed in&#13;
the neighborhood of your mother's house; I received the letters, and&#13;
conveyed them to her clandestinely. In one of those letters--I feel&#13;
proud to tell you of it my children--the general informed me that the&#13;
Emperor himself had remembered me."</p><p>"What, did he know you?"</p><p>"A little, I flatter myself--'Oh! Dagobert!' said he to your father,&#13;
who was talking to him about me; 'a horse-grenadier of my old guard--a&#13;
soldier of Egypt and Italy, battered with wounds--an old dare-devil,&#13;
whom I decorated with my own hand at Wagram--I have not forgotten&#13;
him!'--I vow, children, when your mother read that to me, I cried like a&#13;
fool."</p><p>"The Emperor--what a fine golden face he has on the silver cross with&#13;
the red ribbon that you would sometimes show us when we behaved well."</p><p>"That cross--given by him--is my relic. It is there in my knapsack, with&#13;
whatever we have of value--our little purse and papers. But, to return&#13;
to your mother; it was a great consolation to her, when I took her&#13;
letters from the general, or talked with her about him--for she suffered&#13;
much--oh, so much! In vain her parents tormented and persecuted her;&#13;
she always answered: 'I will never marry any one but General Simon.' A&#13;
spirited woman, I can tell you--resigned, but wonderfully courageous.&#13;
One day she received a letter from the general; he had left the Isle of&#13;
Elba with the Emperor; the war had again broken out, a short campaign,&#13;
but as fierce as ever, and heightened by soldiers' devotion. In that&#13;
campaign of France; my children, especially at Montmirail, your father&#13;
fought like a lion, and his division followed his example it was no&#13;
longer valor--it was frenzy. He told me that, in Champagne, the peasants&#13;
killed so many of those Prussians, that their fields were manured with&#13;
them for years. Men, women, children, all rushed upon them. Pitchforks,&#13;
stones, mattocks, all served for the slaughter. It was a true wolf&#13;
hunt!"</p><p>The veins swelled on the soldier's forehead, and his cheeks flushed as&#13;
he spoke, for this popular heroism recalled to his memory the sublime&#13;
enthusiasm of the wars of the republic--those armed risings of a whole&#13;
people, from which dated the first steps of his military career, as the&#13;
triumphs of the Empire were the last days of his service.</p><p>The orphans, too, daughters of a soldier and a brave woman, did not&#13;
shrink from the rough energy of these words, but felt their cheeks glow,&#13;
and their hearts beat tumultuously.</p><p>"How happy we are to be the children of so brave a father!" cried&#13;
Blanche.</p><p>"It is a happiness and an honor too, my children--for the evening of the&#13;
battle of Montmirail, the Emperor, to the joy of the whole army, made&#13;
your father Duke of Ligny and Marshal of France."</p><p>"Marshal of France!" said Rose in astonishment, without understanding&#13;
the exact meaning of the words.</p><p>"Duke of Ligny!" added Blanche with equal surprise.</p><p>"Yes; Peter Simon, the son of a workman, became duke and marshal--there&#13;
is nothing higher except a king!" resumed Dagobert, proudly. "That's how&#13;
the Emperor treated the sons of the people, and, therefore, the people&#13;
were devoted to him. It was all very fine to tell them 'Your Emperor&#13;
makes you food for cannon.' 'Stuff!' replied the people, who are no&#13;
fools, 'another would make us food for misery. We prefer the cannon,&#13;
with the chance of becoming captain or colonel, marshal, king--or&#13;
invalid; that's better than to perish with hunger, cold, and age, on&#13;
straw in a garret, after toiling forty years for others.'"</p><p>"Even in France--even in Paris, that beautiful city--do you mean to say&#13;
there are poor people who die of hunger and misery, Dagobert?"</p><p>"Even in Paris? Yes, my children; therefore, I come back to the point,&#13;
the cannon is better. With it, one has the chance of becoming, like your&#13;
father, duke and marshal: when I say duke and marshal, I am partly right&#13;
and partly wrong, for the title and the rank were not recognized in&#13;
the end; because, after Montmirail, came a day of gloom, a day of great&#13;
mourning, when, as the general has told me, old soldiers like myself&#13;
wept--yes, wept!--on the evening of a battle. That day, my children, was&#13;
Waterloo!"</p><p>There was in these simple words of Dagobert an expression of such deep&#13;
sorrow, that it thrilled the hearts of the orphans.</p><p>"Alas!" resumed the soldier, with a sigh, "there are days which seem&#13;
to have a curse on them. That same day, at Waterloo, the general fell,&#13;
covered with wounds, at the head of a division of the Guards. When he&#13;
was nearly cured, which was not for a long time, he solicited permission&#13;
to go to St. Helena--another island at the far end of the world, to&#13;
which the English had carried the Emperor, to torture him at their&#13;
leisure; for if he was very fortunate in the first instance, he had to&#13;
go through a deal of hard rubs at last, my poor children."</p><p>"If you talk in that way, you will make us cry, Dagobert."</p><p>"There is cause enough for it--the Emperor suffered so much! He bled&#13;
cruelly at the heart believe me. Unfortunately, the general was not with&#13;
him at St. Helena; he would have been one more to console him; but&#13;
they would not allow him to go. Then, exasperated, like so many others,&#13;
against the Bourbons, the general engaged in a conspiracy to recall the&#13;
son of the Emperor. He relied especially on one regiment, nearly all&#13;
composed of his old soldiers, and he went down to a place in Picardy,&#13;
where they were then in garrison; but the conspiracy had already been&#13;
divulged. Arrested the moment of his arrival, the general was taken&#13;
before the colonel of the regiment. And this colonel," said the soldier,&#13;
after a brief pause, "who do you think it was again? Bah! it would be&#13;
too long to tell you all, and would only make you more sad; but it was&#13;
a man whom your father had many reasons to hate. When he found himself&#13;
face to face with him, he said: 'if you are not a coward, you will give&#13;
me one hour's liberty, and we will fight to the death; I hate you for&#13;
this, I despise you for that'--and so on. The colonel accepted the&#13;
challenge, and gave your father his liberty till the morrow. The duel&#13;
was a desperate one; the colonel was left for dead on the spot."</p><p>"Merciful heaven!"</p><p>"The general was yet wiping his sword, when a faithful friend came to&#13;
him, and told him he had only just time to save himself. In fact, he&#13;
happily succeeded in leaving France--yes, happily--for a fortnight&#13;
after, he was condemned to death as a conspirator."</p><p>"What misfortunes, good heaven!"</p><p>"There was some luck, however, in the midst of his troubles. Your mother&#13;
had kept her promise bravely, and was still waiting for him. She had&#13;
written to him: 'The Emperor first, and me next!' both unable to do&#13;
anything more for the Emperor, nor even for his son, the general,&#13;
banished from France, set out for Warsaw. Your mother had lost her&#13;
parents, and was now free; they were married--and I am one of the&#13;
witnesses to the marriage."</p><p>"You are right, Dagobert; that was great happiness in the midst of great&#13;
misfortunes!"</p><p>"Yes, they were very happy; but, as it happened with all good hearts,&#13;
the happier they were themselves, the more they felt for the sorrows&#13;
of others--and there was quite enough to grieve them at Warsaw. The&#13;
Russians had again begun to treat the Poles as their slaves; your brave&#13;
mother, though of French origin, was a Pole in heart and soul; she spoke&#13;
out boldly what others did not dare speak in a whisper, and all the&#13;
unfortunate called her their protecting angel. That was enough to&#13;
excite the suspicions of the Russian governor. One day, a friend of the&#13;
general's, formerly a colonel in the lancers, a brave and worthy man,&#13;
was condemned to be exiled to Siberia for a military plot against the&#13;
Russians. He took refuge in your father's house, and lay hid there; but&#13;
his retreat was discovered. During the next night, a party of Cossacks,&#13;
commanded by an officer, and followed by a travelling-carriage, arrive&#13;
at our door; they rouse the general from his sleep and take him away&#13;
with them."</p><p>"Oh, heaven! what did they mean to do with him?"</p><p>"Conduct him out of the Russian dominions, with a charge never to&#13;
return, on pain of perpetual imprisonment. His last words were:&#13;
'Dagobert, I entrust to thee my wife and child!'--for it wanted yet some&#13;
months of the time when you were to be born. Well, notwithstanding that,&#13;
they exiled your mother to Siberia; it was an opportunity to get rid of&#13;
her; she did too much good at Warsaw, and they feared her accordingly.&#13;
Not content with banishing her, they confiscated all her property; the&#13;
only favor she could obtain was, that I should accompany her, and, had&#13;
it not been for Jovial, whom the general had given to me, she would have&#13;
had to make the journey on foot. It was thus, with her on horseback,&#13;
and I leading her as I lead you, my children, that we arrived at the&#13;
poverty-stricken village, where, three months after, you poor little&#13;
things were born!"</p><p>"And our father?"</p><p>"It was impossible for him to return to Russia; impossible for your&#13;
mother to think of flight, with two children; impossible for the general&#13;
to write to her, as he knew not where she was."</p><p>"So, since that time, you have had no news of him?"</p><p>"Yes, my children--once we had news."</p><p>"And by whom?"</p><p>After a moment's silence, Dagobert resumed with a singular expression of&#13;
countenance: "By whom?--by one who is not like other men. Yes--that&#13;
you may understand me better, I will relate to you an extraordinary&#13;
adventure, which happened to your father during his last French&#13;
campaign. He had been ordered by the Emperor to carry a battery, which&#13;
was playing heavily on our army; after several unsuccessful efforts,&#13;
the general put himself at the head of a regiment of cuirassiers, and&#13;
charged the battery, intending, as was his custom, to cut down the men&#13;
at their guns. He was on horseback, just before the mouth of a cannon,&#13;
where all the artillerymen had been either killed or wounded, when one&#13;
of them still found strength to raise himself upon one knee, and to&#13;
apply the lighted match to the touchhole--and that when your father was&#13;
about ten paces in front of the loaded piece."</p><p>"Oh! what a peril for our father!"</p><p>"Never, he told me, had he run such imminent danger for he saw the&#13;
artilleryman apply the match, and the gun go off--but, at the very nick,&#13;
a man of tall stature, dressed as a peasant, and whom he had not before&#13;
remarked, threw himself in front of the cannon."</p><p>"Unfortunate creature! what a horrible death!"</p><p>"Yes," said Dagobert, thoughtfully; "it should have been so. He ought by&#13;
rights to have been blown into a thousand pieces. But no--nothing of the&#13;
kind!"</p><p>"What do you tell us?"</p><p>"What the general told me. 'At the moment when the gun went off,' as he&#13;
often repeated to me, 'I shut my eyes by an involuntary movement, that&#13;
I might not see the mutilated body of the poor wretch who had sacrificed&#13;
himself in my place. When I again opened them, the first thing I saw in&#13;
the midst of the smoke, was the tall figure of this man, standing&#13;
erect and calm on the same spot, and casting a sad mild look on the&#13;
artilleryman, who, with one knee on the ground, and his body thrown&#13;
backward, gazed on him in as much terror as if he had been the devil.&#13;
Afterwards, I lost sight of this man in the tumult,' added your father."</p><p>"Bless me Dagobert! how can this be possible?"</p><p>"That is just what I said to the general. He answered me that he had&#13;
never been able to explain to himself this event, which seemed as&#13;
incredible as it was true. Moreover, your father must have been greatly&#13;
struck with the countenance of this man, who appeared, he said, about&#13;
thirty years of age--for he remarked, that his extremely black eyebrows&#13;
were joined together, and formed, as it were, one line from temple to&#13;
temple, so that he seemed to have a black streak across his forehead.&#13;
Remember this, my children; you will soon see why."</p><p>"Oh, Dagobert! we shall not forget it," said the orphans, growing more&#13;
and more astonished as he proceeded.</p><p>"Is it not strange--this man with a black seam on his forehead?"</p><p>"Well, you shall hear. The general had, as I told you, been left for&#13;
dead at Waterloo. During the night which he passed on the field of&#13;
battle, in a sort of delirium brought on by the fever of his wounds, he&#13;
saw, or fancied he saw, this same man bending over him, with a look&#13;
of great mildness and deep melancholy, stanching his wounds, and using&#13;
every effort to revive him. But as your father, whose senses were still&#13;
wandering, repulsed his kindness saying, that after such a defeat, it&#13;
only remained to die--it appeared as if this man replied to him; 'You&#13;
must live for Eva!' meaning your mother, whom the general had left at&#13;
Warsaw, to join the Emperor, and make this campaign of France."</p><p>"How strange, Dagobert!--And since then, did our father never see this&#13;
man?"</p><p>"Yes, he saw him--for it was he who brought news of the general to your&#13;
poor mother."</p><p>"When was that? We never heard of it."</p><p>"You remember that, on the day your mother died, you went to the pine&#13;
forest with old Fedora?"</p><p>"Yes," answered Rose, mournfully; "to fetch some heath, of which our&#13;
mother was so fond."</p><p>"Poor mother!" added Blanche; "she appeared so well that morning, that&#13;
we could not dream of the calamity which awaited us before night."</p><p>"True, my children; I sang and worked that morning in the garden,&#13;
expecting, no more than you did, what was to happen. Well, as I was&#13;
singing at my work, on a sudden I heard a voice ask me in French:&#13;
'Is this the village of Milosk?'--I turned round, and saw before me a&#13;
stranger; I looked at him attentively, and, instead of replying, fell&#13;
back two steps, quite stupefied."</p><p>"Ah, why?"</p><p>"He was of tall stature, very pale, with a high and open forehead; but&#13;
his eyebrows met, and seemed to form one black streak across it."</p><p>"Then it was the same man who had twice been with our father in battle?"</p><p>"Yes--it was he."</p><p>"But, Dagobert," said Rose, thoughtfully, "is it not a long time since&#13;
these battles?"</p><p>"About sixteen years."</p><p>"And of what age was this stranger?"</p><p>"Hardly more than thirty."</p><p>"Then how can it be the same man, who sixteen years before, had been&#13;
with our father in the wars?"</p><p>"You are right," said Dagobert, after a moment's silence, and shrugging&#13;
his shoulders: "I may have been deceived by a chance likeness--and&#13;
yet--"</p><p>"Or, if it were the same, he could not have got older all that while."</p><p>"But did you ask him, if he had not formerly relieved our father?"</p><p>"At first I was so surprised that I did not think of it; and afterwards,&#13;
he remained so short a time, that I had no opportunity. Well, he asked&#13;
me for the village of Milosk. 'You are there, sir,' said I, 'but how&#13;
do you know that I am a Frenchman?' 'I heard you singing as I passed,'&#13;
replied he; 'could you tell me the house of Madame Simon, the general's&#13;
wife?' 'She lives here, sir.' Then looking at me for some seconds in&#13;
silence, he took me by the hand and said: 'You are the friend of General&#13;
Simon--his best friend?' Judge of my astonishment, as I answered: 'But,&#13;
sir, how do you know?' 'He has often spoken of you with gratitude.' 'You&#13;
have seen the general then?' 'Yes, some time ago, in India. I am also&#13;
his friend: I bring news of him to his wife, whom I knew to be exiled&#13;
in Siberia. At Tobolsk, whence I come, I learned that she inhabits this&#13;
village. Conduct me to her!'"</p><p>"The good traveller--I love him already," said Rose.</p><p>"Yes, being father's friend."</p><p>"I begged him to wait an instant, whilst I went to inform your mother,&#13;
so that the surprise might not do her harm; five minutes after, he was&#13;
beside her."</p><p>"And what kind of man was this traveller, Dagobert?"</p><p>"He was very tall; he wore a dark pelisse, and a fur cap, and had long&#13;
black hair."</p><p>"Was he handsome?"</p><p>"Yes, my children--very handsome; but with so mild and melancholy an&#13;
air, that it pained my heart to see him."</p><p>"Poor man! he had doubtless known some great sorrow."</p><p>"Your mother had been closeted with him for some minutes, when she&#13;
called me to her and said that she had just received good news of the&#13;
general. She was in tears, and had before her a large packet of papers;&#13;
it was a kind of journal, which your father had written every evening to&#13;
console himself; not being able to speak to her, he told the paper all&#13;
that he would have told her."</p><p>"Oh! where are these papers, Dagobert?"</p><p>"There, in the knapsack, with my cross and our purse. One day I will&#13;
give them to you: but I have picked out a few leaves here and there for&#13;
you to read presently. You will see why."</p><p>"Had our father been long in India?"</p><p>"I gathered from the few words which your mother said, that the general&#13;
had gone to that country, after fighting for the Greeks against the&#13;
Turks--for he always liked to side with the weak against the strong.&#13;
In India he made fierce war against the English, they had murdered our&#13;
prisoners in pontoons, and tortured the Emperor at St. Helena, and the&#13;
war was a doubly good one, for in harming them he served a just cause."</p><p>"What cause did he serve then?"</p><p>"That of one of the poor native princes, whose territories the English,&#13;
lay waste, till the day when they can take possession of them against&#13;
law and right. You see, my children, it was once more the weak against&#13;
the strong, and your father did not miss this opportunity. In a few&#13;
months he had so well-trained and disciplined the twelve or fifteen&#13;
thousand men of the prince, that, in two encounters, they cut to pieces&#13;
the English sent against them, and who, no doubt, had in their reckoning&#13;
left out your brave father, my children. But come, you shall read some&#13;
pages of his journal, which will tell you more and better than I&#13;
can. Moreover, you will find in them a name which you ought always to&#13;
remember; that's why I chose this passage."</p><p>"Oh, what happiness! To read the pages written by our father, is almost&#13;
to hear him speak," said Rose.</p><p>"It is as if he were close beside us," added Blanche.</p><p>And the girls stretched out their hands with eagerness, to catch hold&#13;
of the leaves that Dagobert had taken from his pocket. Then, by a&#13;
simultaneous movement, full of touching grace, they pressed the writing&#13;
of their father in silence to their lips.</p><p>"You will see also, my children, at the end of this letter, why I&#13;
was surprised that your guardian angel, as you say, should be called&#13;
Gabriel. Read, read," added the soldier, observing the puzzled air of&#13;
the orphans. "Only I ought to tell you that, when he wrote this,&#13;
the general had not yet fallen in with the traveller who brought the&#13;
papers."</p><p>Rose, sitting up in her bed, took the leaves, and began to read in a&#13;
soft and trembling voice, Blanche, with her head resting on her sister's&#13;
shoulder, followed attentively every word. One could even see, by&#13;
the slight motion of her lips, that she too was reading, but only to&#13;
herself.</p><p>CHAPTER VIII. EXTRACTS FROM GENERAL SIMON'S DIARY.</p><p>Bivouac on the Mountains of Avers February the 20th, 1830.</p><p>"Each time I add some pages to this journal, written now in the heart&#13;
of India, where the fortune of my wandering and proscribed existence has&#13;
thrown me--a journal which, alas! my beloved Eva, you may never read--I&#13;
experience a sweet, yet painful emotion; for, although to converse thus&#13;
with you is a consolation, it brings back the bitter thought that I am&#13;
unable to see or speak to you.</p><p>"Still, if these pages should ever meet your eyes, your generous heart&#13;
will throb at the name of the intrepid being, to whom I am this day&#13;
indebted for my life, and to whom I may thus perhaps owe the happiness&#13;
of seeing you again--you and my child--for of course our child lives.&#13;
Yes, it must be--for else, poor wife, what an existence would be yours&#13;
amid the horrors of exile! Dear soul! he must now be fourteen. Whom&#13;
does he resemble? Is he like you? Has he your large and beautiful blue&#13;
eyes?--Madman that I am! how many times, in this long day-book, have&#13;
I already asked the same idle question, to which you can return no&#13;
answer!--How many times shall I continue to ask it?--But you will teach&#13;
our child to speak and love the somewhat savage name of Djalma."</p><p>"Djalma!" said Rose, as with moist eyes she left off reading.</p><p>"Djalma!" repeated Blanche, who shared the emotion of her sister. "Oh,&#13;
we shall never forget that name."</p><p>"And you will do well, my children; for it seems to be the name of a&#13;
famous soldier, though a very young one. But go on, my little Rose!"</p><p>"I have told you in the preceding pages, my dear Eva, of the two&#13;
glorious days we had this month. The troops of my old friend, the&#13;
prince, which daily make fresh advances in European discipline, have&#13;
performed wonders. We have beaten the English, and obliged them to&#13;
abandon a portion of this unhappy country, which they had invaded in&#13;
contempt of all the rights of justice, and which they continue to&#13;
ravage without mercy, for, in these parts, warfare is another name for&#13;
treachery, pillage, and massacre. This morning, after a toilsome march&#13;
through a rocky and mountainous district, we received information from&#13;
our scouts, that the enemy had been reinforced, and was preparing to act&#13;
on the offensive; and, as we were separated from them by a distance of&#13;
a few leagues only, an engagement became inevitable. My old friend&#13;
the prince, the father of my deliverer, was impatient to march to the&#13;
attack. The action began about three o'clock; it was very bloody&#13;
and furious. Seeing that our men wavered for a moment, for they were&#13;
inferior in number, and the English reinforcements consisted of fresh&#13;
troops, I charged at the head of our weak reserve of cavalry. The old&#13;
prince was in the centre, fighting, as he always fights, intrepidly; his&#13;
son, Djalma, scarcely eighteen, as brave as his father, did not leave my&#13;
side. In the hottest part of the engagement, my horse was killed under&#13;
me, and rolling over into a ravine, along the edge of which I was&#13;
riding, I found myself so awkwardly entangled beneath him, that for an&#13;
instant I thought my thigh was broken."</p><p>"Poor father!" said Blanche.</p><p>"This time, happily, nothing more dangerous ensued thanks to Djalma!&#13;
You see, Dagobert," added Rose, "that I remember the name." And she&#13;
continued to read,</p><p>"The English thought--and a very flattering opinion it was--that, if&#13;
they could kill me, they would make short work of the prince's army.&#13;
So a Sepoy officer, with five or six irregulars--cowardly, ferocious&#13;
plunderers--seeing me roll down the ravine, threw themselves into it&#13;
to despatch me. Surrounded by fire and smoke, and carried away by their&#13;
ardor, our mountaineers had not seen me fall; but Djalma never left me.&#13;
He leaped into the ravine to my assistance, and his cool intrepidity&#13;
saved my life. He had held the fire of his double-barrelled carbine;&#13;
with one load, he killed the officer on the spot; with the other he&#13;
broke the arm of an irregular, who had already pierced my left hand&#13;
with his bayonet. But do not be alarmed, dear Eva; it is nothing--only a&#13;
scratch."</p><p>"Wounded--again wounded--alas!" cried Blanche, clasping her hands&#13;
together, and interrupting her sister.</p><p>"Take courage!" said Dagobert: "I dare say it was only a scratch, as&#13;
the general calls it. Formerly, he used to call wounds, which did not&#13;
disable a man from fighting, blank wounds. There was no one like him for&#13;
such sayings."</p><p>"Djalma, seeing me wounded," resumed Rose, wiping her eyes, "made use&#13;
of his heavy carbine as a club, and drove back the soldiers. At that&#13;
instant, I perceived a new assailant, who, sheltered behind a clump of&#13;
bamboos which commanded the ravine, slowly lowered his long gun, placed&#13;
the barrel between two branches, and took deliberate aim at Djalma.&#13;
Before my shouts could apprise him of his danger, the brave youth&#13;
had received a ball in his breast. Feeling himself hit, he fell bark&#13;
involuntarily two paces, and dropped upon one knee: but he still&#13;
remained firm, endeavoring to cover me with his body. You may conceive&#13;
my rage and despair, whilst all my efforts to disengage myself were&#13;
paralyzed by the excruciating pain in my thigh. Powerless and disarmed,&#13;
I witnessed for some moments this unequal struggle.</p><p>"Djalma was losing blood rapidly; his strength of arm began to fail him;&#13;
already one of the irregulars, inciting his comrades with his voice,&#13;
drew from his belt a huge, heavy kind of bill-hook, when a dozen of&#13;
our mountaineers made their appearance, borne towards the spot by the&#13;
irresistible current of the battle. Djalma was rescued in his turn, I&#13;
was released, and, in a quarter of an hour, I was able to mount a horse.&#13;
The fortune of the day is ours, though with severe loss; but the fires&#13;
of the English camp are still visible, and to-morrow the conflict will&#13;
be decisive. Thus, my beloved Eva, I owe my life to this youth. Happily,&#13;
his wound occasions us no uneasiness; the ball only glanced along the&#13;
ribs in a slanting direction."</p><p>"The brave boy might have said: 'A blank wound,' like the general,"&#13;
observed Dagobert.</p><p>"Now, my dear Eva," continued Rose, "you must become acquainted, by&#13;
means of this narrative at least, with the intrepid Djalma. He is but&#13;
just eighteen. With one word, I will paint for you his noble and valiant&#13;
nature; it is a custom of this country to give surnames, and, when only&#13;
fifteen, he was called 'The Generous'--by which was, of course, meant&#13;
generous in heart and mind. By another custom, no less touching than&#13;
whimsical, this name was reverted to his parent, who is called 'The&#13;
Father of the Generous,' and who might, with equal propriety, be called&#13;
'The Just,' for this old Indian is a rare example of chivalrous honor&#13;
and proud independence. He might, like so many other poor princes of&#13;
this country, have humbled himself before the execrable despotism of&#13;
the English, bargained for the relinquishment of sovereign power,&#13;
and submitted to brute force--but it was not in his nature. 'My whole&#13;
rights, or a grave in my native mountains!'--such is his motto. And this&#13;
is no empty boast; it springs from the conviction of what is right and&#13;
just. 'But you will be crushed in the struggle,' I have said to him--'My&#13;
friend,' he answered, 'what if, to force you to a disgraceful act, you&#13;
were told to yield or die?'--From that day I understood him, and have&#13;
devoted myself, mind and body, to the ever sacred cause of the weak&#13;
against the strong. You see, my Eva, that Djalma shows himself worthy of&#13;
such a father. This young Indian is so proud, so heroic in his bravery,&#13;
that, like a young Greek of Leonidas' age, he fights with his breast&#13;
bare; while other warriors of his country (who, indeed, usually have&#13;
arms, breast, and shoulders uncovered) wear, in time of battle, a thick,&#13;
impenetrable vest. The rash daring of this youth reminds me of Murat,&#13;
King of Naples, who, I have so often told you, I have seen a hundred&#13;
times leading the most desperate charges with nothing but a riding-whip&#13;
in his hand."</p><p>"That's another of those kings I was telling you of, whom the Emperor&#13;
set up for his amusement," said Dagobert. "I once saw a Prussian officer&#13;
prisoner, whose face had been cut across by that mad-cap King of Naples'&#13;
riding-whip; the mark was there, a black and blue stripe. The&#13;
Prussian swore he was dishonored, and that a sabre-cut would have been&#13;
preferable. I should rather think so! That devil of a king; he only&#13;
had one idea: 'Forward, on to the cannon!' As soon as they began to&#13;
cannonade, one would have thought the guns were calling him with all&#13;
their might, for he was soon up to them with his 'Here I am!' If I&#13;
speak to you about him, my children, it's because he was fond of&#13;
repeating,--'No one can break through a square of infantry, if General&#13;
Simon or I can't do it.'"</p><p>Rose continued:</p><p>"I have observed with pain, that, notwithstanding his youth, Djalma&#13;
is often subject to fits of deep melancholy. At times, I have seen&#13;
him exchange with his father looks of singular import. In spite of our&#13;
mutual attachment, I believe that both conceal from me some sad family&#13;
secret, in so far as I can judge from expressions which have dropped&#13;
from them by chance.</p><p>"It relates to some strange event which their vivid imaginations have&#13;
invested with a supernatural character.</p><p>"And yet, my love, you and I have no longer the right to smile at the&#13;
credulity of others. I, since the French campaign, when I met with&#13;
that extraordinary adventure, which, to this day, I am quite unable to&#13;
understand--"</p><p>"This refers to the man who threw himself before the mouth of the&#13;
cannon," said Dagobert.</p><p>"And you," continued the maiden, still reading, "you, my dear Eva,&#13;
since the visits of that young and beautiful woman, whom, as your mother&#13;
asserted, she had seen at her mother's house forty years before."</p><p>The orphans, in amazement, looked at the soldier.</p><p>"Your mother never spoke to me of that, nor the general either, my&#13;
children; this is as strange to me as it is to you."</p><p>With increasing excitement and curiosity, Rose continued:</p><p>"After all, my dear Eva, things which appear very extraordinary, may&#13;
often be explained by a chance resemblance or a freak of nature. Marvels&#13;
being always the result of optical illusion or heated fancy, a time must&#13;
come, when that which appeared to be superhuman or supernatural, will&#13;
prove to be the most simple and natural event in the world. I doubt not,&#13;
therefore, that the things, which we denominate our prodigies, will one&#13;
day receive this commonplace solution."</p><p>"You see, my children--things appear marvelous, which at bottom are&#13;
quite simple--though for a long time we understand nothing about them."</p><p>"As our father relates this, we must believe it, and not be&#13;
astonished--eh, sister?"</p><p>"Yes, truly--since it will all be explained one day."</p><p>"For example," said Dagobert, after a moment's reflection, "you two&#13;
are so much alike, that any one, who was not in the habit of seeing you&#13;
daily, might easily take one for the other. Well! if they did not know&#13;
that you are, so to speak,'doubles,' they might think an imp was at work&#13;
instead of such good little angels as you are."</p><p>"You are right, Dagobert; in this way many things may be explained, even&#13;
as our father says." And Rose continued to read:</p><p>"Not without pride, my gentle Eva, have I learned that Djalma has French&#13;
blood in his veins. His father married, some years ago, a young girl,&#13;
whose family, of French origin, had long been settled at Batavia in the&#13;
island of Java. This similarity of circumstances between my old friend&#13;
and myself--for your family also, my Eva, is of French origin, and long&#13;
settled in a foreign land--has only served to augment my sympathy for&#13;
him. Unfortunately, he has long had to mourn the loss of the wife whom&#13;
he adored.</p><p>"See, my beloved Eva! my hand trembles as I write these words. I am&#13;
weak--I am foolish--but, alas! my heart sinks within me. If such a&#13;
misfortune were to happen to me--Oh, my God!--what would become of our&#13;
child without thee--without his father--in that barbarous country?&#13;
But no! the very fear is madness; and yet what a horrible torture is&#13;
uncertainty! Where may you now be? What are you doing? What has become&#13;
of you? Pardon these black thoughts, which are sometimes too much for&#13;
me. They are the cause of my worst moments--for, when free from them,&#13;
I can at least say to myself: I am proscribed, I am every way&#13;
unfortunate--but, at the other end of the world, two hearts still beat&#13;
for me with affection--yours, my Eva, and our child's!"</p><p>Rose could hardly finish this passage; for some seconds her voice was&#13;
broken by sobs. There was indeed a fatal coincidence between the fears&#13;
of General Simon and the sad reality; and what could be more touching&#13;
than these outpourings of the heart, written by the light of a watch&#13;
fire, on the eve of battle, by a soldier who thus sought to soothe the&#13;
pangs of a separation, which he felt bitterly, but knew not would be&#13;
eternal?</p><p>"Poor general! he is unaware of our misfortune," said Dagobert, after&#13;
a moment's silence; "but neither has he heard that he has two children,&#13;
instead of one. That will be at least some consolation. But come,&#13;
Blanche; do go on reading: I fear that this dwelling on grief fatigues&#13;
your sister, and she is too much affected by it. Besides, after all, it&#13;
is only just, that you should take your share of its pleasure and its&#13;
sorrow."</p><p>Blanche took the letter, and Rose, having dried her eyes, laid in her&#13;
turn her sweet head on the shoulder of her sister, who thus continued:</p><p>"I am calmer now, my dear Eva; I left off writing for a moment,&#13;
and strove to banish those black presentiments. Let us resume our&#13;
conversation! After discoursing so long about India, I will talk to&#13;
you a little of Europe. Yesterday evening, one of our people (a trusty&#13;
fellow) rejoined our outposts. He brought me a letter, which had arrived&#13;
from France at Calcutta; at length, I have news of my father, and am no&#13;
longer anxious on his account. This letter is dated in August of last&#13;
year. I see by its contents, that several other letters, to which he&#13;
alludes, have either been delayed or lost; for I had not received&#13;
any for two years before, and was extremely uneasy about him. But my&#13;
excellent father is the same as ever! Age has not weakened him; his&#13;
character is as energetic, his health as robust, as in times past--still&#13;
a workman, still proud of his order, still faithful to his austere&#13;
republican ideas, still hoping much.</p><p>"For he says to me, 'the time is at hand,' and he underlines those&#13;
words. He gives me also, as you will see, good news of the family of old&#13;
Dagobert, our friend--for in truth, my dear Eva, it soothes my grief&#13;
to think, that this excellent man is with you, that he will have&#13;
accompanied you in your exile--for I know him--a kernel of gold beneath&#13;
the rude rind of a soldier! How he must love our child!"</p><p>Here Dagobert coughed two or three times, stooped down, and appeared&#13;
to be seeking on the ground the little red and blue check-handkerchief&#13;
spread over his knees. He remained thus bent for some seconds, and, when&#13;
he raised himself, he drew his hand across his moustache.</p><p>"How well father knows you!"</p><p>"How rightly has he guessed that you would love us!"</p><p>"Well, well, children; pass over that!--Let's come to the part where the&#13;
general speaks of my little Agricola, and of Gabriel, my wife's adopted&#13;
child. Poor woman! when I think that in three months perhaps--but&#13;
come, child, read, read," added the old soldier, wishing to conceal his&#13;
emotion.</p><p>"I still hope against hope, my dear Eva, that these pages will one&#13;
day reach you, and therefore I wish to insert in them all that can be&#13;
interesting to Dagobert. It will be a consolation to him, to have some&#13;
news of his family. My father, who is still foreman at Mr. Hardy's,&#13;
tells me that worthy man has also taken into his house the son of old&#13;
Dagobert. Agricola works under my father, who is enchanted with him.&#13;
He is, he tells me, a tall and vigorous lad, who wields the heavy&#13;
forge hammer as if it were a feather, and is light-spirited as he is&#13;
intelligent and laborious. He is the best workman on the establishment;&#13;
and this does not prevent him in the evening, after his hard day's work,&#13;
when he returns home to his mother, whom he truly loves, from making&#13;
songs and writing excellent patriotic verses. His poetry is full of fire&#13;
and energy; his fellow-workmen sing nothing else, and his lays have the&#13;
power to warm the coldest and the most timid hearts."</p><p>"How proud you must be of your son, Dagobert," said Rose, in admiration;&#13;
"he writes songs."</p><p>"Certainly, it is all very fine--but what pleases me best is, that he is&#13;
good to his mother, and that he handles the hammer with a will. As&#13;
for the songs, before he makes a 'Rising of the People,' or a&#13;
'Marseillaise,' he will have had to beat a good deal of iron; but where&#13;
can this rascally sweet Agricola have learned to make songs at all?--No&#13;
doubt, it was at school, where he went, as you will see, with his&#13;
adopted brother Gabriel."</p><p>At this name of Gabriel, which reminded them of the imaginary being whom&#13;
they called their guardian angel, the curiosity of the young girls was&#13;
greatly excited. With redoubled attention, Blanche continued in these&#13;
words:</p><p>"The adopted brother of Agricola, the poor deserted child whom the wife&#13;
of our good Dagobert so generously took in, forms, my father tells me, a&#13;
great contrast with Agricola; not in heart, for they have both excellent&#13;
hearts; but Gabriel is as thoughtful and melancholy as Agricola is&#13;
lively, joyous, and active. Moreover, adds my father, each of them, so&#13;
to speak, has the aspect, which belongs to his character. Agricola&#13;
is dark, tall, and strong, with a gay and bold air; Gabriel, on&#13;
the contrary, is weak, fair, timid as a girl, and his face wears an&#13;
expression of angelic mildness."</p><p>The orphans looked at each other in surprise; then, as they turned&#13;
towards the soldier their ingenuous countenances, Rose said to him;&#13;
"Have you heard, Dagobert? Father says, that your Gabriel is fair, and&#13;
has the face of an angel. Why, 'tis exactly like ours!"</p><p>"Yes, yes, I heard very well; it is that which surprised me, in your&#13;
dream."</p><p>"I should like to know, if he has also blue eyes," said Rose.</p><p>"As for that, my children, though the general says nothing about it, I&#13;
will answer for it: your fair boys have always blue eyes. But, blue or&#13;
black, he will not use them to stare at young ladies; go on, and you&#13;
will see why."</p><p>Blanche resumed:</p><p>"His face wears an expression of angelic mildness. One of the Brothers&#13;
of the Christian Schools, where he went with Agricola and other children&#13;
of his quarter, struck with his intelligence and good disposition, spoke&#13;
of him to a person of consequence, who, becoming interested in the lad,&#13;
placed him in a seminary for the clergy, and, since the last two years,&#13;
Gabriel is a priest. He intends devoting himself to foreign missions,&#13;
and will soon set out for America."</p><p>"Your Gabriel is a priest, it appears?" said Rose, looking at Dagobert.</p><p>"While ours is an angel," added Blanche.</p><p>"Which only proves that yours is a step higher than mine. Well, every&#13;
one to his taste; there are good people in all trades; but I prefer that&#13;
it should be Gabriel who has chosen the black gown. I'd rather see my&#13;
boy with arms bare, hammer in hand, and a leathern apron round him,&#13;
neither more nor less than your old grandfather, my children--the father&#13;
of Marshal Simon, Duke of Ligny--for, after all, marshal and duke he is&#13;
by the grace of the Emperor. Now finish your letter."</p><p>"Soon, alas, yes!" said Blanche; "there are only a few lines left." And&#13;
she proceeded:</p><p>"Thus, my dear, loving Eva, if this journal should ever reach its&#13;
destination, you will be able to satisfy Dagobert as to the position of&#13;
his wife and son, whom he left for our sakes. How can we ever repay such&#13;
a sacrifice? But I feel sure, that your good and generous heart will&#13;
have found some means of compensation.</p><p>"Adieu!--Again adieu, for to-day, my beloved Eva; I left off writing&#13;
for a moment, to visit the tent of Djalma. He slept peacefully, and&#13;
his father watched beside him; with a smile, he banished my fears. This&#13;
intrepid young man is no longer in any danger. May he still be spared in&#13;
the combat of to-morrow! Adieu, my gentle Eva! the night is silent&#13;
and calm; the fires of the bivouac are slowly dying out, and our poor&#13;
mountaineers repose after this bloody day; I can hear, from hour to&#13;
hour, the distant all's well of our sentinels. Those foreign words&#13;
bring back my grief; they remind me of what I sometimes forget in&#13;
writing--that I am faraway, separated from you and from my child! Poor,&#13;
beloved beings! what will be your destiny? Ah! if I could only send you,&#13;
in time, that medal, which, by a fatal accident, I carried away with&#13;
me from Warsaw, you might, perhaps, obtain leave to visit France, or&#13;
at least to send our child there with Dagobert; for you know of what&#13;
importance--But why add this sorrow to all the rest? Unfortunately, the&#13;
years are passing away, the fatal day will arrive, and this last hope,&#13;
in which I live for you, will also be taken from me: but I will not&#13;
close the evening by so sad a thought. Adieu, my beloved Eva! Clasp our&#13;
child to your bosom, and cover it with all the kisses which I send to&#13;
both of you from the depths of exile!"</p><p>"Till to-morrow--after the battle!"</p><p>The reading of this touching letter was followed by long silence. The&#13;
tears of Rose and Blanche flowed together. Dagobert, with his head&#13;
resting on his hand, was absorbed in painful reflections.</p><p>Without doors, the wind had now augmented in violence; a heavy rain&#13;
began to beat on the sounding panes; the most profound silence reigned&#13;
in the interior of the inn. But, whilst the daughters of General Simon&#13;
were reading with such deep emotion, these fragments of their father's&#13;
journal, a strange and mysterious scene transpired in the menagerie of&#13;
the brute-tamer.</p><p>CHAPTER IX. THE CAGES.</p><p>Morok had prepared himself. Over his deer-skin vest he had drawn&#13;
the coat of mail--that steel tissue, as pliable as cloth, as hard as&#13;
diamonds; next, clothing his arms and legs in their proper armor,&#13;
and his feet in iron-bound buskins, and concealing all this defensive&#13;
equipment under loose trousers and an ample pelisse carefully buttoned,&#13;
he took in his hand a long bar of iron, white-hot, set in a wooden&#13;
handle.</p><p>Though long ago daunted by the skill and energy of the Prophet, his&#13;
tiger Cain, his lion Judas, and his black panther Death, had sometimes&#13;
attempted, in a moment of rebellion, to try their fangs and claws on&#13;
his person; but, thanks to the armor concealed beneath his pelisse, they&#13;
blunted their claws upon a skin of steel, and notched their fangs upon&#13;
arms or legs of iron, whilst a slight touch of their master's metallic&#13;
wand left a deep furrow in their smoking, shrivelled flesh.</p><p>Finding the inutility of their efforts, and endowed with strong memory,&#13;
the beasts soon learned that their teeth and claws were powerless&#13;
when directed against this invulnerable being. Hence, their terrified&#13;
submission reached to such a point that, in his public representations,&#13;
their master could make them crouch and cower at his feet by the least&#13;
movement of a little wand covered with flame-colored paper.</p><p>The Prophet, thus armed with care, and holding in his hand the iron made&#13;
hot by Goliath, descended by the trapdoor of the loft into the large&#13;
shed beneath, in which were deposited the cages of his animals. A mere&#13;
wooden partition separated this shed from the stable that contained his&#13;
horses.</p><p>A lantern, with a reflector, threw a vivid light on the cages. They were&#13;
four in number. A wide iron grating formed their sides, turning at one&#13;
end upon hinges like a door, so as to give ingress to the animal; the&#13;
bottom of each den rested on two axle-trees and four small iron castors,&#13;
so that they could easily be removed to the large covered wagon in which&#13;
they were placed during a journey. One of them was empty; the other&#13;
three contained, as already intimated, a panther, a tiger, and a lion.</p><p>The panther, originally from Java, seemed to merit the gloomy name&#13;
of Death, by her grim, ferocious aspect. Completely black, she lay&#13;
crouching and rolled up in the bottom of her cage, and her dark hues&#13;
mingling with the obscurity which surrounded her, nothing was distinctly&#13;
visible but fixed and glaring eyes--yellow balls of phosphoric light,&#13;
which only kindled, as it were, in the night-time; for it is the nature&#13;
of all the animals of the feline species to enjoy entire clearness of&#13;
vision but in darkness.</p><p>The Prophet entered the stable in silence: the dark red of his long&#13;
pelisse contrasted with the pale yellow of his straight hair and beard;&#13;
the lantern, placed at some height above the ground, threw its rays full&#13;
upon this man, and the strong light, opposed to the deep shadows around&#13;
it, gave effect to the sharp proportions of his bony and savage looking&#13;
figure.</p><p>He approached the cage slowly. The white rim, which encircled his&#13;
eyeball, appeared to dilate, and his look rivaled in motionless&#13;
brilliancy the steadily sparkling gaze of the panther. Still crouching&#13;
in the shade, she felt already the fascination of that glance; two&#13;
or three times she dropped her eyelids, with a low, angry howl; then,&#13;
reopening her eyes, as if in spite of herself, she kept them fastened&#13;
immovably on those of the Prophet. And now her rounded ears clung to&#13;
her skull, which was flattened like a viper's; the skin of her forehead&#13;
became convulsively wrinkled; she drew in her bristling, but silky&#13;
muzzle, and twice silently opened her jaws, garnished with formidable&#13;
fangs. From that moment a kind of magnetic connection seemed to be&#13;
established between the man and the beast.</p><p>The Prophet extended his glowing bar towards the cage, and said, in a&#13;
sharp, imperious tone: "Death! come here."</p><p>The panther rose, but so dragged herself along that her belly and the&#13;
bend of her legs touched the ground. She was three feet high, and nearly&#13;
five in length; her elastic and fleshy spine, the sinews of her thighs&#13;
as well developed as those of a race-horse, her deep chest, her enormous&#13;
jutting shoulders, the nerve and muscle in her short, thick paws--all&#13;
announced that this terrible animal united vigor with suppleness, and&#13;
strength with agility.</p><p>Morok, with his iron wand still extended in the direction of the cage,&#13;
made a step towards the panther. The panther made a stride towards the&#13;
Prophet. Morok stopped; Death stopped also.</p><p>At this moment the tiger, Judas, to whom Morok's back was turned,&#13;
bounded violently in his cage, as if jealous of the attention, which his&#13;
master paid to the panther. He growled hoarsely, and, raising his head,&#13;
showed the under-part of his redoubtable triangular jaw, and his broad&#13;
chest of a dirty white, with which blended the copper color, streaked&#13;
with black, of his sides; his tail, like a huge red serpent, with rings&#13;
of ebony, now clung to his flanks, now lashed them with a slow and&#13;
continuous movement: his eyes, of a transparent, brilliant green, were&#13;
fixed upon the Prophet.</p><p>Such was the influence of this man over his animals, that Judas almost&#13;
immediately ceased growling, as if frightened at his own temerity; but&#13;
his respiration continued loud and deep. Morok turned his face towards&#13;
him, and examined him very attentively during some seconds. The panther,&#13;
no longer subject to the influence of her master's look, slunk back to&#13;
crouch in the shade.</p><p>A sharp cracking, in sudden breaks, like that which great animals make&#13;
in gnawing hard substances, was now heard from the cage of the lion.&#13;
It drew the attention of the Prophet, who, leaving the tiger, advanced&#13;
towards the other den.</p><p>Nothing could be seen of the lion but his monstrous croup of a reddish&#13;
yellow. His thighs were gathered under him, and his thick mane served&#13;
entirely to conceal his head. But by the tension and movement of the&#13;
muscles of his loins, and the curving of his backbone, it was easy to&#13;
perceive that he was making violent efforts with his throat and his&#13;
forepaws. The Prophet approached the cage with same uneasiness, fearing&#13;
that, notwithstanding his orders, Goliath had given the lion some bones&#13;
to gnaw. To assure himself of it, he said in a quick and firm voice:&#13;
"Cain!"</p><p>The lion did not change his position.</p><p>"Cain! come here!" repeated Morok in a louder tone. The appeal was&#13;
useless; the lion did not move, and the noise continued.</p><p>"Cain! come here!" said the Prophet a third time; but, as he pronounced&#13;
these words, he applied the end of the glowing bar to the haunch of the&#13;
lion.</p><p>Scarcely did the light track of smoke appear on the reddish hide of&#13;
Cain, when, with a spring of incredible agility, he turned and&#13;
threw himself against the grating, not crouching, but at a single&#13;
bound--upright, superb, terrifying. The Prophet being at the angle of&#13;
the cage, Cain, in his fury, had raised himself sideways to face his&#13;
master, and, leaning his huge flank against the bars, thrust between&#13;
them his enormous fore leg, which, with his swollen muscles, was as&#13;
large as Goliath's thigh.</p><p>"Cain! down!" said the Prophet, approaching briskly.</p><p>The lion did not obey immediately. His lips, curling with rage,&#13;
displayed fangs as long, as large, and as pointed as the tusks of a wild&#13;
boar. But Morok touched those lips with the end of the burning metal;&#13;
and, as he felt the smart, followed by an unexpected summons of his&#13;
master, the lion, not daring to roar, uttered a hollow growl, and his&#13;
great body sank down at once in an attitude of submission and fear.</p><p>The Prophet took down the lantern to see what Cain had been gnawing. It&#13;
was one of the planks from the floor of his den, which he had succeeded&#13;
in tearing up, and was crunching between his teeth in the extremity of&#13;
his hunger. For a few moments the most profound silence reigned in the&#13;
menagerie. The Prophet, with his hands behind his back, went from one&#13;
cage to the other, observing the animals with a restless contemplative&#13;
look, as if he hesitated to make between them an important and difficult&#13;
choice.</p><p>From time to time he listened at the great door of the shed, which&#13;
opened on the court-yard of the inn. At length this door turned on its&#13;
hinges, and Goliath appeared, his clothes dripping with water.</p><p>"Well! is it done?" said the Prophet.</p><p>"Not without trouble. Luckily, the night is dark, it blows hard, and it&#13;
pours with rain."</p><p>"Then there is no suspicion?"</p><p>"None, master. Your information was good. The door of the cellar opens&#13;
on the fields, just under the window of the lasses. When you whistled to&#13;
let me know it was time, I crept out with a stool I had provided; I put&#13;
it up against the wall, and mounted upon it; with my six feet, that made&#13;
nine, and I could lean my elbows on the window-ledge; I took the shutter&#13;
in one hand, and the haft of my knife in the other, and, whilst I broke&#13;
two of the panes, I pushed the shutter with all my might."</p><p>"And they thought it was the wind?"</p><p>"Yes, they thought it was the wind. You see, the 'brute' is not such a&#13;
brute, after all. That done, I crept back into my cellar, carrying my&#13;
stool with me. In a little time, I heard the voice of the old man; it&#13;
was well I had made haste."</p><p>"Yes, when I whistled to you, he had just entered the supper-room. I&#13;
thought he would have been longer."</p><p>"That man's not built to remain long at supper," said the giant,&#13;
contemptuously. "Some moments after the panes had been broken, the old&#13;
man opened the window, and called his dog, saying: 'Jump out!'--I went&#13;
and hid myself at the further end of the cellar, or that infernal dog&#13;
would have scented me through the door."</p><p>"The dog is now shut up in the stable with the old man's horse."</p><p>"Go on!"</p><p>"When I heard them close shutter and window, I came out of my cellar,&#13;
replaced my stool, and again mounted upon it. Unfastening the shutter,&#13;
I opened it without noise, but the two broken panes were stopped up with&#13;
the skirts of a pelisse. I heard talking, but I could see nothing; so I&#13;
moved the pelisse a little, and then I could see the two lasses in bed&#13;
opposite to me, and the old man sitting down with his back to where I&#13;
stood."</p><p>"But the knapsack--the knapsack?--That is the most important."</p><p>"The knapsack was near the window, on a table, by the side of a lamp; I&#13;
could have reached it by stretching out my arm."</p><p>"What did you hear said?"</p><p>"As you told me to think only of the knapsack, I can only remember what&#13;
concerns the knapsack. The old man said he had some papers in it--the&#13;
letter of a general--his money--his cross."</p><p>"Good--what next?"</p><p>"As it was difficult for me to keep the pelisse away from the hole, it&#13;
slipped through my fingers. In trying to get hold of it again, I put&#13;
my hand too much forward. One of the lasses saw it, and screamed out,&#13;
pointing to the window."</p><p>"Dolt!" exclaimed the Prophet, becoming pale with rage, "you have ruined&#13;
all."</p><p>"Stop a bit! there is nothing broken yet. When I heard the scream, I&#13;
jumped down from my stool, and got back into the cellar; as the dog was&#13;
no longer about, I left the door ajar, so that I could hear them open&#13;
the window, and see, by the light, that the old man was looking out with&#13;
the lamp; but he could find no ladder, and the window was too high for&#13;
any man of common size to reach it!"</p><p>"He will have thought, like the first time, that it was the wind. You&#13;
are less awkward than I imagined."</p><p>"The wolf has become a fox, as you said. Knowing where the knapsack was&#13;
to be found with the money and the papers, and not being able to do more&#13;
for the moment, I came away--and here I am."</p><p>"Go upstairs and fetch me the longest pike."</p><p>"Yes, master."</p><p>"And the red blanket."</p><p>"Yes, master."</p><p>"Go!"</p><p>Goliath began to mount the ladder; half-way up he stopped. "Master,"&#13;
said he, "may I not bring down a bit of meat for Death?--you will see&#13;
that she'll bear me malice; she puts it all down to my account; she&#13;
never forgets, and on the first occasion--"</p><p>"The pike and the cloth!" repeated the Prophet, in an imperious tone.&#13;
And whilst Goliath, swearing to himself, proceeded to execute his&#13;
instructions, Morok opened the great door of the shed, looked out into&#13;
the yard, and listened.</p><p>"Here's the pike and the cloth," said the giant, as he descended the&#13;
ladder with the articles. "Now what must I do next?"</p><p>"Return to the cellar, mount once more by the window, and when the old&#13;
man leaves the room--"</p><p>"Who will make him leave the room?"</p><p>"Never mind! he will leave it."</p><p>"What next?"</p><p>"You say the lamp is near the window?"</p><p>"Quite near--on the table next to the knapsack."</p><p>"Well, then, as soon as the old man leaves the room, push open the&#13;
window, throw down the lamp, and if you accomplish cleverly what remains&#13;
to do--the ten florins are yours--you remember it all?"</p><p>"Yes, yes."</p><p>"The girls will be so frightened by the noise and darkness, that they&#13;
will remain dumb with terror."</p><p>"Make yourself easy! The wolf turned into a fox; why not a serpent?"</p><p>"There is yet something."</p><p>"Well, what now?"</p><p>"The roof of this shed is not very high, the window of the loft is easy&#13;
of access, the night is dark--instead of returning by the door--"</p><p>"I will come in at the window."</p><p>"Ay, and without noise."</p><p>"Like a regular snake!" and the giant departed.</p><p>"Yes!" said the Prophet to himself, after a long silence, "these means&#13;
are sure. It was not for me to hesitate. A blind and obscure instrument,&#13;
I know not the motives of the orders I have received: but from the&#13;
recommendations which accompany them--but from the position of him who&#13;
sends them--immense interests must be involved--interests connected with&#13;
all that is highest and greatest upon earth!--And yet how can these&#13;
two girls, almost beggars, how can this wretched soldier represent such&#13;
interests?--No matter," added he, with humility; "I am the arm which&#13;
acts--it is for the head, which thinks and orders, to answer for its&#13;
work."</p><p>Soon after the Prophet left the shed, carrying with him the red cloth,&#13;
and directed his steps towards the little stable that contained Jovial.&#13;
The crazy door, imperfectly secured by a latch, was easily opened. At&#13;
sight of a stranger Spoil-sport threw himself upon him; but his teeth&#13;
encountered the iron leggings of the Prophet, who, in spite of the&#13;
efforts of the dog took Jovial by his halter, threw the blanket over&#13;
his head to prevent his either seeing or smelling, and led him from the&#13;
stable into the interior of the menagerie, of which he closed the door.</p><p>CHAPTER X. THE SURPRISE.</p><p>The orphans, after reading the journal of their father, remained for&#13;
some moments silent, sad, and pensive, contemplating the leaves yellowed&#13;
by time. Dagobert, also plunged in a reverie, thought of his wife and&#13;
son, from whom he had been so long separated, and hoped soon to see&#13;
again.</p><p>The soldier was the first to break the silence, which had lasted for&#13;
several minutes. Taking the leaves from the hand of Blanche, he folded&#13;
them carefully, put them into his pocket, and thus addressed the&#13;
orphans:</p><p>"Courage, my children! you see what a brave father you have. Think only&#13;
of the pleasure of greeting him, and remember always the name of the&#13;
gallant youth, to whom you will owe that pleasure--for without him your&#13;
father would have been killed in India."</p><p>"Djalma! we shall never forget him," said Rose.</p><p>"And if our guardian angel Gabriel should return," added Blanche, "we&#13;
will ask him to watch over Djalma as over ourselves."</p><p>"Very well, my children; I am sure that you will forget nothing that&#13;
concerns good feeling. But to return to the traveller, who came to visit&#13;
your poor mother in Siberia, he had seen the general a month after the&#13;
events of which you have read, and at a moment when he was about to&#13;
enter on a new campaign against the English. It was then that your&#13;
father entrusted him with the papers and medal."</p><p>"But of what use will this medal be to us, Dagobert?"</p><p>"And what is the meaning of these words engraved upon it?" added Rose,&#13;
as she drew it from her bosom.</p><p>"Why it means, my children, that on the 13th of February, 1832, we must&#13;
be at No. 3, Rue Saint Francois, Paris."</p><p>"But what are we to do there?"</p><p>"Your poor mother was seized so quickly with her last illness, that she&#13;
was unable to tell me. All I know is, that this medal came to her from&#13;
her parents, and that it had been a relic preserved in her family for&#13;
more than a century."</p><p>"And how did our father get it?"</p><p>"Among the articles which had been hastily thrown into the coach,&#13;
when he was removed by force from Warsaw, was a dressing-case of your&#13;
mother's, in which was contained this medal. Since that time the general&#13;
had been unable to send it back, having no means of communicating with&#13;
us, and not even knowing where we were."</p><p>"This medal is, then, of great importance to us?"</p><p>"Unquestionably; for never, during fifteen years, had I seen your mother&#13;
so happy, as on the day the traveller brought it back to her. 'Now,'&#13;
said she to me, in the presence of the stranger, and with tears of joy&#13;
in her eyes, 'now may my children's future be brilliant as their life&#13;
has hitherto been miserable. I will entreat of the governor of Siberia&#13;
permission to go to France with my daughters; it will perhaps be thought&#13;
I have been sufficiently punished, by fifteen years of exile, and the&#13;
confiscation of my property. Should they refuse, I will remain here; but&#13;
they will at least allow me to send my children to France, and you must&#13;
accompany them, Dagobert. You shall set out immediately, for much time&#13;
has been already lost; and, if you were not to arrive before the 13th&#13;
of next February, this cruel separation and toilsome journey would have&#13;
been all in vain.'"</p><p>"Suppose we were one day after?"</p><p>"Your mother told me that if we arrived the 14th instead of the 13th, it&#13;
would be too late. She also gave me a thick letter, to put into the&#13;
post for France, in the first town we should pass through--which I have&#13;
done."</p><p>"And do you think we shall be at Paris in time?"</p><p>"I hope so; still, if you are strong enough, we must sometimes make&#13;
forced marches--for, if we only travel our five leagues a day, and that&#13;
without accident, we shall scarcely reach Paris until the beginning of&#13;
February, and it is better to be a little beforehand."</p><p>"But as father is in--India, and condemned to death if he return to&#13;
France, when shall we see him?"</p><p>"And where shall we see him?"</p><p>"Poor children! there are so many things you have yet to learn. When the&#13;
traveller quitted him, the general could not return to France, but now&#13;
he can do so."</p><p>"And why is that?"</p><p>"Because the Bourbons, who had banished him, were themselves turned out&#13;
last year. The news must reach India, and your father will certainly&#13;
come to meet you at Paris, because he expects that you and your mother&#13;
will be there on the 13th of next February."</p><p>"Ah! now I understand how we may hope to see him," said Rose with a&#13;
sigh.</p><p>"Do you know the name of this traveller, Dagobert?"</p><p>"No, my children; but whether called Jack or John, he is a good sort.&#13;
When he left your mother, she thanked him with tears for all his&#13;
kindness and devotion to the general, herself, and the children; but he&#13;
pressed her hands in his, and said to her, in so gentle a voice that&#13;
I could not help being touched by it: 'Why do you thank me? Did He not&#13;
Say--LOVE YE ONE ANOTHER!'"</p><p>"Who is that, Dagobert?"</p><p>"Yes, of whom did the traveller speak?"</p><p>"I know nothing about it; only the manner in which he pronounced those&#13;
words struck me, and they were the last he spoke."</p><p>"Love one another!" repeated Rose, thoughtfully.</p><p>"How beautiful are those words!" added Blanche.</p><p>"And whither was the traveller going?"</p><p>"Far, very far into the North, as he told your mother. When she saw&#13;
him depart, she said to me: 'His mild, sad talk has affected me even to&#13;
tears; whilst I listened to him, I seemed to be growing better--I&#13;
seemed to love my husband and my children more--and yet, to judge by the&#13;
expression of his countenance, one would think that this stranger had&#13;
never either smiled or wept!' She and I watched him from the door as&#13;
long as we could follow him with our eyes; he carried his head down, and&#13;
his walk was slow, calm, and firm; one might fancy that he counted his&#13;
steps. And, talking of steps, I remarked yet another thing."</p><p>"What was it, Dagobert?"</p><p>"You know that the road which led to our house way, always damp, because&#13;
of the overflowing of the little spring."</p><p>"Yes."</p><p>"Well, then, the mark of the traveller's footsteps remained in the clay,&#13;
and I saw that he had nails under his shoe in the form of a cross."</p><p>"How in the form of a cross?"</p><p>"Look!" said Dagobert, placing the tip of his finger seven times on the&#13;
coverlet of the bed; "they were arrange: thus beneath his heel:"</p><p>*&#13;
        * * *&#13;
          *&#13;
          *&#13;
          *</p><p>"You see it forms a cross."</p><p>"What could it mean, Dagobert?"</p><p>"Chance, perhaps--yes, chance--and yet, in spite of myself, this&#13;
confounded cross left behind him struck me as a bad omen, for hardly was&#13;
he gone when misfortune after misfortune fell upon us."</p><p>"Alas! the death of our mother!"</p><p>"Yes--but, before that, another piece of ill-luck. You had not yet&#13;
returned, and she was writing her petition to ask leave to go to France&#13;
or to send you there, when I heard the gallop of a horse. It was a&#13;
courier from the governor general of Siberia. He brought us orders to&#13;
change our residence; within three days we were to join other condemned&#13;
persons, and be removed with them four hundred leagues further north.&#13;
Thus, after fifteen years of exile, they redoubled in cruelty towards&#13;
your mother."</p><p>"Why did they thus torment her?"</p><p>"One would think that some evil genius was at work against her. A few&#13;
days later, the traveller would no longer have found us at Milosk; and&#13;
if he had joined us further on, it would have been too far for the medal&#13;
and papers to be of use--since, having set out almost immediately, we&#13;
shall hardly arrive in time at Paris. 'If they had some interest to&#13;
prevent me and my children from going to France,' said your mother,&#13;
'they would act just as they have done. To banish us four hundred&#13;
leagues further, is to render impossible this journey, of which the term&#13;
is fixed.' And the idea overwhelmed her with grief."</p><p>"Perhaps it was this unexpected sorrow that was the cause of her sudden&#13;
illness."</p><p>"Alas! no, my children; it was that infernal cholera, who arrives&#13;
without giving you notice--for he too is a great traveller--and strikes&#13;
you down like a thunderbolt. Three hours after the traveller had left&#13;
us, when you returned quite pleased and gay from the forest, with your&#13;
large bunches of wild-flowers for your mother, she was already in the&#13;
last agony, and hardly to be recognized. The cholera had broken out in&#13;
the village, and that evening five persons died of it. Your mother had&#13;
only time to hang the medal about your neck, my dear little Rose,&#13;
to recommend you both to my care, and to beg that we should set out&#13;
immediately. When she was gone, the new order of exile could not apply&#13;
to you; and I obtained permission from the governor to take my departure&#13;
with you for France, according to the last wishes--"</p><p>The soldier could not finish the sentence; he covered his eyes with his&#13;
hand, whilst the orphans embraced him sobbing.</p><p>"Oh! but," resumed Dagobert, with pride, after a moment of painful&#13;
silence, "it was then that you showed yourselves the brave daughters of&#13;
the general. Notwithstanding the danger, it was impossible to tear&#13;
you from your mother's bedside; you remained with her to the last, you&#13;
closed her eyes, you watched there all night, and you would not leave&#13;
the village till you had seen me plant the little wooden cross over the&#13;
grave I had dug for her."</p><p>Dagobert paused abruptly. A strange, wild neighing, mingled with&#13;
ferocious roarings, made the soldier start from his seat. He grew pale,&#13;
and cried: "It is Jovial! my horse! What are they doing to my horse?"&#13;
With that, opening the door he rushed down the stairs precipitately.</p><p>The two sisters clung together, so terrified at the sudden departure of&#13;
the soldier, that they saw not an enormous hand pass through the broken&#13;
panes, unfasten the catch of the window, push it violently open,&#13;
and throw down the lamp placed on the little table, on which was the&#13;
soldiers's knapsack. The orphans thus found themselves plunged into&#13;
complete darkness.</p><p>CHAPTER XI. JOVIAL and DEATH.</p><p>Morok had led Jovial into the middle of the menagerie, and then removed&#13;
the cloth which prevented him from seeing and smelling. Scarcely had&#13;
the tiger, lion, and panther caught a glimpse of him than they threw&#13;
themselves, half famished, against the bars of their dens.</p><p>The horse struck with stupor, his neck stretched out, his eye fixed, and&#13;
trembling through all his limbs, appeared as if nailed to the ground;&#13;
an abundant icy sweat rolled suddenly down his flanks. The lion and the&#13;
tiger uttered fearful roarings, and struggled violently in their dens.&#13;
The panther did not roar, but her mute rage was terrific.</p><p>With a tremendous bound, at the risk of breaking her skull, she sprang&#13;
from the back of the cage against the bars; then, still mute, still&#13;
furious, she crawled back to the extreme corner of the den, and with a&#13;
new spring, as impetuous as it was blind, she again strove to force&#13;
out the iron grating. Three times had she thus bounded--silent,&#13;
appalling--when the horse, passing from the immobility of stupor to the&#13;
wild agony of fear, neighed long and loud, and rushed in desperation at&#13;
the door by which he had entered. Finding it closed he hung his head,&#13;
bent his knees a little, and rubbed his nostrils against the opening&#13;
left between the ground and the bottom of the door, as if he wished&#13;
to inhale the air from the outside; then, more and more affrighted, he&#13;
began to neigh with redoubled force, and struck out violently with his&#13;
fore-feet.</p><p>At the moment when Death was about once more to make her spring, the&#13;
Prophet approached her cage. The heavy bolt which secured the grating&#13;
was pushed from its staple by the pike of the brute-tamer, and, in&#13;
another second, Morok was half way up the ladder that communicated with&#13;
the loft.</p><p>The roaring of the lion and tiger, mingled with the neighing of Jovial,&#13;
now resounded through all parts of the inn. The panther had again&#13;
thrown herself furiously on the grating, and this time yielding with one&#13;
spring, she was in the middle of the shed.</p><p>The light of the lantern was reflected from the glossy ebon of her&#13;
hide, spotted with stains of a duller black. For an instant she remained&#13;
motionless, crouching upon her thick-set limbs, with her head close to&#13;
the floor, as if calculating the distance of the leap by which she was&#13;
to reach the horse; then suddenly she darted upon him.</p><p>On seeing her break from her cage Jovial had thrown himself violently&#13;
against the door, which was made to open inwards, and leaned against&#13;
it with all his might, as though he would force it down. Then, at&#13;
the moment when Death took her leap, he reared up in almost an erect&#13;
position; but she, rapid as lightning, had fastened upon his throat and&#13;
hung there, whilst at the same time she buried the sharp claws of her&#13;
fore-feet in his chest. The jugular vein of the horse opened; a torrent&#13;
of bright red blood spouted forth beneath the tooth of the panther, who,&#13;
now supporting herself on her hind legs, squeezed her victim up against&#13;
the door, whilst she dug into his flank with her claws, and laid bare&#13;
the palpitating flesh. Then his half-strangled neighing became awful.</p><p>Suddenly these words resounded: "Courage, Jovial!--I am at hand!&#13;
Courage!"</p><p>It was the voice of Dagobert, who was exhausting himself in desperate&#13;
exertions to force open the door that concealed this sanguinary&#13;
struggle. "Jovial!" cried the soldier, "I am here. Help! Help!"</p><p>At the sound of that friendly and well-known voice, the poor animal,&#13;
almost at its last gasp, strove to turn its head in the direction whence&#13;
came the accents of his master, answered him with a plaintive neigh,&#13;
and, sinking beneath the efforts of the panther, fell prostrate, first&#13;
on its knees, then upon its flank, so that its backbone lay right&#13;
across the door, and still prevented its being opened. And now all was&#13;
finished. The panther, squatting down upon the horse, crushed him with&#13;
all her paws, and, in spite of some last faint kicks, buried her bloody&#13;
snout in his body.</p><p>"Help! help! my horse!" cried Dagobert, as he vainly shook the door.&#13;
"And no arms!" he added with rage; "no arms!"</p><p>"Take care!" exclaimed the brute-tamer, who appeared at the window&#13;
of the loft; "do not attempt to enter it might cost you your life. My&#13;
panther is furious."</p><p>"But my horse! my horse!" cried Dagobert, in a voice of agony.</p><p>"He must have strayed from his stable during the night, and pushed open&#13;
the door of the shed. At sight of him the panther must have broken out&#13;
of her cage and seized him. You are answerable for all the mischief that&#13;
may ensue," added the brute-tamer, with a menacing air; "for I shall&#13;
have to run the greatest danger, to make Death return to her den."</p><p>"But my horse! only save my horse!" cried Dagobert, in a tone of&#13;
hopeless supplication.</p><p>The Prophet disappeared from the window.</p><p>The roaring of the animals and the shouts of Dagobert, had roused from&#13;
sleep every one in the White Falcon. Here and there lights were seen&#13;
moving and windows were thrown open hurriedly. The servants of the&#13;
inn soon appeared in the yard with lanterns, and surrounding Dagobert,&#13;
inquired of him what had happened.</p><p>"My horse is there," cried the soldier, continuing to shake the door,&#13;
"and one of that scoundrel's animals has escaped from its cage."</p><p>At these words the people of the inn, already terrified by the frightful&#13;
roaring, fled from the spot and ran to inform the host. The soldier's&#13;
anguish may be conceived, as pale, breathless, with his ear close to&#13;
the chink of the door, he stood listening. By degrees the roaring had&#13;
ceased, and nothing was heard but low growls, accompanied by the stern&#13;
voice of the Prophet, repeating in harsh, abrupt accents: "Death! come&#13;
here! Death!"</p><p>The night was profoundly dark, and Dagobert did not perceive Goliath,&#13;
who, crawling carefully along the tiled roof entered the loft by the&#13;
attic window.</p><p>And now the gate of the court-yard was again opened, and the landlord of&#13;
the inn appeared, followed by a number of men. Armed with a carbine, he&#13;
advanced with precaution; his people carried staves and pitchforks.</p><p>"What is the row here?" said he, as he approached Dagobert. "What a&#13;
hubbub in my house! The devil take wild beast showmen, and negligent&#13;
fellows who don't know how to tie a horse to the manger! If your beast&#13;
is hurt, so much the worse for you; you should have taken more care of&#13;
it."</p><p>Instead of replying to these reproaches, the soldier, who still listened&#13;
attentively to what was going on in the shed, made a sign to entreat&#13;
silence. Suddenly a ferocious roar was heard, followed by a loud scream&#13;
from the Prophet; and, almost immediately after, the panther howled&#13;
piteously.</p><p>"You are no doubt the cause of some great accident," said the frightened&#13;
host to the soldier; "did you not hear that cry? Morok is, perhaps,&#13;
dangerously wounded."</p><p>Dagobert was about to answer, when the door opened, and Goliath appeared&#13;
on the threshold.</p><p>"You may enter now," said he; "the danger is over."</p><p>The interior of the menagerie presented a singular spectacle. The&#13;
Prophet, pale, and scarcely able to conceal his agitation beneath an&#13;
apparent air of calmness, was kneeling some paces from the cage of the&#13;
panther, in the attitude of one absorbed in himself; the motion of his&#13;
lips indicating that he was praying. At sight of the host and the people&#13;
of the inn, he rose, and said in a solemn voice: "I thank thee, my&#13;
Preserver, that I have been able to conquer, by the strength which Thou&#13;
hast given me."</p><p>Then folding his arms, with haughty brow and imperious glance, he seemed&#13;
to enjoy the triumph he had achieved over Death, who, stretched on the&#13;
bottom of her den, continued to utter plaintive howlings. The spectators&#13;
of this scene, ignorant that the pelisse of the brute-tamer covered a&#13;
complete suit of armor, and attributing the cries of the panther solely&#13;
to fear, were struck with astonishment and admiration at the intrepidity&#13;
and almost supernatural power of this man. A few steps behind him stood&#13;
Goliath, leaning upon the ashen pikestaff. Finally, not far from the&#13;
cage, in the midst of a pool of blood, lay the dead body of Jovial.</p><p>At sight of the blood-stained and torn remains, Dagobert stood&#13;
motionless, and his rough countenance assumed an expression of the&#13;
deepest grief: then, throwing himself on his knees, he lifted the head&#13;
of Jovial; and when he saw those dull, glassy, and half-closed eyes,&#13;
once so bright and intelligent, as they turned towards a much-loved&#13;
master, the soldier could not suppress an exclamation of bitter anguish.&#13;
Forgetting his anger, forgetting the deplorable consequences of this&#13;
accident, so fatal to the interests of the two maidens, who would thus&#13;
be prevented from continuing their journey--he thought only of the&#13;
horrible death of his poor old horse, the ancient companion of his&#13;
fatigues and wars, the faithful animal, twice wounded like himself, and&#13;
from whom for so many years he had never been separated. This poignant&#13;
emotion was so cruelly, so affectingly visible in the soldier's&#13;
countenance, that the landlord and his people felt themselves for a&#13;
moment touched with pity, as they gazed on the tall veteran kneeling&#13;
beside his dead horse.</p><p>But, when following the course of his regrets, he thought how Jovial had&#13;
also been the companion of his exile, how the mother of the orphans had&#13;
formerly (like her daughters) undertaken a toilsome journey with the aid&#13;
of this unfortunate animal, the fatal consequences of his loss presented&#13;
themselves on a sudden to his mind. Then, fury succeeding to grief,&#13;
he rose, with anger flashing from his eyes, and threw himself on the&#13;
Prophet; with one hand he seized him by the throat, and with the other&#13;
administered five or six heavy blows, which fell harmlessly on the coat&#13;
of mail.</p><p>"Rascal! you shall answer to me for my horse's death!" said the soldier,&#13;
as he continued his correction. Morok, light and sinewy, could not&#13;
struggle with advantage against Dagobert, who, aided by his tall&#13;
stature, still displayed extraordinary vigor. It needed the intervention&#13;
of Goliath and the landlord to rescue the Prophet from the hands of the&#13;
old grenadier. After some moments, they succeeded in separating the two&#13;
champions. Morok was white with rage. It needed new efforts to prevent&#13;
his seizing the pike to attack Dagobert.</p><p>"It is abominable!" cried the host, addressing the soldier, who pressed&#13;
his clinched fists in despair against his bald forehead. "You expose&#13;
this good man to be devoured by his beasts, and then you wish to beat&#13;
him into the bargain. Is this fitting conduct for a graybeard? Shall&#13;
we have to fetch the police? You showed yourself more reasonable in the&#13;
early part of the evening."</p><p>These words recalled the soldier to himself. He regretted his&#13;
impetuosity the more, as the fact of his being a stranger might augment&#13;
the difficulty of his position. It was necessary above all to obtain&#13;
the price of his horse, so as to be enabled to continue his journey, the&#13;
success of which might be compromised by a single day's delay. With a&#13;
violent effort, therefore, he succeeded in restraining his wrath.</p><p>"You are right--I was too hasty," said he to the host, in an agitated&#13;
voice, which he tried to make as calm as possible. "I had not the same&#13;
patience as before. But ought not this man be responsible for the loss&#13;
of my horse? I make you judge in the matter."</p><p>"Well, then, as judge, I am not of your opinion. All this has been your&#13;
own fault. You tied up your horse badly, and he strayed by chance into&#13;
this shed, of which no doubt the door was half-open," said the host,&#13;
evidently taking the part of the brute-tamer.</p><p>"It was just as you say," answered Goliath. "I can remember it. I left&#13;
the door ajar, that the beasts might have some air in the night. The&#13;
cages were well shut, and there was no danger."</p><p>"Very true," said one of the standers-by.</p><p>"It was only the sight of the horse," added another, "that made the&#13;
panther furious, so as to break out of its cage."</p><p>"It is the Prophet who has the most right to complain," observed a&#13;
third.</p><p>"No matter what this or that person says," returned Dagobert, whose&#13;
patience was beginning to fail him, "I say, that I must have either&#13;
money or a horse on the instant--yes, on the instant--for I wish to quit&#13;
this unlucky house."</p><p>"And I say, it is you that must indemnify me," cried Morok, who had kept&#13;
this stage-trick for the last, and who now exhibited his left hand all&#13;
bloody, having hitherto concealed it beneath the sleeve of his pelisse.&#13;
"I shall perhaps be disabled for life," he added; "see what a wound the&#13;
panther has made here!"</p><p>Without having the serious character that the Prophet ascribed to it,&#13;
the wound was a pretty deep one. This last argument gained for him the&#13;
general sympathy. Reckoning no doubt upon this incident, to secure the&#13;
winning of a cause that he now regarded as his own, the host said to the&#13;
hostler: "There is only one way to make a finish. It is to call up the&#13;
burgomaster, and beg him to step here. He will decide who is right or&#13;
wrong."</p><p>"I was just going to propose it to you," said the soldier, "for, after&#13;
all, I cannot take the law into my own hands."</p><p>"Fritz, run to the burgomaster's!"--and the hustler started in all&#13;
haste. His master, fearing to be compromised by the examination of the&#13;
soldier, whose papers he had neglected to ask for on his arrival, said&#13;
to him: "The burgomaster will be in a very bad humor, to be disturbed so&#13;
late. I have no wish to suffer by it, and I must therefore beg you to&#13;
go and fetch me your papers, to see if they are in rule. I ought to have&#13;
made you show them, when you arrived here in the evening."</p><p>"They are upstairs in my knapsack; you shall have them," answered the&#13;
soldier--and turning away his head, and putting his hand before his&#13;
eyes, as he passed the dead body of Jovial, he went out to rejoin the&#13;
sisters.</p><p>The Prophet followed him with a glance of triumph, and said to himself:&#13;
"There he goes!--without horse, without money, without papers. I could&#13;
not do more--for I was forbidden to do more--I was to act with as much&#13;
cunning as possible and preserve appearances. Now every one will think&#13;
this soldier in the wrong. I can at least answer for it, that he will&#13;
not continue his journey for some days--since such great interests&#13;
appear to depend on his arrest, and that of the young girls."</p><p>A quarter of an hour after this reflection of the brute-tamer, Karl,&#13;
Goliath's comrade, left the hiding-place where his master had concealed&#13;
him during the evening, and set out for Leipsic, with a letter which&#13;
Morok had written in haste, and which Karl, on his arrival, was to put&#13;
immediately into the post.</p><p>The address of this letter was as follows:</p><p>"A Monsieur Rodin, Rue du Milieu-des-Ursins, No, 11, A Paris, France."</p><p>CHAPTER XII. THE BURGOMASTER.</p><p>Dagobert's anxiety increased every moment. Certain that his horse had&#13;
not entered the shed of its own accord, he attributed the event which&#13;
had taken place to the spite of the brute-tamer; but he sought in vain&#13;
for the motive of this wretch's animosity, and he reflected with dismay,&#13;
that his cause, however just, would depend on the good or bad humor of&#13;
a judge dragged from his slumbers and who might be ready to condemn upon&#13;
fallacious appearances.</p><p>Fully determined to conceal, as long as possible, from the orphans the&#13;
fresh misfortunes, which had befallen them, he was proceeding to open&#13;
the door of their chamber, when he stumbled over Spoil-sport--for the&#13;
dog had run back to his post, after vainly trying to prevent the Prophet&#13;
from leading away Jovial. "Luckily the dog has returned; the poor little&#13;
things have been well guarded," said the soldier, as he opened the door.&#13;
To his great surprise, the room was in utter darkness.</p><p>"My children," cried he, "why are you without a light?" There was no&#13;
answer. In terror he groped his way to the bed, and took the hand of one&#13;
of the sisters; the hand was cold as ice.</p><p>"Rose, my children!" cried he. "Blanche! Give me some answer! you&#13;
frighten me." Still the same silence continued; the hand which he held&#13;
remained cold and powerless, and yielded passively to his touch.</p><p>Just then, the moon emerged from the black clouds that surrounded her,&#13;
and threw sufficient light into the little room, and upon the bed,&#13;
which faced the window, for the soldier to see that the two sisters&#13;
had fainted. The bluish light of the moon added to the paleness of the&#13;
orphans; they held each other in a half embrace, and Rose had buried her&#13;
head on Blanche's bosom.</p><p>"They must have fainted through fear," exclaimed Dagobert, running to&#13;
fetch his gourd. "Poor things! after a day of so much excitement, it is&#13;
not surprising." And moistening the corner of a handkerchief with a few&#13;
drops of brandy, the soldier knelt beside the bed, gently chafed the&#13;
temples of the two sisters, and held the linen, wet with the spirituous&#13;
liquor, to their little pink nostrils.</p><p>Still on his knees, and bending his dark, anxious face over the orphans,&#13;
he waited some moments before again resorting to the only restorative in&#13;
his power. A slight shiver of Rose gave him renewed hope; the young girl&#13;
turned her head on the pillow with a sigh; then she started, and&#13;
opened her eyes with an expression of astonishment and alarm; but, not&#13;
immediately recognizing Dagobert, she exclaimed: "Oh, sister!" and threw&#13;
herself into the arms of Blanche.</p><p>The latter also was beginning to experience the effect of the soldier's&#13;
care. The exclamation of Rose completely roused her from her lethargy,&#13;
and she clung to her sister, again sharing the fright without knowing&#13;
its cause.</p><p>"They've come to--that's the chief point," said Dagobert, "now we shall&#13;
soon get rid of these foolish fears." Then softening his voice, he&#13;
added: "Well, my children, courage? You are better. It is I who am&#13;
here--me, Dagobert!"</p><p>The orphans made a hasty movement, and, turning towards the soldier&#13;
their sweet faces, which were still full of dismay and agitation, they&#13;
both, by a graceful impulse, extended their arms to him and cried: "It&#13;
is you, Dagobert--then we are safe!"</p><p>"Yes, my children, it is I," said the veteran, taking their hands in&#13;
his, and pressing them joyfully. "So you have been much frightened&#13;
during my absence?"</p><p>"Oh, frightened to death!"</p><p>"If you knew--oh, goodness! if you knew--"</p><p>"But the lamp is extinguished--why is that?"</p><p>"We did not do it."</p><p>"Come--recover yourselves, poor children, and tell me all about it. I&#13;
have no good opinion of this inn; but, luckily, we shall soon leave it.&#13;
It was an ill wind that blew me hither--though, to be sure, there was no&#13;
other in the village. But what has happened?"</p><p>"You were hardly gone, when the window flew open violently, and the lamp&#13;
and table fell together with a loud crash."</p><p>"Then our courage failed--we screamed and clasped each other, for we&#13;
thought we could hear some one moving in the room."</p><p>"And we were so frightened, that we fainted away."</p><p>Unfortunately, persuaded that it was the violence of the wind which had&#13;
already broken the glass, and shaken the window, Dagobert attributed&#13;
this second accident to the same cause as the first, thinking that he&#13;
had not properly secured the fastening and that the orphans had been&#13;
deceived by a false alarm. "Well, well--it is over now," said he to&#13;
them: "Calm yourselves, and don't think of it any more."</p><p>"But why did you leave us so hastily, Dagobert?"</p><p>"Yes, now I remember--did we not hear a great noise, sister, and see&#13;
Dagobert run to the staircase, crying: 'My horse! what are they doing to&#13;
my horse?'"</p><p>"It was then Jovial who neighed?"</p><p>These questions renewed the anguish of the soldier; he feared to answer&#13;
them, and said, with a confused air: "Yes--Jovial neighed--but it was&#13;
nothing. By the by, we must have a light here. Do you know where I put&#13;
my flint and steel last evening? Well, I have lost my senses; it is here&#13;
in my pocket. Luckily, too, we have a candle, which I am going to light;&#13;
I want to look in my knapsack for some papers I require."</p><p>Dagobert struck a few sparks, obtained a light, and saw that the window&#13;
was indeed open, the table thrown down, and the lamp lying by the side&#13;
of the knapsack. He shut the window, set the little table on its feet&#13;
again, placed the knapsack upon it, and began to unbuckle this last in&#13;
order to take out his portfolio, which had been deposited along with his&#13;
cross and purse, in a kind of pocket between the outside and the lining.&#13;
The straps had been readjusted with so much care, that there was no&#13;
appearance of the knapsack having been disturbed; but when the soldier&#13;
plunged his hand into the pocket above-mentioned, he found it empty.&#13;
Struck with consternation, he grew pale, and retreated a step, crying:&#13;
"How is this?--Nothing!"</p><p>"What is the matter?" said Blanche. He made her no answer. Motionless,&#13;
he leaned against the table, with his hand still buried in the pocket.&#13;
Then, yielding to a vague hope--for so cruel a reality did not appear&#13;
possible--he hastily emptied the contents of the knapsack on the&#13;
table--his poor half-worn clothes--his old uniform-coat of the&#13;
horse-grenadiers of the Imperial Guard, a sacred relic for the&#13;
soldiers--but, turn and return them as he would, he found neither his&#13;
purse, nor the portfolio that contained his papers, the letters of&#13;
General Simon, and his cross.</p><p>In vain, with that serious childishness which always accompanies a&#13;
hopeless search, he took the knapsack by the two ends, and shook it&#13;
vigorously; nothing came out. The orphans looked on with uneasiness, not&#13;
understanding his silence or his movements, for his back was turned&#13;
to them. Blanche ventured to say to him in a timid voice: "What ails&#13;
you--you don't answer us.--What is it you are looking for in your&#13;
knapsack?"</p><p>Still mute, Dagobert searched his own person, turned out all his&#13;
pockets--nothing!--For the first time in his life, perhaps, his two&#13;
children, as he called them, had spoken to him without receiving a&#13;
reply. Blanche and Rose felt the big tears start into their eyes;&#13;
thinking that the soldier was angry, they darst not again address him.</p><p>"No, no! it is impossible--no!" said the veteran, pressing his hand to&#13;
his forehead, and seeking in his memory where he might have put those&#13;
precious objects, the loss of which he could not yet bring himself to&#13;
believe. A sudden beam of joy flashed from his eyes. He ran to a chair,&#13;
and took from it the portmanteau of the orphans; it contained a little&#13;
linen, two black dresses, and a small box of white wood, in which were&#13;
a silk handkerchief that had belonged to their mother, two locks of her&#13;
hair, and a black ribbon she had worn round her neck. The little she&#13;
possessed had been seized by the Russian government, in pursuance of&#13;
the confiscation. Dagobert searched and researched every article--peeped&#13;
into all the corners of the portmanteau--still nothing!</p><p>This time, completely worn out, leaning against the table, the strong,&#13;
energetic man felt himself giving way. His face was burning, yet bathed&#13;
in a cold sweat; his knees trembled under him. It is a common saying,&#13;
that drowning men will catch at straws; and so it is with the&#13;
despair that still clings to some shred of hope. Catching at a last&#13;
chance--absurd, insane, impossible--he turned abruptly towards the&#13;
orphans, and said to them, without considering the alteration in&#13;
his voice and features: "I did not give them to you--to keep for&#13;
me?--speak?"</p><p>Instead of answering, Rose and Blanche, terrified at his paleness and&#13;
the expression of his countenance, uttered a cry. "Good heavens! what is&#13;
the matter with you?" murmured Rose.</p><p>"Have you got them--yes, or no?" cried in a voice of thunder the&#13;
unfortunate, distracted man. "If you have not--I'll take the first knife&#13;
I meet with, and stick it into my body!"</p><p>"Alas! You are so good: pardon us if we have done anything to afflict&#13;
you! You love us so much, you would not do us any harm." The orphans&#13;
began to weep, as they stretched forth their hands in supplication&#13;
towards the soldier.</p><p>He looked at them with haggard eye, without even seeing them; till, as&#13;
the delusion passed away, the reality presented itself to his mind with&#13;
all its terrible consequences. Then he clasped his hands together, fell&#13;
on his knees before the bed of the orphans, leaned his forehead upon&#13;
it, and amid his convulsive sobs--for the man of iron sobbed like a&#13;
child--these broken words were audible: "Forgive me--forgive!--I do not&#13;
know how it can be!--Oh! what a misfortune!--what a misfortune!--Forgive&#13;
me!"</p><p>At this outbreak of grief, the cause of which they understood not, but&#13;
which in such a man was heart-rending, the two sisters wound their arms&#13;
about his old gray head, and exclaimed amid their tears: "Look at us!&#13;
Only tell us what is the matter with you?--Is it our fault?"</p><p>At this instant, the noise of footsteps resounded from the stairs,&#13;
mingled with the barking of Spoil-sport, who had remained outside the&#13;
door. The nearer the steps approached, the more furious became the&#13;
barking; it was no doubt accompanied with hostile demonstrations, for&#13;
the host was heard to cry out in an angry tone: "Hollo! you there! Call&#13;
off your dog, or speak to him. It is Mr. Burgomaster who is coming up."</p><p>"Dagobert--do you hear?--it is the burgomaster," said Rose.</p><p>"They are coming upstairs--a number of people," resumed Blanche.</p><p>The word burgomaster recalled whatever had happened to the mind of&#13;
Dagobert, and completed, so to express it, the picture of his terrible&#13;
position. His horse was dead, he had neither papers nor money, and&#13;
a day, a single day's detention, might defeat the last hope of the&#13;
sisters, and render useless this long and toilsome journey.</p><p>Men of strong minds, and the veteran was of the number, prefer great&#13;
perils, positions of danger accurately defined, to the vague anxieties&#13;
which precede a settled misfortune. Guided by his good sense and&#13;
admirable devotion, Dagobert understood at once, that his only resource&#13;
was now in the justice of the burgomaster, and that all his efforts&#13;
should tend to conciliate the favor of that magistrate. He therefore&#13;
dried his eyes with the sheet, rose from the ground, erect, calm, and&#13;
resolute, and said to the orphans: "Fear nothing, my children; it is our&#13;
deliverer who is at hand."</p><p>"Will you call off your dog or no?" cried the host, still detained on&#13;
the stairs by Spoil-sport, who, as a vigilant sentinel, continued to&#13;
dispute the passage. "Is the animal mad, I say? Why don't you tie him&#13;
up? Have you not caused trouble enough in my house? I tell you, that Mr.&#13;
Burgomaster is waiting to examine you in your turn, for he has finished&#13;
with Morok."</p><p>Dagobert drew his fingers through his gray locks and across his&#13;
moustache, clasped the collar of his top-coat, and brushed the sleeves&#13;
with his hand, in order to give himself the best appearance possible;&#13;
for he felt that the fate of the orphans must depend on his interview&#13;
with the magistrate. It was not without a violent beating of the heart,&#13;
that he laid his hand upon the door-knob, saying to the young girls, who&#13;
were growing more and more frightened by such a succession of events:&#13;
"Hide yourselves in your bed, my children; if any one must needs enter,&#13;
it shall be the burgomaster alone."</p><p>Thereupon, opening the door, the soldier stepped out on the landing&#13;
place, and said: "Down, Spoil-sport!--Here!"</p><p>The dog obeyed, but with manifest repugnance. His master had to speak&#13;
twice, before he would abstain from all hostile movements towards the&#13;
host. This latter, with a lantern in one hand and his cap in the other,&#13;
respectfully preceded the burgomaster, whose magisterial proportions&#13;
were lost in the half shadows of the staircase. Behind the judge, and&#13;
a few steps lower, the inquisitive faces of the people belonging to the&#13;
inn were dimly visible by the light of another lantern.</p><p>Dagobert, having turned the dog into the room, shut the door after him,&#13;
and advanced two steps on the landing-place, which was sufficiently&#13;
spacious to hold several persons, and had in one corner a wooden bench&#13;
with a back to it. The burgomaster, as he ascended the last stair, was&#13;
surprised to see Dagobert close the door of the chamber, as though he&#13;
wished to forbid his entrance. "Why do you shut that door?" asked he in&#13;
an abrupt tone.</p><p>"First, because two girls, whom I have the charge of, are in bed in&#13;
that room; secondly, because your examination would alarm them," replied&#13;
Dagobert. "Sit down upon this bench, Mr. Burgomaster, and examine me&#13;
here; it will not make any difference, I should think."</p><p>"And by what right," asked the judge, with a displeased air, "do you&#13;
pretend to dictate to me the place of your examination?"</p><p>"Oh, I have no such pretension, Mr. Burgomaster!" said the soldier&#13;
hastily, fearing above all things to prejudice the judge against him:&#13;
"only, as the girls are in bed, and already much frightened, it would be&#13;
a proof of your good heart to examine me where I am."</p><p>"Humph!" said the magistrate, with ill-humor; "a pretty state of things,&#13;
truly!--It was much worth while to disturb me in the middle of the&#13;
night. But, come, so be it; I will examine you here." Then, turning to&#13;
the landlord, he added: "Put your lantern upon this bench, and leave&#13;
us."</p><p>The innkeeper obeyed, and went down, followed by his people, as&#13;
dissatisfied as they were at being excluded from the examination. The&#13;
veteran was left alone with the magistrate.</p><p>CHAPTER XIII. THE JUDGEMENT.</p><p>The worthy burgomaster of Mockern wore a cloth cap, and was enveloped in&#13;
a cloak. He sat down heavily on the bench. He was a corpulent man, about&#13;
sixty, with an arrogant, morose countenance; and he frequently rubbed&#13;
with his red, fat fist, eyes that were still swollen and blood shot,&#13;
from his having been suddenly roused from sleep.</p><p>Dagobert stood bareheaded before him, with a submissive, respectful air,&#13;
holding his old foraging cap in his hands, and trying to read in the&#13;
sullen physiognomy of his judge what chance there might be to interest&#13;
him in his favor--that is, in favor of the orphans.</p><p>In this critical juncture, the poor soldier summoned to his aid all his&#13;
presence of mind, reason, eloquence and resolution. He, who had twenty&#13;
times braved death with the utmost coolness--who, calm and serene,&#13;
because sincere and tried, had never quailed before the eagle-glance&#13;
of the Emperor, his hero and idol--now felt himself disconcerted and&#13;
trembling before the ill-humored face of a village burgomaster. Even&#13;
so, a few hours before, he had submitted, impassive and resigned, to the&#13;
insults of the Prophet--that he might not compromise the sacred mission&#13;
with which a dying mother had entrusted him--thus showing to what a&#13;
height of heroic abnegation it is possible for a simple and honest heart&#13;
to attain.</p><p>"What have you to say in your justification? Come, be quick!" said the&#13;
judge roughly, with a yawn of impatience.</p><p>"I have not got to justify myself--I have to make a complaint, Mr.&#13;
Burgomaster," replied Dagobert in a firm voice.</p><p>"Do you think you are to teach me in what terms I am to put my&#13;
questions?" exclaimed the magistrate, in so sharp a tone that the&#13;
soldier reproached himself with having begun the interview so badly.&#13;
Wishing to pacify his judge, he made haste to answer with submission:</p><p>"Pardon me, Mr. Burgomaster, I have ill-explained my meaning. I only&#13;
wished to say that I was not wrong in this affair."</p><p>"The Prophet says the contrary."</p><p>"The Prophet?" repeated the soldier, with an air of doubt.</p><p>"The Prophet is a pious and honest man," resumed the judge, "incapable&#13;
of falsehood."</p><p>"I cannot say anything upon that subject; but you are too just, and have&#13;
too good a heart, Mr. Burgomaster, to condemn without hearing me. It is&#13;
not a man like you that would do an injustice; oh, one can see that at a&#13;
glance!"</p><p>In resigning himself thus to play the part of a courtier, Dagobert&#13;
softened as much as possible his gruff voice, and strove to give to his&#13;
austere countenance a smiling, agreeable, and flattering expression.&#13;
"A man like you," he added, with redoubled suavity of manner, "a&#13;
respectable judge like you, never shuts his ears to one side or the&#13;
other."</p><p>"Ears are not in question, but eyes; and, though mine smart as if I had&#13;
rubbed them with nettles, I have seen the hand of the brute-tamer, with&#13;
a frightful wound on it."</p><p>"Yes, Mr. Burgomaster, it is very true; but consider, if he had shut his&#13;
cages and his door, all this would not have happened."</p><p>"Not so; it is your fault. You should have fastened your horse securely&#13;
to the manger."</p><p>"You are right, Mr. Burgomaster, certainly, you are right," said the&#13;
soldier, in a still more affable and conciliating voice. "It is not for&#13;
a poor devil like me to contradict you. But supposing my horse was&#13;
let loose out of pure malice, in order that he might stray into the&#13;
menagerie--you will then acknowledge that it was not my fault. That is,&#13;
you will acknowledge it if you think fit," hastily added the soldier "I&#13;
have no right to dictate to you in anything."</p><p>"And why the devil should any one do you this ill-turn?"</p><p>"I do not know, Mr. Burgomaster--but--"</p><p>"You do not know--well, nor I either," said the burgomaster impatiently.&#13;
"Zounds! what a many words about the carcass of an old horse!"</p><p>The countenance of the soldier, losing on a sudden its expression of&#13;
forced suavity, became once more severe; he answered in a grave voice,&#13;
full of emotion: "My horse is dead--he is no more than a carcass--that&#13;
is true; but an hour ago, though very old, he was full of life and&#13;
intelligence. He neighed joyously at my voice--and, every evening, he&#13;
licked the hands of the two poor children, whom he had carried all the&#13;
day--as formerly he had carried their mother. Now he will never&#13;
carry any one again; they will throw him to the dogs, and all will&#13;
be finished. You need not have reminded me harshly of it, Mr.&#13;
Burgomaster--for I loved my horse!"</p><p>By these words, pronounced with noble and touching simplicity, the&#13;
burgomaster was moved in spite of himself, and regretted his hasty&#13;
speech. "It is natural that you should be sorry for your horse,"&#13;
said he, in a less impatient tone; "but what is to be done?--It is a&#13;
misfortune."</p><p>"A misfortune?--Yes, Mr. Burgomaster, a very great misfortune. The&#13;
girls, who accompany me, were too weak to undertake a long journey on&#13;
foot, too poor to travel in a carriage--and yet we have to arrive in&#13;
Paris before the month of February. When their mother died, I promised&#13;
her to take them to France, for these children have only me to take care&#13;
of them."</p><p>"You are then their--"</p><p>"I am their faithful servant, Mr. Burgomaster; and now that my horse&#13;
has been killed, what can I do for them? Come, you are good, you have&#13;
perhaps children of your own; if, one day, they should find themselves&#13;
in the position of my two little orphans--with no wealth, no resources&#13;
in the world, but an old soldier who loves them, and an old horse&#13;
to carry them along--if, after being very unfortunate from their&#13;
birth--yes, very unfortunate, for my orphans are the daughters of&#13;
exiles--they should see happiness before them at the end of a&#13;
journey, and then, by the death of their horse, that journey become&#13;
impossible--tell me, Mr. Burgomaster, if this would not touch your&#13;
heart? Would you not find, as I do, that the loss of my horse is&#13;
irreparable?"</p><p>"Certainly," answered the burgomaster, who was not ill natured at&#13;
bottom, and who could not help taking part in Dagobert's emotion; "I now&#13;
understand the importance of the loss you have suffered. And then your&#13;
orphans interest me: how old are they?"</p><p>"Fifteen years and two months. They are twins."</p><p>"Fifteen years and two months--that is about the age of my Frederica."</p><p>"You have a young lady of that age?" cried Dagobert, once more awaking&#13;
to hope; "ah, Mr. Burgomaster! I am really no longer uneasy about my&#13;
poor children. You will do us justice."</p><p>"To do justice is my duty. After all, in this affair, the faults are&#13;
about equal on both sides. You tied up your horse badly, and the brute&#13;
tamer left his door open. He says: 'I am wounded in the hand.' You&#13;
answer: 'My horse has been killed--and, for a thousand reasons, the loss&#13;
of my horse is irreparable.'"</p><p>"You make me speak better than I could ever speak on my own account, Mr.&#13;
Burgomaster," said the soldier, with a humble, insinuating smile; "but&#13;
'tis what I meant to express--and, as you say yourself, Mr. Burgomaster,&#13;
my horse being my whole fortune, it is only fair--"</p><p>"Exactly so," resumed the magistrate, interrupting the soldier; "your&#13;
reasons are excellent. The Prophet--who is a good and pious man with all&#13;
has related the facts to me in his own way; and then, you see, he is an&#13;
old acquaintance. We are nearly all zealous Catholics here, and he sells&#13;
to our wives such cheap and edifying little books, with chaplets and&#13;
amulets of the best manufacture, at less than the prime cost. All this,&#13;
you will say, has nothing to do with the affair; and you will be right&#13;
in saying so: still I must needs confess that I came here with the&#13;
intention--"</p><p>"Of deciding against me, eh, Mr. Burgomaster?" said Dagobert, gaining&#13;
more and more confidence. "You see, you were not quite awake, and your&#13;
justice had only one eye open."</p><p>"Really, master soldier," answered the judge with good humor, "it is not&#13;
unlikely; for I did not conceal from Morok that I gave it in his favor.&#13;
Then he said to me (very generously, by the way): 'Since you condemn&#13;
my adversary, I will not aggravate his position by telling you certain&#13;
things--'"</p><p>"What! against me?"</p><p>"Apparently so; but, like a generous enemy, when I told him that I&#13;
should most likely condemn you to pay him damages, he said no more about&#13;
it. For I will not hide from you, that, before I heard your reasons,&#13;
I fully intended that you should make compensation for the Prophet's&#13;
wound."</p><p>"See, Mr. Burgomaster, how the most just and able persons are subject&#13;
to be deceived," said Dagobert, becoming once more the courtier; then,&#13;
trying to assume a prodigiously knowing look, he added: "But such&#13;
persons find out the truth at last, and are not to be made dupes of,&#13;
whatever prophets may say."</p><p>This poor attempt at a jest--the first and only one, perhaps, that&#13;
Dagobert had ever been guilty of--will show the extremity to which he&#13;
was reduced, and the desperate efforts of all kinds he was making to&#13;
conciliate the good graces of his judge. The burgomaster did not at&#13;
first see the pleasantry; he was only led to perceive it by the self&#13;
satisfied mien of Dagobert, and by his inquiring glance, which seemed to&#13;
say: "Is it not good, eh?--I am astonished at it myself."</p><p>The magistrate began, therefore, to smile with a patronizing air, and,&#13;
nodding his head, replied in the same jocular spirit: "Ha! Ha! Ha! You&#13;
are right; the Prophet is out in his prophecy. You shall not pay him any&#13;
damages. The faults on both sides are equal, and the injuries balance&#13;
one another. He has been wounded, your horse has been killed; so you may&#13;
cry quits, and have done with it."</p><p>"But how much then, do you think he owes me?" asked the soldier, with&#13;
singular simplicity.</p><p>"How much?"</p><p>"Yes, Mr. Burgomaster, what sum will he have to pay me? Yes--but, before&#13;
you decide, I must tell you one thing, Mr. Burgomaster. I think I shall&#13;
be entitled to spend only part of the money in buying a horse. I am&#13;
sure, that, in the environs of Leipsic, I could get a beast very cheap&#13;
from some of the peasants; and, between ourselves, I will own to you,&#13;
that, if I could meet with only a nice little donkey--I should not be&#13;
over particular--I should even like it just as well; for, after my poor&#13;
Jovial, the company of another horse would be painful to me. I must also&#13;
tell you--"</p><p>"Hey-day!" cried the burgomaster, interrupting Dagobert, "of what money,&#13;
what donkey, and what other horse are you talking? I tell you, that you&#13;
owe nothing to the Prophet, and that he owes you nothing!"</p><p>"He owes me nothing?"</p><p>"You are very dull of comprehension, my good man. I repeat, that, if the&#13;
Prophet's animals have killed your horse, the Prophet himself has&#13;
been badly wounded; so you may cry quits. In other words, you owe him&#13;
nothing, and he owes you nothing. Now do you understand?"</p><p>Dagobert, confounded, remained for some moments without answering,&#13;
whilst he looked at the burgomaster with an expression of deep anguish.&#13;
He saw that his judgment would again destroy all his hopes.</p><p>"But, Mr. Burgomaster," resumed he, in an agitated voice, "you are too&#13;
just not to pay attention to one thing: the wound of the brute-tamer&#13;
does not prevent him from continuing his trade; the death of my horse&#13;
prevents me from continuing my journey; therefore, he ought to indemnify&#13;
me."</p><p>The judge considered he had already done a good deal for Dagobert, in&#13;
not making him responsible for the wound of the Prophet, who, as we have&#13;
already said, exercised a certain influence over the Catholics of the&#13;
country by the sale of his devotional treasures, and also from its being&#13;
known that he was supported by some persons of eminence. The soldier's&#13;
pertinacity, therefore, offended the magistrate, who, reassuming his&#13;
lofty air, replied, in a chilling tone: "You will make me repent my&#13;
impartiality. How is this? Instead of thanking me, you ask for more."</p><p>"But, Mr. Burgomaster, I ask only for what is just. I wish I were&#13;
wounded in the hand, like the Prophet, so that I could but continue my&#13;
journey."</p><p>"We are not talking of what you wish. I have pronounced sentence--there&#13;
is no more to say."</p><p>"But, Mr. Burgomaster--"</p><p>"Enough, enough. Let us go to the next subject. Your papers?"</p><p>"Yes, we will speak about my papers; but I beg of you, Mr. Burgomaster,&#13;
to have pity on those two children. Let us have the means to continue&#13;
our journey, and--"</p><p>"I have done all I could for you--perhaps, more than I ought. Once&#13;
again, your papers!"</p><p>"I must first explain to you--"</p><p>"No! No explanation--your papers!--Or would you like me to have you&#13;
arrested as a vagabond?"</p><p>"Me---arrested!"</p><p>"I tell you that, if you refuse to show me your papers, it will be as if&#13;
you had none. Now, those people who have no papers we take into custody&#13;
till the authorities can dispose of them. Let me see your papers, and&#13;
make haste!--I am in a hurry to get home."</p><p>Dagobert's position was the more distressing, as for a moment he had&#13;
indulged in sanguine hope. The last blow was now added to all the&#13;
veteran had suffered since the commencement of this scene, which was a&#13;
cruel as well as dangerous trial, for a man of his character--upright,&#13;
but obstinate--faithful, but rough and absolute--a man who, for a long&#13;
time a soldier, and a victorious one, had acquired a certain despotic&#13;
mariner of treating with civilians.</p><p>At these words--"your papers," Dagobert became very pale; but he tried&#13;
to conceal his anguish beneath an air of assurance, which he thought&#13;
best calculated to gain the magistrate's good opinion. "I will tell you&#13;
all about it, Mr. Burgomaster," said he. "Nothing can be clearer. Such&#13;
a thing might happen to any one. I do not look like a beggar and a&#13;
vagabond, do I? And yet--you will understand, that an honest man who&#13;
travels with two young girls--"</p><p>"No more words! Your papers!"</p><p>At this juncture two powerful auxiliaries arrived to the soldier's aid.&#13;
The orphans, growing more and more uneasy, and hearing Dagobert still&#13;
talking upon the landing-place, had risen and dressed themselves; so&#13;
that just at the instant, when the magistrate said in a rough voice--"No&#13;
more words! Your papers!"--Rose and Blanche holding each other by the&#13;
hand, came forth from the chamber.</p><p>At sight of those charming faces, which their poor mourning vestments&#13;
only rendered more interesting, the burgomaster rose from his seat,&#13;
struck with surprise and admiration. By a spontaneous movement, each&#13;
sister took a hand of Dagobert, and pressed close to him, whilst they&#13;
regarded the magistrate with looks of mingled anxiety and candor.</p><p>It was so touching a picture, this of the old soldier presenting as&#13;
it were to his judge the graceful children, with countenances full of&#13;
innocence and beauty, that the burgomaster, by a sudden reaction, found&#13;
himself once more disposed to sentiments of pity. Dagobert perceived it;&#13;
and, still holding the orphans by the hand, he advanced towards him, and&#13;
said in a feeling voice: "Look at these poor children, Mr. Burgomaster!&#13;
Could I show you a better passport?" And, overcome by so many&#13;
painful sensations--restrained, yet following each other in quick&#13;
succession--Dagobert felt, in spite of himself, that the tears were&#13;
starting to his eyes.</p><p>Though naturally rough, and rendered still more testy by the&#13;
interruption of his sleep, the burgomaster was not quite deficient in&#13;
sense of feeling. He perceived at once, that a man thus accompanied,&#13;
ought not to inspire any great distrust. "Poor dear children!" said he,&#13;
as he examined them with growing interest; "orphans so young, and they&#13;
come from far--"</p><p>"From the heart of Siberia, Mr. Burgomaster, where their mother was an&#13;
exile before their birth. It is now more than five months that we have&#13;
been travelling on by short stages--hard enough, you will say, for&#13;
children of their age. It is for them that I ask your favor and support&#13;
for them against whom everything seems to combine to-day for, only just&#13;
now, when I went to look for my papers, I could not find in my knapsack&#13;
the portfolio in which they were, along with my purse and cross--for you&#13;
must know, Mr. Burgomaster--pardon me, if I say it--'tis not from vain&#13;
glory--but I was decorated by the hand of the Emperor; and a man whom&#13;
he decorated with his own hand, you see, could not be so bad a fellow,&#13;
though he may have had the misfortune to lose his papers--and his&#13;
purse. That's what has happened to me, and made me so pressing about the&#13;
damages."</p><p>"How and where did you suffer this loss?"</p><p>"I do not know, Mr. Burgomaster; I am sure that the evening before&#13;
last, at bed-time, I took a little money out of the purse, and saw the&#13;
portfolio in its place; yesterday I had small change sufficient, and did&#13;
not undo the knapsack."</p><p>"And where then has the knapsack been kept?"</p><p>"In the room occupied by the children: but this night--"</p><p>Dagobert was here interrupted by the tread of some one mounting the&#13;
stairs: it was the Prophet. Concealed in the shadow of the staircase, he&#13;
had listened to this conversation, and he dreaded lest the weakness of&#13;
the burgomaster should mar the complete success of his projects.</p><p>CHAPTER XIV. THE DECISION.</p><p>Morok, who wore his left arm in a sling, having slowly ascended the&#13;
staircase, saluted the burgomaster respectfully. At sight of the&#13;
repulsive countenance of the lion-tamer, Rose and Blanche, affrighted,&#13;
drew back a step nearer to the soldier. The brow of the latter grew&#13;
dark, for he felt his blood boil against Morok, the cause of all&#13;
his difficulties--though he was yet ignorant that Goliath, at the&#13;
instigation of the Prophet, had stolen his portfolio and papers.</p><p>"What did you want, Morok?" said the burgomaster, with an air half&#13;
friendly and half displeased. "I told the landlord that I did not wish&#13;
to be interrupted."</p><p>"I have come to render you a service, Mr. Burgomaster."</p><p>"A service?"</p><p>"Yes, a great service; or I should not have ventured to disturb you. My&#13;
conscience reproaches me."</p><p>"Your conscience."</p><p>"Yes, Mr. Burgomaster, it reproaches me for not having told you all that&#13;
I had to tell about this man; a false pity led me astray."</p><p>"Yell, but what have you to tell?"</p><p>Morok approached the judge, and spoke to him for sometime in a low&#13;
voice.</p><p>At first apparently much astonished, the burgomaster became by degrees&#13;
deeply attentive and anxious; every now and then be allowed some&#13;
exclamation of surprise or doubt to escape him, whilst he glanced&#13;
covertly at the group formed by Dagobert and the two young girls. By&#13;
the expression of his countenance, which grew every moment more unquiet,&#13;
severe, and searching, it was easy to perceive that the interest&#13;
which the magistrate had felt for the orphans and for the soldier, was&#13;
gradually changed, by the secret communications of the Prophet, into a&#13;
sentiment of distrust and hostility.</p><p>Dagobert saw this sudden revolution, and his fears, which had been&#13;
appeased for an instant, returned with redoubled force; Rose and&#13;
Blanche, confused, and not understanding the object of this mute scene,&#13;
looked at the soldier with increased perplexity.</p><p>"The devil!" said the burgomaster, rising abruptly; "all of this never&#13;
occurred to me. What could I have been thinking of?--But you see, Morok,&#13;
when one is roused up in the middle of the night, one has not always&#13;
presence of mind. You said well: it is a great service you came to&#13;
render me."</p><p>"I assert nothing positively, but--"</p><p>"No matter; 'tis a thousand to one that you are right."</p><p>"It is only a suspicion founded upon divers circumstances; but even a&#13;
suspicion--"</p><p>"May give you scent of the truth. And here was I, going like a gull into&#13;
the snare!--Once more, what could I have been thinking of?"</p><p>"It is so difficult to be on guard against certain appearances."</p><p>"You need not tell me so, my dear Morok, you need not tell me so."</p><p>During this mysterious conversation, Dagobert was on thorns; he saw&#13;
vaguely that a violent storm was about to burst. He thought only of how&#13;
he should still keep his anger within bounds.</p><p>Morok again approached the judge, and glancing at the orphans,&#13;
recommenced speaking in a low voice. "Oh" cried the burgomaster, with,&#13;
indignation, "you go too far now."</p><p>"I affirm nothing," said Morok, hastily; "it is a mere supposition&#13;
founded on--" and he again brought his lips close to the ear of the&#13;
judge.</p><p>"After all, why not?" resumed the magistrate, lifting up his hands;&#13;
"such people are capable of anything. He says that he brings them from&#13;
the heart of Siberia: why may not all this prove to be a tissue of&#13;
impudent falsehoods?--But I am not to be made a dupe twice," cried&#13;
the burgomaster, in an angry tone, for, like all persons of a weak&#13;
and shifting character, he was without pity for those whom he thought&#13;
capable of having beguiled his compassion.</p><p>"Do not be in a hurry to decide--don't give to my words more weight&#13;
than they deserve," resumed Morok with a hypocritical affectation of&#13;
humility. "I am unhappily placed in so false a position with regard to&#13;
this man,"--pointing to Dagober--"that I might be thought to have acted&#13;
from private resentment for the injury he has done me; perhaps I may so&#13;
act without knowing it, while I fancy that I am only influenced by love&#13;
of justice, horror of falsehood, and respect for our holy religion.&#13;
Well--who lives long enough will know--and may heaven forgive me if I&#13;
am deceived!--In any case, the law will pronounce upon it; and if they&#13;
should prove innocent, they will be released in a month or two."</p><p>"And, for that reason, I need not hesitate. It is a mere measure of&#13;
precaution; they will not die of it. Besides, the more I think of it,&#13;
the more it seems probable. Yes this man is doubtless a French spy&#13;
or agitator, especially when I compare these suspicions with the late&#13;
demonstration of the students at Frankfort."</p><p>"And, upon that theory, nothing is better fitted to excite and stir&#13;
up those hot-headed youths than--" He glanced significantly at the two&#13;
sisters; then, after a pause, he added with a sigh, "Satan does not care&#13;
by what means he works out his ends!"</p><p>"Certainly, it would be odious, but well-devised."</p><p>"And then, Mr Burgomaster, look at him attentively: you will see that&#13;
this man has a dangerous face. You will see--"</p><p>In continuing thus to speak in a low tone, Morok had evidently pointed&#13;
to Dagobert. The latter, notwithstanding his self-command, felt that the&#13;
restraint he had imposed upon himself, since his arrival at this unlucky&#13;
inn, and above all wince the commencement of the conversation between&#13;
Morok and the burgomaster, was becoming no longer bearable; besides, he&#13;
saw clearly that all his efforts to conciliate the favor of the judge&#13;
were rendered completely null by the fatal influence of the brute-tamer;&#13;
so, losing patience, he advanced towards him with his arms folded on his&#13;
breast, and said to him in a subdued voice: "Was it of me that you were&#13;
whispering to Mr. Burgomaster?"</p><p>"Yes," said Morok, looking fixedly at him.</p><p>"Why did you not speak out loud?" Having said this, the almost&#13;
convulsive movement of his thick moustache, as he stood looping Morok&#13;
full in the face, gave evidence of a severe internal conflict. Seeing&#13;
that his adversary preserved a contemptuous silence, he repeated in&#13;
a sterner voice: "I ask you, why you did not speak out loud to Mr.&#13;
Burgomaster, when you were talking of me?"</p><p>"Because there are some things so shameful, that one would blush to&#13;
utter them aloud," answered Morok insolently.</p><p>Till then Dagobert had kept his arms folded; he now extended them&#13;
violently, clenching his fists. This sudden movement was so expressive&#13;
that the two sisters uttered a cry of terror, and drew closer to him.</p><p>"Hark ye, Mr. Burgomaster!" said the soldier, grinding his teeth with&#13;
rage: "bid that man go down, or I will not answer for myself!"</p><p>"What!" said the burgomaster, haughtily; "do you dare to give orders to&#13;
me?"</p><p>"I tell you to make that man go down," resumed Dagobert, quite beside&#13;
himself, "or there will be mischief!"</p><p>"Dagobert!--good heaven!--be calm," cried the children, grasping his&#13;
hands.</p><p>"It becomes you, certainly--miserable vagabond that you are--not to say&#13;
worse," returned the burgomaster, in a rage: "it becomes you to give&#13;
orders to me!--Oh! you think to impose upon me, by telling me you have&#13;
lost your papers!--It will not serve your turn, for which you carry&#13;
about with you these two girls, who, in spite of their innocent looks,&#13;
are perhaps after all--"</p><p>"Wretch!" cried Dagobert, with so terrible a voice and gesture that the&#13;
official did not dare to finish. Taking the children by the arm before&#13;
they could speak a word, the soldier pushed them back into the chamber;&#13;
then, locking the door, and putting the key into his pocket, he returned&#13;
precipitately towards the burgomaster, who, frightened at the menacing&#13;
air and attitude of the veteran, retreated a couple of steps, and held&#13;
by one hand to the rail of the staircase.</p><p>"Listen to me!" said the soldier, seizing the judge by the arm. "Just&#13;
now, that scoundrel insulted me--I bore with it--for it only concerned&#13;
myself. I have heard patiently all your idle talk, because you seemed&#13;
for a moment to interest yourself in those poor children. But since you&#13;
have neither soul, nor pity, nor justice--I tell you that, burgomaster&#13;
though you are--I will spurn you as I would spurn that dog," pointing&#13;
again to the Prophet, "if you have the misfortune to mention those&#13;
two young girls, in any other way than you would speak of your own&#13;
child!--Now, do you mark me?"</p><p>"What!--you dare to say," cried the burgomaster, stammering with rage,&#13;
"that if I happen to mention two adventuresses--"</p><p>"Hats off!--when you speak of the daughters of the Duke of Ligny," cried&#13;
the soldier, snatching the cap of the burgomaster and flinging it on&#13;
the ground. On this act of aggression, Morok could not restrain his joy.&#13;
Exasperated and losing all hope, Dagobert had at length yielded to the&#13;
violence of his anger, after struggling so painfully against it for some&#13;
hours.</p><p>When the burgomaster saw his cap at his feet, he looked at the brute&#13;
tamer with an air of stupefaction, as if he hesitated to believe so&#13;
great an enormity. Dagobert, regretting, his violence, and feeling that&#13;
no means of conciliation note remained, threw a rapid glance around&#13;
him, and, retreating several paces, gained the topmost steps of the&#13;
staircase. The burgomaster stood near the bench, in a corner of the&#13;
landing-place, whilst Morok, with his arm in the sling, to give the more&#13;
serious appearance to his wound, was close beside him. "So!" cried the&#13;
magistrate, deceived by the backward movement of Dagobert, "you think to&#13;
escape, after daring to lift hand against me!--Old villain!"</p><p>"Forgive me, Mr. Burgomaster! It was a burst of rashness that I was not&#13;
able to control. I am sorry for it," said Dagobert in a repentant voice,&#13;
and hanging his head humbly.</p><p>"No pity for thee, rascal! You would begin again to smooth me over with&#13;
your coaxing ways, but I have penetrated your secret designs. You are&#13;
not what you appear to be, and there is perhaps an affair of state at&#13;
the bottom of all this," added the magistrate, in a very diplomatic&#13;
tone. "All means are alike to those who wish to set Europe in flames."</p><p>"I am only a poor devil, Mr. Burgomaster; you, that have a good heart,&#13;
will show me some mercy."</p><p>"What! when you have pulled off my cap?"</p><p>"And you," added the soldier, turning towards Morok, "you, that&#13;
have been the cause of all this--have same pity upon me--do not bear&#13;
malice!--You, a holy man, speak a word in my favor to Mr. Burgomaster."</p><p>"I have spoken to him what I was bound to speak," answered the Prophet&#13;
ironically.</p><p>"Oho! you can look foolish enough now, you old vagabond! Did you think&#13;
to impose on me with lamentations?" resumed the burgomaster, advancing&#13;
towards Dagobert. "Thanks be, I am no longer your dupe!--You shall see&#13;
that we have good dungeons at Leipsic for French agitators and female&#13;
vagrants, for your damsels are no better than you are. Come," added he,&#13;
puffing out his cheeks with an important air, "go down before me--and as&#13;
for you, Morok--"</p><p>The burgomaster was unable to finish. For some minutes Dagobert had only&#13;
sought to gain time, and had cast many a side-glance at a half-open&#13;
door on the landing-place, just opposite to the chamber occupied by the&#13;
orphans: finding the moment favorable, he now rushed quick as lightning&#13;
on the burgomaster, seized him by the throat, and dashed him with such&#13;
violence against the door in question, that the magistrate, stupefied&#13;
by this sudden attack, and unable to speak a word or utter a cry, rolled&#13;
over to the further end of the room, which was completely dark. Then,&#13;
turning towards Morok, who, with his arm encumbered by the sling, made&#13;
a rush for the staircase, the soldier caught him by his long, streaming&#13;
hair, pulled him back, clasped him with hands of iron, clapped his hand&#13;
over his mouth to stifle his outcries, and notwithstanding his desperate&#13;
resistance, dragged him into the chamber, on the floor of which the&#13;
burgomaster lay bruised and stunned.</p><p>Having double-locked the door, and put the key in his pocket, Dagobert&#13;
descended the stairs at two bounds, and found himself in a passage, that&#13;
opened on the court-yard. The gate of the inn was shut, and there was no&#13;
possibility of escape on that side. The rain fell in torrents. He could&#13;
see through the window of a parlor, in which a fire was burning, the&#13;
host and his people waiting for the decision of the burgomaster. To bolt&#13;
the door of the passage, and thus intercept all communication with the&#13;
yard, was for the soldier the affair of an instant, and he hastened&#13;
upstairs again to rejoin the orphans.</p><p>Morok, recovering from his surprise, was calling for help with all his&#13;
might; but, even if the distance had permitted him to be heard, the&#13;
noise of the wind and rain would have drowned his outcries. Dagobert&#13;
had about an hour before him, for it would require some time to elapse&#13;
before the length of his interview with the magistrate would excite&#13;
astonishment; and, suspicion or fear once awakened, it would be&#13;
necessary to break open two doors--that which separated the passage from&#13;
the court-yard, and that of the room in which the burgomaster and the&#13;
Prophet were confined.</p><p>"My children, it is now time to prove that you have a soldier's blood&#13;
in your veins," said Dagobert, as he entered abruptly the chamber of the&#13;
young girls, who were terrified at the racket they had heard for some&#13;
minutes.</p><p>"Good heaven, Dagobert! what has happened?" cried Blanche.</p><p>"What do you wish us to do?" added Rose.</p><p>Without answering, the soldier ran to the bed, tore off the sheets, tied&#13;
them strongly together, made a knot at one end, passed it over the top&#13;
of the left half of the casement, and so shut it in. Thus made fast by&#13;
the size of the knot, which could not slip through, the sheets, floating&#13;
on the outside, touched the ground. The second half of the window was&#13;
left open, to afford a passage to the fugitives.</p><p>The veteran next took his knapsack, the children's portmanteau, and the&#13;
reindeer pelisse, and threw them all out of the window, making a sign to&#13;
Spoil-sport to follow, to watch over them. The dog did not hesitate, but&#13;
disappeared at a single bound. Rose and Blanche looked at Dagobert in&#13;
amazement, without uttering a word.</p><p>"Now, children," said he to them, "the doors of the inn are shut, and it&#13;
is by this way," pointing to the window, "that we must pass--if we&#13;
would not be arrested, put in prison--you in one place, and I in the&#13;
other--and have our journey altogether knocked on the head."</p><p>"Arrested! put in prison!" cried Rose.</p><p>"Separated from you!" exclaimed Blanche.</p><p>"Yes, my poor children!--They have killed Jovial--we must make our&#13;
escape on foot, and try to reach Leipsic--when you are tired, I will&#13;
carry you, and, though I have to beg my way, we will go through with it.&#13;
But a quarter of an hour later, and all will be lost. Come, children,&#13;
have trust in me--show that the daughters of General Simon are no&#13;
cowards--and there is yet hope."</p><p>By a sympathetic movement, the sisters joined hands, as though they&#13;
would meet the danger united. Their sweet faces, pale from the effect of&#13;
so many painful emotions, were now expressive of simple resolve, founded&#13;
on the blind faith they reposed in the devotion of the soldier.</p><p>"Be satisfied, Dagobert! we'll not be frightened," said Rose, in a firm&#13;
voice.</p><p>"We will do what must be done," added Blanche, in a no less resolute&#13;
tone.</p><p>"I was sure of it," cried Dagobert; "good blood is ever thicker than&#13;
water. Come! you are light as feathers, the sheet is strong, it is&#13;
hardly eight feet to the ground, and the pup is waiting for you."</p><p>"It is for me to go first--I am the eldest for to-day," cried Rose, when&#13;
she had tenderly embraced Blanche; and she ran to the window, in order,&#13;
if there were any danger, to expose herself to it before her sister.</p><p>Dagobert easily guessed the cause of this eagerness. "Dear children!"&#13;
said he, "I understand you. But fear nothing for one another--there is&#13;
no danger. I have myself fastened the sheet. Quick, my little Rose!"</p><p>As light as a bird, the young girl mounted the ledge of the window,&#13;
and assisted by Dagobert, took hold of the sheet, and slid gently down&#13;
according to the recommendation of the soldier, who, leaning out his&#13;
whole body, encouraged her with his voice.</p><p>"Don't be afraid, sister!" said she, as soon as she touched the ground,&#13;
"it is very easy to come down this way. And Spoil-sport is here, licking&#13;
my hands." Blanche did not long keep her waiting; as courageous as her&#13;
sister, she descended with the same success.</p><p>"Dear little creatures! what have they done to be so&#13;
unfortunate?--Thousand thunders! there must be a curse upon the family,"&#13;
cried Dagobert, as, with heavy heart, he saw the pale, sweet face of&#13;
the young girl disappear amid the gloom of the dark night, which violent&#13;
squalls of wind and torrents of rain rendered still more dismal.</p><p>"Dagobert, we are waiting for you; come quickly!" said the orphans in&#13;
a low voice, from beneath the window. Thanks to his tall stature, the&#13;
soldier rather leaped than glided to the ground.</p><p>Dagobert and the two young girls had not fled from the inn of the White&#13;
Falcon more than a quarter of an hour, when a long crash resounded&#13;
through the house. The door had yielded to the efforts of the&#13;
burgomaster and Morok, who had made use of a heavy table as a battering&#13;
ram. Guided by the light, they ran to the chamber of the orphans, now&#13;
deserted. Morok saw the sheets floating from the casement, and cried:&#13;
"Mr. Burgomaster, they have escaped by the window--they are on foot--in&#13;
this dark and stormy night, they cannot be far."</p><p>"No doubt, we shall catch them, the miserable tramps! Oh, I will be&#13;
revenged! Quick, Morok; your honor is concerned as well as mine."</p><p>"My honor?--Much more is concerned than that, Mr. Burgomaster," answered&#13;
the Prophet, in a tone of great irritation. Then, rapidly descending the&#13;
stairs, he opened the door of the court-yard, and shouted in a voice of&#13;
thunder:</p><p>"Goliath! unchain the dogs!--and, landlord! bring us lanterns,&#13;
torches--arm your people--open the doors!--We must pursue the fugitives;&#13;
they cannot escape us; we must have them--alive or dead!"</p><p>CHAPTER XV. THE DESPATCHES.</p><p>When we read, in the rules of the order of the Jesuits, under the title&#13;
De formula scribendi (Institut. 2, 11, p. 125, 129), the development&#13;
of the 8th part of the constitutions, we are appalled by the number of&#13;
letters, narratives, registers, and writings of all kinds, preserved in&#13;
the archives of the society.</p><p>It is a police infinitely more exact and better informed than has ever&#13;
been that of any state. Even the government of Venice found itself&#13;
surpassed by the Jesuits: when it drove them out in 1606, it seized&#13;
all their papers, and reproached them for their great and laborious&#13;
curiosity. This police, this secret inquisition, carried to such&#13;
a degree of perfection, may give some idea of the strength of a&#13;
government, so well-informed so persevering in its projects, so powerful&#13;
by its unity, and, as the constitutions have it, by the union of its&#13;
members. It is not hard to understand, what immense force must belong to&#13;
the heads of this society, and how the general of the Jesuits could say&#13;
to the Duke de Brissac: "From this room, your grace, I govern not only&#13;
Paris, but China--not only China, but the whole world--and all without&#13;
any one knowing how it is done:" (Constitution of the Jesuits, edited by&#13;
Paulin, Paris, 1843.)</p><p>Morok, the lion-tamer, seeing Dagobert deprived of his horse, and&#13;
stripped of his money and papers, and thinking it was thus out of his&#13;
power to continue his journey, had, previous to the arrival of the&#13;
burgomaster, despatched Karl to Leipsic, as the bearer of a letter which&#13;
he was to put immediately into the post. The address of this letter was&#13;
as follows: "A Monsieur Rodin, Rue du Milieu des Ursins, Paris."</p><p>About the middle of this obscure and solitary street, situate below the&#13;
level of the Quai Napoleon, which it joins not far from the Rue Saint&#13;
Landry, there stood a house of unpretentious appearance, at the bottom&#13;
of a dark and narrow court-yard, separated from the street by a low&#13;
building in front, with arched doorway, and two windows protected by&#13;
thick iron bars. Nothing could be more simple than the interior of this&#13;
quiet dwelling, as was sufficiently shown by the furniture of a pretty&#13;
large room on the ground floor. The walls of this apartment were lined&#13;
with old gray wainscot; the tiled floor was painted red, and carefully&#13;
polished; curtains of white calico shaded the windows.</p><p>A sphere of about four feet in diameter, raised on a pedestal of massive&#13;
oak, stood at one end of the room, opposite to the fireplace. Upon this&#13;
globe, which was painted on a large scale, a host of little red crosses&#13;
appeared scattered over all parts of the world--from the North to the&#13;
South, from the rising to the setting sun, from the most barbarous&#13;
countries, from the most distant isles, to the centres of civilization,&#13;
to France itself. There was not a single country which did not present&#13;
some spots marked with these red crosses, evidently indicative of&#13;
stations, or serving as points of reference.</p><p>Before a table of black wood, loaded with papers, and resting against&#13;
the wall near the chimney, a chair stood empty. Further on, between the&#13;
two windows, was a large walnut-wood desk, surmounted by shelves full of&#13;
pasteboard boxes.</p><p>At the end of the month of October, 1831, about eight o'clock in&#13;
the morning, a man sat writing at this desk. This was M. Rodin, the&#13;
correspondent of Morok, the brute-tamer.</p><p>About fifty years of age, he wore an old, shabby, olive greatcoat, with&#13;
a greasy collar, a snuff-powdered cotton handkerchief for a cravat, and&#13;
waistcoat and trousers of threadbare black cloth. His feet, buried in&#13;
loose varnished shoes, rested on a petty piece of green baize upon&#13;
the red, polished floor. His gray hair lay flat on his temples, and&#13;
encircled his bald forehead; his eyebrows were scarcely marked; his&#13;
upper eyelid, flabby and overhanging, like the membrane which shades the&#13;
eyes of reptiles, half concealed his small, sharp, black eye. His thin&#13;
lips, absolutely colorless, were hardly distinguishable from the wan hue&#13;
of his lean visage, with its pointed nose and chin; and this livid mask&#13;
(deprived as it were of lips) appeared only the more singular, from&#13;
its maintaining a death-like immobility. Had it not been for the rapid&#13;
movement of his fingers, as, bending over the desk, he scratched along&#13;
with his pen, M. Rodin might have been mistaken for a corpse.</p><p>By the aid of a cipher (or secret alphabet) placed before him he was&#13;
copying certain passages from a long sheet full of writing, in a manner&#13;
quite unintelligible to those who did not possess the key to the system.&#13;
Whilst the darkness of the day increased the gloom of the large, cold,&#13;
naked-looking apartment, there was something awful in the chilling&#13;
aspect of this man, tracing his mysterious characters in the midst of&#13;
profound silence.</p><p>The clock struck eight. The dull sound of the knocker at the outer door&#13;
was heard, then a bell tinkled twice, several doors opened and shut, and&#13;
a new personage entered the chamber. On seeing him, M. Rodin rose&#13;
from the desk, stuck his pen between his teeth, bowed with a deeply&#13;
submissive air, and sat down again to his work without uttering a word.</p><p>The two formed a striking contrast to one another. The newcomer, though&#13;
really older than he seemed, would have passed for thirty-six or thirty&#13;
eight years of age at most. His figure was tall and shapely, and few&#13;
could have encountered the brightness of his large gray eye, brilliant&#13;
as polished steel. His nose, broad at the commencement, formed a&#13;
well-cut square at its termination; his chin was prominent, and the&#13;
bluish tints of his close-shaved beard were contrasted with the bright&#13;
carnation of his lips, and the whiteness of his fine teeth. When he took&#13;
off his hat to change it for a black velvet cap which he found on the&#13;
small table, he displayed a quantity of light chestnut hair, not yet&#13;
silvered by time. He was dressed in a long frock-coat, buttoned up to&#13;
the neck in military fashion.</p><p>The piercing glance and broad forehead of this man revealed a powerful&#13;
intellect, even as the development of his chest and shoulders announced&#13;
a vigorous physical organization; whilst his gentlemanly appearance, the&#13;
perfection of his gloves and boots, the light perfume which hung about&#13;
his hair and person, the grace and ease of his least movements, betrayed&#13;
what is called the man of the world, and left the impression that he&#13;
had sought or might still seek every kind of success, from the most&#13;
frivolous to the most serious. This rare combination of strength of&#13;
mind, strength of body, and extreme elegance of manners, was in this&#13;
instance rendered still more striking by the circumstance, that whatever&#13;
there might be of haughtiness or command in the upper part of that&#13;
energetic countenance, was softened down, and tempered by a constant&#13;
but not uniform smile--for, as occasion served, this smile became&#13;
either kind or sly, cordial or gay, discreet or prepossessing, and thus&#13;
augmented the insinuating charm of this man, who, once seen, was never&#13;
again forgotten. But, in yielding to this involuntary sympathy, the&#13;
doubt occurred if the influence was for good--or for evil.</p><p>M. Rodin, the secretary of the newcomer, continued to write.</p><p>"Are there any letters from Dunkirk, Rodin?" inquired his master.</p><p>"Post not yet in."</p><p>"Without being positively uneasy as to my mother's health, since she&#13;
was already convalescent," resumed the other, "I shall only be quite&#13;
reassured by a letter from my excellent friend, the Princess de Saint&#13;
Dizier. I shall have good news this morning, I hope."</p><p>"It is to be desired," said the secretary, as humble and submissive as&#13;
he was laconic and impassible.</p><p>"Certainly it is to be desired," resumed his master; "for one of&#13;
the brightest days of my life was when the Princess de Saint-Dizier&#13;
announced to me that this sudden and dangerous illness had yielded to&#13;
the care and attention with which she surrounds my mother. Had it not&#13;
been for that I must have gone down to her instantly, though my presence&#13;
here is very necessary."</p><p>Then, approaching the desk, he added: "Is the summary of the foreign&#13;
correspondence complete?"</p><p>"Here is the analysis."</p><p>"The letters are still sent under envelope to the places named, and are&#13;
then brought here as I directed?"</p><p>"Always."</p><p>"Read to me the notes of this correspondence; if there are any letters&#13;
for me to answer, I will tell you." And Rodin's master began to walk&#13;
up and down the room, with his hands crossed behind his back, dictating&#13;
observations of which Rodin took careful note.</p><p>The secretary turned to a pretty large pile of papers, and thus began:</p><p>"Don Raymond Olivarez acknowledges from Cadiz receipt of letter No.19;&#13;
he will conform to it, and deny all share in the abduction."</p><p>"Very well; file it."</p><p>"Count Romanoff, of Riga, finds himself in a position of pecuniary&#13;
embarrassment."</p><p>"Let Duplessis send him fifty louis; I formerly served as captain in his&#13;
regiment, and he has since given us good information."</p><p>"They have received at Philadelphia the last cargo of Histories of&#13;
France, expurgated for the use of the faithful they require some more of&#13;
the same sort."</p><p>"Take note of it, and write to Duplessis. Go on."</p><p>"M. Spindler sends from Namur the secret report on M. Ardouin."</p><p>"To be examined."</p><p>"M. Ardouin sends from the same town the secret report on M. Spindler."</p><p>"To be examined."</p><p>"Doctor Van Ostadt, of the same town, sends a confidential note on the&#13;
subject of Messrs. Spindler and Ardouin."</p><p>"To be compared. Go on!"</p><p>"Count Malipierri, of Turin, announces that the donation of 300,000&#13;
francs is signed."</p><p>"Inform Duplessis. What next?"</p><p>"Don Stanislaus has just quitted the waters of Baden with Queen Marie&#13;
Ernestine. He informs us that her majesty will receive with gratitude&#13;
the promised advices, and will answer them with her own hand."</p><p>"Make a note of it. I will myself write to the queen."</p><p>Whilst Rodin was inscribing a few remarks on the margin of the paper,&#13;
his master, continuing to walk up and down the room, found himself&#13;
opposite to the globe marked with little red crosses, and stood&#13;
contemplating it for a moment with a pensive air.</p><p>Rodin continued: "In consequence of the state of the public mind in&#13;
certain parts of Italy, where sundry agitators have turned their eyes in&#13;
the direction of France, Father Arsenio writes from Milan, that it would&#13;
be of importance to distribute profusely in that country, some little&#13;
book, in which the French would be represented as impious and debauched,&#13;
rapacious and bloody."</p><p>"The idea is excellent. We might turn to good account the excesses&#13;
committed by our troops in Italy during the wars of the Republic. You&#13;
must employ Jacques Dumoulin to write it. He is full of gall, spite,&#13;
and venom: the pamphlet will be scorching. Besides, I may furnish a&#13;
few notes; but you must not pay Dumoulin till after delivery of the&#13;
manuscript."</p><p>"That is well understood: for, if we were to pay him beforehand, he&#13;
would be drunk for a week in some low den. It was thus we had to pay&#13;
him twice over for his virulent attack on the pantheistic tendencies of&#13;
Professor Martin's philosophy."</p><p>"Take note of it--and go on!"</p><p>"The merchant announces that the clerk is about to send the banker to&#13;
give in his accounts. You understand?' added Rodin, after pronouncing&#13;
these words with a marked emphasis.</p><p>"Perfectly," said the other, with a start; "they are but the expressions&#13;
agreed on. What next?"</p><p>"But the clerk," continued the secretary, "is restrained by a last&#13;
scruple."</p><p>After a moment's silence, during which the features of Rodin's master&#13;
worked strongly, he thus resumed: "They must continue to act on the&#13;
clerk's mind by silence and solitude; then, let him read once more the&#13;
list of cases in which regicide is authorized and absolved. Go on!"</p><p>"The woman Sydney writes from Dresden, that she waits for instructions.&#13;
Violent scenes of jealousy on her account have again taken place between&#13;
the father and son; but neither from these new bursts of mutual hatred,&#13;
nor from the confidential communications which each has made to her&#13;
against his rival, has she yet been able to glean the information&#13;
required. Hitherto, she has avoided giving the preference to one or the&#13;
other; but, should this situation be prolonged, she fears it may rouse&#13;
their suspicion. Which ought she then to choose--the father or the son?"</p><p>"The son--for jealous resentment will be much more violent and cruel in&#13;
the old man, and, to revenge himself for the preference bestowed upon&#13;
his son, he will perhaps tell what they have both such an interest to&#13;
conceal. The next?"</p><p>"Within the last three years, two maid-servants of Ambrosius whom&#13;
we placed in that little parish in the mountains of the Valais, have&#13;
disappeared, without any one knowing what has become of them. A third&#13;
has just met with the same fate. The Protestants of the country are&#13;
roused--talk of murder with frightful attendant circumstances--"</p><p>"Until there is proof positive and complete of the fact, Ambrosius must&#13;
be defended against these infamous calumnies, the work of a party that&#13;
never shrinks from; monstrous inventions. Go on!"</p><p>"Thompson, of Liverpool, has at length succeeded in procuring for Justin&#13;
the place of agent or manager to Lord Stewart, a rich Irish Catholic,&#13;
whose head grows daily weaker."</p><p>"Let the fact be once verified, and Thompson shall have a premium of&#13;
fifty louis. Make a note of it for Duplessis. Proceed."</p><p>"Frantz Dichstein, of Vienna," resumed Rodin, "announces that his father&#13;
has just died of the cholera, in a little village at some leagues from&#13;
that city: for the epidemic continues to advance slowly, coming from the&#13;
north of Russia by way of Poland."</p><p>"It is true," said Rodin's master, interrupting him; "may its terrible&#13;
march be stayed, and France be spared."</p><p>"Frantz Dichstein," resumed Rodin, "says that his two brothers are&#13;
determined to contest the donation made by his father, but that he is of&#13;
an opposite opinion."</p><p>"Consult the two persons that are charged with all matters of&#13;
litigation. What next?"</p><p>"The Cardinal Prince d'Amalfi will conform to the three first points of&#13;
the proposal: he demands to make a reservation upon the fourth point."</p><p>"No reserve!--Either full and absolute acceptance--or else war--and&#13;
(mark me well) war without mercy--on him and his creatures. Go on!"</p><p>"Fra Paolo announces that the Prince Boccari, chief of a redoubtable&#13;
secret society, in despair at seeing his friends accuse him of&#13;
treachery, in consequence of suspicions excited in their minds by Fra&#13;
Paolo himself, has committed suicide."</p><p>"Boccari! is it possible?" cried Rodin's master. "Boccari! the patriot&#13;
Boccari! so dangerous a person!"</p><p>"The patriot Boccari," repeated the impassible secretary.</p><p>"Tell Duplessis to send an order for five-and-twenty louis to Fra Paolo.&#13;
Make a note of it."</p><p>"Hausman informs us that the French dancer, Albertine Ducornet, is the&#13;
mistress of the reigning prince; she has the most complete influence&#13;
over him, and it would be easy through her means to arrive at the end&#13;
proposed, but that she is herself governed by her lover (condemned in&#13;
France as a forger), and that she does nothing without consulting him."</p><p>"Let Hausman get hold of this man--if his claims are reasonable, accede&#13;
to them--and learn if the girl has any relations in Paris."</p><p>"The Duke d'Orbano announces, that the king his master will authorize&#13;
the new establishment, but on the conditions previously stated."</p><p>"No condition!--either a frank adhesion or a positive refusal. Let&#13;
us know our friends from our enemies. The more unfavorable the&#13;
circumstances, the more we must show firmness, and overbear opposition&#13;
by confidence in ourselves."</p><p>"The same also announces, that the whole of the corps diplomatique&#13;
continues to support the claims of the father of that young Protestant&#13;
girl, who refuses to quit the convent where she has taken refuge, unless&#13;
it be to marry her lover against her father's will."</p><p>"Ah! the corps diplomatique continues to remonstrate in the father's&#13;
name?"</p><p>"Yes."</p><p>"Then, continue to answer, that the spiritual power has nothing to do&#13;
with the temporal."</p><p>At this moment, the bell of the outer door again sounded twice. "See who&#13;
it is," said Rodin's master; and the secretary rose and left the room.&#13;
The other continued to walk thoughtfully up and down, till, coming near&#13;
to the huge globe, he stopped short before it.</p><p>For some time he contemplated, in profound silence, the innumerable&#13;
little red crosses, which appeared to cover, as with an immense net, all&#13;
the countries of the earth. Reflecting doubtless on the invisible action&#13;
of his power, which seemed to extend over the whole world, the features&#13;
of this man became animated, his large gray eye sparkled, his nostrils&#13;
swelled, and his manly countenance assumed an indescribable expression&#13;
of pride, energy, and daring. With haughty brow and scornful lip, he&#13;
drew still nearer to the globe, and leaned his strong hand upon the&#13;
pole.</p><p>This powerful pressure, an imperious movement, as of one taking&#13;
possession, seemed to indicate, that he felt sure of governing this&#13;
globe, on which he looked down from the height of his tall figure,&#13;
and on which he rested his hand with so lofty and audacious an air of&#13;
sovereignty.</p><p>But now he no longer smiled. His eye threatened, and his large forehead&#13;
was clad with a formidable scowl. The artist, who had wished to&#13;
paint the demon of craft and pride, the infernal genius of insatiable&#13;
domination, could not have chosen a more suitable model.</p><p>When Rodin returned, the face of his master had recovered its ordinary&#13;
expression. "It is the postman," said Rodin, showing the letters which&#13;
he held in his hand; "there is nothing from Dunkirk."</p><p>"Nothing?" cried his master--and his painful emotion formed a&#13;
strange contrast to his late haughty and implacable expression of&#13;
countenance--"nothing? no news of my mother?--Thirty-six hours more,&#13;
then, of anxiety."</p><p>"It seems to me, that, if the princess had bad news to give, she would&#13;
have written. Probably the improvement goes on."</p><p>"You are doubtless right, Rodin--but no matter--I am far from easy. If,&#13;
to-morrow, the news should not be completely satisfactory, I set out for&#13;
the estate of the princess. Why would my mother pass the autumn in that&#13;
part of the country? The environs of Dunkirk do not, I fear, agree with&#13;
her."</p><p>After a few moments' silence, he added, as he continued to walk:&#13;
"Well--these letters--whence are they?"</p><p>Rodin looked at the post-marks, and replied: "Out of the four there are&#13;
three relative to the great and important affairs of the medals."</p><p>"Thank heaven!--provided the news be favorable," cried his master,&#13;
with an expression of uneasiness, which showed how much importance he&#13;
attached to this affair.</p><p>"One is from Charlestown, and no doubt relative to Gabriel, the&#13;
missionary," answered Rodin; "this other from Batavia, and no doubt&#13;
concerns the Indian, Djalma. The third is from Leipsic, and will&#13;
probably confirm that received yesterday, in which the lion-tamer,&#13;
Morok, informed us, that, in accordance with his orders, and without his&#13;
being compromised in any way, the daughters of General Simon would not&#13;
be able to continue their journey."</p><p>At the name of General Simon, a cloud passed over the features of&#13;
Rodin's master.</p><p>CHAPTER XVI. THE ORDERS.</p><p>The principal houses correspond with that in Paris; they are also&#13;
in direct communication with the General, who resides at Rome. The&#13;
correspondence of the Jesuits so active, various, and organized in so&#13;
wonderful a manner, has for its object to supply the heads with all the&#13;
information they can require. Every day, the General receives a host&#13;
of reports, which serve to check one another. In the central house, at&#13;
Rome, are immense registers, in which are inscribed the names of all&#13;
the Jesuits, of their adherents, and of all the considerable persons,&#13;
whether friends or enemies, with whom they have any connection. In these&#13;
registers are reported, without alteration, hatred or passion the&#13;
facts relating to the life of each individual. It is the most gigantic&#13;
biographical collection that has ever been formed. The frailties of a&#13;
woman, the secret errors of a statesman, are chronicled in this book&#13;
with the same cold impartiality. Drawn up for the purpose of being&#13;
useful, these biographies are necessarily exact. When the Jesuits wish&#13;
to influence an individual, they have but to turn to this book, and they&#13;
know immediately his life, his character, his parts, his faults, his&#13;
projects, his family, his friends, his most sacred ties. Conceive,&#13;
what a superior facility of action this immense police-register, which&#13;
includes the whole world, must give to any one society! It is not&#13;
lightly that I speak of these registers; I have my facts from a person&#13;
who has seen this collection, and who is perfectly well acquainted with&#13;
the Jesuits. Here then, is matter to reflect on for all those families,&#13;
who admit freely into their houses the members of a community that&#13;
carries its biographical researches to such a point. (Libri, Member of&#13;
the Institute. Letters on the Clergy.)</p><p>When he had conquered the involuntary emotion which the name or&#13;
remembrance of General Simon had occasioned, Rodin's master said to the&#13;
secretary: "Do not yet open the letters from Leipsic, Charlestown, and&#13;
Batavia; the information they contain will doubtless find its place&#13;
presently. It will save our going over the same ground twice."</p><p>The secretary looked inquiringly at his master.</p><p>The latter continued--"Have you finished the note relating to the&#13;
medals?"</p><p>"Here it is," replied the secretary; "I was just finishing my&#13;
interpretation of the cipher."</p><p>"Read it to me, in the order of the facts. You can append to it the news&#13;
contained in those three letters."</p><p>"True," said Rodin; "in that way the letters will find their right&#13;
place."</p><p>"I wish to see," rejoined the other, "whether this note is clear and&#13;
fully explanatory; you did not forget that the person it is intended for&#13;
ought not to know all?"</p><p>"I bore it in mind, and drew up the paper accordingly."</p><p>"Read," said the master.</p><p>M. Rodin read as follows, slowly and deliberately:</p><p>"'A hundred and fifty years ago, a French Protestant family, foreseeing&#13;
the speedy--revocation of the edict of Nantes, went into voluntary&#13;
exile, in order to avoid the just and rigorous decrees already issued&#13;
against the members of the reformed church--those indomitable foes of&#13;
our holy religion.</p><p>"'Some members of this family sought refuge in Holland, and afterwards&#13;
in the Dutch colonies; others in Poland, others in Germany; some in&#13;
England, and some in America.</p><p>"'It is supposed that only seven descendants remain of this family,&#13;
which underwent strange vicissitudes since; its present representatives&#13;
are found in all ranks of society, from the sovereign to the mechanic.</p><p>"'These descendants, direct or indirect, are:</p><p>"'On the mother's side,</p><p>"'Rose and Blanche Simon--minors.</p><p>"'General Simon married, at Warsaw, a descendant of the said family.</p><p>"'Francois Hardy, manufacturer at Plessis, near Paris.</p><p>"'Prince Djalma, son of Kadja-sing, King of Mondi.</p><p>"'Kadja-sing, married, in 1802, a descendant of the said family, then&#13;
settled at Batavia, in the Island of Java, a Dutch colony.</p><p>"'On the father's side--Jacques Rennepont, surnamed Sleepinbuff,&#13;
mechanic.</p><p>"'Adrienne de Cardoville, daughter of the Count of Rennepont, Duke of&#13;
Cardoville.</p><p>"'Gabriel Rennepont, priest of the foreign missions.</p><p>"'All the members of this family possess, or should possess, a bronze&#13;
medal bearing the following inscriptions:</p><p>Victim&#13;
                  of&#13;
               L. C. D. J.&#13;
               Pray for me!&#13;
                 Paris&#13;
            February the 13th, 1682.</p><p>At Paris,&#13;
            Rue Saint Francois, No. 3,&#13;
            In a century and a half&#13;
               you will be.&#13;
            February the 13th, 1832.&#13;
               Pray For Me!</p><p>"'These words and dates show that all of them have a great interest to&#13;
be at Paris on the 13th of February, 1832; and that, not by proxy, but&#13;
in person, whether they are minors, married or single.</p><p>"'But other persons have an immense interest that none of the&#13;
descendants of this family be at Paris on the 13th February, except&#13;
Gabriel Rennepont, priest of the foreign missions.</p><p>"'At all hazards, therefore, Gabriel must be the only person present at&#13;
the appointment made with the descendants of this family, a century and&#13;
a half ago.</p><p>"'To prevent the other six persons from reaching Paris on the said day,&#13;
or to render their presence of no effect, much has been already done;&#13;
but much remains to be done to ensure the success of this affair,&#13;
which is considered as the most vital and most important of the age, on&#13;
account of its probable results.'"</p><p>"'Tis but too true," observed Rodin's master, interrupting him, and&#13;
shaking his head pensively. "And, moreover, that the consequences of&#13;
success are incalculable, and there is no forseeing what may follow&#13;
failure. In a word, it almost involves a question of existence or non&#13;
existence during several years. To succeed, therefore, 'all possible&#13;
means must be employed. Nothing must be shunned,' except, however, that&#13;
appearances must be skillfully maintained."</p><p>"I have written it," said Rodin, having added the words his master had&#13;
just dictated, who then said,</p><p>"Continue."</p><p>Rodin read on:</p><p>"'To forward or secure the affair in question, it is necessary to give&#13;
some private and secret particulars respecting the seven persons who&#13;
represent this family.</p><p>"'The truth of these particulars may be relied on. In case of need&#13;
they might be completed in the most minute degree for contradictory&#13;
information having been given, very lengthened evidence has been&#13;
obtained. The order in which the names of the persons stand will be&#13;
observed, and events that have happened up to the present time will only&#13;
be mentioned.</p><p>"'NOTE, No. I. "'Rose and Blanche Simon, twin sisters, about fifteen&#13;
years of age; very pretty, so much alike, one might be taken for the&#13;
other; mild and timid disposition, but capable of enthusiasm. Brought&#13;
up in Siberia by their mother, a woman of strong mind and deistical&#13;
sentiments, they are wholly ignorant of our holy religion.</p><p>"'General Simon, separated from his wife before they were born, is not&#13;
aware, even now, that he has two daughters.</p><p>"'It was hoped that their presence in Paris, on the 13th of February,&#13;
would be prevented, by sending their mother to a place of exile, much&#13;
more distant than the one first allotted her; but their mother dying,&#13;
the Governor of Siberia, who is wholly ours, supposing, by a deplorable&#13;
mistake, that the measure only affected the wife of General Simon&#13;
personally, unfortunately allowed the girls to return to France, under&#13;
the guidance of an old soldier.</p><p>"'This man is enterprising, faithful, and determined. He is noted down&#13;
as dangerous.</p><p>"'The Simon girls are inoffensive. It is hoped, on fair grounds, that&#13;
they are now detained in the neighborhood of Leipsic.'"</p><p>Rodin's master interrupted him, saying:</p><p>"Now, read the letter just received from Leipsic; it may complete the&#13;
information."</p><p>Rodin read it, and exclaimed:</p><p>"Excellent news! The maidens and their guide had succeeded in escaping&#13;
during the night from the White Falcon Tavern, but all three were&#13;
overtaken and seized about a league from Mockern. They have been&#13;
transferred to Leipsic, where they are imprisoned as vagabonds;&#13;
their guide, the soldier, is accused and condemned of resisting the&#13;
authorities, and using violence to a magistrate."</p><p>"It is almost certain, then, considering the tedious mode of proceeding&#13;
in Germany (otherwise we would see to it), that the girls will not be&#13;
able to be here on the 13th February," added Rodin's master. "Append&#13;
this to the note on the back."</p><p>The secretary obeyed, and endorsed "An abstract of Morok's letter."</p><p>"It is written," he then added.</p><p>"Go on," resumed his master.</p><p>Rodin continued reading.</p><p>"'NOTE, No. II. "'Francois Hardy, manufacturer at Plessis, near&#13;
Paris, forty years old; a steady, rich, intelligent, active, honest,&#13;
well-informed man, idolized by his workmen--thanks to numberless&#13;
innovations to promote their welfare. Never attending to the duties of&#13;
our holy religion. Noted down as a very dangerous man: but the hatred&#13;
and envy he excites among other manufacturers, especially in M. le Baron&#13;
Tripeaud, his competitor, may easily be turned against him. If other&#13;
means of action on his account, and against him, are necessary, the&#13;
evidence may be consulted; it is very voluminous. This man has been&#13;
marked and watched for a long time.</p><p>"'He has been so effectually misguided with respect to the medal, that&#13;
he is completely deceived as to the interests it represents. He&#13;
is, however, constantly watched, surrounded, and governed, without&#13;
suspecting it; one of his dearest friends deceives him, and through his&#13;
means we know his secret thoughts.</p><p>"'NOTE, No. III. "'Prince Djalma; eighteen; energetic and generous,&#13;
haughty, independent and wild; favorite of General Simon, who commanded&#13;
the troops of his father, Kadja-sing, in the struggle maintained by the&#13;
latter against the English in India. Djalma is mentioned only by way of&#13;
reminder, for his mother died young, while her parents were living. They&#13;
resided at Batavia. On the death of the latter, neither Djalma nor&#13;
the king, his father, claimed their little property. It is, therefore,&#13;
certain that they are ignorant of the grave interests connected with the&#13;
possession of the medal in question, which formed part of the property&#13;
of Djalma's mother."'"</p><p>Rodin's master interrupted him.</p><p>"Now read the letter from Batavia, and complete the information&#13;
respecting Djalma."</p><p>Rodin read, and then observed:</p><p>"Good news again. Joshua Van Dael, merchant at Batavia (he was educated&#13;
in our Pondicherry establishment), learns from his correspondent at&#13;
Calcutta that the old Indian king was killed in the last battle with&#13;
the English. His son, Djalma, deprived of the paternal throne, is&#13;
provisionally detained as a prisoner of state in an Indian fortress."</p><p>"We are at the end of October," said Rodin's master. "If Prince Djalma&#13;
were to leave India now, he could scarcely reach Paris by the month of&#13;
February."</p><p>"Van Dael," continued Rodin, "regrets that he has not been able to prove&#13;
his zeal in this case. Supposing Prince Djalma set at liberty, or having&#13;
effected his escape, it is certain he would come to Batavia to claim his&#13;
inheritance from his mother, since he has nothing else left him in the&#13;
world. In that case, you may rely on Van Dael's devotedness. In return,&#13;
he solicits very precise information, by the next post, respecting the&#13;
fortune of M. le Baron Tripeaud, banker and manufacturer, with whom he&#13;
has business transactions."</p><p>"Answer that point evasively. Van Dael as yet has only shown zeal;&#13;
complete the information respecting Djalma from these new tidings."</p><p>Rodin wrote.</p><p>But in a few minutes his master said to him with a singular expression:</p><p>"Does not Van Dael mention General Simon in connection with Djalma's&#13;
imprisonment and his father's death?"</p><p>"He does not allude to him," said the secretary, continuing his task.</p><p>Rodin's master was silent, and paced the room.</p><p>In a few moments Rodin said to him: "I have done it."</p><p>"Go on, then."</p><p>"'NOTE, No. IV. "'Jacques Rennepont, surnamed "Sleepinbuff," i.e. Lie&#13;
naked, workman in Baron Tripeaud's factory. This artisan is drunken,&#13;
idle, noisy, and prodigal; he is not without sense, but idleness and&#13;
debauch have ruined him. A clever agent, on whom we rely, has become&#13;
acquainted with his mistress, Cephyse Soliveau, nicknamed the Bacchanal&#13;
Queen. Through her means, the agent has formed such ties with him that&#13;
he may even now be considered beyond the reach of the interests that&#13;
ought to insure his presence in Paris on the 13th of February.</p><p>"'NOTE, No. V. "'Gabriel Rennepont, priest of foreign missions, distant&#13;
relation of the above, but he is alike ignorant of the existence of his&#13;
relative and the relationship. An orphan foundling, he was adopted by&#13;
Frances Baudoin, the wife of a soldier going by the name Dagobert.</p><p>"'Should this soldier, contrary to expectation, reach Paris, his wife&#13;
would be a powerful means of influencing him. She is an excellent&#13;
creature, ignorant and credulous, of exemplary piety, over whom we have&#13;
long had unlimited control. She prevailed on Gabriel to take orders,&#13;
notwithstanding his repugnance.</p><p>"'Gabriel is five-and-twenty; disposition as angelic as his countenance;&#13;
rare and solid virtues; unfortunately he was brought up with his&#13;
adopted brother, Agricola, Dagobert's son. This Agricola is a poet&#13;
and workman--but an excellent workman; he is employed by M. Hardy;&#13;
has imbibed the most detestable doctrines; fond of his mother; honest,&#13;
laborious, but without religious feeling. Marked as very dangerous. This&#13;
causes his intimacy with Gabriel to be feared.</p><p>"'The latter, notwithstanding his excellent qualities, sometimes causes&#13;
uneasiness. We have even delayed confiding in him fully. A false step&#13;
might make him, too, one of the most dangerous. Much precaution must be&#13;
used then, especially till the 13th of February; since, we repeat it,&#13;
on him, on his presence in Paris at that time, depend immense hopes and&#13;
equally important interests.</p><p>"'Among other precautions, we have consented to his taking part in the&#13;
American mission, for he unites with angelic sweetness of character a&#13;
calm intrepidity and adventurous spirit which could only be satisfied&#13;
by allowing him to engage in the perilous existence of the missionaries.&#13;
Luckily, his superiors at Charlestown have received the strictest orders&#13;
not to endanger, on any account, so precious a life. They are to send&#13;
him to Paris, at least a month or two before February 13th."'</p><p>Rodin's master again interrupted him, and said: "Read the letter&#13;
from Charlestown, and see what it tells you in order to complete the&#13;
information upon this point also."</p><p>When he had read the letter, Rodin went on: "Gabriel is expected every&#13;
day from the Rocky Mountains, whither he had absolutely insisted on&#13;
going alone upon a mission."</p><p>"What imprudence!"</p><p>"He has no doubt escaped all danger, as he himself announces his speedy&#13;
return to Charlestown. As soon as he arrives, which cannot (they write)&#13;
be later than the middle of this month, he will be shipped off for&#13;
France."</p><p>"Add this to the note which concerns him," said Rodin's master.</p><p>"It is written," replied the secretary, a few moments later.</p><p>"Proceed, then," said his master. Rodin continued</p><p>"'NOTE, No. VI. "'ADRIENNE RENNEPONT DE CARDOVILLE.</p><p>"'Distantly related (without knowing it) to Jacques Rennepont, alias&#13;
Sleepinbuff, and Gabriel Rennepont, missionary priest. She will soon&#13;
be twenty-one years of age, the most attractive person in the&#13;
world--extraordinary beauty, though red-haired--a mind remarkable&#13;
for its originality--immense fortune--all the animal instincts. The&#13;
incredible independence of her character makes one tremble for the&#13;
future fate of this young person. Happily, her appointed guardian, Baron&#13;
Tripeaud (a baron of 1829 creation, formerly agent to the late Count of&#13;
Rennepont, Duke of Cardoville), is quite in the interest, and almost in&#13;
the dependence, of the young lady's aunt. We count, with reason, upon&#13;
this worthy and respectable relative, and on the Baron Tripeaud, to&#13;
oppose and repress the singular, unheard-of designs which this young&#13;
person, as resolute as independent, does not fear to avow--and which,&#13;
unfortunately, cannot be turned to account in the interest of the affair&#13;
in question--for--"</p><p>Rodin was here interrupted by two discreet taps at the door. The&#13;
secretary rose, went to see who knocked, remained a moment without, and&#13;
then returned with two letters in his hand, saying: "The princess has&#13;
profited by the departure of a courier to--"</p><p>"Give me the letter!" cried his master, without leaving him time to&#13;
finish. "At length," he added, "I shall have news of my mother--"</p><p>He had scarcely read the first few lines of the letter, when he grew&#13;
deadly pale, and his features took an expression of painful astonishment&#13;
and poignant grief. "My mother!" he cried, "oh, heavens! my mother!"</p><p>"What misfortune has happened!" asked Rodin, with a look of alarm, as he&#13;
rose at the exclamation of his master.</p><p>"The symptoms of improvement were fallacious," replied the other,&#13;
dejectedly; "she has now relapsed into a nearly hopeless state. And&#13;
yet the doctor thinks my presence might save her, for she calls for me&#13;
without ceasing. She wishes to see me for the last time, that she&#13;
may die in peace. Oh, that wish is sacred! Not to grant it would be&#13;
matricide. If I can but arrive in time! Travelling day and night, it&#13;
will take nearly two days."</p><p>"Alas! what a misfortune!" said Rodin, wringing his hands, and raising&#13;
his eyes to heaven.</p><p>His master rang the bell violently, and said to the old servant that&#13;
opened the door: "Just put what is indispensable into the portmanteau&#13;
of my travelling-carriage. Let the porter take a cab, and go for&#13;
post horses instantly. Within an hour, I must be on the road. Mother!&#13;
mother!" cried he, as the servant departed in haste. "Not to see her&#13;
again--oh, it would be frightful!" And sinking upon a chair, overwhelmed&#13;
with sorrow, he covered his face with his hands.</p><p>This great grief was sincere--he loved tenderly his mother that divine&#13;
sentiment had accompanied him, unalterable and pure, through all the&#13;
phases of a too often guilty life.</p><p>After a few minutes, Rodin ventured to say to his master, as he showed&#13;
him the second letter: "This, also, has just been brought from M.&#13;
Duplessis. It is very important--very pressing--"</p><p>"See what it is, and answer it. I have no head for business."</p><p>"The letter is confidential," said Rodin, presenting it to his master.&#13;
"I dare not open it, as you may see by the mark on the cover."</p><p>At sight of this mark, the countenance of Rodin's master assumed an&#13;
indefinable expression of respect and fear. With a trembling hand he&#13;
broke the seal. The note contained only the following words: "Leave all&#13;
business, and without losing a minute, set out and come. M. Duplessis&#13;
will replace you. He has orders."</p><p>"Great God!" cried this man in despair. "Set out before I have seen my&#13;
mother! It is frightful, impossible--it would perhaps kill her--yes, it&#13;
would be matricide!"</p><p>Whilst he uttered these words, his eyes rested on the huge globe, marked&#13;
with red crosses. A sudden revolution seemed to take place within him;&#13;
he appeared to repent of the violence of his regrets; his face, though&#13;
still sad, became once more calm and grave. He handed the fatal letter&#13;
to his secretary, and said to him, whilst he stifled a sigh: "To be&#13;
classed under its proper number."</p><p>Rodin took the letter, wrote a number upon it, and placed it in a&#13;
particular box. After a moment's silence, his master resumed: "You will&#13;
take orders from M. Duplessis, and work with him. You will deliver to&#13;
him the note on the affair of the medals; he knows to whom to address&#13;
it. You will write to Batavia, Leipsic, and Charlestown, in the sense&#13;
agreed. Prevent, at any price, the daughters of General Simon from&#13;
quitting Leipsic; hasten the arrival of Gabriel in Paris; and should&#13;
Prince Djalma come to Batavia, tell M. Joshua Van Dael, that we count on&#13;
his zeal and obedience to keep him there."</p><p>And this man, who, while his dying mother called to him in vain, could&#13;
thus preserve his presence of mind, entered his own apartments; whilst&#13;
Rodin busied himself with the answers he had been ordered to write, and&#13;
transcribed them in cipher.</p><p>In about three quarters of an hour, the bells of the post-horses were&#13;
heard jingling without. The old servant again entered, after discreetly&#13;
knocking at the door, and said:</p><p>"The carriage is ready."</p><p>Rodin nodded, and the servant withdrew. The secretary, in his turn, went&#13;
to knock at the door of the inner room. His master appeared, still grave&#13;
and cold, but fearfully pale, and holding a letter in his hand.</p><p>"This for my mother," said he to Rodin; "you will send a courier on the&#13;
instant."</p><p>"On the instant," replied the secretary.</p><p>"Let the three letters for Leipsic, Batavia and Charlestown, leave&#13;
to-day by the ordinary channel. They are of the last importance. You&#13;
know it."</p><p>Those were his last words. Executing merciless orders with a merciless&#13;
obedience, he departed without even attempting to see his mother. His&#13;
secretary accompanied him respectfully to his carriage.</p><p>"What road, sir?" asked the postilion, turning round on his saddle.</p><p>"The road to ITALY!" answered Rodin's master, with so deep a sigh that&#13;
it almost resembled a sob.</p><p>As the horses started at full gallop, Rodin made a low bow; then he&#13;
returned to the large, cold, bare apartment. The attitude, countenance,&#13;
and gait of this personage seemed to have undergone a sudden change. He&#13;
appeared to have increased in dimensions. He was no longer an automaton,&#13;
moved by the mechanism of humble obedience. His features, till now&#13;
impassible, his glance, hitherto subdued, became suddenly animated with&#13;
an expression of diabolical craft; a sardonic smile curled his thin,&#13;
pale lips, and a look of grim satisfaction relaxed his cadaverous face.</p><p>In turn, he stopped before the huge globe. In turn, he contemplated&#13;
it in silence, even as his master had done. Then, bending over it, and&#13;
embracing it, as it were, in his arms, he gloated with his reptile-eye&#13;
on it for some moments, drew his coarse finger along its polished&#13;
surface, and tapped his flat, dirty nail on three of the places dotted&#13;
with red crosses. And, whilst he thus pointed to three towns, in very&#13;
different parts of the world, he named them aloud, with a sneer.</p><p>"Leipsic--Charlestown--Batavia."</p><p>"In each of these three places," he added, "distant as they are from one&#13;
another, there exist persons who little think that here, in this&#13;
obscure street, from the recesses of this chamber, wakeful eyes are&#13;
upon them--that all their movements are followed, all their actions&#13;
known--and that hence will issue new instructions, which deeply concern&#13;
them, and which will be inexorably executed; for an interest is at&#13;
stake, which may have a powerful influence on Europe--on the world.&#13;
Luckily, we have friends at Leipsic, Charlestown, and Batavia."</p><p>This funny, old, sordid, ill-dressed man, with his livid and death-like&#13;
countenance, thus crawling over the sphere before him, appeared still&#13;
more awful than his master, when the latter, erect and haughty, had&#13;
imperiously laid his hand upon that globe, which he seemed desirous of&#13;
subjecting by the strength of his pride and courage. The one resembled&#13;
the eagle, that hovers above his prey--the other the reptile, that&#13;
envelops its victim in its inextricable folds.</p><p>After some minutes, Rodin approached his desk, rubbing his hands briskly&#13;
together, and wrote the following epistle in a cipher unknown even to&#13;
his master:</p><p>"Paris, 3/4 past 9 A.M.</p><p>"He is gone--but he hesitated!</p><p>"When he received the order, his dying mother had just summoned him&#13;
to her. He might, they told him, save her by his presence; and he&#13;
exclaimed: 'Not to go to my mother would be matricide!'</p><p>"Still, he is gone--but he hesitated. I keep my eye upon him&#13;
continually. These lines will reach Rome at the same time as himself.</p><p>"P.S.--Tell the Cardinal-Prince that he may rely on me, but I hope for&#13;
his active aid in return."</p><p>When he had folded and sealed this letter, Rodin put it into his pocket.&#13;
The clock struck ten, M. Rodin's hour for breakfast. He arranged and&#13;
locked up his papers in a drawer, of which he carried away the key,&#13;
brushed his old greasy hat with his sleeve, took a patched umbrella in&#13;
his hand, and went out. (1)</p><p>Whilst these two men, in the depths of their obscure retreat, were thus&#13;
framing a plot, which was to involve the seven descendants of a race&#13;
formerly proscribed--a strange mysterious defender was planning how to&#13;
protect this family, which was also his own.</p><p>1 Having cited the excellent, courageous letters of M. Libri, and the&#13;
curious work edited by M. Paulin, it is our duty likewise to mention&#13;
many bold and conscientious writings on the subject of the "Society of&#13;
Jesus," recently published by the elder Dupin, Michelet, Quinet, Genin,&#13;
and the Count de Saint Priest--works of high and impartial intellects,&#13;
in which the fatal theories of the order are admirably exposed and&#13;
condemned. We esteem ourselves happy, if we can bring one stone towards&#13;
the erection of the strong, and, we hope, durable embankment which these&#13;
generous hearts and noble minds are raising against the encroachments of&#13;
an impure and always menacing flood.--E. S.</p><p>BOOK II. INTERVAL.--THE WANDERING JEW'S SENTENCE.</p><p>XVII. The Ajoupa XVIII. The Tattooing XIX. The Smuggler XX.&#13;
     M. Joshua Van Dael XXI. The Ruins of Tchandi XXII. The&#13;
     Ambuscade XXIII. M. Rodin XXIV. The Tempest XXV. The&#13;
     Shipwreck XXVI. The Departure for Paris XXVII. Dagobert's&#13;
     Wife XXVIII. The Sister of the Bacchanal Queen XXIX.&#13;
     Agricola Baudoin XXX. The Return XXXI. Agricola and Mother&#13;
     Bunch XXXII. The Awakening XXXIII. The Pavilion XXXIV.&#13;
     Adrienne at her Toilet XXXV. The Interview</p><p>INTERVAL.</p><p>THE WANDERING JEW'S SENTENCE.</p><p>The site is wild and rugged. It is a lofty eminence covered with huge&#13;
boulders of sandstone, between which rise birch trees and oaks, their&#13;
foliage already yellowed by autumn. These tall trees stand out from the&#13;
background of red light, which the sun has left in the west, resembling&#13;
the reflection of a great fire.</p><p>From this eminence the eye looks down into a deep valley, shady,&#13;
fertile, and half-veiled in light vapor by the evening mist. The rich&#13;
meadows, the tufts of bushy trees the fields from which the ripe corn&#13;
has been gathered in, all blend together in one dark, uniform tint,&#13;
which contrasts with the limpid azure of the heavens. Steeples of gray&#13;
stone or slate lift their pointed spires, at intervals, from the midst&#13;
of this valley; for many villages are spread about it, bordering a&#13;
high-road which leads from the north to the west.</p><p>It is the hour of repose--the hour when, for the most part, every&#13;
cottage window brightens to the joyous crackling of the rustic hearth,&#13;
and shines afar through shade and foliage, whilst clouds of smoke issue&#13;
from the chimneys, and curl up slowly towards the sky. But now, strange&#13;
to say, every hearth in the country seems cold and deserted. Stranger&#13;
and more fatal still, every steeple rings out a funeral knell. Whatever&#13;
there is of activity, movement, or life, appears concentrated in that&#13;
lugubrious and far-sounding vibration.</p><p>Lights begin to show themselves in the dark villages, but they rise not&#13;
from the cheerful and pleasant rustic hearth. They are as red as the&#13;
fires of the herdsmen, seen at night through the midst of the fog. And&#13;
then these lights do not remain motionless. They creep slowly towards&#13;
the churchyard of every village. Louder sounds the death-knell, the air&#13;
trembles beneath the strokes of so many bells, and, at rare intervals,&#13;
the funeral chant rises faintly to the summit of the hill.</p><p>Why so many interments? What valley of desolation is this, where the&#13;
peaceful songs which follow the hard labors of the day are replaced by&#13;
the death dirge? where the repose of evening is exchanged for the repose&#13;
of eternity? What is this valley of the shadow, where every village&#13;
mourns for its many dead, and buries them at the same hour of the same&#13;
night?</p><p>Alas! the deaths are so sudden and numerous and frightful that there is&#13;
hardly time to bury the dead. During day the survivors are chained to&#13;
the earth by hard but necessary toil; and only in the evening, when they&#13;
return from the fields, are they able, though sinking with fatigue, to&#13;
dig those other furrows, in which their brethren are to lie heaped like&#13;
grains of corn.</p><p>And this valley is not the only one that has seen the desolation. During&#13;
a series of fatal years, many villages, many towns, many cities, many&#13;
great countries, have seen, like this valley, their hearths deserted and&#13;
cold--have seen, like this valley, mourning take the place of joy, and&#13;
the death-knell substituted for the noise of festival--have wept in&#13;
the same day for their many dead, and buried them at night by the lurid&#13;
glare of torches.</p><p>For, during those fatal years, an awful wayfarer had slowly journeyed&#13;
over the earth, from one pole to the other--from the depths of India and&#13;
Asia to the ice of Siberia--from the ice of Siberia to the borders of&#13;
the seas of France.</p><p>This traveller, mysterious as death, slow as eternity, implacable as&#13;
fate, terrible as the hand of heaven, was the CHOLERA!</p><p>The tolling of bells and the funeral chants still rose from the depths&#13;
of the valley to the summit of the hill, like the complaining of a&#13;
mighty voice; the glare of the funeral torches was still seen afar&#13;
through the mist of evening; it was the hour of twilight--that strange&#13;
hour, which gives to the most solid forms a vague, indefinite fantastic&#13;
appearance--when the sound of firm and regular footsteps was heard on&#13;
the stony soil of the rising ground, and, between the black trunks of&#13;
the trees, a man passed slowly onward.</p><p>His figure was tall, his head was bowed upon his breast; his countenance&#13;
was noble, gentle, and sad; his eyebrows, uniting in the midst, extended&#13;
from one temple to the other, like a fatal mark on his forehead.</p><p>This man did not seem to hear the distant tolling of so many funeral&#13;
bells--and yet, a few days before, repose and happiness, health and joy,&#13;
had reigned in those villages through which he had slowly passed, and&#13;
which he now left behind him, mourning and desolate. But the traveller&#13;
continued on his way, absorbed in his own reflections.</p><p>"The 13th of February approaches," thought he; "the day approaches, in&#13;
which the descendants of my beloved sister, the last scions of our race,&#13;
should meet in Paris. Alas! it is now a hundred and fifty years since,&#13;
for the third time, persecution scattered this family over all the&#13;
earth--this family, that I have watched over with tenderness for&#13;
eighteen centuries, through all its migrations and exiles, its changes&#13;
of religion, fortune, and name!</p><p>"Oh! for this family, descended from the sister of the poor&#13;
shoemaker,(2) what grandeur and what abasement, what obscurity and what&#13;
splendor, what misery and what glory! By how many crimes has it been&#13;
sullied, by how many virtues honored! The history of this single family&#13;
is the history of the human race!</p><p>"Passing, in the course of so many generations, through the veins of the&#13;
poor and the rich, of the sovereign and the bandit, of the wise man and&#13;
the fool, of the coward and the brave, of the saint and the atheist, the&#13;
blood of my sister has transmitted itself to this hour.</p><p>"What scions of this family are now remaining? Seven only.</p><p>"Two orphans, the daughters of proscribed parents--a dethroned prince--a&#13;
poor missionary priest--a man of the middle class--a young girl of a&#13;
great name and large fortune--a mechanic.</p><p>"Together, they comprise in themselves the virtues, the courage, the&#13;
degradation, the splendor, the miseries of our species!</p><p>"Siberia--India--America--France--behold the divers places where fate&#13;
has thrown them!</p><p>"My instinct teaches me when one of them is in peril. Then, from the&#13;
North to the South, from the East to the West, I go to seek them.&#13;
Yesterday amid the polar frosts--to-day in the temperate zone--to-morrow&#13;
beneath the fires of the tropics--but often, alas! at the moment when&#13;
my presence might save them, the invisible hand impels me, the whirlwind&#13;
carries me away, and the voice speaks in my ear: 'GO ON! GO ON!'</p><p>"Oh, that I might only finish my task!--'GO ON!'--A single hour--only&#13;
a single hour of repose!--'GO ON!'--Alas! I leave those I love on the&#13;
brink of the abyss!--'GO ON! GO ON!'</p><p>"Such is my punishment. If it is great, my crime was greater still! An&#13;
artisan, devoted to privations and misery, my misfortunes had made me&#13;
cruel.</p><p>"Oh, cursed, cursed be the day, when, as I bent over my work, sullen&#13;
with hate and despair, because, in spite of my incessant labor, I and&#13;
mine wanted for everything, the Saviour passed before my door.</p><p>"Reviled, insulted, covered with blows, hardly able to sustain the&#13;
weight of his heavy cross, He asked me to let Him rest a moment on my&#13;
stone bench. The sweat poured from His forehead, His feet were bleeding,&#13;
He was well-nigh sinking with fatigue, and He said to me, in a mild,&#13;
heart piercing voice: 'I suffer!' 'And I too suffer,' I replied, as with&#13;
harsh anger I pushed Him from the place; 'I suffer, and no one comes to&#13;
help me! I find no pity, and will give none. Go on! go on!' Then, with&#13;
a deep sigh of pain, He answered, and spake this sentence: 'Verily,&#13;
thou shalt go on till the day of thy redemption, for so wills the Father&#13;
which art in heaven!'</p><p>"And so my punishment began. Too late I opened these eyes to the light,&#13;
too late I learned repentance and charity, too late I understood those&#13;
divine words of Him I had outraged, words which should be the law of the&#13;
whole human race. 'LOVE YE ONE ANOTHER.'</p><p>"In vain through successive ages, gathering strength and eloquence from&#13;
those celestial words, have I labored to earn my pardon, by filling&#13;
with commiseration and love hearts that were overflowing with envy and&#13;
bitterness, by inspiring many a soul with a sacred horror of oppression&#13;
and injustice. For me the day of mercy has not yet dawned!</p><p>"And even as the first man, by his fall, devoted his posterity to&#13;
misfortune, it would seem as if I, the workman, had consigned the whole&#13;
race of artisans to endless sorrows, and as if they were expiating my&#13;
crime: for they alone, during these eighteen centuries, have not yet&#13;
been delivered.</p><p>"For eighteen centuries, the powerful and the happy of this world have&#13;
said to the toiling people what I said to the imploring and suffering&#13;
Saviour: 'Go on! go on!' And the people, sinking with fatigue, bearing&#13;
their heavy cross, have answered in the bitterness of their grief:&#13;
'Oh, for pity's sake! a few moments of repose; we are worn out with&#13;
toil.'--Go on!'--'And if we perish in our pain, what will become of&#13;
our little children and our aged mothers?'--'Go on! go on!' And, for&#13;
eighteen centuries, they and I have continued to struggle forward and to&#13;
suffer, and no charitable voice has yet pronounced the word 'Enough!'</p><p>"Alas! such is my punishment. It is immense, it is two-fold. I suffer&#13;
in the name of humanity, when I see these wretched multitudes consigned&#13;
without respite to profitless and oppressive toil. I suffer in the name&#13;
of my family, when, poor and wandering, I am unable to bring aid to&#13;
the descendants of my dear sister. But, when the sorrow is above my&#13;
strength, when I foresee some danger from which I cannot preserve my&#13;
own, then my thoughts, travelling over the world, go in search of that&#13;
woman like me accursed, that daughter of a queen, who, like me, the&#13;
son of a laborer, wanders, and will wander on, till the day of her&#13;
redemption.(3)</p><p>"Once in a century, as two planets draw nigh to each other in their&#13;
revolutions, I am permitted to meet this woman during the dread week of&#13;
the Passion. And after this interview, filled with terrible remembrances&#13;
and boundless griefs, wandering stars of eternity, we pursue our&#13;
infinite course.</p><p>"And this woman, the only one upon earth who, like me, sees the end of&#13;
every century, and exclaims: 'What another?' this woman responds to my&#13;
thought, from the furthest extremity of the world. She, who alone shares&#13;
my terrible destiny, has chosen to share also the only interest that has&#13;
consoled me for so many ages. Those descendants of my dear sister, she&#13;
too loves, she too protects them. For them she journeys likewise from&#13;
East to West and from North to South.</p><p>"But alas! the invisible hand impels her, the whirlwind carries her&#13;
away, and the voice speaks in her ear: 'Go on!'--'Oh that I might finish&#13;
my sentence!' repeats she also,--'Go on!'--'A single hour--only a single&#13;
hour of repose!'--Go on!'--'I leave those I love on the brink of the&#13;
abyss.'--'Go on! Go on!--'"</p><p>Whilst this man thus went over the hill absorbed in his thoughts, the&#13;
light evening breeze increased almost to a gale, a vivid flash streamed&#13;
across the sky, and long, deep whistlings announced the coming of a&#13;
tempest.</p><p>On a sudden this doomed man, who could no longer weep or smile, started&#13;
with a shudder. No physical pain could reach him, and yet he pressed his&#13;
hand hastily to his heart, as though he had experienced a cruel pang.&#13;
"Oh!" cried he; "I feel it. This hour, many of those whom I love--the&#13;
descendants of my dear sister--suffer, and are in great peril. Some in&#13;
the centre of India--some in America--some here in Germany. The struggle&#13;
recommences, the detestable passions are again awake. Oh, thou that&#13;
hearest me--thou, like myself wandering and accursed--Herodias! help&#13;
me to protect them! May my invocation reach thee, in those American&#13;
solitudes where thou now lingerest--and may we arrive in time!"</p><p>Thereon an extraordinary event happened. Night was come. The man made&#13;
a movement; precipitately, to retrace his steps--but an invisible force&#13;
prevented him, and carried him forward in the opposite direction.</p><p>At this moment, the storm burst forth in its murky majesty. One of those&#13;
whirlwinds, which tear up trees by the roots and shake the foundations&#13;
of the rocks, rushed over the hill rapid and loud as thunder.</p><p>In the midst of the roaring of the hurricane, by the glare of the fiery&#13;
flashes, the man with the black mark on his brow was seen descending the&#13;
hill, stalking with huge strides among the rocks, and between trees bent&#13;
beneath the efforts of the storm.</p><p>The tread of this man was no longer slow, firm, and steady--but&#13;
painfully irregular, like that of one impelled by an irresistible power,&#13;
or carried along by the whirl of a frightful wind. In vain he extended&#13;
his supplicating hands to heaven. Soon he disappeared in the shades of&#13;
night, and amid the roar of the tempest.</p><p>(2) It is known that, according to the legend, the Wandering Jew was a&#13;
shoemaker at Jerusalem. The Saviour, carrying his cross, passed before&#13;
the house of the artisan, and asked him to be allowed to rest an instant&#13;
on the stone bench at his door. "Go on! go on!" said the Jew harshly,&#13;
pushing him away. "Thou shalt go on till the end of time," answered the&#13;
Saviour, in a stern though sorrowful tone. For further details, see&#13;
the eloquent and learned notice by Charles Magnin, appended to the&#13;
magnificent poem "Ahasuerus," by Ed. Quinet.--E. S.</p><p>(3) According to a legend very little known, for we are indebted to&#13;
the kindness of M. Maury, the learned sub-librarian of the Institute,&#13;
Herodias was condemned to wander till the day of judgement, for having&#13;
asked for the death of John the Baptist--E. S.</p><p>CHAPTER XVII. THE AJOUPA.</p><p>While Rodin despatched his cosmopolite correspondence, from his retreat&#13;
in the Rue du Milieu des Ursins, in Paris--while the daughters of&#13;
General Simon, after quitting as fugitives the White Falcon, were&#13;
detained prisoners at Leipsic along with Dagobert--other scenes, deeply&#13;
interesting to these different personages, were passing, almost as it&#13;
were at the same moment, at the other extremity of the world, in the&#13;
furthermost parts of Asia--that is to say, in the island of Java, not&#13;
far from the city of Batavia, the residence of M. Joshua Van Dael, one&#13;
of the correspondents of Rodin.</p><p>Java! magnificent and fatal country, where the most admirable flowers&#13;
conceal hideous reptiles, where the brightest fruits contain subtle&#13;
poisons, where grow splendid trees, whose very shadow is death--where&#13;
the gigantic vampire bat sucks the blood of its victims whilst it&#13;
prolongs their sleep, by surrounding them with a fresh and balmy air, no&#13;
fan moving so rapidly as the great perfumed wings of this monster!</p><p>The month of October, 1831, draws near its close. It is noon--an hour&#13;
well nigh mortal to him who encounters the fiery heat of the sun, which&#13;
spreads a sheet of dazzling light over the deep blue enamel of the sky.</p><p>An ajoupa, or hut, made of cane mats, suspended from long bamboos, which&#13;
are driven far into the ground, rises in the midst of the bluish shadows&#13;
cast by a tuft of trees, whose glittering verdure resembles green&#13;
porcelain. These quaintly formed trees, rounded into arches, pointing&#13;
like spires, overspreading like parasols, are so thick in foliage, so&#13;
entangled one with the other, that their dome is impenetrable to the&#13;
rain.</p><p>The soil, ever marshy, notwithstanding the insupportable heat,&#13;
disappears beneath an inextricable mass of creepers, ferns, and tufted&#13;
reeds, of a freshness and vigor of vegetation almost incredible,&#13;
reaching nearly to the top of the ajoupa, which lies hid like a nest&#13;
among the grass.</p><p>Nothing can be more suffocating than the atmosphere, heavily laden with&#13;
moist exhalations like the steam of hot water, and impregnated with&#13;
the strongest and sharpest scents; for the cinnamon-tree, ginger-plant,&#13;
stephanotis and Cape jasmine, mixed with these trees and creepers,&#13;
spread around in puffs their penetrating odors. A roof, formed of large&#13;
Indian fig-leaves, covers the cabin; at one end is a square opening,&#13;
which serves for a window, shut in with a fine lattice-work of vegetable&#13;
fibres, so as to prevent the reptiles and venomous insects from creeping&#13;
into the ajoupa. The huge trunk of a dead tree, still standing, but much&#13;
bent, and with its summit reaching to the roof of the ajoupa, rises from&#13;
the midst of the brushwood. From every crevice in its black, rugged,&#13;
mossy bark, springs a strange, almost fantastic flower; the wing of a&#13;
butterfly is not of a finer tissue, of a more brilliant purple, of a&#13;
more glossy black: those unknown birds we see in our dreams, have no&#13;
more grotesque forms than these specimens of the orchis--winged flowers,&#13;
that seem always ready to fly from their frail and leafless stalks. The&#13;
long, flexible stems of the cactus, which might be taken for reptiles,&#13;
encircle also this trunk, and clothe it with their bunches of silvery&#13;
white, shaded inside with bright orange. These flowers emit a strong&#13;
scent of vanilla.</p><p>A serpent, of a brick-red, about the thickness of a large quill, and&#13;
five or six inches long, half protrudes its flat head from one of those&#13;
enormous, perfumed calyces, in which it lies closely curled up.</p><p>Within the ajoupa, a young man is extended on a mat in a profound sleep.&#13;
His complexion of a clear golden yellow, gives him the appearance of a&#13;
statue of pale bronze, on which a ray of sun is playing. His attitude&#13;
is simple and graceful; his right arm sustains his head, a little raised&#13;
and turned on one side; his ample robe of white muslin, with hanging&#13;
sleeves, leaves uncovered his chest and arms worthy of the Antoinous.&#13;
Marble is not more firm, more polished than his skin, the golden hue of&#13;
which contracts strongly with the whiteness of his garments. Upon his&#13;
broad manly chest a deep scar is visible--the mark of the musket-ball he&#13;
received in defending the life of General Simon, the father of Rose and&#13;
Blanche.</p><p>Suspended from his neck, he wears a medal similar to that in the&#13;
possession of the two sisters. This Indian is Djalma.</p><p>His features are at once very noble and very beautiful. His hair of a&#13;
blue black, parted upon his forehead, falls waving, but not curled over&#13;
his shoulders; whilst his eyebrows, boldly and yet delicately defined,&#13;
are of as deep a jet as the long eyelashes, that cast their shadow upon&#13;
his beardless cheek. His bright, red lips are slightly apart, and he&#13;
breathes uneasily; his sleep is heavy and troubled, for the heat becomes&#13;
every moment more and more suffocating.</p><p>Without, the silence is profound. Not a breath of air is stirring.&#13;
Yet now the tall ferns, which cover the soil, begin to move almost&#13;
imperceptibly, as though their stems were shaken by the slow progress&#13;
of some crawling body. From time to time, this trifling oscillation&#13;
suddenly ceases, and all is again motionless. But, after several of&#13;
these alternations of rustling and deep silence, a human head appears&#13;
in the midst of the jungle, a little distance from the trunk of the dead&#13;
tree.</p><p>The man to whom it belonged was possessed of a grim countenance, with a&#13;
complexion the color of greenish bronze, long black hair bound about his&#13;
temples, eyes brilliant with savage fire, and an expression remarkable&#13;
for its intelligence and ferocity. Holding his breath, he remained quite&#13;
still for a moment; then, advancing upon his hands and knees, pushing&#13;
aside the leaves so gently, that not the slightest noise could be heard,&#13;
he arrived cautiously and slowly at the trunk of the dead tree, the&#13;
summit of which nearly touched the roof of the ajoupa.</p><p>This man, of Malay origin, belonging to the sect of the Lughardars&#13;
(Stranglers), after having again listened, rose almost entirely from&#13;
amongst the brushwood. With the exception of white cotton drawers,&#13;
fastened around his middle by a parti-colored sash, he was completely&#13;
naked. His bronze, supple, and nervous limbs were overlaid with a&#13;
thick coat of oil. Stretching himself along the huge trunk on the side&#13;
furthest from the cabin, and thus sheltered by the whole breadth of the&#13;
tree with its surrounding creepers, he began to climb silently, with&#13;
as much patience as caution. In the undulations of his form, in the&#13;
flexibility of his movements, in the restrained vigor, which fully&#13;
put forth would have been alarming, there was some resemblance to the&#13;
stealthy and treacherous advance of the tiger upon its prey.</p><p>Having reached, completely unperceived, the inclined portion of the&#13;
tree, which almost touched the roof of the cabin, he was only separated&#13;
from the window by a distance of about a foot. Cautiously advancing his&#13;
head, he looked down into the interior, to see how he might best find an&#13;
entrance.</p><p>At sight of Djalma in his deep sleep, the Thug's bright eyes glittered&#13;
with increased brilliancy; a nervous contraction, or rather a mute,&#13;
ferocious laugh, curling the corners of his mouth, drew them up towards&#13;
the cheekbones, and exposed rows of teeth, filed sharp like the points&#13;
of a saw, and dyed of a shining black.</p><p>Djalma was lying in such a manner and so near the door of the ajoupa,&#13;
which opened inwards, that, were it moved in the least, he must be&#13;
instantly awakened. The Strangler, with his body still sheltered by the&#13;
tree, wishing to examine more attentively the interior of the cabin,&#13;
leaned very forward, and in order to maintain his balance, lightly&#13;
rested his hand on the ledge of the opening that served for a window.&#13;
This movement shook the large cactus-flowers, within which the little&#13;
serpent lay curled, and, darting forth it twisted itself rapidly round&#13;
the wrist of the Strangler. Whether from pain or surprise, the man&#13;
uttered a low cry; and as he drew back swiftly, still holding by the&#13;
trunk of the tree, he perceived that Djalma had moved.</p><p>The young Indian, though retaining his supine posture, had half opened&#13;
his eyes, and turned his head towards the window, whilst his breast&#13;
heaved with a deep-drawn sigh, for, beneath that thick dome of moist&#13;
verdure, the concentrated heat was intolerable.</p><p>Hardly had he moved, when, from behind the tree, was heard the shrill,&#13;
brief, sonorous note, which the bird of paradise titters when it takes&#13;
its flight--a cry which resembles that of the pheasant. This note was&#13;
soon repeated, but more faintly, as though the brilliant bird were&#13;
already at a distance. Djalma, thinking he had discovered the cause of&#13;
the noise which had aroused him for an instant, stretched out the arm&#13;
upon which his head had rested, and went to sleep again, with scarcely&#13;
any change of position.</p><p>For some minutes, the most profound silence once more reigned in this&#13;
solitude, and everything remained motionless.</p><p>The Strangler, by his skillful imitation of the bird, had repaired the&#13;
imprudence of that exclamation of surprise and pain, which the reptile&#13;
bite had forced from him. When he thought all was safe, he again&#13;
advanced his head, and saw the young Indian once more plunged in sleep.&#13;
Then he descended the tree with the same precautions, though his left&#13;
hand was somewhat swollen from the sting of the serpent, and disappeared&#13;
in the jungle.</p><p>At that instant a song of monotonous and melancholy cadence was heard&#13;
in the distance. The Strangler raised himself, and listened attentively,&#13;
and his face took an expression of surprise and deadly anger. The song&#13;
came nearer and nearer to the cabin, and, in a few seconds, an Indian,&#13;
passing through an open space in the jungle, approached the spot where&#13;
the Thug lay concealed.</p><p>The latter unwound from his waist a long thin cord, to one of the ends&#13;
of which was attached a leaden ball, of the form and size of an egg;&#13;
having fastened the other end of this cord to his right wrist, the&#13;
Strangler again listened, and then disappeared, crawling through the&#13;
tall grass in the direction of the Indian, who still advanced slowly,&#13;
without interrupting his soft and plaintive song.</p><p>He was a young fellow scarcely twenty, with a bronzed complexion, the&#13;
slave of Djalma, his vest of blue cotton was confined at the waist by a&#13;
parti-colored sash; he wore a red turban, and silver rings in his ears&#13;
and about his wrists. He was bringing a message to his master, who,&#13;
during the great heat of the day was reposing in the ajoupa, which stood&#13;
at some distance from the house he inhabited.</p><p>Arriving at a place where two paths separated, the slave, without&#13;
hesitation took that which led to the cabin, from which he was now&#13;
scarce forty paces distant.</p><p>One of those enormous Java butterflies, whose wings extend six or eight&#13;
inches in length, and offer to the eye two streaks of gold on a ground&#13;
of ultramarine, fluttering from leaf to leaf, alighted on a bush of Cape&#13;
jasmine, within the reach of the young Indian. The slave stopped in his&#13;
song, stood still, advanced first a foot, then a hand, and seized the&#13;
butterfly.</p><p>Suddenly he sees a dark figure rise before him; he hears a whizzing&#13;
noise like that of a sling; he feels a cord, thrown with as much&#13;
rapidity as force, encircle his neck with a triple band; and, almost in&#13;
the same instant, the leaden ball strikes violently against the back of&#13;
his head.</p><p>This attack was so abrupt and unforseen, that Djalma's servant could not&#13;
even utter a single cry, a single groan. He tottered--the Strangler gave&#13;
a vigorous pull at the cord--the bronzed countenance of the slave became&#13;
purple, and he fell upon his knees, convulsively moving his arms. Then&#13;
the Strangler threw him quite down, and pulled the cord so violently,&#13;
that the blood spurted from the skin. The victim struggled for a&#13;
moment--and all was over.</p><p>During his short but intense agony, the murderer, kneeling before his&#13;
victim, and watching with ardent eye his least convulsions, seemed&#13;
plunged into an ecstasy of ferocious joy. His nostrils dilated, the&#13;
veins of his neck and temples were swollen, and the same savage laugh,&#13;
which had curled his lips at the aspect of the sleeping Djalma, again&#13;
displayed his pointed black teeth, which a nervous trembling of the jaws&#13;
made to chatter. But soon he crossed his arms upon his heaving breast,&#13;
bowed his forehead, and murmured some mysterious words, which sounded&#13;
like an invocation or a prayer. Immediately after, he returned to the&#13;
contemplation of the dead body. The hyena and the tiger-cat, who, before&#13;
devouring, crouch beside the prey that they have surprised or hunted&#13;
down, have not a wilder or more sanguinary look than this man.</p><p>But, remembering that his task was not yet accomplished tearing himself&#13;
unwillingly from the hideous spectacle, he unbound the cord from the&#13;
neck of his victim, fastened it round his own body, dragged the corpse&#13;
out of the path, and, without attempting to rob it of its silver rings,&#13;
concealed it in a thick part of the jungle.</p><p>Then the Strangler again began to creep on his knees and belly, till he&#13;
arrived at the cabin of Djalma--that cabin constructed of mats suspended&#13;
from bamboos. After listening attentively, he drew from his girdle a&#13;
knife, the sharp-pointed blade of which was wrapped in a fig-leaf, and&#13;
made in the matting an incision of three feet in length. This was done&#13;
with such quickness, and with so fine a blade, that the light touch of&#13;
the diamond cutting glass would have made more noise. Seeing, by means&#13;
of this opening, which was to serve him for a passage, that Djalma was&#13;
still fast asleep, the Thug, with incredible temerity, glided into the&#13;
cabin.</p><p>CHAPTER XVIII. THE TATTOOING</p><p>The heavens, which had been till now of transparent blue, became&#13;
gradually of a greenish tint, and the sun was veiled in red, lurid&#13;
vapor. This strange light gave to every object a weird appearance, of&#13;
which one might form an idea, by looking at a landscape through a piece&#13;
of copper colored glass. In those climates, this phenomenon, when united&#13;
with an increase of burning heat, always announces the approach of a&#13;
storm.</p><p>From time to time there was a passing odor of sulphur; then the leaves,&#13;
slightly shaken by electric currents, would tremble upon their stalks;&#13;
till again all would return to the former motionless silence. The weight&#13;
of the burning atmosphere, saturated with sharp perfumes, became almost&#13;
intolerable. Large drops of sweat stood in pearls on the forehead of&#13;
Djalma, still plunged in enervating sleep--for it no longer resembled&#13;
rest, but a painful stupor.</p><p>The Strangler glided like a reptile along the sides of the ajoupa, and,&#13;
crawling on his belly, arrived at the sleeping-mat of Djalma, beside&#13;
which he squatted himself, so as to occupy as little space as possible.&#13;
Then began a fearful scene, by reason of the mystery and silence which&#13;
surrounded it.</p><p>Djalma's life was at the mercy of the Strangler. The latter, resting&#13;
upon his hands and knees, with his neck stretched forward, his eye fixed&#13;
and dilated, continued motionless as a wild beast about to spring. Only&#13;
a slight nervous trembling of the jaws agitated that mask of bronze.</p><p>But soon his hideous features revealed a violent struggle that was&#13;
passing within him--a struggle between the thirst, the craving for the&#13;
enjoyment of murder, which the recent assassination of the slave had&#13;
made still more active, and the orders he had received not to attempt&#13;
the life of Djalma, though the design, which brought him to the ajoupa,&#13;
might perhaps be as fatal to the young Indian as death itself. Twice did&#13;
the Strangler, with look of flame, resting only on his left hand, seize&#13;
with his right the rope's end; and twice his hand fell--the instinct of&#13;
murder yielding to a powerful will, of which the Malay acknowledged the&#13;
irresistible empire.</p><p>In him, the homicidal craving must have amounted to madness, for, in&#13;
these hesitations, he lost much precious time: at any moment, Djalma,&#13;
whose vigor, skill, and courage were known and feared, might awake from&#13;
his sleep, and, though unarmed, he would prove a terrible adversary. At&#13;
length the Thug made up his mind; with a suppressed sigh of regret, he&#13;
set about accomplishing his task.</p><p>This task would have appeared impossible to any one else. The reader may&#13;
judge.</p><p>Djalma, with his face turned towards the left, leaned his head upon his&#13;
curved arm. It was first necessary, without waking him, to oblige him to&#13;
turn his face towards the right (that is, towards the door), so that, in&#13;
case of his being half-roused, his first glance might not fall upon the&#13;
Strangler. The latter, to accomplish his projects, would have to remain&#13;
many minutes in the cabin.</p><p>The heavens became darker; the heat arrived at its last degree of&#13;
intensity; everything combined to increase the torpor of the sleeper,&#13;
and so favor the Strangler's designs. Kneeling down close to Djalma, he&#13;
began, with the tips of his supple, well-oiled fingers, to stroke the&#13;
brow, temples, and eyelids of the young Indian, but with such extreme&#13;
lightness, that the contact of the two skins was hardly sensible. When&#13;
this kind of magnetic incantation had lasted for some seconds, the&#13;
sweat, which bathed the forehead of Djalma, became more abundant:&#13;
he heaved a smothered sigh, and the muscles of his face gave several&#13;
twitches, for the strokings, although too light to rouse him, yet caused&#13;
in him a feeling of indefinable uneasiness.</p><p>Watching him with his restless and burning eye, the Strangler continued&#13;
his maneuvers with so much patience, that Djalma, still sleeping, but&#13;
no longer able to bear this vague, annoying sensation, raised his right&#13;
hand mechanically to his face, as if he would have brushed away an&#13;
importunate insect. But he had not strength to do it; almost immediately&#13;
after, his hand, inert and heavy, fell back upon his chest. The&#13;
Strangler saw, by this symptom, that he was attaining his object, and&#13;
continued to stroke, with the same address, the eyelids, brow, and&#13;
temples.</p><p>Whereupon Djalma, more and more oppressed by heavy sleep, and having&#13;
neither strength nor will to raise his hand to his face, mechanically&#13;
turned round his head, which fell languidly upon his right shoulder,&#13;
seeking by this change of attitude, to escape from the disagreeable&#13;
sensation which pursued him. The first point gained, the Strangler could&#13;
act more freely.</p><p>To render as profound as possible the sleep he had half interrupted, he&#13;
now strove to imitate the vampire, and, feigning the action of a fan,&#13;
he rapidly moved his extended hands about the burning face of the young&#13;
Indian. Alive to a feeling of such sudden and delicious coolness, in the&#13;
height of suffocating heat, the countenance of Djalma brightened, his&#13;
bosom heaved, his half-opened lips drank in the grateful air, and he&#13;
fell into a sleep only the more invincible, because it had been at first&#13;
disturbed, and was now yielded to under the influence of a pleasing&#13;
sensation.</p><p>A sudden flash of lightning illumined the shady dome that sheltered the&#13;
ajoupa: fearing that the first clap of thunder might rouse the young&#13;
Indian, the Strangler hastened to complete his Task. Djalma lay on his&#13;
back, with his head resting on his right shoulder, and his left arm&#13;
extended; the Thug, crouching at his left side, ceased by degrees the&#13;
process of fanning; then, with incredible dexterity, he succeeded in&#13;
rolling up, above the elbow, the long wide sleeve of white muslin that&#13;
covered the left arm of the sleeper.</p><p>He next drew from the pocket of his drawers a copper box, from which he&#13;
took a very fine, sharp-pointed needle, and a piece of a black-looking&#13;
root. He pricked this root several times with the needle, and on each&#13;
occasion there issued from it a white, glutinous liquid.</p><p>When the Strangler thought the needle sufficiently impregnated with this&#13;
juice, he bent down, and began to blow gently over the inner surface of&#13;
Djalma's arm, so as to cause a fresh sensation of coolness; then, with&#13;
the point of his needle, he traced almost imperceptibly on the skin of&#13;
the sleeping youth some mysterious and symbolical signs. All this was&#13;
performed so cleverly and the point of the needle was so fine and keen,&#13;
that Djalma did not feel the action of the acid upon the skin.</p><p>The signs, which the Strangler had traced, soon appeared on the surface,&#13;
at first in characters of a pale rose-color, as fine as a hair; but&#13;
such was the slowly corrosive power of the juice, that, as it worked and&#13;
spread beneath the skin, they would become in a few hours of a violet&#13;
red, and as apparent as they were now almost invisible.</p><p>The Strangler, having so perfectly succeeded in his project, threw a&#13;
last look of ferocious longing on the slumbering Indian, and creeping&#13;
away from the mat, regained the opening by which he had entered the&#13;
cabin; next, closely uniting the edges of the incision, so as to obviate&#13;
all suspicion, he disappeared just as the thunder began to rumble&#13;
hoarsely in the distance.(4)</p><p>(4) We read in the letters of the late Victor Jacquemont upon India,&#13;
with regard to the incredible dexterity of these men: "They crawl on the&#13;
ground, ditches, in the furrows of fields, imitate a hundred different&#13;
voices, and dissipate the effect of any accidental noise by raising the&#13;
yelp of the jackal or note of some bird--then are silent, and another&#13;
imitates the call of the same animal in the distance. They can molest a&#13;
sleeper by all sorts of noises and slight touches, and make his body&#13;
and limbs take any position which suits their purpose." Count Edward&#13;
de Warren, in his excellent work on English India, which we shall have&#13;
again occasion to quote, expresses himself in the same manner as to the&#13;
inconceivable address of the Indians: "They have the art," says he, "to&#13;
rob you, without interrupting your sleep, of the very sheet in which&#13;
you are enveloped. This is not 'a traveller's tale.' but a fact. The&#13;
movements of the bheel are those of the serpent. If you sleep in your&#13;
tent, with a servant lying across each entrance, the bheel will come&#13;
and crouch on the outside, in some shady corner, where he can hear the&#13;
breathing of those within. As soon as the European sleeps, he feels&#13;
sure of success, for the Asiatic will not long resist the attraction of&#13;
repose. At the proper moment, he makes a vertical incision in the cloth&#13;
of the tent, on the spot where he happens to be, and just large enough&#13;
to admit him. He glides through like a phantom, without making the least&#13;
grain of sand creak beneath his tread. He is perfectly naked, and all&#13;
his body is rubbed over with oil; a two-edged knife is suspended from&#13;
his neck. He will squat down close to your couch, and, with incredible&#13;
coolness and dexterity, will gather up the sheet in very little folds,&#13;
so as to occupy the least surface possible; then, passing to the other&#13;
side, he will lightly tickle the sleeper, whom he seems to magnetize,&#13;
till the latter shrinks back involuntarily, and ends by turning round,&#13;
and leaving the sheet folded behind him. Should he awake, and strive to&#13;
seize the robber, he catches at a slippery form, which slides through&#13;
his hands like an eel; should he even succeed in seizing him, it would&#13;
be fatal--the dagger strikes him to the heart, he falls bathed in his&#13;
blood, and the assassin disappears."--E. S.</p><p>CHAPTER XIX. THE SMUGGLER</p><p>The tempest of the morning has long been over. The sun is verging&#13;
towards the horizon. Some hours have elapsed, since the Strangler&#13;
introduced himself into Djalma's cabin, and tattooed him with a&#13;
mysterious sign during his sleep.</p><p>A horseman advances rapidly down a long avenue of spreading trees.&#13;
Sheltered by the thick and verdant arch, a thousand birds salute the&#13;
splendid evening with songs and circlings; red and green parrots climb,&#13;
by help of their hooked beaks, to the top of pink-blossomed acacias;&#13;
large Morea birds of the finest and richest blue, whose throats and&#13;
long tails change in the light to a golden brown, are chasing the prince&#13;
oriels, clothed in their glossy feathers of black and orange; Kolo&#13;
doves, of a changeable violet hue, are gently cooing by the side of the&#13;
birds of paradise, in whose brilliant plumage are mingled the prismatic&#13;
colors of the emerald and ruby, the topaz and sapphire.</p><p>This avenue, a little raised, commanded a view of a small pond, which&#13;
reflected at intervals the green shade of tamarind trees. In the calm,&#13;
limpid waters, many fish were visible, some with silver scales and&#13;
purple fins, others gleaming with azure and vermilion; so still were&#13;
they that they looked as if set in a mass of bluish crystal, and, as&#13;
they dwelt motionless near the surface of the pool, on which played a&#13;
dazzling ray of the sun, they revelled in the enjoyment of the light&#13;
and heat. A thousand insects--living gems, with wings of flame--glided,&#13;
fluttered and buzzed over the transparent wave, in which, at an&#13;
extraordinary depth, were mirrored the variegated tints of the aquatic&#13;
plants on the bank.</p><p>It is impossible to give an adequate idea of the exuberant nature of&#13;
this scene, luxuriant in the sunlight, colors, and perfumes, which&#13;
served, so to speak, as a frame to the young and brilliant rider, who&#13;
was advancing along the avenue. It was Djalma. He had not yet perceived&#13;
the indelible marks, which the Strangler had traced upon his left arm.</p><p>His Japanese mare, of slender make, full of fire and vigor, is black&#13;
as night. A narrow red cloth serves instead of saddle. To moderate the&#13;
impetuous bounds of the animal, Djalma uses a small steel bit, with&#13;
headstall and reins of twisted scarlet silk, fine as a thread.</p><p>Not one of those admirable riders, sculptured so masterly on the frieze&#13;
of the Parthenon, sits his horse more gracefully and proudly than this&#13;
young Indian, whose fine face, illumined by the setting sun, is radiant&#13;
with serene happiness; his eyes sparkle with joy, and his dilated&#13;
nostrils and unclosed lips inhale with delight the balmy breeze, that&#13;
brings to him the perfume of flowers and the scent of fresh leaves, for&#13;
the trees are still moist from the abundant rain that fell after the&#13;
storm.</p><p>A red cap, similar to that worn by the Greeks, surmounting the&#13;
black locks of Djalma, sets off to advantage the golden tint of his&#13;
complexion; his throat is bare; he is clad in his robe of white muslin&#13;
with large sleeves, confined at the waist by a scarlet sash; very full&#13;
drawers, in white cotton stuff, leave half uncovered his tawny and&#13;
polished legs; their classic curve stands out from the dark sides of the&#13;
horse, which he presses tightly between his muscular calves. He has no&#13;
stirrups; his foot, small and narrow, is shod with a sandal of morocco&#13;
leather.</p><p>The rush of his thoughts, by turns impetuous and restrained, was&#13;
expressed in some degree by the pace he imparted to his horse--now bold&#13;
and precipitate, like the flight of unbridled imagination--now calm and&#13;
measured, like the reflection which succeeds an idle dream. But, in&#13;
all this fantastic course, his least movements were distinguished by a&#13;
proud, independent and somewhat savage grace.</p><p>Dispossessed of his paternal territory by the English, and at first&#13;
detained by them as a state-prisoner after the death of his father--who&#13;
(as M. Joshua Van Dael had written to M. Rodin) had fallen sword in&#13;
hand--Djalma had at length been restored to liberty. Abandoning the&#13;
continent of India, and still accompanied by General Simon, who had&#13;
lingered hard by the prison of his old friend's son, the young Indian&#13;
came next to Batavia, the birthplace of his mother, to collect the&#13;
modest inheritance of his maternal ancestors. And amongst this property,&#13;
so long despised or forgotten by his father, he found some important&#13;
papers, and a medal exactly similar to that worn by Rose and Blanche.</p><p>General Simon was not more surprised than pleased at this discovery,&#13;
which not only established a tie of kindred between his wife and&#13;
Djalma's mother, but which also seemed to promise great advantages for&#13;
the future. Leaving Djalma at Batavia, to terminate some business there,&#13;
he had gone to the neighboring island of Sumatra, in the hope of finding&#13;
a vessel that would make the passage to Europe directly and rapidly;&#13;
for it was now necessary that, cost what it might, the young Indian also&#13;
should be at Paris on the 13th February, 1832. Should General Simon&#13;
find a vessel ready to sail for Europe, he was to return immediately, to&#13;
fetch Djalma; and the latter, expecting him daily, was now going to the&#13;
pier of Batavia, hoping to see the father of Rose and Blanche arrive by&#13;
the mail boat from Sumatra.</p><p>A few words are here necessary on the early life of the son of Kadja&#13;
sing.</p><p>Having lost his mother very young, and brought up with rude simplicity,&#13;
he had accompanied his father, whilst yet a child, to the great tiger&#13;
hunts, as dangerous as battles; and, in the first dawn of youth, he had&#13;
followed him to the stern bloody war, which he waged in defence of his&#13;
country. Thus living, from the time of his mother's death, in the&#13;
midst of forests and mountains and continual combats, his vigorous and&#13;
ingenuous nature had preserved itself pure, and he well merited the name&#13;
of "The Generous" bestowed on him. Born a prince, he was--which by no&#13;
means follows--a prince indeed. During the period of his captivity,&#13;
the silent dignity of his bearing had overawed his jailers. Never a&#13;
reproach, never a complaint--a proud and melancholy calm was all that&#13;
he opposed to a treatment as unjust as it was barbarous, until he was&#13;
restored to freedom.</p><p>Having thus been always accustomed to a patriarchal life, or to a war of&#13;
mountaineers, which he had only quitted to pass a few months in prison,&#13;
Djalma knew nothing, so to speak, of civilized society. Without its&#13;
exactly amounting to a defect, he certainly carried his good qualities&#13;
to their extreme limits. Obstinately faithful to his pledged word,&#13;
devoted to the death, confiding to blindness, good almost to a complete&#13;
forgetfulness of himself, he was inflexible towards ingratitude,&#13;
falsehood, or perfidy. He would have felt no compunction to sacrifice&#13;
a traitor, because, could he himself have committed a treason, he would&#13;
have thought it only just to expiate it with his life.</p><p>He was, in a word, the man of natural feelings, absolute and entire.&#13;
Such a man, brought into contact with the temperaments, calculations,&#13;
falsehoods, deceptions, tricks, restrictions, and hollowness of a&#13;
refined society, such as Paris, for example, would, without doubt,&#13;
form a very curious subject for speculation. We raise this hypothesis,&#13;
because, since his journey to France had been determined on, Djalma had&#13;
one fixed, ardent desire--to be in Paris.</p><p>In Paris--that enchanted city--of which, even in Asia, the land of&#13;
enchantment, so many marvelous tales were told.</p><p>What chiefly inflamed the fresh, vivid imagination of the young Indian,&#13;
was the thought of French women--those attractive Parisian beauties,&#13;
miracles of elegance and grace, who eclipsed, he was informed, even the&#13;
magnificence of the capitals of the civilized world. And at this very&#13;
moment, in the brightness of that warm and splendid evening, surrounded&#13;
by the intoxication of flowers and perfumes, which accelerated the&#13;
pulses of his young fiery heart, Djalma was dreaming of those exquisite&#13;
creatures, whom his fancy loved to clothe in the most ideal garbs.</p><p>It seemed to him as if, at the end of the avenue, in the midst of that&#13;
sheet of golden light, which the trees encompassed with their full,&#13;
green arch, he could see pass and repass, white and sylph-like, a host&#13;
of adorable and voluptuous phantoms, that threw him kisses from the tips&#13;
of their rosy fingers. Unable to restrain his burning emotions, carried&#13;
away by a strange enthusiasm, Djalma uttered exclamations of joy, deep,&#13;
manly, and sonorous, and made his vigorous courser bound under him in&#13;
the excitement of a mad delight. Just then a sunbeam, piercing the dark&#13;
vault of the avenue, shone full upon him.</p><p>For several minutes, a man had been advancing rapidly along a path,&#13;
which, at its termination, intersected the avenue diagonally. He stopped&#13;
a moment in the shade, looking at Djalma with astonishment. It was&#13;
indeed a charming sight, to behold, in the midst of a blaze of dazzling&#13;
lustre, this youth, so handsome, joyous, and ardent, clad in his white&#13;
and flowing vestments, gayly and lightly seated on his proud black mare,&#13;
who covered her red bridle with her foam, and whose long tail and thick&#13;
mane floated on the evening breeze.</p><p>But, with that reaction which takes place in all human desires, Djalma&#13;
soon felt stealing over him a sentiment of soft, undefinable melancholy.&#13;
He raised his hand to his eyes, now dimmed with moisture, and allowed&#13;
the reins to fall on the mane of his docile steed, which, instantly&#13;
stopping, stretched out its long neck, and turned its head in the&#13;
direction of the personage, whom it could see approaching through the&#13;
coppice.</p><p>This man, Mahal the Smuggler, was dressed nearly like European sailors.&#13;
He wore jacket and trousers of white duck, a broad red sash, and a&#13;
very low-crowned straw hat. His face was brown, with strongly-marked&#13;
features, and, though forty years of age, he was quite beardless.</p><p>In another moment, Mahal was close to the young Indian. "You are Prince&#13;
Djalma?" said he, in not very good French, raising his hand respectfully&#13;
to his hat.</p><p>"What would you?" said the Indian.</p><p>"You are the son of Kadja-sing?"</p><p>"Once again, what would you?"</p><p>"The friend of General Simon?"</p><p>"General Simon?" cried Djalma.</p><p>"You are going to meet him, as you have gone every evening, since you&#13;
expect his return from Sumatra?"</p><p>"Yes, but how do you know all this?" said the Indian looking at the&#13;
Smuggler with as much surprise as curiosity.</p><p>"Is he not to land at Batavia, to-day or to-morrow?"</p><p>"Are you sent by him?"</p><p>"Perhaps," said Mahal, with a distrustful air. "But are you really the&#13;
son of Kadja-sing?"</p><p>"Yes, I tell you--but where have you seen General Simon?"</p><p>"If you are the son of Kadja-sing," resumed Mahal, continuing to regard&#13;
Djalma with a suspicious eye, "what is your surname?"</p><p>"My sire was called the 'Father of the Generous,'" answered the young&#13;
Indian, as a shade of sorrow passed over his fine countenance.</p><p>These words appeared in part to convince Mahal of the identity of&#13;
Djalma; but, wishing doubtless to be still more certain, he resumed:&#13;
"You must have received, two days ago, a letter from General Simon,&#13;
written from Sumatra?"</p><p>"Yes; but why so many questions?"</p><p>"To assure myself that you are really the son of Kadja-sing, and to&#13;
execute the orders I have received."</p><p>"From whom?"</p><p>"From General Simon."</p><p>"But where is he?"</p><p>"When I have proof that you are Prince Djalma, I will tell you. I was&#13;
informed that you would be mounted on a black mare, with a red bridle.&#13;
But--"</p><p>"By the soul of my mother! speak what you have to say!"</p><p>"I will tell you all--if you can tell me what was the printed paper,&#13;
contained in the last letter that General Simon wrote you from Sumatra."</p><p>"It was a cutting from a French newspaper."</p><p>"Did it announce good or bad news for the general?"</p><p>"Good news--for it related that, during his absence, they had&#13;
acknowledged the last rank and title bestowed on him by the Emperor, as&#13;
they had done for others of his brothers in arms, exiled like him."</p><p>"You are indeed Prince Djalma," said the Smuggler, after a moment's&#13;
reflection. "I may speak. General Simon landed last night in Java, but&#13;
on a desert part of the coast."</p><p>"On a desert part?"</p><p>"Because he has to hide himself."</p><p>"Hide himself!" exclaimed Djalma, in amazement; "why?"</p><p>"That I don't know."</p><p>"But where is he?" asked Djalma, growing pale with alarm.</p><p>"He is three leagues hence--near the sea-shore--in the ruins of&#13;
Tchandi."</p><p>"Obliged to hide himself!" repeated Djalma, and his countenance&#13;
expressed increasing surprise and anxiety.</p><p>"Without being certain, I think it is because of a duel he fought in&#13;
Sumatra," said the Smuggler, mysteriously.</p><p>"A duel--with whom?"</p><p>"I don't know--I am not at all certain on the subject. But do you know&#13;
the ruins of Tchandi?"</p><p>"Yes."</p><p>"The general expects you there; that is what he ordered me to tell you."</p><p>"So you came with him from Sumatra?"</p><p>"I was pilot of the little smuggling coaster, that landed him in the&#13;
night on a lonely beach. He knew that you went every day to the mole,&#13;
to wait for him; I was almost sure that I should meet you. He gave me&#13;
details about the letter you received from him as a proof that he had&#13;
sent me. If he could have found the means of writing, he would have&#13;
written."</p><p>"But he did not tell you why he was obliged to hide himself?"</p><p>"He told me nothing. Certain words made me suspect what I told you--a&#13;
duel."</p><p>Knowing the mettle of General Simon, Djalma thought the suspicions of&#13;
the Smuggler not unfounded. After a moment's silence he said to him:&#13;
"Can you undertake to lead home my horse? My dwelling is without the&#13;
town--there, in the midst of those trees--by the side of the new mosque.&#13;
In ascending the mountain of Tchandi, my horse would be in my way; I&#13;
shall go much faster on foot."</p><p>"I know where you live; General Simon told me. I should have gone there&#13;
if I had not met you. Give me your horse."</p><p>Djalma sprang lightly to the ground, threw the bridle to Mahal, unrolled&#13;
one end of his sash, took out a silk purse, and gave it to the Smuggler,&#13;
saying: "You have been faithful and obedient. Here!--it is a trifle--but&#13;
I have no more."</p><p>"Kadja-sing was rightly called the 'Father of the Generous,'" said&#13;
the Smuggler, bowing with respect and gratitude. He took the road to&#13;
Batavia, leading Djalma's horse. The young Indian, on the contrary,&#13;
plunged into the coppice, and, walking with great strides, he directed&#13;
his course towards the mountain, on which were the ruins of Tchandi,&#13;
where he could not arrive before night.</p><p>CHAPTER XX. M. JOSHUA VAN DAEL.</p><p>M. Joshua Van Dael a Dutch merchant, and correspondent of M. Rodin, was&#13;
born at Batavia, the capital of the island of Java; his parents had sent&#13;
him to be educated at Pondicherry, in a celebrated religious house, long&#13;
established in that place, and belonging to the "Society of Jesus."&#13;
It was there that he was initiated into the order as "professor of the&#13;
three vows," or lay member, commonly called "temporal coadjutor."</p><p>Joshua was a man of probity that passed for stainless; of strict&#13;
accuracy in business, cold, careful, reserved, and remarkably skillful&#13;
and sagacious; his financial operations were almost always successful,&#13;
for a protecting power gave him ever in time, knowledge of events&#13;
which might advantageously influence his commercial transactions. The&#13;
religious house of Pondicherry was interested in his affairs, having&#13;
charged him with the exportation and exchange of the produce of its&#13;
large possessions in this colony.</p><p>Speaking little, hearing much, never disputing, polite in the&#13;
extreme--giving seldom, but with choice and purpose--Joshua, without&#13;
inspiring sympathy, commanded generally that cold respect, which is&#13;
always paid to the rigid moralist; for instead of yielding to the&#13;
influence of lax and dissolute colonial manners, he appeared to live&#13;
with great regularity, and his exterior had something of austerity about&#13;
it, which tended to overawe.</p><p>The following scene took place at Batavia, while Djalma was on his way&#13;
to the ruins of Tchandi in the hope of meeting General Simon.</p><p>M. Joshua had just retired into his cabinet, in which were many shelves&#13;
filled with paper boxes, and huge ledgers and cash boxes lying open upon&#13;
desks. The only window of this apartment, which was on the ground floor,&#13;
looked out upon a narrow empty court, and was protected externally by&#13;
strong iron bars; instead of glass, it was fitted with a Venetian blind,&#13;
because of the extreme heat of the climate.</p><p>M. Joshua, having placed upon his desk a taper in a glass globe, looked&#13;
at the clock. "Half-past nine," said he. "Mahal ought soon to be here."</p><p>Saying this, he went out, passing through an antechamber, opened a&#13;
second thick door, studded with nail-heads, in the Dutch fashion,&#13;
cautiously entered the court (so as not to be heard by the people in&#13;
the house), and drew back the secret bolt of a gate six feet high,&#13;
formidably garnished with iron spikes. Leaving this gate unfastened, he&#13;
regained his cabinet, after he had successively and carefully closed the&#13;
two other doors behind him.</p><p>M. Joshua next seated himself at his desk, and took from a drawer a long&#13;
letter, or rather statement, commenced some time before, and continued&#13;
day by day. It is superfluous to observe, that the letter already&#13;
mentioned, as addressed to M. Rodin, was anterior to the liberation of&#13;
Djalma and his arrival at Batavia.</p><p>The present statement was also addressed to M. Rodin, and Van Dael thus&#13;
went on with it:</p><p>"Fearing the return of General Simon, of which I had been informed by&#13;
intercepting his letters--I have already told you, that I had succeeded&#13;
in being employed by him as his agent here; having then read his&#13;
letters, and sent them on as if untouched to Djalma, I felt myself&#13;
obliged, from the pressure of the circumstances, to have recourse&#13;
to extreme measures--taking care always to preserve appearances, and&#13;
rendering at the same time a signal service to humanity, which last&#13;
reason chiefly decided me.</p><p>"A new danger imperiously commanded these measures. The steamship&#13;
'Ruyter' came in yesterday, and sails tomorrow in the course of the day.&#13;
She is to make the voyage to Europe via the Arabian Gulf; her passengers&#13;
will disembark at Suez, cross the Isthmus, and go on board another&#13;
vessel at Alexandria, which will bring them to France. This voyage, as&#13;
rapid as it is direct, will not take more than seven or eight weeks. We&#13;
are now at the end of October; Prince Djalma might then be in France&#13;
by the commencement of the month of January; and according to your&#13;
instructions, of which I know not the motive, but which I execute with&#13;
zeal and submission, his departure must be prevented at all hazards,&#13;
because, you tell me, some of the gravest interests of the Society would&#13;
be compromised, by the arrival of this young Indian in Paris before the&#13;
13th of February. Now, if I succeed, as I hope, in making him miss this&#13;
opportunity of the 'Ruyter' it will be materially impossible for him to&#13;
arrive in France before the month of April; for the 'Ruyter' is the only&#13;
vessel which makes the direct passage, the others taking at least four&#13;
or five months to reach Europe.</p><p>"Before telling you the means which I have thought right to employ,&#13;
to detain Prince Djalma--of the success of which means I am yet&#13;
uncertain--it is well that you should be acquainted with the following&#13;
facts.</p><p>"They have just discovered, in British India, a community whose members&#13;
call themselves 'Brothers of the Good Work,' or 'Phansegars,' which&#13;
signifies simply 'Thugs' or 'Stranglers;' these murderers do not shed&#13;
blood, but strangle their victims, less for the purpose of robbing&#13;
them, than in obedience to a homicidal vocation, and to the laws of an&#13;
infernal divinity named by them 'Bowanee.'</p><p>"I cannot better give you an idea of this horrible sect, than by&#13;
transcribing here some lines from the introduction of a report&#13;
by Colonel Sleeman, who has hunted out this dark association with&#13;
indefatigable zeal. The report in question was published about two&#13;
months ago. Here is the extract; it is the colonel who speaks:</p><p>"'From 1822 to 1824, when I was charged with the magistracy and civil&#13;
administration of the district of Nersingpore, not a murder, not the&#13;
least robbery was committed by an ordinary criminal, without my being&#13;
immediately informed of it; but if any one had come and told me at this&#13;
period, that a band of hereditary assassins by profession lived in the&#13;
village of Kundelie, within about four hundred yards of my court of&#13;
justice--that the beautiful groves of the village of Mundesoor, within&#13;
a day's march of my residence, formed one of the most frightful marts of&#13;
assassination in all India--that numerous bands of 'Brothers of the Good&#13;
Work,' coming from Hindostan and the Deccan, met annually beneath these&#13;
shades, as at a solemn festival, to exercise their dreadful vocation&#13;
upon all the roads which cross each other in this locality--I should&#13;
have taken such a person for a madman, or one who had been imposed upon&#13;
by idle tales. And yet nothing could be truer; hundreds of travellers&#13;
had been buried every year in the groves of Mundesoor; a whole tribe&#13;
of assassins lived close to my door, at the very time I was supreme&#13;
magistrate of the province, and extended their devastations to the&#13;
cities of Poonah and Hyderabad. I shall never forget, when, to convince&#13;
me of the fact, one of the chiefs of the Stranglers, who had turned&#13;
informer against them, caused thirteen bodies to be dug up from the&#13;
ground beneath my tent, and offered to produce any number from the soil&#13;
in the immediate vicinity.'(5)</p><p>"These few words of Colonel Sleeman will give some idea of this dread&#13;
society, which has its laws, duties, customs, opposed to all other&#13;
laws, human and divine. Devoted to each other, even to heroism,&#13;
blindly obedient to their chiefs, who profess themselves the immediate&#13;
representatives of their dark divinity, regarding as enemies all who do&#13;
not belong to them, gaining recruits everywhere by a frightful system of&#13;
proselytising--these apostles of a religion of murder go preaching their&#13;
abominable doctrines in the shade, and spreading their immense net over&#13;
the whole of India.</p><p>"Three of their principal chiefs, and one of their adepts, flying from&#13;
the determined pursuit of the English governor-general, having succeeded&#13;
in making their escape, had arrived at the Straits of Malacca, at no&#13;
great distance from our island; a smuggler, who is also something of a&#13;
pirate, attached to their association, and by name Mahal, took them on&#13;
board his coasting vessel, and brought them hither, where they think&#13;
themselves for some time in safety--as, following the advice of the&#13;
smuggler, they lie concealed in a thick forest, in which are many ruined&#13;
temples and numerous subterranean retreats.</p><p>"Amongst these chiefs, all three remarkably intelligent, there is one&#13;
in particular, named Faringhea, whose extraordinary energy and eminent&#13;
qualities make him every way redoubtable. He is of the mixed race,&#13;
half white and Hindoo, has long inhabited towns in which are European&#13;
factories and speaks English and French very well. The other two chiefs&#13;
are a Negro and a Hindoo; the adept is a Malay.</p><p>"The smuggler, Mahal, considering that he could obtain a large reward&#13;
by giving up these three chiefs and their adept, came to me, knowing, as&#13;
all the world knows, my intimate relations with a person who has great&#13;
influence with our governor. Two days ago, he offered me, on certain&#13;
conditions, to deliver up the Negro, the half-caste, the Hindoo, and&#13;
the Malay. These conditions are--a considerable sum of money, and a free&#13;
passage on board a vessel sailing for Europe or America, in order to&#13;
escape the implacable vengeance of the Thugs.</p><p>"I joyfully seized the occasion to hand over three such murderers to&#13;
human justice, and I promised Mahal to arrange matters for him with the&#13;
governor, but also on certain conditions, innocent in themselves, and&#13;
which concerned Djalma. Should my project succeed, I will explain myself&#13;
more at length; I shall soon know the result, for I expect Mahal every&#13;
minute.</p><p>"But before I close these despatches, which are to go tomorrow by the&#13;
'Ruyter'--in which vessel I have also engaged a passage for Mahal the&#13;
Smuggler, in the event of the success of my plans--I must include in&#13;
parentheses a subject of some importance.</p><p>"In my last letter, in which I announced to you the death of Djalma's&#13;
father, and his own imprisonment by the English, I asked for&#13;
some information as to the solvency of Baron Tripeaud, banker and&#13;
manufacturer at Paris, who has also an agency at Calcutta. This&#13;
information will now be useless, if what I have just learned should,&#13;
unfortunately, turn out to be correct, and it will be for you to act&#13;
according to circumstances.</p><p>"This house at Calcutta owes considerable sums both to me and our&#13;
colleague at Pondicherry, and it is said that M. Tripeaud has involved&#13;
himself to a dangerous extent in attempting to ruin, by opposition, a&#13;
very flourishing establishment, founded some time ago by M. Francois&#13;
Hardy, an eminent manufacturer. I am assured that M. Tripeaud has&#13;
already sunk and lost a large capital in this enterprise: he has no&#13;
doubt done a great deal of harm to M. Francois Hardy; but he has also,&#13;
they say, seriously compromised his own fortune--and, were he to fail,&#13;
the effects of his disaster would be very fatal to us, seeing that he&#13;
owes a large sum of money to me and to us.</p><p>"In this state of things it would be very desirable if, by the&#13;
employment of the powerful means of every kind at our disposal, we could&#13;
completely discredit and break down the house of M. Francois Hardy,&#13;
already shaken by M. Tripeaud's violent opposition. In that case, the&#13;
latter would soon regain all he has lost; the ruin of his rival would&#13;
insure his prosperity, and our demands would be securely covered.</p><p>"Doubtless, it is painful, it is sad, to be obliged to have recourse to&#13;
these extreme measures, only to get back our own; but, in these days,&#13;
are we not surely justified in sometimes using the arms that are&#13;
incessantly turned against us? If we are reduced to such steps by the&#13;
injustice and wickedness of men, we may console ourselves with the&#13;
reflection that we only seek to preserve our worldly possessions, in&#13;
order to devote them to the greater glory of God; whilst, in the hands&#13;
of our enemies, those very goods are the dangerous instruments of&#13;
perdition and scandal.</p><p>"After all it is merely a humble proposition that I submit to you. Were&#13;
it in my power to take an active part in the matter, I should do nothing&#13;
of myself. My will is not my own. It belongs, with all I possess, to&#13;
those whom I have sworn absolute obedience."</p><p>Here a slight noise interrupted M. Joshua, and drew his attention from&#13;
his work. He rose abruptly, and went straight to the window. Three&#13;
gentle taps were given on the outside of one of the slats of the blind.</p><p>"Is it you, Mahal?" asked M. Joshua, in a low voice.</p><p>"It is I," was answered from without, also in a low tone.</p><p>"And the Malay?"</p><p>"He has succeeded."</p><p>"Really!" cried M. Joshua, with an expression of great satisfaction;&#13;
"are you sure of it?"</p><p>"Quite sure: there is no devil more clever and intrepid."</p><p>"And Djalma?"</p><p>"The parts of the letter, which I quoted, convinced him that I came from&#13;
General Simon, and that he would find him at the ruins of Tchandi."</p><p>"Therefore, at this moment--"</p><p>"Djalma goes to the ruins, where he will encounter the black, the half&#13;
blood, and the Indian. It is there they have appointed to meet the&#13;
Malay, who tattooed the prince during his sleep."</p><p>"Have you been to examine the subterraneous passage?"</p><p>"I went there yesterday. One of the stones of the pedestal of the statue&#13;
turns upon itself; the stairs are large; it will do."</p><p>"And the three chiefs have no suspicion?"</p><p>"None--I saw them in the morning--and this evening the Malay came to&#13;
tell me all, before he went to join them at the ruins of Tchandi--for&#13;
he had remained hidden amongst the bushes, not daring to go there in the&#13;
daytime."</p><p>"Mahal--if you have told the truth, and if all succeed--your pardon and&#13;
ample reward are assured to you. Your berth has been taken on board the&#13;
'Ruyter;' you will sail to-morrow; you will thus be safe from the malice&#13;
of the Stranglers, who would follow you hither to revenge the death of&#13;
their chiefs, Providence having chosen you to deliver those three great&#13;
criminals to justice. Heaven will bless you!--Go and wait for me at the&#13;
door of the governor's house; I will introduce you. The matter is so&#13;
important that I do not hesitate to disturb him thus late in the night.&#13;
Go quickly!--I will follow on my side."</p><p>The steps of Mahal were distinctly audible, as he withdrew&#13;
precipitately, and then silence reigned once more in the house. Joshua&#13;
returned to his desk, and hastily added these words to the despatch,&#13;
which he had before commenced:</p><p>"Whatever may now happen, it will be impossible for Djalma to leave&#13;
Batavia at present. You may rest quite satisfied; he will not be at&#13;
Paris by the 13th of next February. As I foresaw, I shall have to be up&#13;
all night.--I am just going to the governor's. To-morrow I will add&#13;
a few lines to this long statement, which the steamship 'Ruyter' will&#13;
convey to Europe."</p><p>Having locked up his papers, Joshua rang the bell loudly, and, to the&#13;
great astonishment of his servants, not accustomed to see him leave home&#13;
in the middle of the night, went in all haste to the residence of the&#13;
governor of the island.</p><p>We now conduct the reader to the ruins of Tchandi.</p><p>(5) This report is extracted from Count Edward de Warren's excellent&#13;
work, "British India in 1831."--E. S.</p><p>CHAPTER XXI. THE RUINS OF TCHANDI. To the storm in the middle of the&#13;
day, the approach of which so well served the Strangler's designs upon&#13;
Djalma, has succeeded a calm and serene night. The disk of the moon&#13;
rises slowly behind a mass of lofty ruins, situated on a hill, in the&#13;
midst of a thick wood, about three leagues from Batavia.</p><p>Long ranges of stone, high walls of brick, fretted away by time,&#13;
porticoes covered with parasitical vegetation, stand out boldly from the&#13;
sheet of silver light which blends the horizon with the limpid blue of&#13;
the heavens. Some rays of the moon, gliding through the opening on one&#13;
of these porticoes, fall upon two colossal statues at the foot of&#13;
an immense staircase, the loose stones of which are almost entirely&#13;
concealed by grass, moss, and brambles.</p><p>The fragments of one of these statues, broken in the middle, lie&#13;
strewed upon the ground; the other, which remains whole and standing, is&#13;
frightful to behold. It represents a man of gigantic proportions, with&#13;
a head three feet high; the expression of the countenance is ferocious,&#13;
eyes of brilliant slaty black are set beneath gray brows, the large,&#13;
deep mouth gapes immoderately, and reptiles have made their nest between&#13;
the lips of stone; by the light of the moon, a hideous swarm is&#13;
there dimly visible. A broad girdle, adorned with symbolic ornaments,&#13;
encircles the body of this statue, and fastens a long sword to its right&#13;
side. The giant has four extended arms, and, in his great hands, he&#13;
bears an elephant's head, a twisted serpent, a human skull, and a bird&#13;
resembling a heron. The moon, shedding her light on the profile of this&#13;
statue, serves to augment the weirdness of its aspect.</p><p>Here and there, enclosed in the half-crumbling walls of brick, are&#13;
fragments of stone bas-reliefs, very boldly cut; one of those in the&#13;
best preservation represents a man with the head of an elephant, and the&#13;
wings of a bat, devouring a child. Nothing can be more gloomy than these&#13;
ruins, buried among thick trees of a dark green, covered with frightful&#13;
emblems, and seen by the moonlight, in the midst of the deep silence of&#13;
night.</p><p>Against one of the walls of this ancient temple, dedicated to some&#13;
mysterious and bloody Javanese divinity, leans a kind of hut, rudely&#13;
constructed of fragments of brick and stone; the door, made of woven&#13;
rushes, is open, and a red light streams from it, which throws its rays&#13;
on the tall grass that covers the ground. Three men are assembled in&#13;
this hovel, around a clay-lamp, with a wick of cocoanut fibre steeped in&#13;
palm-oil.</p><p>The first of these three, about forty years of age, is poorly clad in&#13;
the European fashion; his pale, almost white, complexion, announces&#13;
that he belongs to the mixed race, being offspring of a white father and&#13;
Indian mother.</p><p>The second is a robust African negro, with thick lips, vigorous&#13;
shoulders, and lank legs; his woolly hair is beginning to turn gray;&#13;
he is covered with rags, and stands close beside the Indian. The third&#13;
personage is asleep, and stretched on a mat in the corner of the hovel.</p><p>These three men are the three Thuggee chiefs, who, obliged to fly from&#13;
the continent of India, have taken refuge in Java, under the guidance of&#13;
Mahal the Smuggler.</p><p>"The Malay does not return," said the half-blood, named Faringhea, the&#13;
most redoubtable chief of this homicidal sect: "in executing our orders,&#13;
he has perhaps been killed by Djalma."</p><p>"The storm of this morning brought every reptile out of the earth," said&#13;
the negro; "the Malay must have been bitten, and his body ere now a nest&#13;
of serpents."</p><p>"To serve the good work," proceeded Faringhea, with a gloomy air, "one&#13;
must know how to brave death."</p><p>"And to inflict it," added the negro.</p><p>A stifled cry, followed by some inarticulate words, here drew the&#13;
attention of these two men, who hastily turned their heads in the&#13;
direction of the sleeper. This latter was thirty years old at most. His&#13;
beardless face, of a bright copper color, his robe of coarse stuff, his&#13;
turban striped brown and yellow, showed that he belonged to the pure&#13;
Hindoo race. His sleep appeared agitated by some painful vision; an&#13;
abundant sweat streamed over his countenance, contracted by terror; he&#13;
spoke in his dream, but his words were brief and broken, and accompanied&#13;
with convulsive starts.</p><p>"Again that dream!" said Faringhea to the negro. "Always the remembrance&#13;
of that man."</p><p>"What man?"</p><p>"Do you not remember, how, five years ago, that savage, Colonel Kennedy,&#13;
butcher of the Indians, came to the banks of the Ganges, to hunt the&#13;
tiger, with twenty horses, four elephants, and fifty servants?"</p><p>"Yes, yes," said the negro; "and we three, hunters of men, made a better&#13;
day's sport than he did. Kennedy, his horses, his elephants, and his&#13;
numerous servants did not get their tiger--but we got ours," he added,&#13;
with grim irony. "Yes; Kennedy, that tiger with a human face, fell into&#13;
our ambush, and the brothers of the good work offered up their fine prey&#13;
to our goddess Bowanee."</p><p>"If you remember, it was just at the moment when we gave the last tug to&#13;
the cord round Kennedy's neck, that we perceived on a sudden a traveller&#13;
close at hand. He had seen us, and it was necessary to make away with&#13;
him. Now, since that time," added Faringhea, "the remembrance of the&#13;
murder of that man pursues our brother in his dreams," and he pointed to&#13;
the sleeping Indian.</p><p>"And even when he is awake," said the negro, looking at Faringhea with a&#13;
significant air.</p><p>"Listen!" said the other, again pointing to the Indian, who, in the&#13;
agitation of his dream, recommenced talking in abrupt sentences;&#13;
"listen! he is repeating the answers of the traveller, when we told&#13;
him he must die, or serve with us on Thuggee. His mind is still&#13;
impressed--deeply impressed--with those words."</p><p>And, in fact, the Indian repeated aloud in his sleep, a sort of&#13;
mysterious dialogue, of which he himself supplied both questions and&#13;
answers.</p><p>"'Traveller,' said he, in a voice broken by sudden pauses, 'why that&#13;
black mark on your forehead, stretching from one temple to the other? It&#13;
is a mark of doom and your look is sad as death. Have you been a victim?&#13;
Come with us; Kallee will avenge you. You have suffered?'--'Yes, I&#13;
have greatly suffered.'--'For a long time?'--'Yes, for a very long&#13;
time.'--'You suffer even now?'--'Yes, even now.'--What do you reserve&#13;
for those who injure you?'--'My pity.'--'Will you not render blow for&#13;
blow?'--'I will return love for hate.'--'Who are you, then, that render&#13;
good for evil?'--'I am one who loves, and suffers, and forgives.'"</p><p>"Brother, do you hear?" said the negro to Faringhea; "he has not&#13;
forgotten the words of the traveller before his death."</p><p>"The vision follows him. Listen! he will speak again. How pale he is!"&#13;
Still under the influence of his dream, the Indian continued:</p><p>"'Traveller, we are three; we are brave; we have your life in our&#13;
hands--you have seen us sacrifice to the good work. Be one of us, or&#13;
die--die--die! Oh, that look! Not thus--do not look at me thus!'" As he&#13;
uttered these last words, the Indian made a sudden movement, as if to&#13;
keep off some approaching object, and awoke with a start. Then, passing&#13;
his hand over his moist forehead, he looked round him with a bewildered&#13;
eye.</p><p>"What! again this dream, brother?" said Faringhea. "For a bold hunter of&#13;
men, you have a weak head. Luckily, you have a strong heart and arm."</p><p>The other remained a moment silent, his face buried in his hands; then&#13;
he replied: "It is long since I last dreamed of that traveller."</p><p>"Is he not dead?" said Faringhea, shrugging his shoulders. "Did you not&#13;
yourself throw the cord around his neck?"</p><p>"Yes," replied the Indian shuddering.</p><p>"Did we not dig his grave by the side of Colonel Kennedy's? Did we not&#13;
bury him with the English butcher, under the sand and the rushes?" said&#13;
the negro.</p><p>"Yes, we dug his grave," said the Indian, trembling; "and yet, only a&#13;
year ago, I was seated one evening at the gate of Bombay, waiting for&#13;
one of our brothers--the sun was setting behind the pagoda, to the right&#13;
of the little hill--the scene is all before me now--I was seated under a&#13;
figtree--when I heard a slow, firm, even step, and, as I turned round my&#13;
head--I saw him--coming out of the town."</p><p>"A vision," said the negro; "always the same vision!"</p><p>"A vision," added Faringhea, "or a vague resemblance."</p><p>"I knew him by the black mark on his forehead; it was none but he.&#13;
I remained motionless with fear, gazing at him with eyes aghast. He&#13;
stopped, bending upon me his calm, sad look. In spite of myself, I&#13;
could not help exclaiming: 'It is he!'--'Yes,' he replied, in his gentle&#13;
voice, 'it is I. Since all whom thou killest must needs live again,' and&#13;
he pointed to heaven as he spoke, 'why shouldst thou kill?--Hear me! I&#13;
have just come from Java; I am going to the other end of the world, to a&#13;
country of never-melting snow; but, here or there, on plains of fire or&#13;
plains of ice, I shall still be the same. Even so is it with the souls&#13;
of those who fall beneath thy kalleepra; in this world or up above, in&#13;
this garb or in another, the soul must still be a soul; thou canst not&#13;
smite it. Why then kill?'--and shaking his head sorrowfully, he went on&#13;
his way, walking slowly, with downcast eyes; he ascended the hill of&#13;
the pagoda; I watched him as he went, without being able to move: at the&#13;
moment the sun set, he was standing on the summit of the hill, his tall&#13;
figure thrown out against the sky--and so he disappeared. Oh! it was&#13;
he!" added the Indian with a shudder, after a long pause: "it was none&#13;
but he."</p><p>In this story the Indian had never varied, though he had often&#13;
entertained his companions with the same mysterious adventure. This&#13;
persistency on his part had the effect of shaking their incredulity, or&#13;
at least of inducing them to seek some natural cause for this apparently&#13;
superhuman event.</p><p>"Perhaps," said Faringhea, after a moment's reflection, "the knot round&#13;
the traveller's neck got jammed, and some breath was left him, the air&#13;
may have penetrated the rushes with which we covered his grave, and so&#13;
life have returned to him."</p><p>"No, no," said the Indian, shaking his head, "this man is not of our&#13;
race."</p><p>"Explain."</p><p>"Now I know it!"</p><p>"What do you know?"</p><p>"Listen!" said the Indian, in a solemn voice; "the number of victims&#13;
that the children of Bowanee have sacrificed since the commencement of&#13;
ages, is nothing compared to the immense heap of dead and dying, whom&#13;
this terrible traveller leaves behind him in his murderous march."</p><p>"He?" cried the negro and Faringhea.</p><p>"Yes, he!" repeated the Hindoo, with a convinced accent, that made its&#13;
impression upon his companions. "Hear me and tremble!--When I met this&#13;
traveller at the gates of Bombay, he came from Java, and was going&#13;
towards the north, he said. The very next day, the town was a prey to&#13;
the cholera, and we learned sometime after, that this plague had first&#13;
broken out here, in Java."</p><p>"That is true," said the negro.</p><p>"Hear me still further!" resumed the other. "'I am going towards the&#13;
north, to a country of eternal snow,' said the traveller to me.&#13;
The cholera also went towards the north, passing through&#13;
Muscat--Ispahan--Tauris--Tiflis--till it overwhelmed Siberia."</p><p>"True," said Faringhea, becoming thoughtful:</p><p>"And the cholera," resumed the Indian, "only travelled its five or six&#13;
leagues a day--a man's tramp--never appeared in two places at once--but&#13;
swept on slowly, steadily,--even as a man proceeds."</p><p>At the mention of this strange coincidence, the Hindoo's companions&#13;
looked at each other in amazement. After a silence of some minutes,&#13;
the awe-struck negro said to the last speaker: "So you think that this&#13;
man--"</p><p>"I think that this man, whom we killed, restored to life by some&#13;
infernal divinity, has been commissioned to bear this terrible scourge&#13;
over the earth, and to scatter round his steps that death, from which he&#13;
is himself secure. Remember!" added the Indian, with gloomy enthusiasm,&#13;
"this awful wayfarer passed through Java--the cholera wasted Java. He&#13;
passed through Bombay--the cholera wasted Bombay. He went towards the&#13;
north--the cholera wasted the north."</p><p>So saying, the Indian fell into a profound reverie. The negro and&#13;
Faringhea were seized with gloomy astonishment.</p><p>The Indian spoke the truth as to the mysterious march (still&#13;
unexplained) of that fearful malady, which has never been known to&#13;
travel more than five or six leagues a day, or to appear simultaneously&#13;
in two spots. Nothing can be more curious, than to trace out, on the&#13;
maps prepared at the period in question, the slow, progressive course of&#13;
this travelling pestilence, which offers to the astonished eye all the&#13;
capricious incidents of a tourist's journey. Passing this way rather&#13;
than that--selecting provinces in a country--towns in a province--one&#13;
quarter in a town--one street in a quarter--one house in a&#13;
street--having its place of residence and repose, and then continuing&#13;
its slow, mysterious, fear inspiring march.</p><p>The words of the Hindoo, by drawing attention to these dreadful&#13;
eccentricities, made a strong impression upon the minds of the negro and&#13;
Faringhea--wild natures, brought by horrible doctrines to the monomania&#13;
of murder.</p><p>Yes--for this also is an established fact--there have been in India&#13;
members of an abominable community, who killed without motive, without&#13;
passion--killed for the sake of killing--for the pleasure of murder--to&#13;
substitute death for life--to make of a living man a corpse, as they&#13;
have themselves declared in one of their examinations.</p><p>The mind loses itself in the attempt to penetrate the causes of these&#13;
monstrous phenomena. By what incredible series of events, have men been&#13;
induced to devote themselves to this priesthood of destruction? Without&#13;
doubt, such a religion could only flourish in countries given up, like&#13;
India, to the most atrocious slavery, and to the most merciless iniquity&#13;
of man to man.</p><p>Such a creed!--is it not the hate of exasperated humanity, wound up to&#13;
its highest pitch by oppression?--May not this homicidal sect, whose&#13;
origin is lost in the night of ages, have been perpetuated in these&#13;
regions, as the only possible protest of slavery against despotism? May&#13;
not an inscrutable wisdom have here made Phansegars, even as are made&#13;
tigers and serpents?</p><p>What is most remarkable in this awful sect, is the mysterious bond,&#13;
which, uniting its members amongst themselves, separates them from all&#13;
other men. They have laws and customs of their own, they support and&#13;
help each other, but for them there is neither country nor family; they&#13;
owe no allegiance save to a dark, invisible power, whose decrees they&#13;
obey with blind submission, and in whose name they spread themselves&#13;
abroad, to make corpses, according to their own savage expression.(6)</p><p>For some moments the three Stranglers had maintained a profound silence.</p><p>Outside the hut, the moon continued to throw great masses of white&#13;
radiance, and tall bluish shadows, over the imposing fabric of the&#13;
ruins; the stars sparkled in the heavens; from time to time, a faint&#13;
breeze rustled through the thick and varnished leaves of the bananas and&#13;
the palms.</p><p>The pedestal of the gigantic statue, which, still entire, stood on the&#13;
left side of the portico, rested upon large flagstones, half hidden with&#13;
brambles. Suddenly, one of these stones appeared to fall in; and from&#13;
the aperture, which thus formed itself without noise, a man, dressed&#13;
in uniform, half protruded his body, looked carefully around him, and&#13;
listened.</p><p>Seeing the rays of the lamp, which lighted the interior of the hovel,&#13;
tremble upon the tall grass, he turned round to make a signal, and&#13;
soon, accompanied by two other soldiers, he ascended, with the greatest&#13;
silence and precaution, the last steps of the subterranean staircase,&#13;
and went gliding amongst the ruins. For a few moments, their moving&#13;
shadows were thrown upon the moonlit ground; then they disappeared&#13;
behind some fragments of broken wall.</p><p>At the instant when the large stone resumed its place and level, the&#13;
heads of many other soldiers might have been seen lying close in the&#13;
excavation. The half-caste, the Indian, and the negro, still seated&#13;
thoughtfully in the hut, did not perceive what was passing.</p><p>(6) The following are some passages from the Count de Warren's very&#13;
curious book, "British India in 1831:" "Besides the robbers, who kill&#13;
for the sake of the booty they hope to find upon travellers, there is a&#13;
class of assassins, forming an organized society, with chiefs of their&#13;
own, a slang-language, a science, a free-masonry, and even a religion,&#13;
which has its fanaticism and its devotion, its agents, emissaries,&#13;
allies, its militant forces, and its passive adherents, who contribute&#13;
their money to the good work. This is the community of the Thugs or&#13;
Phansegars (deceivers or stranglers, from thugna, to deceive, and&#13;
phansna, to strangle), a religious and economical society, which&#13;
speculates with the human race by exterminating men; its origin is lost&#13;
in the night of ages.</p><p>"Until 1810 their existence was unknown, not only to the European&#13;
conquerors, but even to the native governments. Between the years 1816&#13;
and 1830, several of their bands were taken in the act, and punished:&#13;
but until this last epoch, all the revelations made on the subject by&#13;
officers of great experience, had appeared too monstrous to obtain the&#13;
attention or belief of the public; they had been rejected and despised&#13;
as the dreams of a heated imagination. And yet for many years, at the&#13;
very least for half a century, this social wound had been frightfully&#13;
on the increase, devouring the population from the Himalayas to Cape&#13;
Comorin and from Cutch to Assam.</p><p>"It was in the year 1830 that the revelations of a celebrated chief,&#13;
whose life was spared on condition of his denouncing his accomplices,&#13;
laid bare the whole system. The basis of the Thuggee Society is a&#13;
religious belief--the worship of Bowanee, a gloomy divinity, who is only&#13;
pleased with carnage, and detests above all things the human race. Her&#13;
most agreeable sacrifices are human victims, and the more of these&#13;
her disciple may have offered up in this world the more he will be&#13;
recompensed in the next by all the delights of soul and sense, by women&#13;
always beautiful, and joys eternally renewed. If the assassin meets the&#13;
scaffold in his career, he dies with the enthusiasm of a martyr, because&#13;
he expects his reward. To obey his divine mistress, he murders, without&#13;
anger and without remorse, the old man, woman and child; whilst, to his&#13;
fellow-religionists, he may be charitable, humane, generous, devoted,&#13;
and may share all in common with them, because, like himself, they are&#13;
the ministers and adopted children of Bowanee. The destruction of his&#13;
fellow-creatures, not belonging to his community--the diminution of the&#13;
human race--that is the primary object of his pursuit; it is not as a&#13;
means of gain, for though plunder may be a frequent, and doubtless an&#13;
agreeable accessory, it is only secondary in his estimation. Destruction&#13;
is his end, his celestial mission, his calling; it is also a delicious&#13;
passion, the most captivating of all sports--this hunting of men!--'You&#13;
find great pleasure,' said one of those that were condemned, 'in&#13;
tracking the wild beast to his den, in attacking the boar, the tiger,&#13;
because there is danger to brave, energy and courage to display. Think&#13;
how this attraction must be redoubled, when the contest is with man,&#13;
when it is man that is to be destroyed. Instead of the single faculty&#13;
of courage, all must be called into action--courage, cunning, foresight,&#13;
eloquence, intrigue. What springs to put in motion! what plans to&#13;
develop! To sport with all the passions, to touch the chords of love&#13;
and friendship, and so draw the prey into one's net--that is a glorious&#13;
chase--it is a delight, a rapture, I tell you!'</p><p>"Whoever was in India in the years 1831 and 1832, must remember the&#13;
stupor and affright, which the discovery of this vast infernal machine&#13;
spread through all classes of society. A great number of magistrates and&#13;
administrators of provinces refused to believe in it, and could not be&#13;
brought to comprehend that such a system had so long preyed on the body&#13;
politic, under their eyes as it were, silently, and without betraying&#13;
itself."--See "British India in 183," by Count Edward de Warren, 2 vols.&#13;
in 8vo. Paris, 1844.--E. S.</p><p>CHAPTER XXII. THE AMBUSCADE</p><p>The half-blood Faringhea, wishing doubtless to escape from the dark&#13;
thoughts which the words of the Indian on the mysterious course of&#13;
the Cholera had raised within him, abruptly changed the subject of&#13;
conversation. His eye shone with lurid fire, and his countenance took an&#13;
expression of savage enthusiasm, as he cried: "Bowanee will always watch&#13;
over us, intrepid hunters of men! Courage, brothers, courage! The world&#13;
is large; our prey is everywhere. The English may force us to quit&#13;
India, three chiefs of the good work--but what matter? We leave there&#13;
our brethren, secret, numerous, and terrible, as black scorpions, whose&#13;
presence is only known by their mortal sting. Exiles will widen our&#13;
domains. Brother, you shall have America!" said he to the Hindoo, with&#13;
an inspired air. "Brother, you shall have Africa!" said he to the negro.&#13;
"Brothers, I will take Europe! Wherever men are to be found, there must&#13;
be oppressors and victims--wherever there are victims, there must be&#13;
hearts swollen with hate--it is for us to inflame that hate with all the&#13;
ardor of vengeance! It is for us, servants of Bowanee, to draw towards&#13;
us, by seducing wiles, all whose zeal, courage, and audacity may be&#13;
useful to the cause. Let us rival each other in devotion and sacrifices;&#13;
let us lend each other strength, help, support! That all who are not&#13;
with us may be our prey, let us stand alone in the midst of all, against&#13;
all, and in spite of all. For us, there must be neither country nor&#13;
family. Our family is composed of our brethren; our country is the&#13;
world."</p><p>This kind of savage eloquence made a deep impression on the negro&#13;
and the Indian, over whom Faringhea generally exercised considerable&#13;
influence, his intellectual powers being very superior to theirs, though&#13;
they were themselves two of the most eminent chiefs of this bloody&#13;
association. "Yes, you are right, brother!" cried the Indian, sharing&#13;
the enthusiasm of Faringhea; "the world is ours. Even here, in Java, let&#13;
us leave some trace of our passage. Before we depart, let us establish&#13;
the good work in this island; it will increase quickly, for here also&#13;
is great misery, and the Dutch are rapacious as the English. Brother,&#13;
I have seen in the marshy rice-fields of this island, always fatal to&#13;
those who cultivate them, men whom absolute want forced to the deadly&#13;
task--they were livid as corpses--some of them worn out with sickness,&#13;
fatigue, and hunger, fell--never to rise again. Brothers, the good work&#13;
will prosper in this country!"</p><p>"The other evening," said the half-caste, "I was on the banks of the&#13;
lake, behind a rock; a young woman came there--a few rags hardly covered&#13;
her lean and sun-scorched body--in her arms she held a little child,&#13;
which she pressed weeping to her milkless breast. She kissed it three&#13;
times, and said to it: 'You, at least, shall not be so unhappy as&#13;
your father'--and she threw it into the lake. It uttered one wail, and&#13;
disappeared. On this cry, the alligators, hidden amongst the reeds,&#13;
leaped joyfully into the water. There are mothers here who kill their&#13;
children out of pity.--Brothers, the good work will prosper in this&#13;
country!"</p><p>"This morning," said the negro, "whilst they tore the flesh of one of&#13;
his black slaves with whips, a withered old merchant of Batavia left&#13;
his country-house to come to the town. Lolling in his palanquin, he&#13;
received, with languid indolence, the sad caresses of two of those&#13;
girls, whom he had bought, to people his harem, from parents too poor to&#13;
give them food. The palanquin, which held this little old man, and the&#13;
girls, was carried by twelve young and robust men. There are here, you&#13;
see, mothers who in their misery sell their own daughters--slaves&#13;
that are scourged--men that carry other men, like beasts of&#13;
burden.--Brothers, the good work will prosper in this country!"</p><p>"Yes, in this country--and in every land of oppression, distress,&#13;
corruption, and slavery."</p><p>"Could we but induce Djalma to join us, as Mahal the Smuggler advised,"&#13;
said the Indian, "our voyage to Java would doubly profit us; for we&#13;
should then number among our band this brave and enterprising youth, who&#13;
has so many motives to hate mankind."</p><p>"He will soon be here; let us envenom his resentments."</p><p>"Remind him of his father's death!"</p><p>"Of the massacre of his people!"</p><p>"His own captivity!"</p><p>"Only let hatred inflame his heart, and he will be ours."</p><p>The negro, who had remained for some time lost in thought, said&#13;
suddenly: "Brothers, suppose Mahal the Smuggler were to betray us?"</p><p>"He" cried the Hindoo, almost with indignation; "he gave us an asylum on&#13;
board his bark; he secured our flight from the Continent; he is again&#13;
to take us with him to Bombay, where we shall find vessels for America,&#13;
Europe, Africa."</p><p>"What interest would Mahal have to betray us?" said Faringhea. "Nothing&#13;
could save him from the vengeance of the sons of Bowanee, and that he&#13;
knows."</p><p>"Well," said the black, "he promised to get Djalma to come hither this&#13;
evening, and, once amongst us, he must needs be our own."</p><p>"Was it not the Smuggler who told us to order the Malay to enter the&#13;
ajoupa of Djalma, to surprise him during his sleep, and, instead of&#13;
killing him as he might have done, to trace the name of Bowanee upon his&#13;
arm? Djalma will thus learn to judge of the resolution, the cunning and&#13;
obedience of our brethren, and he will understand what he has to hope or&#13;
fear from such men. Be it through admiration or through terror, he must&#13;
become one of us."</p><p>"But if he refuses to join us, notwithstanding the reasons he has to&#13;
hate mankind?"</p><p>"Then--Bowanee will decide his fate," said Faringhea, with a gloomy&#13;
look; "I have my plan."</p><p>"But will the Malay succeed in surprising Djalma during his sleep?" said&#13;
the negro.</p><p>"There is none nobler, more agile, more dexterous, than the Malay,"&#13;
said Faringhea. "He once had the daring to surprise in her den a black&#13;
panther, as she suckled her cub. He killed the dam, and took away the&#13;
young one, which he afterwards sold to some European ship's captain."</p><p>"The Malay has succeeded!" exclaimed the Indian, listening to a singular&#13;
kind of hoot, which sounded through the profound silence of the night&#13;
and of the woods.</p><p>"Yes, it is the scream of the vulture seizing its prey," said the negro,&#13;
listening in his turn; "it is also the signal of our brethren, after&#13;
they have seized their prey."</p><p>In a few minutes, the Malay appeared at the door of the hut. He had&#13;
wound around him a broad length of cotton, adorned with bright colored&#13;
stripes.</p><p>"Well," said the negro, anxiously; "have you succeeded?"</p><p>"Djalma must bear all his life the mark of the good work," said the&#13;
Malay, proudly. "To reach him, I was forced to offer up to Bowanee a man&#13;
who crossed my path--I have left his body under the brambles, near the&#13;
ajoupa. But Djalma is marked with the sign. Mahal the Smuggler was the&#13;
first to know it."</p><p>"And Djalma did not awake?" said the Indian, confounded by the Malay's&#13;
adroitness.</p><p>"Had he awoke," replied the other, calmly, "I should have been a dead&#13;
man--as I was charged to spare his life."</p><p>"Because his life may be more useful to us than his death," said the&#13;
half-caste. Then, addressing the Malay, he added: "Brother, in risking&#13;
life for the good work, you have done to-day what we did yesterday,&#13;
what we may do again to-morrow. This time, you obey; another you will&#13;
command."</p><p>"We all belong to Bowanee," answered the Malay. "What is there yet to&#13;
do?--I am ready." Whilst he thus spoke, his face was turned towards the&#13;
door of the hut; on a sudden, he said in a low voice: "Here is Djalma.&#13;
He approaches the cabin. Mahal has not deceived us."</p><p>"He must not see me yet," said Faringhea, retiring to an obscure corner&#13;
of the cabin, and hiding himself under a mat; "try to persuade him. If&#13;
he resists--I have my project."</p><p>Hardly had Faringhea disappeared, saying these words, when Djalma&#13;
arrived at the door of the hovel. At sight of those three personages&#13;
with their forbidding aspect, Djalma started in surprise. But ignorant&#13;
that these men belonged to the Phansegars, and knowing that, in a&#13;
country where there are no inns, travellers often pass the night under&#13;
a tent, or beneath the shelter of some ruins, he continued to advance&#13;
towards them. After the first moment, he perceived by the complexion and&#13;
the dress of one of these men, that he was an Indian, and he accosted&#13;
him in the Hindoo language: "I thought to have found here a European--a&#13;
Frenchman--"</p><p>"The Frenchman is not yet come," replied the Indian; "but he will not be&#13;
long."</p><p>Guessing by Djalma's question the means which Mahal had employed to&#13;
draw him into the snare, the Indian hoped to gain time by prolonging his&#13;
error.</p><p>"You knew this Frenchman?" asked Djalma of the Phansegar.</p><p>"He appointed us to meet here, as he did you," answered the Indian.</p><p>"For what?" inquired Djalma, more and more astonished.</p><p>"You will know when he arrives."</p><p>"General Simon told you to be at this place?"</p><p>"Yes, General Simon," replied the Indian.</p><p>There was a moment's pause, during which Djalma sought in vain to&#13;
explain to himself this mysterious adventure. "And who are you?" asked&#13;
he, with a look of suspicion; for the gloomy silence of the Phansegar's&#13;
two companions, who stared fixedly at each other, began to give him some&#13;
uneasiness.</p><p>"We are yours, if you will be ours," answered the Indian.</p><p>"I have no need of you--nor you of me."</p><p>"Who knows?"</p><p>"I know it."</p><p>"You are deceived. The English killed your father, a king; made you a&#13;
captive; proscribed you, you have lost all your possessions."</p><p>At this cruel reminder, the countenance of Djalma darkened. He started,&#13;
and a bitter smile curled his lip. The Phansegar continued:</p><p>"Your father was just and brave--beloved by his subjects--they called&#13;
him 'Father of the Generous,' and he was well named. Will you leave his&#13;
death unavenged? Will the hate, which gnaws at your heart, be without&#13;
fruit?"</p><p>"My father died with arms in his hand. I revenged his death on the&#13;
English whom I killed in war. He, who has since been a father to me, and&#13;
who fought also in the same cause, told me, that it would now be madness&#13;
to attempt to recover my territory from the English. When they gave me&#13;
my liberty, I swore never again to set foot in India--and I keep the&#13;
oaths I make."</p><p>"Those who despoiled you, who took you captive, who killed your&#13;
father--were men. Are there not other men, on whom you can avenge&#13;
yourself! Let your hate fall upon them!"</p><p>"You, who speak thus of men, are not a man!"</p><p>"I, and those who resemble me, are more than men. We are, to the rest of&#13;
the human race, what the bold hunter is to the wild beasts, which they&#13;
run down in the forest. Will you be, like us, more than a man? Will you&#13;
glut surely, largely, safely--the hate which devours your heart, for all&#13;
the evil done you?"</p><p>"Your words become more and more obscure: I have no hatred in my heart,"&#13;
said Djalma. "When an enemy is worthy of me, I fight with him; when he&#13;
is unworthy, I despise him. So that I have no hate--either for brave men&#13;
or cowards."</p><p>"Treachery!" cried the negro on a sudden, pointing with rapid gesture to&#13;
the door, for Djalma and the Indian had now withdrawn a little from it,&#13;
and were standing in one corner of the hovel.</p><p>At the shout of the negro, Faringhea, who had not been perceived by&#13;
Djalma, threw off abruptly the mat which covered him, drew his crease,&#13;
started up like a tiger, and with one bound was out of the cabin. Then,&#13;
seeing a body of soldiers advancing cautiously in a circle, he dealt one&#13;
of them a mortal stroke, threw down two others, and disappeared in&#13;
the midst of the ruins. All this passed so instantaneously, that, when&#13;
Djalma turned round, to ascertain the cause of the negro's cry of alarm,&#13;
Faringhea had already disappeared.</p><p>The muskets of several soldiers, crowding to the door, were immediately&#13;
pointed at Djalma and the three Stranglers, whilst others went in&#13;
pursuit of Faringhea. The negro, the Malay, and the Indian, seeing the&#13;
impossibility of resistance, exchanged a few rapid words, and offered&#13;
their hands to the cords, with which some of the soldiers had provided&#13;
themselves.</p><p>The Dutch captain, who commanded the squad, entered the cabin at this&#13;
moment. "And this other one?" said he, pointing out Djalma to the&#13;
soldiers, who were occupied in binding the three Phansegars.</p><p>"Each in his turn, captain!" said an old sergeant. "We come to him&#13;
next."</p><p>Djalma had remained petrified with surprise, not understanding what&#13;
was passing round him; but, when he saw the sergeant and two soldiers&#13;
approach with ropes to bind him, he repulsed them with violent&#13;
indignation, and rushed towards the door where stood the officer. The&#13;
soldiers, who had supposed that Djalma would submit to his fate with the&#13;
same impassibility as his companions, were astounded by this resistance,&#13;
and recoiled some paces, being struck in spite of themselves, with the&#13;
noble and dignified air of the son of Kadja-sing.</p><p>"Why would you bind me like these men?" cried Djalma, addressing himself&#13;
in Hindostanee to the officer, who understood that language from his&#13;
long service in the Dutch colonies.</p><p>"Why would we bind you, wretch?--because you form part of this band of&#13;
assassins. What?" added the officer in Dutch, speaking to the soldiers,&#13;
"are you afraid of him?--Tie the cord tight about his wrists; there will&#13;
soon be another about his neck."</p><p>"You are mistaken," said Djalma, with a dignity and calmness which&#13;
astonished the officer; "I have hardly been in this place a quarter of&#13;
an hour--I do not know these men. I came here to meet a Frenchman."</p><p>"Not a Phansegar like them?--Who will believe the falsehood?"</p><p>"Them!" cried Djalma, with so natural a movement and expression of&#13;
horror, that with a sign the officer stopped the soldiers, who were&#13;
again advancing to bind the son of Kadja-sing; "these men form part&#13;
of that horrible band of murderers! and you accuse me of being their&#13;
accomplice!--Oh, in this case, sir! I am perfectly at ease," said the&#13;
young man, with a smile of disdain.</p><p>"It will not be sufficient to say that you are tranquil," replied the&#13;
officer; "thanks to their confessions, we now know by what mysterious&#13;
signs to recognize the Thugs."</p><p>"I repeat, sir, that I hold these murderers in the greatest horror, and&#13;
that I came here--"</p><p>The negro, interrupting Djalma, said to the officer with a ferocious&#13;
joy: "You have hit it; the sons of the good work do know each other by&#13;
marks tattooed on their skin. For us, the hour has come--we give our&#13;
necks to the cord. Often enough have we twined it round the necks of&#13;
those who served not with us the good work. Now, look at our arms, and&#13;
look at the arms of this youth!"</p><p>The officer, misinterpreting the words of the negro, said to Djalma: "It&#13;
is quite clear, that if, as this negro tells us, you do not bear on&#13;
your arm the mysterious symbol--(we are going to assure ourselves of&#13;
the fact), and if you can explain your presence here in a satisfactory&#13;
manner, you may be at liberty within two hours."</p><p>"You do not understand me," said the negro to the officer; "Prince&#13;
Djalma is one of us, for he bears on his left arm the name of Bowanee."</p><p>"Yes! he is like us, a son of Kale!" added the Malay.</p><p>"He is like us, a Phansegar," said the Indian.</p><p>The three men, irritated at the horror which Djalma had manifested on&#13;
learning that they were Phansegars, took a savage pride in making&#13;
it believed that the son of Kadja-sing belonged to their frightful&#13;
association.</p><p>"What have you to answer?" said the officer to Djalma. The latter again&#13;
gave a look of disdainful pity, raised with his right hand his long,&#13;
wide left sleeve, and displayed his naked arm.</p><p>"What audacity!" cried the officer, for on the inner part of the fore&#13;
arm, a little below the bend, the name of the Bowanee, in bright red&#13;
Hindoo characters, was distinctly visible. The officer ran to the Malay,&#13;
and uncovered his arm; he saw the same word, the same signs. Not&#13;
yet satisfied, he assured himself that the negro and the Indian were&#13;
likewise so marked.</p><p>"Wretch!" cried he, turning furiously towards Djalma; "you inspire even&#13;
more horror than your accomplices. Bind him like a cowardly assassin,"&#13;
added he to the soldiers; "like a cowardly assassin, who lies upon the&#13;
brink of the grave, for his execution will not be long delayed."</p><p>Struck with stupor, Djalma, who for some moments had kept his eye&#13;
riveted on the fatal mark, was unable to pronounce a word, or make the&#13;
least movement: his powers of thought seemed to fail him, in presence of&#13;
this incomprehensible fact.</p><p>"Would you dare deny this sign?" said the officer to him, with&#13;
indignation.</p><p>"I cannot deny what I see--what is," said Djalma, quite overcome.</p><p>"It is lucky that you confess at last," replied the officer. "Soldiers,&#13;
keep watch over him and his accomplices--you answer for them."</p><p>Almost believing himself the sport of some wild dream. Djalma offered no&#13;
resistance, but allowed himself to be bound and removed with mechanical&#13;
passiveness. The officer, with part of his soldiers, hoped still to&#13;
discover Faringhea amongst the ruins; but his search was vain, and,&#13;
after spending an hour in fruitless endeavors, he set out for Batavia,&#13;
where the escort of the prisoners had arrived before him.</p><p>Some hours after these events, M. Joshua van Dael thus finished his long&#13;
despatch, addressed to M. Rodin, of Paris:</p><p>"Circumstances were such, that I could not act otherwise; and, taking&#13;
all into consideration, it is a very small evil for a great good. Three&#13;
murderers are delivered over to justice, and the temporary arrest of&#13;
Djalma will only serve to make his innocence shine forth with redoubled&#13;
luster.</p><p>"Already this morning I went to the governor, to protest in favor of our&#13;
young prince. 'As it was through me,' I said, 'that those three great&#13;
criminals fell into the hands of the authorities, let them at least&#13;
show me some gratitude, by doing everything to render clear as day the&#13;
innocence of Prince Djalma, so interesting by reason of his misfortunes&#13;
and noble qualities. Most certainly,' I added, 'when I came yesterday to&#13;
inform the governor, that the Phansegars would be found assembled in&#13;
the ruins of Tchandi, I was far from anticipating that any one would&#13;
confound with those wretches the adopted son of General Simon, an&#13;
excellent man, with whom I have had for some time the most honorable&#13;
relations. We must, then, at any cost, discover the inconceivable&#13;
mystery that has placed Djalma in this dangerous position;' and, I&#13;
continued, 'so convinced am I of his innocence, that, for his own sake,&#13;
I would not ask for any favor on his behalf. He will have sufficient&#13;
courage and dignity to wait patiently in prison for the day of justice.'&#13;
In all this, you see, I spoke nothing but the truth, and had not to&#13;
reproach myself with the least deception, for nobody in the world is&#13;
more convinced than I am of Djalma's innocence.</p><p>"The governor answered me as I expected, that morally he felt as certain&#13;
as I did of the innocence of the young prince, and would treat him with&#13;
all possible consideration; but that it was necessary for justice to&#13;
have its course, because it would be the only way of demonstrating&#13;
the falsehood of the accusation, and discovering by what unaccountable&#13;
fatality that mysterious sign was tattooed upon Djalma's arm.</p><p>"Mahal the Smuggler, who alone could enlighten justice on this subject,&#13;
will in another hour have quitted Batavia, to go on board the 'Ruyter,'&#13;
which will take him to Egypt; for he has a note from me to the captain,&#13;
to certify that he is the person for whom I engaged and paid the&#13;
passage. At the same time, he will be the bearer of this long despatch,&#13;
for the 'Ruyter' is to sail in an hour, and the last letter-bag for&#13;
Europe was made up yesterday evening. But I wished to see the governor&#13;
this morning, before closing the present.</p><p>"Thus, then, is Prince Djalma enforced detained for a month, and, this&#13;
opportunity of the 'Ruyter' once lost, it is materially impossible that&#13;
the young Indian can be in France by the 13th of next February. You see,&#13;
therefore, that, even as you ordered, so have I acted according to the&#13;
means at my disposal--considering only the end which justifies them--for&#13;
you tell me a great interest of the society is concerned.</p><p>"In your hands, I have been what we all ought to be in the hands of our&#13;
superiors--a mere instrument: since, for the greater glory of God, we&#13;
become corpses with regard to the will.(7) Men may deny our unity&#13;
and power, and the times appear opposed to us; but circumstances only&#13;
change; we are ever the same.</p><p>"Obedience and courage, secrecy and patience, craft and audacity, union&#13;
and devotion--these become us, who have the world for our country, our&#13;
brethren for family, Rome for our Queen!</p><p>"J. V."</p><p>About ten o'clock in the morning, Mahal the Smuggler set out with this&#13;
despatch (sealed) in his possession, to board the "Ruyter." An hour&#13;
later, the dead body of this same Mahal, strangled by Thuggee, lay&#13;
concealed beneath some reeds on the edge of a desert strand, whither he&#13;
had gone to take boat to join the vessel.</p><p>When at a subsequent period, after the departure of the steamship,&#13;
they found the corpse of the smuggler, M. Joshua sought in vain for the&#13;
voluminous packet, which he had entrusted to his care. Neither was there&#13;
any trace of the note which Mahal was to have delivered to the captain&#13;
of the "Ruyter," in order to be received as passenger.</p><p>Finally, the searches and bushwhacking ordered throughout the country&#13;
for the purpose of discovering Faringhea, were of no avail. The&#13;
dangerous chief of the Stranglers was never seen again in Java.</p><p>(7) It is known that the doctrine of passive and absolute obedience,&#13;
the main-spring of the Society of Jesus, is summed up in those terrible&#13;
words of the dying Loyola: "Every member of the Order shall be, in the&#13;
hands of his superiors, even as a corpse (Perinde ac Cadaver)."--E. S.</p><p>CHAPTER XXIII. M. RODIN.</p><p>Three months have elapsed since Djalma was thrown into Batavia Prison&#13;
accused of belonging to the murderous gang of Megpunnas. The following&#13;
scene takes place in France, at the commencement of the month of&#13;
February, 1832, in Cardoville Manor House, an old feudal habitation&#13;
standing upon the tall cliffs of Picardy, not far from Saint Valery,&#13;
a dangerous coast on which almost every year many ships are totally&#13;
wrecked, being driven on shore by the northwesters, which render the&#13;
navigation of the Channel so perilous.</p><p>From the interior of the Castle is heard the howling of a violent&#13;
tempest, which has arisen during the night; a frequent formidable&#13;
noise, like the discharge of artillery, thunders in the distance, and&#13;
is repeated by the echoes of the shore; it is the sea breaking with fury&#13;
against the high rocks which are overlooked by the ancient Manor House.</p><p>It is about seven o'clock in the morning. Daylight is not yet visible&#13;
through the windows of a large room situated on the ground-floor. In&#13;
this apartment, in which a lamp is burning, a woman of about sixty years&#13;
of age, with a simple and honest countenance, dressed as a rich&#13;
farmer's wife of Picardy, is already occupied with her needle-work,&#13;
notwithstanding the early hour. Close by, the husband of this woman,&#13;
about the same age as herself, is seated at a large table, sorting and&#13;
putting up in bags divers samples of wheat and oats. The face of this&#13;
white-haired man is intelligent and open, announcing good sense&#13;
and honesty, enlivened by a touch of rustic humor; he wears a&#13;
shooting-jacket of green cloth, and long gaiters of tan-colored leather,&#13;
which half conceal his black velveteen breeches.</p><p>The terrible storm which rages without renders still more agreeable&#13;
the picture of this peaceful interior. A rousing fire burns in a broad&#13;
chimney-place faced with white marble, and throws its joyous light on&#13;
the carefully polished floor; nothing can be more cheerful than the old&#13;
fashioned chintz hangings and curtains with red Chinese figures upon a&#13;
white ground, and the panels over the door painted with pastoral scenes&#13;
in the style of Watteau. A clock of Sevres china, and rosewood furniture&#13;
inlaid with green--quaint and portly furniture, twisted into all sorts&#13;
of grotesque shapes--complete the decorations of this apartment.</p><p>Out-doors, the gale continued to howl furiously, and sometimes a gust&#13;
of wind would rush down the chimney, or shake the fastenings of the&#13;
windows. The man who was occupied in sorting the samples of grain was M.&#13;
Dupont, bailiff of Cardoville manor.</p><p>"Holy Virgin!" said his wife; "what dreadful weather, my dear! This&#13;
M. Rodin, who is to come here this morning, as the Princess de Saint&#13;
Dizier's steward announced to us, picked out a very bad day for it."</p><p>"Why, in truth, I have rarely heard such a hurricane. If M. Rodin has&#13;
never seen the sea in its fury, he may feast his eyes to-day with the&#13;
sight."</p><p>"What can it be that brings this M. Rodin, my dear?"</p><p>"Faith! I know nothing about it. The steward tells me in his letter to&#13;
show M. Rodin the greatest attention, and to obey him as if he were my&#13;
master. It will be for him to explain himself, and for me to execute his&#13;
orders, since he comes on the part of the princess."</p><p>"By rights he should come from Mademoiselle Adrienne, as the land&#13;
belongs to her since the death of the duke her father."</p><p>"Yes; but the princess being aunt to the young lady, her steward manages&#13;
Mademoiselle Adrienne's affairs--so whether one or the other, it amounts&#13;
to the same thing."</p><p>"May be M. Rodin means to buy the estate. Though, to be sure, that&#13;
stout lady who came from Paris last week on purpose to see the chateau&#13;
appeared to have a great wish for it."</p><p>At these words the bailiff began to laugh with a sly look.</p><p>"What is there to laugh at, Dupont?" asked his wife, a very good&#13;
creature, but not famous for intelligence or penetration.</p><p>"I laugh," answered Dupont, "to think of the face and figure of that&#13;
enormous woman: with such a look, who the devil would call themselves&#13;
Madame de la Sainte-Colombe--Mrs. Holy Dove? A pretty saint, and a&#13;
pretty dove, truly! She is round as a hogshead, with the voice of a&#13;
town-crier; has gray moustachios like an old grenadier, and without&#13;
her knowing it, I heard her say to her servant: 'Stir your stumps, my&#13;
hearty!'--and yet she calls herself Sainte-Colombe!"</p><p>"How hard on her you are, Dupont; a body don't choose one's name. And,&#13;
if she has a beard, it is not the lady's fault."</p><p>"No--but it is her fault to call herself Sainte-Colombe. Do you imagine&#13;
it her true name? Ah, my poor Catherine, you are yet very green in some&#13;
things."</p><p>"While you, my poor Dupont, are well read in slander! This lady seems&#13;
very respectable. The first thing she asked for on arriving was the&#13;
chapel of the Castle, of which she had heard speak. She even said that&#13;
she would make some embellishments in it; and, when I told her we had&#13;
no church in this little place, she appeared quite vexed not to have a&#13;
curate in the village."</p><p>"Oh, to be sure! that's the first thought of your upstarts--to play the&#13;
great lady of the parish, like your titled people."</p><p>"Madame de la Sainte-Colombe need not play the great lady, because she&#13;
is one."</p><p>"She! a great lady? Oh, lor'!"</p><p>"Yes--only see how she was dressed, in scarlet gown, and violet gloves&#13;
like a bishop's; and, when she took off her bonnet, she had a diamond&#13;
band round her head-dress of false, light hair, and diamond ear-drops&#13;
as large as my thumb, and diamond rings on every finger! None of your&#13;
tuppenny beauties would wear so many diamonds in the middle of the day."</p><p>"You are a pretty judge!"</p><p>"That is not all."</p><p>"Do you mean to say there's more?"</p><p>"She talked of nothing but dukes, and marquises, and counts, and very&#13;
rich gentlemen, who visit at her house, and are her most intimate&#13;
friends; and then, when she saw the summer house in the park, half-burnt&#13;
by the Prussians, which our late master never rebuilt, she asked, 'What&#13;
are those ruins there?' and I answered: 'Madame, it was in the time of&#13;
the Allies that the pavilion was burnt.'--'Oh, my clear,' cried she;&#13;
'our allies, good, dear allies! they and the Restoration began my&#13;
fortune!' So you see, Dupont, I said to myself directly: 'She was no&#13;
doubt one of the noble women who fled abroad--'"</p><p>"Madame de la Sainte-Colombe!" cried the bailiff, laughing heartily.&#13;
"Oh, my poor, poor wife!"</p><p>"Oh, it is all very well; but because you have been three years at&#13;
Paris, don't think yourself a conjurer!"</p><p>"Catherine, let's drop it: you will make me say some folly, and there&#13;
are certain things which dear, good creatures like you need never know."</p><p>"I cannot tell what you are driving at, only try to be less&#13;
slanderous--for, after all, should Madame de la Sainte-Colombe buy the&#13;
estate, will you be sorry to remain as her bailiff, eh?"</p><p>"Not I--for we are getting old, my good Catherine; we have lived here&#13;
twenty years, and we have been too honest to provide for our old days&#13;
by pilfering--and truly, at our age, it would be hard to seek another&#13;
place, which perhaps we should not find. What I regret is, that&#13;
Mademoiselle Adrienne should not keep the land; it seems that she wished&#13;
to sell it, against the will of the princess."</p><p>"Good gracious, Dupont! is it not very extraordinary that Mademoiselle&#13;
Adrienne should have the disposal of her large fortune so early in&#13;
life?"</p><p>"Faith! simple enough. Our young lady, having no father or mother, is&#13;
mistress of her property, besides having a famous little will of her&#13;
own. Dost remember, ten years ago, when the count brought her down here&#13;
one summer?--what an imp of mischief! and then what eyes! eh?--how they&#13;
sparkled, even then!"</p><p>"It is true that Mademoiselle Adrienne had in her look--an expression--a&#13;
very uncommon expression for her age."</p><p>"If she has kept what her witching, luring face promised, she must be&#13;
very pretty by this time, notwithstanding the peculiar color of her&#13;
hair--for, between ourselves, if she had been a tradesman's daughter,&#13;
instead of a young lady of high birth, they would have called it red."</p><p>"There again! more slander."</p><p>"What! against Mademoiselle Adrienne? Heaven forbid--I always thought&#13;
that she would be as good as pretty, and it is not speaking ill of her&#13;
to say she has red hair. On the contrary, it always appears to me so&#13;
fine, so bright, so sunny, and to suit so well her snowy complexion and&#13;
black eyes, that in truth I would not have had it other than it was;&#13;
and I am sure, that now this very color of her hair, which would be&#13;
a blemish in any one else, must only add to the charm of Mademoiselle&#13;
Adrienne's face. She must have such a sweet vixen look!"</p><p>"Oh! to be candid, she really was a vixen--always running about the&#13;
park, aggravating her governess, climbing the trees--in fact, playing&#13;
all manner of naughty tricks."</p><p>"I grant you, Mademoiselle Adrienne was a chip of the old block; but&#13;
then what wit, what engaging ways, and above all, what a good heart!"</p><p>"Yes--that she certainly had. Once I remember she gave her shawl and&#13;
her new merino frock to a poor little beggar girl, and came back to the&#13;
house in her petticoat, and bare arms."</p><p>"Oh, an excellent heart--but headstrong--terribly headstrong!"</p><p>"Yes--that she was; and 'tis likely to finish badly, for it seems that&#13;
she does things at Paris--oh! such things--"</p><p>"What things?"</p><p>"Oh, my dear; I can hardly venture--"</p><p>"Fell, but what are they?"</p><p>"Why," said the worthy dame, with a sort of embarrassment and confusion,&#13;
which showed how much she was shocked by such enormities, "they say,&#13;
that Mademoiselle Adrienne never sets foot in a church, but lives in a&#13;
kind of heathen temple in her aunt's garden, where she has masked women&#13;
to dress her up like a goddess, and scratches them very often, because&#13;
she gets tipsy--without mentioning, that every night she plays on a&#13;
hunting horn of massive gold--all which causes the utmost grief and&#13;
despair to her poor aunt the princess."</p><p>Here the bailiff burst into a fit of laughter, which interrupted his&#13;
wife.</p><p>"Now tell me," said he, when this first access of hilarity was over,&#13;
"where did you get these fine stories about Mademoiselle Adrienne?"</p><p>"From Rene's wife, who went to Paris to look for a child to nurse; she&#13;
called at Saint-Dizier House, to see Madame Grivois, her godmother.--Now&#13;
Madame Grivois is first bedchamber woman to the princess--and she it&#13;
was who told her all this--and surely she ought to know, being in the&#13;
house."</p><p>"Yes, a fine piece of goods that Grivois! once she was a regular bad&#13;
'un, but now she professes to be as over-nice as her mistress; like&#13;
master like man, they say. The princess herself, who is now so stiff and&#13;
starched, knew how to carry on a lively game in her time. Fifteen years&#13;
ago, she was no such prude: do you remember that handsome colonel of&#13;
hussars, who was in garrison at Abbeville? an exiled noble who had&#13;
served in Russia, whom the Bourbons gave a regiment on the Restoration?"</p><p>"Yes, yes--I remember him; but you are really too backbiting."</p><p>"Not a bit--I only speak the truth. The colonel spent his whole time&#13;
here, and every one said he was very warm with this same princess, who&#13;
is now such a saint. Oh! those were the jolly times. Every evening, some&#13;
new entertainment at the chateau. What a fellow that colonel was, to set&#13;
things going; how well he could act a play!--I remember--"</p><p>The bailiff was unable to proceed. A stout maid-servant, wearing the&#13;
costume and cap of Picardy, entered in haste, and thus addressed her&#13;
mistress: "Madame, there is a person here that wants to speak to master;&#13;
he has come in the postmaster's calash from Saint-Valery, and he says&#13;
that he is M. Rodin."</p><p>"M. Rodin?" said the bailiff rising. "Show him in directly!"</p><p>A moment after, M. Rodin made his appearance. According to his custom,&#13;
he was dressed even more than plainly. With an air of great humility,&#13;
he saluted the bailiff and his wife, and at a sign from her husband,&#13;
the latter withdrew. The cadaverous countenance of M. Rodin, his almost&#13;
invisible lips, his little reptile eyes, half concealed by their flabby&#13;
lids, and the sordid style of his dress, rendered his general aspect&#13;
far from prepossessing; yet this man knew how, when it was necessary,&#13;
to affect, with diabolical art, so much sincerity and good-nature--his&#13;
words were so affectionate and subtly penetrating--that the disagreeable&#13;
feeling of repugnance, which the first sight of him generally inspired,&#13;
wore off little by little, and he almost always finished by involving&#13;
his dupe or victim in the tortuous windings of an eloquence as pliant&#13;
as it was honeyed and perfidious; for ugliness and evil have their&#13;
fascination, as well as what is good and fair.</p><p>The honest bailiff looked at this man with surprise, when he thought&#13;
of the pressing recommendation of the steward of the Princess de Saint&#13;
Dizier; he had expected to see quite another sort of personage, and,&#13;
hardly able to dissemble his astonishment, he said to him: "Is it to M.&#13;
Rodin that I have the honor to speak?"</p><p>"Yes, sir; and here is another letter from the steward of the Princess&#13;
de Saint-Dizier."</p><p>"Pray, sir, draw near the fire, whilst I just see what is in this&#13;
letter. The weather is so bad," continued the bailiff, obligingly, "may&#13;
I not offer you some refreshment?"</p><p>"A thousand thanks, my dear sir; I am off again in an hour."</p><p>Whilst M. Dupont read, M. Rodin threw inquisitive glances round the&#13;
chamber; like a man of skill and experience, he had frequently drawn&#13;
just and useful inductions from those little appearances, which,&#13;
revealing a taste or habit, give at the same time some notion of a&#13;
character; on this occasion, however, his curiosity was at fault.</p><p>"Very good, sir," said the bailiff, when he had finished reading; "the&#13;
steward renews his recommendation, and tells me to attend implicitly to&#13;
your commands."</p><p>"Well, sir, they will amount to very little, and I shall not trouble you&#13;
long."</p><p>"It will be no trouble, but an honor."</p><p>"Nay, I know how much your time must be occupied, for, as soon as one&#13;
enters this chateau, one is struck with the good order and perfect&#13;
keeping of everything in it--which proves, my dear sir, what excellent&#13;
care you take of it."</p><p>"Oh, sir, you flatter me."</p><p>"Flatter you?--a poor old man like myself has something else to think&#13;
of. But to come to business: there is a room here which is called the&#13;
Green Chamber?"</p><p>"Yes, sir; the room which the late Count-Duke de Cardoville used for a&#13;
study."</p><p>"You will have the goodness to take me there."</p><p>"Unfortunately, it is not in my power to do so. After the death of the&#13;
Count-Duke, and when the seals were removed, a number of papers were&#13;
shut up in a cabinet in that room, and the lawyers took the keys with&#13;
them to Paris."</p><p>"Here are those keys," said M. Rodin, showing to the bailiff a large and&#13;
a small key tied together.</p><p>"Oh, sir! that is different. You come to look for papers?"</p><p>"Yes--for certain papers--and also far a small mahogany casket, with&#13;
silver clasps--do you happen to know it?"</p><p>"Yes, sir; I have often seen it on the count's writing-table. It must be&#13;
in the large, lacquered cabinet, of which you have the key."</p><p>"You will conduct me to this chamber, as authorized by the Princess de&#13;
Saint-Dizier?"</p><p>"Yes, sir; the princess continues in good health?"</p><p>"Perfectly so. She lives altogether above worldly things."</p><p>"And Mademoiselle Adrienne?"</p><p>"Alas, my dear sir!" said M. Rodin, with a sigh of deep contrition and&#13;
grief.</p><p>"Good heaven, sir! has any calamity happened to Mademoiselle Adrienne?"</p><p>"In what sense do you mean it?"</p><p>"Is she ill?"</p><p>"No, no--she is, unfortunately, as well as she is beautiful."</p><p>"Unfortunately!" cried the bailiff, in surprise.</p><p>"Alas, yes! for when beauty, youth, and health are joined to an evil&#13;
spirit of revolt and perversity--to a character which certainly has not&#13;
its equal upon earth--it would be far better to be deprived of those&#13;
dangerous advantages, which only become so many causes of perdition. But&#13;
I conjure you, my dear sir, let us talk of something else: this subject&#13;
is too painful," said M. Rodin, with a voice of deep emotion, lifting&#13;
the tip of his little finger to the corner of his right eye, as if to&#13;
stop a rising tear.</p><p>The bailiff did not see the tear, but he saw the gesture, and he was&#13;
struck with the change in M. Rodin's voice. He answered him, therefore,&#13;
with much sympathy: "Pardon my indiscretion, sir; I really did not&#13;
know--"</p><p>"It is I who should ask pardon for this involuntary display of&#13;
feeling--tears are so rare with old men--but if you had seen, as I have,&#13;
the despair of that excellent princess, whose only fault has been too&#13;
much kindness, too much weakness, with regard to her niece--by which she&#13;
has encouraged her--but, once more, let us talk of something else, my&#13;
dear sir!"</p><p>After a moment's pause, during which M. Rodin seemed to recover from his&#13;
emotion, he said to Dupont: "One part of my mission, my dear sir--that&#13;
which relates to the Green Chamber--I have now told you; but there&#13;
is yet another. Before coming to it, however, I must remind you of a&#13;
circumstance you have perhaps forgotten--namely, that some fifteen or&#13;
sixteen years ago, the Marquis d'Aigrigny, then colonel of the hussars&#13;
in garrison at Abbeville, spent some time in this house."</p><p>"Oh, sir! what a dashing officer was there! It was only just now, that&#13;
I was talking about him to my wife. He was the life of the house!--how&#13;
well he could perform plays--particularly the character of a scapegrace.&#13;
In the Two Edmonds, for instance, he would make you die with laughing,&#13;
in that part of a drunken soldier--and then, with what a charming voice&#13;
he sang Joconde, sir--better than they could sing it at Paris!"</p><p>Rodin, having listened complacently to the bailiff, said to him:&#13;
"You doubtless know that, after a fierce duel he had with a furious&#13;
Bonapartist, one General Simon, the Marquis d'Aigrigny (whose private&#13;
secretary I have now the honor to be) left the world for the church."</p><p>"No, sir! is it possible? That fine officer!"</p><p>"That fine officer--brave, noble, rich, esteemed, and&#13;
flattered--abandoned all those advantages for the sorry black gown; and,&#13;
notwithstanding his name, position, high connections, his reputation as&#13;
a great preacher, he is still what he was fourteen years ago--a plain&#13;
abbe--whilst so many, who have neither his merit nor his virtues, are&#13;
archbishops and cardinals."</p><p>M. Rodin expressed himself with so much goodness, with such an air of&#13;
conviction, and the facts he cited appeared to be so incontestable,&#13;
that M. Dupont could not help exclaiming: "Well, sir, that is splendid&#13;
conduct!"</p><p>"Splendid? Oh, no!" said M. Rodin, with an inimitable expression of&#13;
simplicity; "it is quite a matter of course when one has a heart like&#13;
M. d'Aigrigny's. But amongst all his good qualities, he has particularly&#13;
that of never forgetting worthy people--people of integrity, honor,&#13;
conscience--and therefore, my dear M. Dupont, he has not forgotten you."</p><p>"What, the most noble marquis deigns to remember--"</p><p>"Three days ago, I received a letter from him, in which he mentions your&#13;
name."</p><p>"Is he then at Paris?"</p><p>"He will be there soon, if not there now. He went to Italy about three&#13;
months ago, and, during his absence, he received a very sad piece of&#13;
news--the death of his mother, who was passing the autumn on one of the&#13;
estates of the Princess de Saint-Dizier."</p><p>"Oh, indeed! I was not aware of it."</p><p>"Yes, it was a cruel grief to him; but we must all resign ourselves to&#13;
the will of Providence!"</p><p>"And with regard to what subject did the marquis do me the honor to&#13;
mention my name?"</p><p>"I am going to tell you. First of all, you must know that this house&#13;
is sold. The bill of sale was signed the day before my departure from&#13;
Paris."</p><p>"Oh, sir! that renews all my uneasiness."</p><p>"Pray, why?"</p><p>"I am afraid that the new proprietors may not choose to keep me as their&#13;
bailiff."</p><p>"Now see what a lucky chance! It is just on that subject that I am going&#13;
to speak to you."</p><p>"Is it possible?"</p><p>"Certainly. Knowing the interest which the marquis feels for you, I am&#13;
particularly desirous that you should keep this place, and I will do all&#13;
in my power to serve you, if--"</p><p>"Ah, sir!" cried Dupont, interrupting Rodin; "what gratitude do I not&#13;
owe you! It is Heaven that sends you to me!'</p><p>"Now, my dear sir, you flatter me in your turn; but I ought to tell you,&#13;
that I'm obliged to annex a small condition to my support."</p><p>"Oh, by all means! Only name it, sir--name it!"</p><p>"The person who is about to inhabit this mansion, is an old lady in&#13;
every way worthy of veneration; Madame de la Sainte-Colombe is the name&#13;
of this respectable--"</p><p>"What, sir?" said the bailiff, interrupting Rodin; "Madame de la Sainte&#13;
Colombe the lady who has bought us out?"</p><p>"Do you know her?"</p><p>"Yes, sir, she came last week to see the estate. My wife persists that&#13;
she is a great lady; but--between ourselves--judging by certain words&#13;
that I heard her speak--"</p><p>"You are full of penetration, my dear M. Dupont. Madame de la Sainte&#13;
Colombe is far from being a great lady. I believe she was neither more&#13;
nor less than a milliner, under one of the wooden porticoes of the&#13;
Palais Royal. You see, that I deal openly with you."</p><p>"And she boasted of all the noblemen, French and foreign, who used to&#13;
visit her!"</p><p>"No doubt, they came to buy bonnets for their wives! However, the fact&#13;
is, that, having gained a large fortune and, after being in youth and&#13;
middle age--indifferent--alas! more than indifferent to the salvation&#13;
of her soul--Madame de la Sainte-Colombe is now in a likely way&#13;
to experience grace--which renders her, as I told you, worthy&#13;
of veneration, because nothing is so respectable as a sincere&#13;
repentance--always providing it to be lasting. Now to make the good work&#13;
sure and effectual, we shall need your assistance, my dear M. Dupont."</p><p>"Mine, sir! what can I do in it?"</p><p>"A great deal; and I will explain to you how. There is no church in this&#13;
village, which stands at an equal distance from either of two parishes.&#13;
Madame de la Sainte-Colombe, wishing to make choice of one of the two&#13;
clergymen, will naturally apply to you and Madame Dupont, who have long&#13;
lived in these parts, for information respecting them."</p><p>"Oh! in that case the choice will soon be made. The incumbent of&#13;
Danicourt is one of the best of men."</p><p>"Now that is precisely what you must not say to Madame de la Sainte&#13;
Colombe."</p><p>"How so?"</p><p>"You must, on the contrary, much praise, without ceasing, the curate&#13;
of Roiville, the other parish, so as to decide this good lady to trust&#13;
herself to his care."</p><p>"And why, sir, to him rather than to the other?"</p><p>"Why?--because, if you and Madame Dupont succeed in persuading Madame de&#13;
la Sainte-Colombe to make the choice I wish, you will be certain to keep&#13;
your place as bailiff. I give you my word of it, and what I promise I&#13;
perform."</p><p>"I do not doubt, sir, that you have this power," said Dupont, convinced&#13;
by Rodin's manner, and the authority of his words; "but I should like to&#13;
know--"</p><p>"One word more," said Rodin, interrupting him; "I will deal openly with&#13;
you, and tell you why I insist on the preference which I beg you to&#13;
support. I should be grieved if you saw in all this the shadow of an&#13;
intrigue. It is only for the purpose of doing a good action. The&#13;
curate of Roiville, for whom I ask your influence, is a man for whom M.&#13;
d'Aigrigny feels a deep interest. Though very poor, he has to support&#13;
an aged mother. Now, if he had the spiritual care of Madame de la Sainte&#13;
Colombe, he would do more good than any one else, because he is full&#13;
of zeal and patience; and then it is clear he would reap some little&#13;
advantages, by which his old mother might profit--there you see is the&#13;
secret of this mighty scheme. When I knew that this lady was disposed to&#13;
buy an estate in the neighborhood of our friend's parish, I wrote about&#13;
it to the marquis; and he, remembering you, desired me to ask you&#13;
to render him this small service, which, as you see, will not remain&#13;
without a recompense. For I tell you once more, and I will prove it,&#13;
that I have the power to keep you in your place as bailiff."</p><p>"Well, sir," replied Dupont, after a moment's reflection, "you are so&#13;
frank and obliging, that I will imitate your sincerity. In the same&#13;
degree that the curate of Danicourt is respected and loved in this&#13;
country, the curate of Roiville, whom you wish me to prefer to him, is&#13;
dreaded for his intolerance--and, moreover--"</p><p>"Well, and what more?"</p><p>"Why, then, they say--"</p><p>"Come, what do they say?"</p><p>"They say--he is a Jesuit."</p><p>Upon these words, M. Rodin burst into so hearty a laugh that the bailiff&#13;
was quite struck dumb with amazement--for the countenance of M. Rodin&#13;
took a singular expression when he laughed. "A Jesuit!" he repeated,&#13;
with redoubled hilarity; "a Jesuit!--Now really, my dear M. Dupont, for&#13;
a man of sense, experience, and intelligence, how can you believe such&#13;
idle stories?--A Jesuit--are there such people as Jesuits?--in our time,&#13;
above all, can you believe such romance of the Jacobins, hobgoblins of&#13;
the old freedom lovers?--Come, come; I wager, you have read about them&#13;
in the Constitutionnel!"</p><p>"And yet, sir, they say--"</p><p>"Good heavens! what will they not say?--But wise men, prudent men like&#13;
you, do not meddle with what is said--they manage their own little&#13;
matters, without doing injury to any one, and they never sacrifice, for&#13;
the sake of nonsense, a good place, which secures them a comfortable&#13;
provision for the rest of their days. I tell you frankly, however much I&#13;
may regret it, that should you not succeed in getting the preference for&#13;
my man, you will not remain bailiff here.</p><p>"But, sir," said poor Dupont, "it will not be my fault, if this lady,&#13;
hearing a great deal in praise of the other curate, should prefer him to&#13;
your friend."</p><p>"Ah! but if, on the other hand, persons who have long lived in the&#13;
neighborhood--persons worthy of confidence, whom she will see every&#13;
day--tell Madame de la Sainte-Colombe a great deal of good of my friend,&#13;
and a great deal of harm of the other curate, she will prefer the&#13;
former, and you will continue bailiff."</p><p>"But, sir--that would be calumny!" cried Dupont.</p><p>"Pshaw, my dear M. Dupont!" said Rodin, with an air of sorrowful and&#13;
affectionate reproach, "how can you think me capable of giving you evil&#13;
counsel?--I was only making a supposition. You wish to remain bailiff&#13;
on this estate. I offer you the certainty of doing so--it is for you to&#13;
consider and decide."</p><p>"But, sir--"</p><p>"One word more--or rather one more condition--as important as the other.&#13;
Unfortunately, we have seen clergymen take advantage of the age and&#13;
weakness of their penitents, unfairly to benefit either themselves or&#13;
others: I believe our protege incapable of any such baseness--but, in&#13;
order to discharge my responsibility--and yours also, as you will have&#13;
contributed to his appointment--I must request that you will write to me&#13;
twice a week, giving the most exact detail of all that you have remarked&#13;
in the character, habits, connections, pursuits, of Madame de la Sainte&#13;
Colombe--for the influence of a confessor, you see, reveals itself in&#13;
the whole conduct of life, and I should wish to be fully edified by the&#13;
proceedings of my friend, without his being aware of it--or, if anything&#13;
blameable were to strike you, I should be immediately informed of it by&#13;
this weekly correspondence."</p><p>"But, sir--that would be to act as a spy?" exclaimed the unfortunate&#13;
bailiff.</p><p>"Now, my dear M. Dupont! how can you thus brand the sweetest, most&#13;
wholesome of human desires--mutual confidence?--I ask of you nothing&#13;
else--I ask of you to write to me confidentially the details of all that&#13;
goes on here. On these two conditions, inseparable one from the other,&#13;
you remain bailiff; otherwise, I shall be forced, with grief and regret,&#13;
to recommend some one else to Madame de la Sainte-Colombe."</p><p>"I beg you, sir," said Dupont, with emotion, "Be generous without any&#13;
conditions!--I and my wife have only this place to give us bread, and we&#13;
are too old to find another. Do not expose our probity of forty&#13;
years' standing to be tempted by the fear of want, which is so bad a&#13;
counsellor!"</p><p>"My dear M. Dupont, you are really a great child: you must reflect upon&#13;
this, and give me your answer in the course of a week."</p><p>"Oh, sir! I implore you--" The conversation was here interrupted by a&#13;
loud report, which was almost instantaneously repeated by the echoes of&#13;
the cliffs. "What is that?" said M. Rodin. Hardly had he spoken, when&#13;
the same noise was again heard more distinctly than before.</p><p>"It is the sound of cannon," cried Dupont, rising; "no doubt a ship in&#13;
distress, or signaling for a pilot."</p><p>"My dear," said the bailiffs wife, entering abruptly, "from the terrace,&#13;
we can see a steamer and a large ship nearly dismasted--they are&#13;
drifting right upon the shore--the ship is firing minute gulls--it will&#13;
be lost."</p><p>"Oh, it is terrible!" cried the bailiff, taking his hat and preparing to&#13;
go out, "to look on at a shipwreck, and be able to do nothing!"</p><p>"Can no help be given to these vessels?" asked M. Rodin.</p><p>"If they are driven upon the reefs, no human power can save them; since&#13;
the last equinox two ships have been lost on this coast."</p><p>"Lost with all on board?--Oh, very frightful," said M. Rodin.</p><p>"In such a storm, there is but little chance for the crew; no matter,"&#13;
said the bailiff, addressing his wife, "I will run down to the rocks&#13;
with the people of the farm, and try to save some of them, poor&#13;
creatures!--Light large fires in several rooms--get ready linen,&#13;
clothes, cordials--I scarcely dare hope to save any, but we must do our&#13;
best. Will you come with me, M. Rodin?"</p><p>"I should think it a duty, if I could be at all useful, but I am too&#13;
old and feeble to be of any service," said M. Rodin, who was by no means&#13;
anxious to encounter the storm. "Your good lady will be kind enough to&#13;
show me the Green Chamber, and when I have found the articles I require,&#13;
I will set out immediately for Paris, for I am in great haste."</p><p>"Very well, sir. Catherine will show you. Ring the big bell," said the&#13;
bailiff to his servant; "let all the people of the farm meet me at the&#13;
foot of the cliff, with ropes and levers."</p><p>"Yes, my dear," replied Catherine; "but do not expose yourself."</p><p>"Kiss me--it will bring me luck," said the bailiff; and he started at a&#13;
full run, crying: "Quick! quick; by this time not a plank may remain of&#13;
the vessels."</p><p>"My dear madam," said Rodin, always impassible, "will you be obliging&#13;
enough to show me the Green Chamber?"</p><p>"Please to follow me, sir," answered Catherine, drying her tears--for&#13;
she trembled on account of her husband, whose courage she well knew.</p><p>CHAPTER XXIV. THE TEMPEST</p><p>The sea is raging. Mountainous waves of dark green, marbled with white&#13;
foam, stand out, in high, deep undulations, from the broad streak of red&#13;
light, which extends along the horizon. Above are piled heavy masses&#13;
of black and sulphurous vapor, whilst a few lighter clouds of a reddish&#13;
gray, driven by the violence of the wind, rush across the murky sky.</p><p>The pale winter sun, before he quite disappears in the great clouds,&#13;
behind which he is slowly mounting, casts here and there some oblique&#13;
rays upon the troubled sea, and gilds the transparent crest of some of&#13;
the tallest waves. A band of snow-white foam boils and rages as far&#13;
as the eye can reach, along the line of the reefs that bristle on this&#13;
dangerous coast.</p><p>Half-way up a rugged promontory, which juts pretty far into the sea,&#13;
rises Cardoville Castle; a ray of the sun glitters upon its windows; its&#13;
brick walls and pointed roofs of slate are visible in the midst of this&#13;
sky loaded with vapors.</p><p>A large, disabled ship, with mere shreds of sail still fluttering from&#13;
the stumps of broken masts, drives dead upon the coast. Now she rolls&#13;
her monstrous hull upon the waves--now plunges into their trough. A&#13;
flash is seen, followed by a dull sound, scarcely perceptible in&#13;
the midst of the roar of the tempest. That gun is the last signal of&#13;
distress from this lost vessel, which is fast forging on the breakers.</p><p>At the same moment, a steamer, with its long plume of black smoke, is&#13;
working her way from east to west, making every effort to keep at a&#13;
distance from the shore, leaving the breakers on her left. The dismasted&#13;
ship, drifting towards the rocks, at the mercy of the wind and tide,&#13;
must some time pass right ahead of the steamer.</p><p>Suddenly, the rush of a heavy sea laid the steamer upon her side; the&#13;
enormous wave broke furiously on her deck; in a second the chimney&#13;
was carried away, the paddle box stove in, one of the wheels rendered&#13;
useless. A second white-cap, following the first, again struck the&#13;
vessel amidships, and so increased the damage that, no longer answering&#13;
to the helm, she also drifted towards the shore, in the same direction&#13;
as the ship. But the latter, though further from the breakers, presented&#13;
a greater surface to the wind and sea, and so gained upon the steamer&#13;
in swiftness that a collision between the two vessels became imminent--a&#13;
new clanger added to all the horrors of the now certain wreck.</p><p>The ship was an English vessel, the "Black Eagle," homeward bound from&#13;
Alexandria, with passengers, who arriving from India and Java, via&#13;
the Red Sea, had disembarked at the Isthmus of Suez, from on board&#13;
the steamship "Ruyter." The "Black Eagle," quitting the Straits of&#13;
Gibraltar, had gone to touch at the Azores. She headed thence for&#13;
Portsmouth, when she was overtaken in the Channel by the northwester.&#13;
The steamer was the "William Tell," coming from Germany, by way of the&#13;
Elbe, and bound, in the last place, for Hamburg to Havre.</p><p>These two vessels, the sport of enormous rollers, driven along by tide&#13;
and tempest, were now rushing upon the breakers with frightful speed.&#13;
The deck of each offered a terrible spectacle; the loss of crew and&#13;
passengers appeared almost certain, for before them a tremendous sea&#13;
broke on jagged rocks, at the foot of a perpendicular cliff.</p><p>The captain of the "Black Eagle," standing on the poop, holding by the&#13;
remnant of a spar, issued his last orders in this fearful extremity&#13;
with courageous coolness. The smaller boats had been carried away by&#13;
the waves; it was in vain to think of launching the long-boat; the only&#13;
chance of escape in case the ship should not be immediately dashed to&#13;
pieces on touching the rocks, was to establish a communication with the&#13;
land by means of a life-line--almost the last resort for passing between&#13;
the shore and a stranded vessel.</p><p>The deck was covered with passengers, whose cries and terror augmented&#13;
the general confusion. Some, struck with a kind of stupor, and clinging&#13;
convulsively to the shrouds, awaited their doom in a state of stupid&#13;
insensibility. Others wrung their hands in despair, or rolled upon the&#13;
deck uttering horrible imprecations. Here, women knelt down to pray;&#13;
there, others hid their faces in their hands, that they might not see&#13;
the awful approach of death. A young mother, pale as a specter, holding&#13;
her child clasped tightly to her bosom, went supplicating from sailor&#13;
to sailor, and offering a purse full of gold and jewels to any one that&#13;
would take charge of her son.</p><p>These cries, and tears, and terror contrasted with the stern and silent&#13;
resignation of the sailors. Knowing the imminence of the inevitable&#13;
danger, some of them stripped themselves of part of their clothes,&#13;
waiting for the moment to make a last effort, to dispute their lives&#13;
with the fury of the waves; others renouncing all hope, prepared to meet&#13;
death with stoical indifference.</p><p>Here and there, touching or awful episodes rose in relief, if one may so&#13;
express it, from this dark and gloomy background of despair.</p><p>A young man of about eighteen or twenty, with shiny black hair, copper&#13;
colored complexion, and perfectly regular and handsome features,&#13;
contemplated this scene of dismay and horror with that sad calmness&#13;
peculiar to those who have often braved great perils; wrapped in a&#13;
cloak, he leaned his back against the bulwarks, with his feet resting&#13;
against one of the bulkheads. Suddenly, the unhappy mother, who, with&#13;
her child in her arms, and gold in her hand, had in vain addressed&#13;
herself to several of the mariners, to beg them to save her boy,&#13;
perceiving the young man with the copper-colored complexion, threw&#13;
herself on her knees before him, and lifted her child towards him with&#13;
a burst of inexpressible agony. The young man took it, mournfully shook&#13;
his head, and pointed to the furious waves--but, with a meaning gesture,&#13;
he appeared to promise that he would at least try to save it. Then the&#13;
young mother, in a mad transport of hope, seized the hand of the youth,&#13;
and bathed it with her tears.</p><p>Further on, another passenger of the "Black Eagle," seemed animated&#13;
by sentiments of the most active pity. One would hardly have given him&#13;
five-and-twenty years of age. His long, fair locks fell in curls on&#13;
either side of his angelic countenance. He wore a black cassock and&#13;
white neck-band. Applying himself to comfort the most desponding, he&#13;
went from one to the other, and spoke to them pious words of hope and&#13;
resignation; to hear him console some, and encourage others, in language&#13;
full of unction, tenderness, and ineffable charity, one would have&#13;
supposed him unaware or indifferent to the perils that he shared.</p><p>On his fine, mild features, was impressed a calm and sacred intrepidity,&#13;
a religious abstraction from every terrestrial thought; from time to&#13;
time, he raised to heaven his large blue eyes, beaming with gratitude,&#13;
love, and serenity, as if to thank God for having called him to one of&#13;
those formidable trials in which the man of humanity and courage may&#13;
devote himself for his brethren, and, if not able to rescue them at all,&#13;
at least die with them, pointing to the sky. One might almost have&#13;
taken him for an angel, sent down to render less cruel the strokes of&#13;
inexorable fate.</p><p>Strange contrast! not far from this young man's angelic beauty, there&#13;
was another being, who resembled an evil spirit!</p><p>Boldly mounted on what was left of the bowsprit, to which he held on by&#13;
means of some remaining cordage, this man looked down upon the terrible&#13;
scene that was passing on the deck. A grim, wild joy lighted up his&#13;
countenance of a dead yellow, that tint peculiar to those who spring&#13;
from the union of the white race with the East. He wore only a shirt and&#13;
linen drawers; from his neck was suspended, by a cord, a cylindrical tin&#13;
box, similar to that in which soldiers carry their leave of absence.</p><p>The more the danger augmented, the nearer the ship came to the&#13;
breakers, or to a collision with the steamer, which she was now rapidly&#13;
approaching--a terrible collision, which would probably cause the two&#13;
vessels to founder before even they touched the rocks--the more did the&#13;
infernal joy of this passenger reveal itself in frightful transports. He&#13;
seemed to long, with ferocious impatience, for the moment when the work&#13;
of destruction should be accomplished. To see him thus feasting with&#13;
avidity on all the agony, the terror, and the despair of those around&#13;
him, one might have taken him for the apostle of one of those sanguinary&#13;
deities, who, in barbarous countries, preside over murder and carnage.</p><p>By this time the "Black Eagle," driven by the wind and waves, came so&#13;
near the "William Tell" that the passengers on the deck of the nearly&#13;
dismantled steamer were visible from the first-named vessel.</p><p>These passengers were no longer numerous. The heavy sea, which stove&#13;
in the paddle-box and broke one of the paddles, had also carried away&#13;
nearly the whole of the bulwarks on that side; the waves, entering&#13;
every instant by this large opening, swept the decks with irresistible&#13;
violence, and every time bore away with them some fresh victims.</p><p>Amongst the passengers, who seemed only to have escaped this danger&#13;
to be hurled against the rocks, or crushed in the encounter of the two&#13;
vessels, one group was especially worthy of the most tender and painful&#13;
interest. Taking refuge abaft, a tall old man, with bald forehead and&#13;
gray moustache, had lashed himself to a stanchion, by winding a piece of&#13;
rope round his body, whilst he clasped in his arms, and held fast to his&#13;
breast, two girls of fifteen or sixteen, half enveloped in a pelisse of&#13;
reindeer-skin. A large, fallow, Siberian dog, dripping with water, and&#13;
barking furiously at the waves, stood close to their feet.</p><p>These girls, clasped in the arms of the old man, also pressed close to&#13;
each other; but, far from being lost in terror, they raised their&#13;
eyes to heaven, full of confidence and ingenuous hope, as though they&#13;
expected to be saved by the intervention of some supernatural power.</p><p>A frightful shriek of horror and despair, raised by the passengers of&#13;
both vessels, was heard suddenly above the roar of the tempest. At the&#13;
moment when, plunging deeply between two waves, the broadside of the&#13;
steamer was turned towards the bows of the ship, the latter, lifted to&#13;
a prodigious height on a mountain of water, remained, as it were,&#13;
suspended over the "William Tell," during the second which preceded the&#13;
shock of the two vessels.</p><p>There are sights of so sublime a horror, that it is impossible to&#13;
describe them. Yet, in the midst of these catastrophes, swift as&#13;
thought, one catches sometimes a momentary glimpse of a picture, rapid&#13;
and fleeting, as if illumined by a flash of lightning.</p><p>Thus, when the "Black Eagle," poised aloft by the flood, was about&#13;
to crash down upon the "William Tell," the young man with the angelic&#13;
countenance and fair, waving locks bent over the prow of the ship, ready&#13;
to cast himself into the sea to save some victim. Suddenly, he perceived&#13;
on board the steamer, on which he looked down from the summit of&#13;
the immense wave, the two girls extending their arms towards him in&#13;
supplication. They appeared to recognize him, and gazed on him with a&#13;
sort of ecstacy and religious homage!</p><p>For a second, in spite of the horrors of the tempest, in spite of the&#13;
approaching shipwreck, the looks of those three beings met. The features&#13;
of the young man were expressive of sudden and profound pity; for the&#13;
maidens with their hands clasped in prayer, seemed to invoke him as&#13;
their expected Saviour. The old man, struck down by the fall of a plank,&#13;
lay helpless on the deck. Soon all disappeared together.</p><p>A fearful mass of water dashed the "Black Eagle" down upon the "William&#13;
Tell," in the midst of a cloud of boiling foam. To the dreadful crash&#13;
of the two great bodies of wood and iron, which splintering against one&#13;
another, instantly foundered, one loud cry was added--a cry of agony and&#13;
death--the cry of a hundred human creatures swallowed up at once by the&#13;
waves!</p><p>And then--nothing more was visible!</p><p>A few moments after, the fragments of the two vessels appeared in the&#13;
trough of the sea, and on the caps of the waves--with here and there&#13;
the contracted arms, the livid and despairing faces of some unhappy&#13;
wretches, striving to make their way to the reefs along the shore, at&#13;
the risk of being crushed to death by the shock of the furious breakers.</p><p>CHAPTER XXV. THE SHIPWRECK.</p><p>While the bailiff was gone to the sea-shore, to render help to those of&#13;
the passengers who might escape from the inevitable shipwreck, M.&#13;
Rodin, conducted by Catherine to the Green Chamber, had there found the&#13;
articles that he was to take with him to Paris.</p><p>After passing two hours in this apartment, very indifferent to the fate&#13;
of the shipwrecked persons, which alone absorbed the attention of&#13;
the inhabitants of the Castle, Rodin returned to the chamber commonly&#13;
occupied by the bailiff, a room which opened upon a long gallery. When&#13;
he entered it he found nobody there. Under his arm he held a casket,&#13;
with silver fastenings, almost black from age, whilst one end of a&#13;
large red morocco portfolio projected from the breast-pocket of his half&#13;
buttoned great coat.</p><p>Had the cold and livid countenance of the Abbe d'Aigrigny's secretary&#13;
been able to express joy otherwise than by a sarcastic smile, his&#13;
features would have been radiant with delight; for, just then, he was&#13;
under the influence of the most agreeable thoughts. Having placed&#13;
the casket upon a table, it was with marked satisfaction that he thus&#13;
communed with himself:</p><p>"All goes well. It was prudent to keep these papers here till this&#13;
moment, for one must always be on guard against the diabolical spirit of&#13;
that Adrienne de Cardoville, who appears to guess instinctively what it&#13;
is impossible she should know. Fortunately, the time approaches when we&#13;
shall have no more need to fear her. Her fate will be a cruel one; it&#13;
must be so. Those proud, independent characters are at all times our&#13;
natural enemies--they are so by their very essence--how much more when&#13;
they show themselves peculiarly hurtful and dangerous! As for La Sainte&#13;
Colombe, the bailiff is sure to act for us; between what the fool&#13;
calls his conscience, and the dread of being at his age deprived of a&#13;
livelihood, he will not hesitate. I wish to have him because he will&#13;
serve us better than a stranger; his having been here twenty years will&#13;
prevent all suspicion on the part of that dull and narrow-minded woman.&#13;
Once in the hands of our man at Roiville, I will answer for the result.&#13;
The course of all such gross and stupid women is traced beforehand:&#13;
in their youth, they serve the devil; in riper years, they make others&#13;
serve him; in their old age, they are horribly afraid of him; and this&#13;
fear must continue till she has left us the Chateau de Cardoville,&#13;
which, from its isolated position, will make us an excellent college.&#13;
All then goes well. As for the affair of the medals, the 13th of&#13;
February approaches, without news from Joshua--evidently, Prince Djalma&#13;
is still kept prisoner by the English in the heart of India, or I must&#13;
have received letters from Batavia. The daughters of General Simon will&#13;
be detained at Leipsic for at least a month longer. All our foreign&#13;
relations are in the best condition. As for our internal affairs--"</p><p>Here M. Rodin was interrupted in the current of his reflections by the&#13;
entrance of Madame Dupont, who was zealously engaged in preparations to&#13;
give assistance in case of need.</p><p>"Now," said she to the servant, "light a fire in the next room; put this&#13;
warm wine there; your master may be in every minute."</p><p>"Well, my dear madam," said Rodin to her, "do they hope to save any of&#13;
these poor creatures?"</p><p>"Alas! I do not know, sir. My husband has been gone nearly two hours. I&#13;
am terribly uneasy on his account. He is so courageous, so imprudent, if&#13;
once he thinks he can be of any service."</p><p>"Courageous even to imprudence," said Rodin to himself, impatiently; "I&#13;
do not like that."</p><p>"Well," resumed Catherine, "I have here at hand my hot linen, my&#13;
cordials--heaven grant it may all be of use!"</p><p>"We may at least hope so, my dear madam. I very much regretted that my&#13;
age and weakness did not permit me to assist your excellent husband. I&#13;
also regret not being able to wait for the issue of his exertions,&#13;
and to wish him joy if successful--for I am unfortunately compelled to&#13;
depart, my moments are precious. I shall be much obliged if you will&#13;
have the carriage got ready."</p><p>"Yes, Sir; I will see about it directly."</p><p>"One word, my dear, good Madame Dupont. You are a woman of sense, and&#13;
excellent judgment. Now I have put your husband in the way to keep, if&#13;
he will, his situation as bailiff of the estate--"</p><p>"Is it possible? What gratitude do we not owe you! Without this place&#13;
what would become of us at our time of life?"</p><p>"I have only saddled my promise with two conditions--mere trifles--he&#13;
will explain all that to you."</p><p>"Ah, sir! we shall regard you as our deliverer."</p><p>"You are too good. Only, on two little conditions--"</p><p>"If there were a hundred, sir we should gladly accept them. Think what&#13;
we should be without this place--penniless--absolutely penniless!"</p><p>"I reckon upon you then; for the interest of your husband, you will try&#13;
to persuade him."</p><p>"Missus! I say, missus! here's master come back," cried a servant,&#13;
rushing into the chamber.</p><p>"Has he many with him?"</p><p>"No, missus; he is alone."</p><p>"Alone! alone?"</p><p>"Quite alone, missus."</p><p>A few moments after, M. Dupont entered the room; his clothes were&#13;
streaming with water; to keep his hat on in the midst of the storm, he&#13;
had tied it down to his head by means of his cravat, which was knotted&#13;
under his chin; his gaiters were covered with chalky stains.</p><p>"There I have thee, my dear love!" cried his wife, tenderly embracing&#13;
him. "I have been so uneasy!"</p><p>"Up to the present moment--THREE SAVED."</p><p>"God be praised, my dear M. Dupont!" said Rodin; "at least your efforts&#13;
will not have been all in vain."</p><p>"Three, only three?" said Catherine. "Gracious heaven!"</p><p>"I only speak of those I saw myself, near the little creek of Goelands.&#13;
Let us hope there may be more saved on other parts of the coast."</p><p>"Yes, indeed; happily, the shore is not equally steep in all parts."</p><p>"And where are these interesting sufferers, my dear sir?" asked Rodin,&#13;
who could not avoid remaining a few instants longer.</p><p>"They are mounting the cliffs, supported by our people. As they cannot&#13;
walk very fast, I ran on before to console my wife, and to take the&#13;
necessary measures for their reception. First of all, my dear, you must&#13;
get ready some women's clothes."</p><p>"There is then a woman amongst the persons saved?"</p><p>"There are two girls--fifteen or sixteen years of age at the most--mere&#13;
children--and so pretty!"</p><p>"Poor little things!" said Rodin, with an affectation of interest.</p><p>"The person to whom they owe their lives is with them. He is a real&#13;
hero!"</p><p>"A hero?"</p><p>"Yes; only fancy--"</p><p>"You can tell me all this by and by. Just slip on this dry warm&#13;
dressing-gown, and take some of this hot wine. You are wet through."</p><p>"I'll not refuse, for I am almost frozen to death. I was telling you&#13;
that the person who saved these young girls was a hero; and certainly&#13;
his courage was beyond anything one could have imagined. When I left&#13;
here with the men of the farm, we descended the little winding path,&#13;
and arrived at the foot of the cliff--near the little creek of Goelands,&#13;
fortunately somewhat sheltered from the waves by five or six enormous&#13;
masses of rock stretching out into the sea. Well, what should we find&#13;
there? Why, the two young girls I spoke of, in a swoon, with their feet&#13;
still in the water, and their bodies resting against a rock, as though&#13;
they had been placed there by some one, after being withdrawn from the&#13;
sea."</p><p>"Dear children! it is quite touching!" said M. Rodin, raising, as usual,&#13;
the tip of his little finger to the corner of his right eye, as though&#13;
to dry a tear, which was very seldom visible.</p><p>"What struck me was their great resemblance to each other," resumed&#13;
the bailiff; "only one in the habit of seeing them could tell the&#13;
difference."</p><p>"Twin--sisters, no doubt," said Madame Dupont.</p><p>"One of the poor things," continued the bailiff, "held between her&#13;
clasped hands a little bronze medal, which was suspended from her neck&#13;
by a chain of the same material."</p><p>Rodin generally maintained a very stooping posture; but at these last&#13;
words of the bailiff, he drew himself up suddenly, whilst a faint color&#13;
spread itself over his livid cheeks. In any other person, these symptoms&#13;
would have appeared of little consequence; but in Rodin, accustomed for&#13;
long years to control and dissimulate his emotions, they announced&#13;
no ordinary excitement. Approaching the bailiff, he said to him in a&#13;
slightly agitated voice, but still with an air of indifference: "It was&#13;
doubtless a pious relic. Did you see what was inscribed on this medal?"</p><p>"No, sir; I did not think of it."</p><p>"And the two young girls were like one another--very much like, you&#13;
say?"</p><p>"So like, that one would hardly know which was which. Probably they are&#13;
orphans, for they are dressed in mourning."</p><p>"Oh! dressed in mourning?" said M. Rodin, with another start.</p><p>"Alas! orphans so young!" said Madame Dupont, wiping her eyes.</p><p>"As they had fainted away, we carried them further on to a place where&#13;
the sand was quite dry. While we were busy about this, we saw the head&#13;
of a man appear from behind one of the rocks, which he was trying to&#13;
climb, clinging to it by one hand; we ran to him, and luckily in the&#13;
nick of time, for he was clean worn out, and fell exhausted into the&#13;
arms of our men. It was of him I spoke when I talked of a hero; for, not&#13;
content with having saved the two young girls by his admirable courage,&#13;
he had attempted to rescue a third person, and had actually gone back&#13;
amongst the rocks and breakers--but his strength failed him, and,&#13;
without the aid of our men, he would certainly have been washed away&#13;
from the ridge to which he clung."</p><p>"He must indeed be a fine fellow!" said Catherine.</p><p>Rodin, with his head bowed upon his breast, seemed quite indifferent to&#13;
this conversation. The dismay and stupor, in which he had been plunged,&#13;
only increased upon reflection. The two girls, who had just been saved,&#13;
were fifteen years of age; were dressed in mourning; were so like, that&#13;
one might be taken for the other; one of them wore round her neck a&#13;
chain with a bronze medal; he could scarcely doubt that they were the&#13;
daughters of General Simon. But how could those sisters be amongst the&#13;
number of shipwrecked passengers? How could they have escaped from the&#13;
prison at Leipsic? How did it happen, that he had not been informed of&#13;
it? Could they have fled, or had they been set at liberty? How was&#13;
it possible that he should not be apprise of such an event? But these&#13;
secondary thoughts, which offered themselves in crowds to the mind of&#13;
M. Rodin, were swallowed up in the one fact: "the daughters of General&#13;
Simon are here!"--His plan, so laboriously laid, was thus entirely&#13;
destroyed.</p><p>"When I speak of the deliverer of these young girls," resumed the&#13;
bailiff, addressing his wife, and without remarking M. Rodin's absence&#13;
of mind, "you are expecting no doubt to see a Hercules?--well, he is&#13;
altogether the reverse. He is almost a boy in look, with fair, sweet&#13;
face, and light, curling locks. I left him a cloak to cover him, for he&#13;
had nothing on but his shirt, black knee-breeches, and a pair of black&#13;
worsted stockings--which struck me as singular."</p><p>"Why, it was certainly not a sailor's dress."</p><p>"Besides, though the ship was English, I believe my hero is a Frenchman,&#13;
for he speaks our language as well as we do. What brought the tears to&#13;
my eyes, was to see the young girls, when they came to themselves. As&#13;
soon as they saw him, they threw themselves at his feet, and seemed to&#13;
look up to him and thank him, as one would pray. Then they cast their&#13;
eyes around them, as if in search of some other person, and, having&#13;
exchanged a few words, they fell sobbing into each other's arms."</p><p>"What a dreadful thing it is! How many poor creatures must have&#13;
perished!"</p><p>"When we quitted the rocks, the sea had already cast ashore seven dead&#13;
bodies, besides fragments of the wrecks, and packages. I spoke to some&#13;
of the coast-guard, and they will remain all day on the look-out; and&#13;
if, as I hope, any more should escape with life, they are to be&#13;
brought here. But surely that is the sound of voices!--yes, it is our&#13;
shipwrecked guests!"</p><p>The bailiff and his wife ran to the door of the room--that door, which&#13;
opened on the long gallery--whilst Rodin, biting convulsively his flat&#13;
nails, awaited with angry impatience the arrival of the strangers. A&#13;
touching picture soon presented itself to his view.</p><p>From the end of the dark some gallery, only lighted on one side by&#13;
several windows, three persons, conducted by a peasant, advanced slowly.&#13;
This group consisted of the two maidens, and the intrepid young man&#13;
to whom they owed their lives. Rose and Blanche were on either side of&#13;
their deliverer, who, walking with great difficulty, supported himself&#13;
lightly on their arms.</p><p>Though he was full twenty-five years of age, the juvenile countenance&#13;
of this man made him appear younger. His long, fair hair, parted on&#13;
the forehead, streamed wet and smooth over the collar of a large brown&#13;
cloak, with which he had been covered. It would be difficult to describe&#13;
the adorable expression of goodness in his pale, mild face, as pure as&#13;
the most ideal creations of Raphael's pencil--for that divine artist&#13;
alone could have caught the melancholy grace of those exquisite&#13;
features, the serenity of that celestial look, from eyes limpid and blue&#13;
as those of an archangel, or of a martyr ascended to the skies.</p><p>Yes, of a martyr! for a blood-red halo already encircled that beauteous&#13;
head. Piteous sight to see! just above his light eyebrows, and rendered&#13;
still more visible by the effect of the cold, a narrow cicatrix, from&#13;
a wound inflicted many months before, appeared to encompass his fair&#13;
forehead with a purple band; and (still more sad!) his hands had&#13;
been cruelly pierced by a crucifixion--his feet had suffered the same&#13;
injury--and, if he now walked with so much difficulty, it was that his&#13;
wounds had reopened, as he struggled over the sharp rocks.</p><p>This young man was Gabriel, the priest attached to the foreign mission,&#13;
the adopted son of Dagobert's wife. He was a priest and martyr--for, in&#13;
our days, there are still martyrs, as in the time when the Caesars flung&#13;
the early Christians to the lions and tigers of the circus.</p><p>Yes, in our days, the children of the people--for it is almost always&#13;
amongst them that heroic and disinterested devotion may still be&#13;
found--the children of the people, led by an honorable conviction,&#13;
because it is courageous and sincere, go to all parts of the world, to&#13;
try and propagate their faith, and brave both torture and death with the&#13;
most unpretending valor.</p><p>How many of them, victims of some barbarous tribe, have perished,&#13;
obscure and unknown, in the midst of the solitudes of the two&#13;
worlds!--And for these humble soldiers of the cross, who have nothing&#13;
but their faith and their intrepidity, there is never reserved on their&#13;
return (and they seldom do return) the rich and sumptuous dignities of&#13;
the church. Never does the purple or the mitre conceal their scarred&#13;
brows and mutilated limbs; like the great majority of other soldiers,&#13;
they die forgotten.(8)</p><p>In their ingenuous gratitude, the daughters of General Simon, as soon&#13;
as they recovered their senses after the shipwreck, and felt themselves&#13;
able to ascend the cliffs, would not leave to any other person the&#13;
care of sustaining the faltering steps of him who had rescued them from&#13;
certain death.</p><p>The black garments of Rose and Blanche streamed with water; their faces&#13;
were deadly pale, and expressive of deep grief; the marks of recent&#13;
tears were on their cheeks, and, with sad, downcast eyes, they trembled&#13;
both from agitation and cold, as the agonizing thought recurred to them,&#13;
that they should never again see Dagobert, their friend and guide; for&#13;
it was to him that Gabriel had stretched forth a helping hand, to assist&#13;
him to climb the rocks. Unfortunately the strength of both had failed,&#13;
and the soldier had been carried away by a retreating wave.</p><p>The sight of Gabriel was a fresh surprise for Rodin, who had retired on&#13;
one side, in order to observe all; but this surprise was of so pleasant&#13;
a nature, and he felt so much joy in beholding the missionary safe after&#13;
such imminent peril, that the painful impression, caused by the view&#13;
of General Simon's daughters, was a little softened. It must not&#13;
be forgotten, that the presence of Gabriel in Paris, on the 13th of&#13;
February, was essential to the success of Rodin's projects.</p><p>The bailiff and his wife, who were greatly moved at sight of the&#13;
orphans, approached them with eagerness. Just then a farm-boy entered&#13;
the room, crying: "Sir! sir! good news--two more saved from the wreck!"</p><p>"Blessing and praise to God for it!" said the missionary.</p><p>"Where are they?" asked the bailiff, hastening towards the door.</p><p>"There is one who can walk, and is following behind me with Justin;&#13;
the other was wounded against the rocks, and they are carrying him on a&#13;
litter made of branches."</p><p>"I will run and have him placed in the room below," said the bailiff, as&#13;
he went out. "Catherine, you can look to the young ladies."</p><p>"And the shipwrecked man who can walk--where is he?" asked the bailiff's&#13;
wife.</p><p>"Here he is," said the peasant, pointing to some one who came rapidly&#13;
along the gallery; "when he heard that the two young ladies were safe&#13;
in the chateau--though he is old, and wounded in the head, he took such&#13;
great strides, that it was all I could do to get here before him."</p><p>Hardly had the peasant pronounced these words, when Rose and Blanche,&#13;
springing up by a common impulse, flew to the door. They arrived there&#13;
at the same moment as Dagobert.</p><p>The soldier, unable to utter a syllable, fell on his knees at the&#13;
threshold, and extended his arms to the daughters of General Simon;&#13;
while Spoil-sport, running to them licked their hands.</p><p>But the emotion was too much for Dagobert; and, when he had clasped the&#13;
orphans in his arms, his head fell backward, and he would have sunk&#13;
down altogether, but for the care of the peasants. In spite of the&#13;
observations of the bailiff's wife, on their state of weakness and&#13;
agitation, the two young girls insisted on accompanying Dagobert, who&#13;
was carried fainting into an adjoining apartment.</p><p>At sight of the soldier, Rodin's face was again violently contracted,&#13;
for he had till then believed that the guide of General Simon's&#13;
daughters was dead. The missionary, worn out with fatigue, was leaning&#13;
upon a chair, and had not yet perceived Rodin.</p><p>A new personage, a man with a dead yellow complexion, now entered the&#13;
room, accompanied by another peasant, who pointed out Gabriel to him.&#13;
This man, who had just borrowed a smock-frock and a pair of trousers,&#13;
approached the missionary, and said to him in French but with a foreign&#13;
accent: "Prince Djalma has just been brought in here. His first word was&#13;
to ask for you."</p><p>"What does that man say?" cried Rodin, in a voice of thunder; for, at&#13;
the name of Djalma, he had sprung with one bound to Gabriel's side.</p><p>"M. Rodin!" exclaimed the missionary, falling back in surprise.</p><p>"M. Rodin," cried the other shipwrecked person; and from that moment, he&#13;
kept his eye fixed on the correspondent of M. Van Dael.</p><p>"You here, sir?" said Gabriel, approaching Rodin with an air of&#13;
deference, not unmixed with fear.</p><p>"What did that man say to you?" repeated Rodin, in an excited tone. "Did&#13;
he not utter the name of Prince Djalma?"</p><p>"Yes, sir; Prince Djalma was one of the passengers on board the English&#13;
ship, which came from Alexandria, and in which we have just been&#13;
wrecked. This vessel touched at the Azores, where I then was; the ship&#13;
that brought me from Charlestown having been obliged to put in there,&#13;
and being likely to remain for some time, on account of serious damage,&#13;
I embarked on board the 'Black Eagle,' where I met Prince Djalma. We&#13;
were bound to Portsmouth, and from thence my intention was to proceed to&#13;
France."</p><p>Rodin did not care to interrupt Gabriel. This new shock had completely&#13;
paralyzed his thoughts. At length, like a man who catches at a last&#13;
hope, which he knows beforehand to be vain, he said to Gabriel: "Can you&#13;
tell me who this Prince Djalma is?"</p><p>"A young man as good as brave--the son of an East Indian king,&#13;
dispossessed of his territory by the English."</p><p>Then, turning towards the other shipwrecked man, the missionary said&#13;
to him with anxious interest: "How is the Prince? are his wounds&#13;
dangerous?"</p><p>"They are serious contusions, but they will not be mortal," answered the&#13;
other.</p><p>"Heaven be praised!" said the missionary, addressing Rodin; "here, you&#13;
see, is another saved."</p><p>"So much the better," observed Rodin, in a quick, imperious tone.</p><p>"I will go see him," said Gabriel, submissively. "You have no orders to&#13;
give me?"</p><p>"Will you be able to leave this place in two or three hours,&#13;
notwithstanding your fatigue?"</p><p>"If it be necessary--yes."</p><p>"It is necessary. You will go with me."</p><p>Gabriel only bowed in reply, and Rodin sank confounded into a chair,&#13;
while the missionary went out with the peasant. The man with the sallow&#13;
complexion still lingered in a corner of the room, unperceived by Rodin.</p><p>This man was Faringhea, the half-caste, one of the three chiefs of the&#13;
Stranglers. Having escaped the pursuit of the soldiers in the ruins&#13;
of Tchandi, he had killed Mahal the Smuggler, and robbed him of the&#13;
despatches written by M. Joshua Van Dael to Rodin, as also of the letter&#13;
by which the smuggler was to have been received as passenger on board&#13;
the "Ruyter." When Faringhea left the hut in the ruins of Tchandi,&#13;
he had not been seen by Djalma; and the latter, when he met him on&#13;
shipboard, after his escape (which we shall explain by and by), not&#13;
knowing that he belonged to the sect of Phansegars, treated him during&#13;
the voyage as a fellow-countryman.</p><p>Rodin, with his eye fixed and haggard, his countenance of a livid hue,&#13;
biting his nails to the quick in silent rage, did not perceive the half&#13;
caste, who quietly approached him and laying his hand familiarly on his&#13;
shoulder, said to him: "Your name is Rodin?"</p><p>"What now?" asked the other, starting, and raising his head abruptly.</p><p>"Your name is Rodin?" repeated Faringhea.</p><p>"Yes. What do you want?"</p><p>"You live in the Rue du Milieu-des-Ursins, Paris?"</p><p>"Yes. But, once more, what do you want?"</p><p>"Nothing now, brother: hereafter, much!"</p><p>And Faringhea, retiring, with slow steps, left Rodin alarmed at what&#13;
had passed; for this man, who scarcely trembled at anything, had quailed&#13;
before the dark look and grim visage of the Strangler.</p><p>(8) We always remember with emotion the end of a letter written, two or&#13;
three years ago, by one of these young and valiant missionaries, the son&#13;
of poor parents in Beauce. He was writing to his mother from the heart&#13;
of Japan, and thus concluded his letter: "Adieu, my dear mother! they&#13;
say there is much danger where I am now sent to. Pray for me, and tell&#13;
all our good neighbors that I think of them very often." These few&#13;
words, addressed from the centre of Asia to poor peasants in a hamlet of&#13;
France, are only the more touching from their very simplicity--E. S.</p><p>CHAPTER XXVI. THE DEPARTURE FOR PARIS.</p><p>The most profound silence reigns throughout Cardoville House. The&#13;
tempest has lulled by degrees, and nothing is heard from afar but the&#13;
hoarse murmur of the waves, as they wash heavily the shore.</p><p>Dagobert and the orphans have been lodged in warm and comfortable&#13;
apartments on the first-floor of the chateau. Djalma, too severely hurt&#13;
to be carried upstairs, has remained in a room below. At the moment of&#13;
the shipwreck, a weeping mother had placed her child in his arms. He&#13;
had failed in the attempt to snatch this unfortunate infant from certain&#13;
death, but his generous devotion had hampered his movements, and when&#13;
thrown upon the rocks, he was almost dashed to pieces. Faringhea, who&#13;
has been able to convince him of his affection, remains to watch over&#13;
him.</p><p>Gabriel, after administering consolation to Djalma, has rescinded to the&#13;
chamber allotted to him; faithful to the promise he made to Rodin, to be&#13;
ready to set out in two hours, he has not gone to bed; but, having dried&#13;
his clothes, he has fallen asleep in a large, high-backed arm-chair,&#13;
placed in front of a bright coal-fire. His apartment is situated near&#13;
those occupied by Dagobert and the two sisters.</p><p>Spoil-sport, probably quite at his ease in so respectable a dwelling,&#13;
has quitted the door of Rose and Blanche's chamber, to lie down and warm&#13;
himself at the hearth, by the side of which the missionary is sleeping.&#13;
There, with his nose resting on his outstretched paws, he enjoys a&#13;
feeling of perfect comfort and repose, after so many perils by land and&#13;
sea. We will not venture to affirm, that he thinks habitually of poor&#13;
old Jovial; unless we recognize as a token of remembrance on his part,&#13;
his irresistible propensity to bite all the white horses he has met&#13;
with, ever since the death of his venerable companion, though before, he&#13;
was the most inoffensive of dogs with regard to horses of every color.</p><p>Presently one of the doors of the chamber opened, and the two sisters&#13;
entered timidly. Awake for some minutes, they had risen and dressed&#13;
themselves, feeling still some uneasiness with respect to Dagobert;&#13;
though the bailiff's wife, after showing them to their room, had&#13;
returned again to tell them that the village doctor found nothing&#13;
serious in the hurt of the old soldier, still they hoped to meet some&#13;
one belonging to the chateau, of whom they could make further inquiries&#13;
about him.</p><p>The high back of the old-fashioned arm-chair, in which Gabriel was&#13;
sleeping, completely screened him from view; but the orphans, seeing&#13;
their canine friend lying quietly at his feet, thought it was Dagobert&#13;
reposing there, and hastened towards him on tip-toe. To their great&#13;
astonishment, they saw Gabriel fast asleep, and stood still in&#13;
confusion, not daring to advance or recede, for fear of waking him.</p><p>The long, light hair of the missionary was no longer wet, and now curled&#13;
naturally round his neck and shoulders; the paleness of his complexion&#13;
was the more striking, from the contrast afforded by the deep purple&#13;
of the damask covering of the arm-chair. His beautiful countenance&#13;
expressed a profound melancholy, either caused by the influence of some&#13;
painful dream, or else that he was in the habit of keeping down, when&#13;
awake, some sad regrets, which revealed themselves without his knowledge&#13;
when he was sleeping. Notwithstanding this appearance of bitter grief,&#13;
his features preserved their character of angelic sweetness, and seemed&#13;
endowed with an inexpressible charm, for nothing is more touching than&#13;
suffering goodness. The two young girls cast down their eyes, blushed&#13;
simultaneously, and exchanged anxious glances, as if to point out to&#13;
each other the slumbering missionary.</p><p>"He sleeps, sister," said Rose in a low voice.</p><p>"So much the better," replied Blanche, also in a whisper, making a sign&#13;
of caution; "we shall now be able to observe him well."</p><p>"Yes, for we durst not do so, in coming from the sea hither."</p><p>"Look! what a sweet countenance!"</p><p>"He is just the same as we saw him in our dreams."</p><p>"When he promised he would protect us."</p><p>"And he has not failed us."</p><p>"But here, at least, he is visible."</p><p>"Not as it was in the prison at Leipsic, during that dark night."</p><p>"And so--he has again rescued us."</p><p>"Without him, we should have perished this morning."</p><p>"And yet, sister, it seems to me, that in our dreams his countenance&#13;
shone with light."</p><p>"Yes, you know it dazzled us to look at him."</p><p>"And then he had not so sad a mien."</p><p>"That was because he came then from heaven; now he is upon earth."</p><p>"But, sister, had he then that bright red scar round his forehead?"</p><p>"Oh, no! we should have certainly perceived it."</p><p>"And these other marks on his hands?"</p><p>"If he has been wounded, how can he be an archangel?"</p><p>"Why not, sister? If he received those wounds in preventing evil, or in&#13;
helping the unfortunate, who, like us, were about to perish?"</p><p>"You are right. If he did not run any danger for those he protects, it&#13;
would be less noble."</p><p>"What a pity that he does not open his eye!"</p><p>"Their expression is so good, so tender!"</p><p>"Why did he not speak of our mother, by the way?"</p><p>"We were not alone with him; he did not like to do so."</p><p>"But now we are alone."</p><p>"If we were to pray to him to speak to us?"</p><p>The orphans looked doubtingly at each other, with charming simplicity; a&#13;
bright glow suffused their cheeks, and their young bosoms heaved gently&#13;
beneath their black dresses.</p><p>"You are right. Let us kneel down to him."</p><p>"Oh, sister! our hearts beat so!" said Blanche, believing rightly, that&#13;
Rose felt exactly as she did. "And yet it seems to do us good. It is as&#13;
if some happiness were going to befall us."</p><p>The sisters, having approached the arm-chair on tip-toe, knelt down&#13;
with clasped hands, one to the right the other to the left of the young&#13;
priest. It was a charming picture. Turning their lovely faces towards&#13;
him, they said in a low whisper, with a soft, sweet voice, well suited&#13;
to their youthful appearance: "Gabriel! speak to us of our mother!"</p><p>On this appeal, the missionary gave a slight start, half-opened his&#13;
eyes, and, still in a state of semi-consciousness, between sleep and&#13;
waking, beheld those two beauteous faces turned towards him, and heard&#13;
two gentle voices repeat his name.</p><p>"Who calls me?" said he, rousing himself, and raising his head.</p><p>"It is Blanche and Rose."</p><p>It was now Gabriel's turn to blush, for he recognized the young girls he&#13;
had saved. "Rise, my sisters!" said he to them; "you should kneel only&#13;
unto God."</p><p>The orphans obeyed, and were soon beside him, holding each other by the&#13;
hand. "You know my name, it seems," said the missionary with a smile.</p><p>"Oh, we have not forgotten it!"</p><p>"Who told it you?"</p><p>"Yourself." "I?"</p><p>"Yes--when you came from our mother."</p><p>"I, my sisters?" said the missionary, unable to comprehend the words of&#13;
the orphans. "You are mistaken. I saw you to-day for the first time."</p><p>"But in our dreams?"</p><p>"Yes--do you not remember?--in our dreams."</p><p>"In Germany--three months ago, for the first time. Look at us well."</p><p>Gabriel could not help smiling at the simplicity of Rose and Blanche,&#13;
who expected him to remember a dream of theirs; growing more and more&#13;
perplexed, he repeated: "In your dreams?"</p><p>"Certainly; when you gave us such good advice."</p><p>"And when we were so sorrowful in prison, your words, which we&#13;
remembered, consoled us, and gave us courage."</p><p>"Was it not you, who delivered us from the prison at Leipsic, in that&#13;
dark night, when we were not able to see you?"</p><p>"I!"</p><p>"What other but you would thus have come to our help, and to that of our&#13;
old friend?"</p><p>"We told him, that you would love him, because he loved us, although he&#13;
would not believe in angels."</p><p>"And this morning, during the tempest, we had hardly any fear."</p><p>"Because we expected you."</p><p>"This morning--yes, my sisters--it pleased heaven to send me to your&#13;
assistance. I was coming from America, but I have never been in&#13;
Leipsic. I could not, therefore, have let you out of prison. Tell me, my&#13;
sisters," added he, with a benevolent smile, "for whom do you take me?"</p><p>"For a good angel whom we have seen already in dreams, sent by our&#13;
mother from heaven to protect us."</p><p>"My dear sisters, I am only a poor priest. It is by mere chance, no&#13;
doubt, that I bear some resemblance to the angel you have seen in your&#13;
dreams, and whom you could not see in any other manner--for angels are&#13;
not visible to mortal eye.</p><p>"Angels are not visible?" said the orphans, looking sorrowfully at each&#13;
other.</p><p>"No matter, my dear sisters," said Gabriel, taking them affectionately&#13;
by the hand; "dreams, like everything else, come from above. Since the&#13;
remembrance of your mother was mixed up with this dream, it is twice&#13;
blessed."</p><p>At this moment a door opened, and Dagobert made his appearance. Up to&#13;
this time, the orphans, in their innocent ambition to be protected by an&#13;
archangel, had quite forgotten the circumstance that Dagobert's wife&#13;
had adopted a forsaken child, who was called Gabriel, and who was now a&#13;
priest and missionary.</p><p>The soldier, though obstinate in maintaining that his hurt was only a&#13;
blank wound (to use a term of General Simon's), had allowed it to be&#13;
carefully dressed by the surgeon of the village, and now wore a black&#13;
bandage, which concealed one half of his forehead, and added to the&#13;
natural grimness of his features. On entering the room, he was not a&#13;
little surprised to see a stranger holding the hands of Rose and Blanche&#13;
familiarly in his own. This surprise was natural, for Dagobert did not&#13;
know that the missionary had saved the lives of the orphans, and had&#13;
attempted to save his also.</p><p>In the midst of the storm, tossed about by the waves, and vainly&#13;
striving to cling to the rocks, the soldier had only seen Gabriel&#13;
very imperfectly, at the moment when, having snatched the sisters from&#13;
certain death, the young priest had fruitlessly endeavored to come to&#13;
his aid. And when, after the shipwreck, Dagobert had found the orphans&#13;
in safety beneath the roof of the Manor House, he fell, as we have&#13;
already stated, into a swoon, caused by fatigue, emotion, and the&#13;
effects of his wound--so that he had again no opportunity of observing&#13;
the features of the missionary.</p><p>The veteran began to frown from beneath his black bandage and thick,&#13;
gray brows, at beholding a stranger so familiar with Rose and Blanche;&#13;
but the sisters ran to throw themselves into his arms, and to cover him&#13;
with filial caresses. His anger was soon dissipated by these marks of&#13;
affection, though he continued, from time to time, to cast a suspicious&#13;
glance at the missionary, who had risen from his seat, but whose&#13;
countenance he could not well distinguish.</p><p>"How is your wound?" asked Rose, anxiously. "They told us it was not&#13;
dangerous."</p><p>"Does it still pain?" added Blanche.</p><p>"No, children; the surgeon of the village would bandage me up in this&#13;
manner. If my head was carbonadoes with sabre cuts, I could not have&#13;
more wrappings. They will take me for an old milksop; it is only a blank&#13;
wound, and I have a good mind to--" And therewith the soldier raised one&#13;
of his hands to the bandage.</p><p>"Will you leave that alone?" cried Rose catching his arm. "How can you&#13;
be so unreasonable--at your age?"</p><p>"Well, well! don't scold! I will do what you wish, and keep it on."&#13;
Then, drawing the sisters to one end of the room, he said to them in a&#13;
low voice, whilst he looked at the young priest from the corner of his&#13;
eye: "Who is that gentleman who was holding your hands when I came in?&#13;
He has very much the look of a curate. You see, my children, you must be&#13;
on your guard; because--"</p><p>"He?" cried both sisters at once, turning towards Gabriel. "Without him,&#13;
we should not now be here to kiss you."</p><p>"What's that?" cried the soldier, suddenly drawing up his tall figure,&#13;
and gazing full at the missionary.</p><p>"It is our guardian angel," resumed Blanche.</p><p>"Without him," said Rose, "we must have perished this morning in the&#13;
shipwreck."</p><p>"Ah! it is he, who--" Dagobert could say no more. With swelling heart,&#13;
and tears in his eyes, he ran to the missionary, offered him both his&#13;
hands, and exclaimed in a tone of gratitude impossible to describe:&#13;
"Sir, I owe you the lives of these two children. I feel what a debt&#13;
that service lays upon me. I will not say more--because it includes&#13;
everything!"</p><p>Then, as if struck with a sudden recollection, he cried: "Stop! when&#13;
I was trying to cling to a rock, so as not to be carried away by the&#13;
waves, was it not you that held out your hand to me? Yes--that light&#13;
hair--that youthful countenance--yes--it was certainly you--now I am&#13;
sure of it!"</p><p>"Unhappily, sir, my strength failed me, and I had the anguish to see you&#13;
fall back into the sea."</p><p>"I can say nothing more in the way of thanks than what I have already&#13;
said," answered Dagobert, with touching simplicity: "in preserving these&#13;
children you have done more for me than if you had saved my own life.&#13;
But what heart and courage!" added the soldier, with admiration; "and so&#13;
young, with such a girlish look!"</p><p>"And so," cried Blanche, joyfully, "our Gabriel came to your aid also?"</p><p>"Gabriel!" said Dagobert interrupting Blanche, and addressing himself to&#13;
the priest. "Is your name Gabriel?"</p><p>"Yes, sir."</p><p>"Gabriel!" repeated the soldier, more and more surprised. "And a&#13;
priest!" added he.</p><p>"A priest of the foreign missions."</p><p>"Who--who brought you up?" asked the soldier, with increasing&#13;
astonishment.</p><p>"An excellent and generous woman, whom I revere as the best of mothers:&#13;
for she had pity on me, a deserted infant, and treated me ever as her&#13;
son."</p><p>"Frances Baudoin--was it not?" said the soldier, with deep emotion.</p><p>"It was, sir," answered Gabriel, astonished in his turn. "But how do you&#13;
know this?"</p><p>"The wife of a soldier, eh?" continued Dagobert.</p><p>"Yes, of a brave soldier--who, from the most admirable devotion, is even&#13;
now passing his life in exile--far from his wife--far from his son, my&#13;
dear brother--for I am proud to call him by that name--"</p><p>"My Agricola!--my wife!--when did you leave them?"</p><p>"What! is it possible! You the father of Agricola?--Oh! I knew not,&#13;
until now," cried Gabriel, clasping his hands together, "I knew not all&#13;
the gratitude that I owed to heaven!"</p><p>"And my wife! my child!" resumed Dagobert, in a trembling voice; "how&#13;
are they? have you news of them?"</p><p>"The accounts I received, three months ago, were excellent."</p><p>"No; it is too much," cried Dagobert; "it is too much!" The veteran&#13;
was unable to proceed; his feelings stifled his words, and fell back&#13;
exhausted in a chair.</p><p>And now Rose and Blanche recalled to mind that portion of their father's&#13;
letter which related to the child named Gabriel, whom the wife of&#13;
Dagobert had adopted; then they also yielded to transports of innocent&#13;
joy.</p><p>"Our Gabriel is the same as yours--what happiness!" cried Rose.</p><p>"Yes, my children! he belongs to you as well as to me. We have all&#13;
our part in him." Then, addressing Gabriel, the soldier added with&#13;
affectionate warmth: "Your hand, my brave boy! give me your hand!"</p><p>"Oh, sir! you are too good to me."</p><p>"Yes--that's it--thank me!--after all thou has done for us!"</p><p>"Does my adopted mother know of your return?" asked Gabriel, anxious to&#13;
escape from the praises of the soldier.</p><p>"I wrote to her five months since, but said that I should come alone;&#13;
there was a reason for it, which I will explain by and by. Does she&#13;
still live in the Rue Brise-Miche? It was there Agricola was born."</p><p>"She still lives there."</p><p>"In that case, she must have received my letter. I wished to write to&#13;
her from the prison at Leipsic, but it was impossible."</p><p>"From prison! Have you just come out of prison?"</p><p>"Yes; I come straight from Germany, by the Elbe and Hamburg, and I&#13;
should be still at Leipsic, but for an event which the Devil must have&#13;
had a hand in--a good sort of devil, though."</p><p>"What do you mean? Pray explain to me."</p><p>"That would be difficult, for I cannot explain it to myself. These&#13;
little ladies," he added, pointing with a smile to Rose and Blanche,&#13;
"pretended to know more about it than I did, and were continually&#13;
repeating: 'It was the angel that came to our assistance, Dagobert--the&#13;
good angel we told thee of--though you said you would rather have Spoil&#13;
sport to defend us--'"</p><p>"Gabriel, I am waiting for you," said a stern voice, which made the&#13;
missionary start. They all turned round instantly, whilst the dog&#13;
uttered a deep growl.</p><p>It was Rodin. He stood in the doorway leading to the corridor. His&#13;
features were calm and impassive, but he darted a rapid, piercing glance&#13;
at the soldier and sisters.</p><p>"Who is that man?" said Dagobert, very little prepossessed in favor&#13;
of Rodin, whose countenance he found singularly repulsive. "What the&#13;
mischief does he want?"</p><p>"I must go with him," answered Gabriel, in a tone of sorrowful&#13;
constraint. Then, turning to Rodin, he added: "A thousand pardons! I&#13;
shall be ready in a moment."</p><p>"What!" cried Dagobert, stupefied with amazement, "going the very&#13;
instant we have just met? No, by my faith! you shall not go. I have&#13;
too much to tell you, and to ask in return. We will make the journey&#13;
together. It will be a real treat for me."</p><p>"It is impossible. He is my superior, and I must obey him."</p><p>"Your superior?--why, he's in citizen's dress."</p><p>"He is not obliged to wear the ecclesiastical garb."</p><p>"Rubbish! since he is not in uniform, and there is no provost-marshal in&#13;
your troop, send him to the--"</p><p>"Believe me, I would not hesitate a minute, if it were possible to&#13;
remain."</p><p>"I was right in disliking the phi of that man," muttered Dagobert&#13;
between his teeth. Then he added, with an air of impatience and&#13;
vexation: "Shall I tell him that he will much oblige us by marching off&#13;
by himself?"</p><p>"I beg you not to do so," said Gabriel; "it would be useless; I know&#13;
my duty, and have no will but my superior's. As soon as you arrive in&#13;
Paris, I will come and see you, as also my adopted mother, and my dear&#13;
brother, Agricola."</p><p>"Well--if it must be. I have been a soldier, and know what subordination&#13;
is," said Dagobert, much annoyed. "One must put a good face on bad&#13;
fortune. So, the day after to-morrow, in the Rue Brise-Miche, my boy;&#13;
for they tell me I can be in Paris by to-morrow evening, and we set out&#13;
almost immediately. But I say--there seems to be a strict discipline&#13;
with you fellows!"</p><p>"Yes, it is strict and severe," answered Gabriel, with a shudder, and a&#13;
stifled sigh.</p><p>"Come, shake hands--and let's say farewell for the present. After all,&#13;
twenty-four hours will soon pass away."</p><p>"Adieu! adieu!" replied the missionary, much moved, whilst he returned&#13;
the friendly pressure of the veteran's hand.</p><p>"Adieu, Gabriel!" added the orphans, sighing also, and with tears in&#13;
their eyes.</p><p>"Adieu, my sisters!" said Gabriel--and he left the room with Rodin, who&#13;
had not lost a word or an incident of this scene.</p><p>Two hours after, Dagobert and the orphans had quitted the Castle for&#13;
Paris, not knowing that Djalma was left at Cardoville, being still&#13;
too much injured to proceed on his journey. The half-caste, Faringhea,&#13;
remained with the young prince, not wishing, he said, to desert a fellow&#13;
countryman.</p><p>We now conduct the reader to the Rue Brise-Miche, the residence of&#13;
Dagobert's wife.</p><p>CHAPTER XXVII. DAGOBERT'S WIFE.</p><p>The following scenes occur in Paris, on the morrow of the day when the&#13;
shipwrecked travellers were received in Cardoville House.</p><p>Nothing can be more gloomy than the aspect of the Rue Brise-Miche, one&#13;
end of which leads into the Rue Saint-Merry, and the other into the&#13;
little square of the Cloister, near the church. At this end, the street,&#13;
or rather alley--for it is not more than eight feet wide--is shut in&#13;
between immense black, muddy dilapidated walls, the excessive height of&#13;
which excludes both air and light; hardly, during the longest days&#13;
of the year, is the sun able to throw into it a few straggling beams;&#13;
whilst, during the cold damps of winter, a chilling fog, which seems to&#13;
penetrate everything, hangs constantly above the miry pavement of this&#13;
species of oblong well.</p><p>It was about eight o'clock in the evening; by the faint, reddish light&#13;
of the street lamp, hardly visible through the haze, two men, stopping&#13;
at the angle of one of those enormous walls, exchanged a few words&#13;
together.</p><p>"So," said one, "you understand all about it. You are to watch in the&#13;
street, till you see them enter No. 5."</p><p>"All right!" answered the other.</p><p>"And when you see 'em enter so as to make quite sure of the game, go up&#13;
to Frances Baudoin's room--"</p><p>"Under the cloak of asking where the little humpbacked workwoman&#13;
lives--the sister of that gay girl, the Queen of the Bacchanals."</p><p>"Yes--and you must try and find out her address also--from her&#13;
humpbacked sister, if possible--for it is very important. Women of her&#13;
feather change their nests like birds, and we have lost track of her."</p><p>"Make yourself easy; I will do my best with Hump, to learn where her&#13;
sister hangs out."</p><p>"And, to give you steam, I'll wait for you at the tavern opposite the&#13;
Cloister, and we'll have a go of hot wine on your return."</p><p>"I'll not refuse, for the night is deucedly cold."</p><p>"Don't mention it! This morning the water friz on my sprinkling-brush,&#13;
and I turned as stiff as a mummy in my chair at the church-door. Ah, my&#13;
boy! a distributor of holy water is not always upon roses!"</p><p>"Luckily, you have the pickings--"</p><p>"Well, well--good luck to you! Don't forget the Fiver, the little&#13;
passage next to the dyer's shop."</p><p>"Yes, yes--all right!" and the two men separated.</p><p>One proceeded to the Cloister Square; the other towards the further end&#13;
of the street, where it led into the Rue Saint-Merry. This latter&#13;
soon found the number of the house he sought--a tall, narrow building,&#13;
having, like all the other houses in the street, a poor and wretched&#13;
appearance. When he saw he was right, the man commenced walking&#13;
backwards and forwards in front of the door of No. 5.</p><p>If the exterior of these buildings was uninviting, the gloom and squalor&#13;
of the interior cannot be described. The house No. 5 was, in a special&#13;
degree, dirty and dilapidated. The water, which oozed from the wall,&#13;
trickled down the dark and filthy staircase. On the second floor, a wisp&#13;
of straw had been laid on the narrow landing-place, for wiping the feet&#13;
on; but this straw, being now quite rotten, only served to augment the&#13;
sickening odor, which arose from want of air, from damp, and from&#13;
the putrid exhalations of the drains. The few openings, cut at rare&#13;
intervals in the walls of the staircase, could hardly admit more than&#13;
some faint rays of glimmering light.</p><p>In this quarter, one of the most populous in Paris, such houses as&#13;
these, poor, cheerless, and unhealthy, are generally inhabited by&#13;
the working classes. The house in question was of the number. A dyer&#13;
occupied the ground floor; the deleterious vapors arising from his vats&#13;
added to the stench of the whole building. On the upper stories, several&#13;
artisans lodged with their families, or carried on their different&#13;
trades. Up four flights of stairs was the lodging of Frances Baudoin,&#13;
wife of Dagobert. It consisted of one room, with a closet adjoining, and&#13;
was now lighted by a single candle. Agricola occupied a garret in the&#13;
roof.</p><p>Old grayish paper, broken here and there by the cracks covered the crazy&#13;
wall, against which rested the bed; scanty curtains, running upon an&#13;
iron rod, concealed the windows; the brick floor, not polished, but&#13;
often washed, had preserved its natural color. At one end of this room&#13;
was a round iron stove, with a large pot for culinary purposes. On the&#13;
wooden table, painted yellow, marbled with brown, stood a miniature&#13;
house made of iron--a masterpiece of patience and skill, the work of&#13;
Agricola Baudoin, Dagobert's son.</p><p>A plaster crucifix hung up against the wall, surrounded by several&#13;
branches of consecrated box-tree, and various images of saints, very&#13;
coarsely colored, bore witness to the habits of the soldier's wife.&#13;
Between the windows stood one of those old walnut-wood presses,&#13;
curiously fashioned, and almost black with time; an old arm-chair,&#13;
covered with green cotton velvet (Agricola's first present to his&#13;
mother), a few rush bottomed chairs, and a worktable on which lay&#13;
several bags of coarse, brown cloth, completed the furniture of this&#13;
room, badly secured by a worm-eaten door. The adjoining closet contained&#13;
a few kitchen and household utensils.</p><p>Mean and poor as this interior may perhaps appear, it would not seem&#13;
so to the greater number of artisans; for the bed was supplied with&#13;
two mattresses, clean sheets, and a warm counterpane; the old-fashioned&#13;
press contained linen; and, moreover, Dagobert's wife occupied all to&#13;
herself a room as large as those in which numerous families, belonging&#13;
to honest and laborious workmen, often live and sleep huddled&#13;
together--only too happy if the boys and girls can have separate beds,&#13;
or if the sheets and blankets are not pledged at the pawnbroker's.</p><p>Frances Baudoin, seated beside the small stove, which, in the cold and&#13;
damp weather, yielded but little warmth, was busied in preparing her son&#13;
Agricola's evening meal.</p><p>Dagobert's wife was about fifty years of age; she wore a close jacket&#13;
of blue cotton, with white flowers on it, and a stuff petticoat; a white&#13;
handkerchief was tied round her head, and fastened under the chin. Her&#13;
countenance was pale and meagre, the features regular, and expressive of&#13;
resignation and great kindness. It would have been difficult to find a&#13;
better, a more courageous mother. With no resource but her labor, she&#13;
had succeeded, by unwearied energy, in bringing up not only her own&#13;
son Agricola, but also Gabriel, the poor deserted child, of whom, with&#13;
admirable devotion, she had ventured to take charge.</p><p>In her youth, she had, as it were, anticipated the strength of later&#13;
life, by twelve years of incessant toil, rendered lucrative by the most&#13;
violent exertions, and accompanied by such privations as made it almost&#13;
suicidal. Then (for it was a time of splendid wages, compared to the&#13;
present), by sleepless nights and constant labor, she contrived to earn&#13;
about two shillings (fifty sous) a day, and with this she managed to&#13;
educate her son and her adopted child.</p><p>At the end of these twelve years, her health was ruined, and her&#13;
strength nearly exhausted; but, at all events, her boys had wanted for&#13;
nothing, and had received such an education as children of the people&#13;
can obtain. About this time, M. Francois Hardy took Agricola as an&#13;
apprentice, and Gabriel prepared to enter the priest's seminary,&#13;
under the active patronage of M. Rodin, whose communications with the&#13;
confessor of Frances Baudoin had become very frequent about the year&#13;
1820.</p><p>This woman (whose piety had always been excessive) was one of those&#13;
simple natures, endowed with extreme goodness, whose self-denial&#13;
approaches to heroism, and who devote themselves in obscurity to a life&#13;
of martyrdom--pure and heavenly minds, in whom the instincts of the&#13;
heart supply the place of the intellect!</p><p>The only defect, or rather the necessary consequence of this extreme&#13;
simplicity of character, was the invincible determination she displayed&#13;
in yielding to the commands of her confessor, to whose influence she&#13;
had now for many years been accustomed to submit. She regarded this&#13;
influence as most venerable and sacred; no mortal power, no human&#13;
consideration, could have prevented her from obeying it. Did any dispute&#13;
arise on the subject, nothing could move her on this point; she opposed&#13;
to every argument a resistance entirely free from passion--mild as her&#13;
disposition, calm as her conscience--but, like the latter, not to&#13;
be shaken. In a word, Frances Baudoin was one of those pure, but&#13;
uninstructed and credulous beings, who may sometimes, in skillful and&#13;
dangerous hands, become, without knowing it, the instruments of much&#13;
evil.</p><p>For some time past, the bad state of her health, and particularly the&#13;
increasing weakness of her sight, had condemned her to a forced repose;&#13;
unable to work more than two or three hours a day, she consumed the rest&#13;
of her time at church.</p><p>Frances rose from her seat, pushed the coarse bags at which she had been&#13;
working to the further end of the table, and proceeded to lay the cloth&#13;
for her son's supper, with maternal care and solicitude. She took from&#13;
the press a small leathern bag, containing an old silver cup, very much&#13;
battered, and a fork and spoon, so worn and thin, that the latter cut&#13;
like a knife. These, her only plate (the wedding present of Dagobert)&#13;
she rubbed and polished as well as she was able, and laid by the side of&#13;
her son's plate. They were the most precious of her possessions, not so&#13;
much for what little intrinsic value might attach to them, as for the&#13;
associations they recalled; and she had often shed bitter tears, when,&#13;
under the pressure of illness or want of employment, she had been&#13;
compelled to carry these sacred treasures to the pawnbroker's.</p><p>Frances next took, from the lower shelf of the press, a bottle of water,&#13;
and one of wine about three-quarters full, which she also placed near&#13;
her son's plate; she then returned to the stove, to watch the cooking of&#13;
the supper.</p><p>Though Agricola was not much later than usual, the countenance of his&#13;
mother expressed both uneasiness and grief; one might have seen, by the&#13;
redness of her eyes, that she had been weeping a good deal. After&#13;
long and painful uncertainty, the poor woman had just arrived at the&#13;
conviction that her eyesight, which had been growing weaker and weaker,&#13;
would soon be so much impaired as to prevent her working even the two or&#13;
three hours a day which had lately been the extent of her labors.</p><p>Originally an excellent hand at her needle, she had been obliged, as&#13;
her eyesight gradually failed her, to abandon the finer for the&#13;
coarser sorts of work, and her earnings had necessarily diminished in&#13;
proportion; she had at length been reduced to the necessity of making&#13;
those coarse bags for the army, which took about four yards of sewing,&#13;
and were paid at the rate of two sous each, she having to find her own&#13;
thread. This work, being very hard, she could at most complete three&#13;
such bags in a day, and her gains thus amounted to threepence (six&#13;
sous)!</p><p>It makes one shudder to think of the great number of unhappy females,&#13;
whose strength has been so much exhausted by privations, old age, or&#13;
sickness, that all the labor of which they are capable, hardly suffices&#13;
to bring them in daily this miserable pittance. Thus do their gains&#13;
diminish in exact proportion to the increasing wants which age and&#13;
infirmity must occasion.</p><p>Happily, Frances had an efficient support in her son. A first-rate&#13;
workman, profiting by the just scale of wages adopted by M. Hardy, his&#13;
labor brought him from four to five shillings a day--more than double&#13;
what was gained by the workmen of many other establishments. Admitting&#13;
therefore that his mother were to gain nothing, he could easily maintain&#13;
both her and himself.</p><p>But the poor woman, so wonderfully economical that she denied herself&#13;
even some of the necessaries of life, had of late become ruinously&#13;
liberal on the score of the sacristy, since she had adopted the habit&#13;
of visiting daily the parish church. Scarcely a day passed but she had&#13;
masses sung, or tapers burnt, either for Dagobert, from whom she had&#13;
been so long separated, or for the salvation of her son Agricola, whom&#13;
she considered on the high-road to perdition. Agricola had so excellent&#13;
a heart, so loved and revered his mother, and considered her actions&#13;
in this respect inspired by so touching a sentiment, that he never&#13;
complained when he saw a great part of his week's wages (which he paid&#13;
regularly over to his mother every Saturday) disappear in pious forms.</p><p>Yet now and then he ventured to remark to Frances, with as much respect&#13;
as tenderness, that it pained him to see her enduring privations&#13;
injurious at her age, because she preferred incurring these devotional&#13;
expenses. But what answer could he make to this excellent mother, when&#13;
she replied with tears: "My child, 'tis for the salvation of your father&#13;
and yours too."</p><p>To dispute the efficacy of masses, would have been venturing on a&#13;
subject which Agricola, through respect for his mother's religious&#13;
faith, never discussed. He contented himself, therefore, with seeing her&#13;
dispense with comforts she might have enjoyed.</p><p>A discreet tap was heard at the door. "Come in," said Frances. The&#13;
person came in.</p><p>CHAPTER XXVIII. THE SISTER OF THE BACCHANAL QUEEN.</p><p>The person who now entered was a girl of about eighteen, short, and very&#13;
much deformed. Though not exactly a hunchback, her spine was curved; her&#13;
breast was sunken, and her head deeply set in the shoulders. Her face&#13;
was regular, but long, thin, very pale, and pitted with the small pox;&#13;
yet it expressed great sweetness and melancholy. Her blue eyes beamed&#13;
with kindness and intelligence. By a strange freak of nature, the&#13;
handsomest woman would have been proud of the magnificent hair twisted&#13;
in a coarse net at the back of her head. She held an old basket in her&#13;
hand. Though miserably clad, the care and neatness of her dress revealed&#13;
a powerful struggle with her poverty. Notwithstanding the cold, she&#13;
wore a scanty frock made of print of an indefinable color, spotted with&#13;
white; but it had been so often washed, that its primitive design and&#13;
color had long since disappeared. In her resigned, yet suffering face,&#13;
might be read a long familiarity with every form of suffering, every&#13;
description of taunting. From her birth, ridicule had ever pursued her.&#13;
We have said that she was very deformed, and she was vulgarly called&#13;
"Mother Bunch." Indeed it was so usual to give her this grotesque name,&#13;
which every moment reminded her of her infirmity, that Frances and&#13;
Agricola, though they felt as much compassion as other people showed&#13;
contempt for her, never called her, however, by any other name.</p><p>Mother Bunch, as we shall therefore call her in future, was born in the&#13;
house in which Dagobert's wife had resided for more than twenty years;&#13;
and she had, as it were, been brought up with Agricola and Gabriel.</p><p>There are wretches fatally doomed to misery. Mother Bunch had a very&#13;
pretty sister, on whom Perrine Soliveau, their common mother, the widow&#13;
of a ruined tradesman, had concentrated all her affection, while she&#13;
treated her deformed child with contempt and unkindness. The latter&#13;
would often come, weeping, to Frances, on this account, who tried to&#13;
console her, and in the long evenings amused her by teaching her to read&#13;
and sew. Accustomed to pity her by their mother's example, instead of&#13;
imitating other children, who always taunted and sometimes even beat&#13;
her, Agricola and Gabriel liked her, and used to protect and defend her.</p><p>She was about fifteen, and her sister Cephyse was about seventeen,&#13;
when their mother died, leaving them both in utter poverty. Cephyse was&#13;
intelligent, active, clever, but different to her sister; she had the&#13;
lively, alert, hoydenish character which requires air, exercise and&#13;
pleasures--a good girl enough, but foolishly spoiled by her mother.&#13;
Cephyse, listening at first to Frances's good advice, resigned herself&#13;
to her lot; and, having learnt to sew, worked like her sister, for&#13;
about a year. But, unable to endure any longer the bitter privations her&#13;
insignificant earnings, notwithstanding her incessant toil, exposed&#13;
her to--privations which often bordered on starvation--Cephyse, young,&#13;
pretty, of warm temperament, and surrounded by brilliant offers and&#13;
seductions--brilliant, indeed, for her, since they offered food to&#13;
satisfy her hunger, shelter from the cold, and decent raiment, without&#13;
being obliged to work fifteen hours a day in an obscure and unwholesome&#13;
hovel--Cephyse listened to the vows of a young lawyer's clerk, who&#13;
forsook her soon after. She formed a connection with another clerk, whom&#13;
she (instructed by the examples set her), forsook in turn for a bagman,&#13;
whom she afterwards cast off for other favorites. In a word, what with&#13;
changing and being forsaken, Cephyse, in the course of one or two years,&#13;
was the idol of a set of grisettes, students and clerks; and acquired&#13;
such a reputation at the balls on the Hampstead Heaths of Paris, by her&#13;
decision of character, original turn of mind, and unwearied ardor in all&#13;
kinds of pleasures, and especially her wild, noisy gayety, that she was&#13;
termed the Bacchanal Queen, and proved herself in every way worthy of&#13;
this bewildering royalty.</p><p>From that time poor Mother Bunch only heard of her sister at rare&#13;
intervals. She still mourned for her, and continued to toil hard to&#13;
gain her three-and-six a week. The unfortunate girl, having been taught&#13;
sewing by Frances, made coarse shirts for the common people and the&#13;
army. For these she received half-a-crown a dozen. They had to be&#13;
hemmed, stitched, provided with collars and wristbands, buttons, and&#13;
button holes; and at the most, when at work twelve and fifteen hours a&#13;
day, she rarely succeeded in turning out more than fourteen or sixteen&#13;
shirts a week--an excessive amount of toil that brought her in about&#13;
three shillings and fourpence a week. And the case of this poor girl&#13;
was neither accidental nor uncommon. And this, because the remuneration&#13;
given for women's work is an example of revolting injustice and savage&#13;
barbarism. They are paid not half as much as men who are employed at the&#13;
needle: such as tailors, and makers of gloves, or waistcoats, etc.--no&#13;
doubt because women can work as well as men--because they are more weak&#13;
and delicate--and because their need may be twofold as great when they&#13;
become mothers.</p><p>Well, Mother Bunch fagged on, with three-and-four a week. That is to&#13;
say, toiling hard for twelve or fifteen hours every day; she succeeded&#13;
in keeping herself alive, in spite of exposure to hunger, cold, and&#13;
poverty--so numerous were her privations. Privations? No! The word&#13;
privation expresses but weakly that constant and terrible want of all&#13;
that is necessary to preserve the existence God gives; namely, wholesome&#13;
air and shelter, sufficient and nourishing food and warm clothing.&#13;
Mortification would be a better word to describe that total want of all&#13;
that is essentially vital, which a justly organized state of society&#13;
ought--yes--ought necessarily to bestow on every active, honest&#13;
workman and workwoman, since civilization has dispossessed them of all&#13;
territorial right, and left them no other patrimony than their hands.</p><p>The savage does not enjoy the advantage of civilization; but he has, at&#13;
least, the beasts of the field, the fowls of the air, the fish of the&#13;
sea, and the fruits of the earth, to feed him, and his native woods for&#13;
shelter and for fuel. The civilized man, disinherited of these gifts,&#13;
considering the rights of property as sacred, may, in return for his&#13;
hard daily labor, which enriches his country, demand wages that will&#13;
enable him to live in the enjoyment of health: nothing more, and&#13;
nothing less. For is it living, to drag along on the extreme edge which&#13;
separates life from the grave, and even there continually struggle&#13;
against cold, hunger, and disease? And to show how far the mortification&#13;
which society imposes thus inexorably on its millions of honest,&#13;
industrious laborers (by its careless disregard of all the questions&#13;
which concern the just remuneration of labor), may extend, we will&#13;
describe how this poor girl contrived to live on three shillings and&#13;
sixpence a week.</p><p>Society, perhaps, may then feel its obligation to so many unfortunate&#13;
wretches for supporting, with resignation, the horrible existence which&#13;
leaves them just sufficient life to feel the worst pangs of humanity.&#13;
Yes: to live at such a price is virtue! Yes, society thus organized,&#13;
whether it tolerates or imposes so much misery, loses all right to&#13;
blame the poor wretches who sell themselves not through debauchery, but&#13;
because they are cold and famishing. This poor girl spent her wages as&#13;
follows:</p><p>Six pounds of bread, second quality........0 8 1/2&#13;
    Four pails of water................0 2&#13;
    Lard or dripping (butter being out of the question)0 5&#13;
    Coarse salt....................0 0 3/4&#13;
    A bushel of charcoal...............0 4&#13;
    A quart of dried vegetables............0 3&#13;
    Three quarts of potatoes..............0 2&#13;
    Dips........................0 3 1/4&#13;
    Thread and needles.................0 2 1/2&#13;
                                                      ______&#13;
                                                       2 7</p><p>To save charcoal, Mother Bunch prepared soup only two or three times a&#13;
week at most, on a stove that stood on the landing of the fourth story.&#13;
On other days she ate it cold. There remained nine or ten pence a week&#13;
for clothes and lodging. By rare good fortune, her situation was in one&#13;
respect an exception to the lot of many others. Agricola, that he&#13;
might not wound her delicacy, had come to a secret arrangement with the&#13;
housekeeper, and hired a garret for her, just large enough to hold a&#13;
small bed, a chair, and a table; for which the sempstress had to pay&#13;
five shillings a year. But Agricola, in fulfilment of his agreement with&#13;
the porter, paid the balance, to make up the actual rent of the&#13;
garret, which was twelve and sixpence. The poor girl had thus about&#13;
eighteenpence a month left for her other expenses. But many workwomen,&#13;
whose position is less fortunate than hers, since they have neither&#13;
home nor family, buy a piece of bread and some other food to keep them&#13;
through the day; and at night patronize the "twopenny rope," one with&#13;
another, in a wretched room containing five or six beds, some of which&#13;
are always engaged by men, as male lodgers are by far the most abundant.&#13;
Yes; and in spite of the disgust that a poor and virtuous girl must feel&#13;
at this arrangement, she must submit to it; for a lodging-house keeper&#13;
cannot have separate rooms for females. To furnish a room, however&#13;
meanly, the poor workwoman must possess three or four shillings in ready&#13;
money. But how save this sum, out of weekly earnings of a couple of&#13;
florins, which are scarcely sufficient to keep her from starving, and&#13;
are still less sufficient to clothe her? No! no! The poor wretch must&#13;
resign herself to this repugnant cohabitation; and so, gradually, the&#13;
instinct of modesty becomes weakened; the natural sentiment of chastity,&#13;
that saved her from the "gay life," becomes extinct; vice appears to be&#13;
the only means of improving her intolerable condition; she yields;&#13;
and the first "man made of money," who can afford a governess for his&#13;
children, cries out against the depravity of the lower orders! And&#13;
yet, painful as the condition of the working woman is, it is relatively&#13;
fortunate. Should work fail her for one day, two days, what then? Should&#13;
sickness come--sickness almost always occasioned by unwholesome food,&#13;
want of fresh air, necessary attention, and good rest; sickness, often&#13;
so enervating as to render work impossible; though not so dangerous&#13;
as to procure the sufferer a bed in an hospital--what becomes of the&#13;
hapless wretches then? The mind hesitates, and shrinks from dwelling on&#13;
such gloomy pictures.</p><p>This inadequacy of wages, one terrible source only of so many evils, and&#13;
often of so many vices, is general, especially among women; and, again&#13;
this is not private wretchedness, but the wretchedness which afflicts&#13;
whole classes, the type of which we endeavor to develop in Mother Bunch.&#13;
It exhibits the moral and physical condition of thousands of human&#13;
creatures in Paris, obliged to subsist on a scanty four shillings a&#13;
week. This poor workwoman, then, notwithstanding the advantages she&#13;
unknowingly enjoyed through Agricola's generosity, lived very miserably;&#13;
and her health, already shattered, was now wholly undermined by these&#13;
constant hardships. Yet, with extreme delicacy, though ignorant of&#13;
the little sacrifice already made for her by Agricola, Mother Bunch&#13;
pretended she earned more than she really did, in order to avoid offers&#13;
of service which it would have pained her to accept, because she knew&#13;
the limited means of Frances and her son, and because it would have&#13;
wounded her natural delicacy, rendered still more sensitive by so many&#13;
sorrows and humiliations.</p><p>But, singular as it may appear, this deformed body contained a loving&#13;
and generous soul--a mind cultivated even to poetry; and let us add,&#13;
that this was owing to the example of Agricola Baudoin, with whom she&#13;
had been brought up, and who had naturally the gift. This poor girl was&#13;
the first confidant to whom our young mechanic imparted his literary&#13;
essays; and when he told her of the charm and extreme relief he found&#13;
in poetic reverie, after a day of hard toil, the workwoman, gifted with&#13;
strong natural intelligence, felt, in her turn, how great a resource&#13;
this would be to her in her lonely and despised condition.</p><p>One day, to Agricola's great surprise, who had just read some verses to&#13;
her, the sewing-girl, with smiles and blushes, timidly communicated to&#13;
him also a poetic composition. Her verses wanted rhythm and harmony,&#13;
perhaps; but they were simple and affecting, as a non-envenomed&#13;
complaint entrusted to a friendly hearer. From that day Agricola and she&#13;
held frequent consultations; they gave each other mutual encouragement:&#13;
but with this exception, no one else knew anything of the girl's&#13;
poetical essays, whose mild timidity made her often pass for a person of&#13;
weak intellect. This soul must have been great and beautiful, for in all&#13;
her unlettered strains there was not a word of murmuring respecting her&#13;
hard lot: her note was sad, but gentle--desponding, but resigned; it&#13;
was especially the language of deep tenderness--of mournful sympathy--of&#13;
angelic charity for all poor creatures consigned, like her, to bear&#13;
the double burden of poverty and deformity. Yet she often expressed&#13;
a sincere free-spoken admiration of beauty, free from all envy or&#13;
bitterness; she admired beauty as she admired the sun. But, alas! many&#13;
were the verses of hers that Agricola had never seen, and which he was&#13;
never to see.</p><p>The young mechanic, though not strictly handsome, had an open masculine&#13;
face; was as courageous as kind; possessed a noble, glowing, generous&#13;
heart, a superior mind, and a frank, pleasing gayety of spirits. The&#13;
young girl, brought up with him, loved him as an unfortunate creature&#13;
can love, who, dreading cruel ridicule, is obliged to hide her affection&#13;
in the depths of her heart, and adopt reserve and deep dissimulation.&#13;
She did not seek to combat her love; to what purpose should she do&#13;
so? No one would ever know it. Her well known sisterly affection for&#13;
Agricola explained the interest she took in all that concerned him; so&#13;
that no one was surprised at the extreme grief of the young workwoman,&#13;
when, in 1830, Agricola, after fighting intrepidly for the people's&#13;
flag, was brought bleeding home to his mother. Dagobert's son, deceived,&#13;
like others, on this point, had never suspected, and was destined never&#13;
to suspect, this love for him.</p><p>Such was the poorly-clad girl who entered the room in which Frances was&#13;
preparing her son's supper.</p><p>"Is it you, my poor love," said she; "I have not seen you since morning:&#13;
have you been ill? Come and kiss me."</p><p>The young girl kissed Agricola's mother, and replied: "I was very busy&#13;
about some work, mother; I did not wish to lose a moment; I have only&#13;
just finished it. I am going down to fetch some charcoal--do you want&#13;
anything while I'm out?"</p><p>"No, no, my child, thank you. But I am very uneasy. It is half-past&#13;
eight, and Agricola is not come home." Then she added, after a sigh: "He&#13;
kills himself with work for me. Ah, I am very unhappy, my girl; my sight&#13;
is quite going. In a quarter of an hour after I begin working, I cannot&#13;
see at all--not even to sew sacks. The idea of being a burden to my son&#13;
drives me distracted."</p><p>"Oh, don't, ma'am, if Agricola heard you say that--"</p><p>"I know the poor boy thinks of nothing but me, and that augments my&#13;
vexation. Only I think that rather than leave me, he gives up the&#13;
advantages that his fellow-workmen enjoy at Hardy's, his good and worthy&#13;
master--instead of living in this dull garret, where it is scarcely&#13;
light at noon, he would enjoy, like the other workmen, at very little&#13;
expense, a good light room, warm in winter, airy in summer, with a view&#13;
of the garden. And he is so fond of trees! not to mention that this&#13;
place is so far from his work, that it is quite a toil to him to get to&#13;
it."</p><p>"Oh, when he embraces you he forgets his fatigue, Mrs. Baudoin," said&#13;
Mother Bunch; "besides, he knows how you cling to the house in which he&#13;
was born. M. Hardy offered to settle you at Plessy with Agricola, in the&#13;
building put up for the workmen."</p><p>"Yes, my child; but then I must give up church. I can't do that."</p><p>"But--be easy, I hear him," said the hunchback, blushing.</p><p>A sonorous, joyous voice was heard singing on the stairs.</p><p>"At least, I'll not let him see that I have been crying," said the good&#13;
mother, drying her tears. "This is the only moment of rest and ease from&#13;
toil he has--I must not make it sad to him."</p><p>CHAPTER XXIX. AGRICOLA BAUDOIN.</p><p>Our blacksmith poet, a tall young man, about four-and-twenty years of&#13;
age, was alert and robust, with ruddy complexion, dark hair and eyes,&#13;
and aquiline nose, and an open, expressive countenance. His resemblance&#13;
to Dagobert was rendered more striking by the thick brown moustache&#13;
which he wore according to the fashion; and a sharp-pointed imperial&#13;
covered his chin. His cheeks, however, were shaven, Olive color&#13;
velveteen trousers, a blue blouse, bronzed by the forge smoke, a black&#13;
cravat, tied carelessly round his muscular neck, a cloth cap with&#13;
a narrow vizor, composed his dress. The only thing which contrasted&#13;
singularly with his working habiliments was a handsome purple flower,&#13;
with silvery pistils, which he held in his hand.</p><p>"Good-evening, mother," said he, as he came to kiss Frances immediately.</p><p>Then, with a friendly nod, he added, "Good-evening, Mother Bunch."</p><p>"You are very late, my child," said Frances, approaching the little&#13;
stove on which her son's simple meal was simmering; "I was getting very&#13;
anxious."</p><p>"Anxious about me, or about my supper, dear mother?" said Agricola,&#13;
gayly. "The deuce! you won't excuse me for keeping the nice little&#13;
supper waiting that you get ready for me, for fear it should be spoilt,&#13;
eh?"</p><p>So saying, the blacksmith tried to kiss his mother again.</p><p>"Have done, you naughty boy; you'll make me upset the pan."</p><p>"That would be a pity, mother; for it smells delightfully. Let's see&#13;
what it is."</p><p>"Wait half a moment."</p><p>"I'll swear, now, you have some of the fried potatoes and bacon I'm so&#13;
fond of."</p><p>"Being Saturday, of course!" said Frances, in a tone of mild reproach.</p><p>"True," rejoined Agricola, exchanging a smile of innocent cunning with&#13;
Mother Bunch; "but, talking of Saturday, mother, here are my wages."</p><p>"Thank ye, child; put the money in the cupboard."</p><p>"Yes, mother!"</p><p>"Oh, dear!" cried the young sempstress, just as Agricola was about&#13;
to put away the money, "what a handsome flower you have in your hand,&#13;
Agricola. I never saw a finer. In winter, too! Do look at it, Mrs.&#13;
Baudoin."</p><p>"See there, mother," said Agricola, taking the flower to her; "look&#13;
at it, admire it, and especially smell it. You can't have a sweeter&#13;
perfume; a blending of vanilla and orange blossom."</p><p>"Indeed, it does smell nice, child. Goodness! how handsome!" said&#13;
Frances, admiringly; "where did you find it?"</p><p>"Find it, my good mother!" repeated Agricola, smilingly: "do you think&#13;
folks pick up such things between the Barriere du Maine and the Rue&#13;
Brise-Miche?"</p><p>"How did you get it then?" inquired the sewing girl, sharing in&#13;
Frances's curiosity.</p><p>"Oh! you would like to know? Well, I'll satisfy you, and explain why&#13;
I came home so late; for something else detained me. It has been an&#13;
evening of adventures, I promise you. I was hurrying home, when I heard&#13;
a low, gentle barking at the corner of the Rue de Babylone; it was just&#13;
about dusk, and I could see a very pretty little dog, scarce bigger than&#13;
my fist, black and tan, with long, silky hair, and ears that covered its&#13;
paws."</p><p>"Lost, poor thing, I warrant," said Frances.</p><p>"You've hit it. I took up the poor thing, and it began to lick my hands.&#13;
Round its neck was a red satin ribbon, tied in a large bow; but as that&#13;
did not bear the master's name, I looked beneath it, and saw a small&#13;
collar, made of a gold plate and small gold chains. So I took a Lucifer&#13;
match from my 'bacco-box, and striking a light, I read, 'FRISKY belongs&#13;
to Hon. Miss Adrienne de Cardoville, No. 7, Rue de Babylone.'"</p><p>"Why, you were just in the street," said Mother Bunch.</p><p>"Just so. Taking the little animal under my arm, I looked about me till&#13;
I came to a long garden wall, which seemed to have no end, and found a&#13;
small door of a summer-house, belonging no doubt to the large mansion at&#13;
the other end of the park; for this garden looked just like a park. So,&#13;
looking up I saw 'No. 7,' newly painted over a little door with a grated&#13;
slide. I rang; and in a few minutes, spent, no doubt, in observing me&#13;
through the bars (for I am sure I saw a pair of eyes peeping through),&#13;
the gate opened. And now, you'll not believe a word I have to say."</p><p>"Why not, my child?"</p><p>"Because it seems like a fairy tale."</p><p>"A fairy tale?" said Mother Bunch, as if she was really her namesake of&#13;
elfish history.</p><p>"For, all the world it does. I am quite astounded, even now, at my&#13;
adventure; it is like the remembrance of a dream."</p><p>"Well, let us have it," said the worthy mother, so deeply interested&#13;
that she did not perceive her son's supper was beginning to burn.</p><p>"First," said the blacksmith, smiling at the curiosity he had excited,&#13;
"a young lady opened the door to me, but so lovely, so beautifully&#13;
and gracefully dressed, that you would have taken her for a beautiful&#13;
portrait of past times. Before I could say a word, she exclaimed, 'Ah!&#13;
dear me, sir, you have brought back Frisky; how happy Miss Adrienne&#13;
will be! Come, pray come in instantly; she would so regret not having&#13;
an opportunity to thank you in person!' And without giving me time to&#13;
reply, she beckoned me to follow her. Oh, dear mother, it is quite out&#13;
of my power to tell you, the magnificence I saw, as I passed through&#13;
a small saloon, partially lighted, and full of perfume! It would be&#13;
impossible. The young woman walked too quickly. A door opened,--Oh, such&#13;
a sight! I was so dazzled I can remember nothing but a great glare of&#13;
gold and light, crystal and flowers; and, amidst all this brilliancy,&#13;
a young lady of extreme beauty--ideal beauty; but she had red hair, or&#13;
rather hair shining like gold! Oh! it was charming to look at! I never&#13;
saw such hair before. She had black eyes, ruddy lips, and her skin&#13;
seemed white as snow. This is all I can recollect: for, as I said&#13;
before, I was so dazzled, I seemed to be looking through a veil.&#13;
'Madame,' said the young woman, whom I never should have taken for&#13;
a lady's-maid, she was dressed so elegantly, 'here is Frisky. This&#13;
gentleman found him, and brought him back.' 'Oh, sir,' said the young&#13;
lady with the golden hair, in a sweet silvery voice, 'what thanks I owe&#13;
you! I am foolishly attached to Frisky.' Then, no doubt, concluding from&#13;
my dress that she ought to thank me in some other way than by words, she&#13;
took up a silk purse, and said to me, though I must confess with some&#13;
hesitation--'No doubt, sir, it gave you some trouble to bring my pet&#13;
back. You have, perhaps, lost some valuable time--allow me--' She held&#13;
forth her purse."</p><p>"Oh, Agricola," said Mother Bunch, sadly; "how people may be deceived!"</p><p>"Hear the end, and you will perhaps forgive the young lady. Seeing by&#13;
my looks that the offer of the purse hurt me, she took a magnificent&#13;
porcelain vase that contained this flower, and, addressing me in a tone&#13;
full of grace and kindness, that left me room to guess that she was&#13;
vexed at having wounded me, she said--'At least, sir, you will accept&#13;
this flower.'"</p><p>"You are right, Agricola," said the girl, smiling sadly; "an involuntary&#13;
error could not be repaired in a nicer way.</p><p>"Worthy young lady," said Frances, wiping her eyes; "how well she&#13;
understood my Agricola!"</p><p>"Did she not, mother? But just as I was taking the flower, without&#13;
daring to raise my eyes (for, notwithstanding the young lady's kind&#13;
manner, there was something very imposing about her) another handsome&#13;
girl, tall and dark, and dressed to the top of fashion, came in and said&#13;
to the red-haired young lady, 'He is here, Madame.' She immediately rose&#13;
and said to me, 'A thousand pardons, sir. I shall never forget that I&#13;
am indebted to you for a moment of much pleasure. Pray remember, on all&#13;
occasions, my address and name--Adrienne de Cardoville.' Thereupon she&#13;
disappeared. I could not find a word to say in reply. The same young&#13;
woman showed me to the door, and curtseyed to me very politely. And&#13;
there I stood in the Rue de Babylone, as dazzled and astonished as if I&#13;
had come out of an enchanted palace."</p><p>"Indeed, my child, it is like a fairy tale. Is it not, my poor girl?"</p><p>"Yes, ma'am," said Mother Bunch, in an absent manner that Agricola did&#13;
not observe.</p><p>"What affected me most," rejoined Agricola, "was, that the young lady,&#13;
on seeing her little dog, did not forget me for it, as many would&#13;
have done in her place, and took no notice of it before me. That shows&#13;
delicacy and feeling, does it not? Indeed, I believe this young lady to&#13;
be so kind and generous, that I should not hesitate to have recourse to&#13;
her in any important case."</p><p>"Yes, you are right," replied the sempstress, more and more absent.</p><p>The poor girl suffered extremely. She felt no jealousy, no hatred,&#13;
towards this young stranger, who, from her beauty, wealth, and delicacy,&#13;
seemed to belong to a sphere too splendid and elevated to be even&#13;
within the reach of a work, girl's vision; but, making an involuntary&#13;
comparison of this fortunate condition with her own, the poor thing had&#13;
never felt more cruelly her deformity and poverty. Yet such were the&#13;
humility and gentle resignation of this noble creature, that the only&#13;
thing which made her feel ill-disposed towards Adrienne de Cardoville&#13;
was the offer of the purse to Agricola; but then the charming way in&#13;
which the young lady had atoned for her error, affected the sempstress&#13;
deeply. Yet her heart was ready to break. She could not restrain her&#13;
tears as she contemplated the magnificent flower--so rich in color and&#13;
perfume, which, given by a charming hand, was doubtless very precious to&#13;
Agricola.</p><p>"Now, mother," resumed the young man smilingly, and unaware of the&#13;
painful emotion of the other bystander, "you have had the cream of my&#13;
adventures first. I have told you one of the causes of my delay; and now&#13;
for the other. Just now, as I was coming in, I met the dyer at the foot&#13;
of the stairs, his arms a beautiful pea-green. Stopping me he said, with&#13;
an air full of importance, that he thought he had seen a chap sneaking&#13;
about the house like a spy, 'Well, what is that to you, Daddy Loriot?'&#13;
said I: 'are you afraid he will nose out the way to make the beautiful&#13;
green, with which you are dyed up to the very elbows?'"</p><p>"But who could that man be, Agricola?" said Frances.</p><p>"On my word, mother, I don't know and scarcely care; I tried to persuade&#13;
Daddy Loriot, who chatters like a magpie, to return to his cellar, since&#13;
it could signify as little to him as to me, whether a spy watched him&#13;
or not." So saying, Agricola went and placed the little leathern sack,&#13;
containing his wages, on a shelf, in the cupboard.</p><p>As Frances put down the saucepan on the end of the table, Mother Bunch,&#13;
recovering from her reverie, filled a basin with water, and, taking&#13;
it to the blacksmith, said to him in a gentle tone-"Agricola--for your&#13;
hands."</p><p>"Thank you, little sister. How kind you are!" Then with a most&#13;
unaffected gesture and tone, he added, "There is my fine flower for your&#13;
trouble."</p><p>"Do you give it me?" cried the sempstress, with emotion, while a vivid&#13;
blush colored her pale and interesting face. "Do you give me this&#13;
handsome flower, which a lovely rich young lady so kindly and graciously&#13;
gave you?" And the poor thing repeated, with growing astonishment, "Do&#13;
you give it to me?"</p><p>"What the deuce should I do with it? Wear it on my heart, have it set as&#13;
a pin?" said Agricola, smiling. "It is true I was very much impressed by&#13;
the charming way in which the young lady thanked me. I am delighted to&#13;
think I found her little dog, and very happy to be able to give you this&#13;
flower, since it pleases you. You see the day has been a happy one."</p><p>While Mother Bunch, trembling with pleasure, emotion, and surprise, took&#13;
the flower, the young blacksmith washed his hands, so black with smoke&#13;
and steel filings that the water became dark in an instant. Agricola,&#13;
pointing out this change to the sempstress, said to her in a whisper,&#13;
laughing,-"Here's cheap ink for us paper-stainers! I finished some&#13;
verses yesterday, which I am rather satisfied with. I will read them to&#13;
you."</p><p>With this, Agricola wiped his hands naturally on the front of his&#13;
blouse, while Mother Bunch replaced the basin on the chest of drawers,&#13;
and laid the flower against the side of it.</p><p>"Can't you ask for a towel," said Frances, shrugging her shoulders,&#13;
"instead of wiping your hands on your blouse?"</p><p>"After being scorched all day long at the forge, it will be all the&#13;
better for a little cooling to-night, won't it? Am I disobedient,&#13;
mother? Scold me, then, if you dare! Come, let us see you."</p><p>Frances made no reply; but, placing her hands on either side of her&#13;
son's head, so beautiful in its candor, resolution and intelligence, she&#13;
surveyed him for a moment with maternal pride, and kissed him repeatedly&#13;
on the forehead.</p><p>"Come," said she, "sit down: you stand all day at your forge, and it is&#13;
late."</p><p>"So,--your arm-chair again!" said Agricola.--"Our usual quarrel every&#13;
evening--take it away, I shall be quite as much at ease on another."</p><p>"No, no! You ought at least to rest after your hard toil."</p><p>"What tyranny!" said Agricola gayly, sitting down. "Well, I preach like&#13;
a good apostle; but I am quite at ease in your arm-chair, after all.&#13;
Since I sat down on the throne in the Tuileries, I have never had a&#13;
better seat."</p><p>Frances Baudoin, standing on one side of the table, cut a slice of bread&#13;
for her son, while Mother Bunch, on the other, filled his silver mug.&#13;
There was something affecting in the attentive eagerness of the two&#13;
excellent creatures, for him whom they loved so tenderly.</p><p>"Won't you sup with me?" said Agricola to the girl.</p><p>"Thank you, Agricola," replied the sempstress, looking down, "I have&#13;
only just dined."</p><p>"Oh, I only ask you for form's sake--you have your whims--we can never&#13;
prevail on you to eat with us--just like mother; she prefers dining all&#13;
alone; and in that way she deprives herself without my knowing it."</p><p>"Goodness, child! It is better for my health to dine early. Well, do you&#13;
find it nice?"</p><p>"Nice!--call it excellent! Stockfish and parsnips. Oh, I am very fond of&#13;
stockfish; I should have been born a Newfoundland fisherman."</p><p>This worthy lad, on the contrary, was but poorly refreshed, after a hard&#13;
day's toil, with this paltry stew,--a little burnt as it had been, too,&#13;
during his story; but he knew he pleased his mother by observing the&#13;
fast without complaining. He affected to enjoy his meal; and the good&#13;
woman accordingly observed with satisfaction:</p><p>"Oh, I see you like it, my dear boy; Friday and Saturday next we'll have&#13;
some more."</p><p>"Thank you, mother,--only not two days together. One gets tired&#13;
of luxuries, you know! And now, let us talk of what we shall do&#13;
to-morrow--Sunday. We must be very merry, for the last few days you&#13;
seem very sad, dear mother, and I can't make it out--I fancy you are not&#13;
satisfied with me."</p><p>"Oh, my dear child!--you--the pattern of--"</p><p>"Well, well! Prove to me that you are happy, then, by taking a little&#13;
amusement. Perhaps you will do us the honor of accompanying us, as you&#13;
did last time," added Agricola, bowing to Mother Bunch.</p><p>The latter blushed and looked down; her face assumed an expression of&#13;
bitter grief, and she made no reply.</p><p>"I have the prayers to attend all day, you know, my dear child," said&#13;
Frances to her son.</p><p>"Well, in the evening, then? I don't propose the theatre; but they say&#13;
there is a conjurer to be seen whose tricks are very amusing.</p><p>"I am obliged to you, my son; but that is a kind of theatre."</p><p>"Dear mother, this is unreasonable!"</p><p>"My dear child, do I ever hinder others from doing what they like?"</p><p>"True, dear mother; forgive me. Well, then, if it should be fine, we&#13;
will simply take a walk with Mother Bunch on the Boulevards. It is&#13;
nearly three months since she went out with us; and she never goes out&#13;
without us."</p><p>"No, no; go alone, my child. Enjoy your Sunday, 'tis little enough."</p><p>"You know very well, Agricola," said the sempstress, blushing up to the&#13;
eyes, "that I ought not to go out with you and your mother again."</p><p>"Why not, madame? May I ask, without impropriety, the cause of this&#13;
refusal?" said Agricola gayly.</p><p>The poor girl smiled sadly, and replied, "Because I will not expose you&#13;
to a quarrel on my account, Agricola."</p><p>"Forgive me," said Agricola, in a tone of sincere grief, and he struck&#13;
his forehead vexedly.</p><p>To this Mother Bunch alluded sometimes, but very rarely, for she&#13;
observed punctilious discretion. The girl had gone out with Agricola and&#13;
his mother. Such occasions were, indeed, holidays for her. Many days and&#13;
nights had she toiled hard to procure a decent bonnet and shawl, that&#13;
she might not do discredit to her friends. The five or six days of&#13;
holidays, thus spent arm in arm with him whom she adored in secret,&#13;
formed the sum of her happy days.</p><p>Taking their last walk, a coarse, vulgar man elbowed her so rudely&#13;
that the poor girl could not refrain from a cry of terror, and the man&#13;
retorted it by saying,-"What are you rolling your hump in my way for,&#13;
stoopid?"</p><p>Agricola, like his father, had the patience which force and courage give&#13;
to the truly brave; but he was extremely quick when it became necessary&#13;
to avenge an insult. Irritated at the vulgarity of this man, Agricola&#13;
left his mother's arm to inflict on the brute, who was of his own age,&#13;
size, and force, two vigorous blows, such as the powerful arm and huge&#13;
fist of a blacksmith never before inflicted on human face. The villain&#13;
attempted to return it, and Agricola repeated the correction, to the&#13;
amusement of the crowd, and the fellow slunk away amidst a deluge of&#13;
hisses. This adventure made Mother Bunch say she would not go out with&#13;
Agricola again, in order to save him any occasion of quarrel. We may&#13;
conceive the blacksmith's regret at having thus unwittingly revived the&#13;
memory of this circumstance,--more painful, alas! for Mother Bunch&#13;
than Agricola could imagine, for she loved him passionately, and her&#13;
infirmity had been the cause of that quarrel. Notwithstanding his&#13;
strength and resolution, Agricola was childishly sensitive; and,&#13;
thinking how painful that thought must be to the poor girl, a large tear&#13;
filled his eyes, and, holding out his hands, he said, in a brotherly&#13;
tone, "Forgive my heedlessness! Come, kiss me." And he gave her thin,&#13;
pale cheeks two hearty kisses.</p><p>The poor girl's lips turned pale at this cordial caress; and her heart&#13;
beat so violently that she was obliged to lean against the corner of the&#13;
table.</p><p>"Come, you forgive me, do you not?" said Agricola.</p><p>"Yes! yes!" she said, trying to subdue her emotion; "but the&#13;
recollection of that quarrel pains me--I was so alarmed on your account;&#13;
if the crowd had sided with that man!"</p><p>"Alas!" said Frances, coming to the sewing-girl's relief, without&#13;
knowing it, "I was never so afraid in all my life!"</p><p>"Oh, mother," rejoined Agricola, trying to change a conversation which&#13;
had now become disagreeable for the sempstress, "for the wife of a horse&#13;
grenadier of the Imperial Guard, you have not much courage. Oh, my brave&#13;
father; I can't believe he is really coming! The very thought turns me&#13;
topsy-turvy!"</p><p>"Heaven grant he may come," said Frances, with a sigh.</p><p>"God grant it, mother. He will grant it, I should think. Lord knows, you&#13;
have had masses enough said for his return."</p><p>"Agricola, my child," said Frances, interrupting her son, and shaking&#13;
her head sadly, "do not speak in that way. Besides, you are talking of&#13;
your father."</p><p>"Well, I'm in for it this evening. 'Tis your turn now; positively, I am&#13;
growing stupid, or going crazy. Forgive me, mother! forgive! That's the&#13;
only word I can get out to-night. You know that, when I do let out on&#13;
certain subjects, it is because I can't help it; for I know well the&#13;
pain it gives you."</p><p>"You do not offend me, my poor, dear, misguided boy."</p><p>"It comes to the same thing; and there is nothing so bad as to offend&#13;
one's mother; and, with respect to what I said about father's return, I&#13;
do not see that we have any cause to doubt it."</p><p>"But we have not heard from him for four months."</p><p>"You know, mother, in his letter--that is, in the letter which he&#13;
dictated (for you remember that, with the candor of an old soldier,&#13;
he told us that, if he could read tolerably well, he could not write);&#13;
well, in that letter he said we were not to be anxious about him; that&#13;
he expected to be in Paris about the end of January, and would send us&#13;
word, three or four days before, by what road he expected to arrive,&#13;
that I might go and meet him."</p><p>"True, my child; and February is come, and no news yet."</p><p>"The greater reason why we should wait patiently. But I'll tell you&#13;
more: I should not be surprised if our good Gabriel were to come back&#13;
about the same time. His last letter from America makes me hope so. What&#13;
pleasure, mother, should all the family be together!"</p><p>"Oh, yes, my child! It would be a happy day for me."</p><p>"And that day will soon come, trust me."</p><p>"Do you remember your father, Agricola?" inquired Mother Bunch.</p><p>"To tell the truth, I remember most his great grenadier's shako and&#13;
moustache, which used to frighten me so, that nothing but the red ribbon&#13;
of his cross of honor, on the white facings of his uniform, and the&#13;
shining handle of his sabre, could pacify me; could it, mother? But what&#13;
is the matter? You are weeping!"</p><p>"Alas! poor Baudoin! What he must suffer at being separated from us at&#13;
his age--sixty and past! Alas! my child, my heart breaks, when I think&#13;
that he comes home only to change one kind of poverty for another."</p><p>"What do you mean?"</p><p>"Alas! I earn nothing now."</p><p>"Why, what's become of me? Isn't there a room here for you and for him;&#13;
and a table for you too? Only, my good mother, since we are talking of&#13;
domestic affairs," added the blacksmith, imparting increased tenderness&#13;
to his tone, that he might not shock his mother, "when he and Gabriel&#13;
come home, you won't want to have any more masses said, and tapers&#13;
burned for them, will you? Well, that saving will enable father to have&#13;
tobacco to smoke, and his bottle of wine every day. Then, on Sundays, we&#13;
will take a nice dinner at the eating-house."</p><p>A knocking at the door disturbed Agricola.</p><p>"Come in," said he. Instead of doing so, some one half-opened the&#13;
door, and, thrusting in an arm of a pea-green color, made signs to the&#13;
blacksmith.</p><p>"'Tis old Loriot, the pattern of dyers," said Agricola; "come in, Daddy,&#13;
no ceremony."</p><p>"Impossible, my lad; I am dripping with dye from head to foot; I should&#13;
cover missus's floor with green."</p><p>"So much the better. It will remind me of the fields I like so much."</p><p>"Without joking, Agricola, I must speak to you immediately."</p><p>"About the spy, eh? Oh, be easy; what's he to us?"</p><p>"No; I think he's gone; at any rate, the fog is so thick I can't see&#13;
him. But that's not it--come, come quickly! It is very important," said&#13;
the dyer, with a mysterious look; "and only concerns you."</p><p>"Me, only?" said Agricola, with surprise. "What can it be.</p><p>"Go and see, my child," said Frances.</p><p>"Yes, mother; but the deuce take me if I can make it out."</p><p>And the blacksmith left the room, leaving his mother with Mother Bunch.</p><p>CHAPTER XXX. THE RETURN.</p><p>In five minutes Agricola returned; his face was pale and agitated--his&#13;
eyes glistened with tears, and his hands trembled; but his countenance&#13;
expressed extraordinary happiness and emotion. He stood at the door for&#13;
a moment, as if too much affected to accost his mother.</p><p>Frances's sight was so bad that she did not immediately perceive the&#13;
change her son's countenance had undergone.</p><p>"Well, my child--what is it?" she inquired.</p><p>Before the blacksmith could reply, Mother Bunch, who had more&#13;
discernment, exclaimed: "Goodness, Agricola--how pale you are! Whatever&#13;
is the matter?"</p><p>"Mother," said the artisan, hastening to Frances, without replying&#13;
to the sempstress,--"mother, expect news that will astonish you; but&#13;
promise me you will be calm."</p><p>"What do you mean? How you tremble! Look at me! Mother Bunch was&#13;
right--you are quite pale."</p><p>"My kind mother!" and Agricola, kneeling before Frances, took both her&#13;
hands in his--"you must--you do not know,--but--"</p><p>The blacksmith could not go on. Tears of joy interrupted his speech.</p><p>"You weep, my dear child! Your tears alarm me. 'What is the matter?--you&#13;
terrify me!"</p><p>"Oh, no, I would not terrify you; on the contrary," said Agricola,&#13;
drying his eyes--"you will be so happy. But, again, you must try and&#13;
command your feelings, for too much joy is as hurtful as too much&#13;
grief."</p><p>"What?"</p><p>"Did I not say true, when I said he would come?"</p><p>"Father!" cried Frances. She rose from her seat; but her surprise and&#13;
emotion were so great that she put one hand to her heart to still its&#13;
beating, and then she felt her strength fail. Her son sustained her, and&#13;
assisted her to sit down.</p><p>Mother Bunch, till now, had stood discreetly apart, witnessing from a&#13;
distance the scene which completely engrossed Agricola and his mother.&#13;
But she now drew near timidly, thinking she might be useful; for Frances&#13;
changed color more and more.</p><p>"Come, courage, mother," said the blacksmith; "now the shock is over,&#13;
you have only to enjoy the pleasure of seeing my father."</p><p>"My poor man! after eighteen years' absence. Oh, I cannot believe it,"&#13;
said Frances, bursting into tears. "Is it true? Is it, indeed, true?"</p><p>"So true, that if you will promise me to keep as calm as you can, I will&#13;
tell you when you may see him."</p><p>"Soon--may I not?"</p><p>"Yes; soon."</p><p>"But when will he arrive?"</p><p>"He may arrive any minute--to-morrow--perhaps to-day."</p><p>"To-day!"</p><p>"Yes, mother! Well, I must tell you all--he has arrived."</p><p>"He--he is--" Frances could not articulate the word.</p><p>"He was downstairs just now. Before coming up, he sent the dyer to&#13;
apprise me that I might prepare you; for my brave father feared the&#13;
surprise might hurt you."</p><p>"Oh, heaven!"</p><p>"And now," cried the blacksmith, in an accent of indescribable joy--"he&#13;
is there, waiting! Oh, mother! for the last ten minutes I have scarcely&#13;
been able to contain myself--my heart is bursting with joy." And running&#13;
to the door, he threw it open.</p><p>Dagobert, holding Rose and Blanche by the hand, stood on the threshold.&#13;
Instead of rushing to her husband's arms, Frances fell on her knees&#13;
in prayer. She thanked heaven with profound gratitude for hearing her&#13;
prayers, and thus accepting her offerings. During a second, the actors&#13;
of this scene stood silent and motionless. Agricola, by a sentiment of&#13;
respect and delicacy, which struggled violently with his affection,&#13;
did not dare to fall on his father's neck. He waited with constrained&#13;
impatience till his mother had finished her prayer.</p><p>The soldier experienced the same feeling as the blacksmith; they&#13;
understood each other. The first glance exchanged by father and son&#13;
expressed their affection--their veneration for that excellent woman,&#13;
who in the fulness of her religious fervor, forgot, perhaps, too much&#13;
the creature for the Creator.</p><p>Rose and Blanche, confused and affected, looked with interest on the&#13;
kneeling woman; while Mother Bunch, shedding in silence tears of joy&#13;
at the thought of Agricola's happiness, withdrew into the most obscure&#13;
corner of the room, feeling that she was a stranger, and necessarily out&#13;
of place in that family meeting. Frances rose, and took a step towards&#13;
her husband, who received her in his arms. There was a moment of solemn&#13;
silence. Dagobert and Frances said not a word. Nothing could be heard&#13;
but a few sighs, mingled with sighs of joy. And, when the aged couple&#13;
looked up, their expression was calm, radiant, serene; for the full and&#13;
complete enjoyment of simple and pure sentiments never leaves behind a&#13;
feverish and violent agitation.</p><p>"My children," said the soldier, in tones of emotion, presenting the&#13;
orphans to Frances, who, after her first agitation, had surveyed them&#13;
with astonishment, "this is my good and worthy wife; she will be to the&#13;
daughters of General Simon what I have been to them."</p><p>"Then, madame, you will treat us as your children," said Rose,&#13;
approaching Frances with her sister.</p><p>"The daughters of General Simon!" cried Dagobert's wife, more and more&#13;
astonished.</p><p>"Yes, my dear Frances; I have brought them from afar not without some&#13;
difficulty; but I will tell you that by and by."</p><p>"Poor little things! One would take them for two angels, exactly&#13;
alike!" said Frances, contemplating the orphans with as much interest as&#13;
admiration.</p><p>"Now--for us," cried Dagobert, turning to his son.</p><p>"At last," rejoined the latter.</p><p>We must renounce all attempts to describe the wild joy of Dagobert&#13;
and his son, and the crushing grip of their hands, which Dagobert&#13;
interrupted only to look in Agricola's face; while he rested his hands&#13;
on the young blacksmith's broad shoulders that he might see to more&#13;
advantage his frank masculine countenance, and robust frame. Then he&#13;
shook his hand again, exclaiming, "He's a fine fellow--well built--what&#13;
a good-hearted look he has!"</p><p>From a corner of the room Mother Bunch enjoyed Agricola's happiness; but&#13;
she feared that her presence, till then unheeded, would be an intrusion.&#13;
She wished to withdraw unnoticed, but could not do so. Dagobert and his&#13;
son were between her and the door; and she stood unable to take her eyes&#13;
from the charming faces of Rose and Blanche. She had never seen anything&#13;
so winsome; and the extraordinary resemblance of the sisters increased&#13;
her surprise. Then, their humble mourning revealing that they were poor,&#13;
Mother Bunch involuntarily felt more sympathy towards them.</p><p>"Dear children! They are cold; their little hands are frozen, and,&#13;
unfortunately, the fire is out," said Frances, She tried to warm the&#13;
orphans' hands in hers, while Dagobert and his son gave themselves up to&#13;
the feelings of affection, so long restrained.</p><p>As soon as Frances said that the fire was out, Mother Bunch hastened to&#13;
make herself useful, as an excuse for her presence; and, going to the&#13;
cupboard, where the charcoal and wood were kept, she took some small&#13;
pieces, and, kneeling before the stove, succeeded, by the aid of a few&#13;
embers that remained, in relighting the fire, which soon began to draw&#13;
and blaze. Filling a coffee-pot with water, she placed it on the stove,&#13;
presuming that the orphans required some warm drink. The sempstress did&#13;
all this with so much dexterity and so little noise--she was naturally&#13;
so forgotten amidst the emotions of the scene--that Frances, entirely&#13;
occupied with Rose and Blanche, only perceived the fire when she felt&#13;
its warmth diffusing round, and heard the boiling water singing in the&#13;
coffee-pot. This phenomenon--fire rekindling of itself--did not astonish&#13;
Dagobert's wife then, so wholly was she taken up in devising how she&#13;
could lodge the maidens; for Dagobert as we have seen, had not given her&#13;
notice of their arrival.</p><p>Suddenly a loud bark was heard three or four times at the door.</p><p>"Hallo! there's Spoil-sport," said Dagobert, letting in his dog; "he&#13;
wants to come in to brush acquaintance with the family too."</p><p>The dog came in with a bound, and in a second was quite at home. After&#13;
having rubbed Dagobert's hand with his muzzle, he went in turns to greet&#13;
Rose and Blanche, and also Frances and Agricola; but seeing that they&#13;
took but little notice of him, he perceived Mother Bunch, who stood&#13;
apart, in an obscure corner of the room, and carrying out the popular&#13;
saying, "the friends of our friends are our friends," he went and licked&#13;
the hands of the young workwoman, who was just then forgotten by all. By&#13;
a singular impulse, this action affected the girl to tears; she patted&#13;
her long, thin, white hand several times on the head of the intelligent&#13;
dog. Then, finding that she could be no longer useful (for she had done&#13;
all the little services she deemed in her power), she took the handsome&#13;
flower Agricola had given her, opened the door gently, and went away&#13;
so discreetly that no one noticed her departure. After this exchange&#13;
of mutual affection, Dagobert, his wife, and son, began to think of the&#13;
realities of life.</p><p>"Poor Frances," said the soldier, glancing at Rose and Blanche, "you did&#13;
not expect such a pretty surprise!"</p><p>"I am only sorry, my friend," replied Frances, "that the daughters of&#13;
General Simon will not have a better lodging than this poor room; for&#13;
with Agricola's garret--"</p><p>"It composes our mansion," interrupted Dagobert; "there are handsomer,&#13;
it must be confessed. But be at ease; these young ladies are drilled&#13;
into not being hard to suit on that score. To-morrow, I and my boy will&#13;
go arm and arm, and I'll answer for it he won't walk the more upright&#13;
and straight of the two, and find out General Simon's father, at M.&#13;
Hardy's factory, to talk about business."</p><p>"To-morrow," said Agricola to Dagobert, "you will not find at the&#13;
factory either M. Hardy or Marshall Simon's father."</p><p>"What is that you say, my lad?" cried Dagobert, hastily, "the Marshal!"</p><p>"To be sure; since 1830, General Simon's friends have secured him the&#13;
title and rank which the emperor gave him at the battle of Ligny."</p><p>"Indeed!" cried Dagobert, with emotion, "but that ought not to surprise&#13;
me; for, after all, it is just; and when the emperor said a thing, the&#13;
least they can do is to let it abide. But it goes all the same to my&#13;
heart; it makes me jump again."</p><p>Addressing the sisters, he said: "Do you hear that, my children? You&#13;
arrive in Paris the daughters of a Duke and Marshal of France. One&#13;
would hardly think it, indeed, to see you in this room, my poor little&#13;
duchesses! But patience; all will go well. Ah, father Simon must have&#13;
been very glad to hear that his son was restored to his rank! eh, my&#13;
lad?"</p><p>"He told us he would renounce all kinds of ranks and titles to see his&#13;
son again; for it was during the general's absence that his friends&#13;
obtained this act of justice. But they expect Marshal Simon every&#13;
moment, for the last letter from India announced his departure."</p><p>At these words Rose and Blanche looked at each other; and their eyes&#13;
filled with tears.</p><p>"Heaven be praised! These children rely on his return; but why shall we&#13;
not find M. Hardy and father Simon at the factory to-morrow?"</p><p>"Ten days ago, they went to examine and study an English mill&#13;
established in the south; but we expect them back every day."</p><p>"The deuce! that's vexing; I relied on seeing the general's father, to&#13;
talk over some important matters with him. At any rate, they know where&#13;
to write to him. So to-morrow you will let him know, my lad, that his&#13;
granddaughters are arrived. In the mean time, children," added the&#13;
soldier, to Rose and Blanche, "my good wife will give you her bed and&#13;
you must put up with the chances of war. Poor things! they will not be&#13;
worse off here than they were on the journey."</p><p>"You know we shall always be well off with you and madame," said Rose.</p><p>"Besides, we only think of the pleasure of being at length in Paris,&#13;
since here we are to find our father," added Blanche.</p><p>"That hope gives you patience, I know," said Dagobert, "but no matter!&#13;
After all you have heard about it, you ought to be finely surprised, my&#13;
children. As yet, you have not found it the golden city of your dreams,&#13;
by any means. But, patience, patience; you'll find Paris not so bad as&#13;
it looks."</p><p>"Besides," said Agricola, "I am sure the arrival of Marshal Simon in&#13;
Paris will change it for you into a golden city."</p><p>"You are right, Agricola," said Rose, with a smile, "you have, indeed,&#13;
guessed us."</p><p>"What! do you know my name?"</p><p>"Certainly, Agricola, we often talked about you with Dagobert; and&#13;
latterly, too, with Gabriel," added Blanche.</p><p>"Gabriel!" cried Agricola and his mother, at the same time.</p><p>"Yes," replied Dagobert, making a sign of intelligence to the orphans,&#13;
"we have lots to tell you for a fortnight to come; and among other&#13;
things, how we chanced to meet with Gabriel. All I can now say is that,&#13;
in his way, he is quite as good as my boy (I shall never be tired of&#13;
saying 'my boy'); and they ought to love each other like brothers. Oh,&#13;
my brave, brave wife!" said Dagobert, with emotion, "you did a good&#13;
thing, poor as you were, taking the unfortunate child--and bringing him&#13;
up with your own."</p><p>"Don't talk so much about it, my dear; it was such a simple thing."</p><p>"You are right; but I'll make you amends for it by and by. 'Tis down to&#13;
your account; in the mean time, you will be sure to see him to-morrow&#13;
morning."</p><p>"My dear brother arrived too!" cried the blacksmith; "who'll say, after&#13;
this, that there are not days set apart for happiness? How came you to&#13;
meet him, father?"</p><p>"I'll tell you all, by and by, about when and how we met Gabriel; for&#13;
if you expect to sleep, you are mistaken. You'll give me half your room,&#13;
and a fine chat we'll have. Spoil-sport will stay outside of this door;&#13;
he is accustomed to sleep at the children's door."</p><p>"Dear me, love, I think of nothing. But, at such a moment, if you and&#13;
the young ladies wish to sup, Agricola will fetch something from the&#13;
cook-shop."</p><p>"What do you say, children?"</p><p>"No, thank you, Dagobert, we are not hungry; we are too happy."</p><p>"You will take a little wine and water, sweetened, nice and hot, to warm&#13;
you a little, my dear young ladies," said Frances; "unfortunately, I&#13;
have nothing else to offer you."</p><p>"You are right, Frances; the dear children are tired, and want to go to&#13;
bed; while they do so, I'll go to my boy's room, and, before Rose and&#13;
Blanche are awake, I will come down and converse with you, just to give&#13;
Agricola a respite."</p><p>A knock was now heard at the door.</p><p>"It is good Mother Bunch come to see if we want her," said Agricola.</p><p>"But I think she was here when my husband came in," added Frances.</p><p>"Right, mother; and the good girl left lest she should be an intruder:&#13;
she is so thoughtful. But no--no--it is not she who knocks so loud."</p><p>"Go and see who it is, then, Agricola."</p><p>Before the blacksmith could reach the door, a man decently dressed, with&#13;
a respectable air, entered the room, and glanced rapidly round, looking&#13;
for a moment at Rose and Blanche.</p><p>"Allow me to observe, sir," said Agricola, "that after knocking, you&#13;
might have waited till the door was opened, before you entered. Pray,&#13;
what is your business?"</p><p>"Pray excuse me, sir," said the man, very politely, and speaking slowly,&#13;
perhaps to prolong his stay in the room: "I beg a thousand pardons--I&#13;
regret my intrusion--I am ashamed--"</p><p>"Well, you ought to be, sir," said Agricola, with impatience, "what do&#13;
you want?"</p><p>"Pray, sir, does not Miss Soliveau, a deformed needlewoman, live here?"</p><p>"No, sir; upstairs," said Agricola.</p><p>"Really, sir," cried the polite man, with low bows, "I am quite abroad&#13;
at my blunder: I thought this was the room of that young person. I&#13;
brought her proposals for work from a very respectable party."</p><p>"It is very late, sir," said Agricola, with surprise. "But that young&#13;
person is as one of our family. Call to-morrow; you cannot see her to&#13;
night; she is gone to bed."</p><p>"Then, sir, I again beg you to excuse--"</p><p>"Enough, sir," said Agricola, taking a step towards the door.</p><p>"I hope, madame and the young ladies, as well as this gent, will be&#13;
assured that--"</p><p>"If you go on much longer making excuses, sir, you will have to excuse&#13;
the length of your excuses; and it is time this came to an end!"</p><p>Rose and Blanche smiled at these words of Agricola; while Dagobert&#13;
rubbed his moustache with pride.</p><p>"What wit the boy has!" said he aside to his wife. "But that does not&#13;
astonish you--you are used to it."</p><p>During this speech, the ceremonious person withdrew, having again&#13;
directed a long inquiring glance to the sisters, and to Agricola and&#13;
Dagobert.</p><p>In a few minutes after, Frances having spread a mattress on the ground&#13;
for herself, and put the whitest sheets on her bed for the orphans,&#13;
assisted them to undress with maternal solicitude, Dagobert and Agricola&#13;
having previously withdrawn to their garret. Just as the blacksmith,&#13;
who preceded his father with a light, passed before the door of Mother&#13;
Bunch's room, the latter, half concealed in the shade, said to him&#13;
rapidly, in a low tone:</p><p>"Agricola, great danger threatens you: I must speak to you."</p><p>These words were uttered in so hasty and low a voice that Dagobert did&#13;
not hear them; but as Agricola stopped suddenly, with a start, the old&#13;
soldier said to him,</p><p>"Well, boy, what is it?"</p><p>"Nothing, father," said the blacksmith, turning round; "I feared I did&#13;
not light you well."</p><p>"Oh, stand at ease about that; I have the legs and eyes of fifteen to&#13;
night;" and the soldier, not noticing his son's surprise, went into the&#13;
little room where they were both to pass the night.</p><p>On leaving the house, after his inquiries about Mother Bunch, the&#13;
over polite Paul Pry slunk along to the end of Brise-Miche Street. He&#13;
advanced towards a hackney-coach drawn up on the Cloitre Saint-Merry&#13;
Square.</p><p>In this carriage lounged Rodin, wrapped in a cloak.</p><p>"Well?" said he, in an inquiring tone.</p><p>"The two girls and the man with gray moustache went directly to Frances&#13;
Baudoin's; by listening at the door, I learnt that the sisters will&#13;
sleep with her, in that room, to-night; the old man with gray moustache&#13;
will share the young blacksmith's room."</p><p>"Very well," said Rodin.</p><p>"I did not dare insist on seeing the deformed workwoman this evening&#13;
on the subject of the Bacchanal Queen; I intend returning to-morrow, to&#13;
learn the effect of the letter she must have received this evening by&#13;
the post about the young blacksmith."</p><p>"Do not fail! And now you will call, for me, on Frances Baudoin's&#13;
confessor, late as it is; you will tell him that I am waiting for him&#13;
at Rue du Milieu des Ursins--he must not lose a moment. Do you come with&#13;
him. Should I not be returned, he will wait for me. You will tell him it&#13;
is on a matter of great moment."</p><p>"All shall be faithfully executed," said the ceremonious man, cringing&#13;
to Rodin, as the coach drove quickly away.</p><p>CHAPTER XXXI. AGRICOLA AND MOTHER BUNCH.</p><p>Within one hour after the different scenes which have just been&#13;
described the most profound silence reigned in the soldier's humble&#13;
dwelling. A flickering light, which played through two panes of glass&#13;
in a door, betrayed that Mother Bunch had not yet gone to sleep; for&#13;
her gloomy recess, without air or light, was impenetrable to the rays&#13;
of day, except by this door, opening upon a narrow and obscure passage,&#13;
connected with the roof. A sorry bed, a table, an old portmanteau, and a&#13;
chair, so nearly filled this chilling abode, that two persons could not&#13;
possibly be seated within it, unless one of them sat upon the side of&#13;
the bed.</p><p>The magnificent and precious flower that Agricola had given to the girl&#13;
was carefully stood up in a vessel of water, placed upon the table on a&#13;
linen cloth, diffusing its sweet odor around, and expanding its purple&#13;
calix in the very closet, whose plastered walls, gray and damp, were&#13;
feebly lighted by the rays of an attenuated candle. The sempstress, who&#13;
had taken off no part of her dress, was seated upon her bed--her looks&#13;
were downcast, and her eyes full of tears. She supported herself with&#13;
one hand resting on the bolster; and, inclining towards the door,&#13;
listened with painful eagerness, every instant hoping to hear the&#13;
footsteps of Agricola. The heart of the young sempstress beat violently;&#13;
her face, usually very pale, was now partially flushed--so exciting was&#13;
the emotion by which she was agitated. Sometimes she cast her eyes with&#13;
terror upon a letter which she held in her hand, a letter that had&#13;
been delivered by post in the course of the evening, and which had&#13;
been placed by the housekeeper (the dyer) upon the table, while she&#13;
was rendering some trivial domestic services during the recognitions of&#13;
Dagobert and his family.</p><p>After some seconds, Mother Bunch heard a door, very near her own, softly&#13;
opened.</p><p>"There he is at last!" she exclaimed, and Agricola immediately entered.</p><p>"I waited till my father went to sleep," said the blacksmith, in a low&#13;
voice, his physiognomy evincing much more curiosity than uneasiness.&#13;
"But what is the matter, my good sister? How your countenance is&#13;
changed! You weep! What has happened? About what danger would you speak&#13;
to me?"</p><p>"Hush! Read this!" said she, her voice trembling with emotion, while she&#13;
hastily presented to him the open letter. Agricola held it towards the&#13;
light, and read what follows:</p><p>"A person who has reasons for concealing himself, but who knows the&#13;
sisterly interest you take in the welfare of Agricola Baudoin, warns&#13;
you. That young and worthy workman will probably be arrested in the&#13;
course of to-morrow."</p><p>"I!" exclaimed Agricola, looking at Mother Bunch with an air of&#13;
stupefied amazement. "What is the meaning of all this?"</p><p>"Read on!" quickly replied the sempstress, clasping her hands.</p><p>Agricola resumed reading, scarcely believing the evidence of his&#13;
eyes:-"The song, entitled 'Working-men Freed,' has been declared&#13;
libellous. Numerous copies of it have been found among the papers of a&#13;
secret society, the leaders of which are about to be incarcerated, as&#13;
being concerned in the Rue des Prouvaires conspiracy."</p><p>"Alas!" said the girl, melting into tears, "now I see it all. The man&#13;
who was lurking about below, this evening, who was observed by the dyer,&#13;
was, doubtless, a spy, lying in wait for you coming home."</p><p>"Nonsense!" exclaimed Agricola. "This accusation is quite ridiculous!&#13;
Do not torment yourself. I never trouble myself with politics. My verses&#13;
breathe nothing but philanthropy. Am I to blame, if they have been found&#13;
among the papers of a secret society?" Agricola disdainfully threw the&#13;
letter upon the table.</p><p>"Read! pray read!" said the other; "read on."</p><p>"If you wish it," said Agricola, "I will; no time is lost."</p><p>He resumed the reading of the letter:</p><p>"A warrant is about to be issued against Agricola Baudoin. There is mo&#13;
doubt of his innocence being sooner or later made clear; but it will be&#13;
well if he screen himself for a time as much as possible from pursuit,&#13;
in order that he may escape a confinement of two or three months&#13;
previous to trial--an imprisonment which would be a terrible blow for&#13;
his mother, whose sole support he is.</p><p>"A SINCERE FRIEND, who is compelled to remain unknown."</p><p>After a moment's silence, the blacksmith raised his head; his&#13;
countenance resumed its serenity; and laughing, he said: "Reassure&#13;
yourself, good Mother Bunch, these jokers have made a mistake by trying&#13;
their games on me. It is plainly an attempt at making an April-fool of&#13;
me before the time."</p><p>"Agricola, for the love of heaven!" said the girl, in a supplicating&#13;
tone; "treat not the warning thus lightly. Believe in my forebodings,&#13;
and listen to my advice."</p><p>"I tell you again, my good girl," replied Agricola, "that it is two&#13;
months since my song was published. It is not in any way political;&#13;
indeed, if it were, they would not have waited till now before coming&#13;
down on me."</p><p>"But," said the other, "you forget that new events have arisen. It is&#13;
scarcely two days since the conspiracy was discovered, in this very&#13;
neighborhood, in the Rue des Prouvaires. And," continued she, "if the&#13;
verses, though perhaps hitherto unnoticed, have now been found in the&#13;
possession of the persons apprehended for this conspiracy, nothing more&#13;
is necessary to compromise you in the plot."</p><p>"Compromise me!" said Agricola; "my verses! in which I only praise the&#13;
love of labor and of goodness! To arrest me for that! If so, justice&#13;
would be but a blind noodle. That she might grope her way, it would be&#13;
necessary to furnish her with a dog and a pilgrim's staff to guide her&#13;
steps."</p><p>"Agricola," resumed Mother Bunch; overwhelmed with anxiety and terror on&#13;
hearing the blacksmith jest at such a moment, "I conjure you to listen&#13;
to me! No doubt you uphold in the verses the sacred love of labor; but&#13;
you do also grievously deplore and deprecate the unjust lot of the poor&#13;
laborers, devoted as they are, without hope, to all the miseries of&#13;
life; you recommend, indeed, only fraternity among men; but your good&#13;
and noble heart vents its indignation, at the same time, against the&#13;
selfish and the wicked. In fine, you fervently hasten on, with the ardor&#13;
of your wishes, the emancipation of all the artisans who, less fortunate&#13;
than you, have not generous M. Hardy for employer. Say, Agricola, in&#13;
these times of trouble, is there anything more necessary to compromise&#13;
you than that numerous copies of your song have been found in possession&#13;
of the persons who have been apprehended?"</p><p>Agricola was moved by these affectionate and judicious expressions of&#13;
an excellent creature, who reasoned from her heart; and he began to view&#13;
with more seriousness the advice which she had given him.</p><p>Perceiving that she had shaken him, the sewing-girl went on to say: "And&#13;
then, bear your fellow-workman, Remi, in recollection."</p><p>"Remi!" said Agricola, anxiously.</p><p>"Yes," resumed the sempstress; "a letter of his, a letter in itself&#13;
quite insignificant, was found in the house of a person arrested last&#13;
year for conspiracy; and Remi, in consequence, remained a month in&#13;
prison."</p><p>"That is true, but the injustice of his implication was easily shown,&#13;
and he was set at liberty."</p><p>"Yes, Agricola: but not till he had lain a month in prison; and that has&#13;
furnished the motive of the person who advised you to conceal yourself!&#13;
A month in prison! Good heavens! Agricola, think of that! and your&#13;
mother."</p><p>These words made a powerful impression upon Agricola. He took up the&#13;
letter and again read it attentively.</p><p>"And the man who has been lurking all this evening about the house?"&#13;
proceeded she. "I constantly recall that circumstance, which cannot be&#13;
naturally accounted for. Alas! what a blow it would be for your father,&#13;
and poor mother, who is incapable of earning anything. Are you not&#13;
now their only resource? Oh! consider, then, what would become of them&#13;
without you--without your labor!"</p><p>"It would indeed be terrible," said Agricola, impatiently casting the&#13;
letter upon the table. "What you have said concerning Remi is too true.&#13;
He was as innocent as I am: yet an error of justice, an involuntary&#13;
error though it be, is not the less cruel. But they don't commit a man&#13;
without hearing him."</p><p>"But they arrest him first, and hear him afterwards," said Mother Bunch,&#13;
bitterly; "and then, after a month or two, they restore him his liberty.&#13;
And if he have a wife and children, whose only means of living is his&#13;
daily labor, what becomes of them while their only supporter is in&#13;
prison? They suffer hunger, they endure cold, and they weep!"</p><p>At these simple and pathetic words, Agricola trembled.</p><p>"A month without work," he said, with a sad and thoughtful air. "And my&#13;
mother, and father, and the two young ladies who make part of our family&#13;
until the arrival in Paris of their father, Marshal Simon. Oh! you are&#13;
right. That thought, in spite of myself, affrights me!"</p><p>"Agricola!" exclaimed the girl impetuously; "suppose you apply to M.&#13;
Hardy; he is so good, and his character is so much esteemed and honored,&#13;
that, if he offered bail for you, perhaps they would give up their&#13;
persecution?"</p><p>"Unfortunately," replied Agricola, "M. Hardy is absent; he is on a&#13;
journey with Marshal Simon."</p><p>After a silence of some time, Agricola, striving to surmount his fear,&#13;
added: "But no! I cannot give credence to this letter. After all, I had&#13;
rather await what may come. I'll at least have the chance of proving my&#13;
innocence on my first examination: for indeed, my good sister, whether&#13;
it be that I am in prison or that I fly to conceal myself, my working&#13;
for my family will be equally prevented."</p><p>"Alas! that is true," said the poor girl; "what is to be done! Oh, what&#13;
is to be done?"</p><p>"My brave father," said Agricola to himself, "if this misfortune happen&#13;
to-morrow, what an awakening it will be for him, who came here to sleep&#13;
so joyously!" The blacksmith buried his face in his hands.</p><p>Unhappily Mother Bunch's fears were too well-founded, for it will be&#13;
recollected that at that epoch of the year 1832, before and after the&#13;
Rue des Prouvaires conspiracy, a very great number of arrests had been&#13;
made among the working classes, in consequence of a violent reaction&#13;
against democratical ideas.</p><p>Suddenly, the girl broke the silence which had been maintained for some&#13;
seconds. A blush colored her features, which bore the impressions of an&#13;
indefinable expression of constraint, grief, and hope.</p><p>"Agricola, you are saved!"</p><p>"What say you?" he asked.</p><p>"The young lady, so beautiful, so good, who gave you this flower" (she&#13;
showed it to the blacksmith) "who has known how to make reparation with&#13;
so much delicacy for having made a painful offer, cannot but have a&#13;
generous heart. You must apply to her--"</p><p>With these words which seemed to be wrung from her by a violent effort&#13;
over herself, great tears rolled down her cheeks. For the first time in&#13;
her life she experienced a feeling of grievous jealousy. Another woman&#13;
was so happy as to have the power of coming to the relief of him whom&#13;
she idolized; while she herself, poor creature, was powerless and&#13;
wretched.</p><p>"Do you think so?" exclaimed Agricola surprised. "But what could be done&#13;
with this young lady?"</p><p>"Did she not say to you," answered Mother Bunch, "'Remember my name; and&#13;
in all circumstances address yourself to me?'"</p><p>"She did indeed!" replied Agricola.</p><p>"This young lady, in her exalted position, ought to have powerful&#13;
connections who will be able to protect and defend you. Go to her to&#13;
morrow morning; tell her frankly what has happened, and request her&#13;
support."</p><p>"But tell me, my good sister, what it is you wish me to do?"</p><p>"Listen. I remember that, in former times, my father told us that he had&#13;
saved one of his friends from being put in prison, by becoming surety&#13;
for him. It will be easy for you so to convince this young lady of your&#13;
innocence, that she will be induced to become surety; and after that,&#13;
you will have nothing more to fear."</p><p>"My poor child!" said Agricola, "to ask so great a service from a person&#13;
to whom one is almost unknown is hard."</p><p>"Believe me, Agricola," said the other sadly, "I would never counsel&#13;
what could possibly lower you in the eyes of any one, and above all--do&#13;
you understand?--above all, in the eyes of this young lady. I do not&#13;
propose that you should ask money from her; but only that she should&#13;
give surety for you, in order that you may have the liberty of&#13;
continuing at your employment, so that the family may not be without&#13;
resources. Believe me, Agricola, that such a request is in no respect&#13;
inconsistent with what is noble and becoming upon your part. The heart&#13;
of the young lady is generous. She will comprehend your position. The&#13;
required surety will be as nothing to her; while to you it will be&#13;
everything, and will even be the very life to those who depend upon&#13;
you."</p><p>"You are right, my good sister," said Agricola, with sadness and&#13;
dejection. "It is perhaps worth while to risk taking this step. If the&#13;
young lady consent to render me this service, and if giving surety will&#13;
indeed preserve me from prison, I shall be prepared for every event. But&#13;
no, no!" added he, rising, "I'd never dare to make the request to her!&#13;
What right have I to do so? What is the insignificant service that I&#13;
rendered her, when compared with that which I should solicit from her?"</p><p>"Do you imagine then, Agricola, that a generous spirit measures the&#13;
services which ought to be rendered, by those previously received? Trust&#13;
to me respecting a matter which is an affair of the heart. I am, it is&#13;
true, but a lowly creature, and ought not to compare myself with any&#13;
other person. I am nothing, and I can do nothing. Nevertheless, I am&#13;
sure--yes, Agricola, I am sure--that this young lady, who is so very far&#13;
above me, will experience the same feelings that I do in this affair;&#13;
yes, like me, she will at once comprehend that your position is a cruel&#13;
one; and she will do with joy, with happiness, with thankfulness, that&#13;
which I would do, if, alas! I could do anything more than uselessly&#13;
consume myself with regrets."</p><p>In spite of herself, she pronounced the last words with an expression&#13;
so heart-breaking--there was something so moving in the comparison which&#13;
this unfortunate creature, obscure and disdained, infirm and miserable,&#13;
made of herself with Adrienne de Cardoville, the very type of&#13;
resplendent youth, beauty, and opulence--that Agricola was moved even to&#13;
tears; and, holding out one of his hands to the speaker, he said to her,&#13;
tenderly, "How very good you are; how full of nobleness, good feeling,&#13;
and delicacy!"</p><p>"Unhappily," said the weeping girl, "I can do nothing more than advise."</p><p>"And your counsels shall be followed out, my sister dear. They are those&#13;
of a soul the most elevated I have ever known. Yes, you have won me over&#13;
into making this experiment, by persuading me that the heart of Miss de&#13;
Cardoville is perhaps equal in value to your own!"</p><p>At this charming and sincere assimilation of herself to Miss Adrienne,&#13;
the sempstress forgot almost everything she had suffered, so exquisitely&#13;
sweet and consoling were her emotions. If some poor creatures, fatally&#13;
devoted to sufferings, experience griefs of which the world knows&#13;
naught, they sometimes, too, are cheered by humble and timid joys, of&#13;
which the world is equally ignorant. The least word of true tenderness&#13;
and affection, which elevates them in their own estimation, is ineffably&#13;
blissful for these unfortunate beings, habitually consigned, not only to&#13;
hardships and to disdain, but even to desolating doubts, and distrust of&#13;
themselves.</p><p>"Then it is agreed that you will go, to-morrow morning to this young&#13;
lady's house?" exclaimed Mother Bunch, trembling with a new-born hope.&#13;
"And," she quickly added, "at break of day I'll go down to watch at the&#13;
street-door, to see if there be anything suspicious, and to apprise you&#13;
of what I perceive."</p><p>"Good, excellent girl!" exclaimed Agricola, with increasing emotion.</p><p>"It will be necessary to endeavor to set off before the wakening of&#13;
your father," said the hunchback. "The quarter in which the young lady&#13;
dwells, is so deserted, that the mere going there will almost serve for&#13;
your present concealment."</p><p>"I think I hear the voice of my father," said Agricola suddenly.</p><p>In truth, the little apartment was so near Agricola's garret, that he&#13;
and the sempstress, listening, heard Dagobert say in the dark:</p><p>"Agricola, is it thus that you sleep, my boy? Why, my first sleep is&#13;
over; and my tongue itches deucedly."</p><p>"Go quick, Agricola!" said Mother Bunch; "your absence would disquiet&#13;
him. On no account go out to-morrow morning, before I inform you whether&#13;
or not I shall have seen anything suspicious."</p><p>"Why, Agricola, you are not here?" resumed Dagobert, in a louder voice.</p><p>"Here I am, father," said the smith, while going out of the sempstress's&#13;
apartment, and entering the garret, to his father.</p><p>"I have been to fasten the shutter of a loft that the wind agitated,&#13;
lest its noise should disturb you."</p><p>"Thanks, my boy; but it is not noise that wakes me," said Dagobert,&#13;
gayly; "it is an appetite, quite furious, for a chat with you. Oh, my&#13;
dear boy, it is the hungering of a proud old man of a father, who has&#13;
not seen his son for eighteen years."</p><p>"Shall I light a candle, father?"</p><p>"No, no; that would be luxurious; let us chat in the dark. It will be a&#13;
new pleasure for me to see you to-morrow morning at daybreak. It will be&#13;
like seeing you for the first time twice." The door of Agricola's garret&#13;
being now closed, Mother Bunch heard nothing more.</p><p>The poor girl, without undressing, threw herself upon the bed, and&#13;
closed not an eye during the night, painfully awaiting the appearance of&#13;
day, in order that she might watch over the safety of Agricola. However,&#13;
in spite of her vivid anxieties for the morrow, she sometimes allowed&#13;
herself to sink into the reveries of a bitter melancholy. She compared&#13;
the conversation she had just had in the silence of night, with the man&#13;
whom she secretly adored, with what that conversation might have been,&#13;
had she possessed some share of charms and beauty--had she been loved as&#13;
she loved, with a chaste and devoted flame! But soon sinking into belief&#13;
that she should never know the ravishing sweets of a mutual passion, she&#13;
found consolation in the hope of being useful to Agricola. At the dawn&#13;
of day, she rose softly, and descended the staircase with little noise,&#13;
in order to see if anything menaced Agricola from without.</p><p>CHAPTER XXXII. THE AWAKENING.</p><p>The weather, damp and foggy during a portion of the night, became clear&#13;
and cold towards morning. Through the glazed skylight of Agricola's&#13;
garret, where he lay with his father, a corner of the blue sky could be&#13;
seen.</p><p>The apartment of the young blacksmith had an aspect as poor as the&#13;
sewing-girl's. For its sole ornament, over the deal table upon which&#13;
Agricola wrote his poetical inspirations, there hung suspended from a&#13;
nail in the wall a portrait of Beranger--that immortal poet whom the&#13;
people revere and cherish, because his rare and transcendent genius has&#13;
delighted to enlighten the people, and to sing their glories and their&#13;
reverses.</p><p>Although the day had only begun to dawn, Dagobert and Agricola had&#13;
already risen. The latter had sufficient self command to conceal his&#13;
inquietude, for renewed reflection had again increased his fears.</p><p>The recent outbreak in the Rue des Prouvaires had caused a great number&#13;
of precautionary arrests; and the discovery of numerous copies&#13;
of Agricola's song, in the possession of one of the chiefs of the&#13;
disconcerted plot, was, in truth, calculated slightly to compromise the&#13;
young blacksmith. His father, however, as we have already mentioned,&#13;
suspected not his secret anguish. Seated by the side of his son, upon&#13;
the edge of their mean little bed, the old soldier, by break of day,&#13;
had dressed and shaved with military care; he now held between his hands&#13;
both those of Agricola, his countenance radiant with joy, and unable to&#13;
discontinue the contemplation of his boy.</p><p>"You will laugh at me, my dear boy," said Dagobert to his son; "but I&#13;
wished the night to the devil, in order that I might gaze upon you in&#13;
full day, as I now see you. But all in good time; I have lost nothing.&#13;
Here is another silliness of mine; it delights me to see you wear&#13;
moustaches. What a splendid horse-grenadier you would have made! Tell&#13;
me; have you never had a wish to be a soldier?"</p><p>"I thought of mother!"</p><p>"That's right," said Dagobert: "and besides, I believe, after all, look&#13;
ye, that the time of the sword has gone by. We old fellows are now good&#13;
for nothing, but to be put in a corner of the chimney. Like rusty old&#13;
carbines, we have had our day."</p><p>"Yes; your days of heroism and of glory," said Agricola with excitement;&#13;
and then he added, with a voice profoundly softened and agitated, "it is&#13;
something good and cheering to be your son!"</p><p>"As to the good, I know nothing of that," replied Dagobert; "but as for&#13;
the cheering, it ought to be so; for I love you proudly. And I think&#13;
this is but the beginning! What say you, Agricola? I am like the&#13;
famished wretches who have been some days without food. It is but by&#13;
little and little that they recover themselves, and can eat. Now, you&#13;
may expect to be tasted, my boy, morning and evening, and devoured&#13;
during the day. No, I wish not to think that--not all the day--no, that&#13;
thought dazzles and perplexes me; and I am no longer myself."</p><p>These words of Dagobert caused a painful feeling to Agricola. He&#13;
believed that they sprang from a presentiment of the separation with&#13;
which he was menaced.</p><p>"Well," continued Dagobert; "you are quite happy; M. Hardy is always&#13;
good to you."</p><p>"Oh!" replied Agricola: "there is none in the world better, or more&#13;
equitable and generous! If you knew what wonders he has brought about&#13;
in his factory! Compared to all others, it is a paradise beside the&#13;
stithies of Lucifer!"</p><p>"Indeed!" said Dagobert.</p><p>"You shall see," resumed Agricola, "what welfare, what joy, what&#13;
affection, are displayed upon the countenances of all whom he employs;&#13;
who work with an ardent pleasure.</p><p>"This M. Hardy of yours must be an out-and-out magician," said Dagobert.</p><p>"He is, father, a very great magician. He has known how to render labor&#13;
pleasant and attractive. As for the pleasure, over and above good wages,&#13;
he accords to us a portion of his profits according to our deserts;&#13;
whence you may judge of the eagerness with which we go to work. And that&#13;
is not all: he has caused large, handsome buildings to be erected, in&#13;
which all his workpeople find, at less expense than elsewhere, cheerful&#13;
and salubrious lodgings, in which they enjoy all the advantages of an&#13;
association. But you shall see--I repeat--you shall see!"</p><p>"They have good reason to say, that Paris is the region of wonders,"&#13;
observed Dagobert.</p><p>"Well, behold me here again at last, never more to quit you, nor good&#13;
mother!"</p><p>"No, father, we will never separate again," said Agricola, stifling a&#13;
sigh. "My mother and I will both try to make you forget all that you&#13;
have suffered."</p><p>"Suffered!" exclaimed Dagobert, "who the deuce has suffered? Look me&#13;
well in the face; and see if I have a look of suffering! Bombs and&#13;
bayonets! Since I have put my foot here, I feel myself quite a young man&#13;
again! You shall see me march soon: I bet that I tire you out! You must&#13;
rig yourself up something extra! Lord, how they will stare at us! I&#13;
wager that in beholding your black moustache and my gray one, folks will&#13;
say, behold father and son! But let us settle what we are to do with the&#13;
day. You will write to the father of Marshal Simon, informing him the&#13;
his grand-daughters have arrived, and that it is necessary that he&#13;
should hasten his return to Paris; for he has charged himself with&#13;
matters which are of great importance for them. While you are writing,&#13;
I will go down to say good-morning to my wife, and to the dear little&#13;
ones. We will then eat a morsel. Your mother will go to mass; for I&#13;
perceive that she likes to be regular at that: the good soul! no great&#13;
harm, if it amuse her! and during her absence, we will make a raid&#13;
together."</p><p>"Father," said Agricola, with embarrassment, "this morning it is out of&#13;
my power to accompany you."</p><p>"How! out of your power?" said Dagobert; "recollect this is Monday!"</p><p>"Yes, father," said Agricola, hesitatingly; "but I have promised to&#13;
attend all the morning in the workshop, to finish a job that is required&#13;
in a hurry. If I fail to do so, I shall inflict some injury upon M.&#13;
Hardy. But I'll soon be at liberty."</p><p>"That alters the case," said Dagobert, with a sigh of regret. "I thought&#13;
to make my first parade through Paris with you this morning; but it must&#13;
be deferred in favor of your work. It is sacred: since it is that which&#13;
sustains your mother. Nevertheless, it is vexatious, devilish vexatious.&#13;
And yet no--I am unjust. See how quickly one gets habituated to and&#13;
spoilt by happiness. I growl like a true grumbler, at a walk being put&#13;
off for a few hours! I do this! I who, during eighteen years, have only&#13;
hoped to see you once more, without daring to reckon very much upon&#13;
it! Oh! I am but a silly old fool! Vive l'amour et cogni--I mean--my&#13;
Agricola!" And, to console himself, the old soldier gayly slapped his&#13;
son's shoulder.</p><p>This seemed another omen of evil to the blacksmith; for he dreaded one&#13;
moment to another lest the fears of Mother Bunch should be realized.&#13;
"Now that I have recovered myself," said Dagobert, laughing, "let&#13;
us speak of business. Know you where I find the addresses of all the&#13;
notaries in Paris?"</p><p>"I don't know; but nothing is more easy than to discover it."</p><p>"My reason is," resumed Dagobert, "that I sent from Russia by post, and&#13;
by order of the mother of the two children that I have brought here,&#13;
some important papers to a Parisian notary. As it was my duty to see&#13;
this notary immediately upon my arrival, I had written his name and his&#13;
address in a portfolio, of which however, I have been robbed during my&#13;
journey; and as I have forgotten his devil of a name, it seems to me,&#13;
that if I should see it again in the list of notaries, I might recollect&#13;
it."</p><p>Two knocks at the door of the garret made Agricola start. He&#13;
involuntarily thought of a warrant for his apprehension.</p><p>His father, who, at the sound of the knocking turned round his head, had&#13;
not perceived his emotion, and said with a loud voice: "Come in!" The&#13;
door opened. It was Gabriel. He wore a black cassock and a broad brimmed&#13;
hat.</p><p>To recognize his brother by adoption, and to throw himself into his&#13;
arms, were two movements performed at once by Agricola--as quick as&#13;
thought.--"My brother!" exclaimed Agricola.</p><p>"Agricola!" cried Gabriel.</p><p>"Gabriel!" responded the blacksmith.</p><p>"After so long an absence!" said the one.</p><p>"To behold you again!" rejoined the other.</p><p>Such were the words exchanged between the blacksmith and the missionary,&#13;
while they were locked in a close embrace.</p><p>Dagobert, moved and charmed by these fraternal endearments, felt his&#13;
eyes become moist. There was something truly touching in the affection&#13;
of the young men--in their hearts so much alike, and yet of characters&#13;
and aspects so very different--for the manly countenance of Agricola&#13;
contrasted strongly with the delicacy and angelic physiognomy of&#13;
Gabriel.</p><p>"I was forewarned by my father of your arrival," said the blacksmith at&#13;
length. "I have been expecting to see you; and my happiness has been&#13;
a hundred times the greater, because I have had all the pleasures of&#13;
hoping for it."</p><p>"And my good mother?" asked Gabriel, in affectionately grasping the&#13;
hands of Dagobert. "I trust that you have found her in good health."</p><p>"Yes, my brave boy!" replied Dagobert; "and her health will have become&#13;
a hundred times better, now that we are all together. Nothing is so&#13;
healthful as joy." Then addressing himself to Agricola, who, forgetting&#13;
his fear of being arrested, regarded the missionary with an expression&#13;
of ineffable affection, Dagobert added:</p><p>"Let it be remembered, that, with the soft cheek of a young girl,&#13;
Gabriel has the courage of a lion; I have already told with what&#13;
intrepidity he saved the lives of Marshal Simon's daughters, and tried&#13;
to save mine also."</p><p>"But, Gabriel! what has happened to your forehead?" suddenly exclaimed&#13;
Agricola, who for a few seconds had been attentively examining the&#13;
missionary.</p><p>Gabriel, having thrown aside his hat on entering, was now directly&#13;
beneath the skylight of the garret apartment, the bright light through&#13;
which shone upon his sweet, pale countenance: and the round scar,&#13;
which extended from one eyebrow to the other, was therefore distinctly&#13;
visible.</p><p>In the midst of the powerful and diversified emotion, and of the&#13;
exciting events which so rapidly followed the shipwreck on the rocky&#13;
coast near Cardoville House, Dagobert, during the short interview he&#13;
then had with Gabriel, had not perceived the scar which seamed the&#13;
forehead of the young missionary. Now, partaking, however, of the&#13;
surprise of his son, Dagobert said:</p><p>"Aye, indeed! how came this scar upon your brow?"</p><p>"And on his hands, too; see, dear father!" exclaimed the blacksmith,&#13;
with renewed surprise, while he seized one of the hands which the young&#13;
priest held out towards him in order to tranquillize his fears.</p><p>"Gabriel, my brave boy, explain this to us!" added Dagobert; "who&#13;
has wounded you thus?" and in his turn, taking the other hand of the&#13;
missionary, he examined the scar upon it with the eye of a judge of&#13;
wounds, and then added, "In Spain, one of my comrades was found and&#13;
taken down alive from a cross, erected at the junction of several roads,&#13;
upon which the monks had crucified, and left him to die of hunger,&#13;
thirst, and agony. Ever afterwards he bore scars upon his hands, exactly&#13;
similar to this upon your hand."</p><p>"My father is right!" exclaimed Agricola. "It is evident that your&#13;
hands have been pierced through! My poor brother!" and Agricola became&#13;
grievously agitated.</p><p>"Do not think about it," said Gabriel, reddening with the embarrassment&#13;
of modesty. "Having gone as a missionary amongst the savages of the&#13;
Rocky Mountains, they crucified me, and they had begun to scalp me, when&#13;
Providence snatched me from their hands."</p><p>"Unfortunate youth," said Dagobert; "without arms then? You had not a&#13;
sufficient escort for your protection?"</p><p>"It is not for such as me to carry arms." said Gabriel, sweetly smiling;&#13;
"and we are never accompanied by any escort."</p><p>"Well, but your companions, those who were along with you, how came it&#13;
that they did not defend you?" impetuously asked Agricola.</p><p>"I was alone, my dear brother."</p><p>"Alone!"</p><p>"Yes, alone; without even a guide."</p><p>"You alone! unarmed! in a barbarous country!" exclaimed Dagobert,&#13;
scarcely crediting a step so unmilitary, and almost distrusting his own&#13;
sense of hearing.</p><p>"It was sublime!" said the young blacksmith and poet.</p><p>"The Christian faith," said Gabriel, with mild simplicity, "cannot be&#13;
implanted by force or violence. It is only by the power of persuasion&#13;
that the gospel can be spread amongst poor savages."</p><p>"But when persuasions fail!" said Agricola.</p><p>"Why, then, dear brother, one has but to die for the belief that is&#13;
in him, pitying those who have rejected it, and who have refused the&#13;
blessings it offers to mankind."</p><p>There was a period of profound silence after the reply of Gabriel, which&#13;
was uttered with simple and touching pathos.</p><p>Dagobert was in his own nature too courageous not to comprehend a&#13;
heroism thus calm and resigned; and the old soldier, as well as his&#13;
son, now contemplated Gabriel with the most earnest feelings of mingled&#13;
admiration and respect.</p><p>Gabriel, entirely free from the affection of false modesty, seemed quite&#13;
unconscious of the emotions which he had excited in the breasts of his&#13;
two friends; and he therefore said to Dagobert, "What ails you?"</p><p>"What ails me!" exclaimed the brave old soldier, with great emotion:&#13;
"After having been for thirty years in the wars, I had imagined myself&#13;
to be about as courageous as any man. And now I find I have a master!&#13;
And that master is yourself!"</p><p>"I!" said Gabriel; "what do you mean? What have I done?"</p><p>"Thunder, don't you know that the brave wounds there" (the veteran&#13;
took with transport both of Gabriel's hands), "that these wounds are&#13;
as glorious--are more glorious than our--than all ours, as warriors by&#13;
profession!"</p><p>"Yes! yes, my father speaks truth!" exclaimed Agricola; and he added,&#13;
with enthusiasm, "Oh, for such priests! How I love them! How I&#13;
venerate them! How I am elevated by their charity, their courage, their&#13;
resignation!"</p><p>"I entreat you not to extol me thus," said Gabriel with embarrassment.</p><p>"Not extol you!" replied Dagobert. "Hanged if I shouldn't. When I have&#13;
gone into the heat of action, did I rush into it alone? Was I not under&#13;
the eyes of my commanding officer? Were not my comrades there along&#13;
with me? In default of true courage, had I not the instinct of self&#13;
preservation to spur me on, without reckoning the excitement of the&#13;
shouts and tumult of battle, the smell of the gunpowder, the flourishes&#13;
of the trumpets, the thundering of the cannon, the ardor of my horse,&#13;
which bounded beneath me as if the devil were at his tail? Need I state&#13;
that I also knew that the emperor was present, with his eye upon every&#13;
one--the emperor, who, in recompense for a hole being made in my tough&#13;
hide, would give me a bit of lace or a ribbon, as plaster for the wound.&#13;
Thanks to all these causes, I passed for game. Fair enough! But are&#13;
you not a thousand times more game than I, my brave boy; going alone,&#13;
unarmed, to confront enemies a hundred times more ferocious than those&#13;
whom we attacked--we, who fought in whole squadrons, supported by&#13;
artillery, bomb-shells, and case-shot?"</p><p>"Excellent father!" cried Agricola, "how noble of you to render to&#13;
Gabriel this justice!"</p><p>"Oh, dear brother," said Gabriel, "his kindness to me makes him magnify&#13;
what was quite natural and simple!"</p><p>"Natural!" said the veteran soldier; "yes, natural for gallants who have&#13;
hearts of the true temper: but that temper is rare."</p><p>"Oh, yes, very rare," said Agricola; "for that kind of courage is the&#13;
most admirable of all. Most bravely did you seek almost certain death,&#13;
alone, bearing the cross in hand as your only weapon, to preach charity&#13;
and Christian brotherhood. They seized you, tortured you; and you await&#13;
death and partly endure it, without complaint, without remonstrance,&#13;
without hatred, without anger, without a wish for vengeance; forgiveness&#13;
issuing from your mouth, and a smile of pity beaming upon your lips;&#13;
and this in the depths of forests, where no one could witness your&#13;
magnanimity,--none could behold you--and without other desire, after you&#13;
were rescued than modestly to conceal blessed wounds under your black&#13;
robe! My father is right, by Jove! can you still contend that you are&#13;
not as brave as he?"</p><p>"And besides, too," resumed Dagobert, "the dear boy did all that for&#13;
a thankless paymaster; for it is true, Agricola, that his wounds will&#13;
never change his humble black robe of a priest into the rich robe of a&#13;
bishop!"</p><p>"I am not so disinterested as I may seem to be," said Gabriel to&#13;
Dagobert, smiling meekly. "If I am deemed worthy, a great recompense&#13;
awaits me on high."</p><p>"As to all that, my boy," said Dagobert, "I do not understand it; and I&#13;
will not argue about it. I maintain it, that my old cross of honor would&#13;
be at least as deservedly affixed to your cassock as upon my uniform."</p><p>"But these recompenses are never conferred upon humble priests like&#13;
Gabriel," said Agricola, "and if you did know, dear father, how&#13;
much virtue and valor is among those whom the highest orders in the&#13;
priesthood insolently call the inferior clergy,--the unseen merit and&#13;
the blind devotedness to be found amongst worthy, but obscure, country&#13;
curates, who are inhumanly treated and subjugated to a pitiless yoke by&#13;
the lordly lawnsleeves! Like us, those poor priests are worthy laborers&#13;
in their vocation; and for them, also, all generous hearts ought to&#13;
demand enfranchisement! Sons of common people, like ourselves, and&#13;
useful as we are, justice ought to be rendered both to them and to us.&#13;
Do I say right, Gabriel? You will not contradict it; for you have told&#13;
me, that your ambition would have been to obtain a small country curacy;&#13;
because you understand the good that you could work within it."</p><p>"My desire is still the same," said Gabriel sadly: "but unfortunately--"&#13;
and then, as if he wished to escape from a painful thought, and to&#13;
change the conversation, he, addressing himself to Dagobert, added:&#13;
"Believe me: be more just than to undervalue your own courage by&#13;
exalting mine. Your courage must be very great--very great; for, after&#13;
a battle, the spectacle of the carnage must be truly terrible to a&#13;
generous and feeling heart. We, at least, though we may be killed, do&#13;
not kill."</p><p>At these words of the missionary, the soldier drew himself up erect,&#13;
looked upon Gabriel with astonishment, and said, "This is most&#13;
surprising!"</p><p>"What is?" inquired Agricola.</p><p>"What Gabriel has just told us," replied Dagobert, "brings to my mind&#13;
what I experienced in warfare on the battlefield in proportion as I&#13;
advanced in years. Listen, my children: more than once, on the&#13;
night after a general engagement, I have been mounted as a&#13;
vidette,--alone,--by night,--amid the moonlight, on the field of battle&#13;
which remained in our possession, and upon which lay the bodies of&#13;
seven or eight thousand of the slain, amongst whom were mingled the&#13;
slaughtered remains of some of my old comrades: and then this sad scene,&#13;
when the profound silence has restored me to my senses from the thirst&#13;
for bloodshed and the delirious whirling of my sword (intoxicated&#13;
like the rest), I have said to myself, 'for what have these men been&#13;
killed?--FOR WHAT--FOR WHAT?' But this feeling, well understood as it&#13;
was, hindered me not, on the following morning, when the trumpets again&#13;
sounded the charge, from rushing once more to the slaughter. But the&#13;
same thought always recurred when my arm became weary with carnage; and&#13;
after wiping my sabre upon the mane of my horse, I have said to myself,&#13;
'I have killed!--killed!!--killed!!! and, FOR WHAT!!!'"</p><p>The missionary and the blacksmith exchanged looks on hearing the old&#13;
soldier give utterance to this singular retrospection of the past.</p><p>"Alas!" said Gabriel to him, "all generous hearts feel as you did during&#13;
the solemn moments, when the intoxication of glory has subsided, and&#13;
man is left alone to the influence of the good instincts planted in his&#13;
bosom."</p><p>"And that should prove, my brave boy," rejoined Dagobert, "that you are&#13;
greatly better than I; for those noble instincts, as you call them, have&#13;
never abandoned you. * * * * But how the deuce did you escape from the&#13;
claws of the infuriated savages who had already crucified you?"</p><p>At this question of Dagobert, Gabriel started and reddened so visibly,&#13;
that the soldier said to him: "If you ought not or cannot answer my&#13;
request, let us say no more about it."</p><p>"I have nothing to conceal, either from you or from my brother," replied&#13;
the missionary with altered voice. "Only; it will be difficult for me to&#13;
make you comprehend what I cannot comprehend myself."</p><p>"How is that?" asked Agricola with surprise.</p><p>"Surely," said Gabriel, reddening more deeply, "I must have been&#13;
deceived by a fallacy of my senses, during that abstracted moment in&#13;
which I awaited death with resignation. My enfeebled mind, in spite of&#13;
me, must have been cheated by an illusion; or that, which to the present&#13;
hour has remained inexplicable, would have been more slowly developed;&#13;
and I should have known with greater certainty that it was the strange&#13;
woman--"</p><p>Dagobert, while listening to the missionary, was perfectly amazed; for&#13;
he also had vainly tried to account for the unexpected succor which had&#13;
freed him and the two orphans from the prison at Leipsic.</p><p>"Of what woman do you speak?" asked Agricola.</p><p>"Of her who saved me," was the reply.</p><p>"A woman saved you from the hands of the savages?" said Dagobert.</p><p>"Yes," replied Gabriel, though absorbed in his reflections, "a woman,&#13;
young and beautiful!"</p><p>"And who was this woman?" asked Agricola.</p><p>"I know not. When I asked her, she replied, 'I am the sister of the&#13;
distressed!'"</p><p>"And whence came she? Whither went she?" asked Dagobert, singularly&#13;
interested.</p><p>"'I go wheresoever there is suffering,' she replied," answered&#13;
the missionary; "and she departed, going towards the north of&#13;
America--towards those desolate regions in which there is eternal snow,&#13;
where the nights are without end."</p><p>"As in Siberia," said Dagobert, who had become very thoughtful.</p><p>"But," resumed Agricola, addressing himself to Gabriel, who seemed also&#13;
to have become more and more absorbed, "in what manner or by what means&#13;
did this woman come to your assistance?"</p><p>The missionary was about to reply to the last question, when there was&#13;
heard a gentle tap at the door of the garret apartment, which renewed&#13;
the fears that Agricola had forgotten since the arrival of his adopted&#13;
brother. "Agricola," said a sweet voice outside the door, "I wish to&#13;
speak with you as soon as possible."</p><p>The blacksmith recognized Mother Bunch's voice, and opened the door.&#13;
But the young sempstress, instead of entering, drew back into the dark&#13;
passage, and said, with a voice of anxiety: "Agricola, it is an hour&#13;
since broad day, and you have not yet departed! How imprudent! I have&#13;
been watching below, in the street, until now, and have seen nothing&#13;
alarming; but they may come any instant to arrest you. Hasten, I conjure&#13;
you, your departure for the abode of Miss de Cardoville. Not a minute&#13;
should be lost."</p><p>"Had it not been for the arrival of Gabriel, I should have been gone.&#13;
But I could not resist the happiness of remaining some little time with&#13;
him."</p><p>"Gabriel here!" said Mother Bunch, with sweet surprise; for, as has been&#13;
stated, she had been brought up with him and Agricola.</p><p>"Yes," answered Agricola, "for half an hour he has been with my father&#13;
and me."</p><p>"What happiness I shall have in seeing him again," said the sewing-girl.&#13;
"He doubtless came upstairs while I had gone for a brief space to your&#13;
mother, to ask if I could be useful in any way on account of the young&#13;
ladies; but they have been so fatigued that they still sleep. Your&#13;
mother has requested me to give you this letter for your father. She has&#13;
just received it."</p><p>"Thanks."</p><p>"Well," resumed Mother Bunch, "now that you have seen Gabriel, do not&#13;
delay long. Think what a blow it would be for your father, if they came&#13;
to arrest you in his very presence mon Dieu!"</p><p>"You are right," said Agricola; "it is indispensable that I should&#13;
depart--while near Gabriel in spite of my anxiety, my fears were&#13;
forgotten."</p><p>"Go quickly, then; and if Miss de Cardoville should grant this favor,&#13;
perhaps in a couple of hours you will return, quite at ease both as to&#13;
yourself and us."</p><p>"True! a very few minutes more; and I'll come down."</p><p>"I return to watch at the door. If I perceive anything. I'll come up&#13;
again to apprise you. But pray, do not delay."</p><p>"Be easy, good sister." Mother Bunch hurriedly descended the staircase,&#13;
to resume her watch at the street door, and Agricola re-entered his&#13;
garret. "Dear father," he said to Dagobert, "my mother has just received&#13;
this letter, and she requests you to read it."</p><p>"Very well; read it for me, my boy." And Agricola read as follows:</p><p>"MADAME.--I understand that your husband has been charged by General&#13;
Simon with an affair of very great importance. Will you, as soon as your&#13;
husband arrives in Paris, request him to come to my office at Chartres&#13;
without a moment's delay. I am instructed to deliver to himself, and&#13;
to no other person, some documents indispensable to the interests of&#13;
General Simon.</p><p>"DURAND, Notary at Chartres."</p><p>Dagobert looked at his son with astonishment, and said to him, "Who can&#13;
have told this gentleman already of my arrival in Paris?"</p><p>"Perhaps, father," said Agricola, "this is the notary to whom you&#13;
transmitted some papers, and whose address you have lost."</p><p>"But his name was not Durand; and I distinctly recollect that his&#13;
address was Paris, not Chartres. And, besides," said the soldier,&#13;
thoughtfully, "if he has some important documents, why didn't he&#13;
transmit them to me?"</p><p>"It seems to me that you ought not to neglect going to him as soon as&#13;
possible," said Agricola, secretly rejoiced that this circumstance&#13;
would withdraw his father for about two days, during which time his&#13;
(Agricola's) fate would be decided in one way or other.</p><p>"Your counsel is good," replied his father.</p><p>"This thwarts your intentions in some degree?" asked Gabriel.</p><p>"Rather, my lads; for I counted upon passing the day with you. However,&#13;
'duty before everything.' Having come happily from Siberia to Paris,&#13;
it is not for me to fear a journey from Paris to Chartres, when it is&#13;
required on an affair of importance. In twice twenty-four hours I shall&#13;
be back again. But the deuce take me if I expected to leave Paris for&#13;
Chartres to-day. Luckily, I leave Rose and Blanche with my good wife;&#13;
and Gabriel, their angel, as they call him, will be here to keep them&#13;
company."</p><p>"That is, unfortunately, impossible," said the missionary, sadly. "This&#13;
visit on my arrival is also a farewell visit."</p><p>"A farewell visit! Now!" exclaimed Dagobert and Agricola both at once.</p><p>"Alas, yes!"</p><p>"You start already on another mission?" said Dagobert; "surely it is not&#13;
possible?"</p><p>"I must answer no question upon this subject," said Gabriel, suppressing&#13;
a sigh: "but from now, for some time, I cannot, and ought not, come&#13;
again into this house."</p><p>"Why, my brave boy," resumed Dagobert with emotion, "there is something&#13;
in thy conduct that savors of constraint, of oppression. I know&#13;
something of men. He you call superior, whom I saw for some moments&#13;
after the shipwreck at Cardoville Castle, has a bad look; and I am sorry&#13;
to see you enrolled under such a commander."</p><p>"At Cardoville Castle!" exclaimed Agricola, struck with the identity&#13;
of the name with that of the young lady of the golden hair; "was it in&#13;
Cardoville Castle that you were received after your shipwreck?"</p><p>"Yes, my boy; why, does that astonish you?" asked Dagobert.</p><p>"Nothing father; but were the owners of the castle there at the time?"</p><p>"No; for the steward, when I applied to him for an opportunity to return&#13;
thanks for the kind hospitality we had experienced, informed me that the&#13;
person to whom the house belonged was resident at Paris."</p><p>"What a singular coincidence," thought Agricola, "if the young lady&#13;
should be the proprietor of the dwelling which bears her name!"</p><p>This reflection having recalled to Agricola the promise which he had&#13;
made to Mother Bunch, he said to Dagobert; "Dear father, excuse me; but&#13;
it is already late, and I ought to be in the workshop by eight o'clock."</p><p>"That is too true, my boy. Let us go. This party is adjourned till my&#13;
return from Chartres. Embrace me once more, and take care of yourself."</p><p>Since Dagobert had spoken of constraint and oppression to Gabriel, the&#13;
latter had continued pensive. At the moment when Agricola approached&#13;
him to shake hands, and to bid him adieu, the missionary said to him&#13;
solemnly, with a grave voice, and in a tone of decision that astonished&#13;
both the blacksmith and the soldier: "My dear brother, one word more. I&#13;
have come here to say to you also that within a few days hence I shall&#13;
have need of you; and of you also, my father (permit me so to call&#13;
you)," added Gabriel, with emotion, as he turned round to Dagobert.</p><p>"How! you speak thus to us!" exclaimed Agricola; "what is the matter?"</p><p>"Yes," replied Gabriel, "I need the advice and assistance of two men of&#13;
honor--of two men of resolution;--and I can reckon upon you two--can I&#13;
not? At any hour, on whatever day it may be, upon a word from me, will&#13;
you come?"</p><p>Dagobert and his son regarded each other in silence, astonished at the&#13;
accents of the missionary. Agricola felt an oppression of the heart. If&#13;
he should be a prisoner when his brother should require his assistance,&#13;
what could be done?</p><p>"At every hour, by night or by day, my brave boy, you may depend upon&#13;
us," said Dagobert, as much surprised as interested--"You have a father&#13;
and a brother; make your own use of them."</p><p>"Thanks, thanks," said Gabriel, "you set me quite at ease."</p><p>"I'll tell you what," resumed the soldier, "were it not for your&#13;
priest's robe, I should believe, from the manner in which you have&#13;
spoken to us, that you are about to be engaged in a duel--in a mortal&#13;
combat."</p><p>"In a duel?" said Gabriel, starting. "Yes; it may be a duel--uncommon&#13;
and fearful--at which it is necessary to have two witnesses such as&#13;
you--A FATHER and A BROTHER!"</p><p>Some instants afterwards, Agricola, whose anxiety was continually&#13;
increasing, set off in haste for the dwelling of Mademoiselle de&#13;
Cardoville, to which we now beg leave to take the reader.</p><p>CHAPTER XXXIII. THE PAVILION.</p><p>Dizier House was one of the largest and handsomest in the Rue Babylone,&#13;
in Paris. Nothing could be more severe, more imposing, or more&#13;
depressing than the aspect of this old mansion. Several immense windows,&#13;
filled with small squares of glass, painted a grayish white, increased&#13;
the sombre effect of the massive layers of huge stones, blackened by&#13;
time, of which the fabric was composed.</p><p>This dwelling bore a resemblance to all the others that had been erected&#13;
in the same quarter towards the middle of the last century. It was&#13;
surmounted in front by a pediment; it had an elevated ground floor,&#13;
which was reached from the outside by a circular flight of broad stone&#13;
steps. One of the fronts looked on an immense court-yard, on each side&#13;
of which an arcade led to the vast interior departments. The other front&#13;
overlooked the garden, or rather park, of twelve or fifteen roods; and,&#13;
on this side, wings, approaching the principal part of the structure,&#13;
formed a couple of lateral galleries. Like nearly all the other great&#13;
habitations of this quarter, there might be seen at the extremity of the&#13;
garden, what the owners and occupiers of each called the lesser mansion.</p><p>This extension was a Pompadour summer-house, built in the form of a&#13;
rotunda, with the charming though incorrect taste of the era of its&#13;
erection. It presented, in every part where it was possible for the&#13;
stones to be cut, a profusion of endives, knots of ribbons, garlands&#13;
of flowers, and chubby cupids. This pavilion, inhabited by Adrienne&#13;
de Cardoville was composed of a ground floor, which was reached by a&#13;
peristyle of several steps. A small vestibule led to a circular hall,&#13;
lighted from the roof. Four principal apartments met here; and ranges of&#13;
smaller rooms, concealed in the upper story, served for minor purposes.</p><p>These dependencies of great habitations are in our days disused, or&#13;
transformed into irregular conservatories; but by an uncommon exception,&#13;
the black exterior of the pavilion had been scraped and renewed, and&#13;
the entire structure repaired. The white stones of which it was built&#13;
glistened like Parian marble; and its renovated, coquettish aspect&#13;
contrasted singularly with the gloomy mansion seen at the other&#13;
extremity of an extensive lawn, on which were planted here and there&#13;
gigantic clumps of verdant trees.</p><p>The following scene occurred at this residence on the morning following&#13;
that of the arrival of Dagobert, with the daughters of Marshal Simon, in&#13;
the Rue Brise-Miche. The hour of eight had sounded from the steeple of a&#13;
neighboring church; a brilliant winter sun arose to brighten a pure blue&#13;
sky behind the tall leafless trees, which in summer formed a dome of&#13;
verdure over the summer-house. The door in the vestibule opened, and the&#13;
rays of the morning sun beamed upon a charming creature, or rather upon&#13;
two charming creatures, for the second one, though filling a modest&#13;
place in the scale of creation, was not less distinguished by beauty of&#13;
its own, which was very striking. In plain terms two individuals, one of&#13;
them a young girl, and the other a tiny English dog, of great beauty,&#13;
of that breed of spaniels called King Charles's, made their appearance&#13;
under the peristyle of the rotunda. The name of the young girl was&#13;
Georgette; the beautiful little spaniel's was Frisky. Georgette was in&#13;
her eighteenth year. Never had Florine or Manton, never had a lady's&#13;
maid of Marivaux, a more mischievous face, an eye more quick, a smile&#13;
more roguish, teeth more white, cheeks more roseate, figure more&#13;
coquettish, feet smaller, or form smarter, attractive, and enticing.&#13;
Though it was yet very early, Georgette was carefully and tastefully&#13;
dressed. A tiny Valenciennes cap, with flaps and flap-band, of half&#13;
peasant fashion, decked with rose-colored ribbons, and stuck a little&#13;
backward upon bands of beautiful fair hair, surrounded her fresh and&#13;
piquant face; a robe of gray levantine, and a cambric neck-kerchief,&#13;
fastened to her bosom by a large tuft of rose-colored ribbons, displayed&#13;
her figure elegantly rounded; a hollands apron, white as snow, trimmed&#13;
below by three large hems, surmounted by a Vandyke-row, encircled her&#13;
waist, which was as round and flexible as a reed; her short, plain&#13;
sleeves, edged with bone lace, allowed her plump arms to be seen, which&#13;
her long Swedish gloves, reaching to the elbow, defended from the rigor&#13;
of the cold. When Georgette raised the bottom of her dress, in order to&#13;
descend more quickly the steps, she exhibited to Frisky's indifferent&#13;
eyes a beautiful ankle, and the beginning of the plump calf of a fine&#13;
leg, encased in white silk, and a charming little foot, in a laced&#13;
half-boot of Turkish satin. When a blonde like Georgette sets herself&#13;
to be ensnaring; when vivid glances sparkle from her eyes of bright yet&#13;
tender blue; when a joyous excitement suffuses her transparent skin,&#13;
she is more resistless for the conquest of everything before her than a&#13;
brunette.</p><p>This bewitching and nimble lady's-maid, who on the previous evening&#13;
had introduced Agricola to the pavilion, was first waiting woman to&#13;
the Honorable Miss Adrienne de Cardoville, niece of the Princess Saint&#13;
Dizier.</p><p>Frisky, so happily found and brought back by the blacksmith, uttered&#13;
weak but joyful barks, and bounded, ran, and frolicked upon the turf.&#13;
She was not much bigger than one's fist; her curled hair, of lustrous&#13;
black, shone like ebony, under the broad, red satin ribbon which&#13;
encircled her neck; her paws, fringed with long silken fur, were of&#13;
a bright and fiery tan, as well as her muzzle, the nose of which was&#13;
inconceivably pug; her large eyes were full of intelligence; and her&#13;
curly ears so long that they trailed upon the ground. Georgette seemed&#13;
to be as brisk and petulant as Frisky, and shared her sportiveness,--now&#13;
scampering after the happy little spaniel, and now retreating, in order&#13;
to be pursued upon the greensward in her turn. All at once, at the sight&#13;
of a second person, who advanced with deliberate gravity, Georgette&#13;
and Frisky were suddenly stopped in their diversion. The little King&#13;
Charles, some steps in advance of Georgette, faithful to her name,&#13;
and bold as the devil, held herself firmly upon her nervous paws, and&#13;
fiercely awaited the coming up of the enemy, displaying at the same time&#13;
rows of little teeth, which, though of ivory, were none the less pointed&#13;
and sharp. The enemy consisted of a woman of mature age, accompanied by&#13;
a very fat dog, of the color of coffee and milk; his tail was twisted&#13;
like a corkscrew; he was pot-bellied; his skin was sleek; his neck was&#13;
turned little to one side; he walked with his legs inordinately spread&#13;
out, and stepped with the air of a doctor. His black muzzle, quarrelsome&#13;
and scowling showed two fangs sallying forth, and turning up from the&#13;
left side of the mouth, and altogether he had an expression singularly&#13;
forbidding and vindictive. This disagreeable animal, a perfect type of&#13;
what might be called a "church-goer's pug," answered to the name of "My&#13;
Lord." His mistress, a woman of about fifty years of age, corpulent and&#13;
of middle size, was dressed in a costume as gloomy and severe as that of&#13;
Georgette was gay and showy. It consisted of a brown robe, a black silk&#13;
mantle, and a hat of the same dye. The features of this woman might&#13;
have been agreeable in her youth; and her florid cheeks, her correct&#13;
eyebrows, her black eyes, which were still very lively, scarcely&#13;
accorded with the peevish and austere physiognomy which she tried to&#13;
assume. This matron, of slow and discreet gait, was Madame Augustine&#13;
Grivois, first woman to the Princess Saint-Dizier. Not only did the age,&#13;
the face, and the dress of these two women present a striking contrast;&#13;
but the contrast extended itself even to the animals which attended&#13;
them. There were similar differences between Frisky and My Lord, as&#13;
between Georgette and Mrs. Grivois. When the latter perceived the&#13;
little King Charles, she could not restrain a movement of surprise&#13;
and repugnance, which escaped not the notice of the young lady's maid.&#13;
Frisky, who had not retreated one inch, since the apparition of My&#13;
Lord, regarded him valiantly, with a look of defiance, and even advanced&#13;
towards him with an air so decidedly hostile, that the cur, though&#13;
thrice as big as the little King Charles, uttered a howl of distress&#13;
and terror, and sought refuge behind Mrs. Grivois, who bitterly said to&#13;
Georgette:</p><p>"It seems to me, miss, that you might dispense with exciting your dog&#13;
thus, and setting him upon mine."</p><p>"It was doubtless for the purpose of protecting this respectable but&#13;
ugly animal from similar alarms, that you tried to make us lose Frisky&#13;
yesterday, by driving her into the street through the little garden&#13;
gate. But fortunately an honest young man found Frisky in the Rue de&#13;
Babylone, and brought her back to my mistress. However," continued&#13;
Georgette, "to what, madame, do I owe the pleasure of seeing you this&#13;
morning?"</p><p>"I am commanded by the Princess," replied Mrs. Grivois, unable to&#13;
conceal a smile of triumphant satisfaction, "immediately to see Miss&#13;
Adrienne. It regards a very important affair, which I am to communicate&#13;
only to herself."</p><p>At these words Georgette became purple, and could not repress a slight&#13;
start of disquietude, which happily escaped Grivois, who was occupied&#13;
with watching over the safety of her pet, whom Frisky continued to snarl&#13;
at with a very menacing aspect; and Georgette, having quickly overcome&#13;
her temporary emotion, firmly answered: "Miss Adrienne went to rest very&#13;
late last night. She has forbidden me to enter her apartment before mid&#13;
day."</p><p>"That is very possible: but as the present business is to obey an order&#13;
of the Princess her aunt, you will do well if you please, miss, to&#13;
awaken your mistress immediately."</p><p>"My mistress is subject to no one's orders in her own house; and I will&#13;
not disturb her till mid-day, in pursuance of her commands," replied&#13;
Georgette.</p><p>"Then I shall go myself," said Mrs. Grivois.</p><p>"Florine and Hebe will not admit you. Indeed, here is the key of the&#13;
saloon; and through the saloon only can the apartments of Miss Adrienne&#13;
be entered."</p><p>"How! do you dare refuse me permission to execute the orders of the&#13;
Princess?"</p><p>"Yes; I dare to commit the great crime of being unwilling to awaken my&#13;
mistress!"</p><p>"Ah! such are the results of the blind affection of the Princess for her&#13;
niece," said the matron, with affected grief: "Miss Adrienne no longer&#13;
respects her aunt's orders; and she is surrounded by young hare-brained&#13;
persons, who, from the first dawn of morning, dress themselves out as if&#13;
for ball-going."</p><p>"Oh, madame! how came you to revile dress, who were formerly the&#13;
greatest coquette and the most frisky and fluttering of all the&#13;
Princess's women. At least, that is what is still spoken of you in the&#13;
hotel, as having been handed down from time out of mind, by generation&#13;
to generation, even unto ours!"</p><p>"How! from generation to generation! do you mean to insinuate that I am&#13;
a hundred years old, Miss Impertinence?"</p><p>"I speak of the generations of waiting-women; for, except you, it is the&#13;
utmost if they remain two or three years in the Princess's house, who&#13;
has too many tempers for the poor girls!"</p><p>"I forbid you to speak thus of my mistress, whose name some people ought&#13;
not to pronounce but on their knees."</p><p>"However," said Georgette, "if one wished to speak ill of--"</p><p>"Do you dare!"</p><p>"No longer ago than last night, at half past eleven o'clock--"</p><p>"Last night?"</p><p>"A four-wheeler," continued Georgette, "stopped at a few paces from the&#13;
house. A mysterious personage, wrapped up in a cloak, alighted from it,&#13;
and directly tapped, not at the door, but on the glass of the porter's&#13;
lodge window; and at one o'clock in the morning, the cab was still&#13;
stationed in the street, waiting for the mysterious personage in&#13;
the cloak, who, doubtless, during all that time, was, as you say,&#13;
pronouncing the name of her Highness the Princess on his knees."</p><p>Whether Mrs. Grivois had not been instructed as to a visit made to the&#13;
Princess Saint-Dizier by Rodin (for he was the man in the cloak), in the&#13;
middle of the night, after he had become certain of the arrival in&#13;
Paris of General Simon's daughters; or whether Mrs. Grivois thought it&#13;
necessary to appear ignorant of the visit, she replied, shrugging her&#13;
shoulders disdainfully: "I know not what you, mean, madame. I have&#13;
not come here to listen to your impertinent stuff. Once again I ask&#13;
you--will you, or will you not, introduce me to the presence of Miss&#13;
Adrienne?"</p><p>"I repeat, madame, that my mistress sleeps, and that she has forbidden&#13;
me to enter her bed-chamber before mid-day."</p><p>This conversation took place at some distance from the summer-house,&#13;
at a spot from which the peristyle could be seen at the end of a grand&#13;
avenue, terminating in trees arranged in form of a V. All at once&#13;
Mrs. Grivois, extending her hand in that direction, exclaimed: "Great&#13;
heavens! is it possible? what have I seen?"</p><p>"What have you seen?" said Georgette, turning round.</p><p>"What have I seen?" repeated Mrs. Grivois, with amazement.</p><p>"Yes: what was it?"</p><p>"Miss Adrienne."</p><p>"Where?" asked Georgette.</p><p>"I saw her run up the porch steps. I perfectly recognized her by her&#13;
gait, by her hat, and by her mantle. To come home at eight o'clock in&#13;
the morning!" cried Mrs. Grivois: "it is perfectly incredible!"</p><p>"See my lady? Why, you came to see her!" and Georgette burst out into&#13;
fits of laughter: and then said: "Oh! I understand! you wish to out-do&#13;
my story of the four-wheeler last night! It is very neat of you!"</p><p>"I repeat," said Mrs. Grivois, "that I have this moment seen--"</p><p>"Oh! adone, Mrs. Grivois: if you speak seriously, you are mad!"</p><p>"I am mad, am I? because I have a pair of good eyes! The little gate&#13;
that open's on the street lets one into the quincunx near the pavilion.&#13;
It is by that door, doubtless, that mademoiselle has re-entered.&#13;
Oh, what shameful conduct! what will the Princess say to it! Ah!&#13;
her presentiments have not yet been mistaken. See to what her weak&#13;
indulgence of her niece's caprices has led her! It is monstrous!--so&#13;
monstrous, that, though I have seen her with my own eyes, still I can&#13;
scarcely believe it!"</p><p>"Since you've gone so far, ma'am, I now insist upon conducting you into&#13;
the apartment of my lady, in order that you may convince yourself, by&#13;
your own senses, that your eyes have deceived you!"</p><p>"Oh, you are very cunning, my dear, but not more cunning than I! You&#13;
propose my going now! Yes, yes, I believe you: you are certain that by&#13;
this time I shall find her in her apartment!"</p><p>"But, madame, I assure you--"</p><p>"All that I can say to you is this: that neither you, nor Florine, nor&#13;
Hebe, shall remain here twenty-four hours. The Princess will put an end&#13;
to this horrible scandal; for I shall immediately inform her of what&#13;
has passed. To go out in the night! Re-enter at eight o'clock in the&#13;
morning! Why, I am all in a whirl! Certainly, if I had not seen it with&#13;
my own eyes, I could not have believed it! Still, it is only what was to&#13;
be expected. It will astonish nobody. Assuredly not! All those to whom I&#13;
am going to relate it, will say, I am quite sure, that it is not at all&#13;
astonishing! Oh! what a blow to our respectable Princess! What a blow&#13;
for her!"</p><p>Mrs. Grivois returned precipitately towards the mansion, followed by her&#13;
fat pug, who appeared to be as embittered as herself.</p><p>Georgette, active and light, ran, on her part, towards the pavilion, in&#13;
order to apprise Miss de Cardoville that Mrs. Grivois had seen her, or&#13;
fancied she had seen her, furtively enter by the little garden gate.</p><p>CHAPTER XXXIV. ADRIENNE AT HER TOILET.</p><p>About an hour had elapsed since Mrs. Grivois had seen or pretended to&#13;
have seen Adrienne de Cardoville re-enter in the morning the extension&#13;
of Saint-Dizier House.</p><p>It is for the purpose, not of excusing, but of rendering intelligible,&#13;
the following scenes, that it is deemed necessary to bring out into the&#13;
light some striking peculiarities in the truly original character of&#13;
Miss de Cardoville.</p><p>This originality consisted in an excessive independence of mind, joined&#13;
to a natural horror of whatsoever is repulsive or deformed, and to&#13;
an insatiable desire of being surrounded by everything attractive and&#13;
beautiful. The painter most delighted with coloring and beauty, the&#13;
sculptor most charmed by proportions of form, feel not more than&#13;
Adrienne did the noble enthusiasm which the view of perfect beauty&#13;
always excites in the chosen favorites of nature.</p><p>And it was not only the pleasures of sight which this young lady&#13;
loved to gratify: the harmonious modulations of song, the melody of&#13;
instruments, the cadences of poetry, afforded her infinite pleasures;&#13;
while a harsh voice or a discordant noise made her feel the same painful&#13;
impression, or one nearly as painful as that which she involuntarily&#13;
experienced from the sight of a hideous object. Passionately fond of&#13;
flowers, too, and of their sweet scents, there are some perfumes which&#13;
she enjoyed equally with the delights of music or those of plastic&#13;
beauty. It is necessary, alas, to acknowledge one enormity: Adrienne was&#13;
dainty in her food! She valued more than any one else the fresh pulp&#13;
of handsome fruit, the delicate savor of a golden pheasant, cooked to a&#13;
turn, and the odorous cluster of a generous vine.</p><p>But Adrienne enjoyed all these pleasures with an exquisite reserve. She&#13;
sought religiously to cultivate and refine the senses given her. She&#13;
would have deemed it black ingratitude to blunt those divine gifts by&#13;
excesses, or to debase them by unworthy selections of objects upon which&#13;
to exercise them; a fault from which, indeed, she was preserved by the&#13;
excessive and imperious delicacy of her taste.</p><p>The BEAUTIFUL and the UGLY occupied for her the places which GOOD and&#13;
EVIL holds for others.</p><p>Her devotion to grace, elegance, and physical beauty, had led her also&#13;
to the adoration of moral beauty; for if the expression of a low and bad&#13;
passion render uncomely the most beautiful countenances, those which&#13;
are in themselves the most ugly are ennobled, on the contrary, by the&#13;
expression of good feelings and generous sentiments.</p><p>In a word, Adrienne was the most complete, the most ideal&#13;
personification of SENSUALITY--not of vulgar, ignorant, non intelligent,&#13;
mistaken sensuousness which is always deceit ful and corrupted by habit&#13;
or by the necessity for gross and ill-regulated enjoyments, but that&#13;
exquisite sensuality which is to the senses what intelligence is to the&#13;
soul.</p><p>The independence of this young lady's character was extreme. Certain&#13;
humiliating subjections imposed upon her success by its social position,&#13;
above all things were revolting to her, and she had the hardihood&#13;
to resolve to withdraw herself from them. She was a woman, the most&#13;
womanish that it is possible to imagine--a woman in her timidity as well&#13;
as in her audacity--a woman in her hatred of the brutal despotism of&#13;
men, as well as in her intense disposition to self-devoting herself,&#13;
madly even and blindly, to him who should merit such a devotion from&#13;
her--a woman whose piquant wit was occasionally paradoxical--a superior&#13;
woman, in brief, who entertained a well-grounded disdain and contempt&#13;
for certain men either placed very high or greatly adulated, whom she&#13;
had from time to time met in the drawing-room of her aunt, the Princess&#13;
Saint-Dizier, when she resided with her.</p><p>These indispensable explanations being given, we usher, the reader into&#13;
the presence of Adrienne de Cardoville, who had just come out of the&#13;
bath.</p><p>It would require all the brilliant colorings of the Venetian school to&#13;
represent that charming scene, which would rather seem to have occurred&#13;
in the sixteenth century, in some palace of Florence or Bologna, than in&#13;
Paris, in the Faubourg Saint-Germain, in the month of February, 1832.</p><p>Adrienne's dressing-room was a kind of miniature temple seemingly one&#13;
erected and dedicated to the worship of beauty, in gratitude to the&#13;
Maker who has lavished so many charms upon woman, not to be neglected by&#13;
her, or to cover and conceal them with ashes, or to destroy them by&#13;
the contact of her person with sordid and harsh haircloth; but in order&#13;
that, with fervent gratitude for the divine gifts wherewith she is&#13;
endowed, she may enhance her charms with all the illusions of grace and&#13;
all the splendors of apparel, so as to glorify the divine work of her&#13;
own perfections in the eyes of all. Daylight was admitted into this&#13;
semicircular apartment, through one of those double windows, contrived&#13;
for the preservation of heat, so happily imported from Germany. The&#13;
walls of the pavilion being constructed of stone of great thickness, the&#13;
depth of the aperture for the windows was therefore very great. That of&#13;
Adrienne's dressing-room was closed on the outside by a sash containing&#13;
a single large pane of plate glass, and within, by another large plate&#13;
of ground glass. In the interval or space of about three feet left&#13;
between these two transparent enclosures, there was a case or box filled&#13;
with furze mould, whence sprung forth climbing plants, which, directed&#13;
round the ground glass, formed a rich garland of leaves and flowers. A&#13;
garnet damask tapestry, rich with harmoniously blended arabesques, in&#13;
the purest style, covered the walls and a thick carpet of similar color&#13;
was extended over the floor: and this sombre ground, presented by the&#13;
floor and walls, marvellously enhanced the effects of all the harmonious&#13;
ornaments and decorations of the chamber.</p><p>Under the window, opposite to the south, was placed Adrienne's dressing&#13;
case, a real masterpiece of the skill of the goldsmith. Upon a large&#13;
tablet of lapis-lazuli, there were scattered boxes of jewels, their&#13;
lids precisely enamelled; several scent boxes of rock crystal, and other&#13;
implements and utensils of the toilet, some formed of shells, some of&#13;
mother-of-pearl, and others of ivory, covered with ornaments of gold in&#13;
extraordinary taste. Two large figures, modelled in silver with antique&#13;
purity; supported an oval swing mirror, which had for its rim, in place&#13;
of a frame curiously carved, a fresh garland of natural flowers, renewed&#13;
every day like a nosegay for a ball.</p><p>Two enormous Japanese vases, of purple and gold, three feet each in&#13;
diameter, were placed upon the carpet on each side of the toilet, and,&#13;
filled with camellias, ibiscures, and cape jasmine, in full flower&#13;
formed a sort of grove, diversified with the most brilliant colors. At&#13;
the farther end of the apartment, opposite the casement, was to be seen,&#13;
surrounded by another mass of flowers, a reduction in white marble of&#13;
the enchanting group of Daphnis and Chloe, the more chaste ideal of&#13;
graceful modesty and youthful beauty.</p><p>Two golden lamps burned perfumes upon the same pedestal which supported&#13;
those two charming figures. A coffer of frosted silver, set off with&#13;
small figures in jewelry and precious stones, and supported on four&#13;
feet of gilt bronze, contained various necessaries for the toilette;&#13;
two frosted Psyches, decorated with diamond ear-rings; some excellent&#13;
drawings from Raphael and Titian, painted by Adrienne herself,&#13;
consisting of portraits of both men and women of exquisite beauty;&#13;
several consoles of oriental jasper, supporting ewers and basins of&#13;
silver and of silver gilt, richly chased and filled with scented waters;&#13;
a voluptuously rich divan, some seats, and an illuminated gilt fable,&#13;
completed the furniture of this chamber, the atmosphere of which was&#13;
impregnated with the sweetest perfumes.</p><p>Adrienne, whom her attendants had just helped from the bath, was seated&#13;
before her toilette, her three women surrounding her. By a caprice, or&#13;
rather by a necessary and logical impulse of her soul, filled as it&#13;
was with the love of beauty and of harmony in all things, Adrienne had&#13;
wished the young women who served her to be very pretty, and be dressed&#13;
with attention and with a charming originality. We have already seen&#13;
Georgette, a piquante blonde, attired in her attractive costume of an&#13;
intriguing lady's maid of Marivaux; and her two companions were quite&#13;
equal to her both in gracefulness and gentility.</p><p>One of them, named Florine, a tall, delicately slender, and elegant&#13;
girl, with the air and form of Diana Huntress, was of a pale brown&#13;
complexion. Her thick black hair was turned up behind, where it was&#13;
fastened with a long golden pin. Like the two other girls, her arms were&#13;
uncovered to facilitate the performance of her duties about and upon the&#13;
person of her charming mistress. She wore a dress of that gay green so&#13;
familiar to the Venetian painters. Her petticoat was very ample. Her&#13;
slender waist curved in from under the plaits of a tucker of white&#13;
cambric, plaited in five minute folds, and fastened by five gold&#13;
buttons. The third of Adrienne's women had a face so fresh and&#13;
ingenuous, a waist so delicate, so pleasing, and so finished, that her&#13;
mistress had given her the name of Hebe. Her dress of a delicate rose&#13;
color, and Grecian cut, displayed her charming neck, and her beautiful&#13;
arms up to the very shoulders. The physiognomy of these three young&#13;
women was laughter loving and happy. On their features there was no&#13;
expression of that bitter sullenness, willing and hated obedience, or&#13;
offensive familiarity, or base and degraded deference, which are the&#13;
ordinary results of a state of servitude. In the zealous eagerness of&#13;
the cares and attentions which they lavished upon Adrienne, there seemed&#13;
to be at least as much of affection as of deference and respect. They&#13;
appeared to derive an ardent pleasure from the services which they&#13;
rendered to their lovely mistress. One would have thought that they&#13;
attached to the dressing and embellishment of her person all the merits&#13;
and the enjoyment arising from the execution of a work of art, in the&#13;
accomplishing of which, fruitful of delights, they were stimulated by&#13;
the passions of love, of pride, and of joy.</p><p>The sun beamed brightly upon the toilet-case, placed in front of the&#13;
window. Adrienne was seated on a chair, its back elevated a little&#13;
more than usual. She was enveloped in a long morning-gown of blue silk,&#13;
embroidered with a leaf of the same color, which was fitted close to her&#13;
waist, as exquisitely slender and delicate as that of a child of twelve&#13;
years, by a girdle with floating tags. Her neck, delicately slender&#13;
and flexible as a bird's, was uncovered, as were also her shoulders and&#13;
arms, and all were of incomparable beauty. Despite the vulgarity of&#13;
the comparison, the purest ivory alone can give an idea of the dazzling&#13;
whiteness of her polished satin skin, of a texture so fresh and so firm,&#13;
that some drops of water, collected and still remaining about the&#13;
roots of her hair from the bath, rolled in serpentine lines over her&#13;
shoulders, like pearls, or beads, of crystal, over white marble.</p><p>And what gave enhanced lustre to this wondrous carnation, known but to&#13;
auburn-headed beauties, was the deep purple of her, humid lips,--the&#13;
roseate transparency of her small ears, of her dilated nostrils, and&#13;
her nails, as bright and glossy, as if they had been varnished. In every&#13;
spot, indeed, where her pure arterial blood, full of animation and&#13;
heat, could make its way to the skin and shine through the surface, it&#13;
proclaimed her high health and the vivid life and joyous buoyancy of her&#13;
glorious youth. Her eyes were very large, and of a velvet softness. Now&#13;
they glanced, sparkling and shining with comic humor or intelligence&#13;
and wit; and now they widened and extended themselves, languishing and&#13;
swimming between their double fringes of long crisp eyelashes, of as&#13;
deep a black as her finely-drawn and exquisitely arched eyebrows; for,&#13;
by a delightful freak of nature, she had black eyebrows and eyelashes to&#13;
contrast with the golden red of her hair. Her forehead, small like those&#13;
of ancient Grecian statues, formed with the rest of her face a perfect&#13;
oval. Her nose, delicately curved, was slightly aquiline; the enamel of&#13;
her teeth glistened when the light fell upon them; and her vermeil&#13;
mouth voluptuously sensual, seemed to call for sweet kisses, and the&#13;
gay smiles and delectations of dainty and delicious pleasure. It is&#13;
impossible to behold or to conceive a carriage of the head freer, more&#13;
noble, or more elegant than hers; thanks to the great distance which&#13;
separated the neck and the ear from their attachment to her outspread&#13;
and dimpled shoulders. We have already said that Adrienne was&#13;
red-haired; but it was the redness of many of the admirable portraits&#13;
of women by Titian and Leonardo da Vinci,--that is to say, molten gold&#13;
presents not reflections more delightfully agreeable or more glittering,&#13;
than the naturally undulating mass of her very long hair, as soft and&#13;
fine as silk, so long, that, when let loose, it reached the floor; in&#13;
it, she could wholly envelop herself, like another Venus arising from&#13;
the sea. At the present moment, Adrienne's tresses were ravishing to&#13;
behold; Georgette, her arms bare, stood behind her mistress, and had&#13;
carefully collected into one of her small white hands, those splendid&#13;
threads whose naturally ardent brightness was doubled in the sunshine.&#13;
When the pretty lady's-maid pulled a comb of ivory into the midst of&#13;
the undulating and golden waves of that enormously magnificent skein of&#13;
silk, one might have said that a thousand sparks of fire darted forth&#13;
and coruscated away from it in all directions. The sunshine, too,&#13;
reflected not less golden and fiery rays from numerous clusters of&#13;
spiral ringlets, which, divided upon Adrienne's forehead, fell over her&#13;
cheeks, and in their elastic flexibility caressed the risings of her&#13;
snowy bosom, to whose charming undulations they adapted and applied&#13;
themselves. Whilst Georgette, standing, combed the beautiful locks of&#13;
her mistress, Hebe, with one knee upon the floor, and having upon&#13;
the other the sweet little foot of Miss Cardoville, busied herself in&#13;
fitting it with a remarkably small shoe of black satin, and crossed its&#13;
slender ties over a silk stocking of a pale yet rosy flesh color, which&#13;
imprisoned the smallest and finest ankle in the world. Florine, a little&#13;
farther back, presented to her mistress, in a jeweled box, a perfumed&#13;
paste, with which Adrienne slightly rubbed her dazzling hands&#13;
and outspread fingers, which seemed tinted with carmine to their&#13;
extremities. Let us not forget Frisky, who, couched in the lap of&#13;
her mistress, opened her great eyes with all her might, and seemed to&#13;
observe the different operations of Adrienne's toilette with grave and&#13;
reflective attention. A silver bell being sounded from without, Florine,&#13;
at a sign from her mistress, went out and presently returned, bearing&#13;
a letter upon a small silver-gilt salve. Adrienne, while her women&#13;
continued fitting on her shoes, dressing her hair, and arranging her in&#13;
her habiliments, took the letter, which was written by the steward of&#13;
the estate of Cardoville, and read aloud as follows:</p><p>"HONORED MADAME,</p><p>"Knowing your goodness of heart and generosity, I venture to address you&#13;
with respectful confidence. During twenty years I served the late Count&#13;
and Duke of Cardoville, your noble father, I believe I may truly say,&#13;
with probity and zeal. The castle is now sold; so that I and my wife, in&#13;
our old age, behold ourselves about to be dismissed, and left destitute&#13;
of all resources: which, alas! is very hard at our time of life."</p><p>"Poor creature!" said Adrienne, interrupting herself in reading: "my&#13;
father, certainly, always prided himself upon their devotion to him, and&#13;
their probity." She continued:</p><p>"There does, indeed, remain to us a means of retaining our place&#13;
here; but it would constrain us to be guilty of baseness; and, be the&#13;
consequences to us what they may, neither I nor my wife wish to purchase&#13;
our bread at such a price."</p><p>"Good, very good," said Adrienne, "always the same--dignity even in&#13;
poverty--it is the sweet perfume of a flower, not the less sweet because&#13;
it has bloomed in a meadow."</p><p>"In order to explain to you, honored madame, the unworthy task exacted&#13;
from us, it is necessary to inform you, in the first place, that M.&#13;
Rodin came here from Paris two days ago."</p><p>"Ah! M. Rodin!" said Mademoiselle de Cardoville, interrupting herself&#13;
anew; "the secretary of Abbe d'Aigrigny! I am not at all surprised at&#13;
him being engaged in a perfidious or black intrigue. But let us see."</p><p>"M. Rodin came from Paris to announce to us that the estate was sold,&#13;
and that he was sure of being able to obtain our continuance in our&#13;
place, if we would assist him in imposing a priest not of good character&#13;
upon the new proprietress as her future confessor; and if, the better&#13;
to attain this end, we would consent to calumniate another priest,&#13;
a deserving and excellent man, much loved and much respected in the&#13;
country. Even that is not all. I was required to write twice or thrice&#13;
a week to M. Rodin, and to relate to him everything that should occur in&#13;
the house. I ought to acknowledge, honored madame, that these infamous&#13;
proposals were as much as possible disguised and dissimulated under&#13;
sufficiently specious pretexts; but, notwithstanding the aspect which&#13;
with more or less skill it was attempted to give to the affair, it was&#13;
precisely and substantially what I have now had the honor of stating to&#13;
you."</p><p>"Corruption, calumny, and false and treacherous impeachment!" said&#13;
Adrienne, with disgust: "I cannot think of such wretches without&#13;
involuntarily feeling my mind shocked by dismal ideas of black,&#13;
venomous, and vile reptiles, of aspects most hideous indeed. How much&#13;
more do I love to dwell upon the consoling thought of honest Dupont and&#13;
his wife!" Adrienne proceeded:</p><p>"Believe me, we hesitated not an instant. We quit Cardoville, which&#13;
has been our home for the last twenty years;--but we shall quit it like&#13;
honest people, and with the consciousness of our integrity. And now,&#13;
honored madame, if, in the brilliant circle in which you move--you,&#13;
who are so benevolent and amiable--could find a place for us by your&#13;
recommendation, then, with endless gratitude to you, we shall escape&#13;
from a position of most cruel embarrassment."</p><p>"Surely, surely," said Adrienne, "they shall not in vain appeal to me.&#13;
To wrest excellent persons from the grip of M. Rodin, is not only a&#13;
duty but a pleasure: for it is at once a righteous and a dangerous&#13;
enterprise; and dearly do I love to brave powerful oppressors!" Adrienne&#13;
again went on reading:</p><p>"After having thus spoken to you of ourselves, honored madame, permit&#13;
us to implore your protection for other unfortunates; for it would be&#13;
wicked to think only of one's self. Three days ago, two shipwrecks took&#13;
place upon our ironbound coast. A few passengers only were saved, and&#13;
were conducted hither, where I and my wife gave them all necessary&#13;
attentions. All these passengers have departed for Paris, except one,&#13;
who still remains, his wounds having hitherto prevented him from leaving&#13;
the house, and, indeed, they will constrain him to remain for some days&#13;
to come. He is a young East Indian prince, of about twenty years of age,&#13;
and he appears to be as amiable and good as he is handsome, which is&#13;
not a little to say, though he has a tawny skin, like the rest of his&#13;
countrymen, as I understand."</p><p>"An Indian prince! twenty years of age! young, amiable, and handsome!"&#13;
exclaimed Adrienne, gayly; "this is quite delightful, and not at all&#13;
of an ordinary or vulgar nature! Oh! this Indian prince has already&#13;
awakened all my sympathies! But what can I do with this Adonis from&#13;
the banks of the Ganges, who has come to wreck himself upon the Picardy&#13;
coast?"</p><p>Adrienne's three women looked at her with much astonishment, though they&#13;
were accustomed to the singular eccentricities of her character.</p><p>Georgette and Hebe even indulged in discreet and restrained smiles.&#13;
Florine, the tall and beautiful pale brown girl, also smiled like her&#13;
pretty companions; but it was after a short pause of seeming reflection,&#13;
as if she had previously been entirely engrossed in listening to and&#13;
recollecting the minutest words of her mistress, who, though powerfully&#13;
interested by the situation of the "Adonis from Ganges banks," as she&#13;
had called him, continued to read Dupont's letter:</p><p>"One of the countrymen of the Indian prince, who has also remained to&#13;
attend upon him, has given me to understand that the youthful prince&#13;
has lost in the shipwreck all he possessed, and knows not how to get to&#13;
Paris, where his speedy presence is required by some affairs of the&#13;
very greatest importance. It is not from the prince himself that I have&#13;
obtained this information: no; he appears to be too dignified and&#13;
proud to proclaim of his fate: but his countryman, more communicative,&#13;
confidentially told me what I have stated, adding, that his young&#13;
compatriot has already been subjected to great calamities, and that his&#13;
father, who was the sovereign of an Indian kingdom, has been killed by&#13;
the English, who have also dispossessed his son of his crown."</p><p>"This is very singular," said Adrienne, thoughtfully. "These&#13;
circumstances recall to my mind that my father often mentioned that one&#13;
of our relations was espoused in India by a native monarch; and that&#13;
General Simon: (whom they have created a marshal) had entered into his&#13;
service." Then interrupting herself to indulge in a smile, she added,&#13;
"Gracious! this affair will be quite odd and fantastical! Such things&#13;
happen to nobody but me; and then people say that I am the uncommon&#13;
creature! But it seems to me that it is not I, but Providence, which, in&#13;
truth, sometimes shows itself very eccentric! But let us see if worthy&#13;
Dupont gives the name of this handsome prince?"</p><p>"We trust, honored madame, that you will pardon our boldness: but we&#13;
should have thought ourselves very selfish, if, while stating to you our&#13;
own griefs, we had not also informed you that there is with us a brave&#13;
and estimable prince involved in so much distress. In fine, lady, trust&#13;
to me; I am old; and I have had much experience of men; and it was&#13;
only necessary to see the nobleness of expression and the sweetness&#13;
of countenance of this young Indian, to enable me to judge that he is&#13;
worthy of the interest which I have taken the liberty to request in his&#13;
behalf. It would be sufficient to transmit to him a small sum of money&#13;
for the purchase of some European clothing; for he has lost all his&#13;
Indian vestments in the shipwreck."</p><p>"Good heavens! European clothing!" exclaimed Adrienne, gayly. "Poor&#13;
young prince! Heaven preserve him from that; and me also! Chance has&#13;
sent hither from the heart of India, a mortal so far favored as never&#13;
to have worn the abominable European costume--those hideous habits, and&#13;
frightful hats, which render the men so ridiculous, so ugly, that in&#13;
truth there is not a single good quality to be discovered in them, nor&#13;
one spark of what can either captivate or attract! There comes to me at&#13;
last a handsome young prince from the East, where the men are clothed&#13;
in silk and cashmere. Most assuredly I'll not miss this rare and&#13;
unique opportunity of exposing myself to a very serious and formidable&#13;
temptation! No, no! not a European dress for me, though poor Dupont&#13;
requests it! But the name--the name of this dear prince! Once more, what&#13;
a singular event is this! If it should turn out to be that cousin from&#13;
beyond the Ganges! During my childhood, I have heard so much in praise&#13;
of his royal father! Oh! I shall be quite ravished to give his son the&#13;
kind reception which he merits!" And then she read on:</p><p>"If, besides this small sum, honored madame, you are so kind as to&#13;
give him, and also his companion, the means of reaching Paris, you&#13;
will confer a very great service upon this poor young prince, who is at&#13;
present so unfortunate.</p><p>"To conclude, I know enough of your delicacy to be aware that it would&#13;
perhaps be agreeable to you to afford this succor to the prince without&#13;
being known as his benefactress; in which case, I beg that you will be&#13;
pleased to command me; and you may rely upon my discretion. If, on the&#13;
contrary, you wish to address it directly to himself, his name is, as it&#13;
has been written for me by his countrymen, Prince Djalma, son of Radja&#13;
sing, King of Mundi."</p><p>"Djalma!" said Adrienne, quickly, and appearing to call up her&#13;
recollections, "Radja-sing! Yes--that is it! These are the very names&#13;
that my father so often repeated, while telling me that there was&#13;
nothing more chivalric or heroic in the world than the old king, our&#13;
relation by marriage; and the son has not derogated, it would seem, from&#13;
that character. Yes, Djalma, Radja-sing--once more, that is it--such&#13;
names are not so common," she added, smiling, "that one should either&#13;
forget or confound them with others. This Djalma is my cousin! Brave&#13;
and good--young and charming! above all, he has never worn the&#13;
horrid European dress! And destitute of every resource! This is quite&#13;
ravishing! It is too much happiness at once! Quick, quick let us&#13;
improvise a pretty fairy tale, of which the handsome and beloved prince&#13;
shall be the hero! The poor bird of the golden and azure plumage has&#13;
wandered into our dismal climate; but he will find here, at least,&#13;
something to remind him of his native region of sunshine and perfumes!"&#13;
Then, addressing one of her women, she said: "Georgette, take paper and&#13;
write, my child!" The young girl went to the gilt, illuminated table,&#13;
which contained materials for writing; and, having seated herself, she&#13;
said to her mistress: "I await orders."</p><p>Adrienne de Cardoville, whose charming countenance was radiant with the&#13;
gayety of happiness and joy, proceeded to dictate the following letter&#13;
to a meritorious old painter, who had long since taught her the arts of&#13;
drawing and designing; in which arts she excelled, as indeed she did in&#13;
all others:</p><p>"MY DEAR TITIAN, MY GOOD VERONESE, MY WORTHY RAPHAEL.</p><p>"You can render me a very great service,--and you will do it, I am&#13;
sure, with that perfect and obliging complaisance by which you are ever&#13;
distinguished.</p><p>"It is to go immediately and apply yourself to the skillful hand who&#13;
designed my last costumes of the fifteenth century. But the present&#13;
affair is to procure modern East Indian dresses for a young man--yes,&#13;
sir--for a young man,--and according to what I imagine of him, I fancy&#13;
that you can cause his measure to be taken from the Antinous, or rather,&#13;
from the Indian Bacchus; yes--that will be more likely.</p><p>"It is necessary that these vestments be at once of perfect propriety&#13;
and correctness, magnificently rich, and of the greatest elegance. You&#13;
will choose the most beautiful stuffs possible; and endeavor, above all&#13;
things, that they be, or resemble, tissues of Indian manufacture; and&#13;
you will add to them, for turbans and sashes, six splendid long cashmere&#13;
shawls, two of them white, two red, and two orange; as nothing suits&#13;
brown complexions better than those colors.</p><p>"This done (and I allow you at the utmost only two or three days), you&#13;
will depart post in my carriage for Cardoville Manor House, which&#13;
you know so well. The steward, the excellent Dupont, one of your old&#13;
friends, will there introduce you to a young Indian Prince, named&#13;
Djalma; and you will tell that most potent grave, and reverend signior,&#13;
of another quarter of the globe, that you have come on the part of an&#13;
unknown friend, who, taking upon himself the duty of a brother, sends&#13;
him what is necessary to preserve him from the odious fashions&#13;
of Europe. You will add, that his friend expects him with so much&#13;
impatience that he conjures him to come to Paris immediately. If he&#13;
objects that he is suffering, you will tell him that my carriage is an&#13;
excellent bed-closet; and you will cause the bedding, etc., which it&#13;
contains, to be fitted up, till he finds it quite commodious. Remember&#13;
to make very humble excuses for the unknown friend not sending to the&#13;
prince either rich palanquins, or even, modestly, a single elephant;&#13;
for alas! palanquins are only to be seen at the opera; and there are&#13;
no elephants but those in the menagerie,--though this must make us seem&#13;
strangely barbarous in his eyes.</p><p>"As soon as you shall have decided on your departure, perform the&#13;
journey as rapidly as possible, and bring here, into my house, in the&#13;
Rue de Babylone (what predestination! that I should dwell in the street&#13;
of BABYLON,--a name which must at least accord with the ear of an&#13;
Oriental),--you will bring hither, I say, this dear prince, who is so&#13;
happy as to have been born in a country of flowers, diamonds, and sun!</p><p>"Above all, you will have the kindness, my old and worthy friend, not&#13;
to be at all astonished at this new freak, and refrain from indulging in&#13;
extravagant conjectures. Seriously, the choice which I have made of you&#13;
in this affair,--of you, whom I esteem and most sincerely honor,--is&#13;
because it is sufficient to say to you that, at the bottom of all this,&#13;
there is something more than a seeming act of folly."</p><p>In uttering these last words, the tone of Adrienne was as serious and&#13;
dignified as it had been previously comic and jocose. But she quickly&#13;
resumed, more gayly, dictating to Georgette.</p><p>"Adieu, my old friend. I am something like that commander of ancient&#13;
days, whose heroic nose and conquering chin you have so often made me&#13;
draw: I jest with the utmost freedom of spirit even in the moment&#13;
of battle: yes, for within an hour I shall give battle, a pitched&#13;
battle--to my dear pew-dwelling aunt. Fortunately, audacity and courage&#13;
never failed me, and I burn with impatience for the engagement with my&#13;
austere princess.</p><p>"A kiss, and a thousand heartfelt recollections to your excellent wife.&#13;
If I speak of her here, who is so justly respected, you will please to&#13;
understand, it is to make you quite at ease as to the consequences of&#13;
this running away with, for my sake, a charming young prince,--for it is&#13;
proper to finish well where I should have begun, by avowing to you that&#13;
he is charming indeed!</p><p>"Once more, adieu!"</p><p>Then, addressing Georgette, said she, "Have you done writing, chit?"</p><p>"Yes, madame."</p><p>"Oh, add this postscript."</p><p>"P.S.--I send you draft on sight on my banker for all expenses. Spare&#13;
nothing. You know I am quite a grand seigneur. I must use this masculine&#13;
expression, since your sex have exclusively appropriated to yourselves&#13;
(tyrants as you are) a term, so significant as it is of noble&#13;
generosity."</p><p>"Now, Georgette," said Adrienne; "bring me an envelope, and the letter,&#13;
that I may sign it." Mademoiselle de Cardoville took the pen that&#13;
Georgette presented to her, signed the letter, and enclosed in it an&#13;
order upon her banker, which was expressed thus:</p><p>"Please pay M. Norval, on demand without grace, the sum of money he may&#13;
require for expenses incurred on my account.</p><p>"ADRIENNE DE CARDOVILLE."</p><p>During all this scene, while Georgette wrote, Florine and Hebe had&#13;
continued to busy themselves with the duties of their mistress's&#13;
toilette, who had put off her morning gown, and was now in full dress,&#13;
in order to wait upon the princess, her aunt. From the sustained and&#13;
immovably fixed attention with which Florine had listened to Adrienne's&#13;
dictating to Georgette her letter to M. Norval, it might easily have&#13;
been seen that, as was her habit indeed, she endeavored to retain in her&#13;
memory even the slightest words of her mistress.</p><p>"Now, chit," said Adrienne to Hebe, "send this letter immediately to M.&#13;
Norval."</p><p>The same silver bell was again rung from without. Hebe moved towards the&#13;
door of the dressing-room, to go and inquire what it was, and also&#13;
to execute the order of her mistress as to the letter. But Florine&#13;
precipitated herself, so to speak, before her, and so as to prevent her&#13;
leaving the apartment; and said to Adrienne:</p><p>"Will it please my lady for me to send this letter? I have occasion to&#13;
go to the mansion."</p><p>"Go, Florine, then," said Adrienne, "seeing that you wish it. Georgette,&#13;
seal the letter."</p><p>At the end of a second or two, during which Georgette had sealed the&#13;
letter, Hebe returned.</p><p>"Madame," said she, re-entering, "the working-man who brought back&#13;
Frisky yesterday, entreats you to admit him for an instant. He is very&#13;
pale, and he appears quite sad."</p><p>"Would that he may already have need of me! I should be too happy!" said&#13;
Adrienne gayly. "Show the excellent young man into the little saloon.&#13;
And, Florine, despatch this letter immediately."</p><p>Florine went out. Miss de Cardoville, followed by Frisky, entered the&#13;
little reception-room, where Agricola awaited her.</p><p>CHAPTER XXXV. THE INTERVIEW.</p><p>When Adrienne de Cardoville entered the saloon where Agricola expected&#13;
her, she was dressed with extremely elegant simplicity. A robe of&#13;
deep blue, perfectly fitted to her shape, embroidered in front with&#13;
interlacings of black silk, according to the then fashion, outlined&#13;
her nymph-like figure, and her rounded bosom. A French cambric collar,&#13;
fastened by a large Scotch pebble, set as a brooch, served her for a&#13;
necklace. Her magnificent golden hair formed a framework for her fair&#13;
countenance, with an incredible profusion of long and light spiral&#13;
tresses, which reached nearly to her waist.</p><p>Agricola, in order to save explanations with his father, and to make him&#13;
believe that he had indeed gone to the workshop of M. Hardy, had been&#13;
obliged to array himself in his working dress; he had put on a new&#13;
blouse though, and the collar of his shirt, of stout linen, very white,&#13;
fell over upon a black cravat, negligently tied; his gray trousers&#13;
allowed his well polished boots to be seen; and he held between his&#13;
muscular hands a cap of fine woolen cloth, quite new. To sum up, his&#13;
blue blouse, embroidered with red, showing off the nervous chest of the&#13;
young blacksmith, and indicating his robust shoulders, falling down&#13;
in graceful folds, put not the least constraint upon his free and easy&#13;
gait, and became him much better than either frock-coat or dress-coat&#13;
would have done. While awaiting Miss de Cardoville, Agricola&#13;
mechanically examined a magnificent silver vase, admirably graven. A&#13;
small tablet, of the same metal, fitted into a cavity of its antique&#13;
stand, bore the words--"Chased by JEAN MARIE, working chaser, 1831."</p><p>Adrienne had stepped so lightly upon the carpet of her saloon, only&#13;
separated from another apartment by the doors, that Agricola had not&#13;
perceived the young lady's entrance. He started, and turned quickly&#13;
round, upon hearing a silver and brilliant voice say to him-"That is a&#13;
beautiful vase, is it not, sir?"</p><p>"Very beautiful, madame," answered Agricola greatly embarrassed.</p><p>"You may see from it that I like what is equitable." added Miss de&#13;
Cardoville, pointing with her finger to the little silver tablet;--"an&#13;
artist puts his name upon his painting; an author publishes his on the&#13;
title-page of his book; and I contend that an artisan ought also to have&#13;
his name connected with his workmanship."</p><p>"Oh, madame, so this name?"</p><p>"Is that of the poor chaser who executed this masterpiece, at the order&#13;
of a rich goldsmith. When the latter sold me the vase, he was amazed at&#13;
my eccentricity, he would have almost said at my injustice, when, after&#13;
having made him tell me the name of the author of this production,&#13;
I ordered his name to be inscribed upon it, instead of that of the&#13;
goldsmith, which had already been affixed to the stand. In the absence&#13;
of the rich profits, let the artisan enjoy the fame of his skill. Is it&#13;
not just, sir?"</p><p>It would have been impossible for Adrienne to commence the conversation&#13;
more graciously: so that the blacksmith, already beginning to feel a&#13;
little more at ease, answered:</p><p>"Being a mechanic myself, madame, I cannot but be doubly affected by&#13;
such a proof of your sense of equity and justice."</p><p>"Since you are a mechanic, sir," resumed Adrienne, "I cannot but&#13;
felicitate myself on having so suitable a hearer. But please to be&#13;
seated."</p><p>With a gesture full of affability, she pointed to an armchair of purple&#13;
silk embroidered with gold, sitting down herself upon a tete-a-tete of&#13;
the same materials.</p><p>Seeing Agricola's hesitation, who again cast down his eyes with&#13;
embarrassment, Adrienne, to encourage him, showed him Frisky, and&#13;
said to him gayly: "This poor little animal, to which I am very much&#13;
attached, will always afford me a lively remembrance of your obliging&#13;
complaisance, sir. And this visit seems to me to be of happy augury;&#13;
I know not what good presentiment whispers to me, that perhaps I shall&#13;
have the pleasure of being useful to you in some affair."</p><p>"Madame," said Agricola, resolutely, "my name is Baudoin: a blacksmith&#13;
in the employment of M. Hardy, at Pressy, near the city. Yesterday you&#13;
offered me your purse and I refused it: to-day, I have come to request&#13;
of you perhaps ten or twenty times the sum that you had generously&#13;
proposed. I have said thus much all at once, madame, because it causes&#13;
me the greatest effort. The words blistered my lips, but now I shall be&#13;
more at ease."</p><p>"I appreciate the delicacy of your scruples, sir," said Adrienne; "but&#13;
if you knew me, you would address me without fear. How much do you&#13;
require?"</p><p>"I do not know, madame," answered Agricola.</p><p>"I beg your pardon. You don't know what sum?"</p><p>"No madame; and I come to you to request, not only the sum necessary to&#13;
me, but also information as to what that sum is."</p><p>"Let us see, sir," said Adrienne, smiling, "explain this to me. In spite&#13;
of my good will, you feel that I cannot divine, all at once, what it is&#13;
that is required."</p><p>"Madame, in two words, I can state the truth. I have a food old mother,&#13;
who in her youth, broke her health by excessive labor, to enable her to&#13;
bring me up; and not only me, but a poor abandoned child whom she&#13;
had picked up. It is my turn now to maintain her; and that I have the&#13;
happiness of doing. But in order to do so, I have only my labor. If I am&#13;
dragged from my employment, my mother will be without support."</p><p>"Your mother cannot want for anything now, sir, since I interest myself&#13;
for her."</p><p>"You will interest yourself for her, madame?" said Agricola.</p><p>"Certainly," replied Adrienne.</p><p>"But you don't know her," exclaimed the blacksmith.</p><p>"Now I do; yes."</p><p>"Oh, madame!" said Agricola, with emotion, after a moment's silence.&#13;
"I understand you. But indeed you have a noble heart. Mother Bunch was&#13;
right."</p><p>"Mother Bunch?" said Adrienne, looking at Agricola with a very surprised&#13;
air; for what he said to her was an enigma.</p><p>The blacksmith, who blushed not for his friends, replied frankly.</p><p>"Madame, permit me to explain, to you. Mother Bunch is a poor and very&#13;
industrious young workwoman, with whom I have been brought up. She&#13;
is deformed, which is the reason why she is called Mother Bunch. But&#13;
though, on the one hand, she is sunk, as low as you are highly elevated&#13;
on the other, yet as regards the heart--as to delicacy--oh, lady, I am&#13;
certain that your heart is of equal worth with hers! That was at once&#13;
her own thought, after I had related to her in what manner, yesterday,&#13;
you had presented me with that beautiful flower."</p><p>"I can assure you, sir," said Adrienne, sincerely touched, "that this&#13;
comparison flatters and honors me more than anything else that you could&#13;
say to me,--a heart that remains good and delicate, in spite of cruel&#13;
misfortunes, is so rare a treasure; while it is very easy to be good,&#13;
when we have youth and beauty, and to be delicate and generous, when&#13;
we are rich. I accept, then, your comparison; but on condition that&#13;
you will quickly put me in a situation to deserve it. Pray go on,&#13;
therefore."</p><p>In spite of the gracious cordiality of Miss de Cardoville, there was&#13;
always observable in her so much of that natural dignity which arises&#13;
from independence of character, so much elevation of soul and nobleness&#13;
of sentiment that Agricola, forgetting the ideal physical beauty of his&#13;
protectress, rather experienced for her the emotions of an affectionate&#13;
and kindly, though profound respect, which offered a singular and&#13;
striking contrast with the youth and gayety of the lovely being who&#13;
inspired him with this sentiment.</p><p>"If my mother alone, madame, were exposed to the rigor which I dread.&#13;
I should not be so greatly disquieted with the fear of a compulsory&#13;
suspension of my employment. Among poor people, the poor help one&#13;
another; and my mother is worshipped by all the inmates of our house,&#13;
our excellent neighbors, who would willingly succor her. But, they&#13;
themselves are far from being well off; and as they would incur&#13;
privations by assisting her, their little benefit would still be more&#13;
painful to my mother than the endurance even of misery by herself. And&#13;
besides, it is not only for my mother that my exertions are required,&#13;
but for my father, whom we have not seen for eighteen years, and who has&#13;
just arrived from Siberia, where he remained during all that time, from&#13;
zealous devotion to his former general, now Marshal Simon."</p><p>"Marshal Simon!" said Adrienne, quickly, with an expression of much&#13;
surprise.</p><p>"Do you know the marshal, madame?"</p><p>"I do not personally know him, but he married a lady of our family."</p><p>"What joy!" exclaimed the blacksmith, "then the two young ladies, his&#13;
daughters, whom my father has brought from Russia, are your relations!"</p><p>"Has Marshal Simon two daughters?" asked Adrienne, more and more&#13;
astonished and interested.</p><p>"Yes, madame, two little angels of fifteen or sixteen, and so pretty,&#13;
so sweet; they are twins so very much alike, as to be mistaken for one&#13;
another. Their mother died in exile; and the little she possessed having&#13;
been confiscated, they have come hither with my father, from the depths&#13;
of Siberia, travelling very wretchedly; but he tried to make them forget&#13;
so many privations by the fervency of his devotion and his tenderness.&#13;
My excellent father! you will not believe, madame, that, with the&#13;
courage of a lion, he has all the love and tenderness of a mother."</p><p>"And where are the dear children, sir?" asked Adrienne.</p><p>"At our home, madame. It is that which renders my position so very hard;&#13;
that which has given me courage to come to you; it is not but that my&#13;
labor would be sufficient for our little household, even thus augmented;&#13;
but that I am about to be arrested."</p><p>"About to be arrested? For what?"</p><p>"Pray, madame, have the goodness to read this letter, which has been&#13;
sent by some one to Mother Bunch."</p><p>Agricola gave to Miss de Cardoville the anonymous letter which had been&#13;
received by the workwoman.</p><p>After having read the letter, Adrienne said to the blacksmith, with&#13;
surprise, "It appears, sir, you are a poet!"</p><p>"I have neither the ambition nor the pretension to be one, madame. Only,&#13;
when I return to my mother after a day's toil, and often, even while&#13;
forging my iron, in order to divert and relax my attention, I amuse&#13;
myself with rhymes, sometimes composing an ode, sometimes a song."</p><p>"And your song of the Freed Workman, which is mentioned in this letter,&#13;
is, therefore, very disaffected--very dangerous?"</p><p>"Oh, no, madame; quite the contrary. For myself, I have the good fortune&#13;
to be employed in the factory of M. Hardy, who renders the condition of&#13;
his workpeople as happy as that of their less fortunate comrades is the&#13;
reverse; and I had limited myself to attempt, in favor of the great&#13;
mass of the working classes, an equitable, sincere, warm, and earnest&#13;
claim--nothing more. But you are aware, perhaps, Madame, that in&#13;
times of conspiracy, and commotion, people are often incriminated and&#13;
imprisoned on very slight grounds. Should such a misfortune befall me,&#13;
what will become of my mother, my father, and the two orphans whom we&#13;
are bound to regard as part of our family until the return of their&#13;
father, Marshal Simon? It is on this account, madame, that, if I remain,&#13;
I run the risk of being arrested. I have come to you to request you to&#13;
provide surety for me; so that I should not be compelled to exchange&#13;
the workshop for the prison, in which case I can answer for it that the&#13;
fruits of my labor will suffice for all."</p><p>"Thank the stars!" said Adrienne, gayly, "this affair will arrange&#13;
itself quite easily. Henceforth, Mr. Poet, you shall draw your&#13;
inspirations in the midst of good fortune instead of adversity. Sad&#13;
muse! But first of all, bonds shall be given for you."</p><p>"Oh, madame, you have saved us!"</p><p>"To continue," said Adrienne, "the physician of our family is intimately&#13;
connected with a very important minister (understand that, as you like,"&#13;
said she, smiling, "you will not deceive yourself much). The doctor&#13;
exercises very great influence over this great statesman; for he has&#13;
always had the happiness of recommending to him, on account of his&#13;
health; the sweets and repose of private life, to the very eve of the&#13;
day on which his portfolio was taken from him. Keep yourself, then,&#13;
perfectly at ease. If the surety be insufficient, we shall be able to&#13;
devise some other means.</p><p>"Madame," said Agricola, with great emotion, "I am indebted to you for&#13;
the repose, perhaps for the life of my mother. Believe that I shall ever&#13;
be grateful."</p><p>"That is all quite simple. Now for another thing. It is proper that&#13;
those who have too much should have the right of coming to the aid of&#13;
those who have too little. Marshal Simon's daughters are members of my&#13;
family, and they will reside here with me, which will be more suitable.&#13;
You will apprise your worthy mother of this; and in the evening, besides&#13;
going to thank her for the hospitality which she has shown to my young&#13;
relations, I shall fetch them home."</p><p>At this moment Georgette, throwing open the door which separated the&#13;
room from an adjacent apartment, hurriedly entered, with an affrighted&#13;
look, exclaiming:</p><p>"Oh, madame, something extraordinary is going on in the street."</p><p>"How so? Explain yourself," said Adrienne.</p><p>"I went to conduct my dressmaker to the little garden-gate," said&#13;
Georgette; "where I saw some ill-looking men, attentively examining the&#13;
walls and windows of the little out-building belonging to the pavilion,&#13;
as if they wished to spy out some one."</p><p>"Madame," said Agricola, with chagrin, "I have not been deceived. They&#13;
are after me."</p><p>"What say you?"</p><p>"I thought I was followed, from the moment when I left the Rue St.&#13;
Merry: and now it is beyond doubt. They must have seen me enter your&#13;
house; and are on the watch to arrest me. Well, now that your interest&#13;
has been acquired for my mother,--now that I have no farther uneasiness&#13;
for Marshal Simon's daughters,--rather than hazard your exposure to&#13;
anything the least unpleasant, I run to deliver myself up."</p><p>"Beware of that sir," said Adrienne, quickly. "Liberty is too precious&#13;
to be voluntarily sacrificed. Besides, Georgette may have been mistaken.&#13;
But in any case, I entreat you not to surrender yourself. Take&#13;
my advice, and escape being arrested. That, I think, will greatly&#13;
facilitate my measures; for I am of opinion that justice evinces a great&#13;
desire to keep possession of those upon whom she has once pounced."</p><p>"Madame," said Hebe, now also entering with a terrified look, "a man&#13;
knocked at the little door, and inquired if a young man in a blue blouse&#13;
has not entered here. He added, that the person whom he seeks is&#13;
named Agricola Baudoin, and that he has something to tell him of great&#13;
importance."</p><p>"That's my name," said Agricola; "but the important information is a&#13;
trick to draw me out."</p><p>"Evidently," said Adrienne; "and therefore we must play off trick for&#13;
trick. What did you answer, child?" added she, addressing herself to&#13;
Hebe.</p><p>"I answered, that I didn't know what he was talking about."</p><p>"Quite right," said Adrienne: "and the man who put the question?"</p><p>"He went away, madame."</p><p>"Without doubt to come back again, soon," said Agricola.</p><p>"That is very probable," said Adrienne, "and therefore, sir, it is&#13;
necessary for you to remain here some hours with resignation. I am&#13;
unfortunately obliged to go immediately to the Princess Saint-Dizier, my&#13;
aunt, for an important interview, which can no longer be delayed, and&#13;
is rendered more pressing still by what you have told me concerning the&#13;
daughters of Marshal Simon. Remain here, then, sir; since if you go out,&#13;
you will certainly be arrested."</p><p>"Madame, pardon my refusal; but I must say once more that I ought not to&#13;
accept this generous offer."</p><p>"Why?"</p><p>"They have tried to draw me out, in order to avoid penetrating with the&#13;
power of the law into your dwelling but if I go not out, they will come&#13;
in; and never will I expose you to anything so disagreeable. Now that I&#13;
am no longer uneasy about my mother, what signifies prison?"</p><p>"And the grief that your mother will feel, her uneasiness, and her&#13;
fears,--nothing? Think of your father; and that poor work-woman who&#13;
loves you as a brother, and whom I value as a sister;--say, sir, do you&#13;
forget them also? Believe me, it is better to spare those torments to&#13;
your family. Remain here; and before the evening I am certain, either&#13;
by giving surety, or some other means, of delivering you from these&#13;
annoyances."</p><p>"But, madame, supposing that I do accept your generous offer, they will&#13;
come and find me here."</p><p>"Not at all. There is in this pavilion, which was formerly the abode of&#13;
a nobleman's left-handed wife,--you see, sir," said Adrienne, smiling,&#13;
"that live in a very profane place--there is here a secret place&#13;
of concealment, so wonderfully well-contrived, that it can defy all&#13;
searches. Georgette will conduct you to it. You will be very well&#13;
accommodated. You will even be able to write some verses for me, if the&#13;
place inspire you."</p><p>"Oh, madame! how great is your goodness! how have I merited it?"</p><p>"Oh, sir, I will tell you. Admitting that your character and your&#13;
position do not entitle you to any interest;--admitting that I may not&#13;
owe a sacred debt to your father for the touching regards and cares he&#13;
has bestowed upon the daughters of Marshal Simon, my relations--do you&#13;
forget Frisky, sir?" asked Adrienne, laughing,--"Frisky, there, whom&#13;
you have restored to my fondles? Seriously, if I laugh," continued this&#13;
singular and extravagant creature, "it is because I know that you&#13;
are entirely out of danger, and that I feel an increase of happiness.&#13;
Therefore, sir, write for me quickly your address, and your mother's, in&#13;
this pocket-book; follow Georgette; and spin me some pretty verses, if&#13;
you do not bore yourself too much in that prison to which you fly."</p><p>While Georgette conducted the blacksmith to the hiding-place, Hebe&#13;
brought her mistress a small gray beaver hat with a gray feather;&#13;
for Adrienne had to cross the park to reach the house occupied by the&#13;
Princess Saint-Dizier.</p><p>A quarter of an hour after this scene, Florine entered mysteriously the&#13;
apartment of Mrs. Grivois, the first woman of the princess.</p><p>"Well?" demanded Mrs. Grivois of the young woman.</p><p>"Here are the notes which I have taken this morning," said Florine,&#13;
putting a paper into the duenna's hand. "Happily, I have a good memory."</p><p>"At what time exactly did she return home this morning?" asked the&#13;
duenna, quickly.</p><p>"Who, madame?"</p><p>"Miss Adrienne."</p><p>"She did not go out, madame. We put her in the bath at nine o'clock."</p><p>"But before nine o'clock she came home, after having passed the night&#13;
out of her house. Eight o'clock was the time at which she returned,&#13;
however."</p><p>Florine looked at Mrs. Grivois with profound astonishment, and said-"I&#13;
do not understand you, madame."</p><p>"What's that? Madame did not come home this morning at eight o'clock?&#13;
Dare you lie?"</p><p>"I was ill yesterday, and did not come down till nine this morning, in&#13;
order to assist Georgette and Hebe help our young lady from the bath. I&#13;
know nothing of what passed previously, I swear to you, madame."</p><p>"That alters the case. You must ferret out what I allude to from your&#13;
companions. They don't distrust you, and will tell you all."</p><p>"Yes, madame."</p><p>"What has your mistress done this morning since you saw her?"</p><p>"Madame dictated a letter to Georgette for M. Norval, I requested&#13;
permission to send it off, as a pretext for going out, and for writing&#13;
down all I recollected."</p><p>"Very well. And this letter?"</p><p>"Jerome had to go out, and I gave it him to put in the post-office."</p><p>"Idiot!" exclaimed Mrs. Grivois: "couldn't you bring it to me?"</p><p>"But, as madame dictated it aloud to Georgette, as is her custom, I knew&#13;
the contents of the letter; and I have written it in my notes."</p><p>"That's not the same thing. It is likely there was need to delay sending&#13;
off this letter; the princess will be very much displeased."</p><p>"I thought I did right, madame."</p><p>"I know that it is not good will that fails you. For these six months&#13;
I have been satisfied with you. But this time you have committed a very&#13;
great mistake."</p><p>"Be indulgent, madame! what I do is sufficiently painful!" The girl&#13;
stifled a sigh.</p><p>Mrs. Grivois looked fixedly at her, and said in a sardonic tone:</p><p>"Very well, my dear, do not continue it. If you have scruples, you are&#13;
free. Go your way."</p><p>"You well know that I am not free, madame," said Florine, reddening;&#13;
and with tears in her eyes she added: "I am dependent upon M. Rodin, who&#13;
placed me here."</p><p>"Wherefore these regrets, then?"</p><p>"In spite of one's self, one feels remorse. Madame is so good, and so&#13;
confiding."</p><p>"She is all perfection, certainly! But you are not here to sing her&#13;
praises. What occurred afterwards?"</p><p>"The working-man who yesterday found and brought back Frisky, came early&#13;
this morning and requested permission to speak with my young lady."</p><p>"And is this working-man still in her house?"</p><p>"I don't know. He came in when I was going out with the letter."</p><p>"You must contrive to learn what it was this workingman came about."</p><p>"Yes, madame."</p><p>"Has your mistress seemed preoccupied, uneasy, or afraid of the&#13;
interview which she is to have to-day with the princess? She conceals so&#13;
little of what she thinks, that you ought to know."</p><p>"She has been as gay as usual. She has even jested about the interview!"</p><p>"Oh! jested, has she?" said the tire-woman, muttering between her teeth,&#13;
without Florine being able to hear her: "'They laugh most who laugh&#13;
last.' In spite of her audacious and diabolical character, she would&#13;
tremble, and would pray for mercy, if she knew what awaits her this&#13;
day." Then addressing Florine, she continued-"Return, and keep yourself,&#13;
I advise you, from those fine scruples, which will be quite enough to do&#13;
you a bad turn. Do not forget!"</p><p>"I cannot forget that I belong not to myself, madame."</p><p>"Anyway, let it be so. Farewell."</p><p>Florine quitted the mansion and crossed the park to regain the summer&#13;
house, while Mrs Grivois went immediately to the Princess Saint-Dizier.</p><p>BOOK III.</p><p>XXXVI. A Female Jesuit XXXVII. The Plot XXXVIII. Adrienne's&#13;
     Enemies XXXIX. The Skirmish XL. The Revolt XLI. Treachery&#13;
     XLII. The Snare XLIII. A False Friend XLIV. The Minister's&#13;
     Cabinet XLV. The Visit XLVI. Presentiments XLVII. The Letter&#13;
     XLVIII. The Confessional XLIX. My Lord and Spoil-sport L.&#13;
     Appearances LI. The Convent LII. The Influence of a&#13;
     Confessor LIII. The Examination</p><p>CHAPTER XXXVI. A FEMALE JESUIT.</p><p>During the preceding scenes which occurred in the Pompadour rotunda,&#13;
occupied by Miss de Cardoville, other events took place in the residence&#13;
of the Princess Saint-Dizier. The elegance and sumptuousness of the&#13;
former dwelling presented a strong contrast to the gloomy interior of&#13;
the latter, the first floor of which was inhabited by the princess, for&#13;
the plan of the ground floor rendered it only fit for giving parties;&#13;
and, for a long time past, Madame de Saint-Dizier had renounced all&#13;
worldly splendors. The gravity of her domestics, all aged and dressed in&#13;
black; the profound silence which reigned in her abode, where everything&#13;
was spoken, if it could be called speaking, in an undertone; and&#13;
the almost monastic regularity and order of this immense mansion,&#13;
communicated to everything around the princess a sad and chilling&#13;
character. A man of the world, who joined great courage to rare&#13;
independence of spirit, speaking of the princess (to whom Adrienne&#13;
de Cardoville went, according to her expression, to fight a pitched&#13;
battle), said of her as follows: "In order to avoid having Madame de&#13;
Saint-Dizier for an enemy, I, who am neither bashful nor cowardly, have,&#13;
for the first time in my life, been both a noodle and a coward." This&#13;
man spoke sincerely. But Madame de Saint-Dizier had not all at once&#13;
arrived at this high degree of importance.</p><p>Some words are necessary for the purpose of exhibiting distinctly some&#13;
phases in the life of this dangerous and implacable woman who, by&#13;
her affiliation with the Order of Jesuits, had acquired an occult and&#13;
formidable power. For there is something even more menacing than a&#13;
Jesuit: it is a Jesuits; and, when one has seen certain circles, it&#13;
becomes evident that there exist, unhappily, many of those affiliated,&#13;
who, more or less, uniformly dress (for the lay members of the Order&#13;
call themselves "Jesuits of the short robe").</p><p>Madame de Saint-Dizier, once very beautiful, had been, during the last&#13;
years of the Empire, and the early years of the Restoration, one of the&#13;
most fashionable women of Paris, of a stirring, active, adventurous,&#13;
and commanding spirit, of cold heart, but lively imagination. She was&#13;
greatly given to amorous adventures, not from tenderness of heart, but&#13;
from a passion for intrigue, which she loved as men love play--for the&#13;
sake of the emotions it excites. Unhappily, such had always been the&#13;
blindness or the carelessness of her husband, the Prince of Saint-Dizier&#13;
(eldest brother of the Count of Rennepont and Duke of Cardoville, father&#13;
of Adrienne), that during his life he had never said one word that could&#13;
make it be thought that he suspected the actions of his wife. Attaching&#13;
herself to Napoleon, to dig a mine under the feet of the Colossus, that&#13;
design at least afforded emotions sufficient to gratify the humor of&#13;
the most insatiable. During some time, all went well. The princess was&#13;
beautiful and spirited, dexterous and false, perfidious and seductive.&#13;
She was surrounded by fanatical adorers, upon whom she played off a&#13;
kind of ferocious coquetry, to induce them to run their heads into grave&#13;
conspiracies. They hoped to resuscitate the Fonder party, and carried&#13;
on a very active secret correspondence with some influential personages&#13;
abroad, well known for their hatred against the emperor and France.&#13;
Hence arose her first epistolary relations with the Marquis d'Aigrigny,&#13;
then colonel in the Russian service and aide-de-camp to General Moreau.&#13;
But one day all these petty intrigues were discovered. Many knights&#13;
of Madame de Saint-Dizier were sent to Vincennes; but the emperor, who&#13;
might have punished her terribly, contented himself with exiling the&#13;
princess to one of her estates near Dunkirk.</p><p>Upon the Restoration, the persecutions which Madame de Saint-Dizier had&#13;
suffered for the Good Cause were entered to her credit, and she acquired&#13;
even then very considerable influence, in spite of the lightness of her&#13;
behavior. The Marquis d'Aigrigny, having entered the military service of&#13;
France, remained there. He was handsome, and of fashionable manners and&#13;
address. He had corresponded and conspired with the princess, without&#13;
knowing her; and these circumstances necessarily led to a close&#13;
connection between them.</p><p>Excessive self-love, a taste for exciting pleasures, aspirations&#13;
of hatred, pride, and lordliness, a species of evil sympathy, the&#13;
perfidious attraction of which brings together perverse natures without&#13;
mingling them, had made of the princess and the Marquis accomplices&#13;
rather than lovers. This connection, based upon selfish and bitter&#13;
feelings, and upon the support which two characters of this dangerous&#13;
temper could lend to each other against a world in which their spirit of&#13;
intrigue, of gallantry, and of contempt had made them many enemies, this&#13;
connection endured till the moment when, after his duel with General&#13;
Simon, the Marquis entered a religious house, without any one&#13;
understanding the cause of his unexpected and sudden resolution.</p><p>The princess, having not yet heard the hour of her conversion strike,&#13;
continued to whirl round the vortex of the world with a greedy, jealous,&#13;
and hateful ardor, for she saw that the last years of her beauty were&#13;
dying out.</p><p>An estimate of the character of this woman may be formed from the&#13;
following fact:</p><p>Still very agreeable, she wished to close her worldly and volatile&#13;
career with some brilliant and final triumph, as a great actress knows&#13;
the proper time to withdraw from the stage so as to leave regrets&#13;
behind. Desirous of offering up this final incense to her own vanity,&#13;
the princess skillfully selected her victims. She spied out in the world&#13;
a young couple who idolized each other; and, by dint of cunning and&#13;
address, she succeeded in taking away the lover from his mistress, a&#13;
charming woman of eighteen, by whom he was adored. This triumph being&#13;
achieved, Madame Saint-Dizier retired from the fashionable world in the&#13;
full blaze of her exploit. After many long conversations with the Abbe&#13;
Marquis d'Aigrigny, who had become a renowned preacher, she departed&#13;
suddenly from Paris, and spent two years upon her estate near Dunkirk,&#13;
to which she took only one of her female attendants, viz., Mrs. Grivois.</p><p>When the princess afterwards returned to Paris, it was impossible&#13;
to recognize the frivolous, intriguing, and dissipated woman she had&#13;
formerly been. The metamorphosis was as complete as it was extraordinary&#13;
and even startling. Saint-Dizier House, heretofore open to the banquets&#13;
and festivals of every kind of pleasure, became gloomily silent and&#13;
austere. Instead of the world of elegance and fashion, the princess now&#13;
received in her mansion only women of ostentatious piety, and men of&#13;
consequence, who were remarkably exemplary by the extravagant rigor of&#13;
their religious and monarchial principles. Above all, she drew around&#13;
her several noted members of the higher orders of the clergy. She was&#13;
appointed patroness of a body of religious females. She had her own&#13;
confessor, chaplin, almoner, and even spiritual director; but this&#13;
last performed his functions in partibus. The Marquis-Abbe d'Aigrigny&#13;
continued in reality to be her spiritual guide; and it is almost&#13;
unnecessary to say that for a long time past their mutual relations as&#13;
to flirting had entirely ceased.</p><p>This sudden and complete conversion of a gay and distinguished woman,&#13;
especially as it was loudly trumpeted forth, struck the greater number&#13;
of persons with wonder and respect. Others, more discerning, only&#13;
smiled.</p><p>A single anecdote, from amongst a thousand, will suffice to show the&#13;
alarming influence and power which the princess had acquired since her&#13;
affiliation with the Jesuits. This anecdote will also exhibit the deep,&#13;
vindictive, and pitiless character of this woman, whom Adrienne de&#13;
Cardoville had so imprudently made herself ready to brave.</p><p>Amongst the persons who smiled more or less at the conversion of Madame&#13;
de Saint-Dizier were the young and charming couple whom she had so&#13;
cruelly disunited before she quitted forever the scenes of revelry&#13;
in which she had lived. The young couple became more impassioned and&#13;
devoted to each other than ever; they were reconciled and married, after&#13;
the passing storm which had hurled them asunder; and they indulged in&#13;
no other vengeance against the author of their temporary infelicity than&#13;
that of mildly jesting at the pious conversion of the woman who had done&#13;
them so much injury.</p><p>Some time after, a terrible fatality overtook the loving pair. The&#13;
husband, until then blindly unsuspicious, was suddenly inflamed by&#13;
anonymous communications. A dreadful rupture ensued, and the young wife&#13;
perished.</p><p>As for the husband, certain vague rumors, far from distinct, yet&#13;
pregnant with secret meanings, perfidiously contrived, and a thousand&#13;
times more detestable than formal accusations, which can, at least, be&#13;
met and destroyed, were strewn about him with so much perseverance, with&#13;
a skill so diabolical, and by means and ways so very various, that his&#13;
best friends, by little and little, withdrew themselves from him,&#13;
thus yielding to the slow, irresistible influence of that incessant&#13;
whispering and buzzing, confused as indistinct, amounting to some such&#13;
results as this-"Well! you know!" says one.</p><p>"No!" replies another.</p><p>"People say very vile things about him."</p><p>"Do they? really! What then?"</p><p>"I don't know! Bad reports! Rumors grievously affecting his honor!"</p><p>"The deuce! That's very serious. It accounts for the coldness with which&#13;
he is now everywhere received!"</p><p>"I shall avoid him in future!"</p><p>"So will I," etc.</p><p>Such is the world, that very often nothing more than groundless surmises&#13;
are necessary to brand a man whose very, happiness may have incurred&#13;
envy. So it was with the gentleman of whom we speak. The unfortunate&#13;
man, seeing the void around him extending itself,--feeling (so to speak)&#13;
the earth crumbling from beneath his feet, knew not where to find or&#13;
grasp the impalpable enemy whose blows he felt; for not once had the&#13;
idea occurred to him of suspecting the princess, whom he had not seen&#13;
since his adventure with her. Anxiously desiring to learn why he was so&#13;
much shunned and despised, he at length sought an explanation from&#13;
an old friend; but he received only a disdainfully evasive answer;&#13;
at which, being exasperated, he demanded satisfaction. His adversary&#13;
replied--"If you can find two persons of our acquaintance, I will fight&#13;
you!" The unhappy man could not find one!</p><p>Finally, forsaken by all, without having ever obtained an explanation of&#13;
the reason for forsaking him--suffering keenly for the fate of the&#13;
wife whom he had lost, he became mad with grief, rage, and despair, and&#13;
killed himself.</p><p>On the day of his death, Madame de Saint-Dizier remarked that it was&#13;
fit and necessary that one who had lived so shamefully should come to&#13;
an equally shameful end, and that he who had so long jested at all laws,&#13;
human and divine, could not seemly otherwise terminate his wretched life&#13;
than by perpetrating a last crime--suicide! And the friends of Madame de&#13;
Saint-Dizier hawked about and everywhere repeated these terrible words&#13;
with a contrite air, as if beatified and convinced! But this was not&#13;
all. Along with chastisements there were rewards.</p><p>Observant people remarked that the favorites of the religious clan of&#13;
Madame de Saint-Dizier rose to high distinction with singular rapidity.&#13;
The virtuous young men, such as were religiously attentive to tiresome&#13;
sermons, were married to rich orphans of the Sacred Heart Convents, who&#13;
were held in reserve for the purpose; poor young girls, who, learning&#13;
too late what it is to have a pious husband selected and imposed upon&#13;
them by a set of devotees, often expiated by very bitter tears the&#13;
deceitful favor of thus being admitted into a world of hypocrisy and&#13;
falsehood, in which they found themselves strangers without support,&#13;
crushed by it if they dared to complain of the marriages to which they&#13;
had been condemned.</p><p>In the parlor of Madame de Saint-Dizier were appointed prefects,&#13;
colonels, treasurers, deputies, academicians, bishops and peers of&#13;
the realm, from whom nothing more was required in return for the&#13;
all-powerful support bestowed upon them, but to wear a pious gloss,&#13;
sometimes publicly take the communion, swear furious war against&#13;
everything impious or revolutionary,--and above all, correspond&#13;
confidentially upon "different subjects of his choosing" with the Abbe&#13;
d'Aigrigny,--an amusement, moreover, which was very agreeable; for the&#13;
abbe was the most amiable man in the world, the most witty, and above&#13;
all, the most obliging. The following is an historical fact, which&#13;
requires the bitter and vengeful irony of Moliere or Pascal to do it&#13;
justice.</p><p>During the last year of the Restoration, there was one of the mighty&#13;
dignitaries of the court a firm and independent man, who did not&#13;
make profession (as the holy fathers call it), that is, who did&#13;
not communicate at the altar. The splendor amid which he moved was&#13;
calculated to give the weight of a very injurious example to his&#13;
indifference. The Abbe-Marquis d'Aigrigny was therefore despatched to&#13;
him; and he knowing the honorable and elevated character of the non&#13;
communicant, thought that if he could only bring him to profess by&#13;
any means (whatever the means might be) the effect would be what was&#13;
desired. Like a man of intellect, the abbe prized the dogma but cheaply&#13;
himself. He only spoke of the suitableness of the step, and of the&#13;
highly salutary example which the resolution to adopt it would afford to&#13;
the public.</p><p>"M. Abbe," replied the person sought to be influenced, "I have a greater&#13;
respect for religion than you have. I should consider it an infamous&#13;
mockery to go to the communion table without feeling the proper&#13;
conviction."</p><p>"Nonsense! you inflexible man! you frowning Alcestes," said the Marquis&#13;
Abbe, smiling slyly. "Your profits and your scruples will go together,&#13;
believe me, by listening to me. In short, we shall manage to make it a&#13;
BLANK COMMUNION for you; for after all, what is it that we ask?--only&#13;
the APPEARANCE!"</p><p>Now, a BLANK COMMUNION means breaking an unconsecrated wafer!</p><p>The Abbe-Marquis retired with his offers, which were rejected with&#13;
indignation;--but then, the refractory man was dismissed from his place&#13;
at court. This was but a single isolated fact. Woe to all who found&#13;
themselves opposed to the interest and principles of Madame de Saint&#13;
Dizier or her friends! Sooner or later, directly or indirectly, they&#13;
felt themselves cruelly stabbed, generally immediately--some in their&#13;
dearest connections, others in their credit, some in their honor;&#13;
others in their official functions; and all by secret action, noiseless,&#13;
continuous, and latent, in time becoming a terrible and mysterious&#13;
dissolvent, which invisibly undermined reputations, fortunes, positions&#13;
the most solidly established, until the moment when all sunk forever&#13;
into the abyss, amid the surprise and terror of the beholders.</p><p>It will now be conceived how under the Restoration the Princess de Saint&#13;
Dizier had become singularly influential and formidable. At the time of&#13;
the Revolution of July (1830) she had "rallied," and, strangely enough,&#13;
by preserving some relation of family and of society with persons&#13;
faithful to the worship of decayed monarchy, people still attributed to&#13;
the princess much influence and power. Let us mention, at last, that&#13;
the Prince of Saint-Dizier, having died many years since, his very large&#13;
personal fortune had descended to his younger brother, the father of&#13;
Adrienne de Cardoville; and he, having died eighteen months ago, that&#13;
young lady found herself to be the last and only representative of that&#13;
branch of the family of the Renneponts.</p><p>The Princess of Saint-Dizier awaited her niece in a very large room,&#13;
rendered dismal by its gloomy green damask. The chairs, etc., covered&#13;
with similar stuff, were of carved ebony. Paintings of scriptural&#13;
and other religious subjects, and an ivory crucifix thrown up from&#13;
a background of black velvet, contributed to give the apartment a&#13;
lugubrious and austere aspect.</p><p>Madame de Saint-Dizier, seated before a large desk, has just finished&#13;
putting the seals on numerous letters; for she had a very extensive and&#13;
very diversified correspondence. Though then aged about forty-five she&#13;
was still fair. Advancing years had somewhat thickened her shape, which&#13;
formerly of distinguished elegance, was still sufficiently handsome to&#13;
be seen to advantage under the straight folds of her black dress. Her&#13;
headdress, very simple, decorated with gray ribbons, allowed her fair&#13;
sleek hair to be seen arranged in broad bands. At first look, people&#13;
were struck with her dignified though unassuming appearance; and would&#13;
have vainly tried to discover in her physiognomy, now marked with&#13;
repentant calmness, any trace of the agitations of her past life. So&#13;
naturally grave and reserved was she, that people could not believe her&#13;
the heroine of so many intrigues and adventures and gallantry.&#13;
Moreover, if by chance she ever heard any lightness of conversation, her&#13;
countenance, since she had come to believe herself a kind of "mother&#13;
in the Church," immediately expressed candid but grieved astonishment,&#13;
which soon changed into an air of offended chastity and disdainful pity.</p><p>For the rest, her smile, when requisite, was still full of grace, and&#13;
even of the seducing and resistless sweetness of seeming good-nature.&#13;
Her large blue eyes, on fit occasions, became affectionate and&#13;
caressing. But if any one dared to wound or ruffle her pride, gainsay&#13;
her orders or harm her interests, her countenance, usually placid and&#13;
serene, betrayed a cold but implacable malignity. Mrs. Grivois entered&#13;
the cabinet, holding in her hand Florine's report of the manner in which&#13;
Adrienne de Cardoville had spent the morning.</p><p>Mrs. Grivois had been about twenty years in the service of Madame de&#13;
Saint-Dizier. She knew everything that a lady's-maid could or ought to&#13;
have known of her mistress in the days of her sowing of wild (being a&#13;
lady) flowers. Was it from choice that the princess had still retained&#13;
about her person this so-well-informed witness of the numerous follies&#13;
of her youth? The world was kept in ignorance of the motive; but one&#13;
thing was evident, viz., that Mrs. Grivois enjoyed great privileges&#13;
under the princess, and was treated by her rather as a companion than as&#13;
a tiring woman.</p><p>"Here are Florine's notes, madame," said Mrs. Grivois, giving the paper&#13;
to the princess.</p><p>"I will examine them presently," said the princess; "but tell me, is my&#13;
niece coming? Pending the conference at which she is to be present, you&#13;
will conduct into her house a person who will soon be here, to inquire&#13;
for you by my desire."</p><p>"Well, madame?"</p><p>"This man will make an exact inventory of everything contained in&#13;
Adrienne's residence. You will take care that nothing is omitted; for&#13;
that is of very great importance."</p><p>"Yes, madame. But should Georgette or Hebe make any opposition?"</p><p>"There is no fear; the man charged with taking the inventory is of such&#13;
a stamp, that when they know him, they will not dare to oppose either&#13;
his making the inventory, or his other steps. It will be necessary&#13;
not to fail, as you go along with him, to be careful to obtain certain&#13;
peculiarities destined to confirm the reports which you have spread for&#13;
some time past."</p><p>"Do not have the slightest doubt, madame. The reports have all the&#13;
consistency of truth."</p><p>"Very soon, then, this Adrienne, so insolent and so haughty, will be&#13;
crushed and compelled to pray for pardon; and from me!"</p><p>An old footman opened both of the folding doors, and announced the&#13;
Marquis-Abbe d'Aigrigny.</p><p>"If Miss de Cardoville present herself," said the princess to Mrs.&#13;
Grivois, "you will request her to wait an instant."</p><p>"Yes, madame," said the duenna, going out with the servant.</p><p>Madame de Saint-Dizier and D'Aigrigny remained alone.</p><p>CHAPTER XXXVII. THE PLOT.</p><p>The Abbe-Marquis d'Aigrigny, as the reader has easily divined, was&#13;
the person already seen in the Rue du Milieu-des-Ursins; whence he had&#13;
departed from Rome, in which city he had remained about three months.&#13;
The marquis was dressed in deep mourning, but with his usual elegance.&#13;
His was not a priestly robe; his black coat, and his waistcoat, tightly&#13;
gathered in at the waist, set off to great advantage the elegance of&#13;
his figure: his black cassimere pantaloons disguised his feet, exactly&#13;
fitted with lace boots, brilliantly polished. And all traces of his&#13;
tonsure disappeared in the midst of the slight baldness which whitened&#13;
slightly the back part of his head. There was nothing in his entire&#13;
costume, or aspect, that revealed the priest, except, perhaps,&#13;
the entire absence of beard, the more remarkable upon so manly a&#13;
countenance. His chin, newly shaved, rested on a large and elevated&#13;
black cravat, tied with a military ostentation which reminded the&#13;
beholder, that this abbe-marquis this celebrated preacher--now one of&#13;
the most active and influential chiefs of his order, had commanded a&#13;
regiment of hussars upon the Restoration, and had fought in aid of the&#13;
Russians against France.</p><p>Returned to Paris only this morning, the marquis had not seen the&#13;
princess since his mother, the Dowager Marchioness d'Aigrigny, had died&#13;
near Dunkirk, upon an estate belonging to Madame de Saint-Dizier, while&#13;
vainly calling for her son to alleviate her last moments; but the order&#13;
to which M. d'Aigrigny had thought fit to sacrifice the most sacred&#13;
feeling and duties of nature, having been suddenly transmitted to him&#13;
from Rome, he had immediately set out for that city; though not without&#13;
hesitation, which was remarked and denounced by Rodin; for the love of&#13;
M. d'Aigrigny for his mother had been the only pure feeling that had&#13;
invariably distinguished his life.</p><p>When the servant had discreetly withdrawn with Mrs. Grivois, the marquis&#13;
quickly approached the princess, held out his hand to her, and said with&#13;
a voice of emotion:</p><p>"Herminia, have you not concealed something in your letters. In her last&#13;
moments did not my mother curse me?"</p><p>"No, no, Frederick, compose yourself. She had anxiously desired your&#13;
presence. Her ideas soon became confused. But in her delirium it was&#13;
still for you that she called."</p><p>"Yes," said the marquis, bitterly; "her maternal instinct doubtless&#13;
assured her that my presence could have saved her life."</p><p>"I entreat you to banish these sad recollections," said the princess,&#13;
"this misfortune is irreparable."</p><p>"Tell me for the last time, truly, did not my absence cruelly affect&#13;
my mother? Had she no suspicion that a more imperious duty called me&#13;
elsewhere?"</p><p>"No, no, I assure you. Even when her reason was shaken, she believed&#13;
that you had not yet had time to come to her. All the sad details which&#13;
I wrote to you upon this painful subject are strictly true. Again, I beg&#13;
of you to compose yourself."</p><p>"Yes, my conscience ought to be easy; for I have fulfilled my duty in&#13;
sacrificing my mother. Yet I have never been able to arrive at that&#13;
complete detachment from natural affection, which is commanded to us&#13;
by those awful words: 'He who hates not his father and his mother, even&#13;
with the soul, cannot be my disciple.'"(9)</p><p>"Doubtless, Frederick," said the princess, "these renunciations are&#13;
painful. But, in return, what influence, what power!"</p><p>"It is true," said the marquis, after a moment's silence. "What ought&#13;
not to be sacrificed in order to reign in secret over the all-powerful&#13;
of the earth, who lord it in full day? This journey to Rome, from which&#13;
I have just returned, has given me a new idea of our formidable power.&#13;
For, Herminia, it is Rome which is the culminating point, overlooking&#13;
the fairest and broadest quarters of the globe, made so by custom, by&#13;
tradition, or by faith. Thence can our workings be embraced in their&#13;
full extent. It is an uncommon view to see from its height the myriad&#13;
tools, whose personality is continually absorbed into the immovable&#13;
personality of our Order. What a might we possess! Verily, I am always&#13;
swayed with admiration, aye, almost frightened, that man once thinks,&#13;
wishes, believes, and acts as he alone lists, until, soon ours, he&#13;
becomes but a human shell; its kernel of intelligence, mind, reason,&#13;
conscience, and free will, shrivelled within him, dry and withered by&#13;
the habit of mutely, fearingly bowing under mysterious tasks, which&#13;
shatter and slay everything spontaneous in the human soul! Then do we&#13;
infuse in such spiritless clay, speechless, cold, and motionless as&#13;
corpses, the breath of our Order, and, lo! the dry bones stand up and&#13;
walk, acting and executing, though only within the limits which are&#13;
circled round them evermore. Thus do they become mere limbs of the&#13;
gigantic trunk, whose impulses they mechanically carry out, while&#13;
ignorant of the design, like the stonecutter who shapes out a stone,&#13;
unaware if it be for cathedral or bagnio."</p><p>In so speaking, the marquis's features wore an incredible air of proud&#13;
and domineering haughtiness.</p><p>"Oh, yes! this power is great, most great," observed the princess; "and&#13;
the more formidable because it moves in a mysterious way over minds and&#13;
consciences."</p><p>"Aye, Herminia," said the marquis: "I have had under my command a&#13;
magnificent regiment. Very often have I experienced the energetic and&#13;
exquisite enjoyment of command! At my word my squadrons put themselves&#13;
in action; bugles blared, my officers, glittering in golden embroidery,&#13;
galloped everywhere to repeat my orders: all my brave soldiers, burning&#13;
with courage, and cicatrized by battles, obeyed my signal; and I felt&#13;
proud and strong, holding as I did (so to speak) in my hands, the force&#13;
and valor of each and all combined into one being of resistless strength&#13;
and invincible intrepidity,--of all of which I was as much the&#13;
master, as I mastered the rage and fire of my war-horse! Aye! that was&#13;
greatness. But now, in spite of the misfortunes which have befallen&#13;
our Order, I feel myself a thousand times more ready for action, more&#13;
authoritative, more strong and more daring, at the head of our mute&#13;
and black-robed militia, who only think and wish, or move and obey,&#13;
mechanically, according to my will. On a sign they scatter over the&#13;
surface of the globe, gliding stealthily into households under the guise&#13;
of confessing the wife or teaching the children, into family affairs&#13;
by hearing the dying avowals,--up to the throne through the quaking&#13;
conscience of a credulous crowned coward;--aye, even to the chair of&#13;
the Pope himself, living manifesto of the Godhead though he is, by the&#13;
services rendered him or imposed by him. Is not this secret rule, made&#13;
to kindle or glut the wildest ambition, as it reaches from the cradle to&#13;
the grave, from the laborer's hovel to the royal palace, from palace&#13;
to the papal chair? What career in all the world presents such splendid&#13;
openings? what unutterable scorn ought I not feel for the bright&#13;
butterfly life of early days, when we made so many envy us? Don't you&#13;
remember, Herminia?" he added, with a bitter smile.</p><p>"You are right, perfectly right, Frederick!" replied the princess&#13;
quickly. "How little soever we may reflect, with what contempt do we not&#13;
think upon the past! I, like you, often compare it with the present;&#13;
and then what satisfaction I feel at having followed your counsels! For,&#13;
indeed, without you, I should have played the miserable and ridiculous&#13;
part which a woman always plays in her decline from having been&#13;
beautiful and surrounded by admirers. What could I have done at this&#13;
hour? I should have vainly striven to retain around me a selfish and&#13;
ungrateful world of gross and shameful men, who court women only&#13;
that they may turn them to the service of their passions, or to the&#13;
gratification of their vanity. It is true that there would have remained&#13;
to me the resource of what is called keeping an agreeable house for all&#13;
others,--yes, in order to entertain them, be visited by a crowd of&#13;
the indifferent, to afford opportunities of meeting to amorous young&#13;
couples, who, following each other from parlor to parlor, come not&#13;
to your house but for the purpose of being together; a very pretty&#13;
pleasure, truly, that of harboring those blooming, laughing, amorous&#13;
youths, who look upon the luxury and brilliancy with which one surrounds&#13;
them, as if they were their due upon bonds to minister to their&#13;
pleasure, and to their impudent amours!"</p><p>Her words were so stinging, and such hateful envy sat upon her face,&#13;
that she betrayed the intense bitterness of her regrets in spite of&#13;
herself.</p><p>"NO, no; thanks to you, Frederick," she continued, "After a last and&#13;
brilliant triumph, I broke forever with the world, which would soon have&#13;
abandoned me, though I was so long its idol and its queen. And I have&#13;
only changed my queendom. Instead of the dissipated men whom I ruled&#13;
with a frivolity superior to their own, I now find myself surrounded by&#13;
men of high consideration, of redoubtable character, and all-powerful,&#13;
many of whom have governed the state; to them I have devoted myself, as&#13;
they have devoted themselves to me! It is now only that I really enjoy&#13;
that happiness, of which I ever dreamt. I have taken an active part and&#13;
have exercised a powerful influence over the greatest interests of the&#13;
world; I have been initiated into the most important secrets; I have&#13;
been able to strike, surely, whosoever scoffed at or hated me; and I&#13;
have been able to elevate beyond their hopes those who have served or&#13;
respected and obeyed me."</p><p>"There are some madmen, and some so blind, that they imagine that we&#13;
are struck down, because we ourselves have had to struggle against some&#13;
misfortunes," said M. d'Aigrigny, disdainfully, "as if we were not,&#13;
above all others, securely founded, organized for every struggle, and&#13;
drew not from our very struggles a new and more vigorous activity.&#13;
Doubtless the times are bad. But they will become better; and, as you&#13;
know, it is nearly certain that in a few days (the 13th of February), we&#13;
shall have at our disposal a means of action sufficiently powerful for&#13;
re establishing our influence which has been temporarily shaken."</p><p>"Yes, doubtless this affair of the medals is most important," said the&#13;
princess.</p><p>"I should not have made so much haste to return hither," resumed the&#13;
abbe, "were it not to act in what will be, perhaps, for us, a very great&#13;
event."</p><p>"But you are aware of the fatality which has once again overthrown&#13;
projects the most laboriously conceived and matured?"</p><p>"Yes; immediately on arriving I saw Rodin."</p><p>"And he told you--?"</p><p>"The inconceivable arrival of the Indian, and of General Simon's&#13;
daughters at Cardoville Castle, after a double shipwreck, which threw&#13;
them upon the coast of Picardy; though it was deemed certain that the&#13;
young girls were at Leipsic, and the Indian in Java. Precautions were&#13;
so well taken, indeed," added the marquis in vexation, "that one would&#13;
think an invisible power protects this family."</p><p>"Happily, Rodin is a man of resources and activity," resumed the&#13;
princess. "He came here last night, and we had a long conversation."</p><p>"And the result of your consultation is excellent," added the marquis:&#13;
"the old soldier is to be kept out of the way for two days; and his&#13;
wife's confessor has been posted; the rest will proceed of itself. To&#13;
morrow, the girls need no longer be feared; and the Indian remains at&#13;
Cardoville, wounded dangerously. We have plenty of time for action."</p><p>"But that is not all," continued the princess: "there are still, without&#13;
reckoning my niece, two persons, who, for our interests, ought not to be&#13;
found in Paris on the 13th of February."</p><p>"Yes, M. Hardy: but his most dear and intimate friend has betrayed him;&#13;
for, by means of that friend, we have drawn M. Hardy into the South,&#13;
whence it is impossible for him to return before a month. As for that&#13;
miserable vagabond workman, surnamed 'Sleepinbuff!'"</p><p>"Fie!" exclaimed the princess, with an expression of outraged modesty.</p><p>"That man," resumed the marquis, "is no longer an object of inquietude.&#13;
Lastly, Gabriel, upon whom our vast and certain hope reposes, will not&#13;
be left by himself for a single minute until the great day. Everything&#13;
seems, you see, to promise success; indeed, more so than ever; and it is&#13;
necessary to obtain this success at any price. It is for us a question&#13;
of life or death; for, in returning, I stopped at Forli, and there&#13;
saw the Duke d'Orbano. His influence over the mind of the king is all&#13;
powerful--indeed, absolute; and he has completely prepossessed the royal&#13;
mind. It is with the duke alone, then, that it is possible to treat."</p><p>"Well?"</p><p>"D'Orbano has gained strength; and he can, I know it, assure to us a&#13;
legal existence, highly protected, in the dominions of his master, with&#13;
full charge of popular education. Thanks to such advantages, after two&#13;
or three years in that country we shall become so deeply rooted, that&#13;
this very Duke d'Orbano, in his turn, will have to solicit support and&#13;
protection from us. But at present he has everything in his power; and&#13;
he puts an absolute condition upon his services."</p><p>"What is the condition?"</p><p>"Five millions down; and an annual pension of a hundred thousand&#13;
francs."</p><p>"It is very much."</p><p>"Nay, but little if it be considered that our foot once planted in that&#13;
country, we shall promptly repossess ourselves of that sum, which, after&#13;
all, is scarcely an eighth part of what the affair of the medals, if&#13;
happily brought to an issue, ought to assure to the Order."</p><p>"Yes, nearly forty millions," said the princess, thoughtfully.</p><p>"And again: these five millions that Orbano demands will be but an&#13;
advance. They will be returned to us in voluntary gifts, by reason even&#13;
of the increase of influence that we shall acquire from the education&#13;
of children; through whom we have their families. And yet, the fools&#13;
hesitate! those who govern see not, that in doing our own business, we&#13;
do theirs also;--that in abandoning education to us (which is what we&#13;
wish for above all things) we mold the people into that mute and quiet&#13;
obedience, that servile and brutal submission, which assures the repose&#13;
of states by the immobility of the mind. They don't reflect that most&#13;
of the upper and middle classes fear and hate us; don't understand that&#13;
(when we have persuaded the mass that their wretchedness is an eternal&#13;
law, that sufferers must give up hope of relief, that it is a crime to&#13;
sigh for welfare in this world, since the crown of glory on high is the&#13;
only reward for misery here), then the stupefied people will resignedly&#13;
wallow in the mire, all their impatient aspirations for better days&#13;
smothered, and the volcano-blasts blown aside, which made the future of&#13;
rulers so horrid and so dark? They see not, in truth, that this blind&#13;
and passive faith which we demand from the mass, furnishes their rulers&#13;
with a bridle with which both to conduct and curb them; whilst we ask&#13;
from the happy of the world only some appearances which ought, if they&#13;
had only the knowledge of their own corruption, to give an increased&#13;
stimulant to their pleasures.</p><p>"It signifies not," resumed the princess; "since, as you say, a great&#13;
day is at hand, bringing nearly forty millions, of which the Order can&#13;
become possessed by the happy success of the affair of the medals. We&#13;
certainly can attempt very great things. Like a lever in your hands,&#13;
such a means of action would be of incalculable power, in times during&#13;
which all men buy and sell one another."</p><p>"And then," resumed M. d'Aigrigny, with a thoughtful air, "here the&#13;
reaction continues: the example of France is everything. In Austria and&#13;
Holland we can rarely maintain ourselves; while the resources of the&#13;
Order diminish from day to day. We have arrived at a crisis; but it can&#13;
be made to prolong itself. Thus, thanks to the immense resource of the&#13;
affair of the medals, we can not only brave all eventualities, but we&#13;
can again powerfully establish ourselves, thanks to the offer of the&#13;
Duke d'Orbano, which we accept; and then, from that inassailable centre,&#13;
our radiations will be incalculable. Ah! the 13th of February!" added M.&#13;
d'Aigrigny, after a moment of silence, and shaking his head: "the 13th&#13;
of February, a date perhaps fortunate and famous for our power as that&#13;
of the council which gave to us (so to say) a new life!"</p><p>"And nothing must be spared." resumed the princess, "in order to succeed&#13;
at any price. Of the six persons whom we have to fear, five are or will&#13;
be out of any condition to hurt us. There remains then only my niece;&#13;
and you know that I have waited but for your arrival in order to take&#13;
my last resolution. All my preparations are completed; and this very&#13;
morning we will begin to act."</p><p>"Have your suspicions increased since your last letter?"</p><p>"Yes, I am certain that she is more instructed than she wishes to&#13;
appear; and if so, we shall not have a more dangerous enemy."</p><p>"Such has always been my opinion. Thus it is six month: since I advised&#13;
you to take in all cases the measures which you have adopted, in order&#13;
to provoke, on her part, that demand of emancipation, the consequences&#13;
of which now render quite easy that which would have been impossible&#13;
without it."</p><p>"At last," said the princess, with an expression of joy, hateful and&#13;
bitter, "this indomitable spirit will be broken. I am at length about to&#13;
be avenged of the many insolent sarcasms which I have been compelled to&#13;
swallow, lest I should awaken her suspicions. I! I to have borne so much&#13;
till now! for this Adrienne has made it her business (imprudent as she&#13;
is!) to irritate me against herself!"</p><p>"Whosoever offends you, offends me; you know it," said D'Aigrigny, "my&#13;
hatreds are yours."</p><p>"And you yourself!" said the princess, "how many times have you been the&#13;
butt of her poignant irony!"</p><p>"My instincts seldom deceive me. I am certain that this young girl&#13;
may become a dangerous enemy for us," said the marquis, with a voice&#13;
painfully broken into short monosyllables.</p><p>"And, therefore, it is necessary that she may be rendered incapable&#13;
of exciting further fear," responded Madame de Saint-Dizier, fixedly&#13;
regarding the marquis.</p><p>"Have you seen Dr. Baleinier, and the sub-guardian, M. Tripeaud?" asked&#13;
he.</p><p>"They will be here this morning. I have informed them of everything."</p><p>"Did you find them well disposed to act against her?"</p><p>"Perfectly so--and the best is, Adrienne does not at all suspect the&#13;
doctor, who has known how, up to a certain point, to preserve her&#13;
confidence. Moreover, a circumstance which appears to me inexplicable&#13;
has come to our aid."</p><p>"What do you allude to?"</p><p>"This morning, Mrs. Grivois went, according to my orders, to remind&#13;
Adrienne that I expected her at noon, upon important business. As she&#13;
approached the pavilion, Mrs. Grivois saw, or thought she saw, Adrienne&#13;
come in by the little garden-gate."</p><p>"What do you tell me? Is it possible? Is there any positive proof of&#13;
it?" cried the marquis.</p><p>"Till now, there is no other proof than the spontaneous declaration of&#13;
Mrs. Grivois: but whilst I think of it," said the Princess, taking up a&#13;
paper that lay before her, "here is the report, which, every day, one of&#13;
Adrienne's women makes to me."</p><p>"The one that Rodin succeeded in introducing into your niece's service?"</p><p>"The same; as this creature is entirely in Rodin's hands, she has&#13;
hitherto answered our purpose very well. In this report, we shall&#13;
perhaps find the confirmation of what Mrs. Grivois affirms she saw."</p><p>Hardly had the Princess glanced at the note, than she exclaimed almost&#13;
in terror: "What do I see? Why, Adrienne is a very demon!"</p><p>"What now?"</p><p>"The bailiff at Cardoville, having written to my niece to ask her&#13;
recommendation, informed her at the same time of the stay of the Indian&#13;
prince at the castle. She knows that he is her relation, and has just&#13;
written to her old drawing-master, Norval, to set out post with Eastern&#13;
dresses, and bring Prince Djalma hither--the man that must be kept away&#13;
from Paris at any cost."</p><p>The marquis grew pale, and said to Mme. de Saint-Dizier: "If this be not&#13;
merely one of her whims, the eagerness she displays in sending for this&#13;
relation hither, proves that she knows more than you even suspected. She&#13;
is 'posted' on the affair of the medals. Have a care--she may ruin all."</p><p>"In that case," said the princess, resolutely, "there is no room to&#13;
hesitate. We must carry things further than we thought, and make an end&#13;
this very morning."</p><p>"Yes, though it is almost impossible."</p><p>"Nay, all is possible. The doctor and M. Tripeaud are ours," said the&#13;
princess, hastily.</p><p>"Though I am as sure as you are of the doctor, or of M. Tripeaud,&#13;
under present circumstances, we must not touch on the question of&#13;
acting--which will be sure to frighten them at first--until after&#13;
our interview with your niece. It will be easy, notwithstanding her&#13;
cleverness, to find out her armor's defect. If our suspicions should be&#13;
realized--if she is really informed of what it would be so dangerous for&#13;
her to know--then we must have no scruples, and above all no delay. This&#13;
very day must see all set at rest. The time for wavering is past."</p><p>"Have you been able to send for the person agreed on?" asked the&#13;
princess, after a moment's silence.</p><p>"He was to be here at noon. He cannot be long."</p><p>"I thought this room would do very well for our purpose. It is separated&#13;
from the smaller parlor by a curtain only behind which your man may be&#13;
stationed."</p><p>"Capital!"</p><p>"Is he a man to be depended on?"</p><p>"Quite so--we have often employed him in similar matters. He is as&#13;
skillful as discreet."</p><p>At this moment a low knock was heard at the door.</p><p>"Come in," said the princess.</p><p>"Dr. Baleinier wishes to know if her Highness the Princess can receive&#13;
him," asked the valet-de-chambre.</p><p>"Certainly. Beg him to walk in."</p><p>"There is also a gentleman that M. l'Abbe appointed to be here at noon,&#13;
by whose orders I have left him waiting in the oratory."</p><p>"'Tis the person in question," said the marquis to the princess. "We&#13;
must have him in first. 'Twould be useless for Dr. Baleinier to see him&#13;
at present."</p><p>"Show this person in first," said the princess; "next when I ring&#13;
the bell, you will beg Dr. Baleinier to walk this way: and, if Baron&#13;
Tripeaud should call, you will bring him here also. After that, I am at&#13;
home to no one, except Mdlle. Adrienne." The servant went out.</p><p>(9) With regard to this text, a commentary upon it will be found in the&#13;
Constitutions of the Jesuits, as follows: "In order that the habit of&#13;
language may come to the help of the sentiments, it is wise not to say,&#13;
'I have parents, or I have brothers;' but to say, 'I had parents; I had&#13;
brothers.'"--General Examination, p. 29; Constitutions.--Paulin; 1843.&#13;
Paris.</p><p>CHAPTER XXXVIII. ADRIENNE'S ENEMIES.</p><p>The Princess de Saint-Dizier's valet soon returned, showing in a little,&#13;
pale man, dressed in black, and wearing spectacles. He carried under his&#13;
left arm a long black morocco writing-case.</p><p>The princess said to this man: "M. l'Abbe, I suppose, has already&#13;
informed you of what is to be done?"</p><p>"Yes, your highness," said the man in a faint, shrill, piping voice,&#13;
making at the same time a low bow.</p><p>"Shall you be conveniently placed in this room?" asked the princess,&#13;
conducting him to the adjoining apartment, which was only separated from&#13;
the other by a curtain hung before a doorway.</p><p>"I shall do nicely here, your highness," answered the man in spectacles,&#13;
with a second and still lower bow.</p><p>"In that case, sir, please to step in here; I will let you know when it&#13;
is time."</p><p>"I shall wait your highness's order."</p><p>"And pray remember my instructions," added the marquis, as he unfastened&#13;
the loops of the curtain.</p><p>"You may be perfectly tranquil, M. l'Abbe." The heavy drapery, as it&#13;
fell, completely concealed the man in spectacles.</p><p>The princess touched the bell; some moments after, the door opened, and&#13;
the servant announced a very important personage in this work.</p><p>Dr. Baleinier was about fifty years of age, middling size, rather plump,&#13;
with a full shining, ruddy countenance. His gray hair, very smooth and&#13;
rather long, parted by a straight line in the middle, fell flat over&#13;
his temples. He had retained the fashion of wearing short, black silk&#13;
breeches, perhaps because he had a well-formed leg; his garters were&#13;
fastened with small, golden buckles, as were his shoes of polished&#13;
morocco leather; his coat, waistcoat, and cravat were black, which gave&#13;
him rather a clerical appearance; his sleek, white hand was half hidden&#13;
beneath a cambric ruffle, very closely plaited; on the whole, the&#13;
gravity of his costume did not seem to exclude a shade of foppery.</p><p>His face was acute and smiling; his small gray eye announced rare&#13;
penetration and sagacity. A man of the world and a man of pleasure,&#13;
a delicate epicure, witty in conversation, polite to obsequiousness,&#13;
supple, adroit, insinuating, Baleinier was one of the oldest favorites&#13;
of the congregational set of the Princess de Saint-Dizier. Thanks to&#13;
this powerful support, its cause unknown, the doctor, who had been&#13;
long neglected, in spite of real skill and incontestable merit, found&#13;
himself, under the Restoration, suddenly provided with two medical&#13;
sinecures most valuable, and soon after with numerous patients. We must&#13;
add, that, once under the patronage of the princess, the doctor began&#13;
scrupulously to observe his religious duties; he communicated once a&#13;
week, with great publicity, at the high mass in Saint Thomas Aquinas&#13;
Church.</p><p>At the year's end, a certain class of patients, led by the example and&#13;
enthusiasm of Madame de Saint-Dizier's followers, would have no other&#13;
physician than Doctor Baleinier, and his practice was now increased to&#13;
an extraordinary degree. It may be conceived how important it was for&#13;
the order, to have amongst its "plain clothes members" one of the most&#13;
popular practitioners of Paris.</p><p>A doctor has in some sort a priesthood of his own. Admitted at all hours&#13;
to the most secret intimacy of families, he knows, guesses, and is able&#13;
to effect much. Like the priest, in short, he has the ear of the sick&#13;
and the dying. Now, when he who cares for the health of the body, and he&#13;
who takes charge of the health of the soul, understands each other, and&#13;
render mutual aid for the advancement of a common interest, there is&#13;
nothing (with certain exceptions), which they may not extract from the&#13;
weakness and fears of a sick man at the last gasp--not for themselves&#13;
(the laws forbid it)--but for third parties belonging more or less&#13;
to the very convenient class of men of straw. Doctor Baleinier was&#13;
therefore one of the most active and valuable assistant members of the&#13;
Paris Jesuits.</p><p>When he entered the room, he hastened to kiss the princess's hand with&#13;
the most finished gallantry.</p><p>"Always punctual, my dear M. Baleinier."</p><p>"Always eager and happy to attend to your highness's orders." Then&#13;
turning towards the marquis, whose hand he pressed cordially, he added:&#13;
"Here we have you then at last. Do you know, that three months' absence&#13;
appears very long to your friends?"</p><p>"The time is as long to the absent as to those who remain, my dear&#13;
doctor. Well! here is the great day, Mdlle. de Cardoville is coming."</p><p>"I am not quite easy," said the princess; "suppose she had any&#13;
suspicion?"</p><p>"That's impossible," said M. Baleinier; "we are the best friends in the&#13;
world. You know, that Mdlle. Adrienne has always had great confidence in&#13;
me. The day before yesterday, we laughed a good deal, and as I made some&#13;
observations to her, as usual, on her eccentric mode of life, and on the&#13;
singular state of excitement in which I sometimes found her--"</p><p>"M. Baleinier never fails to insist on these circumstances, in&#13;
appearance so insignificant," said Madame de Saint-Dizier to the marquis&#13;
with a meaning look.</p><p>"They are indeed very essential," replied the other.</p><p>"Mdlle. Adrienne answered my observations," resumed the doctor, "by&#13;
laughing at me in the gayest and most witty manner; for I must confess,&#13;
that this young lady has one of the aptest and most accomplished minds I&#13;
know."</p><p>"Doctor, doctor!" said Madame de Saint-Dizier, "no weakness!"</p><p>Instead of answering immediately, M. Baleinier drew his gold snuff-box&#13;
from his waistcoat pocket, opened it, and took slowly a pinch of snuff,&#13;
looking all the time at the princess with so significant an air, that&#13;
she appeared quite reassured. "Weakness, madame?" observed he at last,&#13;
brushing some grains of snuff from his shirt-front with his plump white&#13;
hand; "did I not have the honor of volunteering to extricate you from&#13;
this embarrassment?"</p><p>"And you are the only person in the world that could render us this&#13;
important service," said D'Aigrigny.</p><p>"Your highness sees, therefore," resumed the doctor, "that I am not&#13;
likely to show any weakness. I perfectly understand the responsibility&#13;
of what I undertake; but such immense interests, you told me, were at&#13;
stake--"</p><p>"Yes," said D'Aigrigny, "interests of the first consequence."</p><p>"Therefore I did not hesitate," proceeded M. Baleinier; "and you need&#13;
not be at all uneasy. As a man of taste, accustomed to good society,&#13;
allow me to render homage to the charming qualities of Mdlle. Adrienne;&#13;
when the time for action comes, you will find me quite as willing to do&#13;
my work."</p><p>"Perhaps, that moment may be nearer than we thought," said Madame de&#13;
Saint-Dizier, exchanging a glance with D'Aigrigny.</p><p>"I am, and will be, always ready," said the doctor. "I answer for&#13;
everything that concerns myself. I wish I could be as tranquil on every&#13;
other point."</p><p>"Is not your asylum still as fashionable--as an asylum can well be?"&#13;
asked Madame de Saint-Dizier, with a half smile.</p><p>"On the contrary. I might almost complain of having too many boarders.&#13;
It is not that. But, whilst we are waiting for Mdlle. Adrienne, I will&#13;
mention another subject, which only relates to her indirectly, for&#13;
it concerns the person who, bought Cardoville Manor, one Madame de la&#13;
Sainte-Colombe, who has taken me for a doctor, thanks to Rodin's able&#13;
management."</p><p>"True," said D'Aigrigny; "Rodin wrote to me on the subject--but without&#13;
entering into details."</p><p>"These are the facts," resumed the doctor. "This Madame de la Sainte&#13;
Colombe, who was at first considered easy enough to lead, has shown&#13;
herself very refractory on the head of her conversion. Two spiritual&#13;
directors have already renounced the task of saving her soul. In&#13;
despair, Rodin unslipped little Philippon on her. He is adroit,&#13;
tenacious, and above all patient in the extreme--the very man that was&#13;
wanted. When I got Madame de la Sainte-Colombe for a patient, Philippon&#13;
asked my aid, which he was naturally entitled to. We agreed upon our&#13;
plan. I was not to appear to know him the least in the world; and he&#13;
was to keep me informed of the variations in the moral state of his&#13;
penitent, so that I might be able, by the use of very inoffensive&#13;
medicines--for there was nothing dangerous in the illness--to keep my&#13;
patient in alternate states of improvement or the reverse, according as&#13;
her director had reason to be satisfied or displeased--so that he might&#13;
say to her: 'You see, madame, you are in the good way! Spiritual grace&#13;
acts upon your bodily health, and you are already better. If, on the&#13;
contrary, you fall back into evil courses, you feel immediately some&#13;
physical ail, which is a certain proof of the powerful influence of&#13;
faith, not only on the soul, but on the body also?'"</p><p>"It is doubtless painful," said D'Aigrigny, with perfect coolness, "to&#13;
be obliged to have recourse to such means, to rescue perverse souls&#13;
from perdition--but we must needs proportion our modes of action to the&#13;
intelligence and the character of the individual."</p><p>"By-the-bye, the princess knows," resumed the doctor, "that I have often&#13;
pursued this plan at St. Mary's Convent, to the great advantage of&#13;
the soul's peace and health of some of our patients, being extremely&#13;
innocent. These alternations never exceed the difference between 'pretty&#13;
well,' and 'not quite so well.' Yet small as are the variations, they&#13;
act most efficaciously on certain minds. It was thus with Madame de la&#13;
Sainte-Colombe. She was in such a fair way of recovery, both moral&#13;
and physical, that Rodin thought he might get Philippon to advise&#13;
the country for his penitent, fearing that Paris air might occasion a&#13;
relapse. This advice, added to the desire the woman had to play 'lady of&#13;
the parish,' induced her to buy Cardoville Manor, a good investment in&#13;
any respect. But yesterday, unfortunate Philippon came to tell me, that&#13;
Madame de la Sainte-Colombe was about to have an awful relapse--moral,&#13;
of course--for her physical health is now desperately good. The said&#13;
relapse appears to have been occasioned by an interview she has had with&#13;
one Jacques Dumoulin, whom they tell me you know, my dear abbe; he has&#13;
introduced himself to her, nobody can guess how."</p><p>"This Jacques Dumoulin," said the marquis, with disgust, "is one of&#13;
those men, that we employ while we despise. He is a writer full of gall,&#13;
envy, and hate, qualities that give him a certain unmercifully cutting&#13;
eloquence. We pay him largely to attack our enemies, though it is often&#13;
painful to see principles we respect defended by such a pen. For this&#13;
wretch lives like a vagabond--is constantly in taverns--almost always&#13;
intoxicated--but, I must own, his power of abuse is inexhaustible, and&#13;
he is well versed in the most abstruse theological controversies, so&#13;
that he is sometimes very useful to us."</p><p>"Well! though Madame de la Sainte-Colombe is hard upon sixty, it appears&#13;
that Dumoulin has matrimonial views on her large fortune. You will do&#13;
well to inform Rodin, so that he may be on his guard against the dark&#13;
designs of this rascal. I really beg a thousand pardons for having so&#13;
long occupied you with such a paltry affair--but, talking of St. Mary's&#13;
Convent," added the doctor, addressing the princess, "may I take the&#13;
liberty of asking if your highness has been there lately?"</p><p>The princess exchanged a rapid glance with D'Aigrigny, and answered:&#13;
"Oh, let me see! Yes, I was there about a week ago."</p><p>"You will find great changes then. The wall that was next to my asylum&#13;
has been taken down, for they are going to build anew wing and a chapel,&#13;
the old one being too small. I must say in praise of Mdlle. Adrienne"&#13;
continued the doctor with a singular smile aside, "that she promised me&#13;
a copy of one of Raphael's Madonnas for this chapel."</p><p>"Really? very appropriate!" said the princess. "But here it is almost&#13;
noon, and M. Tripeaud has not come."</p><p>"He is the deputy-guardian of Mdlle. de Cardoville, whose property he&#13;
has managed, as former agent of the count-duke," said the marquis, with&#13;
evident anxiety, "and his presence here is absolutely indispensable. It&#13;
is greatly to be desired that his coming should precede that of Mdlle.&#13;
de Cardoville, who may be here at any moment."</p><p>"It is unlucky that his portrait will not do as well," said the doctor,&#13;
smiling maliciously, and drawing a small pamphlet from his pocket.</p><p>"What is that, doctor?" asked the princess.</p><p>"One of those anonymous sheets, which are published from time to time.&#13;
It is called the 'Scourge,' and Baron Tripeaud's portrait is drawn with&#13;
such faithfulness, that it ceases to be satire. It is really quite life&#13;
like; you have only to listen. The sketch is entitled: 'TYPE OF THE LYNX&#13;
SPECIES.'</p><p>"'The Baron Tripeaud.--This man, who is as basely humble towards his&#13;
social superiors, as he is insolent and coarse to those who depend upon&#13;
him--is the living, frightful incarnation of the worst pardon of&#13;
the moneyed and commercial aristocracy--one of the rich and cynical&#13;
speculators, without heart, faith or conscience, who would speculate for&#13;
a rise or fall on the death of his mother, if the death of his mother&#13;
could influence the price of stocks.</p><p>"'Such persons have all the odious vices of men suddenly elevated, not&#13;
like those whom honest and patient labor has nobly enriched, but like&#13;
those who owe their wealth to some blind caprice of fortune, or some&#13;
lucky cast of the net in the miry waters of stock-jobbing.</p><p>"'Once up in the world, they hate the people--because the people remind&#13;
them of a mushroom origin of which they are ashamed. Without pity for&#13;
the dreadful misery of the masses, they ascribe it wholly to idleness&#13;
or debauchery because this calumny forms an excuse for their barbarous&#13;
selfishness.</p><p>"'And this is not all. On the strength of his well-filled safe, mounted&#13;
on his right of the candidate, Baron Tripeaud insults the poverty and&#13;
political disfranchisement--of the officer, who, after forty years of&#13;
wars and hard service, is just able to live on a scanty pension--Of the&#13;
magistrate, who has consumed his strength in the discharge of stern and&#13;
sad duties, and who is not better remunerated in his litter days--Of the&#13;
learned man who has made his country illustrious by useful labors;&#13;
or the professor who has initiated entire generations in the various&#13;
branches of human knowledge--Of the modest and virtuous country curate,&#13;
the pure representative of the gospel, in its charitable, fraternal, and&#13;
democratic tendencies, etc.</p><p>"'In such a state of things, how should our shoddy baron of in-dust-ry&#13;
not feel the most sovereign contempt for all that stupid mob of honest&#13;
folk, who, having given to their country their youth, their mature age,&#13;
their blood, their intelligence, their learning, see themselves deprived&#13;
of the rights which he enjoys, because he has gained a million by unfair&#13;
and illegal transactions?</p><p>"'It is true, that your optimists say to these pariahs of civilization,&#13;
whose proud and noble poverty cannot be too much revered and honored:&#13;
"Buy an estate and you too may be electors and candidates!"'</p><p>"'But to come to the biography of our worthy baron--Andrew Tripeaud, the&#13;
son of an ostler, at a roadside inn.'"</p><p>At this instant the folding-doors were thrown open, and the valet&#13;
announced: "The Baron Tripeaud!"</p><p>Dr. Baleinier put his pamphlet into his pocket, made the most cordial&#13;
bow to the financier, and even rose to give him his hand. The baron&#13;
entered the room, overwhelming every one with salutations. "I have the&#13;
honor to attend the orders of your highness the princess. She knows that&#13;
she may always count upon me."</p><p>"I do indeed rely upon you, M. Tripeaud, and particularly under present&#13;
circumstances."</p><p>"If the intentions of your highness the princess are still the same with&#13;
regard to Mdlle. de Cardoville--"</p><p>"They are still the same, M. Tripeaud, and we meet to-day on that&#13;
subject."</p><p>"Your highness may be assured of my concurrence, as, indeed, I have&#13;
already promised. I think that the greatest severity must at length be&#13;
employed, and that even if it were necessary."</p><p>"That is also our opinion," said the marquis, hastily making a sign to&#13;
the princess, and glancing at the place where the man in spectacles was&#13;
hidden; "we are all perfectly in harmony. Still, we must not leave any&#13;
point doubtful, for the sake of the young lady herself, whose interests&#13;
alone guides us in this affair. We must draw out her sincerity by every&#13;
possible means."</p><p>"Mademoiselle has just arrived from the summer-house and wishes to see&#13;
your highness," said the valet, again entering, after having knocked at&#13;
the door.</p><p>"Say that I wait for her," answered the princess; "and now I am at home&#13;
to no one--without exception. You understand me; absolutely to no one."</p><p>Thereupon, approaching the curtain behind which the man was concealed,&#13;
Mme. de Saint-Dizier gave him the cue--after which she returned to her&#13;
seat.</p><p>It is singular, but during the short space which preceded Adrienne's&#13;
arrival, the different actors in this scene appeared uneasy and&#13;
embarrassed, as if they had a vague fear of her coming. In about a&#13;
minute, Mdlle. de Cardoville entered the presence of her aunt.</p><p>CHAPTER XXXIX. THE SKIRMISH.</p><p>On entering, Mdlle. de Cardoville threw down upon a chair the gray&#13;
beaver hat she had worn to cross the garden, and displayed her fine&#13;
golden hair, falling on either side of her face in long, light ringlets,&#13;
and twisted in a broad knot behind her head. She presented herself&#13;
without boldness, but with perfect ease: her countenance was gay and&#13;
smiling; her large black eyes appeared even more brilliant than usual.&#13;
When she perceived Abbe d'Aigrigny, she started in surprise, and her&#13;
rosy lips were just touched with a mocking smile.</p><p>After nodding graciously to the doctor, she passed Baron Tripeaud by&#13;
without looking at him, and saluted the princess with stately obeisance,&#13;
in the most fashionable style.</p><p>Though the walk and bearing of Mdlle. de Cardoville were extremely&#13;
elegant, and full of propriety and truly feminine grace, there was about&#13;
her an air of resolution and independence by no means common in women,&#13;
and particularly in girls of her age. Her movements, without being&#13;
abrupt, bore no traces of restraint, stiffness, or formality. They were&#13;
frank and free as her character, full of life, youth, and freshness; and&#13;
one could easily divine that so buoyant, straightforward, and decided a&#13;
nature had never been able to conform itself to the rules of an affected&#13;
rigor.</p><p>Strangely enough, though he was a man of the world, a man of great&#13;
talent, a churchman distinguished for his eloquence, and, above all,&#13;
a person of influence and authority. Marquis d'Aigrigny experienced&#13;
an involuntary, incredible, almost painful uneasiness, in presence of&#13;
Adrienne de Cardoville. He--generally so much the master of himself, so&#13;
accustomed to exercise great power--who (in the name of his Order)&#13;
had often treated with crowned heads on the footing of an equal, felt&#13;
himself abashed and lowered in the presence of this girl, as remarkable&#13;
for her frankness as for her biting irony. Now, as men who are&#13;
accustomed to impose their will upon others generally hate those who,&#13;
far from submitting to their influence, hamper it and make sport of&#13;
them, it was no great degree of affection that the marquis bore towards&#13;
the Princess de Saint-Dizier's niece.</p><p>For a long time past, contrary to his usual habit, he had ceased to try&#13;
upon Adrienne that fascinating address to which he had often owed an&#13;
irresistible charm; towards her he had become dry, curt, serious, taking&#13;
refuge in that icy sphere of haughty dignity and rigid austerity which&#13;
completely hid all those amiable qualities with which he was endowed&#13;
and of which, in general, he made such efficient use. Adrienne was much&#13;
amused at all this, and thereby showed her imprudence--for the most&#13;
vulgar motives often engender the most implacable hatreds.</p><p>From these preliminary observations, the reader will understand the&#13;
divers sentiments and interests which animated the different actors in&#13;
the following scene.</p><p>Madame de Saint-Dizier was seated in a large arm-chair by one side&#13;
of the hearth. Marquis d'Aigrigny was standing before the fire. Dr.&#13;
Baleinier seated near a bureau, was again turning over the leaves&#13;
of Baron Tripeaud's biography, whilst the baron appeared to be very&#13;
attentively examining one of the pictures of sacred subjects suspended&#13;
from the wall.</p><p>"You sent for me, aunt, to talk upon matters of importance?" said&#13;
Adrienne, breaking the silence which had reigned in the reception-room&#13;
since her entrance.</p><p>"Yes, madame," answered the princess, with a cold and severe mien; "upon&#13;
matters of the gravest importance."</p><p>"I am at your service, aunt. Perhaps we had better walk into your&#13;
library?"</p><p>"It is not necessary. We can talk here." Then, addressing the marquis,&#13;
the doctor, and the baron, she said to them, "Pray, be seated,&#13;
gentlemen," and they all took their places round the table.</p><p>"How can the subject of our interview interest these gentlemen, aunt?"&#13;
asked Mdlle. de Cardoville, with surprise.</p><p>"These gentlemen are old family friends; all that concerns you must&#13;
interest them, and their advice ought to be heard and accepted by you&#13;
with respect."</p><p>"I have no doubt, aunt, of the bosom friendship of M. d'Aigrigny for our&#13;
family: I have still less of the profound and disinterested devotion&#13;
of M. Tripeaud; M. Baleinier is one of my old friends; still, before&#13;
accepting these gentlemen as spectators, or, if you will, as confidants&#13;
of our interview, I wish to know what we are going to talk of before&#13;
them."</p><p>"I thought that, among your many singular pretensions, you had at least&#13;
those of frankness and courage."</p><p>"Really, aunt," said Adrienne, smiling with mock humility, "I have no&#13;
more pretensions to frankness and courage than you have to sincerity and&#13;
goodness. Let us admit, once for all, that we are what we are--without&#13;
pretension."</p><p>"Be it so," said Madame de Saint-Dizier, in a dry tone; "I have long&#13;
been accustomed to the freaks of your independent spirit. I suppose,&#13;
then, that, courageous and frank as you say you are, you will not be&#13;
afraid to speak before such grave and respectable persons as these&#13;
gentlemen what you would speak to me alone?"</p><p>"Is it a formal examination that I am to submit to? if so, upon what&#13;
subject?"</p><p>"It is not an examination: but, as I have a right to watch over you, and&#13;
as you take advantage of my weak compliance with your caprices, I mean&#13;
to put an end to what has lasted too long, and tell you my irrevocable&#13;
resolutions for the future, in presence of friends of the family. And,&#13;
first, you have hitherto had a very false and imperfect notion of my&#13;
power over you."</p><p>"I assure you, aunt, that I have never had any notion, true or false, on&#13;
the subject--for I have never even dreamt about it."</p><p>"That is my own fault; for, instead of yielding to your fancies, I&#13;
should have made you sooner feel my authority; but the moment has come&#13;
to submit yourself; the severe censures of my friends have enlightened&#13;
me in time. Your character is self-willed, independent, stubborn; it&#13;
must change--either by fair means or by force, understand me, it shall&#13;
change."</p><p>At these words, pronounced harshly before strangers, with a severity&#13;
which did not seem at all justified by circumstances, Adrienne tossed&#13;
her head proudly; but, restraining herself, she answered with a smile:&#13;
"You say, aunt, that I shall change. I should not be astonished at it.&#13;
We hear of such odd conversions."</p><p>The princess bit her lips.</p><p>"A sincere conversion can never be called odd, as you term it, madame,"&#13;
said Abbe d'Aigrigny, coldly. "It is, on the contrary, meritorious, and&#13;
forms an excellent example."</p><p>"Excellent?" answered Adrienne: "that depends! For instance, what if one&#13;
converts defects into vices?"</p><p>"What do you mean, madame?" cried the princess.</p><p>"I am speaking of myself, aunt; you reproach me of being independent and&#13;
resolute--suppose I were to become hypocritical and wicked? In truth,&#13;
I prefer keeping my dear little faults, which I love like spoiled&#13;
children. I know what I am; I do not know what I might be."</p><p>"But you must acknowledge, Mdlle. Adrienne," said Baron Tripeaud, with a&#13;
self-conceited and sententious air, "that a conversion--"</p><p>"I believe," said Adrienne, disdainfully, "that M. Tripeaud is well&#13;
versed in the conversion of all sorts of property into all sorts of&#13;
profit, by all sorts of means--but he knows nothing of this matter."</p><p>"But, madame," resumed the financier, gathering courage from a glance&#13;
of the princess, "you forget that I have the honor to be your deputy&#13;
guardian, and that--"</p><p>"It is true that M. Tripeaud has that honor," said Adrienne, with still&#13;
more haughtiness, and not even looking at the baron; "I could never tell&#13;
exactly why. But as it is not now the time to guess enigmas, I wish to&#13;
know, aunt, the object and the end of this meeting?"</p><p>"You shall be satisfied, madame. I will explain myself in a very clear&#13;
and precise manner. You shall know the plan of conduct that you will&#13;
have henceforth to pursue; and if you refuse to submit thereto, with the&#13;
obedience and respect that is due to my orders, I shall at once see what&#13;
course to take."</p><p>It is impossible to give an idea of the imperious tone and stern look&#13;
of the princess, as she pronounced these words which were calculated to&#13;
startle a girl, until now accustomed to live in a great measure as she&#13;
pleased: yet, contrary perhaps to the expectation of Madame de Saint&#13;
Dizier, instead of answering impetuously, Adrienne looked her full in&#13;
the face, and said, laughing: "This is a perfect declaration of war.&#13;
It's becoming very amusing."</p><p>"We are not talking of declarations of war," said the Abbe d'Aigrigny,&#13;
harshly, as if offended by the expressions of Mdlle. de Cardoville.</p><p>"Now, M. l'Abbe!" returned Adrienne, "for an old colonel, you are really&#13;
too severe upon a jest!--you are so much indebted to 'war,' which gave&#13;
you a French regiment after fighting so long against France--in order to&#13;
learn, of course, the strength and the weakness of her enemies."</p><p>On these words, which recalled painful remembrances, the marquis&#13;
colored; he was going to answer, but the princess exclaimed: "Really,&#13;
madame, your behavior is quite intolerable!"</p><p>"Well, aunt, I acknowledge I was wrong. I ought not to have said this&#13;
is very amusing--for it is not so, at all; but it is at least very&#13;
curious--and perhaps," added the young girl, after a moment's silence,&#13;
"perhaps very audacious and audacity pleases me. As we are upon this&#13;
subject, and you talk of a plan of conduct to which I must conform&#13;
myself, under pain of (interrupting herself)--under pain of what, I&#13;
should like to know, aunt?"</p><p>"You shall know. Proceed."</p><p>"I will, in the presence of these gentlemen, also declare, in a very&#13;
plain and precise manner, the determination that I have come to. As it&#13;
required some time to prepare for its execution, I have not spoken of it&#13;
sooner, for you know I am not in the habit of saying, 'I will do so and&#13;
so!' but I do it."</p><p>"Certainly; and it is just this habit of culpable independence of which&#13;
you must break yourself."</p><p>"Well, I had intended only to inform you of my determination at a later&#13;
period; but I cannot resist the pleasure of doing so to-day, you seem so&#13;
well disposed to hear and receive it. Still, I would beg of you to speak&#13;
first: it may just so happen, that our views are precisely the same."</p><p>"I like better to see you thus," said the princess. "I acknowledge at&#13;
least the courage of your pride, and your defiance of all authority. You&#13;
speak of audacity--yours is indeed great."</p><p>"I am at least decided to do that which others in their weakness dare&#13;
not--but which I dare. This, I hope, is clear and precise."</p><p>"Very clear, very precise," said the princess, exchanging a glance of&#13;
satisfaction with the other actors in this scene. "The positions being&#13;
thus established, matters will be much simplified. I have only to&#13;
give you notice, in your own interest, that this is a very serious&#13;
affair--much more so than you imagine--and that the only way to dispose&#13;
me to indulgence, is to substitute, for the habitual arrogance and irony&#13;
of your language, the modesty and respect becoming a young lady."</p><p>Adrienne smiled, but made no reply. Some moments of silence, and some&#13;
rapid glances exchanged between the princess and her three friends,&#13;
showed that these encounters, more or less brilliant in themselves, were&#13;
to be followed by a serious combat.</p><p>Mdlle. de Cardoville had too much penetration and sagacity, not&#13;
to remark, that the Princess de Saint-Dizier attached the greatest&#13;
importance to this decisive interview. But she could not understand how&#13;
her aunt could hope to impose her absolute will upon her: the threat of&#13;
coercive measures appearing with reason a mere ridiculous menace. Yet,&#13;
knowing the vindictive character of her aunt, the secret power at&#13;
her disposal, and the terrible vengeance she had sometimes&#13;
exacted--reflecting, moreover, that men in the position of the marquis&#13;
and the doctor would not have come to attend this interview without some&#13;
weighty motive--the young lady paused for a moment before she plunged&#13;
into the strife.</p><p>But soon, the very presentiment of some vague danger, far from weakening&#13;
her, gave her new courage to brave the worst, to exaggerate, if that&#13;
were possible, the independence of her ideas, and uphold, come what&#13;
might, the determination that she was about to signify to the Princess&#13;
de Saint Dizier.</p><p>CHAPTER XL. THE REVOLT</p><p>"Madame," said the princess to Adrienne de Cardoville, in a cold,&#13;
severe tone, "I owe it to myself, as well as to these gentlemen, to&#13;
recapitulate, in a few words, the events that have taken place for some&#13;
time past. Six months ago, at the end of the mourning for your father,&#13;
you, being eighteen years old, asked for the management of your fortune,&#13;
and for emancipation from control. Unfortunately, I had the weakness&#13;
to consent. You quitted the house, and established yourself in&#13;
the extension, far from all superintendence. Then began a train of&#13;
expenditures, each one more extravagant than the last. Instead of being&#13;
satisfied with one or two waiting-women, taken from that class&#13;
from which they are generally selected, you chose governesses for&#13;
lady-companions, whom you dressed in the most ridiculous and costly&#13;
fashion. It is true, that, in the solitude of your pavilion, you&#13;
yourself chose to wear, one after another, costumes of different ages.&#13;
Your foolish fancies and unreasonable whims have been without end and&#13;
without limit: not only have you never fulfilled your religious duties,&#13;
but you have actually had the audacity to profane one of your rooms,&#13;
by rearing in the centre of it a species of pagan altar, on which is a&#13;
group in marble representing a youth and a girl"--the princess uttered&#13;
these words as if they would burn her lips--"a work of art, if you will,&#13;
but a work in the highest degree unsuitable to a person of your age. You&#13;
pass whole days entirely secluded in your pavilion, refusing to see any&#13;
one; and Dr. Baleinier, the only one of my friends in whom you seem to&#13;
have retained some confidence, having succeeded by much persuasion in&#13;
gaining admittance, has frequently found you in so very excited a state,&#13;
that he has felt seriously uneasy with regard to your health. You have&#13;
always insisted on going out alone, without rendering any account of&#13;
your actions to any one. You have taken delight in opposing, in every&#13;
possible way, your will to my authority. Is all this true?"</p><p>"The picture of my past is not much flattered," said Adrienne; smiling,&#13;
"but it is not altogether unlike."</p><p>"So you admit, madame," said Abbe d'Aigrigny, laying stress on his&#13;
words, "that all the facts stated by your aunt are scrupulously true?"</p><p>Every eye was turned towards Adrienne, as if her answer would be of&#13;
extreme importance.</p><p>"Yes, M. l'Abbe," said she; "I live openly enough to render this&#13;
question superfluous."</p><p>"These facts are therefore admitted," said Abbe d'Aigrigny, turning&#13;
towards the doctor and the baron.</p><p>"These facts are completely established," said M. Tripeaud, in a pompous&#13;
voice.</p><p>"Will you tell me, aunt," asked Adrienne, "what is the good of this long&#13;
preamble?"</p><p>"This long preamble, madame," resumed the princess with dignity,&#13;
"exposes the past in order to justify the future."</p><p>"Really, aunt, such mysterious proceedings are a little in the style&#13;
of the answers of the Cumaean Sybil. They must be intended to cover&#13;
something formidable."</p><p>"Perhaps, mademoiselle--for to certain characters nothing is so&#13;
formidable as duty and obedience. Your character is one of those&#13;
inclined to revolt--"</p><p>"I freely acknowledge it, aunt--and it will always be so, until duty and&#13;
obedience come to me in a shape that I can respect and love."</p><p>"Whether you respect and love my orders or not, madame," said the&#13;
princess, in a curt, harsh voice, "you will, from to-day, from this&#13;
moment, learn to submit blindly and absolutely to my will. In one word,&#13;
you will do nothing without my permission: it is necessary, I insist&#13;
upon it, and so I am determined it shall be."</p><p>Adrienne looked at her aunt for a second, and then burst into so free&#13;
and sonorous a laugh, that it rang for quite a time through the vast&#13;
apartment. D'Aigrigny and Baron Tripeaud started in indignation. The&#13;
princess looked angrily at her niece. The doctor raised his eyes to&#13;
heaven, and clasped his hands over his waistcoat with a sanctimonious&#13;
sigh.</p><p>"Madame," said Abbe d'Aigrigny, "such fits of laughter are highly&#13;
unbecoming. Your aunt's words are serious, and deserve a different&#13;
reception."</p><p>"Oh, sir!" said Adrienne, recovering herself, "it is not my fault if&#13;
I laugh. How can I maintain my gravity, when I hear my aunt talking&#13;
of blind submission to her orders? Is the swallow, accustomed to&#13;
fly upwards and enjoy the sunshine, fledged to live with the mole in&#13;
darkness?"</p><p>At this answer, D'Aigrigny affected to stare at the other members of&#13;
this kind of family council with blank astonishment.</p><p>"A swallow? what does she mean?" asked the abbe of the baron making a&#13;
sign, which the latter understood.</p><p>"I do not know," answered Tripeaud, staring in his turn at the doctor.&#13;
"She spoke too of a mole. It 'is quite unheard-of--incomprehensible."</p><p>"And so, madame," said the princess, appearing to share in the surprise&#13;
of the others, "this is the reply that you make to me?"</p><p>"Certainly," answered Adrienne, astonished herself that they should&#13;
pretend not to understand the simile of which she had made use,&#13;
accustomed as she was to speak in figurative language.</p><p>"Come, come, madame," said Dr. Baleinier, smiling good-humoredly, "we&#13;
must be indulgent. My dear Mdlle. Adrienne has naturally so uncommon and&#13;
excitable a nature! She is really the most charming mad woman I know; I&#13;
have told her so a hundred times, in my position of an old friend, which&#13;
allows such freedom."</p><p>"I can conceive that your attachment makes you indulgent--but it is&#13;
not the less true, doctor," said D'Aigrigny, as if reproaching him for&#13;
taking the part of Mdlle. de Cardoville, "that such answers to serious&#13;
questions are most extravagant."</p><p>"The evil is, that mademoiselle does not seem to comprehend the serious&#13;
nature of this conference," said the princess, harshly. "She will&#13;
perhaps understand it better when I have given her my orders."</p><p>"Let us hear these orders, aunt," replied Adrienne as, seated on the&#13;
other side of the table, opposite to the princess, she leaned her small,&#13;
dimpled chin in the hollow of her pretty hand, with an air of graceful&#13;
mockery, charming to behold.</p><p>"From to-morrow forward," resumed the princess, "you will quit the&#13;
summer-house which you at present inhabit, you will discharge your&#13;
women, and come and occupy two rooms in this house, to which there will&#13;
be no access except through my apartment. You will never go out alone.&#13;
You will accompany me to the services of the church. Your emancipation&#13;
terminates, in consequence of your prodigality duly proven. I will take&#13;
charge of all your expenses, even to the ordering of your clothes,&#13;
so that you may be properly and modestly dressed. Until your majority&#13;
(which will be indefinitely postponed, by means of the intervention of a&#13;
family-council), you will have no money at your own disposal. Such is my&#13;
resolution."</p><p>"And certainly your resolution can only be applauded, madame," said&#13;
Baron Tripeaud; "we can but encourage you to show the greatest firmness,&#13;
for such disorders must have an end."</p><p>"It is more than time to put a stop to such scandal," added the abbe.</p><p>"Eccentricity and exaltation of temperament--may excuse many things,"&#13;
ventured to observe the smooth-tongued doctor.</p><p>"No doubt," replied the princess dryly to Baleinier, who played his part&#13;
to perfection; "but then, doctor, the requisite measures must be taken&#13;
with such characters."</p><p>Madame de Saint-Dizier had expressed herself in a firm and precise&#13;
manner; she appeared convinced of the possibility of putting her threats&#13;
into execution. M. Tripeaud and D'Aigrigny had just now given their full&#13;
consent to the words of the princess. Adrienne began to perceive that&#13;
something very serious was in contemplation, and her gayety was at once&#13;
replaced by an air of bitter irony and offended independence.</p><p>She rose abruptly, and colored a little; her rosy nostrils dilated, her&#13;
eyes flashed fire, and, as she raised her head, she gently shook the&#13;
fine, wavy golden hair, with a movement of pride that was natural to&#13;
her. After a moment's silence, she said to her aunt in a cutting tone:&#13;
"You have spoken of the past, madame; I also will speak a few words&#13;
concerning it, since you force me to do so, though I may regret the&#13;
necessity. I quitted your dwelling, because it was impossible for me to&#13;
live longer in this atmosphere of dark hypocrisy and black treachery."</p><p>"Madame," said D'Aigrigny, "such words are as violent as they are&#13;
unreasonable."</p><p>"Since you interrupt me, sir," said Adrienne, hastily, as she fixed her&#13;
eyes on the abbe, "tell me what examples did I meet with in my aunt's&#13;
house?"</p><p>"Excellent, examples, madame."</p><p>"Excellent, sir? Was it because I saw there, every day, her conversion&#13;
keep pace with your own?"</p><p>"Madame, you forget yourself!" cried the princess, becoming pale with&#13;
rage.</p><p>"Madame, I do not forget--I remember, like other people; that is all. I&#13;
had no relation of whom I could ask an asylum. I wished to live alone.&#13;
I wished to enjoy my revenues--because I chose rather to spend them&#13;
myself, than to see them wasted by M. Tripeaud."</p><p>"Madame," cried the baron, "I cannot imagine how you can presume--"</p><p>"Sir!" said Adrienne, reducing him to silence by a gesture of&#13;
overwhelming lordliness, "I speak of you--not to you. I wished to spend&#13;
my income," she continued, "according to my own tastes. I embellished&#13;
the retreat that I had chosen. Instead of ugly, ill-taught servants, I&#13;
selected girls, pretty and well brought up, though poor. Their education&#13;
forbade their being subjected to any humiliating servitude, though I&#13;
have endeavored to make their situation easy and agreeable. They do&#13;
not serve me, but render me service--I pay them, but I am obliged to&#13;
them--nice distinctions that your highness will not understand, I know.&#13;
Instead of seeing them badly or ungracefully dressed, I have given them&#13;
clothes that suit their charming faces well, because I like whatever is&#13;
young and fair. Whether I dress myself one way or the other, concerns&#13;
only my looking-glass. I go out alone, because I like to follow my&#13;
fancy. I do not go to mass--but, if I had still a mother, I would&#13;
explain to her my devotions, and she would kiss me none the less&#13;
tenderly. It is true, that I have raised a pagan altar to youth and&#13;
beauty, because I adore God in all that He has made fair and good, noble&#13;
and grand--because, morn and evening, my heart repeats the fervent and&#13;
sincere prayer: 'Thanks, my Creator! thanks!'--Your highness says that&#13;
M. Baleinier has often found me in my solitude, a prey to a strange&#13;
excitement: yes, it is true; for it is then that, escaping in thought&#13;
from all that renders the present odious and painful to me, I find&#13;
refuge in the future--it is then that magical horizons spread far before&#13;
me--it is then that such splendid visions appear to me, as make me&#13;
feel myself rapt in a sublime and heavenly ecstasy, as if I no longer&#13;
appertained to earth!"</p><p>As Adrienne pronounced these last words with enthusiasm, her countenance&#13;
appeared transfigured, so resplendent did it become. In that moment, she&#13;
had lost sight of all that surrounded her.</p><p>"It is then," she resumed, with spirit soaring higher and higher, "that&#13;
I breathe a pure air, reviving and free--yes, free--above all, free--and&#13;
so salubrious, so grateful to the soul!--Yes, instead of seeing my&#13;
sisters painfully submit to a selfish, humiliating, brutal dominion,&#13;
which entails upon them the seductive vices of slavery, the graceful&#13;
fraud, the enchanting perfidy, the caressing falsehood, the contemptuous&#13;
resignation, the hateful obedience--I behold them, my noble sisters!&#13;
worthy and sincere because they are free, faithful and devoted because&#13;
they have liberty to choose--neither imperious not base, because they&#13;
have no master to govern or to flatter--cherished and respected, because&#13;
they can withdraw from a disloyal hand their hand, loyally bestowed.&#13;
Oh, my sisters! my sisters! I feel it. These are not merely consoling&#13;
visions--they are sacred hopes."</p><p>Carried away, in spite of herself, by the excitement of her feelings,&#13;
Adrienne paused for a moment, in order to return to earth; she did not&#13;
perceive that the other actors in this scene were looking at each other&#13;
with an air of delight.</p><p>"What she says there is excellent," murmured the doctor in the&#13;
princess's ear, next to whom he was seated; "were she in league with us,&#13;
she would not speak differently."</p><p>"It is only by excessive harshness," added D'Aigrigny, "that we shall&#13;
bring her to the desired point."</p><p>But it seemed as if the vexed emotion of Adrienne had been dissipated by&#13;
the contact of the generous sentiments she had just uttered. Addressing&#13;
Baleinier with a smile, she said: "I must own, doctor, that there&#13;
is nothing more ridiculous, than to yield to the current of certain&#13;
thoughts, in the presence of persons incapable of understanding them.&#13;
This would give you a fine opportunity to make game of that exaltation&#13;
of mind for which you sometimes reproach me. To let myself be carried&#13;
away by transports at so serious a moment!--for, verily, the matter in&#13;
hand seems to be serious. But you see, good M. Baleinier, when an idea&#13;
comes into my head, I can no more help following it out, than I could&#13;
refrain from running after butterflies when I was a little girl."</p><p>"And heaven only knows whither these brilliant butterflies of all&#13;
colors," said M. Baleinier, smiling with an air of paternal indulgence,&#13;
"that are passing through your brain, are likely to lead you. Oh,&#13;
madcap, when will she be as reasonable as she is charming?"</p><p>"This very instant, my good doctor," replied Adrienne. "I am about&#13;
to cast off my reveries for realities, and speak plain and positive&#13;
language, as you shall hear."</p><p>Upon which, addressing her aunt, she continued: "You have imparted to&#13;
me your resolution, madame; I will now tell you mine. Within a week,&#13;
I shall quit the pavilion that I inhabit, for a house which I have&#13;
arranged to my taste, where I shall live after my own fashion. I have&#13;
neither father nor mother, and I owe no account of my actions to any but&#13;
myself."</p><p>"Upon my word, mademoiselle," said the princess, shrugging her&#13;
shoulders, "you talk nonsense. You forget that society has inalienable&#13;
moral rights, which we are bound to enforce. And we shall not neglect&#13;
them, depend upon it."</p><p>"So madame, it is you, and M. d'Aigrigny, and M. Tripeaud, that&#13;
represent the morality of society! This appears to me very fine. Is it&#13;
because M. Tripeaud has considered (I must acknowledge it) my fortune as&#13;
his own? Is it because--"</p><p>"Now, really, madame," began Tripeaud.</p><p>"In good time, madame," said Adrienne to her aunt, without noticing the&#13;
baron, "as the occasion offers, I shall have to ask you for explanations&#13;
with regard to certain interests, which have hitherto, I think, been&#13;
concealed from me."</p><p>These words of Adrienne made D'Aigrigny and the princess start, and then&#13;
rapidly exchange a glance of uneasiness and anxiety. Adrienne did&#13;
not seem to perceive it, but thus continued: "To have done with your&#13;
demands, madame, here is my final resolve. I shall live where and how I&#13;
please. I think that, if I were a man, no one would impose on me, at my&#13;
age, the harsh and humiliating guardianship you have in view, for living&#13;
as I have lived till now--honestly, freely, and generously, in the sight&#13;
of all."</p><p>"This idea is absurd! is madness!" cried the princess. "To wish to&#13;
live thus alone, is to carry immorality and immodesty to their utmost&#13;
limits."</p><p>"If so, madame," said Adrienne, "what opinion must you entertain of so&#13;
many poor girls, orphans like myself, who live alone and free, as I&#13;
wish to live? They have not received, as I have, a refined education,&#13;
calculated to raise the soul, and purify the heart. They have not&#13;
wealth, as I have, to protect them from the evil temptations of misery;&#13;
and yet they live honestly and proudly in their distress."</p><p>"Vice and virtue do not exist for such tag-rag vermin!" cried Baron&#13;
Tripeaud, with an expression of anger and hideous disdain.</p><p>"Madame, you would turn away a lackey, that would venture to speak thus&#13;
before you," said Adrienne to her aunt, unable to conceal her disgust,&#13;
"and yet you oblige me to listen to such speeches!"</p><p>The Marquis d'Aigrigny touched M. Tripeaud with his knee under the&#13;
table, to remind him that he must not express himself in the princess's&#13;
parlors in the same manner as he would in the lobbies of the Exchange.&#13;
To repair the baron's coarseness, the abbe thus continued: "There is no&#13;
comparison, mademoiselle, between people of the class you name, and a&#13;
young lady of your rank."</p><p>"For a Catholic priest, M. l'Abbe, that distinction is not very&#13;
Christian," replied Adrienne.</p><p>"I know the purport of my words, madame," answered the abbe, dryly;&#13;
"besides the independent life that you wish to lead, in opposition to&#13;
all reason, may tend to very serious consequences for you. Your family&#13;
may one day wish to see you married--"</p><p>"I will spare my family that trouble, sir, if I marry at all, I will&#13;
choose for myself, which also appears to me reasonable enough. But, in&#13;
truth, I am very little tempted by that heavy chain, which selfishness&#13;
and brutality rivet for ever about our necks."</p><p>"It is indecent, madame," said the princess, "to speak so lightly of&#13;
such an institution."</p><p>"Before you, especially, madame, I beg pardon for having shocked your&#13;
highness! You fear that my independent planner of living will frighten&#13;
away all wooers; but that is another reason for persisting in my&#13;
independence, for I detest wooers. I only hope that they may have the&#13;
very worst opinion of me, and there is no better means of effecting that&#13;
object, than to appear to live as they live themselves. I rely upon my&#13;
whims, my follies, my sweet faults, to preserve me from the annoyance of&#13;
any matrimonial hunting."</p><p>"You will be quite satisfied on that head," resumed Madame de Saint&#13;
Dizier, "if unfortunately the report should gain credit, that you have&#13;
carried the forgetfulness of all duty and decency, to such a height, as&#13;
to return home at eight o'clock in the morning. So I am told is the case&#13;
but I cannot bring myself to believe such an enormity."</p><p>"You are wrong, madame, for it is quite true."</p><p>"So you confess it?" cried the princess.</p><p>"I confess all that I do, madame. I came home this morning at eight&#13;
o'clock."</p><p>"You hear Gentlemen?" ejaculated the princess.</p><p>"Oh!" said M. d'Aigrigny, in a bass voice.</p><p>"Ah!" said the baron, in a treble key.</p><p>"Oh!" muttered the doctor, with a deep sigh.</p><p>On hearing these lamentable exclamations, Adrienne seemed about to&#13;
speak, perhaps to justify herself; but her lip speedily assumed a&#13;
curl of contempt, which showed that she disdained to stoop to any&#13;
explanation.</p><p>"So it is true," said the princess. "Oh, wretched girl, you had&#13;
accustomed me to be astonished at nothing; but, nevertheless, I doubted&#13;
the possibility of such conduct. It required your impudent and audacious&#13;
reply to convince the of the fact."</p><p>"Madame, lying has always appeared to be more impudent than to speak the&#13;
truth."</p><p>"And where had you been, madame? and for what?"</p><p>"Madame," said Adrienne, interrupting her aunt, "I never speak&#13;
false--but neither do I speak more than I choose; and then again, it&#13;
were cowardice to defend myself from a revolting accusation. Let us say&#13;
no more about it: your importunities on this head will be altogether&#13;
vain. To resume: you wish to impose upon me a harsh and humiliating&#13;
restraint; I wish to quit the house I inhabit, to go and live where I&#13;
please, at my own fancy. Which of us two will yield, remains to be seen.&#13;
Now for another matter: this mansion belongs to me! As I am about to&#13;
leave it, I am indifferent whether you continue to live here or not;&#13;
but the ground floor is uninhabited. It contains, besides the&#13;
reception-rooms, two complete sets of apartments; I have let them for&#13;
some time."</p><p>"Indeed!" said the princess, looking at D'Aigrigny with intense&#13;
surprise. "And to whom," she added ironically, "have you disposed of&#13;
them?"</p><p>"To three members of my family."</p><p>"What does all this mean?" said Mme. de Saint-Dizier, more and more&#13;
astonished.</p><p>"It means, madame, that I wish to offer a generous hospitality to a&#13;
young Indian prince, my kinsman on my mother's side. He will arrive in&#13;
two or three days, and I wish to have the rooms ready to receive him."</p><p>"You hear, gentlemen?" said D'Aigrigny to the doctor and Tripeaud, with&#13;
an affectation of profound stupor.</p><p>"It surpasses all one could imagine!" exclaimed the baron.</p><p>"Alas!" observed the doctor, benignantly, "the impulse is generous in&#13;
itself--but the mad little head crops out?"</p><p>"Excellent!" said the princes. "I cannot prevent you madame, from&#13;
announcing the most extravagant designs but it is presumable that you&#13;
will not stop short in so fair a path. Is that all?"</p><p>"Not quite, your highness. I learned this morning, that two of my female&#13;
relations, also on my mother's side--poor children of fifteen--orphan&#13;
daughters of Marshal Simon arrived yesterday from a long journey, and&#13;
are now with the wife of the brave soldier who brought them to France&#13;
from the depths of Siberia."</p><p>At these words from Adrienne, D'Aigrigny and the princess could not help&#13;
starting suddenly, and staring at each other with affright, so far were&#13;
they from expecting that Mdlle. de Cardoville was informed of the coming&#13;
of Marshal Simon's daughters. This discovery was like a thunder-clap to&#13;
them.</p><p>"You are no doubt astonished at seeing me so well informed," said&#13;
Adrienne; "fortunately, before I have done, I hope to astonish you still&#13;
more. But to return to these daughters of Marshal Simon: your highness&#13;
will understand, that it is impossible for me to leave them in charge of&#13;
the good people who have afforded them a temporary asylum. Though this&#13;
family is honest, and hard-working, it is not the place for them. I&#13;
shall go and fetch them hither, and lodge them in apartments on the&#13;
ground-floor, along with the soldier's wife, who will do very well to&#13;
take care of them."</p><p>Upon these words, D'Aigrigny and the baron looked at each other, and the&#13;
baron exclaimed: "Decidedly, she's out of her head."</p><p>Without a word to Tripeaud, Adrienne continued: "Marshal Simon cannot&#13;
fail to arrive at Paris shortly. Your highness perceives how pleasant it&#13;
will he, to be able to present his daughters to him, and prove that they&#13;
have been treated as they deserve. To-morrow morning I shall send for&#13;
milliners and mantua makers, so that they may want for nothing. I desire&#13;
their surprised father, on his return, to find them every way beautiful.&#13;
They are pretty, I am told, as angels--but I will endeavor to make&#13;
little Cupids of them."</p><p>"At last, madame, you must have finished?" said the princess, in a&#13;
sardonic and deeply irritated tone, whilst D'Aigrigny, calm and cold in&#13;
appearance, could hardly dissemble his mental anguish.</p><p>"Try again!" continued the princess, addressing Adrienne. "Are there no&#13;
more relations that you wish to add to this interesting family-group?&#13;
Really a queen could not act with more magnificence."</p><p>"Right! I wish to give my family a royal reception--such as is due to&#13;
the son of a king, and the daughters of the Duke de Ligny. It is well to&#13;
unite other luxuries of life with the luxury of the hospitable heart."</p><p>"The maxim is assuredly generous," said the princess, becoming more and&#13;
more agitated; "it is only a pity that you do not possess the mines of&#13;
El Dorado to make it practicable."</p><p>"It was on the subject of a mine, said to be a rich one, that I also&#13;
wished to speak to your highness. Could I find a better opportunity?&#13;
Though my fortune is already considerable, it is nothing to what may&#13;
come to our family at any moment. You will perhaps excuse, therefore,&#13;
what you are pleased to call my royal prodigalities."</p><p>D'Aigrigny's dilemma became momentarily more and more thorny. The affair&#13;
of the medals was so important, that he had concealed it even from&#13;
Dr. Baleinier, though he had called in his services to forward immense&#13;
interests. Neither had Tripeaud been informed of it, for the princess&#13;
believed that she had destroyed every vestige of those papers of&#13;
Adrienne's father, which might have put him on the scent of this&#13;
discovery. The abbe, therefore was not only greatly alarmed that Mdlle.&#13;
de Cardoville might be informed of this secret, but he trembled lest she&#13;
should divulge it.</p><p>The princess, sharing the alarms of D'Aigrigny, interrupted her niece by&#13;
exclaiming: "Madame, there are certain family affairs which ought to be&#13;
kept secret, and, without exactly understanding to what you allude, I&#13;
must request you to change the subject."</p><p>"What, madame! are we not here a family party? Is that not sufficiently&#13;
evident by the somewhat ungracious things that have been here said?"</p><p>"No matter, madame! when affairs of interest are concerned, which&#13;
are more or less disputable, it is perfectly useless to speak of them&#13;
without the documents laid before every one."</p><p>"And of what have we been speaking this hour, madame, if not of&#13;
affairs of interest? I really do not understand your surprise and&#13;
embarrassment."</p><p>"I am neither surprised nor embarrassed, madame; but for the last two&#13;
hours, you have obliged me to listen to so many new and extravagant&#13;
things, that a little amaze is very permissible."</p><p>"I beg your highness's pardon, but you are very much embarrassed," said&#13;
Adrienne, looking fixedly at her aunt, "and M. d'Aigrigny also--which&#13;
confirms certain suspicions that I have not had the time to clear up.&#13;
Have I then guessed rightly?" she added, after a pause. "We will see--"</p><p>"Madame, I command you to be silent," cried the princess, no longer&#13;
mistress of herself.</p><p>"Oh, madame!" said Adrienne, "for a person who has in general so much&#13;
command of her feelings, you compromise yourself strangely."</p><p>Providence (as some will have it) came to the aid of the princess and&#13;
the Abbe d'Aigrigny at this critical juncture. A valet entered the&#13;
room; his countenance bore such marks of fright and agitation, that the&#13;
princess exclaimed as soon as she saw him: "Why, Dubois! what is the&#13;
matter?"</p><p>"I have to beg pardon, your highness, for interrupting you against&#13;
your express orders, but a police inspector demands to speak with you&#13;
instantly. He is below stairs, and the yard is full of policemen and&#13;
soldiers."</p><p>Notwithstanding the profound surprise which this new incident occasioned&#13;
her, the princess, determining to profit by the opportunity thus&#13;
afforded, to concert prompt measures with D'Aigrigny on the subject of&#13;
Adrienne's threatened revelations, rose, and said to the abbe: "Will you&#13;
be so obliging as to accompany me, M. d'Aigrigny, for I do not know what&#13;
the presence of this commissary of police may signify."</p><p>D'Aigrigny followed the speaker into the next room.</p><p>CHAPTER XLI. TREACHERY.</p><p>The Princess de Saint-Dizier, accompanied by D'Aigrigny, and followed&#13;
by the servants, stopped short in the next room to that in which had&#13;
remained Adrienne, Tripeaud and the doctor.</p><p>"Where is the commissary?" asked the princess of the servant, who had&#13;
just before announced to her the arrival of that magistrate.</p><p>"In the blue saloon, madame."</p><p>"My compliments, and beg him to wait for me a few moments."</p><p>The man bowed and withdrew. As soon as he was gone Madame de Saint&#13;
Dizier approached hastily M. d'Aigrigny, whose countenance, usually firm&#13;
and haughty, was now pale and agitated.</p><p>"You see," cried the princess in a hurried voice, "Adrienne knows all.&#13;
What shall we do?--what?"</p><p>"I cannot tell," said the abbe, with a fixed and absent look. "This&#13;
disclosure is a terrible blow to us."</p><p>"Is all, then, lost?"</p><p>"There is only one means of safety," said M. d'Aigrigny;--"the doctor."</p><p>"But how?" cried the princess. "So, sudden? this very day?"</p><p>"Two hours hence, it will be too late; ere then, this infernal girl will&#13;
have seen Marshal Simon's daughters."</p><p>"But--Frederick!--it is impossible! M. Baleinier will never consent. I&#13;
ought to have been prepared before hand as we intended, after to-day's&#13;
examination."</p><p>"No matter," replied the abbe, quickly; "the doctor must try at any&#13;
hazard."</p><p>"But under what pretext?"</p><p>"I will try and find one."</p><p>"Suppose you were to find a pretext, Frederick, and we could act&#13;
immediately--nothing would be ready down there."</p><p>"Be satisfied: they are always ready there, by habitual foresight."</p><p>"How instruct the doctor on the instant?" resumed the princess.</p><p>"To send for him would be to rouse the suspicions of your niece," said&#13;
M. d'Aigrigny, thoughtfully; "and we must avoid that before everything."</p><p>"Of course," answered the princess; "her confidence in the doctor is one&#13;
of our greatest resources."</p><p>"There is a way," said the abbe quickly; "I will write a few words in&#13;
haste to Baleinier: one of your people can take the note to him, as if&#13;
it came from without--from a patient dangerously ill."</p><p>"An excellent idea!" cried the princess. "You are right. Here--upon this&#13;
table--there is everything necessary for writing. Quick! quick--But will&#13;
the doctor succeed?"</p><p>"In truth, I scarcely dare to hope it," said the marquis, sitting down&#13;
at the table with repressed rage. "Thanks to this examination, going&#13;
beyond our hopes, which our man, hidden behind the curtain, has&#13;
faithfully taken down in shorthand--thanks to the violent scenes, which&#13;
would necessarily have occurred to-morrow and the day after--the doctor,&#13;
by fencing himself round with all sorts of clever precautions, would&#13;
have been able to act with the most complete certainty. But to ask this&#13;
of him to-day, on the instant!--Herminia--it is folly to think of!"--The&#13;
marquis threw down the pen which he held in his hand; then he added,&#13;
in a tone of bitter and profound irritation: "At the very moment of&#13;
success--to see all our hopes destroyed!--Oh, the consequences of all&#13;
this are incalculable. Your niece will be the cause of the greatest&#13;
mischief--oh! the greatest injury to us."</p><p>It is impossible to describe the expression of deep rage and implacable&#13;
hatred with which D'Aigrigny uttered these last words.</p><p>"Frederick," cried the princess with anxiety, as she clasped her hands&#13;
strongly around the abbe's, "I conjure you, do not despair!--The doctor&#13;
is fertile in resources, and he is so devoted to us. Let us at least,&#13;
make the attempt."</p><p>"Well--it is at least a chance," said the abbe, taking up the pen again.</p><p>"Should it come to the worst." said the princess, "and Adrienne go this&#13;
evening to fetch General Simon's daughters, she may perhaps no longer&#13;
find them.</p><p>"We cannot hope for that. It is impossible that Rodin's orders should&#13;
have been so quickly executed. We should have been informed of it."</p><p>"It is true. Write then to the doctor; I will send you Dubois, to carry&#13;
your letter. Courage, Frederick! we shall yet be too much for that&#13;
ungovernable girl." Madame de Saint-Dizier added, with concentrated&#13;
rage: "Oh, Adrienne! Adrienne! you shall pay dearly for your insolent&#13;
sarcasms, and the anxiety you have caused us."</p><p>As she went out, the princess turned towards M. d'Aigrigny, and said to&#13;
him: "Wait for me here. I will tell you the meaning of this visit of the&#13;
police, and we will go in together."</p><p>The princess disappeared. D'Aigrigny dashed off a few words, with a&#13;
trembling hand.</p><p>CHAPTER XLII. THE SNARE.</p><p>After the departure of Madame de Saint-Dizier and the marquis, Adrienne&#13;
had remained in her aunt's apartment with M. Baleinier and Baron&#13;
Tripeaud.</p><p>On hearing of the commissary's arrival, Mdlle. de Cardoville had felt&#13;
considerable uneasiness; for there could be no doubt that, as Agricola&#13;
had apprehended, this magistrate was come to search the hotel and&#13;
extension, in order to find the smith, whom he believed to be concealed&#13;
there.</p><p>Though she looked upon Agricola's hiding-place as a very safe one,&#13;
Adrienne was not quite tranquil on his account; so in the event of any&#13;
unfortunate accident, she thought it a good opportunity to recommend the&#13;
refugee to the doctor, an intimate friend, as we have said, of one&#13;
of the most influential ministers of the day. So, drawing near to the&#13;
physician, who was conversing in a low voice with the baron, she said&#13;
to him in her softest and most coaxing manner: "My good M. Baleinier, I&#13;
wish to speak a few words with you." She pointed to the deep recess of&#13;
one of the windows.</p><p>"I am at your orders, madame," answered the doctor, as he rose to follow&#13;
Adrienne to the recess.</p><p>M. Tripeaud, who, no longer sustained by the abbe's presence, dreaded&#13;
the young lady as he did fire, was not sorry for this diversion. To keep&#13;
up appearances, he stationed himself before one of the sacred pictures,&#13;
and began again to contemplate it, as if there were no bounds to his&#13;
admiration.</p><p>When Mdlle. de Cardoville was far enough from the baron, not to be&#13;
overheard by him, she said to the physician, who, all smiles and&#13;
benevolence, waited for her to explain: "My good doctor, you are&#13;
my friend, as you were my father's. Just now, notwithstanding the&#13;
difficulty of your position, you had the courage to show yourself my&#13;
only partisan."</p><p>"Not at all, madame; do not go and say such things!" cried the doctor,&#13;
affecting a pleasant kind of anger. "Plague on't! you would get me&#13;
into a pretty scrape; so pray be silent on that subject. Vade retro&#13;
Satanas!--which means: Get thee behind me, charming little demon that&#13;
you are!"</p><p>"Do not be afraid," answered Adrienne, with a smile; "I will not&#13;
compromise you. Only allow me to remind you, that you have often made me&#13;
offers of service, and spoken to me of your devotion."</p><p>"Put me to the test--and you will see if I do not keep my promises."</p><p>"Well, then! give me a proof on the instant," said Adrienne, quickly.</p><p>"Capital! this is how I like to be taken at my word. What can I do for&#13;
you?"</p><p>"Are you still very intimate with your friend the minister?"</p><p>"Yes; I am just treating him for a loss of voice, which he always has,&#13;
the day they put questions to him in the house. He likes it better."</p><p>"I want you to obtain from him something very important for me."</p><p>"For you? pray, what is it?"</p><p>At this instant, the valet entered the room, delivered a letter to M.&#13;
Baleinier, and said to him: "A footman has just brought this letter for&#13;
you, sir; it is very pressing."</p><p>The physician took the letter, and the servant went out.</p><p>"This is one of the inconveniences of merit," said Adrienne, smiling;&#13;
"they do not leave you a moment's rest, my poor doctor."</p><p>"Do not speak of it, madame," said the physician, who could not conceal&#13;
a start of amazement, as he recognized the writing of D'Aigrigny; "these&#13;
patients think we are made of iron, and have monopolized the health&#13;
which they so much need. They have really no mercy. With your&#13;
permission, madame," added M. Baleinier, looking at Adrienne before he&#13;
unsealed the letter.</p><p>Mdlle. de Cardoville answered by a graceful nod. Marquis d'Aigrigny's&#13;
letter was not long; the doctor read it at a single glance, and,&#13;
notwithstanding his habitual prudence, he shrugged his shoulders, and&#13;
said hastily: "Today! why, it's impossible. He is mad."</p><p>"You speak no doubt of some poor patient, who has placed all his hopes&#13;
in you--who waits and calls for you at this moment. Come, my dear M.&#13;
Baleinier, do not reject his prayer. It is so sweet to justify the&#13;
confidence we inspire."</p><p>There was at once so much analogy, and such contradiction, between the&#13;
object of this letter, written just before by Adrienne's most implacable&#13;
enemy, and these words of commiseration which she spoke in a touching&#13;
voice, that Dr. Baleinier himself could not help being struck with it.&#13;
He looked at Mdlle. de Cardoville with an almost embarrassed air, as he&#13;
replied: "I am indeed speaking of one of my patients, who counts much&#13;
upon me--a great deal too much--for he asks me to do an impossibility.&#13;
But why do you feel so interested in an unknown person?"</p><p>"If he is unfortunate, I know enough to interest me. The person for whom&#13;
I ask your assistance with the minister, was quite as little known to&#13;
me; and now I take the deepest interest in him. I must tell you, that he&#13;
is the son of the worthy soldier who brought Marshal Simon's daughters&#13;
from the heart of Siberia."</p><p>"What! he is--"</p><p>"An honest workman, the support of his family; but I must tell you all&#13;
about it--this is how the affair took place."</p><p>The confidential communication which Adrienne was going to make to&#13;
the doctor, was cut short by Madame Saint-Dizier, who, followed by M.&#13;
d'Aigrigny, opened abruptly the door. An expression of infernal joy,&#13;
hardly concealed beneath a semblance of extreme indignation, was visible&#13;
in her countenance.</p><p>M. d'Aigrigny threw rapidly, as he entered the apartment, an inquiring&#13;
and anxious glance at M. Baleinier. The doctor answered by a shake of&#13;
the head. The abbe bit his lips with silent rage; he had built his last&#13;
hopes upon the doctor, and his projects seemed now forever annihilated,&#13;
notwithstanding the new blow which the princess had in reserve for&#13;
Adrienne.</p><p>"Gentlemen," said Madame de Saint-Dizier, in a sharp, hurried voice, for&#13;
she was nearly choking with wicked pleasure, "gentlemen, pray be seated!&#13;
I have some new and curious things to tell you, on the subject of this&#13;
young lady." She pointed to her niece, with a look of ineffable hatred&#13;
and disdain.</p><p>"My poor child, what is the matter now?" said M. Baleinier, in a soft,&#13;
wheedling tone, before he left the window where he was standing with&#13;
Adrienne. "Whatever happens, count upon me!"--And the physician went to&#13;
seat himself between M. d'Aigrigny and M. Tripeaud.</p><p>At her aunt's insolent address, Mdlle. de Cardoville had proudly lined&#13;
her head. The blood rushed to her face, and irritated at the new attacks&#13;
with which she was menaced, she advanced to the table where the princess&#13;
was seated, and said in an agitated voice to M. Baleinier: "I shall&#13;
expect you to call on me as soon as possible, my dear doctor. You know&#13;
that I wish particularly to speak with you."</p><p>Adrienne made one step towards the arm-chair, on which she had left her&#13;
hat. The princess rose abruptly, and exclaimed: "What are you doing,&#13;
madame?"</p><p>"I am about to retire. Your highness has expressed to me your will, and&#13;
I have told you mine. It is enough."</p><p>She took her hat. Madame de Saint-Dizier, seeing her prey about to&#13;
escape, hastened towards her niece, and, in defiance of all propriety,&#13;
seized her violently by the arm with a convulsive grasp, and bade her,&#13;
"Remain!"</p><p>"Fie, madame!" exclaimed Adrienne, with an accent of painful contempt,&#13;
"have we sunk so low?"</p><p>"You wish to escape--you are afraid!" resumed Madame de Saint-Dizier,&#13;
looking at her disdainfully from head to foot.</p><p>With these words "you are afraid," you could have made Adrienne de&#13;
Cardoville walk into a fiery furnace. Disengaging her arm from her&#13;
aunt's grasp, with a gesture full of nobleness and pride, she threw down&#13;
the hat upon the chair, and returning to the table, said imperiously to&#13;
the princess: "There is something even stronger than the disgust with&#13;
which all this inspires me--the fear of being accused of cowardice. Go&#13;
on, madame! I am listening!"</p><p>With her head raised, her color somewhat heightened, her glance half&#13;
veiled by a tear of indignation, her arms folded over her bosom, which&#13;
heaved in spite of herself with deep emotion, and her little foot&#13;
beating convulsively on the carpet, Adrienne looked steadily at her&#13;
aunt. The princess wished to infuse drop by drop, the poison with&#13;
which she was swelling, and make her victim suffer as long as possible,&#13;
feeling certain that she could not escape. "Gentlemen," said Madame de&#13;
Saint-Dizier, in a forced voice, "this has occurred: I was told that&#13;
the commissary of police wished to speak with me: I went to receive this&#13;
magistrate; he excused himself, with a troubled air, for the nature of&#13;
the duty he had to perform. A man, against whom a warrant was out, had&#13;
been seen to enter the garden-house."</p><p>Adrienne started, there could be no doubt that Agricola was meant. But&#13;
she recovered her tranquillity, when she thought of the security of the&#13;
hiding-place she had given him.</p><p>"The magistrate," continued the princess, "asked my consent to search&#13;
the hotel and extension, to discover this man. It was his right. I&#13;
begged him to commence with the garden-house, and accompanied him.&#13;
Notwithstanding the improper conduct of Mademoiselle, it never, I&#13;
confess, entered my head for a moment, that she was in any way mixed up&#13;
with this police business. I was deceived."</p><p>"What do you mean, madame?" cried Adrienne.</p><p>"You shall know all, madame," said the princess, with a triumphant air,&#13;
"in good time. You were in rather too great a hurry just now, to show&#13;
yourself so proud and satirical. Well! I accompanied the commissary&#13;
in his search; we came to the summer-house; I leave you to imagine the&#13;
stupor and astonishment of the magistrate, on seeing three creatures&#13;
dressed up like actresses. At my request, the fact was noted in the&#13;
official report; for it is well to reveal such extravagances to all whom&#13;
it may concern."</p><p>"The princess acted very wisely," said Tripeaud, bowing; "it is well&#13;
that the authorities should be informed of such matters."</p><p>Adrienne, too much interested in the fate of the workman to think of&#13;
answering Tripeaud or the princess, listened in silence, and strove to&#13;
conceal her uneasiness.</p><p>"The magistrate," resumed Madame de Saint-Dizier, "began by a severe&#13;
examination of these young girls; to learn if any man had, with their&#13;
knowledge, been introduced into the house; with incredible effrontery,&#13;
they answered that they had seen nobody enter."</p><p>"The true-hearted, honest girls!" thought Mademoiselle de Cardoville,&#13;
full of joy; "the poor workman is safe! the protection of Dr. Baleinier&#13;
will do the rest."</p><p>"Fortunately," continued the princess, "one of my women, Mrs. Grivois,&#13;
had accompanied me. This excellent person, remembering to have seen&#13;
Mademoiselle return home at eight o'clock in the morning, remarked with&#13;
much simplicity to the magistrate, that the man, whom they sought,&#13;
might probably have entered by the little garden gate, left open,&#13;
accidentally, by Mademoiselle."</p><p>"It would have been well, madame," said Tripeaud, "to have caused to be&#13;
noted also in the report, that Mademoiselle had returned home at eight&#13;
o'clock in the morning."</p><p>"I do not see the necessity for this," said the doctor, faithful to his&#13;
part: "it would have been quite foreign to the search carried on by the&#13;
commissary."</p><p>"But, doctor," said Tripeaud.</p><p>"But, baron," resumed M. Baleinier, in a firm voice, "that is my&#13;
opinion."</p><p>"It was not mine, doctor," said the princess; "like M. Tripeaud, I&#13;
considered it important to establish the fact by an entry in the report,&#13;
and I saw, by the confused and troubled countenance of the magistrate,&#13;
how painful it was to register the scandalous conduct of a young person&#13;
placed in so high a position in society."</p><p>"Certainly, madame," said Adrienne, losing patience, "I believe your&#13;
modesty to be about equal to that of this candid commissary of police;&#13;
but it seems to me, that your mutual innocence was alarmed a little too&#13;
soon. You might, and ought to have reflected, that there was nothing&#13;
extraordinary in my coming home at eight o'clock, if I had gone out at&#13;
six."</p><p>"The excuse, though somewhat tardy, is at least cunning," said the&#13;
princess, spitefully.</p><p>"I do not excuse myself, madame," said Adrienne; "but as M. Baleinier&#13;
has been kind enough to speak a word in my favor, I give the possible&#13;
interpretation of a fact, which it would not become me to explain in&#13;
your presence."</p><p>"The fact will stand, however, in the report," said Tripeaud, "until the&#13;
explanation is given."</p><p>Abbe d'Aigrigny, his forehead resting on his hand, remained as if a&#13;
stranger to this scene; he was too much occupied with his fears at the&#13;
consequences of the approaching interview between Mdlle. de Cardoville&#13;
and Marshal Simon's daughters--for there seemed no possibility of using&#13;
force to prevent Adrienne from going out that evening.</p><p>Madame de Saint-Dizier went on: "The fact which so greatly scandalized&#13;
the commissary is nothing compared to what I yet have to tell you,&#13;
gentlemen. We had searched all parts of the pavilion without finding any&#13;
one, and were just about to quit the bed-chamber, for we had taken&#13;
this room the last, when Mrs. Grivois pointed out to us that one of the&#13;
golden mouldings of a panel did not appear to come quite home to the&#13;
wall. We drew the attention of the magistrate to this circumstance; his&#13;
men examined, touched, felt--the panel flew open!--and then--can you&#13;
guess what we discovered? But, no! it is too odious, too revolting; I&#13;
dare not even--"</p><p>"Then I dare, madame," said Adrienne, resolutely, though she saw with&#13;
the utmost grief the retreat of Agricola was discovered; "I will spare&#13;
your highness's candor the recital of this new scandal, and yet what I&#13;
am about to say is in nowise intended as a justification."</p><p>"It requires one, however," said Madame de Saint-Dizier, with a&#13;
disdainful smile; "a man concealed by you in your own bedroom."</p><p>"A man concealed in her bedroom!" cried the Marquis d'Aigrigny, raising&#13;
his head with apparent indignation, which only covered a cruel joy.</p><p>"A man! in the bedroom of Mademoiselle!" added Baron Tripeaud. "I hope&#13;
this also was inserted in the report."</p><p>"Yes, yes, baron," said the princess with a triumphant air.</p><p>"But this man," said the doctor, in a hypocritical tone, "must have&#13;
been a robber? Any other supposition would be in the highest degree&#13;
improbable. This explains itself."</p><p>"Your indulgence deceives you, M. Baleinier," answered the princess,&#13;
dryly.</p><p>"We knew the sort of thieves," said Tripeaud; "they are generally young&#13;
men, handsome, and very rich."</p><p>"You are wrong, sir," resumed Madame de Saint-Dizier. "Mademoiselle does&#13;
not raise her views so high. She proves that a dereliction from duty&#13;
may be ignoble as well as criminal. I am no longer astonished at the&#13;
sympathy which was just now professed for the lower orders. It is the&#13;
more touching and affecting, as the man concealed by her was dressed in&#13;
a blouse."</p><p>"A blouse!" cried the baron, with an air of extreme disgust; "then he is&#13;
one of the common people? It really makes one's hair stand on end."</p><p>"The man is a working smith--he confessed it," said the princess; "but&#13;
not to be unjust--he is really a good-looking fellow. It was doubtless&#13;
that singular worship which Mademoiselle pays to the beautiful--"</p><p>"Enough, madame, enough!" said Adrienne suddenly, for, hitherto&#13;
disdaining to answer, she had listened to her aunt with growing and&#13;
painful indignation; "I was just now on the point of defending myself&#13;
against one of your odious insinuations--but I will not a second time&#13;
descend to any such weakness. One word only, madame; has this honest and&#13;
worthy artisan been arrested?"</p><p>"To be sure, he has been arrested and taken to prison, under a strong&#13;
escort. Does not that pierce your heart?" sneered the princess, with a&#13;
triumphant air. "Your tender pity for this interesting smith must indeed&#13;
be very great, since it deprives you of your sarcastic assurance."</p><p>"Yes, madame; for I have something better to do than to satirize that&#13;
which is utterly odious and ridiculous," replied Adrienne, whose eyes&#13;
grew dim with tears at the thought of the cruel hurt to Agricola's&#13;
family. Then, putting her hat on, and tying the strings, she said to the&#13;
doctor: "M. Baleinier, I asked you just now for your interest with the&#13;
minister."</p><p>"Yes, madame; and it will give me great pleasure to act on your behalf."</p><p>"Is your carriage below?"</p><p>"Yes, madame," said the doctor, much surprised.</p><p>"You will be good enough to accompany me immediately to the minister's.&#13;
Introduced by you, he will not refuse me the favor, or rather the act of&#13;
justice, that I have to solicit."</p><p>"What, mademoiselle," said the princess; "do you dare take such a&#13;
course, without my orders, after what has just passed? It is really&#13;
quite unheard-of."</p><p>"It confounds one," added Tripeaud; "but we must not be surprised at&#13;
anything."</p><p>The moment Adrienne asked the doctor if his carriage was below,&#13;
D'Aigrigny started. A look of intense satisfaction flashed across his&#13;
countenance, and he could hardly repress the violence of his delight,&#13;
when, darting, a rapid and significant glance at the doctor, he saw&#13;
the latter respond to it by trace closing his eyelids in token of&#13;
comprehension and assent.</p><p>When therefore the princess resumed, in an angry tone,&#13;
addressing herself to Adrienne: "Madame, I forbid you leaving the&#13;
house!"--D'Aigrigny said to the speaker, with a peculiar inflection&#13;
of the voice: "I think, your highness, we may trust the lady to the&#13;
doctor's care."</p><p>The marquis pronounced these words in so significant a manner, that&#13;
the princess, having looked by turns at the physician and D'Aigrigny,&#13;
understood it all, and her countenance grew radiant with joy.</p><p>Not only did this pass with extreme rapidity, but the night was already&#13;
almost come, so that Adrienne, absorbed in painful thoughts with regard&#13;
to Agricola, did not perceive the different signals exchanged between&#13;
the princess, the doctor, and the abbe. Even had she done so, they would&#13;
have been incomprehensible to her.</p><p>Not wishing to have the appearance of yielding too readily, to the&#13;
suggestion of the marquis, Madame de Saint-Dizier resumed: "Though the&#13;
doctor seems to me to be far too indulgent to mademoiselle, I might not&#13;
see any great objection to trusting her with him; but that I do not wish&#13;
to establish such a precedent, for hence forward she must have no will&#13;
but mine."</p><p>"Madame," said the physician gravely, feigning to be somewhat shocked by&#13;
the words of the Princess de Saint-Dizier, "I do not think I have been&#13;
too indulgent to mademoiselle--but only just. I am at her orders,&#13;
to take her to the minister if she wishes it. I do not know what&#13;
she intends to solicit, but I believe her incapable of abusing the&#13;
confidence I repose in her, or making me support a recommendation&#13;
undeserved."</p><p>Adrienne, much moved, extended her hand cordially to the doctor, and&#13;
said to him: "Rest assured, my excellent friend, that you will thank me&#13;
for the step I am taking, for you will assist in a noble action."</p><p>Tripeaud, who was not in the secret of the new plans of the doctor and&#13;
the abbe in a low voice faltered to the latter, with a stupefied air,&#13;
"What! will you let her go?"</p><p>"Yes, yes," answered D'Aigrigny abruptly, making a sign that he should&#13;
listen to the princess, who was about to speak. Advancing towards her&#13;
niece, she said to her in a slow and measured tone, laying a peculiar&#13;
emphasis on every word: "One moment more, mademoiselle--one last word&#13;
in presence of these gentlemen. Answer me! Notwithstanding the heavy&#13;
charges impending over you, are you still determined to resist my formal&#13;
commands?"</p><p>"Yes, madame."</p><p>"Notwithstanding the scandalous exposure which has just taken place, you&#13;
still persist in withdrawing yourself from my authority?"</p><p>"Yes, madame."</p><p>"You refuse positively to submit to the regular and decent mode of life&#13;
which I would impose upon you?"</p><p>"I have already told you, madame, that I am about to quit this dwelling&#13;
in order to live alone and after my own fashion."</p><p>"Is that your final decision?"</p><p>"It is my last word."</p><p>"Reflect! the matter is serious. Beware!"</p><p>"I have given your highness my last word, and I never speak it twice."</p><p>"Gentlemen, you hear all this?" resumed the princess; "I have tried in&#13;
vain all that was possible to conciliate. Mademoiselle will have only&#13;
herself to thank for the measures to which this audacious revolt will&#13;
oblige me to have recourse."</p><p>"Be it so, madame," replied Adrienne. Then, addressing M. Baleinier, she&#13;
said quickly to him: "Come, my dear doctor; I am dying with impatience.&#13;
Let us set out immediately. Every minute lost may occasion bitter tears&#13;
to an honest family."</p><p>So saying, Adrienne left the room precipitately with the physician.&#13;
One of the servants called for M. Baleinier's carriage. Assisted by&#13;
the doctor, Adrienne mounted the step, without perceiving that he said&#13;
something in a low whisper to the footman that opened the coach-door.</p><p>When, however, he was seated by the side of Mdlle. de Cardoville, and&#13;
the door was closed upon them, he waited for about a second, and&#13;
then called out in a loud voice to the coachman: "To the house of the&#13;
minister, by the private entrance!" The horses started at a gallop.</p><p>CHAPTER XLIII. A FALSE FRIEND.</p><p>Night had set in dark and cold. The sky, which had been clear till the&#13;
sun went down, was now covered with gray and lurid clouds; a strong wind&#13;
raised here and there, in circling eddies, the snow that was beginning&#13;
to fall thick and fast.</p><p>The lamps threw a dubious light into the interior of Dr. Baleinier's&#13;
carriage, in which he was seated alone with Adrienne de Cardoville.&#13;
The charming countenance of the latter, faintly illumined by the lamps&#13;
beneath the shade of her little gray hat, looked doubly white and pure&#13;
in contrast with the dark lining of the carriage, which was now filled&#13;
with that, sweet, delicious, and almost voluptuous perfume which hangs&#13;
about the garments of young women of taste. The attitude of the girl,&#13;
seated next to the doctor, was full of grace. Her slight and elegant&#13;
figure, imprisoned in her high-necked dress of blue cloth, imprinted its&#13;
wavy outline on the soft cushion against which she leaned; her little&#13;
feet, crossed one upon the other, and stretched rather forward, rested&#13;
upon a thick bear-skin, which carpeted the bottom of the carriage.&#13;
In her hand, which was ungloved and dazzlingly white, she held a&#13;
magnificently embroidered handkerchief, with which, to the great&#13;
astonishment of M. Baleinier, she dried her eyes, now filled with tears.</p><p>Yes; Adrienne wept, for she now felt the reaction from the painful&#13;
scenes through which she had passed at Saint-Dizier House; to the&#13;
feverish and nervous excitement, which had till then sustained her, had&#13;
succeeded a sorrowful dejection. Resolute in her independence, proud&#13;
in her disdain, implacable in her irony, audacious in her resistance&#13;
to unjust oppression, Adrienne was yet endowed with the most acute&#13;
sensibility, which she always dissembled, however, in the presence of&#13;
her aunt and those who surrounded her.</p><p>Notwithstanding her courage, no one could have been less masculine, less&#13;
of a virago, than Mdlle. Cardoville. She was essentially womanly, but as&#13;
a woman, she knew how to exercise great empire over herself, the moment&#13;
that the least mark of weakness on her part would have rejoiced or&#13;
emboldened her enemies.</p><p>The carriage had rolled onwards for some minutes; but Adrienne, drying&#13;
her tears in silence, to the doctor's great astonishment, had not yet&#13;
uttered a word.</p><p>"What, my dear Mdlle. Adrienne?" said M. Baleinier, truly surprised at&#13;
her emotion; "what! you, that were just now so courageous, weeping?"</p><p>"Yes," answered Adrienne, in an agitated voice; "I weep in presence of a&#13;
friend; but, before my aunt--oh! never."</p><p>"And yet, in that long interview, your stinging replies--"</p><p>"Ah me! do you think that I resigned myself with pleasure to that war&#13;
of sarcasm? Nothing is more painful to me than such combats of bitter&#13;
irony, to which I am forced by the necessity of defending myself&#13;
from this woman and her friends. You speak of my courage: it does not&#13;
consist, I assure you, in the display of wicked feelings--but in the&#13;
power to repress and hide all that I suffer, when I hear myself&#13;
treated so grossly--in the presence, too, of people that I hate and&#13;
despise--when, after all, I have never done them any harm, and have only&#13;
asked to be allowed to live alone, freely and quietly, and see those&#13;
about me happy."</p><p>"That's where it is: they envy your happiness, and that which you bestow&#13;
upon others."</p><p>"And it is my aunt," cried Adrienne, with indignation, "my aunt, whose&#13;
whole life has been one long scandal that accuses me in this revolting&#13;
manner!--as if she did not know me proud and honest enough never to&#13;
make a choice of which I should be ashamed! Oh! if I ever love, I shall&#13;
proclaim it, I shall be proud of it: for love, as I understand it, is&#13;
the most glorious feeling in the world. But, alas!" continued Adrienne,&#13;
with redoubled bitterness, "of what use are truth and honor, if they do&#13;
not secure you from suspicions, which are as absurd as they are odious?"&#13;
So saying, she again pressed her handkerchief to her eyes.</p><p>"Come, my dear Mdlle. Adrienne," said M. Baleinier, in a voice full&#13;
of the softest unction, "becalm--it is all over now. You have in me a&#13;
devoted friend." As he pronounced these last words, he blushed in spite&#13;
of his diabolical craft.</p><p>"I know you are my friend," said Adrienne: "I shall never forget that,&#13;
by taking my part to-day, you exposed yourself to the resentment of my&#13;
aunt--for I am not ignorant of her power, which is very great, alas! for&#13;
evil."</p><p>"As for that," said the doctor, affecting a profound indifference, "we&#13;
medical men are pretty safe from personal enmities."</p><p>"Nay, my dear M. Baleinier! Mme. de Saint-Dizier and her friends&#13;
never forgive," said the young girl, with a shudder. "It needed all my&#13;
invincible aversion, my innate horror for all that is base, cowardly,&#13;
and perfidious, to induce me to break so openly with her. But if death&#13;
itself were the penalty, I could not hesitate and yet," she added, with&#13;
one of those graceful smiles which gave such a charm to her beautiful&#13;
countenance, "yet I am fond of life: if I have to reproach myself&#13;
with anything, it is that I would have it too bright, too fair, too&#13;
harmonious; but then, you know, I am resigned to my faults."</p><p>"Well, come, I am more tranquil," said the doctor, gayly; "for you&#13;
smile--that is a good sign."</p><p>"It is often the wisest course; and yet, ought I smile, after the&#13;
threats that my aunt has held out to me? Still, what can she do? what is&#13;
the meaning of this kind of family council? Did she seriously think that&#13;
the advice of a M. D'Aigrigny or a M. Tripeaud could have influenced me?&#13;
And then she talked of rigorous measures. What measures can she take; do&#13;
you know?"</p><p>"I think, between ourselves, that the princess only wished to frighten&#13;
you, and hopes to succeed by persuasion. She has the misfortune to fancy&#13;
herself a mother of the Church, and dreams of your conversion," said the&#13;
doctor, maliciously, for he now wished to tranquillize Adrienne at any&#13;
cost; "but let us think no more about it. Your fire eyes must shine with&#13;
all their lustre, to fascinate the minister that we are going to see."</p><p>"You are right, dear doctor; we ought always avoid grief, for it has the&#13;
disadvantage of making us forget the sorrows of others. But here am&#13;
I, availing myself of your kindness, without even telling you what I&#13;
require."</p><p>"Luckily, we shall have plenty of time to talk over it, for our&#13;
statesman lives at some distance."</p><p>"In two words, here's the mystery," answered Adrienne. "I told you what&#13;
reasons I had to interest myself in that honest workman. This morning he&#13;
came to me in great grief, to inform me that he was compromised by some&#13;
songs he had written (for he is a poet), and that, though innocent,&#13;
he was threatened with an arrest; and if they put him into prison, his&#13;
family, whose sole support he is, would die of hunger. Therefore he came&#13;
to beg me to procure bail for him, so that he might be left at liberty&#13;
to work: I promised immediately, thinking of your interest with the&#13;
minister; for, as they were already in pursuit of the poor lad, I chose&#13;
to conceal him in my residence, and you know how my aunt has twisted&#13;
that action. Now tell me, do you think, that, by means of your&#13;
recommendation, the minister will grant me the freedom of this workman,&#13;
bail being given for the same?"</p><p>"No doubt of it. There will not be the shadow of a&#13;
difficulty--especially when you have explained the facts to him, with&#13;
that eloquence of the heart which you possess in perfection."</p><p>"Do you know, my dear Dr. Baleinier, why I have taken the resolution&#13;
(which is perhaps a strange one) to ask you to accompany me to the&#13;
minister's?"</p><p>"Why, doubtless, to recommend your friend in a more effective manner."</p><p>"Yes--but also to put an end, by a decisive step, to the calumnies which&#13;
my aunt will be sure to spread with regard to me, and which she has&#13;
already, you know, had inserted in the report of the commissary of&#13;
police. I have preferred to address myself at once, frankly and openly,&#13;
to a man placed in a high social position. I will explain all to him,&#13;
who will believe me, because truth has an accent of its own."</p><p>"All this, my dear Mdlle. Adrienne, is wisely planned. You will, as the&#13;
saw says, kill two birds with one stone--or rather, you will obtain by&#13;
one act of kindness two acts of justice; you will destroy a dangerous&#13;
calumny, and restore a worthy youth to liberty."</p><p>"Come," said Adrienne, laughing, "thanks to this pleasing prospect, my&#13;
light heart has returned."</p><p>"How true that in life," said the doctor, philosophically, "everything&#13;
depends on the point of view."</p><p>Adrienne was so completely ignorant of the forms of a constitutional&#13;
government, and had so blind a confidence in the doctor, that she did&#13;
not doubt for an instant what he told her. She therefore resumed with&#13;
joy: "What happiness it will be! when I go to fetch the daughters of&#13;
Marshal Simon, to be able to console this workman's mother, who is now&#13;
perhaps in a state of cruel anxiety, at not seeing her son return home!"</p><p>"Yes, you will have this pleasure," said M. Baleinier, with a smile;&#13;
"for we will solicit and intrigue to such purpose, that the good, mother&#13;
may learn from you the release of her son before she even knows that he&#13;
has been arrested."</p><p>"How kind, how obliging you are!" said Adrienne. "Really, if the motive&#13;
were not so serious, I should be ashamed of making you lose so much&#13;
precious time, my dear M. Baleinier. But I know your heart."</p><p>"I have no other wish, than to prove to you my profound devotion, my&#13;
sincere attachment," said the doctor inhaling a pinch of snuff. But&#13;
at the same time, he cast an uneasy glance through the window, for the&#13;
carriage was just crossing the Place de l'Odeon, and in spite of&#13;
the snow, he could see the front of the Odeon theatre brilliantly&#13;
illuminated. Now Adrienne, who had just turned her head towards that&#13;
side, might perhaps be astonished at the singular road they were taking.</p><p>In order to draw off her attention by a skillful diversion, the doctor&#13;
exclaimed suddenly: "Bless me! I had almost forgotten."</p><p>"What is the matter, M. Baleinier?" said Adrienne, turning hastily&#13;
towards him.</p><p>"I had forgotten a thing of the highest importance, in regard to the&#13;
success of our petition."</p><p>"What is it, please?" asked the young girl, anxiously.</p><p>M. Baleinier gave a cunning smile. "Every man," said he, "has his&#13;
weakness--ministers even more than others. The one we are going to visit&#13;
has the folly to attach the utmost importance to his title, and the&#13;
first impression would be unfavorable, if you did not lay great stress&#13;
on the Minister."</p><p>"Is that all, my dear M. Baleinier?" said Adrienne, smiling in her turn.&#13;
"I will even go so far as Your Excellency, which is, I believe, one of&#13;
his adopted titles."</p><p>"Not now--but that is no matter; if you could even slide in a My Lord or&#13;
two, our business would be done at once."</p><p>"Be satisfied! since there are upstart ministers as well as City-turned&#13;
gentlemen, I will remember Moliere's M. Jourdain, and feed full the&#13;
gluttonous vanity of your friend."</p><p>"I give him up to you, for I know he will be in good hands," replied the&#13;
physician, who rejoiced to see that the carriage had now entered those&#13;
dark streets which lead from the Place de l'Odeon to the Pantheon&#13;
district; "I do not wish to find fault with the minister for being&#13;
proud, since his pride may be of service to us on this occasion."</p><p>"These petty devices are innocent enough," said Mdlle. de Cardoville,&#13;
"and I confess that I do not scruple to have recourse to them." Then,&#13;
leaning towards the door-sash, she added: "Gracious! how sad and dark&#13;
are these streets. What wind! what snow! In which quarter are we?"</p><p>"What! are you so ungrateful, that you do not recognize by the absence&#13;
of shops, your dear quarter of the Faubourg Saint Germain?"</p><p>"I imagine we had quitted it long ago."</p><p>"I thought so too," said the physician, leaning forward as if to&#13;
ascertain where they were, "but we are still there. My poor coachman,&#13;
blinded by the snow, which is beating against his face, must have gone&#13;
wrong just now--but we are all right again. Yes, I perceive we are in&#13;
the Rue Saint Guillaume--not the gayest of streets by the way--but, in&#13;
ten minutes, we shall arrive at the minister's private entrance, for&#13;
intimate friends like myself enjoy the privilege of escaping the honors&#13;
of a grand reception."</p><p>Mdlle. de Cardoville, like most carriage-people, was so little&#13;
acquainted with certain streets of Paris, as well as with the customs&#13;
of men in office, that she did not doubt for a moment the statements of&#13;
Baleinier, in whom she reposed the utmost confidence.</p><p>When they left the Saint-Dizier House, the doctor had upon his lips a&#13;
question which he hesitated to put, for fear of endangering himself in&#13;
the eyes of Adrienne. The latter had spoken of important interests, the&#13;
existence of which had been concealed from her. The doctor, who was&#13;
an acute and skillful observer, had quite clearly remarked the&#13;
embarrassment and anxiety of the princess and D'Aigrigny. He no longer&#13;
doubted, that the plot directed against Adrienne--one in which he was&#13;
the blind agent, in submission to the will of the Order--related to&#13;
interests which had been concealed from him, and which, for that very&#13;
reason, he burned to discover; for every member of the dark conspiracy&#13;
to which he belonged had necessarily acquired the odious vices inherent&#13;
to spies and informers--envy, suspicion, and jealous curiosity.</p><p>It is easy to understand, therefore, that Dr. Baleinier, though quite&#13;
determined to serve the projects of D'Aigrigny, was yet very anxious&#13;
to learn what had been kept from him. Conquering his irresolution, and&#13;
finding the opportunity favorable, and no time to be lost, he said to&#13;
Adrienne, after a moment's silence: "I am going perhaps to ask you a&#13;
very indiscreet question. If you think it such, pray do not answer."</p><p>"Nay--go on, I entreat you."</p><p>"Just now--a few minutes before the arrival of the commissary of police&#13;
was announced to your aunt--you spoke, I think, of some great interests,&#13;
which had hitherto been concealed from you."</p><p>"Yes, I did so."</p><p>"These words," continued M. Baleinier, speaking slowly and emphatically,&#13;
"appeared to make a deep impression on the princess."</p><p>"An impression so deep," said Adrienne, "that sundry suspicions of mine&#13;
were changed to certainty."</p><p>"I need not tell you, my charming friend," resumed M. Baleinier, in a&#13;
bland tone, "that if I remind you of this circumstance, it is only to&#13;
offer you my services, in case they should be required. If not--and&#13;
there is the shadow of impropriety in letting me know more--forget that&#13;
I have said a word."</p><p>Adrienne became serious and pensive, and, after a silence of some&#13;
moments, she thus answered Dr. Baleinier: "On this subject, there are&#13;
some things that I do not know--others that I may tell you--others again&#13;
that I must keep from you: but you are so kind to-day, that I am happy&#13;
to be able to give you a new mark of confidence."</p><p>"Then I wish to know nothing," said the doctor, with an air of humble&#13;
deprecation, "for I should have the appearance of accepting a kind of&#13;
reward; whilst I am paid a thousand times over, by the pleasure I feel&#13;
in serving you."</p><p>"Listen," said Adrienne, without attending to the delicate scruples of&#13;
Dr. Baleinier; "I have powerful reasons for believing that an immense&#13;
inheritance must, at no very distant period, be divided between&#13;
the members of my family, all of whom I do not know--for, after the&#13;
Revocation of the Edict of Nantes, those from whom we are descended&#13;
were dispersed in foreign countries, and experienced a great variety of&#13;
fortunes."</p><p>"Really!" cried the doctor, becoming extremely interested. "Where is&#13;
this inheritance, in whose hands?"</p><p>"I do not know."</p><p>"Now how will you assert your rights?"</p><p>"That I shall learn soon."</p><p>"Who will inform you of it?"</p><p>"That I may not tell you."</p><p>"But how did you find out the existence of this inheritance?"</p><p>"That also I may not tell you," returned Adrienne, in a soft and&#13;
melancholy tone, which remarkably contrasted with the habitual vivacity&#13;
of her conversation. "It is a secret--a strange secret--and in those&#13;
moments of excitement, in which you have sometimes surprised me, I have&#13;
been thinking of extraordinary circumstances connected with this secret,&#13;
which awakened within me lofty and magnificent ideas."</p><p>Adrienne paused and was silent, absorbed in her own reflections.&#13;
Baleinier did not seek to disturb her. In the first place, Mdlle.&#13;
de Cardoville did not perceive the direction the coach was taking;&#13;
secondly, the doctor was not sorry to ponder over what he had just&#13;
heard. With his usual perspicuity, he saw that the Abbe d'Aigrigny&#13;
was concerned in this inheritance, and he resolved instantly to make a&#13;
secret report on the subject; either M. d'Aigrigny was acting under the&#13;
instructions of the Order, or by his own impulse; in the one event, the&#13;
report of the doctor would confirm a fact; in the other, it would reveal&#13;
one.</p><p>For some time, therefore, the lady and Dr. Baleinier remained perfectly&#13;
silent, no longer even disturbed by the noise of the wheels, for the&#13;
carriage now rolled over a thick carpet of snow, and the streets had&#13;
become more and more deserted. Notwithstanding his crafty treachery,&#13;
notwithstanding his audacity and the blindness of his dupe, the doctor&#13;
was not quite tranquil as to the result of his machinations. The&#13;
critical moment approached, and the least suspicion roused in the&#13;
mind of Adrienne by any inadvertence on his part, might ruin all his&#13;
projects.</p><p>Adrienne, already fatigued by the painful emotions of the day, shuddered&#13;
from time to time, as the cold became more and more piercing; in her&#13;
haste to accompany Dr. Baleinier, she had neglected to take either shawl&#13;
or mantle.</p><p>For some minutes the coach had followed the line of a very high wall,&#13;
which, seen through the snow, looked white against a black sky. The&#13;
silence was deep and mournful. Suddenly the carriage stopped, and&#13;
the footman went to knock at a large gateway; he first gave two rapid&#13;
knocks, and then one other at a long interval. Adrienne did not notice&#13;
the circumstance, for the noise was not loud, and the doctor had&#13;
immediately begun to speak, to drown with his voice this species of&#13;
signal.</p><p>"Here we are at last," said he gayly to Adrienne; "you must be very&#13;
winning--that is, you must be yourself."</p><p>"Be sure I will do my best," replied Adrienne, with a smile; then she&#13;
added, shivering in spite of herself: "How dreadfully cold it is! I must&#13;
confess, my dear Dr. Baleinier, that when I have been to fetch my poor&#13;
little relations from the house of our workman's mother, I shall be&#13;
truly glad to find myself once more in the warmth and light of my own&#13;
cheerful rooms, for you know my aversion to cold and darkness."</p><p>"It is quite natural," said the doctor, gallantly; "the most charming&#13;
flowers require the most light and heat."</p><p>Whilst the doctor and Mdlle. de Cardoville exchanged these few words,&#13;
a heavy gate had turned creaking upon its hinges, and the carriage had&#13;
entered a court-yard. The physician got down first, to offer his arm to&#13;
Adrienne.</p><p>CHAPTER XLIV. THE MINISTER'S CABINET.</p><p>The carriage had stopped before some steps covered with snow, which led&#13;
to a vestibule lighted by a lamp. The better to ascend the steps, which&#13;
were somewhat slippery, Adrienne leaned upon the doctor's arm.</p><p>"Dear me! how you tremble," said he.</p><p>"Yes," replied she, shuddering, "I feel deadly cold. In my haste, I&#13;
came out without a shawl. But how gloomy this house appears," she added,&#13;
pointing to the entrance.</p><p>"It is what you call the minister's private house, the sanctum&#13;
sanctorum, whither our statesman retires far from the sound of the&#13;
profane," said Dr. Baleinier, with a smile. "Pray come in!" and he&#13;
pushed open the door of a large hall, completely empty.</p><p>"They are right in saying," resumed Dr. Baleinier, who covered his&#13;
secret agitation with an appearance of gayety, "that a minister's house&#13;
is like nobody else's. Not a footman--not a page, I should say--to be&#13;
found in the antechamber. Luckily," added he, opening the door of a room&#13;
which communicated with the vestibule,</p><p>"'In this seraglio reared, I know the secret ways.'"</p><p>Mdlle. de Cardoville was now introduced into an apartment hung with&#13;
green embossed paper, and very simply furnished with mahogany chairs,&#13;
covered with yellow velvet; the floor was carefully polished, and&#13;
a globe lamp, which gave at most a third of its proper light, was&#13;
suspended (at a much greater height than usual) from the ceiling.&#13;
Finding the appearance of this habitation singularly plain for the&#13;
dwelling of a minister, Adrienne, though she had no suspicion, could not&#13;
suppress a movement of surprise and paused a moment on the threshold of&#13;
the door. M. Baleinier, by whose arm she held, guessed the cause of her&#13;
astonishment, and said to her with a smile:</p><p>"This place appears to you very paltry for 'his excellency,' does it&#13;
not? If you knew what a thing constitutional economy is!--Moreover,&#13;
you will see a 'my lord,' who has almost as little pretension as his&#13;
furniture. But please to wait for me an instant. I will go and inform&#13;
the minister you are here, and return immediately."</p><p>Gently disengaging himself from the grasp of Adrienne, who had&#13;
involuntarily pressed close to him, the physician opened a small side&#13;
door, by which he instantly disappeared. Adrienne de Cardoville was left&#13;
alone.</p><p>Though she could not have explained the cause of her impression, there&#13;
was something awe-inspiring to the young lady in this large, cold,&#13;
naked, curtainless room; and as, by degrees, she noticed certain&#13;
peculiarities in the furniture, which she had not at first perceived,&#13;
she was seized with an indefinable feeling of uneasiness.</p><p>Approaching the cheerless hearth, she perceived with surprise that an&#13;
iron grating completely enclosed the opening of the chimney, and that&#13;
the tongs and shovel were fastened with iron chains. Already astonished&#13;
by this singularity, she was about mechanically to draw towards her&#13;
an armchair placed against the wall, when she found that it remained&#13;
motionless. She then discovered that the back of this piece of&#13;
furniture, as well as that of all the other chairs, was fastened to the&#13;
wainscoting by iron clamps. Unable to repress a smile, she exclaimed:&#13;
"Have they so little confidence in the statesman in whose house I am,&#13;
that they are obliged to fasten the furniture to the walls?"</p><p>Adrienne had recourse to this somewhat forced pleasantry as a kind of&#13;
effort to resist the painful feeling of apprehension that was gradually&#13;
creeping over her; for the most profound and mournful silence reigned in&#13;
this habitation, where nothing indicated the life, the movement and the&#13;
activity, which usually surround a great centre of business. Only,&#13;
from time to time, the young lady heard the violent gusts of wind from&#13;
without.</p><p>More than a quarter of an hour had elapsed, and M. Baleinier did not&#13;
return. In her impatient anxiety, Adrienne wished to call some one to&#13;
inquire about the doctor and the minister. She raised her eyes to look&#13;
for a bell-rope by the side of the chimney-glass; she found none, but&#13;
she perceived, that what she had hitherto taken for a glass, thanks to&#13;
the half obscurity of the room, was in reality a large sheet of&#13;
shining tin. Drawing nearer to it, she accidentally touched a bronzed&#13;
candlestick; and this, as well as a clock, was fixed to the marble of&#13;
the chimney-piece.</p><p>In certain dispositions of mind, the most insignificant circumstances&#13;
often assume terrific proportions. This immovable candlestick, this&#13;
furniture fastened to the wainscot, this glass replaced by a tin sheet,&#13;
this profound silence, and the prolonged absence of M. Baleinier, had&#13;
such an effect upon Adrienne, that she was struck with a vague terror.&#13;
Yet such was her implicit confidence in the doctor, that she reproached&#13;
herself with her own fears, persuading herself that the causes of them&#13;
were after all of no real importance, and that it was unreasonable to&#13;
feel uneasy at such trifles.</p><p>Still, though she thus strove to regain courage, her anxiety induced her&#13;
to do what otherwise she would never have attempted. She approached the&#13;
little door by which the doctor had disappeared, and applied her ear to&#13;
it. She held her breath, and listened, but heard nothing.</p><p>Suddenly, a dull, heavy sound, like that of a falling body, was audible&#13;
just above her head; she thought she could even distinguish a stifled&#13;
moaning. Raising her eyes, hastily, she saw some particles of the&#13;
plaster fall from the ceiling, loosened, no doubt, by the shaking of the&#13;
floor above.</p><p>No longer able to resist the feeling of terror, Adrienne ran to the door&#13;
by which she had entered with the doctor, in order to call some one. To&#13;
her great surprise, she found it was fastened on the outside. Yet, since&#13;
her arrival, she had heard no sound of a key turning in the lock.</p><p>More and more alarmed, the young girl flew to the little door by which&#13;
the physician had disappeared, and at which she had just been listening.&#13;
This door also was fastened on the outside.</p><p>Still, wishing to struggle with the terror which was gaining invincibly&#13;
upon her, Adrienne called to her aid all the firmness of her character,&#13;
and tried to argue away her fears.</p><p>"I must have been deceived." she said; "it was only a fall that I heard.&#13;
The moaning had no existence, except in my imagination. There are a&#13;
thousand reasons for believing that it was not a person who fell down.&#13;
But, then, these locked doors? They, perhaps, do not know that I am&#13;
here; they may have thought that there was nobody in this room."</p><p>As she uttered these words, Adrienne looked round with anxiety; then&#13;
she added, in a firm voice: "No weakness! it is useless to try to blind&#13;
myself to my real situation. On the contrary, I must look it well in the&#13;
face. It is evident that I am not here at a minister's house; no end of&#13;
reasons prove it beyond a doubt; M. Baleinier has therefore deceived me.&#13;
But for what end? Why has he brought me hither? Where am I?"</p><p>The last two questions appeared to Adrienne both equally insoluble. It&#13;
only remained clear, that she was the victim of M. Baleinier's perfidy.&#13;
But this certainly seemed so horrible to the young girl's truthful&#13;
and generous soul, that she still tried to combat the idea by the&#13;
recollection of the confiding friendship which she had always shown this&#13;
man. She said to herself with bitterness: "See how weakness and fear&#13;
may lead one to unjust and odious suspicions! Yes; for until the&#13;
last extremity, it is not justifiable to believe in so infernal a&#13;
deception--and then only upon the clearest evidence. I will call some&#13;
one: it is the only way of completely satisfying these doubts." Then,&#13;
remembering that there was no bell, she added: "No matter; I will knock,&#13;
and some one will doubtless answer." With her little, delicate hand,&#13;
Adrienne struck the door several times.</p><p>The dull, heavy sound which came from the door showed that it was very&#13;
thick. No answer was returned to the young girl. She ran to the other&#13;
door. There was the same appeal on her part, the same profound silence&#13;
without--only interrupted from time to time by the howling of the wind.</p><p>"I am not more timid than other people," said Adrienne, shuddering;&#13;
"I do not know if it is the excessive cold, but I tremble in spite of&#13;
myself. I endeavor to guard against all weakness; yet I think that any&#13;
one in my position would find all this very strange and frightful."</p><p>At this instant, loud cries, or rather savage and dreadful howls, burst&#13;
furiously from the room just above, and soon after a sort of stamping&#13;
of feet, like the noise of a violent struggle, shook the ceiling of the&#13;
apartment. Struck with consternation, Adrienne uttered a loud cry of&#13;
terror became deadly pale, stood for a moment motionless with affright,&#13;
and then rushed to one of the windows, and abruptly threw it open.</p><p>A violent gust of wind, mixed with melted snow, beat against Adrienne's&#13;
face, swept roughly into the room, and soon extinguished the flickering&#13;
and smoky light of the lamp. Thus, plunged in profound darkness, with&#13;
her hands clinging to the bars that were placed across the window,&#13;
Mdlle. de Cardoville yielded at length to the full influence of her&#13;
fears, so long restrained, and was about to call aloud for help, when an&#13;
unexpected apparition rendered her for some minutes absolutely mute with&#13;
terror.</p><p>Another wing of the building, opposite to that in which she was, stood&#13;
at no great distance. Through the midst of the black darkness, which&#13;
filled the space between, one large, lighted window was distinctly&#13;
visible. Through the curtainless panes, Adrienne perceived a white&#13;
figure, gaunt and ghastly, dragging after it a sort of shroud, and&#13;
passing and repassing continually before the window, with an abrupt and&#13;
restless motion. Her eyes fixed upon this window, shining through the&#13;
darkness, Adrienne remained as if fascinated by that fatal vision: and,&#13;
as the spectacle filled up the measure of her fears, she called for help&#13;
with all her might, without quitting the bars of the window to which&#13;
she clung. After a few seconds, whilst she was thus crying out, two tall&#13;
women entered the room in silence, unperceived by Mdlle. de Cardoville,&#13;
who was still clinging to the window.</p><p>These women, of about forty to fifty years of age, robust and masculine,&#13;
were negligently and shabbily dressed, like chambermaids of the lower&#13;
sort; over their clothes they wore large aprons of blue cotton, cut&#13;
sloping from their necks, and reaching down to their feet. One of them,&#13;
who held a lamp in her hand, had a broad, red, shining face, a large&#13;
pimpled nose, small green eyes, and tow hair, which straggled rough and&#13;
shaggy from beneath her dirty white cap. The other, sallow, withered,&#13;
and bony, wore a mourning-cap over a parchment visage, pitted with&#13;
the small-pox, and rendered still more repulsive by the thick black&#13;
eyebrows, and some long gray hairs that overshadowed the upper lip. This&#13;
woman carried, half unfolded in her hand, a garment of strange form,&#13;
made of thick gray stuff.</p><p>They both entered silently by the little door, at the moment when&#13;
Adrienne, in the excess of her terror, was grasping the bars of the&#13;
window, and crying out: "Help! help!"</p><p>Pointing out the young lady to each other, one of them went to place the&#13;
lamp on the chimney-piece, whilst the other (she who wore the mourning&#13;
cap) approached the window, and laid her great bony hand upon Mdlle. de&#13;
Cardoville's shoulder.</p><p>Turning round, Adrienne uttered a new cry of terror at the sight of this&#13;
grim figure. Then, the first moment of stupor over, she began to feel&#13;
less afraid; hideous as was this woman, it was at least some one to&#13;
speak to; she exclaimed, therefore, in an agitated voice: "Where is M.&#13;
Baleinier?"</p><p>The two women looked at each other, exchanged a leer of mutual&#13;
intelligence, but did not answer.</p><p>"I ask you, madame," resumed Adrienne, "where is M. Baleinier, who&#13;
brought me hither? I wish to see him instantly."</p><p>"He is gone," said the big woman.</p><p>"Gone!" cried Adrienne; "gone without me!--Gracious heaven! what can&#13;
be the meaning of all this?" Then, after a moment's reflection, she&#13;
resumed, "Please to fetch me a coach."</p><p>The two women looked at each other, and shrugged their shoulders. "I&#13;
entreat you, madame," continued Adrienne, with forced calmness in her&#13;
voice, "to fetch me a coach since M. Baleinier is gone without me. I&#13;
wish to leave this place."</p><p>"Come, come, madame," said the tall woman, who was called "Tomboy,"&#13;
without appearing to listen to what Adrienne asked, "it is time for you&#13;
to go to bed."</p><p>"To go to bed!" cried Mdlle. Cardoville, in alarm. "This is really&#13;
enough to drive one mad." Then, addressing the two women, she added:&#13;
"What is this house? where am I? answer!"</p><p>"You are in a house," said Tomboy, in a rough voice, "where you must not&#13;
make a row from the window, as you did just now."</p><p>"And where you must not put out the lamp as you have done," added the&#13;
other woman, who was called Gervaise, "or else we shall have a crow to&#13;
pick with you."</p><p>Adrienne, unable to utter a word, and trembling with fear, looked in a&#13;
kind of stupor from one to the other of these horrible women; her reason&#13;
strove in vain to comprehend what was passing around her. Suddenly she&#13;
thought she had guessed it, and exclaimed: "I see there is a mistake&#13;
here. I do not understand how, but there is a mistake. You take me for&#13;
some one else. Do you know who I am? My name is Adrienne de Cardoville&#13;
You see, therefore, that I am at liberty to leave this house; no one in&#13;
the world has the right to detain me. I command you, then, to fetch me&#13;
a coach immediately. If there are none in this quarter, let me have some&#13;
one to accompany me home to the Rue de Babylone, Saint-Dizier House. I&#13;
will reward such a person liberally, and you also."</p><p>"Well, have you finished?" said Tomboy. "What is the use of telling us&#13;
all this rubbish?"</p><p>"Take care," resumed Adrienne, who wished to try every means; "if you&#13;
detain me here by force, it will be very serious. You do not know to&#13;
what you expose yourselves."</p><p>"Will you come to bed; yes or no?" said Gervaise, in a tone of harsh&#13;
impatience.</p><p>"Listen to me, madame," resumed Adrienne, precipitately, "let me out&#13;
this place, and I will give each of you two thousand francs. It is not&#13;
enough? I will give you ten--twenty--whatever you ask. I am rich--only&#13;
let me out for heaven's sake, let me out!--I cannot remain here--I&#13;
am afraid." As she said this, the tone of the poor girl's voice was&#13;
heartrending.</p><p>"Twenty thousand francs!--that's the usual figure, ain't it, Tomboy?"</p><p>"Let be, Gervaise! they all sing the same song."</p><p>"Well, then? since reasons, prayers, and menaces are all in vain," said&#13;
Adrienne gathering energy from her desperate position, "I declare to&#13;
you that I will go out and that instantly. We will see if you are bold&#13;
enough to employ force against me."</p><p>So saying, Adrienne advanced resolutely towards the door. But, at this&#13;
moment, the wild hoarse cries, which had preceded the noise of the&#13;
struggle that had so frightened her, again resounded; only, this time&#13;
they were not accompanied by the movement of feet.</p><p>"Oh! what screams!" said Adrienne, stopping short, and in her terror&#13;
drawing nigh to the two women. "Do you not hear those cries? What, then,&#13;
is this house, in which one hears such things? And over there, too,"&#13;
added she almost beside herself, as she pointed to the other wing where&#13;
the lighted windows shone through the darkness, and the white figure&#13;
continued to pass and repass before it; "over there! do you see? What is&#13;
it?"</p><p>"Oh! that 'un," said Tomboy; "one of the folks who, like you, have not&#13;
behaved well."</p><p>"What do you say?" cried Mdlle. de Cardoville, clasping her hands in&#13;
terror. "Heavens! what is this house? What do they do to them?"</p><p>"What will be done to you, if you are naughty, and refuse to come to&#13;
bed," answered Gervaise.</p><p>"They put this on them," said Tomboy, showing the garment that she had&#13;
held under her arm, "they clap 'em into the strait-waistcoast."</p><p>"Oh!" cried Adrienne, hiding her face in her hands with horror. A&#13;
terrible discovery had flashed suddenly upon her. She understood it all.</p><p>Capping the violent emotions of the day, the effect of this last blow&#13;
was dreadful. The young girl felt her strength give way. Her hands fell&#13;
powerless, her face became fearfully pale, all her limbs trembled, and&#13;
sinking upon her knees, and casting a terrified glance at the strait&#13;
waistcoat she was just able to falter in a feeble voice, "Oh, no:--not&#13;
that--for pity's sake, madame. I will do--whatever you wish." And, her&#13;
strength quite failing, she would have fallen upon the ground if the&#13;
two women had not run towards her, and received her fainting into their&#13;
arms.</p><p>"A fainting fit," said Tomboy; "that's not dangerous. Let us carry her&#13;
to bed. We can undress her, and this will be all nothing."</p><p>"Carry her, then," said Gervaise. "I will take the lamp."</p><p>The tall and robust Tomboy took up Mdlle. de Cardoville as if she&#13;
had been a sleeping child, carried her in her arms, and followed her&#13;
companion into the chamber through which M. Baleinier had made his exit.</p><p>This chamber, though perfectly clean, was cold and bare. A greenish&#13;
paper covered the walls, and a low, little iron bedstead, the head of&#13;
which formed a kind of shelf, stood in one corner; a stove, fixed in the&#13;
chimney-place, was surrounded by an iron grating, which forbade a near&#13;
approach; a table fastened to the wall, a chair placed before this&#13;
table, and also clamped to the floor, a mahogany chest of drawers, and&#13;
a rush bottomed armchair completed the scanty furniture. The curtainless&#13;
window was furnished on the inside with an iron grating, which served to&#13;
protect the panes from being broken.</p><p>It was into this gloomy retreat, which formed so painful a contrast with&#13;
the charming little summer-house in the Rue de Babylone, that Adrienne&#13;
was carried by Tomboy, who, with the assistance of Gervaise, placed the&#13;
inanimate form on the bed. The lamp was deposited on the shelf at the&#13;
head of the couch. Whilst one of the nurses held her up, the other&#13;
unfastened and took off the cloth dress of the young girl, whose head&#13;
drooped languidly on her bosom. Though in a swoon, large tears trickled&#13;
slowly from her closed eyes, whose long black lashes threw their shadows&#13;
on the transparent whiteness of her cheeks. Over her neck and breast of&#13;
ivory flowed the golden waves of her magnificent hair, which had come&#13;
down at the time of her fall. When, as they unlaced her satin corset,&#13;
less soft, less fresh, less white than the virgin form beneath, which&#13;
lay like a statue of alabaster in its covering of lace and lawn, one of&#13;
the horrible hags felt the arms and shoulders of the young girl with&#13;
her large, red, horny, and chapped hands. Though she did not completely&#13;
recover the use of her senses, she started involuntarily from the rude&#13;
and brutal touch.</p><p>"Hasn't she little feet?" said the nurse, who, kneeling down, was&#13;
employed in drawing off Adrienne's stockings. "I could hold them both&#13;
in the hollow of my hand." In fact, a small, rosy foot, smooth as a&#13;
child's, here and there veined with azure, was soon exposed to view, as&#13;
was also a leg with pink knee and ankle, of as pure and exquisite a form&#13;
as that of Diana Huntress.</p><p>"And what hair!" said Tomboy; "so long and soft!--She might almost walk&#13;
upon it. 'Twould be a pity to cut it off, to put ice upon her skull!" As&#13;
she spoke, she gathered up Adrienne's magnificent hair, and twisted it&#13;
as well as she could behind her head. Alas! it was no longer the fair,&#13;
light hand of Georgette, Florine, or Hebe that arranged the beauteous&#13;
locks of their mistress with so much love and pride!</p><p>And as she again felt the rude touch of the nurse's hand, the young&#13;
girl was once more seized with the same nervous trembling, only more&#13;
frequently and strongly than before. And soon, whether by a sort of&#13;
instinctive repulsion, magnetically excited during her swoon, or from&#13;
the effect of the cold night air, Adrienne again started and slowly came&#13;
to herself.</p><p>It is impossible to describe her alarm, horror, and chaste indignation,&#13;
as, thrusting aside with both her hands the numerous curls that covered&#13;
her face, bathed in tears, she saw herself half-naked between these&#13;
filthy hags. At first, she uttered a cry of shame and terror; then to&#13;
escape from the looks of the women, by a movement, rapid as thought, she&#13;
drew down the lamp placed on the shelf at the head of her bed, so that&#13;
it was extinguished and broken to pieces on the floor. After which, in&#13;
the midst of the darkness, the unfortunate girl, covering herself with&#13;
the bed-clothes, burst into passionate sobs.</p><p>The nurses attributed Adrienne's cry and violent actions to a fit of&#13;
furious madness. "Oh! you begin again to break the lamps--that's your&#13;
partickler fancy, is it?" cried Tomboy, angrily, as she felt her way&#13;
in the dark. "Well! I gave you fair warning. You shall have the strait&#13;
waistcoat on this very night, like the mad gal upstairs."</p><p>"That's it," said the other; "hold her fast, Tommy, while I go and fetch&#13;
a light. Between us, we'll soon master her."</p><p>"Make haste, for, in spite of her soft look, she must be a regular fury.&#13;
We shall have to sit up all night with her, I suppose."</p><p>Sad and painful contrast! That morning, Adrienne had risen free,&#13;
smiling, happy, in the midst of all the wonders of luxury and art, and&#13;
surrounded by the delicate attentions of the three charming girls whom&#13;
she had chosen to serve her. In her generous and fantastic mood, she&#13;
had prepared a magnificent and fairy-like surprise for the young Indian&#13;
prince, her relation; she had also taken a noble resolution with regard&#13;
to the two orphans brought home by Dagobert; in her interview with Mme.&#13;
de Saint-Dizier, she had shown herself by turns proud and sensitive,&#13;
melancholy and gay, ironical and serious, loyal and courageous; finally,&#13;
she had come to this accursed house to plead in favor of an honest and&#13;
laborious artisan.</p><p>And now, in the evening delivered over by an atrocious piece of&#13;
treachery to the ignoble hands of two coarse-minded muses in a&#13;
madhouse--Mdlle. de Cardoville felt her delicate limbs imprisoned in&#13;
that abominable garment, which is called a strait-waistcoat.</p><p>Mdlle. de Cardoville passed a horrible night in company with the two&#13;
hags. The next morning, at nine o'clock, what was the young lady's&#13;
stupor to see Dr. Baleinier enter the room, still smiling with an air at&#13;
once benevolent and paternal.</p><p>"Well, my dear child?" said he, in a bland, affectionate voice; "how&#13;
have we spent the night?"</p><p>CHAPTER XLV. THE VISIT.</p><p>The keepers, yielding to Mdlle. de Cardoville's prayers, and, above all,&#13;
to her promises of good behavior, had only left on the canvas jacket a&#13;
portion of the time. Towards morning, they had allowed her to rise and&#13;
dress herself, without interfering.</p><p>Adrienne was seated on the edge of her bed. The alteration in her&#13;
features, her dreadful paleness, the lurid fire of fever shining in&#13;
her eyes, the convulsive trembling which ever and anon shook her&#13;
frame, showed already the fatal effects of this terrible night upon a&#13;
susceptible and high-strung organization. At sight of Dr. Baleinier,&#13;
who, with a sign, made Gervaise and her mate leave the room, Adrienne&#13;
remained petrified.</p><p>She felt a kind of giddiness at the thought of the audacity of the man,&#13;
who dared to present himself to her! But when the physician repeated,&#13;
in the softest tone of affectionate interest: "Well, my poor child! how&#13;
have we spent the night?" she pressed her hands to her burning forehead,&#13;
as if in doubt whether she was awake or sleeping. Then, staring at the&#13;
doctor, she half opened her lips; but they trembled so much that it was&#13;
impossible for her to utter a word. Anger, indignation, contempt, and,&#13;
above all, the bitter and acutely painful feeling of a generous heart,&#13;
whose confidence has been basely betrayed, so overpowered Adrienne that&#13;
she was unable to break the silence.</p><p>"Come, come! I see how it is," said the doctor, shaking his head&#13;
sorrowfully; "you are very much displeased with me--is it not so? Well!&#13;
I expected it, my dear child."</p><p>These words, pronounced with the most hypocritical effrontery, made&#13;
Adrienne start up. Her pale cheek flushed, her large eyes sparkled, she&#13;
lifted proudly her beautiful head, whilst her upper lip curled slightly&#13;
with a smile of disdainful bitterness; then, passing in angry silence&#13;
before M. Baleinier, who retained his seat, she directed her swift and&#13;
firm steps towards the door. This door, in which was a little wicket,&#13;
was fastened on the outside. Adrienne turned towards the doctor, and&#13;
said to him, with an imperious gesture; "Open that door for me!"</p><p>"Come, my dear Mdlle. Adrienne," said the physician, "be calm. Let us&#13;
talk like good friends--for you know I am your friend." And he inhaled&#13;
slowly a pinch of snuff.</p><p>"It appears, sir," said Adrienne, in a voice trembling with indignation,&#13;
"I am not to leave this place to-day?"</p><p>"Alas! no. In such a state of excitement--if you knew how inflamed your&#13;
face is, and your eyes so feverish, your pulse must be at least eighty&#13;
to the minute--I conjure you, my dear child, not to aggravate your&#13;
symptoms by this fatal agitation."</p><p>After looking fixedly at the doctor, Adrienne returned with a slow step,&#13;
and again took her seat on the edge of the bed. "That is right," resumed&#13;
M. Baleinier: "only be reasonable; and, as I said before, let us talk&#13;
together like good friends."</p><p>"You say well, sir," replied Adrienne, in a collected and perfectly calm&#13;
voice; "let us talk like friends. You wish to make me pass for mad--is&#13;
it not so?"</p><p>"I wish, my dear child, that one day you may feel towards me as much&#13;
gratitude as you now do aversion. The latter I had fully foreseen--but,&#13;
however painful may be the performance of certain duties, we must resign&#13;
ourselves to it."</p><p>M. Baleinier sighed, as he said this, with such a natural air of&#13;
conviction, that for a moment Adrienne could not repress a movement of&#13;
surprise; then, while her lip curled with a bitter laugh, she answered:&#13;
"Oh, it's very clear, you have done all this for my good?"</p><p>"Really, my dear young lady--have I ever had any other design than to be&#13;
useful to you?"</p><p>"I do not know, sir, if your impudence be not still more odious than&#13;
your cowardly treachery!"</p><p>"Treachery!" said M. Baleinier, shrugging his shoulders with a grieved&#13;
air; "treachery, indeed! Only reflect, my poor child--do you think, if&#13;
I were not acting with good faith, conscientiously, in your interest,&#13;
I should return this morning to meet your indignation, for which I was&#13;
fully prepared? I am the head physician of this asylum, which belongs&#13;
to me--but I have two of my pupils here, doctors, like myself--and might&#13;
have left them to take care of you but, no--I could not consent to it--I&#13;
knew your character, your nature, your previous history, and (leaving&#13;
out of the question the interest I feel for you) I can treat your case&#13;
better than any one."</p><p>Adrienne had heard M. Baleinier without interrupting him; she now looked&#13;
at him fixedly, and said: "Pray, sir, how much do they pay you to make&#13;
me pass for mad?"</p><p>"Madame!" cried M. Baleinier, who felt stung in spite of, himself.</p><p>"You know I am rich," continued Adrienne, with overwhelming disdain;&#13;
"I will double the sum that they give you. Come, sir--in the name of&#13;
friendship, as you call it, let me have the pleasure of outbidding&#13;
them."</p><p>"Your keepers," said M. Baleinier, recovering all his coolness, "have&#13;
informed me, in their report of the night's proceedings, that you made&#13;
similar propositions to them."</p><p>"Pardon me, sir; I offered them what might be acceptable to poor women,&#13;
without education, whom misfortune has forced to undertake a painful&#13;
employment--but to you, sir a man of the world, a man of science, a man&#13;
of great abilities--that is quite different--the pay must be a great&#13;
deal higher. There is treachery at all prices; so do not found your&#13;
refusal on the smallness of my offer to those wretched women. Tell&#13;
me--how much do you want?"</p><p>"Your keepers, in their report of the night, have also spoken of&#13;
threats," resumed M. Baleinier, with the same coolness; "have you any&#13;
of those likewise to address me? Believe me, my poor child, you will&#13;
do well to exhaust at once your attempts at corruption, and your vain&#13;
threats of vengeance. We shall then come to the true state of the case."</p><p>"So you deem my threats vain!" cried Mdlle. de Cardoville, at length&#13;
giving way to the full tide of her indignation, till then restrained.&#13;
"Do you think, sir, that when I leave this place--for this outrage must&#13;
have an end--that I will not proclaim aloud your infamous treachery? Do&#13;
you think chat I will not denounce to the contempt and horror of all,&#13;
your base conspiracy with Madame de Saint-Dizier? Oh! do you think that&#13;
I will conceal the frightful treatment I have received! But, mad as&#13;
I may be, I know that there are laws in this country, by which I&#13;
will demand a full reparation for myself, and shame, disgrace, and&#13;
punishment, for you, and for those who have employed you! Henceforth,&#13;
between you and me will be hate and war to the death; and all my&#13;
strength, all my intelligence--"</p><p>"Permit me to interrupt you, my dear Mdlle. Adrienne," said the doctor,&#13;
still perfectly calm and affectionate: "nothing can be more unfavorable&#13;
to your cure, than to cherish idle hopes: they will only tend to keep&#13;
up a state of deplorable excitement: it is best to put the facts fairly&#13;
before you, that you may understand clearly your position.</p><p>"1. It is impossible for you to leave this house. 2. You can have no&#13;
communication with any one beyond its walls. 3. No one enters here that&#13;
I cannot perfectly depend upon. 4. I am completely indifferent to your&#13;
threats of vengeance because law and reason are both in my favor."</p><p>"What! have you the right to shut me up here?"</p><p>"We should never have come to that determination, without a number of&#13;
reasons of the most serious kind."</p><p>"Oh! there are reasons for it, it seems."</p><p>"Unfortunately, too many."</p><p>"You will perhaps inform me of them?"</p><p>"Alas! they are only too conclusive; and if you should ever apply to&#13;
the protection of the laws, as you threatened me just now, we should be&#13;
obliged to state them. The fantastical eccentricity of your manner of&#13;
living, your whimsical mode of dressing up your maids, your extravagant&#13;
expenditure, the story of the Indian prince, to whom you offered a royal&#13;
hospitality, your unprecedented resolution of going to live by yourself,&#13;
like a young bachelor, the adventure of the man found concealed in your&#13;
bed-chamber; finally, the report of your yesterday's conversation, which&#13;
was faithfully taken down in shorthand, by a person employed for that&#13;
purpose."</p><p>"Yesterday?" cried Adrienne, with as much indignation as surprise.</p><p>"Oh, yes! to be prepared for every event, in case you should&#13;
misinterpret the interest we take in you, we had all your answers&#13;
reported by a man who was concealed behind a curtain in the next room;&#13;
and really, one day, in a calmer state of mind, when you come to read&#13;
over quietly the particulars of what took place, you will no longer be&#13;
astonished at the resolution we have been forced to adopt."</p><p>"Go on, sir," said Adrienne, with contempt.</p><p>"The facts I have cited being thus confirmed and acknowledged, you will&#13;
understand, my dear Mdlle. Adrienne, that your friends are perfectly&#13;
free from responsibility. It was their duty to endeavor to cure this&#13;
derangement of mind, which at present only shows itself in idle whims,&#13;
but which, were it to increase, might seriously compromise the happiness&#13;
of your future life. Now, in my opinion, we may hope to see a radical&#13;
cure, by means of a treatment at once physical and moral; but the first&#13;
condition of this attempt was to remove you from the scenes which so&#13;
dangerously excited your imagination; whilst a calm retreat, the repose&#13;
of a simple and solitary life combined with my anxious, I may say,&#13;
paternal care, will gradually bring about a complete recovery--"</p><p>"So, sir," said Adrienne, with a bitter laugh, "the love of a noble&#13;
independence, generosity, the worship of the beautiful, detestation of&#13;
what is base and odious, such are the maladies of which you wish to cure&#13;
me; I fear that my case is desperate, for my aunt has long ago tried to&#13;
effect that benevolent purpose."</p><p>"Well, we may perhaps not succeed; but at least we will attempt it. You&#13;
see, then, there is a mass of serious facts, quite enough to justify the&#13;
determination come to by the family-council, which puts me completely at&#13;
my ease with regard to your menaces. It is to that I wish to return; a&#13;
man of my age and condition never acts lightly--in such circumstances,&#13;
and you can readily understand what I was saying to you just now. In a&#13;
word, do not hope to leave this place before your complete recovery,&#13;
and rest assured, that I am and shall ever be safe from your resentment.&#13;
This being once admitted, let us talk of your actual state with all the&#13;
interest that you naturally inspire."</p><p>"I think, sir, that, considering I am mad, you speak to me very&#13;
reasonably."</p><p>"Mad! no, thank heaven, my poor child, you are not mad yet--and I hope&#13;
that, by my care, you will never be so. It is to prevent your becoming&#13;
mad, that one must take it in time; and believe me, it is full time. You&#13;
look at me with such an air of surprise--now tell me, what interest can&#13;
I have in talking to you thus? Is it the hatred of your aunt that I wish&#13;
to favor? To what end, I would ask? What can she do for me or against&#13;
me? I think of her at this moment neither more nor less than I thought&#13;
yesterday. Is it a new language that I hold to yourself? Did I not speak&#13;
to you yesterday many times, of the dangerous excitement of mind in&#13;
which you were, and of your singular whims and fancies? It is true,&#13;
I made use of stratagem to bring you hither. No doubt, I did so. I&#13;
hastened to avail myself of the opportunity, which you yourself offered,&#13;
my poor, dear child; for you would never have come hither with your own&#13;
good will. One day or the other, we must have found some pretext to get&#13;
you here: and I said to myself; 'Her interest before all! Do your duty,&#13;
let whatever will betide!'--"</p><p>Whilst M. Baleinier was speaking, Adrienne's countenance, which had&#13;
hitherto expressed alternately indignation and disdain, assumed an&#13;
indefinable look of anguish and horror. On hearing this man talk in such&#13;
a natural manner, and with such an appearance of sincerity, justice and&#13;
reason, she felt herself more alarmed than ever. An atrocious deception,&#13;
clothed in such forms, frightened her a hundred times more than the&#13;
avowed hatred of Madame de Saint-Dizier. This audacious hypocrisy seemed&#13;
to her so monstrous, that she believed it almost impossible.</p><p>Adrienne had so little the art of hiding her emotions, that the&#13;
doctor, a skillful and profound physiognomist, instantly perceived the&#13;
impression he had produced. "Come," said he to himself, "that is a great&#13;
step. Fright has succeeded to disdain and anger. Doubt will come next.&#13;
I shall not leave this place, till she has said to me: 'Return soon, my&#13;
good M. Baleinier!'" With a voice of sorrowful emotion, which seemed to&#13;
come from the very depths of his heart, the doctor thus continued: "I&#13;
see, you are still suspicious of me. All I can say to you is falsehood,&#13;
fraud, hypocrisy, hate--is it not so?--Hate you? why, in heaven's name,&#13;
should I hate you? What have you done to me? or rather--you will perhaps&#13;
attach more value to this reason from a man of my sort," added M.&#13;
Baleinier, bitterly, "or rather, what interest have I to hate you?--You,&#13;
that have only been reduced to the state in which you are by an over&#13;
abundance of the most generous instincts--you, that are suffering, as&#13;
it were, from an excess of good qualities--you can bring yourself coolly&#13;
and deliberately to accuse an honest man, who has never given you any&#13;
but marks of affection, of the basest, the blackest, the most abominable&#13;
crime, of which a human being could be guilty. Yes, I call it a crime;&#13;
because the audacious deception of which you accuse me would not deserve&#13;
any other name. Really, my poor child, it is hard--very hard--and I now&#13;
see, that an independent spirit may sometimes exhibit as much injustice&#13;
and intolerance as the most narrow mind. It does not incense me--no--it&#13;
only pains me: yes, I assure you--it pains me cruelly." And the doctor&#13;
drew his hand across his moist eyes.</p><p>It is impossible to give the accent, the look, the gesture of M.&#13;
Baleinier, as he thus expressed himself. The most able and practiced&#13;
lawyer, or the greatest actor in the world, could not have played this&#13;
scene with more effect than the doctor--or rather, no one could have&#13;
played it so well--M. Baleinier, carried away by the influence of the&#13;
situations, was himself half convinced of what he said.</p><p>In few words, he felt all the horror of his own perfidy but he felt also&#13;
that Adrienne could not believe it; for there are combinations of&#13;
such nefarious character, that pure and upright minds are unable to&#13;
comprehend them as possible. If a lofty spirit looks down into the abyss&#13;
of evil, beyond a certain depth it is seized with giddiness, and no&#13;
longer able to distinguish one object from the other.</p><p>And then the most perverse of men have a day, an hour, a moment, in&#13;
which the good instincts, planted in the heart of every creature, appear&#13;
in spite of themselves. Adrienne was too interesting, was in too cruel a&#13;
position, for the doctor mot to feel some pity for her in his heart; the&#13;
tone of sympathy, which for some time past he had been obliged to assume&#13;
towards her, and the sweet confidence of the young girl in return, had&#13;
become for this man habitual and necessary ratifications. But sympathy&#13;
and habit were now to yield to implacable necessity.</p><p>Thus the Marquis d'Aigrigny had idolized his mother; dying, she called&#13;
him to her--and he turned away from the last prayer of a parent in the&#13;
agony of death. After such an example, how could M. Baleinier hesitate&#13;
to sacrifice Adrienne? The members of the Order, of which he formed a&#13;
part, were bound to him--but he was perhaps still more strongly bound to&#13;
them, for a long partnership in evil creates terrible and indissoluble&#13;
ties.</p><p>The moment M. Baleinier finished his fervid address to Mdlle. de&#13;
Cardoville, the slide of the wicket in the door was softly pushed back,&#13;
and a pair of eyes peered attentively into the chamber, unperceived by&#13;
the doctor.</p><p>Adrienne could not withdraw her gaze from the physician's, which seemed&#13;
to fascinate her. Mute, overpowered, seized with a vague terror, unable&#13;
to penetrate the dark depths of this man's soul, moved in spite of&#13;
herself by the accent of sorrow, half feigned and half real--the young&#13;
lady had a momentary feeling of doubt. For the first time, it came into&#13;
her mind, that M. Baleinier might perhaps be committing a frightful&#13;
error--committing it in good faith.</p><p>Besides, the anguish of the past night, the dangers of her position,&#13;
her feverish agitation, all concurred to fill her mind with trouble and&#13;
indecision. She looked at the physician with ever increasing surprise,&#13;
and making a violent effort not to yield to a weakness, of which she&#13;
partly foresaw the dreadful consequences, she exclaimed: "No, no, sir;&#13;
I will not, I cannot believe it. You have too much skill, too much&#13;
experience, to commit such an error."</p><p>"An error!" said M. Baleinier, in a grave and sorrowful tone. "Let me&#13;
speak to you in the name of that skill and experience, which you are&#13;
pleased to ascribe to me. Hear me but for a moment, my dear child; and&#13;
then I will appeal to yourself."</p><p>"To me!" replied the young girl, in a kind of stupor; "you wish to&#13;
persuade me, that--" Then, interrupting herself, she added, with a&#13;
convulsive laugh: "This only is wanting to your triumph--to bring me to&#13;
confess that I am mad--that my proper place is here--that I owe you--"</p><p>"Gratitude. Yes, you do owe it me, even as I told you at the&#13;
commencement of this conversation. Listen to me then; my words may be&#13;
cruel, but there are wounds which can only be cured with steel and fire.&#13;
I conjure you, my dear child--reflect--throw back one impartial glance&#13;
at your past life--weigh your own thoughts--and you will be afraid of&#13;
yourself. Remember those moments of strange excitement, during which,&#13;
as you have told me, you seemed to soar above the earth--and, above all,&#13;
while it is yet time--while you preserve enough clearness of mind to&#13;
compare and judge--compare, I entreat, your manner of living with that&#13;
of other ladies of your age? Is there a single one who acts as you&#13;
act? who thinks as you think? unless, indeed, you imagine yourself so&#13;
superior to other women, that, in virtue of that supremacy, you can&#13;
justify a life and habits that have no parallel in the world."</p><p>"I have never had such stupid pride, you know it well," said Adrienne,&#13;
looking at the doctor with growing terror.</p><p>"Then, my dear child, to what are we to attribute your strange and&#13;
inexplicable mode of life? Can you even persuade yourself that it is&#13;
founded on reason? Oh, my child! take care?--As yet, you only indulge&#13;
in charming originalities of conduct, poetical eccentricities, sweet&#13;
and vague reveries--but the tendency is fatal, the downward course&#13;
irresistible. Take care, take care!--the healthful, graceful, spiritual&#13;
portion of your intelligence has yet the upper hand, and imprints its&#13;
stamp upon all your extravagances; but you do not know, believe me, with&#13;
what frightful force the insane portion of the mind, at a given moment,&#13;
develops itself and strangles up the rest. Then we have no longer&#13;
graceful eccentricities, like yours, but ridiculous, sordid, hideous&#13;
delusions."</p><p>"Oh! you frighten me," said the unfortunate girl, as she passed her&#13;
trembling hands across her burning brow.</p><p>"Then," continued M. Baleinier, in an agitated voice, "then the last&#13;
rays of intelligence are extinguished; then madness--for we must&#13;
pronounce the dreaded word--gets the upper hand, and displays itself in&#13;
furious and savage transports."</p><p>"Like the woman upstairs," murmured Adrienne, as, with fixed and eager&#13;
look, she raised her finger towards the ceiling.</p><p>"Sometimes," continued the doctor, alarmed himself at the terrible&#13;
consequences of his own words, but yielding to the inexorable fatality&#13;
of his situation, "sometimes madness takes a stupid and brutal form; the&#13;
unfortunate creature, who is attacked by it, preserves nothing human&#13;
but the shape--has only the instincts of the lower animals--eats with&#13;
voracity, and moves ever backwards and forwards in the cell, in which&#13;
such a being is obliged to be confined. That is all its life--all."</p><p>"Like the woman yonder." cried Adrienne, with a still wilder look, as&#13;
she slowly raised her arm towards the window that was visible on the&#13;
other side of the building.</p><p>"Why--yes," said M. Baleinier. "Like you, unhappy child, those women&#13;
were young, fair, and sensible, but like you, alas! they had in them the&#13;
fatal germ of insanity, which, not having been destroyed in time, grew,&#13;
and grew, larger and ever larger, until it overspread and destroyed&#13;
their reason."</p><p>"Oh, mercy!" cried Mdlle. de Cardoville, whose head was getting confused&#13;
with terror; "mercy! do not tell me such things!--I am afraid. Take&#13;
me from this place--oh! take me from this place!" she added, with a&#13;
heartrending accent; "for, if I remain here, I shall end by going mad!&#13;
No," added she, struggling with the terrible agony which assailed her,&#13;
"no, do not hope it! I shall not become mad. I have all my reason. I&#13;
am not blind enough to believe what you tell me. Doubtless, I live&#13;
differently from others; think differently from others; am shocked by&#13;
things that do not offend others; but what does all this prove? Only&#13;
that I am different from others. Have I a bad heart? Am I envious or&#13;
selfish? My ideas are singular, I knew--yes, I confess it--but then,&#13;
M. Baleinier, is not their tendency good, generous, noble!--Oh!" cried&#13;
Adrienne's supplicating voice, while her tears flowed abundantly, "I&#13;
have never in my life done one malicious action; my worst errors have&#13;
arisen from excess of generosity. Is it madness to wish to see everybody&#13;
about one too happy? And again, if you are mad, you must feel it&#13;
yourself--and I do not feel it--and yet--I scarcely know--you tell me&#13;
such terrible things of those two women! You ought to know these things&#13;
better than I. But then," added Mdlle, de Cardoville, with an accent&#13;
of the deepest despair, "something ought to have been done. Why, if you&#13;
felt an interest for me, did you wait so long? Why did you not take pity&#13;
on me sooner? But the most frightful fact is, that I do not know whether&#13;
I ought to believe you--for all this may be a snare--but no, no!&#13;
you weep--it is true, then!--you weep!" She looked anxiously at M.&#13;
Baleinier, who, notwithstanding his cynical philosophy, could not&#13;
restrain his tears at the sight of these nameless tortures.</p><p>"You weep over me," she continued; "so it is true! But (good heaven!)&#13;
must there not be something done? I will do all that you wish--all--so&#13;
that I may not be like those women. But if it should be too late? no, it&#13;
is not too late--say it is not too late, my good M. Baleinier! Oh, now&#13;
I ask your pardon for what I said when you came in--but then I did not&#13;
know, you see--I did not know!"</p><p>To these few broken words, interrupted by sobs, and rushing forth in a&#13;
sort of feverish excitement, succeeded a silence of some minutes, during&#13;
which the deeply affected physician dried his tears. His resolution&#13;
had almost failed him. Adrienne hid her face in her hands. Suddenly she&#13;
again lifted her head; her countenance was calmer than before, though&#13;
agitated by a nervous trembling.</p><p>"M. Baleinier," she resumed, with touching dignity, "I hardly know what&#13;
I said to you just now. Terror, I think, made me wander; I have again&#13;
collected myself. Hear me! I know that I am in your power; I know that&#13;
nothing can deliver me from it. Are you an implacable enemy? or are you&#13;
a friend? I am not able to determine. Do you really apprehend, as&#13;
you assure me, that what is now eccentricity will hereafter become&#13;
madness--or are you rather the accomplice in some infernal machination?&#13;
You alone can answer. In spite of my boasted courage, I confess myself&#13;
conquered. Whatever is required of me--you understand, whatever it may&#13;
be, I will subscribe to, I give you my word and you know that I hold it&#13;
sacred--you have therefore no longer any interest to keep me here. If,&#13;
on the contrary, you really think my reason in danger--and I own that&#13;
you have awakened in my mind vague, but frightful doubts--tell it me,&#13;
and I will believe you. I am alone, at your mercy, without friends,&#13;
without counsel. I trust myself blindly to you. I know not whether I&#13;
address myself to a deliverer or a destroyer--but I say to you--here is&#13;
my happiness--here is my life--take it--I have no strength to dispute it&#13;
with you!"</p><p>These touching words, full of mournful resignation and almost hopeless&#13;
reliance, gave the finishing stroke to the indecision of M. Baleinier.&#13;
Already deeply moved by this scene, and without reflecting on the&#13;
consequences of what he was about to do, he determined at all events&#13;
to dissipate the terrible and unjust fears with which he had inspired&#13;
Adrienne. Sentiments of remorse and pity, which now animated the&#13;
physician, were visible in his countenance.</p><p>Alas! they were too visible. The moment he approached to take the hand&#13;
of Mdlle. de Cardoville, a low but sharp voice exclaimed from behind the&#13;
wicket: "M. Baleinier!"</p><p>"Rodin!" muttered the startled doctor to himself; "he's been spying on&#13;
me!"</p><p>"Who calls you?" asked the lady of the physician.</p><p>"A person that I promised to meet here this morning." replied he, with&#13;
the utmost depression, "to go with him to St. Mary's Convent, which is&#13;
close at hand."</p><p>"And what answer have you to give me?" said Adrienne with mortal&#13;
anguish.</p><p>After a moment's solemn silence, during which he turned his face towards&#13;
the wicket, the doctor replied, in a voice of deep emotion: "I am--what&#13;
I have always been--a friend incapable of deceiving you."</p><p>Adrienne became deadly pale. Then, extending her hand to M. Baleinier,&#13;
she said to him in a voice that she endeavored to render calm: "Thank&#13;
you--I will have courage--but will it be very long?"</p><p>"Perhaps a month. Solitude, reflection, a proper regimen, my attentive&#13;
care, may do much. You will be allowed everything that is compatible&#13;
with your situation. Every attention will be paid you. If this room&#13;
displeases you, I will see you have another."</p><p>"No--this or another--it is of little consequence," answered Adrienne,&#13;
with an air of the deepest dejection.</p><p>"Come, come! be of good courage. There is no reason to despair."</p><p>"Perhaps you flatter me," said Adrienne with the shadow of a smile.&#13;
"Return soon," she added, "my dear M. Baleinier! my only hope rests in&#13;
you now."</p><p>Her head fell upon her bosom, her hands upon her knees and she remained&#13;
sitting on the edge of the bed, pale, motionless, overwhelmed with woe.</p><p>"Mad!" she said when M. Baleinier had disappeared. "Perhaps mad!"</p><p>We have enlarged upon this episode much less romantic than it may&#13;
appear. Many times have motives of interest or vengeance or perfidious&#13;
machination led to the abuse of the imprudent facility with which&#13;
inmates are received in certain private lunatic asylums from the hands&#13;
of their families or friends.</p><p>We shall subsequently explain our views, as to the establishment of a&#13;
system of inspection, by the crown or the civil magistrates, for&#13;
the periodical survey of these institutions, and others of no less&#13;
importance, at present placed beyond the reach of all superintendence.&#13;
These latter are the nunneries of which we will presently have an&#13;
example.</p><p>CHAPTER XLVI. PRESENTIMENTS.</p><p>Whilst the preceding events took place in Dr. Baleinier's asylum, other&#13;
scenes were passing about the same hour, at Frances Baudoin's, in the&#13;
Rue Brise-Miche.</p><p>Seven o'clock in the morning had just struck at St. Mary church; the day&#13;
was dark and gloomy, and the sleet rattled against the windows of the&#13;
joyless chamber of Dagobert's wife.</p><p>As yet ignorant of her son's arrest, Frances had waited for him the&#13;
whole of the preceding evening, and a good part of the night, with the&#13;
most anxious uneasiness; yielding at length to fatigue and sleep, about&#13;
three o'clock in the morning, she had thrown herself on a mattress&#13;
beside the bed of Rose and Blanche. But she rose with the first dawn&#13;
of day, to ascend to Agricola's garret, in the very faint hope that he&#13;
might have returned home some hours before.</p><p>Rose and Blanche had just risen, and dressed themselves. They were alone&#13;
in the sad, chilly apartment. Spoil-sport, whom Dagobert had left in&#13;
Paris, was stretched at full length near the cold stove; with his long&#13;
muzzle resting on his forepaws, he kept his eye fixed on the sisters.</p><p>Having slept but little during the night, they had perceived the&#13;
agitation and anguish of Dagobert's wife. They had seen her walk up and&#13;
down, now talking to herself, now listening to the least noise that came&#13;
up the staircase, and now kneeling before the crucifix placed at one&#13;
extremity of the room. The orphans were not aware, that, whilst she&#13;
brayed with fervor on behalf of her son, this excellent woman was&#13;
praying for them also. For the state of their souls filled her with&#13;
anxiety and alarm.</p><p>The day before, when Dagobert had set out for Chartres, Frances, having&#13;
assisted Rose and Blanche to rise, had invited them to say their morning&#13;
prayer: they answered with the utmost simplicity, that they did not know&#13;
any, and that they never more than addressed their mother, who was in&#13;
heaven. When Frances, struck with painful surprise, spoke to them of&#13;
catechism, confirmation, communion, the sisters opened widely their&#13;
large eyes with astonishment, understanding nothing of such talk.</p><p>According to her simple faith, terrified at the ignorance of the young&#13;
girls in matters of religion, Dagobert's wife believed their souls to&#13;
be in the greatest peril, the more so as, having asked them if they had&#13;
ever been baptized (at the same time explaining to them the nature of&#13;
that sacrament), the orphans answered they did not think they had, since&#13;
there was neither church nor priest in the village where they were born,&#13;
during their mother's exile in Siberia.</p><p>Placing one's self in the position of Frances, you understand how much&#13;
she was grieved and alarmed; for, in her eyes, these young girls,&#13;
whom she already loved tenderly, so charmed was she with their sweet&#13;
disposition, were nothing but poor heathens, innocently doomed to&#13;
eternal damnation. So, unable to restrain her tears, or conceal her&#13;
horrors, she had clasped them in her arms, promising immediately to&#13;
attend to their salvation, and regretting that Dagobert had not thought&#13;
of having them baptized by the way. Now, it must be confessed, that this&#13;
notion had never once occurred to the ex-grenadier.</p><p>When she went to her usual Sunday devotions, Frances had not dared to&#13;
take Rose and Blanche with her, as their complete ignorance of sacred&#13;
things would have rendered their presence at church, if not useless,&#13;
scandalous; but, in her own fervent prayers she implored celestial mercy&#13;
for these orphans, who did not themselves know the desperate position of&#13;
their souls.</p><p>Rose and Blanche were now left alone, in the absence of Dagobert's wife.&#13;
They were still dressed in mourning, their charming faces seeming&#13;
even more pensive than usual. Though they were accustomed to a life of&#13;
misfortune, they had been struck, since their arrival in the Rue Brise&#13;
Miche, with the painful contrast between the poor dwelling which they&#13;
had come to inhabit, and the wonders which their young imagination had&#13;
conceived of Paris, that golden city of their dreams. But, soon this&#13;
natural astonishment was replaced by thoughts of singular gravity for&#13;
their age. The contemplation of such honest and laborious poverty made&#13;
the orphans have reflections no longer those of children, but of young&#13;
women. Assisted by their admirable spirit of justice and of sympathy for&#13;
all that is good, by their noble heart, by a character at once delicate&#13;
and courageous, they had observed and meditated much during the last&#13;
twenty-four hours.</p><p>"Sister," said Rose to Blanche, when Frances had quitted the room,&#13;
"Dagobert's poor wife is very uneasy. Did you remark in the night, how&#13;
agitated she was? how she wept and prayed?"</p><p>"I was grieved to see it, sister, and wondered what could be the cause."</p><p>"I am almost afraid to guess. Perhaps we may be the cause of her&#13;
uneasiness?"</p><p>"Why so, sister? Because we cannot say prayers, nor tell if we have ever&#13;
been baptized?"</p><p>"That seemed to give her a good deal of pain, it is true. I was quite&#13;
touched by it, for it proves that she loves us tenderly. But I could not&#13;
understand how we ran such terrible danger as she said we did."</p><p>"Nor I either, sister. We have always tried not to displease our mother,&#13;
who sees and hears us."</p><p>"We love those who love us; we are resigned to whatever may happen to&#13;
us. So, who can reproach us with any harm?"</p><p>"No one. But, perhaps, we may do some without meaning it."</p><p>"We?"</p><p>"Yes, and therefore I thought: We may perhaps be the cause of her&#13;
uneasiness."</p><p>"How so?"</p><p>"Listen, sister! yesterday Madame Baudoin tried to work at those sacks&#13;
of coarse cloth there on the table."</p><p>"Yes; but in about an half-hour, she told us sorrowfully, that she could&#13;
not go on, because her eyes failed her, and she could not see clearly."</p><p>"So that she is not able to earn her living."</p><p>"No--but her son, M. Agricola, works for her. He looks so good, so gay,&#13;
so frank, and so happy to devote himself for his mother. Oh, indeed! he&#13;
is the worthy brother of our angel Gabriel!"</p><p>"You will see my reason for speaking of this. Our good old Dagobert told&#13;
us, that, when we arrived here, he had only a few pieces of money left."</p><p>"That is true."</p><p>"Now both he and his wife are unable to earn their living; what can a&#13;
poor old soldier like him do?"</p><p>"You are right; he only knows how to love us, and take care of us, like&#13;
his children."</p><p>"It must then be M. Agricola who will have to support his father; for&#13;
Gabriel is a poor priest, who possesses nothing, and can render no&#13;
assistance to those who have brought him up. So M. Agricola will have to&#13;
support the whole family by himself."</p><p>"Doubtless--he owes it to father and mother--it is his duty, and he will&#13;
do it with a good will."</p><p>"Yes, sister--but he owes us nothing."</p><p>"What do you say, Blanche?"</p><p>"He is obliged to work for us also, as we possess nothing in the world."</p><p>"I had not thought of that. True."</p><p>"It is all very well, sister, for our father to be Duke and Marshal of&#13;
France, as Dagobert tells us, it is all very well for us to hope great&#13;
things from this medal, but as long as father is not here, and our hopes&#13;
are not realized, we shall be merely poor orphans, obliged to remain a&#13;
burden to this honest family, to whom we already owe so much, and who&#13;
find it so hard to live, that--"</p><p>"Why do you pause, sister?"</p><p>"What I am about to say would make other people laugh; but you will&#13;
understand it. Yesterday, when Dagobert's wife saw poor Spoil-sport at&#13;
his dinner, she said, sorrowfully: 'Alas! he eats as much as a man!'--so&#13;
that I could almost have cried to hear her. They must be very poor, and&#13;
yet we have come to increase their poverty."</p><p>The sisters looked sadly at each other, while Spoil-sport pretended not&#13;
to know they were talking of his voracity.</p><p>"Sister, I understand," said Rose, after a moment's silence. "Well, we&#13;
must not be at the charge of any one. We are young, and have courage.&#13;
Till our fate is decided, let us fancy ourselves daughters of&#13;
workmen. After all, is not our grandfather a workman? Let us find some&#13;
employment, and earn our own living. It must be so proud and happy to&#13;
earn one's living!"</p><p>"Good little sister," said Blanche, kissing Rose. "What happiness! You&#13;
have forestalled my thought; kiss me!"</p><p>"How so?"</p><p>"Your project is mine exactly. Yesterday, when I heard Dagobert's wife&#13;
complain so sadly that she had lost her sight. I looked into your large&#13;
eyes, which reminded me of my own, and said to myself: 'Well! this poor&#13;
old woman may have lost her sight, but Rose and Blanche Simon can see&#13;
pretty clearly'--which is a compensation," added Blanche, with a smile.</p><p>"And, after all," resumed Rose, smiling in her turn, "the young ladies&#13;
in question are not so very awkward, as not to be able to sew up great&#13;
sacks of coarse cloth--though it may chafe their fingers a little."</p><p>"So we had both the same thought, as usual; only I wished to surprise&#13;
you, and waited till we were alone, to tell you my plan."</p><p>"Yes, but there is something teases me."</p><p>"What is that?"</p><p>"First of all, Dagobert and his wife will be sure to say to us: 'Young&#13;
ladies, you are not fitted for such work. What, daughters of a Marshal&#13;
of France sewing up great ugly bags!' And then, if we insist upon it,&#13;
they will add: 'Well, we have no work to give you. If you want any, you&#13;
must hunt for it.' What would Misses Simon do then?"</p><p>"The fact is, that when Dagobert has made up his mind to anything--"</p><p>"Oh! even then, if we coax him well--"</p><p>"Yes, in certain things; but in others he is immovable. It is just as&#13;
when upon the journey, we wished to prevent his doing so much for us."</p><p>"Sister, an idea strikes me," cried Rose, "an excellent idea!"</p><p>"What is it? quick!"</p><p>"You know the young woman they call Mother Bunch, who appears to be so&#13;
serviceable and persevering?"</p><p>"Oh yes! and so timid and discreet. She seems always to be afraid&#13;
of giving offence, even if she looks at one. Yesterday, she did not&#13;
perceive that I saw her; but her eyes were fixed on you with so good and&#13;
sweet an expression, that tears came into mine at the very sight of it."</p><p>"Well, we must ask her how she gets work, for certainly she lives by her&#13;
labor."</p><p>"You are right. She will tell us all about it; and when we know,&#13;
Dagobert may scold us, or try to make great ladies of us, but we will be&#13;
as obstinate as he is."</p><p>"That is it; we must show some spirit! We will prove to him, as he says&#13;
himself, that we have soldier's blood in our veins."</p><p>"We will say to him: 'Suppose, as you say, we should one day be rich, my&#13;
good Dagobert, we shall only remember this time with the more pleasure."</p><p>"It is agreed then, is it not, Rose? The first time we are alone&#13;
with Mother Bunch, we must make her our confidant, and ask her for&#13;
information. She is so good a person, that she will not refuse us."</p><p>"And when father comes home, he will be pleased, I am sure, with our&#13;
courage."</p><p>"And will approve our wish to support ourselves, as if we were alone in&#13;
the world."</p><p>On these words of her sister, Rose started. A cloud of sadness, almost&#13;
of alarm, passed over her charming countenance, as she exclaimed: "Oh,&#13;
sister, what a horrible idea!"</p><p>"What is the matter? your look frightens me."</p><p>"At the moment I heard you say, that our father would approve our wish&#13;
to support ourselves, as if we were alone in the world--a frightful&#13;
thought struck me--I know not why--but feel how my heart beats--just as&#13;
if some misfortune were about to happen us."</p><p>"It is true; your poor heart beats violently. But what was this thought?&#13;
You alarm me."</p><p>"When we were prisoners, they did not at least separate us, and,&#13;
besides, the prison was a kind of shelter--"</p><p>"A sad one, though shared with you."</p><p>"But if, when arrived here, any accident had parted us from Dagobert--if&#13;
we had been left alone, without help, in this great town?"</p><p>"Oh, sister! do not speak of that. It would indeed be terrible. What&#13;
would become of us, kind heaven?"</p><p>This cruel thought made the girls remain for a moment speechless with&#13;
emotion. Their sweet faces, which had just before glowed with a noble&#13;
hope, grew pale and sad. After a pretty long silence, Rose uplifted&#13;
her eyes, now filled with tears, "Why does this thought," she said,&#13;
trembling, "affect us so deeply, sister? My heart sinks within me, as if&#13;
it were really to happen to us."</p><p>"I feel as frightened as you yourself. Alas! were we both to be lost in&#13;
this immense city, what would become of us?"</p><p>"Do not let us give way to such ideas, Blanche! Are we not here in&#13;
Dagobert's house, in the midst of good people?"</p><p>"And yet, sister," said Rose, with a pensive air, "it is perhaps good&#13;
for us to have had this thought."</p><p>"Why so?"</p><p>"Because we shall now find this poor lodging all the better, as it&#13;
affords a shelter from all our fears. And when, thanks to our labor,&#13;
we are no longer a burden to any one, what more can we need until the&#13;
arrival of our father?"</p><p>"We shall want for nothing--there you are right--but still, why did this&#13;
thought occur to us, and why does it weigh so heavily on our minds?"</p><p>"Yes, indeed--why? Are we not here in the midst of friends that love us?&#13;
How could we suppose that we should ever be left alone in Paris? It is&#13;
impossible that such a misfortune should happen to us--is it not, my&#13;
dear sister?"</p><p>"Impossible!" said Rose, shuddering. "If the day before we reached that&#13;
village in Germany, where poor Jovial was killed, any one had said to&#13;
us: 'To-morrow, you will be in prison'--we should have answered as now:&#13;
'It is impossible. Is not Dagobert here to protect us; what have we to&#13;
fear?' And yet, sister, the day after we were in prison at Leipsic."</p><p>"Oh! do not speak thus, my dear sister! It frightens me."</p><p>By a sympathetic impulse, the orphans took one another by the hand,&#13;
while they pressed close together, and looked around with involuntary&#13;
fear. The sensation they felt was in fact deep, strange, inexplicable,&#13;
and yet lowering--one of those dark presentiments which come over us,&#13;
in spite of ourselves--those fatal gleams of prescience, which throw a&#13;
lurid light on the mysterious profundities of the future.</p><p>Unaccountable glimpses of divination! often no sooner perceived than&#13;
forgotten--but, when justified by the event, appearing with all the&#13;
attributes of an awful fatality!</p><p>The daughters of Marshal Simon were still absorbed in the mournful&#13;
reverie which these singular thoughts had awakened, when Dagobert's&#13;
wife, returning from her son's chamber, entered the room with a&#13;
painfully agitated countenance.</p><p>CHAPTER XLVII. THE LETTER.</p><p>Frances' agitation was so perceptible that Rose could not help&#13;
exclaiming: "Good gracious, what is the matter?"</p><p>"Alas, my dear young ladies! I can no longer conceal it from you," said&#13;
Frances, bursting into tears. "Since yesterday I have not seen him. I&#13;
expected my son to supper as usual, and he never came; but I would not&#13;
let you see how much I suffered. I continued to expect him, minute after&#13;
minute; for ten years he has never gone up to bed without coming to kiss&#13;
me; so I spent a good part of the night close to the door, listening if&#13;
I could hear his step. But he did not come; and, at last, about three&#13;
o'clock in the morning, I threw myself down upon the mattress. I have&#13;
just been to see (for I still had a faint hope), if my son had come in&#13;
this morning--"</p><p>"Well, madame!"</p><p>"There is no sign of him!" said the poor mother, drying her eyes.</p><p>Rose and Blanche looked at each other with emotion; the same thought&#13;
filled the minds of both; if Agricola should not return, how would this&#13;
family live? would they not, in such an event, become doubly burdensome?</p><p>"But, perhaps, madame," said Blanche, "M. Agricola remained too late at&#13;
his work to return home last night."</p><p>"Oh! no, no! he would have returned in the middle of the night, because&#13;
he knew what uneasiness he would cause me by stopping out. Alas! some&#13;
misfortune must have happened to him! Perhaps he has been injured at the&#13;
forge, he is so persevering at his work. Oh, my poor boy! and, as if I&#13;
did not feel enough anxiety about him, I am also uneasy about the poor&#13;
young woman who lives upstairs."</p><p>"Why so, madame?"</p><p>"When I left my son's room, I went into hers, to tell her my grief, for&#13;
she is almost a daughter to me; but I did not find her in the little&#13;
closet where she lives, and the bed had not even been slept in. Where&#13;
can she have gone so early--she, that never goes out?"</p><p>Rose and Blanche looked at each other with fresh uneasiness, for they&#13;
counted much upon Mother Bunch to help them in the resolution they had&#13;
taken. Fortunately, both they and Frances were soon to be satisfied&#13;
on this head, for they heard two low knocks at the door, and the&#13;
sempstress's voice, saying: "Can I come in, Mrs. Baudoin?"</p><p>By a spontaneous impulse, Rose and Blanche ran to the door, and opened&#13;
it to the young girl. Sleet and snow had been falling incessantly since&#13;
the evening before; the gingham dress of the young sempstress, her&#13;
scanty cotton shawl, and the black net cap, which, leaving uncovered&#13;
two thick bands of chestnut hair, encircled her pale and interesting&#13;
countenance, were all dripping wet; the cold had given a livid&#13;
appearance to her thin, white hands; it was only in the fire of her blue&#13;
eyes, generally so soft and timid, that one perceived the extraordinary&#13;
energy which this frail and fearful creature had gathered from the&#13;
emergency of the occasion.</p><p>"Dear me! where do you come from, my good Mother Bunch?" said Frances.&#13;
"Just now, in going to see if my son had returned, I opened your door,&#13;
and was quite astonished to find you gone out so early."</p><p>"I bring you news of Agricola."</p><p>"Of my son!" cried Frances, trembling all over. "What has happened to&#13;
him? Did you see him?--Did you speak to him?--Where is he?"</p><p>"I did not see him, but I know where he is." Then, perceiving that&#13;
Frances grew very pale, the girl added: "He is well; he is in no&#13;
danger."</p><p>"Blessed be God, who has pity on a poor sinner!--who yesterday restored&#13;
me my husband, and to-day, after a night of cruel anguish, assures me of&#13;
the safety of my child!" So saying, Frances knelt down upon the floor,&#13;
and crossed herself with fervor.</p><p>During the moment of silence, caused by this pious action, Rose and&#13;
Blanche approached Mother Bunch, and said to her in a low voice, with&#13;
an expression of touching interest: "How wet you are! you must be very&#13;
cold. Take care you do not get ill. We did not venture to ask Madame&#13;
Frances to light the fire in the stove, but now we will do so."</p><p>Surprised and affected by the kindness of Marshal Simon's daughters,&#13;
the hunchback, who was more sensible than others to the least mark of&#13;
kindness, answered them with a look of ineffable gratitude: "I am much&#13;
obliged to you, young ladies; but I am accustomed to the cold, and am&#13;
moreover so anxious that I do not feel it."</p><p>"And my son?" said Frances, rising after she had remained some moments&#13;
on her knees; "why did he stay out all night? And could you tell me&#13;
where to find him, my good girl? Will he soon come? why is he so long?"</p><p>"I assure you, Agricola is well; but I must inform you, that for some&#13;
time--"</p><p>"Well?"</p><p>"You must have courage, mother."</p><p>"Oh! the blood runs cold in my veins. What has happened? why shall I not&#13;
see him?"</p><p>"Alas, he is arrested."</p><p>"Arrested!" cried Rose and Blanche, with affright.</p><p>"Father! Thy will be done!" said Frances; "but it is a great misfortune.&#13;
Arrested! for what? He is so good and honest, that there must be some&#13;
mistake."</p><p>"The day before yesterday," resumed Mother Bunch, "I received an&#13;
anonymous letter, by which I was informed that Agricola might be&#13;
arrested at any moment, on account of his song. We agreed together that&#13;
he should go to the rich young lady in the Rue de Babylone, who had&#13;
offered him her services, and ask her to procure bail for him; to&#13;
prevent his going to prison. Yesterday morning he set out to go to the&#13;
young lady's."</p><p>"And neither of you told me anything of all this--why did you hide it&#13;
from me?"</p><p>"That we might not make you uneasy, mother; for, counting on the&#13;
generosity of that young lady, I expected Agricola back every moment.&#13;
When he did not come yesterday evening. I said to myself: 'Perhaps the&#13;
necessary formalities with regard to the bail have detained him.' But&#13;
the time passed on, and he did not make his appearance. So, I watched&#13;
all night, expecting him."</p><p>"So you did not go to bed either, my good girl?"</p><p>"No, I was too uneasy. This morning, not being able to conquer my fears,&#13;
I went out before dawn. I remembered the address of the young lady in&#13;
the Rue de Babylone, and I ran thither."</p><p>"Oh, well!" said Frances, with anxiety; "you were in the right.&#13;
According to what my son told us, that young lady appeared very good and&#13;
generous."</p><p>Mother Bunch shook her head sorrowfully; a tear glittered in her eyes,&#13;
as she continued: "It was still dark when I arrived at the Rue de&#13;
Babylone; I waited till daylight was come."</p><p>"Poor child! you, who are so weak and timid," said Frances, with deep&#13;
feeling, "to go so far, and in this dreadful weather!--Oh, you have been&#13;
a real daughter to me!"</p><p>"Has not Agricola been like a brother to me!" said Mother Bunch, softly,&#13;
with a slight blush.</p><p>"When it was daylight," she resumed: "I ventured to ring at the door&#13;
of the little summer-house; a charming young girl, but with a sad,&#13;
pale countenance, opened the door to me. 'I come in the name of an&#13;
unfortunate mother in despair,' said I to her immediately, for I was so&#13;
poorly dressed that I feared to be sent away as a beggar; but seeing, on&#13;
the contrary, that the young girl listened to me with kindness, I asked&#13;
her if, the day before, a young workman had not come to solicit a&#13;
great favor of her mistress. 'Alas! yes,' answered the young girl; 'my&#13;
mistress was going to interest herself for him, and, hearing that he was&#13;
in danger of being arrested, she concealed him here; unfortunately, his&#13;
retreat was discovered, and yesterday afternoon, at four o'clock, he was&#13;
arrested and taken to prison.'"</p><p>Though the orphans took no part in this melancholy conversation, the&#13;
sorrow and anxiety depicted in their countenances, showed how much they&#13;
felt for the sufferings of Dagobert's wife.</p><p>"But the young lady?" cried Frances. "You should have tried to see her,&#13;
my good Mother Bunch, and begged her not to abandon my son. She is so&#13;
rich that she must have influence, and her protection might save us from&#13;
great calamities."</p><p>"Alas!" said Mother Bunch, with bitter grief, "we must renounce this&#13;
last hope."</p><p>"Why?" said Frances. "If this young lady is so good, she will have&#13;
pity upon us, when she knows that my son is the only support of a whole&#13;
family, and that for him to go to prison is worse than for another,&#13;
because it will reduce us all to the greatest misery."</p><p>"But this young lady," replied the girl, "according to what I learned&#13;
from her weeping maid, was taken last evening to a lunatic asylum: it&#13;
appears she is mad."</p><p>"Mad! Oh! it is horrible for her, and for us also--for now there is no&#13;
hope. What will become of us without my son? Oh, merciful heaven!" The&#13;
unfortunate woman hid her face in her hands.</p><p>A profound silence followed this heart-rending outburst. Rose and&#13;
Blanche exchanged mournful glances, for they perceived that their&#13;
presence augmented the weighty embarrassments of this family. Mother&#13;
Bunch, worn out with fatigue, a prey to painful emotions, and trembling&#13;
with cold in her wet clothes, sank exhausted on a chair, and reflected&#13;
on their desperate position.</p><p>That position was indeed a cruel one!</p><p>Often, in times of political disturbances, or of agitation amongst the&#13;
laboring classes, caused by want of work, or by the unjust reduction of&#13;
wages (the result of the powerful coalition of the capitalists)--often&#13;
are whole families reduced, by a measure of preventive imprisonment, to&#13;
as deplorable a position as that of Dagobert's household by Agricola's&#13;
arrest--an arrest, which, as will afterwards appear, was entirely owing&#13;
to Rodin's arts.</p><p>Now, with regard to this "precautionary imprisonment," of which the&#13;
victims are almost always honest and industrious mechanics, driven to&#13;
the necessity of combining together by the In organization of Labor and&#13;
the Insufficiency of Wages, it is painful to see the law, which ought to&#13;
be equal for all, refuse to strikers what it grants to masters--because&#13;
the latter can dispose of a certain sum of money. Thus, under many&#13;
circumstances, the rich man, by giving bail, can escape the annoyance&#13;
and inconveniences of a preventive incarceration; he deposits a sum of&#13;
money, pledges his word to appear on a certain day, and goes back to&#13;
his pleasures, his occupations, and the sweet delights of his family.&#13;
Nothing can be better; an accused person is innocent till he is proved&#13;
guilty; we cannot be too much impressed with that indulgent maxim. It is&#13;
well for the rich man that he can avail himself of the mercy of the law.&#13;
But how is it with the poor?</p><p>Not only has he no bail to give, for his whole capital consists of his&#13;
daily labor; but it is upon him chiefly that the rigors of preventive&#13;
measures must fall with a terrible and fatal force.</p><p>For the rich man, imprisonment is merely the privation of ease&#13;
and comfort, tedious hours, and the pain of separation from his&#13;
family--distresses not unworthy of interest, for all suffering deserves&#13;
pity, and the tears of the rich man separated from his children are as&#13;
bitter as those of the poor. But the absence of the rich man does not&#13;
condemn his family to hunger and cold, and the incurable maladies caused&#13;
by exhaustion and misery.</p><p>For the workman, on the contrary, imprisonment means want, misery,&#13;
sometimes death, to those most dear to him. Possessing nothing, he is&#13;
unable to find bail, and he goes to prison. But if he have, as it often&#13;
happens, an old, infirm father or mother, a sick wife, or children in&#13;
the cradle? What will become of this unfortunate family? They could&#13;
hardly manage to live from day to day upon the wages of this man, wages&#13;
almost always insufficient, and suddenly this only resource will be&#13;
wanting for three or four months together.</p><p>What will this family do? To whom will they have recourse?</p><p>What will become of these infirm old men, these sickly wives, these&#13;
little children, unable to gain their daily bread? If they chance to&#13;
have a little linen and a few spare clothes, these will be carried&#13;
to the pawnbroker's, and thus they will exist for a week or so--but&#13;
afterwards?</p><p>And if winter adds the rigors of the season to this frightful and&#13;
inevitable misery?</p><p>Then will the imprisoned artisan see in his mind's eyes, during the long&#13;
and sleepless nights, those who are dear to him, wan, gaunt, haggard,&#13;
exhausted, stretched almost naked upon filthy straw, or huddled close&#13;
together to warm their frozen limbs. And, should he afterwards be&#13;
acquitted, it is ruin and desolation that he finds on his return to his&#13;
poor dwelling.</p><p>And then, after that long cessation from labor, he will find it&#13;
difficult to return to his old employers. How many days will be lost in&#13;
seeking for work! and a day without employment is a day without bread!</p><p>Let us repeat our opinion, that if, under various circumstances, the law&#13;
did not afford to the rich the facility of giving bail, we could only&#13;
lament over all such victims of individual and inevitable misfortune.&#13;
But since the law does provide the means of setting provisionally at&#13;
liberty those who possess a certain sum of money, why should it deprive&#13;
of this advantage those very persons, for whom liberty is indeed&#13;
indispensable, as it involves the existence of themselves and families?</p><p>Is there any remedy for this deplorable state of things? We believe&#13;
there is.</p><p>The law has fixed the minimum of bail at five hundred francs. Now five&#13;
hundred francs represent, upon the average, six months' labor of an&#13;
industrious workman.</p><p>If he have a wife and two children (which is also about the average), it&#13;
is evidently quite impossible for him to have saved any such sum.</p><p>So, to ask of such a man five hundred francs, to enable him to continue&#13;
to support his family, is in fact to put him beyond the pale of the law,&#13;
though, more than any one else, he requires its protection, because of&#13;
the disastrous consequences which his imprisonment entails upon others.</p><p>Would it not be equitable and humane, a noble and salutary example,&#13;
to accept, in every case where bail is allowed (and where the good&#13;
character of the accused could be honorably established), moral&#13;
guarantees, in the absence of material ones, from those who have no&#13;
capital but their labor and their integrity--to accept the word of an&#13;
honest man to appear upon the day of trial? Would it not be great and&#13;
moral, in these days to raise the value of the lighted word, and exalt&#13;
man in his own eyes, by showing him that his promise was held to be&#13;
sufficient security?</p><p>Will you so degrade the dignity of man, as to treat this proposition as&#13;
an impossible and Utopian dream? We ask, how many prisoners of war have&#13;
ever broken their parole, and if officers and soldiers are not brothers&#13;
of the workingman?</p><p>Without exaggerating the virtue of promise-keeping in the honest and&#13;
laborious poor, we feel certain, that an engagement taken by the accused&#13;
to appear on the day of trial would be always fulfilled, not only with&#13;
fidelity, but with the warmest gratitude--for his family would not have&#13;
suffered by his absence, thanks to the indulgence of the law.</p><p>There is also another fact, of which France may well be proud. It is,&#13;
that her magistrates (although miserably paid as the army itself) are&#13;
generally wise, upright, humane, and independent; they have the true&#13;
feeling of their own useful and sacred mission; they know how to&#13;
appreciate the wants and distresses of the working classes, with whom&#13;
they are so often brought in contact; to them might be safely granted&#13;
the power of fixing those cases in which a moral security, the only one&#13;
that can be given by the honest and necessitous man, should be received&#13;
as sufficient.(10)</p><p>Finally, if those who make the laws have so low an opinion of the people&#13;
as to reject with disdain the suggestions we have ventured to throw&#13;
out, let them at least so reduce the minimum of bail, as to render it&#13;
available for those who have most need to escape the fruitless rigors of&#13;
imprisonment. Let them take as their lowest limit, the month's wages of&#13;
an artisan--say eighty francs.</p><p>This sum would still be exorbitant; but, with the aid of friends, the&#13;
pawnbroker's, and some little advances, eighty francs might perhaps be&#13;
found--not always, it is true--but still sometimes--and, at all events,&#13;
many families would be rescued from frightful misery.</p><p>Having made these observations, let us return to Dagobert's family, who,&#13;
in consequence of the preventive arrest of Agricola, were now reduced to&#13;
an almost hopeless state.</p><p>The anguish of Dagobert's wife increased, the more she reflected on her&#13;
situation, for, including the marshal's daughters, four persons were&#13;
left absolutely without resource. It must be confessed, however, that&#13;
the excellent mother thought less of herself, than of the grief which&#13;
her son must feel in thinking over her deplorable position.</p><p>At this moment there was a knock at the door.</p><p>"Who is there?" said Frances.</p><p>"It is me--Father Loriot."</p><p>"Come in," said Dagobert's wife.</p><p>The dyer, who also performed the functions of a porter, appeared at the&#13;
door of the room. This time, his arms were no longer of a bright apple&#13;
green, but of a magnificent violet.</p><p>"Mrs. Baudoin," said Father Loriot, "here is a letter that the giver of&#13;
holy water at Saint Merely's has just brought from Abbe Dubois, with&#13;
a request that I would bring it up to you immediately, as it is very&#13;
pressing."</p><p>"A letter from my confessor?" said Frances, in astonishment; and, as she&#13;
took it, added: "Thank you, Father Loriot."</p><p>"You do not want anything?"</p><p>"No, Father Loriot."</p><p>"My respects to the ladies!" and the dyer went out.</p><p>"Mother Bunch, will you read this letter for me?" said Frances, anxious&#13;
to learn the contents of the missive in question.</p><p>"Yes, mother,"--and the young girl read as follows:</p><p>"'MY DEAR MADAME BAUDOIN,--I am in the habit of hearing you Tuesday and&#13;
Saturday, but I shall not be at liberty either to-morrow or the last day&#13;
of the week; you must then come to me this morning, unless you wish to&#13;
remain a whole week without approaching the tribunal of penance.'"</p><p>"Good heavens! a week!" cried Dagobert's wife. "Alas! I am only too&#13;
conscious of the necessity of going there today, notwithstanding the&#13;
trouble and grief in which I am plunged."</p><p>Then, addressing herself to the orphans, she continued: "Heaven has&#13;
heard the prayers that I made for you, my dear young ladies; this very&#13;
day I shall be able to consult a good and holy man with regard to the&#13;
great dangers to which you are exposed. Poor dear souls, that are so&#13;
innocent, and yet so guilty, without any fault of your own! Heaven is my&#13;
witness, that my heart bleeds for you as much as for my son."</p><p>Rose and Blanche looked at each other in confusion; they could not&#13;
understand the fears with which the state of their souls inspired&#13;
the wife of Dagobert. The latter soon resumed, addressing the young&#13;
sempstress:</p><p>"My good girl, will you render me yet another service?"</p><p>"Certainly."</p><p>"My husband took Agricola's week's wages with him to pay his journey&#13;
to Chartres. It was all the money I had in the house; I am sure that my&#13;
poor child had none about him, and in prison he will perhaps want some.&#13;
Therefore take my silver cup, fork, and spoon, the two pair of sheets&#13;
that remain over, and my wadded silk shawl, that Agricola gave me on my&#13;
birthday, and carry them all to the pawnbroker's. I will try and find&#13;
out in which prison my son is confined, and will send him half of&#13;
the little sum we get upon the things; the rest will serve us till my&#13;
husband comes home. And then, what shall we do? What a blow for him--and&#13;
only more misery in prospect--since my son is in prison, and I have&#13;
lost my sight. Almighty Father!" cried the unfortunate mother, with an&#13;
expression of impatient and bitter grief, "why am I thus afflicted? Have&#13;
I not done enough to deserve some pity, if not for myself, at least for&#13;
those belonging to me?" But immediately reproaching herself for this&#13;
outburst, she added, "No, no! I ought to accept with thankfulness all&#13;
that Thou sandiest me. Forgive me for these complaints, or punish only&#13;
myself!"</p><p>"Be of good courage, mother!" said Mother Bunch. "Agricola is innocent,&#13;
and will not remain long in prison."</p><p>"But now I think of it," resumed Dagobert's wife, "to go to the&#13;
pawnbroker's will make you lose much time, my poor girl."</p><p>"I can make up that in the night, Madame Frances; I could not sleep,&#13;
knowing you in such trouble. Work will amuse me."</p><p>"Yes, but the candles--"</p><p>"Never mind, I am a little beforehand with my work," said the poor girl,&#13;
telling a falsehood.</p><p>"Kiss me, at least," said Frances, with moist eyes, "for you are the&#13;
very best creature in the world." So saying, she hastened cut of the&#13;
room.</p><p>Rose and Blanche were left alone with Mother Bunch; at length had&#13;
arrived the moment for which they had waited with so much impatience.&#13;
Dagobert's wife proceeded to St. Merely Church, where her confessor was&#13;
expecting to see her.</p><p>CHAPTER XLVIII. THE CONFESSIONAL</p><p>Nothing could be more gloomy than the appearance of St. Merely Church,&#13;
on this dark and snowy winter's day. Frances stopped a moment beneath&#13;
the porch, to behold a lugubrious spectacle.</p><p>While a priest was mumbling some words in a low voice, two or three&#13;
dirty choristers, in soiled surplices, were charting the prayers for the&#13;
dead, with an absent and sullen air, round a plain deal coffin, followed&#13;
only by a sobbing old man and a child, miserably clad. The beadle and&#13;
the sacristan, very much displeased at being disturbed for so wretched&#13;
a funeral, had not deigned to put on their liveries, but, yawning&#13;
with impatience, waited for the end of the ceremony, so useless to the&#13;
interests of the establishment. At length, a few drops of holy water&#13;
being sprinkled on the coffin, the priest handed the brush to the&#13;
beadle, and retired.</p><p>Then took place one of those shameful scenes, the necessary consequence&#13;
of an ignoble and sacrilegious traffic, so frequent with regard to the&#13;
burials of the poor, who cannot afford to pay for tapers, high mass,&#13;
or violins--for now St. Thomas Aquinas' Church has violins even for the&#13;
dead.</p><p>The old man stretched forth his hand to the sacristan to receive the&#13;
brush. "Come, look sharp!" said that official, blowing on his fingers.</p><p>The emotion of the old man was profound, and his weakness extreme; he&#13;
remained for a moment without stirring, while the brush was clasped&#13;
tightly in his trembling hand. In that coffin was his daughter, the&#13;
mother of the ragged child who wept by his side--his heart was breaking&#13;
at the thought of that last farewell; he stood motionless, and his bosom&#13;
heaved with convulsive sobs.</p><p>"Now, will you make haste?" said the brutal beadle. "Do you think we are&#13;
going to sleep here?"</p><p>The old man quickened his movements. He made the sign of the cross over&#13;
the corpse, and, stooping down, was about to place the brush in the hand&#13;
of his grandson, when the sacristan, thinking the affair had lasted long&#13;
enough, snatched the sprinkling-brush from the child, and made a sign to&#13;
the bearers to carry away the coffin--which was immediately done.</p><p>"Wasn't that old beggar a slow coach?" said the beadle to his companion,&#13;
as they went back to the sacristy. "We shall hardly have time to get&#13;
breakfast, and to dress ourselves for the bang-up funeral of this&#13;
morning. That will be something like a dead man, that's worth the&#13;
trouble. I shall shoulder my halberd in style!"</p><p>"And mount your colonel's epaulets, to throw dust in the eyes of the&#13;
women that let out the chairs--eh, you old rascal!" said the other, with&#13;
a sly look.</p><p>"What can I do, Capillare? When one has a fine figure, it must be seen,"&#13;
answered the beadle, with a triumphant air. "I cannot blind the women to&#13;
prevent their losing their hearts!"</p><p>Thus conversing; the two men reached the sacristy. The sight of the&#13;
funeral had only increased the gloom of Frances. When she entered the&#13;
church, seven or eight persons, scattered about upon chairs, alone&#13;
occupied the damp and icy building. One of the distributors of holy&#13;
water, an old fellow with a rubicund, joyous, wine-bibbing face, seeing&#13;
Frances approach the little font, said to her in a low voice: "Abbe&#13;
Dubois is not yet in his box. Be quick, and you will have the first wag&#13;
of his beard."</p><p>Though shocked at this pleasantry, Frances thanked the irreverent&#13;
speaker, made devoutly the sign of the cross, advanced some steps into&#13;
the church, and knelt down upon the stones to repeat the prayer, which&#13;
she always offered up before approaching the tribunal of penance. Having&#13;
said this prayer, she went towards a dark corner of the church, in which&#13;
was an oaken confessional, with a black curtain drawn across the grated&#13;
door. The places on each side were vacant; so Frances knelt down in that&#13;
upon the right hand, and remained there for some time absorbed in bitter&#13;
reflections.</p><p>In a few minutes, a priest of tall stature, with gray hair and a stern&#13;
countenance, clad in a long black cassock, stalked slowly along one of&#13;
the aisles of the church. A short, old, misshapen man, badly dressed,&#13;
leaning upon an umbrella, accompanied him, and from time to time&#13;
whispered in his ear, when the priest would stop to listen with a&#13;
profound and respectful deference.</p><p>As they approached the confessional, the short old man, perceiving&#13;
Frances on her knees, looked at the priest with an air of interrogation.&#13;
"It is she," said the clergyman.</p><p>"Well, in two or three hours, they will expect the two girls at St.&#13;
Mary's Convent. I count upon it," said the old man.</p><p>"I hope so, for the sake of their souls," answered the priest; and,&#13;
bowing gravely, he entered the confessional. The short old man quitted&#13;
the church.</p><p>This old man was Rodin. It was on leaving Saint Merely's that he went to&#13;
the lunatic asylum, to assure himself that Dr. Baleinier had faithfully&#13;
executed his instructions with regard to Adrienne de Cardoville.</p><p>Frances was still kneeling in the interior of the confessional. One&#13;
of the slides opened, and a voice began to speak. It was that of&#13;
the priest, who, for the last twenty years had been the confessor of&#13;
Dagobert's wife, and exercised over her an irresistible and all-powerful&#13;
influence.</p><p>"You received my letter?" said the voice.</p><p>"Yes, father.</p><p>"Very well--I listen to you."</p><p>"Bless me, father--for I have sinned!" said Frances.</p><p>The voice pronounced the formula of the benediction. Dagobert's wife&#13;
answered "amen," as was proper, said her confider to "It is my fault,"&#13;
gave an account of the manner in which she had performed her last&#13;
penance, and then proceeded to the enumeration of the new sins,&#13;
committed since she had received absolution.</p><p>For this excellent woman, a glorious martyr of industry and maternal&#13;
love, always fancied herself sinning: her conscience was incessantly&#13;
tormented by the fear that she had committed some incomprehensible&#13;
offence. This mild and courageous creature, who, after a whole life&#13;
of devotion, ought to have passed what time remained to her in calm&#13;
serenity of soul, looked upon herself as a great sinner, and lived in&#13;
continual anxiety, doubting much her ultimate salvation.</p><p>"Father," said Frances, in a trembling voice, "I accuse myself of&#13;
omitting my evening prayer the day before yesterday. My husband, from&#13;
whom I had been separated for many years, returned home. The joy and the&#13;
agitation caused by his arrival, made me commit this great sin."</p><p>"What next?" said the voice, in a severe tone, which redoubled the poor&#13;
woman's uneasiness.</p><p>"Father, I accuse myself of falling into the same sin yesterday evening.&#13;
I was in a state of mortal anxiety, for my son did not come home as&#13;
usual, and I waited for him minute after minute, till the hour had&#13;
passed over."</p><p>"What next?" said the voice.</p><p>"Father, I accuse myself of having told a falsehood all this week to&#13;
my son, by letting him think that on account of his reproaching me for&#13;
neglecting my health, I had taken a little wine for my dinner--whereas I&#13;
had left it for him, who has more need of it, because he works so much."</p><p>"Go on!" said the voice.</p><p>"Father, I accuse myself of a momentary want of resignation this&#13;
morning, when I learned that my poor son was arrested; instead of&#13;
submitting with respect and gratitude to this new trial which the Lord&#13;
hath sent me--alas! I rebelled against it in my grief--and of this I&#13;
accuse myself."</p><p>"A bad week," said the priest, in a tone of still greater severity, "a&#13;
bad week--for you have always put the creature before the Creator. But&#13;
proceed!"</p><p>"Alas, father!" resumed Frances, much dejected, "I know that I am a&#13;
great sinner; and I fear that I am on the road to sins of a still graver&#13;
kind."</p><p>"Speak!"</p><p>"My husband brought with him from Siberia two young orphans, daughters&#13;
of Marshal Simon. Yesterday morning, I asked them to say their prayers,&#13;
and I learned from them, with as much fright as sorrow, that they know&#13;
none of the mysteries of our holy faith, though they are fifteen years&#13;
old. They have never received the sacrament, nor are they even baptized,&#13;
father--not even baptized!"</p><p>"They must be heathens!" cried the voice, in a tone of angry surprise.</p><p>"That is what so much grieves me, father; for, as I and my husband are&#13;
in the room of parents to these young orphans, we should be guilty of&#13;
the sins which they might commit--should we not, father?"</p><p>"Certainly,--since you take the place of those who ought to watch over&#13;
their souls. The shepherd must answer for his flock," said the voice.</p><p>"And if they should happen to be in mortal sin, father, I and my husband&#13;
would be in mortal sin?"</p><p>"Yes," said the voice; "you take the place of their parents; and fathers&#13;
and mothers are guilty of all the sins which their children commit when&#13;
those sins arise from the want of a Christian education."</p><p>"Alas, father! what am I to do? I address myself to you as I would to&#13;
heaven itself. Every day, every hour, that these poor young girls remain&#13;
heathens, may contribute to bring about their eternal damnation, may it&#13;
not, father?" said Frances, in a tone of the deepest emotion.</p><p>"Yes," answered the voice; "and the weight of this terrible&#13;
responsibility rests upon you and your husband; you have the charge of&#13;
souls!"</p><p>"Lord, have mercy upon me!" said Frances weeping.</p><p>"You must not grieve yourself thus," answered the voice, in a softer&#13;
tone; "happily for these unfortunates, they have met you upon the way.&#13;
They, will have in you and your husband good and pious examples--for&#13;
I suppose that your husband, though formerly an ungodly person, now&#13;
practices his religious duties!"</p><p>"We must pray for him, father," said Frances, sorrowfully; "grace has&#13;
not yet touched his heart. He is like my poor child, who has also not&#13;
been called to holiness. Ah, father!" said Frances, drying her tears,&#13;
"these thoughts are my heaviest cross."</p><p>"So neither your husband nor your son practises," resumed the voice,&#13;
in a tone of reflection; "this is serious--very serious. The religious&#13;
education of these two unfortunate girls has yet to begin. In your&#13;
house, they will have ever before them the most deplorable examples.&#13;
Take care! I have warned you. You have the charge of souls--your&#13;
responsibility is immense!"</p><p>"Father, it is that which makes me wretched--I am at a loss what to do.&#13;
Help me, and give me your counsels: for twenty years your voice has been&#13;
to me as the voice of the Lord."</p><p>"Well! you must agree with your husband to send these unfortunate girls&#13;
to some religious house where they may be instructed."</p><p>"We are too poor, father, to pay for their schooling, and unfortunately&#13;
my son has just been put in prison for songs that he wrote."</p><p>"Behold the fruit of impiety," said the voice, severely; "look at&#13;
Gabriel! he has followed my counsels, and is now the model of every&#13;
Christian virtue."</p><p>"My son, Agricola, has had good qualities, father; he is so kind, so&#13;
devoted!"</p><p>"Without religion," said the voice, with redoubled severity, "what you&#13;
call good qualities are only vain appearances; at the least breath of&#13;
the devil they will disappear--for the devil lurks in every soul that&#13;
has no religion."</p><p>"Oh! my poor son!" said Frances, weeping; "I pray for him every day,&#13;
that faith may enlighten him."</p><p>"I have always told you," resumed the voice, "that you have been too&#13;
weak with him. God now punishes you for it. You should have parted from&#13;
this irreligious son, and not sanctioned his impiety by loving him&#13;
as you do. 'If thy right hand offend thee, cut it off,' saith the&#13;
Scripture."</p><p>"Alas, father! you know it is the only time I have disobeyed you; but I&#13;
could not bring myself to part from my son."</p><p>"Therefore is your salvation uncertain--but God is merciful. Do not fall&#13;
into the same fault with regard to these young girls, whom Providence&#13;
has sent you, that you might save them from eternal damnation. Do not&#13;
plunge them into it by your own culpable indifference."</p><p>"Oh, father! I have wept and prayed for them."</p><p>"That is not sufficient. These unfortunate children cannot have any&#13;
notion of good or evil. Their souls must be an abyss of scandal and&#13;
impurity--brought up as they have been, by an impious mother, and a&#13;
soldier devoid of religion."</p><p>"As for that, father," said Frances, with simplicity, "they are gentle&#13;
as angels, and my husband, who has not quitted them since their birth,&#13;
declares they have the best hearts in the world."</p><p>"Your husband has dwelt all his life in mortal sin," said the voice,&#13;
harshly; "how can he judge of the state of souls? I repeat to you, that&#13;
as you represent the parents of these unfortunates, it is not to-morrow,&#13;
but it is today, and on the instant, that you must labor for their&#13;
salvation, if you would not incur a terrible responsibility."</p><p>"It is true--I know it well, father--and I suffer as much from this fear&#13;
as from grief at my son's arrest. But what is to be done? I could not&#13;
instruct these young girls at home--for I have not the knowledge--I have&#13;
only faith--and then my poor husband, in his blindness, makes game of&#13;
sacred things, which my son, at least, respects in my presence, out of&#13;
regard for me. Then, once more, father, come to my aid, I conjure you!&#13;
Advise me: what is to be done?"</p><p>"We cannot abandon these two young souls to frightful perdition," said&#13;
the voice, after a moment's silence: "there are not two ways of saving&#13;
them: there is only one, and that is to place them in a religious house,&#13;
where they may be surrounded by good and pious examples."</p><p>"Oh, father! if we were not so poor, or if I could still work, I would&#13;
try to gain sufficient to pay for their board, and do for them as I did&#13;
for Gabriel. Unfortunately, I have quite lost my sight; but you, father,&#13;
know some charitable souls, and if you could get any of them to interest&#13;
them, selves for these poor orphans--"</p><p>"Where is their father?"</p><p>"He was in India; but, my husband tells me, he will soon be in France.&#13;
That, however, is uncertain. Besides, it would make my heart bleed&#13;
to see those poor children share our misery--which will soon be&#13;
extreme--for we only live by my son's labor."</p><p>"Have these girls no relation here?" asked the voice.</p><p>"I believe not, father."</p><p>"It was their mother who entrusted them to your husband, to bring them&#13;
to France?"</p><p>"Yes, father; he was obliged to set out yesterday for Chartres, on some&#13;
very pressing business, as he told me."</p><p>It will be remembered that Dagobert had not thought fit to inform his&#13;
wife of the hopes which the daughters of Marshall Simon founded on the&#13;
possession of the medal, and that he had particularly charged them not&#13;
to mention these hopes, even to Frances.</p><p>"So," resumed the voice, after a pause of some moments' duration, "your&#13;
husband is not in Paris."</p><p>"No, father; but he will doubtless return this evening or to-morrow&#13;
morning."</p><p>"Listen to me," said the voice, after another pause. "Every minute lost&#13;
for those two young girls is a new step on the road to perdition. At any&#13;
moment the hand of God may smite them, for He alone knows the hour of&#13;
our death; and were they to die in the state in which they now are, they&#13;
would most probably be lost to all eternity. This very day, therefore,&#13;
you must open their eyes to the divine light, and place them in a&#13;
religious house. It is your duty--it should be your desire!"</p><p>"Oh, yes, father; but, unfortunately, I am too poor, as I have already&#13;
told you."</p><p>"I know it--you do not want for zeal or faith--but even were you capable&#13;
of directing these young girls, the impious examples of your husband and&#13;
son would daily destroy your work. Others must do for these orphans, in&#13;
the name of Christian charity, that which you cannot do, though you are&#13;
answerable for them before heaven."</p><p>"Oh, father! if, thanks to you, this good work could be accomplished,&#13;
how grateful I should be!"</p><p>"It is not impossible. I know the superior of a convent, where these&#13;
young girls would be instructed as they ought. The charge for their&#13;
board would be diminished in consideration of their poverty; but,&#13;
however small, it must be paid and there would be also an outfit to&#13;
furnish. All that would be too dear for you."</p><p>"Alas! yes, father."</p><p>"But, by taking a little from my poor-box, and by applying to one or two&#13;
generous persons, I think I shall be able to complete the necessary sum,&#13;
and so get the young girls received at the convent."</p><p>"Ah, father! you are my deliverer, and these children's."</p><p>"I wish to be so--but, in the interest of their salvation, and to make&#13;
these measures really efficacious, I must attach some conditions to the&#13;
support I offer you."</p><p>"Name them, father; they are accepted beforehand. Your commands shall be&#13;
obeyed in everything."</p><p>"First of all, the children must be taken this very morning to&#13;
the convent, by my housekeeper, to whom you must bring them almost&#13;
immediately."</p><p>"Nay, father; that is impossible!" cried Frances.</p><p>"Impossible? why?"</p><p>"In the absence of my husband--"</p><p>"Well?"</p><p>"I dare not take a such a step without consulting him."</p><p>"Not only must you abstain from consulting him, but the thing must be&#13;
done during his absence."</p><p>"What, father? should I not wait for his return?"</p><p>"No, for two reasons," answered the priest, sternly: "first, because&#13;
his hardened impiety would certainly lead him to oppose your pious&#13;
resolution; secondly, because it is indispensable that these young girls&#13;
should break off all connection with your husband, who, therefore, must&#13;
be left in ignorance of the place of their retreat."</p><p>"But, father," said Frances, a prey to cruel doubt and embarrassment,&#13;
"it is to my husband that these children were entrusted--and to dispose&#13;
of them without his consent would be--"</p><p>"Can you instruct these children at your house--yes or no?" interrupted&#13;
the voice.</p><p>"No, father, I cannot."</p><p>"Are they exposed to fall into a state of final impenitence by remaining&#13;
with you--yes or no?"</p><p>"Yes, father, they are so exposed."</p><p>"Are you responsible, as you take the place of their parents, for the&#13;
mortal sins they may commit--yes or no?"</p><p>"Alas, father! I am responsible before God."</p><p>"Is it in the interest of their eternal salvation that I enjoin you to&#13;
place them this very day in a convent?"</p><p>"It is for their salvation, father."</p><p>"Well, then, choose!"</p><p>"But tell me, I entreat you, father if I have the right to dispose of&#13;
them without the consent of my husband?"</p><p>"The right! you have not only the right, but it is your sacred duty.&#13;
Would you not be bound, I ask you, to rescue these unfortunate creatures&#13;
from a fire, against the will of your husband, or during his absence?&#13;
Well! you must now rescue them, not from a fire that will only consume&#13;
the body, but from one in which their souls would burn to all eternity."</p><p>"Forgive me, I implore you, father," said the poor woman, whose&#13;
indecision and anguish increased every minute; "satisfy my doubts!--How&#13;
can I act thus, when I have sworn obedience to my husband?"</p><p>"Obedience for good--yes--but never for evil. You confess, that, were&#13;
it left to him, the salvation of these orphans would be doubtful, and&#13;
perhaps impossible."</p><p>"But, father," said Frances, trembling, "when my husband returns, he&#13;
will ask me where are these children? Must I tell him a falsehood?"</p><p>"Silence is not falsehood; you will tell him that you cannot answer his&#13;
question."</p><p>"My husband is the kindest of men; but such an answer will drive him&#13;
almost mad. He has been a soldier, and his anger will be terrible,&#13;
father," said Frances, shuddering at the thought.</p><p>"And were his anger a hundred times more terrible, you should be proud&#13;
to brave it in so sacred a cause!" cried the voice, with indignation.&#13;
"Do you think that salvation is to be so easily gained on earth? Since&#13;
when does the sinner, that would walk in the way of the Lord, turn aside&#13;
for the stones and briars that may bruise and tear him?"</p><p>"Pardon, father, pardon!" said Frances, with the resignation of despair.&#13;
"Permit me to ask one more question, one only. Alas! if you do not guide&#13;
me, how shall I find the way?"</p><p>"Speak!"</p><p>"When Marshal Simon arrives, he will ask his children of my husband.&#13;
What answer can he then give to their father?"</p><p>"When Marshal Simon arrives, you will let me know immediately, and&#13;
then--I will see what is to be done. The rights of a father are only&#13;
sacred in so far as he make use of them for the salvation of his&#13;
children. Before and above the father on earth, is the Father in heaven,&#13;
whom we must first serve. Reflect upon all this. By accepting what I&#13;
propose to you, these young girls will be saved from perdition; they&#13;
will not be at your charge; they will not partake of your misery; they&#13;
will be brought up in a sacred institution, as, after all, the daughters&#13;
of a Marshal of France ought to be--and, when their father arrives at&#13;
Paris, if he be found worthy of seeing them again, instead of finding&#13;
poor, ignorant, half savage heathens, he will behold two girls, pious,&#13;
modest, and well informed, who, being acceptable with the Almighty, may&#13;
invoke His mercy for their father, who, it must be owned, has great need&#13;
of it--being a man of violence, war, and battle. Now decide! Will you,&#13;
on peril of your soul, sacrifice the welfare of these girls in this&#13;
world and the next, because of an impious dread of your husband's&#13;
anger?"</p><p>Though rude and fettered by intolerance, the confessor's language was&#13;
(taking his view of the case) reasonable and just, because the honest&#13;
priest was himself convinced of what he said; a blind instrument of&#13;
Rodin, ignorant of the end in view, he believed firmly, that, in forcing&#13;
Frances to place these young girls in a convent, he was performing a&#13;
pious duty. Such was, and is, one of the most wonderful resources of the&#13;
order to which Rodin belonged--to have for accomplices good and sincere&#13;
people, who are ignorant of the nature of the plots in which they are&#13;
the principal actors.</p><p>Frances, long accustomed to submit to the influence of her confessor,&#13;
could find nothing to object to his last words. She resigned herself to&#13;
follow his directions, though she trembled to think of the furious anger&#13;
of Dagobert, when he should no longer find the children that a dying&#13;
mother had confided to his care. But, according to the priest's opinion,&#13;
the more terrible this anger might appear to her, the more she would&#13;
show her pious humility by exposing herself to it.</p><p>"God's will be done, father!" said she, in reply to her confessor.&#13;
"Whatever may happen, I wilt do my duty as a Christian--in obedience to&#13;
your commands."</p><p>"And the Lord will reward you for what you may have to suffer in the&#13;
accomplishment of this meritorious act. You promise then, before God,&#13;
that you will not answer any of your husband's questions, when he asks&#13;
you for the daughters of Marshal Simon?"</p><p>"Yes, father, I promise!" said Frances, with a shudder.</p><p>"And will preserve the same silence towards Marshal Simon himself, in&#13;
case he should return, before his daughters appear to me sufficiently&#13;
grounded in the faith to be restored to him?"</p><p>"Yes, father," said Frances, in a still fainter voice.</p><p>"You will come and give me an account of the scene that takes place&#13;
between you and your husband, upon his return?"</p><p>"Yes, father; when must I bring the orphans to your house?"</p><p>"In an hour. I will write to the superior, and leave the letter with my&#13;
housekeeper. She is a trusty person, and will conduct the young girls to&#13;
the convent."</p><p>After she had listened to the exhortations of her confessor, and&#13;
received absolution for her late sins, on condition of performing&#13;
penance, Dagobert's wife left the confessional.</p><p>The church was no longer deserted. An immense crowd pressed into it,&#13;
drawn thither by the pomp of the grand funeral of which the beadle&#13;
had spoken to the sacristan two hours before. It was with the greatest&#13;
difficulty that Frances could reach the door of the church, now hung&#13;
with sumptuous drapery.</p><p>What a contrast to the poor and humble train, which had that morning so&#13;
timidly presented themselves beneath the porch!</p><p>The numerous clergy of the parish, in full procession, advanced&#13;
majestically to receive the coffin covered with a velvet pall; the&#13;
watered silks and stuffs of their copes and stoles, their splendid&#13;
silvered embroideries, sparkled in the light of a thousand tapers. The&#13;
beadle strutted in all the glory of his brilliant uniform and flashing&#13;
epaulets; on the opposite side walked in high glee the sacristan,&#13;
carrying his whalebone staff with a magisterial air; the voice of the&#13;
choristers, now clad in fresh, white surplices, rolled out in bursts&#13;
of thunder; the trumpets' blare shook the windows; and upon the&#13;
countenances of all those who were to have a share in the spoils of this&#13;
rich corpse, this excellent corpse, this first-class corpse, a look&#13;
of satisfaction was visible, intense and yet subdued, which suited&#13;
admirably with the air and attitude of the two heirs, tall, vigorous&#13;
fellows with florid complexions, who, without overstepping the limits&#13;
of a charming modesty of enjoyment, seemed to cuddle and hug themselves&#13;
most comfortably in their mourning cloaks.</p><p>Notwithstanding her simplicity and pious faith, Dagobert's wife was&#13;
painfully impressed with this revolting difference between the reception&#13;
of the rich and the poor man's coffin at the door of the house of&#13;
God--for surely, if equality be ever real, it is in the presence of&#13;
death and eternity!</p><p>The two sad spectacles she had witnessed, tended still further to&#13;
depress the spirits of Frances. Having succeeded with no small trouble&#13;
in making her way out of the church, she hastened to return to the&#13;
Rue Brise-Miche, in order to fetch the orphans and conduct them to the&#13;
housekeeper of her confessor, who was in her turn to take them to St.&#13;
Mary's Convent, situated, as we know, next door to Dr. Baleinier's&#13;
lunatic-asylum, in which--Adrienne de Cardoville was confined.</p><p>CHAPTER XLIX. MY LORD AND SPOIL-SPORT.</p><p>The wife of Dagobert, having quitted the church, arrived at the corner&#13;
of the Rue Brise-Miche, when she was accosted by the distributor of&#13;
holy water; he came running out of breath, to beg her to return to Saint&#13;
Mery's, where the Abbe Dubois had yet something of importance to say to&#13;
her.</p><p>The moment Frances turned to go back, a hackney-coach stopped in front&#13;
of the house she inhabited. The coachman quitted his box to open the&#13;
door.</p><p>"Driver," said a stout woman dressed in black, who was seated in the&#13;
carriage, and held a pug-dog upon her knees, "ask if Mrs. Frances&#13;
Baudoin lives in this house."</p><p>"Yes, ma'am," said the coachman.</p><p>The reader will no doubt have recognized Mrs. Grivois, head&#13;
waiting-woman to the Princess de Saint-Dizier, accompanied by My Lord,&#13;
who exercised a real tyranny over his mistress. The dyer, whom we have&#13;
already seen performing the duties of a porter, being questioned by the&#13;
coachman as to the dwelling of Frances, came out of his workshop, and&#13;
advanced gallantly to the coach-door, to inform Mrs. Grivois, that&#13;
Frances Baudoin did in fact live in the house, but that she was at&#13;
present from home.</p><p>The arms, hands, and part of the face of Father Loriot were now of&#13;
a superb gold-color. The sight of this yellow personage singularly&#13;
provoked My Lord, and at the moment the dyer rested his hand upon the&#13;
edge of the coach-window, the cur began to yelp frightfully, and bit him&#13;
in the wrist.</p><p>"Oh! gracious heaven!" cried Mrs. Grivois, in an agony, whilst Father&#13;
Loriot, withdrew his hand with precipitation; "I hope there is nothing&#13;
poisonous in the dye that you have about you--my dog is so delicate!"</p><p>So saying, she carefully wiped the pug-nose, spotted with yellow. Father&#13;
Loriot, not at all satisfied with this speech, when he had expected to&#13;
receive some apology from Mrs. Grivois on account of her dog's behavior,&#13;
said to her, as with difficulty he restrained his anger: "If you did not&#13;
belong to the fair sex, which obliges me to respect you in the person&#13;
of that wretched animal I would have the pleasure of taking him by the&#13;
tail, and making him in one minute a dog of the brightest orange color,&#13;
by plunging him into my cauldron, which is already on the fire."</p><p>"Dye my pet yellow!" cried Mrs. Grivois, in great wrath, as she&#13;
descended from the hackney-coach, clasping My Lord tenderly to her&#13;
bosom, and surveying Father Loriot with a savage look.</p><p>"I told you, Mrs. Baudoin is not at home," said the dyer, as he saw the&#13;
pug-dog's mistress advance in the direction of the dark staircase.</p><p>"Never mind; I will wait for her," said Mrs. Grivois tartly. "On which&#13;
story does she live?"</p><p>"Up four pair!" answered Father Loriot, returning abruptly to his shop.&#13;
And he added to himself, with a chuckle at the anticipation: "I hope&#13;
Father Dagobert's big prowler will be in a bad humor, and give that&#13;
villainous pug a shaking by the skin of his neck."</p><p>Mrs. Grivois mounted the steep staircase with some difficulty, stopping&#13;
at every landing-place to take breath, and looking about her with&#13;
profound disgust. At length she reached the fourth story, and paused an&#13;
instant at the door of the humble chamber, in which the two sisters and&#13;
Mother Bunch then were.</p><p>The young sempstress was occupied in collecting the different articles&#13;
that she was about to carry to the pawnbroker's. Rose and Blanche seemed&#13;
happier, and somewhat less uneasy about the future; for they had learned&#13;
from Mother Bunch, that, when they knew how to sew, they might between&#13;
them earn eight francs a week, which would at least afford some&#13;
assistance to the family.</p><p>The presence of Mrs. Grivois in Baudoin's dwelling was occasioned by a&#13;
new resolution of Abbe d'Aigrigny and the Princess de Saint-Dizier; they&#13;
had thought it more prudent to send Mrs. Grivois, on whom they could&#13;
blindly depend, to fetch the young girls, and the confessor was charged&#13;
to inform Frances that it was not to his housekeeper, but to a lady&#13;
that would call on her with a note from him, that she was to deliver the&#13;
orphans, to be taken to a religious establishment.</p><p>Having knocked at the door, the waiting-woman of the Princess de Saint&#13;
Dizier entered the room, and asked for Frances Baudoin.</p><p>"She is not at home, madame," said Mother Bunch timidly, not a little&#13;
astonished at so unexpected a visit, and casting down her eyes before&#13;
the gaze of this woman.</p><p>"Then I will wait for her, as I have important affairs to speak of,"&#13;
answered Mrs. Grivois, examining with curiosity and attention the&#13;
faces of the two orphans, who also cast down their eyes with an air of&#13;
confusion.</p><p>So saying, Madame Grivois sat down, not without some repugnance, in the&#13;
old arm-chair of Dagobert's wife, and believing that she might now&#13;
leave her favorite at liberty, she laid him carefully on the floor.&#13;
Immediately, a low growl, deep and hollow, sounding from behind the&#13;
armchair, made Mrs. Grivois jump from her seat, and sent the pug-dog,&#13;
yelping with affright, and trembling through his fat, to take refuge&#13;
close to his mistress, with all the symptoms of angry alarm.</p><p>"What! is there a dog here?" cried Mrs. Grivois, stooping precipitately&#13;
to catch up My Lord, whilst, as if he wished himself to answer&#13;
the question, Spoil-sport rose leisurely from his place behind the&#13;
arm-chair, and appeared suddenly, yawning and stretching himself.</p><p>At sight of this powerful animal, with his double row of formidable&#13;
pointed fangs, which he seemed to take delight in displaying as he&#13;
opened his large jaws, Mrs. Grivois could not help giving utterance to&#13;
a cry of terror. The snappish pug had at first trembled in all his limbs&#13;
at the Siberian's approach; but, finding himself in safety on the lap&#13;
of his mistress, he began to growl insolently, and to throw the most&#13;
provoking glances at Spoil-sport. These the worthy companion of the&#13;
deceased Jovial answered disdainfully by gaping anew; after which he&#13;
went smelling round Mrs. Grivois with a sort of uneasiness, turned&#13;
his back upon My Lord, and stretched himself at the feet of Rose and&#13;
Blanche, keeping his large, intelligent eyes fixed upon them, as if he&#13;
foresaw that they were menaced with some danger.</p><p>"Turn out that beast," said Mrs. Grivois, imperiously; "he frightens my&#13;
dog, and may do him some harm."</p><p>"Do not be afraid, madame," replied Rose, with a smile; "Spoil-sport&#13;
will do no harm, if he is not attacked."</p><p>"Never mind!" cried Mrs. Grivois; "an accident soon happens. The very&#13;
sight of that enormous dog, with his wolf's head and terrible teeth, is&#13;
enough to make one tremble at the injuries he might do one. I tell you&#13;
to turn him out."</p><p>Mrs. Grivois had pronounced these last words in a tone of irritation,&#13;
which did not sound at all satisfactory in Spoil-sport's ears; so he&#13;
growled and showed his teeth, turning his head in the direction of the&#13;
stranger.</p><p>"Be quiet, Spoil-sport!" said Blanche sternly.</p><p>A new personage here entered the room, and put an end to this situation,&#13;
which was embarrassing enough for the two young girls. It was a&#13;
commissionaire, with a letter in his hand.</p><p>"What is it, sir?" asked Mother Bunch.</p><p>"A very pressing letter from the good man of the house; the dyer below&#13;
stairs told me to bring it up here."</p><p>"A letter from Dagobert!" cried Rose and Blanche, with a lively&#13;
expression of pleasure. "He is returned then? where is he?"</p><p>"I do not know whether the good man is called Dagobert or not," said&#13;
the porter; "but he is an old trooper, with a gray moustache, and may be&#13;
found close by, at the office of the Chartres coaches."</p><p>"That is he!" cried Blanche. "Give me the letter."</p><p>The porter handed it to the young girl, who opened it in all haste.</p><p>Mrs. Grivois was struck dumb with dismay; she knew that Dagobert had&#13;
been decoyed from Paris, that the Abbe Dubois might have an opportunity&#13;
to act with safety upon Frances. Hitherto, all had succeeded; the good&#13;
woman had consented to place the young girls in the hands of a religious&#13;
community--and now arrives this soldier, who was thought to be absent&#13;
from Paris for two or three days at least, and whose sudden return might&#13;
easily ruin this laborious machination, at the moment when it seemed to&#13;
promise success.</p><p>"Oh!" said Blanche, when she had read the letter. "What a misfortune!"</p><p>"What is it, then, sister?" cried Rose.</p><p>"Yesterday, half way to Chartres, Dagobert perceived that he had lost&#13;
his purse. He was unable to continue his journey; he took a place upon&#13;
credit, to return, and he asks his wife to send him some money to the&#13;
office, to pay what he owes."</p><p>"That's it," said the porter; "for the good man told me to make haste,&#13;
because he was there in pledge."</p><p>"And nothing in the house!" cried Blanche. "Dear me! what is to be&#13;
done?"</p><p>At these words, Mrs. Grivois felt her hopes revive for a moment, they&#13;
were soon, however, dispelled by Mother Bunch, who exclaimed, as she&#13;
pointed to the parcel she had just made up: "Be satisfied, dear young&#13;
ladies! here is a resource. The pawnbroker's, to which I am going, is&#13;
not far off, and I will take the money direct to M. Dagobert: in half an&#13;
hour, at latest, he will be here."</p><p>"Oh, my dear friend! you are right," said Rose. "How good you are! you&#13;
think of everything."</p><p>"And here," said Blanche, "is the letter, with the address upon it. Take&#13;
that with you."</p><p>"Thank you," answered Mother Bunch: then, addressing the porter, she&#13;
added: "Return to the person who sent you, and tell him I shall be at&#13;
the coach-office very shortly."</p><p>"Infernal hunchback!" thought Mrs. Grivois, with suppressed rage, "she&#13;
thinks of everything. Without her, we should have escaped the plague of&#13;
this man's return. What is to be done now? The girls would not go with&#13;
me, before the arrival of the soldier's wife; to propose it to them&#13;
would expose me to a refusal, and might compromise all. Once more, what&#13;
is to be done?"</p><p>"Do not be uneasy, ladies," said the porter as he went out; "I will&#13;
go and assure the good man, that he will not have to remain long in&#13;
pledge."</p><p>Whilst Mother Bunch was occupied in tying her parcel, in which she had&#13;
placed the silver cup, fork, and spoon, Mrs. Grivois seemed to reflect&#13;
deeply. Suddenly she started. Her countenance, which had been for some&#13;
moments expressive of anxiety and rage, brightened up on the instant.&#13;
She rose, still holding My Lord in her arms, and said to the young&#13;
girls: "As Mrs. Baudoin does not come in, I am going to pay a visit in&#13;
the neighborhood, and will return immediately. Pray tell her so!"</p><p>With these words Mr. Grivois took her departure, a few minutes before&#13;
Mother Bunch left.</p><p>CHAPTER L. APPEARANCES.</p><p>After she had again endeavored to cheer up the orphans, the sewing-girl&#13;
descended the stairs, not without difficulty, for, in addition to the&#13;
parcel, which was already heavy, she had fetched down from her own room&#13;
the only blanket she possessed--thus leaving herself without protection&#13;
from the cold of her icy garret.</p><p>The evening before, tortured with anxiety as to Agricola's fate, the&#13;
girl had been unable to work; the miseries of expectation and hope&#13;
delayed had prevented her from doing so; now another day would be lost,&#13;
and yet it was necessary to live. Those overwhelming sorrows, which&#13;
deprive the poor of the faculty of labor, are doubly dreaded; they&#13;
paralyze the strength, and, with that forced cessation from toil, want&#13;
and destitution are often added to grief.</p><p>But Mother Bunch, that complete incarnation of holiest duty, had yet&#13;
strength enough to devote herself for the service of others. Some of the&#13;
most frail and feeble creatures are endowed with extraordinary vigor&#13;
of soul; it would seem as if, in these weak, infirm organizations, the&#13;
spirit reigned absolutely over the body, and knew how to inspire it with&#13;
a factitious energy.</p><p>Thus, for the last twenty-four hours, Mother Bunch had neither slept&#13;
nor eaten; she had suffered from the cold, through the whole of a frosty&#13;
night. In the morning she had endured great fatigue, in going, amid rain&#13;
and snow, to the Rue de Babylone and back, twice crossing Paris and yet&#13;
her strength was not exhausted--so immense is the power of the human&#13;
heart!</p><p>She had just arrived at the corner of the Rue Saint Mery. Since the&#13;
recent Rue des Prouvaires conspiracy, there were stationed in this&#13;
populous quarter of the town a much larger number of police-officers&#13;
than usual. Now the young sempstress, though bending beneath the weight&#13;
of her parcel, had quickened her pace almost to a run, when, just as she&#13;
passed in front of one of the police, two five-franc pieces fell on the&#13;
ground behind her, thrown there by a stout woman in black, who followed&#13;
her closely.</p><p>Immediately after the stout woman pointed out the two pieces to the&#13;
policeman, and said something hastily to him with regard to Mother&#13;
Bunch. Then she withdrew at all speed in the direction of the Rue&#13;
Brise-Miche.</p><p>The policeman, struck with what Mrs. Grivois had said to him ( for it&#13;
was that person), picked up the money, and, running after the humpback,&#13;
cried out to her: "Hi, there! young woman, I say--stop! stop!"</p><p>On this outcry, several persons turned round suddenly and, as always&#13;
happens in those quarters of the town, a nucleus of five or six persons&#13;
soon grew to a considerable crowd.</p><p>Not knowing that the policeman was calling to her, Mother Bunch only&#13;
quickened her speed, wishing to get to the pawnbroker's as soon as&#13;
possible, and trying to avoid touching any of the passers-by, so much&#13;
did she dread the brutal and cruel railleries, to which her infirmity so&#13;
often exposed her.</p><p>Suddenly, she heard many persons running after her, and at the same&#13;
instant a hand was laid rudely on her shoulder. It was the policeman,&#13;
followed by another officer, who had been drawn to the spot by the&#13;
noise. Mother Bunch turned round, struck with as much surprise as fear.</p><p>She found herself in the centre of a crowd, composed chiefly of that&#13;
hideous scum, idle and in rags, insolent and malicious, besotted with&#13;
ignorance, brutalized by want, and always loafing about the corners.&#13;
Workmen are scarcely ever met with in these mobs, for they are for the&#13;
most part engaged in their daily labors.</p><p>"Come, can't you hear? you are deaf as Punch's dog," said the policeman,&#13;
seizing Mother Bunch so rudely by the arm, that she let her parcel fall&#13;
at her feet.</p><p>When the unfortunate girl, looking round in terror, saw herself exposed&#13;
to all those insolent, mocking, malicious glances, when she beheld the&#13;
cynical and coarse grimace on so many ignoble and filthy countenances,&#13;
she trembled in all her limbs, and became fearfully pale. No doubt the&#13;
policeman had spoken roughly to her; but how could he speak otherwise to&#13;
a poor deformed girl, pale and trembling, with her features agitated&#13;
by grief and fear--to a wretched creature, miserably clad, who wore&#13;
in winter a thin cotton gown, soiled with mud, and wet with melted&#13;
snow--for the poor sempstress had walked much and far that morning. So&#13;
the policeman resumed, with great severity, following that supreme law&#13;
of appearances which makes poverty always suspected: "Stop a bit,&#13;
young woman! it seems you are in a mighty hurry, to let your money fall&#13;
without picking it up."</p><p>"Was her blunt hid in her hump?" said the hoarse voice of a match-boy, a&#13;
hideous and repulsive specimen of precocious depravity.</p><p>This sally was received with laughter, shouts, and hooting, which served&#13;
to complete the sewing-girl's dismay and terror. She was hardly able to&#13;
answer, in a feeble voice, as the policeman handed her the two pieces of&#13;
silver: "This money, sir, is not mine."</p><p>"You lie," said the other officer, approaching; "a respectable lady saw&#13;
it drop from your pocket."</p><p>"I assure you, sir, it is not so," answered Mother Bunch, trembling.</p><p>"I tell you that you lie," resumed the officer; "for the lady, struck&#13;
with your guilty and frightened air, said to me: 'Look at yonder little&#13;
hunchback, running away with that large parcel, and letting her money&#13;
fall without even stopping to pick it up--it is not natural.'"</p><p>"Bobby," resumed the match-vendor in his hoarse voice, "be on your&#13;
guard! Feel her hump, for that is her luggage-van. I'm sure that you'll&#13;
find boots, and cloaks, and umbrellas, and clocks in it--for I just&#13;
heard the hour strike in the bend of her back."</p><p>Then came fresh bursts of laughter and shouts and hooting, for this&#13;
horrible mob has no pity for those who implore and suffer. The crowd&#13;
increased more and more, and now they indulged in hoarse cries, piercing&#13;
whistles, and all kinds of horse play.</p><p>"Let a fellow see her; it's free gratis."</p><p>"Don't push so; I've paid for my place!"</p><p>"Make her stand up on something, that all may have a look."</p><p>"My corns are being ground: it was not worth coming."</p><p>"Show her properly--or return the money."</p><p>"That's fair, ain't it?"</p><p>"Give it us in the 'garden' style."</p><p>"Trot her out in all her paces! Kim up!"</p><p>Fancy the feelings of this unfortunate creature, with her delicate&#13;
mind, good heart, and lofty soul, and yet with so timid and nervous a&#13;
character, as she stood alone with the two policemen in the thick of the&#13;
crowd, and was forced to listen to all these coarse and savage insults.</p><p>But the young sempstress did not yet understand of what crime she was&#13;
accused. She soon discovered it, however, for the policeman, seizing the&#13;
parcel which she had picked up and now held in her trembling hands, said&#13;
to her rudely: "What is there in that bundle?"</p><p>"Sir--it is--I am going--" The unfortunate girl hesitated--unable, in&#13;
her terror, to find the word.</p><p>"If that's all you have to answer," said the policeman, "it's no great&#13;
shakes. Come, make haste! turn your bundle inside out."</p><p>So saying, the policeman snatched the parcel from her, half opened it,&#13;
and repeated, as he enumerated the divers articles it contained:&#13;
"The devil!--sheets--a spoon and fork--a silver mug--a shawl--a&#13;
blanket--you're a downy mot! it was not so bad a move. Dressed like a&#13;
beggar, and with silver plate about you. Oh, yes! you're a deep 'un."</p><p>"Those articles do not belong to you," said the other officer.</p><p>"No, sir," replied Mother Bunch, whose strength was failing her; "but--"</p><p>"Oh, vile hunchback! you have stolen more than you are big!"</p><p>"Stolen!" cried Mother Bunch, clasping her hands in horror, for she now&#13;
understood it all. "Stolen!"</p><p>"The guard! make way for the lobsters!" cried several persons at once.</p><p>"Oh, ho! here's the lobsters!"</p><p>"The fire-eaters!"</p><p>"The Arab devourers!"</p><p>"Come for their dromedary!"</p><p>In the midst of these noisy jests, two soldiers and a corporal advanced&#13;
with much difficulty. Their bayonets and the barrels of their guns were&#13;
alone visible above the heads of this hideous and compact crowd. Some&#13;
officious person had been to inform the officer at the nearest guard&#13;
house, that a considerable crowd obstructed the public way.</p><p>"Come, here is the guard--so march to the guard-house!" said the&#13;
policeman, taking Mother Bunch by the arm.</p><p>"Sir," said the poor girl, in a voice stifled by sobs, clasping her&#13;
hands in terror, and sinking upon her knees on the pavement; "sir,--have&#13;
pity--let me explain--"</p><p>"You will explain at the guard-house; so come on!"</p><p>"But, sir--I am not a thief," cried Mother Bunch, in a heart-rending&#13;
tone; "have pity upon me--do not take me away like a thief, before all&#13;
this crowd. Oh! mercy! mercy!"</p><p>"I tell you, there will be time to explain at the guard-house. The&#13;
street is blocked up; so come along!" Grasping the unfortunate creature&#13;
by both her hands, he set her, as it were, on her feet again.</p><p>At this instant, the corporal and his two soldiers, having succeeded&#13;
in making their way through the crowd, approached the policeman.&#13;
"Corporal," said the latter, "take this girl to the guard-house. I am an&#13;
officer of the police."</p><p>"Oh, gentlemen!" cried the girl, weeping hot tears, and wringing her&#13;
hands, "do not take me away, before you let me explain myself. I am not&#13;
a thief--indeed, indeed, I am not a thief! I will tell you--it was to&#13;
render service to others--only let me tell you--"</p><p>"I tell you, you should give your explanations at the guard-house; if&#13;
you will not walk, we must drag you along," said the policeman.</p><p>We must renounce the attempt to paint this scene, at once ignoble and&#13;
terrible.</p><p>Weak, overpowered, filled with alarm, the unfortunate girl was dragged&#13;
along by the soldiers, her knees sinking under her at every step.&#13;
The two police-officers had each to lend an arm to support her, and&#13;
mechanically she accepted their assistance. Then the vociferations and&#13;
hootings burst forth with redoubled fury. Half-swooning between the two&#13;
men, the hapless creature seemed to drain the cup of bitterness to the&#13;
dregs.</p><p>Beneath that foggy sky, in that dirty street, under the shadow of the&#13;
tall black houses, those hideous masses of people reminded one of the&#13;
wildest fancies of Callot and of Goya: children in rags, drunken women,&#13;
grim and blighted figures of men, rushed against each other, pushed,&#13;
fought, struggled, to follow with howls and hisses an almost inanimate&#13;
victim--the victim of a deplorable mistake.</p><p>Of a mistake! How one shudders to think, that such arrests may often&#13;
take place, founded upon nothing but the suspicion caused by the&#13;
appearance of misery, or by some inaccurate description. Can we forget&#13;
the case of that young girl, who, wrongfully accused of participating&#13;
in a shameful traffic, found means to escape from the persons who were&#13;
leading her to prison, and, rushing up the stairs of a house, threw&#13;
herself from a window, in her despair, and was crushed to death upon the&#13;
paving-stones?</p><p>Meanwhile, after the abominable denunciation of which Mother Bunch was&#13;
the victim, Mrs. Grivois had returned precipitately to the Rue Brise&#13;
Miche. She ascended in haste to the fourth story, opened the door of&#13;
Frances Baudoin's room, and saw--Dagobert in company with his wife and&#13;
the two orphans!</p><p>CHAPTER LI. THE CONVENT.</p><p>Let us explain in a few words the presence of Dagobert. His countenance&#13;
was impressed with such an air of military frankness that the manager&#13;
of the coach-office would have been satisfied with his promise to return&#13;
and pay the money; but the soldier had obstinately insisted on remaining&#13;
in pledge, as he called it, till his wife had answered his letter.&#13;
When, however, on the return of the porter, he found that the money was&#13;
coming, his scruples were satisfied, and he hastened to run home.</p><p>We may imagine the stupor of Mrs. Grivois, when, upon entering the&#13;
chamber, she perceived Dagobert (whom she easily recognized by the&#13;
description she had heard of him) seated beside his wife and the&#13;
orphans. The anxiety of Frances at sight of Mrs. Grivois was equally&#13;
striking. Rose and Blanche had told her of the visit of a lady, during&#13;
her absence, upon important business; and, judging by the information&#13;
received from her confessor, Frances had no doubt that this was the&#13;
person charged to conduct the orphans to a religious establishment.</p><p>Her anxiety was terrible. Resolved to follow the counsels of Abbe&#13;
Dubois, she dreaded lest a word from Mrs. Grivois should put Dagobert on&#13;
the scent--in which case all would be lost, and the orphans would&#13;
remain in their present state of ignorance and mortal sin, for which she&#13;
believed herself responsible.</p><p>Dagobert, who held the hands of Rose and Blanche, left his seat as the&#13;
Princess de Saint-Dizier's waiting-woman entered the room and cast an&#13;
inquiring glance on Frances.</p><p>The moment was critical--nay, decisive; but Mrs. Grivois had profited by&#13;
the example of the Princess de Saint-Dizier. So, taking her resolution&#13;
at once, and turning to account the precipitation with which she had&#13;
mounted the stairs, after the odious charge she had brought against poor&#13;
Mother Bunch, and even the emotion caused by the unexpected sight of&#13;
Dagobert, which gave to her features an expression of uneasiness and&#13;
alarm--she exclaimed, in an agitated voice, after the moment's silence&#13;
necessary to collect her thoughts: "Oh, madame! I have just been the&#13;
spectator of a great misfortune. Excuse my agitation! but I am so&#13;
excited--"</p><p>"Dear me! what is the matter?" said Frances, in a trembling voice, for&#13;
she dreaded every moment some indiscretion on the part of Mrs. Grivois.</p><p>"I called just now," resumed the other, "to speak to you on some&#13;
important business; whilst I was waiting for you, a poor young woman,&#13;
rather deformed, put up sundry articles in a parcel--"</p><p>"Yes," said Frances; "it was Mother Bunch, an excellent, worthy&#13;
creature."</p><p>"I thought as much, madame; well, you shall hear what has happened. As&#13;
you did not come in, I resolved to pay a visit in the neighborhood. I go&#13;
out, and get as far as the Rue St. Mery, when--Oh, madame!"</p><p>"Well?" said Dagobert, "what then?"</p><p>"I see a crowd--I inquire what is the matter--I learn that a policeman&#13;
has just arrested a young girl as a thief, because she had been seen&#13;
carrying a bundle, composed of different articles which did not appear&#13;
to belong to her--I approached--what do I behold?--the same young woman&#13;
that I had met just before in this room."</p><p>"Oh! the poor child!" exclaimed Frances, growing pale, and clasping her&#13;
hands together. "What a dreadful thing!"</p><p>"Explain, then," said Dagobert to his wife. "What was in this bundle?"</p><p>"Well, my dear--to confess the truth--I was a little short, and I asked&#13;
our poor friend to take some things for me to the pawnbroker's--"</p><p>"What! and they thought she had robbed us!" cried Dagobert; "she,&#13;
the most honest girl in the world! it is dreadful--you ought to have&#13;
interfered, madame; you ought to have said that you knew her."</p><p>"I tried to do so, sir; but, unfortunately, they would not hear me. The&#13;
crowd increased every moment, till the guard came up, and carried her&#13;
off."</p><p>"She might die of it, she is so sensitive and timid!" exclaimed Frances.</p><p>"Ah, good Mother Bunch! so gentle! so considerate!" said Blanche,&#13;
turning with tearful eyes towards her sister.</p><p>"Not being able to help her," resumed Mrs. Grivois "I hastened hither&#13;
to inform you of this misadventure--which may, indeed, easily be&#13;
repaired--as it will only be necessary to go and claim the young girl as&#13;
soon as possible."</p><p>At these words, Dagobert hastily seized his hat, and said abruptly to&#13;
Mrs. Grivois: "Zounds, madame! you should have begun by telling us that.&#13;
Where is the poor child? Do you know?"</p><p>"I do not, sir; but there are still so many excited people in the street&#13;
that, if you will have the kindness to step out, you will be sure to&#13;
learn."</p><p>"Why the devil do you talk of kindness? It is my duty, madame. Poor&#13;
child!" repeated Dagobert. "Taken up as a thief!--it is really horrible.&#13;
I will go to the guard-house, and to the commissary of police for this&#13;
neighborhood, and, by hook or crook, I will find her, and have her out,&#13;
and bring her home with me."</p><p>So saying, Dagobert hastily departed. Frances, now that she felt more&#13;
tranquil as to the fate of Mother Bunch, thanked the Lord that this&#13;
circumstance had obliged her husband to go out, for his presence at this&#13;
juncture caused her a terrible embarrassment.</p><p>Mrs. Grivois had left My Lord in the coach below, for the moments were&#13;
precious. Casting a significant glance at Frances she handed her Abbe&#13;
Dubois' letter, and said to her, with strong emphasis on every word:&#13;
"You will see by this letter, madame, what was the object of my visit,&#13;
which I have not before been able to explain to you, but on which I&#13;
truly congratulate myself, as it brings me into connection with these&#13;
two charming young ladies." Rose and Blanche looked at each other in&#13;
surprise. Frances took the letter with a trembling hand. It required all&#13;
the pressing and threatening injunctions of her confessor to conquer&#13;
the last scruples of the poor woman, for she shuddered at the thought of&#13;
Dagobert's terrible indignation. Moreover, in her simplicity, she knew&#13;
not how to announce to the young girls that they were to accompany this&#13;
lady.</p><p>Mrs. Grivois guessed her embarrassment, made a sign to her to be at her&#13;
ease, and said to Rose, whilst Frances was reading the letter of her&#13;
confessor: "How happy your relation will be to see you, my dear young&#13;
lady!'</p><p>"Our relation, madame?" said Rose, more and more astonished.</p><p>"Certainly. She knew of your arrival here, but, as she is still&#13;
suffering from the effects of a long illness, she was not able to come&#13;
herself to-day, and has sent me to fetch you to her. Unfortunately,"&#13;
added Mrs. Grivois, perceiving a movement of uneasiness on the part of&#13;
the two sisters, "it will not be in her power, as she tells Mrs. Baudoin&#13;
in her letter, to see you for more than a very short time--so you may&#13;
be back here in about an hour. But to-morrow or the next day after,&#13;
she will be well enough to leave home, and then she will come and make&#13;
arrangements with Mrs. Baudoin and her husband, to take you into her&#13;
house--for she could not bear to leave you at the charge of the worthy&#13;
people who have been so kind to you."</p><p>These last words of Mrs. Grivois made a favorable impression upon the&#13;
two sisters, and banished their fears of becoming a heavy burden to&#13;
Dagobert's family. If it had been proposed to them to quit altogether&#13;
the house in the Rue Bris-Miche, without first asking the consent of&#13;
their old friend, they would certainly have hesitated; but Mrs. Grivois&#13;
had only spoken of an hour's visit. They felt no suspicion, therefore,&#13;
and Rose said to Frances: "We may go and see our relation, I suppose,&#13;
madame, without waiting for Dagobert's return?"</p><p>"Certainly," said Frances, in a feeble voice, "since you are to be back&#13;
almost directly."</p><p>"Then, madame, I would beg these dear young ladies to come with me as&#13;
soon as possible, as I should like to bring them back before noon.</p><p>"We are ready, madame," said Rose.</p><p>"Well then, young ladies, embrace your second mother, and come," said&#13;
Mrs. Grivois, who was hardly able to control her uneasiness, for she&#13;
trembled lest Dagobert should return from one moment to the other.</p><p>Rose and Blanche embraced Frances, who, clasping in her arms the two&#13;
charming and innocent creatures that she was about to deliver up, could&#13;
with difficulty restrain her tears, though she was fully convinced that&#13;
she was acting for their salvation.</p><p>"Come, young ladies," said Mrs. Grivois, in the most affable tone, "let&#13;
us make haste--you will excuse my impatience, I am sure--but it is in&#13;
the name of your relation that I speak."</p><p>Having once more tenderly kissed the wife of Dagobert, the sisters&#13;
quitted the room hand in hand, and descended the staircase close&#13;
behind Mrs. Grivois, followed (without their being aware of it), by&#13;
Spoil-sport. The intelligent animal cautiously watched their movements,&#13;
for, in the absence of his master, he never let them out of his sight.</p><p>For greater security, no doubt, the waiting-woman of Madame de Saint&#13;
Dizier had ordered the hackney-coach to wait for her at a little&#13;
distance from the Rue Brise-Miche, in the cloister square. In a few&#13;
seconds, the orphans and their conductress reached the carriage.</p><p>"Oh, missus!" said the coachman, opening the door; "no offence, I&#13;
hope--but you have the most ill-tempered rascal of a dog! Since you put&#13;
him into my coach, he has never ceased howling like a roasted cat,&#13;
and looks as if he would eat us all up alive!" In fact, My Lord, who&#13;
detested solitude, was yelling in the most deplorable manner.</p><p>"Be quiet, My Lord! here I am," said Mrs. Grivois; then addressing the&#13;
two sisters, she added: "Pray, get in, my dear young ladies."</p><p>Rose and Blanche got into the coach. Before she followed them, Mrs.&#13;
Grivois was giving to the coachman in a low voice the direction to St.&#13;
Mary's Convent, and was adding other instructions, when suddenly the pug&#13;
dog, who had growled savagely when the sisters took their seats in&#13;
the coach, began to bark with fury. The cause of this anger was clear&#13;
enough; Spoil-sport, until now unperceived, had with one bound entered&#13;
the carriage.</p><p>The pug, exasperated by this boldness, forgetting his ordinary prudence,&#13;
and excited to the utmost by rage and ugliness of temper, sprang at his&#13;
muzzle, and bit him so cruelly, that, in his turn, the brave Siberian&#13;
dog, maddened by the pain, threw himself upon the teaser, seized him&#13;
by the throat, and fairly strangled him with two grips of his powerful&#13;
jaws--as appeared by one stifled groan of the pug, previously half&#13;
suffocated with fat.</p><p>All this took place in less time than is occupied by the description.&#13;
Rose and Blanche had hardly opportunity to exclaim twice: "Here, Spoil&#13;
sport! down!"</p><p>"Oh, good gracious!" said Mrs. Grivois, turning round at the noise.&#13;
"There again is that monster of a dog--he will certainly hurt my love.&#13;
Send him away, young ladies--make him get down--it is impossible to take&#13;
him with us."</p><p>Ignorant of the degree of Spoil-sport's criminality, for his paltry foe&#13;
was stretched lifeless under a seat, the young girls yet felt that it&#13;
would be improper to take the dog with them, and they therefore said to&#13;
him in an angry tone, at the same time slightly touching him with their&#13;
feet: "Get down, Spoil-sport! go away!"</p><p>The faithful animal hesitated at first to obey this order. Sad and&#13;
supplicatingly looked he at the orphans, and with an air of mild&#13;
reproach, as if blaming them for sending away their only defender. But,&#13;
upon the stern repetition of the command, he got down from the coach,&#13;
with his tail between his legs, feeling perhaps that he had been&#13;
somewhat over-hasty with regard to the pug.</p><p>Mrs. Grivois, who was in a great hurry to leave that quarter of the&#13;
town, seated herself with precipitation in the carriage; the coachman&#13;
closed the door, and mounted his box; and then the coach started at a&#13;
rapid rate, whilst Mrs. Grivois prudently let down the blinds, for fear&#13;
of meeting Dagobert by the way.</p><p>Having taken these indispensable precautions, she was able to turn her&#13;
attention to her pet, whom she loved with all that deep, exaggerated&#13;
affection, which people of a bad disposition sometimes entertain for&#13;
animals, as if then concentrated and lavished upon them all those&#13;
feelings in which they are deficient with regard to their fellow&#13;
creatures. In a word. Mrs. Grivois was passionately attached to this&#13;
peevish, cowardly, spiteful dog, partly perhaps from a secret sympathy&#13;
with his vices. This attachment had lasted for six years, and only&#13;
seemed to increase as My Lord advanced in age.</p><p>We have laid some stress on this apparently puerile detail, because the&#13;
most trifling causes have often disastrous effects, and because we wish&#13;
the reader to understand what must have been the despair, fury, and&#13;
exasperation of this woman, when she discovered the death of her dog--a&#13;
despair, a fury, and an exasperation, of which the orphans might yet&#13;
feel the cruel consequences.</p><p>The hackney-coach had proceeded rapidly for some seconds, when Mrs.&#13;
Grivois, who was seated with her back to the horses, called My Lord. The&#13;
dog had very good reasons for not replying.</p><p>"Well, you sulky beauty!" said Mrs. Grivois, soothingly; "you have taken&#13;
offence, have you? It was not my fault if that great ugly dog came into&#13;
the coach, was it, young ladies? Come and kiss your mistress, and let us&#13;
make peace, old obstinate!"</p><p>The same obstinate silence continued on the part of the canine noble.&#13;
Rose and Blanche began to look anxiously at each other, for they knew&#13;
that Spoil-sport was somewhat rough in his ways, though they were far&#13;
from suspecting what had really happened. But Mrs. Grivois, rather&#13;
surprised than uneasy at her pug-log's insensibility to her affectionate&#13;
appeals, and believing him to be sullenly crouching beneath the seat,&#13;
stooped clown to take him up, and feeling one of his paws, drew it&#13;
impatiently towards her whilst she said to him in a half-jesting, half&#13;
angry tone: "Come, naughty fellow! you will give a pretty notion of your&#13;
temper to these young ladies."</p><p>So saying, she took up the dog, much astonished at his unresisting&#13;
torpor; but what was her fright, when, having placed him upon her lap,&#13;
she saw that he was quite motionless.</p><p>"An apoplexy!" cried she. "The dear creature ate too much--I was always&#13;
afraid of it."</p><p>Turning round hastily, she exclaimed: "Stop, coachman! stop!" without&#13;
reflecting that the coachman could not hear her. Then raising the cur's&#13;
head, still thinking that he was only in a fit, she perceived with&#13;
horror the bloody holes imprinted by five or six sharp fangs, which left&#13;
no doubt of the cause of his deplorable end.</p><p>Her first impulse was one of grief and despair. "Dead!" she exclaimed;&#13;
"dead! and already cold! Oh, goodness!" And this woman burst into tears.</p><p>The tears of the wicked are ominous. For a bad man to weep, he must&#13;
have suffered much; and, with him, the reaction of suffering, instead of&#13;
softening the soul, inflames it to a dangerous anger.</p><p>Thus, after yielding to that first painful emotion, the mistress of My&#13;
Lord felt herself transported with rage and hate--yes, hate--violent&#13;
hate for the young girls, who had been the involuntary cause of the&#13;
dog's death. Her countenance so plainly betrayed her resentment, that&#13;
Blanche and Rose were frightened at the expression of her face, which&#13;
had now grown purple with fury, as with agitated voice and wrathful&#13;
glance she exclaimed: "It was your dog that killed him!"</p><p>"Oh, madame!" said Rose; "we had nothing to do with it."</p><p>"It was your dog that bit Spoil-sport first," added Blanche, in a&#13;
plaintive voice.</p><p>The look of terror impressed on the features of the orphans recalled&#13;
Mrs. Grivois to herself. She saw the fatal consequences that might arise&#13;
from yielding imprudently to her anger. For the very sake of vengeance,&#13;
she had to restrain herself, in order not to awaken suspicion in the&#13;
minds of Marshal Simon's daughters. But not to appear to recover too&#13;
soon from her first impression, she continued for some minutes to cast&#13;
irritated glances at the young girls; then, little by little, her anger&#13;
seemed to give way to violent grief; she covered her face with her&#13;
hands, heaved a long sigh, and appeared to weep bitterly.</p><p>"Poor lady!" whispered Rose to Blanche. "How she weeps!--No doubt, she&#13;
loved her dog as much as we love Spoil-sport."</p><p>"Alas! yes," replied Blanche. "We also wept when our old Jovial was&#13;
killed."</p><p>After a few minutes, Mrs. Grivois raised her head, dried her eyes&#13;
definitively, and said in a gentle, and almost affectionate voice:&#13;
"Forgive me, young ladies! I was unable to repress the first movement&#13;
of irritation, or rather of deep sorrow--for I was tenderly attached to&#13;
this poor dog he has never left me for six years."</p><p>"We are very sorry for this misfortune, madame," resumed Rose; "and we&#13;
regret it the more, that it seems to be irreparable."</p><p>"I was just saying to my sister, that we can the better fancy your&#13;
grief, as we have had to mourn the death of our old horse, that carried&#13;
us all the way from Siberia."</p><p>"Well, my dear young ladies, let us think no more about it. It was&#13;
my fault; I should not have brought him with me; but he was always so&#13;
miserable, whenever I left him. You will make allowance for my weakness.&#13;
A good heart feels for animals as well as people; so I must trust to&#13;
your sensibility to excuse my hastiness."</p><p>"Do not think of it, madame; it is only your grief that afflicts us."</p><p>"I shall get over it, my dear young ladies--I shall get over it. The joy&#13;
of the meeting between you and your relation will help to console&#13;
me. She will be so happy. You are so charming! and then the singular&#13;
circumstance of your exact likeness to each other adds to the interest&#13;
you inspire."</p><p>"You are too kind to us, madame."</p><p>"Oh, no--I am sure you resemble each other as much in disposition as in&#13;
face."</p><p>"That is quite natural, madame," said Rose, "for since our birth we have&#13;
never left each other a minute, whether by night or day. It would be&#13;
strange, if we were not like in character."</p><p>"Really, my dear young ladies! you have never left each other a minute?"</p><p>"Never, madame." The sisters joined hands with an expressive smile.</p><p>"Then, how unhappy you would be, and how much to be pitied, if ever you&#13;
were separated."</p><p>"Oh, madame! it is impossible," said Blanche, smiling.</p><p>"How impossible?"</p><p>"Who would have the heart to separate us?"</p><p>"No doubt, my dear young ladies, it would be very cruel."</p><p>"Oh, madame," resumed Blanche, "even very wicked people would not think&#13;
of separating us."</p><p>"So much the better, my dear young ladies--pray, why?"</p><p>"Because it would cause us too much grief."</p><p>"Because it would kill us."</p><p>"Poor little dears!"</p><p>"Three months ago, we were shut up in prison. Well when the governor of&#13;
the prison saw us, though he looked a very stern man, he could not help&#13;
saying: 'It would be killing these children to separate them;' and so we&#13;
remained together, and were as happy as one can be in prison."</p><p>"It shows your excellent heart, and also that of the persons who knew&#13;
how to appreciate it."</p><p>The carriage stopped, and they heard the coachman call out "Any one at&#13;
the gate there?"</p><p>"Oh! here we are at your relation's," said Mrs. Grivois. Two wings of a&#13;
gate flew open, and the carriage rolled over the gravel of a court-yard.</p><p>Mrs. Grivois having drawn up one of the blinds, they found themselves in&#13;
a vast court, across the centre of which ran a high wall, with a kind&#13;
of porch upon columns, under which was a little door. Behind this wall,&#13;
they could see the upper part of a very large building in freestone.&#13;
Compared with the house in the Rue Brise-Miche, this building appeared&#13;
a palace; so Blanche said to Mrs. Grivois, with an expression of artless&#13;
admiration: "Dear me, madame, what a fine residence!"</p><p>"That is nothing," replied Madame Grivois; "wait till you see the&#13;
interior, which is much finer."</p><p>When the coachman opened the door of the carriage, what was the rage of&#13;
Mrs. Grivois, and the surprise of the girls, to see Spoil-sport, who&#13;
had been clever enough to follow the coach. Pricking up his ears, and&#13;
wagging his tail, he seemed to have forgotten his late offences, and to&#13;
expect to be praised for his intelligent fidelity.</p><p>"What!" cried Mrs. Grivois, whose sorrows were renewed at the sight;&#13;
"has that abominable dog followed the coach?"</p><p>"A famous dog, mum," answered the coachman "he never once left the heels&#13;
of my horses. He must have been trained to it. He's a powerful beast,&#13;
and two men couldn't scare him. Look at the throat of him now!"</p><p>The mistress of the deceased pug, enraged at the somewhat unseasonable&#13;
praises bestowed upon the Siberian, said to the orphans, "I will&#13;
announce your arrival, wait for me an instant in the coach."</p><p>So saying, she went with a rapid step towards the porch, and rang the&#13;
bell. A woman, clad in a monastic garb, appeared at the door, and bowed&#13;
respectfully to Mrs. Grivois, who addressed her in these few words, "I&#13;
have brought you the two young girls; the orders of Abbe d'Aigrigny and&#13;
the princess are, that they be instantly separated, and kept apart in&#13;
solitary cells--you understand, sister--and subjected to the rule for&#13;
impenitents."</p><p>"I will go and inform the superior, and it will be done," said the&#13;
portress, with another bend.</p><p>"Now, will you come, my dear young ladies?" resumed Mrs. Grivois,&#13;
addressing the two girls, who had secretly bestowed a few caresses upon&#13;
Spoil sport, so deeply were they touched by his instinctive attachment;&#13;
"you will be introduced to your relation, and I will return and fetch&#13;
you in half an hour. Coachman keep that dog back."</p><p>Rose and Blanche, in getting out of the coach, were so much occupied&#13;
with Spoil-sport, that they did not perceive the portress, who was half&#13;
hidden behind the little door. Neither did they remark, that the person&#13;
who was to introduce them was dressed as a nun, till, taking them by&#13;
the hand, she had led them across the threshold, when the door was&#13;
immediately closed behind them.</p><p>As soon as Mrs. Grivois had seen the orphans safe into the convent, she&#13;
told the coachman to leave the court-yard, and wait for her at the&#13;
outer gate. The coachman obeyed; but Spoil-sport, who had seen Rose and&#13;
Blanche enter by the little door, ran to it, and remained there.</p><p>Mrs. Grivois then called the porter of the main entrance, a tall,&#13;
vigorous fellow and said to him: "Here are ten francs for you, Nicholas,&#13;
if you will beat out the brains of that great dog, who is crouching&#13;
under the porch."</p><p>Nicholas shook his head, as he observed Spoil-sport's size and strength.&#13;
"Devil take me, madame!" said he; "'tis not so easy to tackle a dog of&#13;
that build."</p><p>"I will give you twenty francs; only kill him before me."</p><p>"One ought to have a gun, and I have only an iron hammer."</p><p>"That will do; you can knock him down at a blow."</p><p>"Well, madame--I will try--but I have my doubts." And Nicholas went to&#13;
fetch his mallet.</p><p>"Oh! if I had the strength!" said Mrs. Grivois.</p><p>The porter returned with his weapon, and advanced slowly and&#13;
treacherously towards Spoil-sport, who was still crouching beneath the&#13;
porch. "Here, old fellow! here, my good dog!" said Nicholas striking&#13;
his left hand on his thigh, and keeping his right behind him, with the&#13;
crowbar grasped in it.</p><p>Spoil-sport rose, examined Nicholas attentively, and no doubt perceiving&#13;
by his manner that the porter meditated some evil design, bounded away&#13;
from him, outflanked the enemy, saw clearly what was intended, and kept&#13;
himself at a respectful distance.</p><p>"He smells a rat," said Nicholas; "the rascal's on his guard. He will&#13;
not let me come near him. It's no go."</p><p>"You are an awkward fellow," said Mrs. Grivois in a passion, as she&#13;
threw a five-franc piece to Nicholas: "at all events, drive him away."</p><p>"That will be easier than to kill him, madame," said the porter. Indeed,&#13;
finding himself pursued, and conscious probably that it would be useless&#13;
to attempt an open resistance, Spoil-sport fled from the court-yard into&#13;
the street; but once there, he felt himself, as it were, upon neutral&#13;
ground, and notwithstanding all the threats of Nicholas, refused to&#13;
withdraw an inch further than just sufficient to keep out of reach of&#13;
the sledge-hammer. So that when Mrs. Grivois, pale with rage, again&#13;
stepped into her hackney-coach, in which were My Lord's lifeless&#13;
remains, she saw with the utmost vexation that Spoil-sport was lying at&#13;
a few steps from the gate, which Nicholas had just closed, having given&#13;
up the chase in despair.</p><p>The Siberian dog, sure of finding his way back to the Rue Brise-Miche,&#13;
had determined, with the sagacity peculiar to his race, to wait for the&#13;
orphans on the spot where he then was.</p><p>Thus were the two sisters confined in St. Mary's Convent, which, as we&#13;
have already said, was next door to the lunatic asylum in which Adrienne&#13;
de Cardoville was immured.</p><p>We now conduct the reader to the dwelling of Dagobert's wife, who was&#13;
waiting with dreadful anxiety for the return of her husband, knowing&#13;
that he would call her to account for the disappearance of Marshal&#13;
Simon's daughters.</p><p>CHAPTER LII. THE INFLUENCE OF A CONFESSOR.</p><p>Hardly had the orphans quitted Dagobert's wife, when the poor woman,&#13;
kneeling down, began to pray with fervor. Her tears, long restrained,&#13;
now flowed abundantly; notwithstanding her sincere conviction that she&#13;
had performed a religious duty in delivering up the girl's she waited&#13;
with extreme fear her husband's return. Though blinded by her pious&#13;
zeal, she could not hide from herself, that Dagobert would have good&#13;
reason to be angry; and then this poor mother had also, under these&#13;
untoward circumstances, to tell him of Agricola's arrest.</p><p>Every noise upon the stairs made Frances start with trembling anxiety;&#13;
after which, she would resume her fervent prayers, supplicating strength&#13;
to support this new and arduous trial. At length, she heard a step&#13;
upon the landing-place below, and, feeling sure this time that it was&#13;
Dagobert, she hastily seated herself, dried her tears, and taking a&#13;
sack of coarse cloth upon her lap, appeared to be occupied with&#13;
sewing--though her aged hands trembled so much, that she could hardly&#13;
hold the needle.</p><p>After some minutes the door opened, and Dagobert appeared. The soldier's&#13;
rough countenance was stern and sad; as he entered, he flung his hat&#13;
violently upon the table, so full of painful thought, that he did not at&#13;
first perceive the absence of the orphans.</p><p>"Poor girl!" cried he. "It is really terrible!"</p><p>"Didst see Mother Bunch? didst claim her?" said Frances hastily,&#13;
forgetting for a moment her own fears.</p><p>"Yes, I have seen her--but in what a state--twas enough to break one's&#13;
heart. I claimed her, and pretty loud too, I can tell you; but they said&#13;
to me, that the commissary must first come to our place in order--"&#13;
here Dagobert paused, threw a glance of surprise round the room, and&#13;
exclaimed abruptly: "Where are the children?"</p><p>Frances felt herself seized with an icy shudder. "My dear," she began in&#13;
a feeble voice--but she was unable to continue.</p><p>"Where are Rose and Blanche! Answer me then! And Spoil-sport, who is not&#13;
here either!"</p><p>"Do not be angry."</p><p>"Come," said Dagobert, abruptly, "I see you have let them go out with a&#13;
neighbor--why not have accompanied them yourself, or let them wait for&#13;
me, if they wished to take a walk; which is natural enough, this room&#13;
being so dull. But I am astonished that they should have gone out before&#13;
they had news of good Mother Bunch--they have such kind hearts. But how&#13;
pale you are?" added the soldier looking nearer at Frances; "what is the&#13;
matter, my poor wife? Are you ill?"</p><p>Dagobert took Frances's hand affectionately in his own but the latter,&#13;
painfully agitated by these words, pronounced with touching goodness,&#13;
bowed her head and wept as she kissed her husband's hand. The soldier,&#13;
growing more and more uneasy as he felt the scalding tears of his wife,&#13;
exclaimed: "You weep, you do not answer--tell me, then, the cause of&#13;
your grief, poor wife! Is it because I spoke a little loud, in asking&#13;
you how you could let the dear children go out with a neighbor? Remember&#13;
their dying mother entrusted them to my care--'tis sacred, you see--and&#13;
with them, I am like an old hen after her chickens," added he, laughing&#13;
to enliven Frances.</p><p>"Yes, you are right in loving them!"</p><p>"Come, then--becalm--you know me of old. With my great, hoarse voice,&#13;
I am not so bad a fellow at bottom. As you can trust to this neighbor,&#13;
there is no great harm done; but, in future, my good Frances, do not&#13;
take any step with regard to the children without consulting me. They&#13;
asked, I suppose, to go out for a little stroll with Spoil-sport?"</p><p>"No, my dear!"</p><p>"No! Who is this neighbor, to whom you have entrusted them? Where has&#13;
she taken them? What time will she bring them back?"</p><p>"I do not know," murmured Frances, in a failing voice.</p><p>"You do not know!" cried Dagobert, with indignation; but restraining&#13;
himself, he added, in a tone of friendly reproach: "You do not know? You&#13;
cannot even fix an hour, or, better still, not entrust them to any one?&#13;
The children must have been very anxious to go out. They knew that I&#13;
should return at any moment, so why not wait for me--eh, Frances? I ask&#13;
you, why did they not wait for me? Answer me, will you!--Zounds! you&#13;
would make a saint swear!" cried Dagobert, stamping his foot; "answer&#13;
me, I say!"</p><p>The courage of Frances was fast failing. These pressing and reiterated&#13;
questions, which might end by the discovery of the truth, made her&#13;
endure a thousand slow and poignant tortures. She preferred coming&#13;
at once to the point, and determined to bear the full weight of her&#13;
husband's anger, like a humble and resigned victim, obstinately faithful&#13;
to the promise she had sworn to her confessor.</p><p>Not having the strength to rise, she bowed her head, allowed her arms to&#13;
fall on either side of the chair, and said to her husband in a tone of&#13;
the deepest despondency: "Do with me what you will--but do not ask what&#13;
is become of the children--I cannot answer you."</p><p>If a thunderbolt had fallen at the feet of the soldier, he would not&#13;
have been more violently, more deeply moved; he became deadly pale; his&#13;
bald forehead was covered with cold sweat; with fixed and staring look,&#13;
he remained for some moments motionless, mute, and petrified. Then, as&#13;
if roused with a start from this momentary torpor, and filled with a&#13;
terrific energy, he seized his wife by the shoulders, lifted her like&#13;
a feather, placed her on her feet before him, and, leaning over her,&#13;
exclaimed in a tone of mingled fury and despair: "The children!"</p><p>"Mercy! mercy!" gasped Frances, in a faint voice.</p><p>"Where are the children?" repeated Dagobert, as he shook with his&#13;
powerful hands that poor frail body, and added in a voice of thunder:&#13;
"Will you answer? the children!"</p><p>"Kill me, or forgive me, I cannot answer you," replied the unhappy&#13;
woman, with that inflexible, yet mild obstinacy, peculiar to timid&#13;
characters, when they act from convictions of doing right.</p><p>"Wretch!" cried the soldier; wild with rage, grief, despair, he lifted&#13;
up his wife as if he would have dashed her upon the floor--but he was&#13;
too brave a man to commit such cowardly cruelty, and, after that first&#13;
burst of involuntary fury, he let her go.</p><p>Overpowered, Frances sank upon her knees, clasped her hands, and, by the&#13;
faint motion of her lips, it was clear that she was praying. Dagobert&#13;
had then a moment of stunning giddiness; his thoughts wandered; what had&#13;
just happened was so sudden, so incomprehensible that it required some&#13;
minutes to convince himself that his wife (that angel of goodness, whose&#13;
life had been one course of heroic self-devotion, and who knew what the&#13;
daughters of Marshal Simon were to him) should say to him: "Do not ask&#13;
me about them--I cannot answer you."</p><p>The firmest, the strongest mind would have been shaken by this&#13;
inexplicable fact. But, when the soldier had a little recovered himself,&#13;
he began to look coolly at the circumstances, and reasoned thus sensibly&#13;
with himself: "My wife alone can explain to me this inconceivable&#13;
mystery--I do not mean either to beat or kill her--let us try every&#13;
possibly method, therefore, to induce her to speak, and above all, let&#13;
me try to control myself."</p><p>He took a chair, handed another to his wife, who was still on her&#13;
knees, and said to her: "Sit down." With an air of the utmost dejection,&#13;
Frances obeyed.</p><p>"Listen to me, wife," resumed Dagobert in a broken voice, interrupted&#13;
by involuntary starts, which betrayed the boiling impatience he&#13;
could hardly restrain. "Understand me--this cannot pass over in this&#13;
manner--you know. I will never use violence towards you--just now, I&#13;
gave way to a first moment of hastiness--I am sorry for it. Be sure, I&#13;
shall not do so again: but, after all, I must know what has become of&#13;
these children. Their mother entrusted them to my care, and I did not&#13;
bring them all the way from Siberia, for you to say to me: 'Do not ask&#13;
me--I cannot tell you what I have done with them.' There is no reason in&#13;
that. Suppose Marshal Simon were to arrive, and say to me, 'Dagobert,&#13;
my children?' what answer am I to give him? See, I am calm--judge&#13;
for yourself--I am calm--but just put yourself in my place, and tell&#13;
me--what answer am I to give to the marshal? Well--what say you! Will&#13;
you speak!"</p><p>"Alas! my dear--"</p><p>"It is of no use crying alas!" said the soldier wiping his forehead,&#13;
on which the veins were swollen as if they would burst; "what am I to&#13;
answer to the marshal?"</p><p>"Accuse me to him--I will bear it all--I will say--"</p><p>"What will you say?"</p><p>"That, on going out, you entrusted the two girls to me, and that not&#13;
finding them on return you asked be about them--and that my answer was,&#13;
that I could not tell you what had become of them."</p><p>"And you think the marshal will be satisfied with such reasons?" cried&#13;
Dagobert, clinching his fists convulsively upon his knees.</p><p>"Unfortunately, I can give no other--either to him or you--no--not if I&#13;
were to die for it."</p><p>Dagobert bounded from his chair at this answer, which was given with&#13;
hopeless resignation. His patience was exhausted; but determined not to&#13;
yield to new bursts of anger, or to spend his breath in useless menaces,&#13;
he abruptly opened one of the windows, and exposed his burning forehead&#13;
to the cool air. A little calmer, he walked up and down for a few&#13;
moments, and then returned to seat himself beside his wife. She, with&#13;
her eyes bathed in tears, fixed her gaze upon the crucifix, thinking&#13;
that she also had to bear a heavy cross.</p><p>Dagobert resumed: "By the manner in which you speak, I see that no&#13;
accident has happened, which might endanger the health of the children."</p><p>"No, oh no! thank God, they are quite well--that is all I can say to&#13;
you."</p><p>"Did they go out alone?"</p><p>"I cannot answer you."</p><p>"Has any one taken them away?"</p><p>"Alas, my dear! why ask me these questions? I cannot answer you."</p><p>"Will they come back here?"</p><p>"I do not know."</p><p>Dagobert started up; his patience was once more exhausted. But, after&#13;
taking a few turns in the room, he again seated himself as before.</p><p>"After all," said he to his wife, "you have no interest to conceal from&#13;
me what is become of the children. Why refuse to let me know?"</p><p>"I cannot do otherwise."</p><p>"I think you will change your opinion, when you know something that I&#13;
am now forced to tell you. Listen to me well!" added Dagobert, in an&#13;
agitated voice; "if these children are not restored to me before the&#13;
13th of February--a day close at hand--I am in the position of a&#13;
man that would rob the daughters of Marshal Simon--rob them, d'ye&#13;
understand?" said the soldier, becoming more and more agitated. Then,&#13;
with an accent of despair which pierced Frances's heart, he continued:&#13;
"And yet I have done all that an honest man could do for those poor&#13;
children--you cannot tell what I have had to suffer on the road--my&#13;
cares, my anxieties--I, a soldier, with the charge of two girls. It was&#13;
only by strength of heart, by devotion, that I could go through with&#13;
it--and when, for my reward, I hoped to be able to say to their father:&#13;
'Here are your children!--'" The soldier paused. To the violence of his&#13;
first emotions had succeeded a mournful tenderness; he wept.</p><p>At sight of the tears rolling slowly down Dagobert's gray moustache,&#13;
Frances felt for a moment her resolution give way; but, recalling&#13;
the oath which she had made to her confessor, and reflecting that the&#13;
eternal salvation of the orphans was at stake, she reproached herself&#13;
inwardly with this evil temptation, which would no doubt be severely&#13;
blamed by Abbe Dubois. She answered, therefore, in a trembling voice:&#13;
"How can they accuse you of robbing these children?"</p><p>"Know," resumed Dagobert, drawing his hand across his eyes, "that if&#13;
these young girls have braved so many dangers, to come hither, all the&#13;
way from Siberia, it is that great interests are concerned--perhaps&#13;
an immense fortune--and that, if they are not present on the 13th&#13;
February--here, in Paris, Rue Saint Francois--all will be lost--and&#13;
through my fault--for I am responsible for your actions."</p><p>"The 13th February? Rue Saint Francois?" cried Frances, looking at her&#13;
husband with surprise. "Like Gabriel!"</p><p>"What do you say about Gabriel?"</p><p>"When I took him in (poor deserted child!), he wore a bronze medal about&#13;
his neck."</p><p>"A bronze medal!" cried the soldier, struck with amazement; "a bronze&#13;
medal with these words, 'At Paris you will be, the 13th of February,&#13;
1832, Rue Saint Francois?"</p><p>"Yes--how do you know?"</p><p>"Gabriel, too!" said the soldier speaking to himself. Then he added&#13;
hastily: "Does Gabriel know that this medal was found upon him?"</p><p>"I spoke to him of it at some time. He had also about him a portfolio,&#13;
filled with papers in a foreign tongue. I gave them to Abbe Dubois, my&#13;
confessor, to look over. He told me afterwards, that they were of little&#13;
consequence; and, at a later period, when a charitable person named&#13;
M. Rodin, undertook the education of Gabriel, and to get him into the&#13;
seminary, Abbe Dubois handed both papers and medal to him. Since then, I&#13;
have heard nothing of them."</p><p>When Frances spoke of her confessor a sudden light flashed across the&#13;
mind of the soldier, though he was far from suspecting the machinations&#13;
which had so long been at work with regard to Gabriel and the orphans.&#13;
But he had a vague feeling that his wife was acting in obedience to some&#13;
secret influence of the confessional--an influence of which he could&#13;
not understand the aim or object, but which explained, in part at least,&#13;
Frances's inconceivable obstinacy with regard to the disappearance of&#13;
the orphans.</p><p>After a moment's reflection, he rose, and said sternly to his wife,&#13;
looking fixedly at her: "There is a priest at the bottom of all this."</p><p>"What do you mean, my dear?"</p><p>"You have no interest to conceal these children. You are one of the best&#13;
of women. You see that I suffer; if you only were concerned, you would&#13;
have pity upon me."</p><p>"My dear--"</p><p>"I tell you, all this smacks of the confessional," resumed Dagobert.&#13;
"You would sacrifice me and these children to your confessor; but take&#13;
care--I shall find out where he lives--and a thousand thunders! I will&#13;
go and ask him who is master in my house, he or I--and if he does&#13;
not answer," added the soldier, with a threatening expression of&#13;
countenance, "I shall know how to make him speak."</p><p>"Gracious heaven!" cried Frances, clasping her hands in horror at these&#13;
sacrilegious words; "remember he is a priest!"</p><p>"A priest, who causes discord, treachery, and misfortune in my house, is&#13;
as much of a wretch as any other; whom I have a right to call to account&#13;
for the evil he does to me and mine. Therefore, tell me immediately&#13;
where are the children--or else, I give you fair warning, I will go and&#13;
demand them of the confessor. Some crime is here hatching, of which&#13;
you are an accomplice without knowing it, unhappy woman! Well, I prefer&#13;
having to do with another than you."</p><p>"My dear," said Frances, in a mild, firm voice, "you cannot think to&#13;
impose by violence on a venerable man, who for twenty years has had the&#13;
care of my soul. His age alone should be respected."</p><p>"No age shall prevent me!"</p><p>"Heavens! where are you going? You alarm me!"</p><p>"I am going to your church. They must know you there--I will ask for&#13;
your confessor--and we shall see!"</p><p>"I entreat you, my dear," cried Frances, throwing herself in a fright&#13;
before Dagobert, who was hastening towards the door; "only think, to&#13;
what you will expose yourself! Heavens! insult a priest? Why, it is one&#13;
of the reserved cases!"</p><p>These last words, which appeared most alarming to the simplicity of&#13;
Dagobert's wife, did not make any impression upon the soldier. He&#13;
disengaged himself from her grasp, and was going to rush out bareheaded,&#13;
so high was his exasperation, when the door opened, and the commissary&#13;
of police entered, followed by Mother Bunch and a policeman, carrying&#13;
the bundle which he had taken from the young girl.</p><p>"The commissary!" cried Dagobert, who recognized him by his official&#13;
scarf. "Ah! so much the better--he could not have come at a fitter&#13;
moment."</p><p>CHAPTER LIII. THE EXAMINATION.</p><p>"Mistress Frances Baudoin?" asked the magistrate.</p><p>"Yes, sir--it is I," said Frances. Then, perceiving the pale and&#13;
trembling sewing-girl, who did not dare to come forward, she stretched&#13;
out her arms to her. "Oh, my poor child!" she exclaimed, bursting into&#13;
tears; "forgive--forgive us--since it is for our sake you have suffered&#13;
this humiliation!"</p><p>When Dagobert's wife had tenderly embraced the young sempstress, the&#13;
latter, turning towards the commissary, said to him with an expression&#13;
of sad and touching dignity: "You see, sir, that I am not a thief."</p><p>"Madame," said the magistrate, addressing Frances, "am I to understand&#13;
that the silver mug, the shawl, the sheets contained in this bundle--"</p><p>"Belong to me, sir. It was to render me a service that this dear girl,&#13;
who is the best and most honest creature in the world, undertook to&#13;
carry these articles to the pawnbroker's."</p><p>"Sir," said the magistrate sternly to the policeman, "you have committed&#13;
a deplorable error. I shall take care to report you, and see that you&#13;
are punished. You may go, sir." Then, addressing Mother Bunch, with an&#13;
air of real regret, he added: "I can only express my sorrow for what has&#13;
happened. Believe me, I deeply feel for the cruel position in which you&#13;
have been placed."</p><p>"I believe it, sir," said Mother Bunch, "and I thank you." Overcome by&#13;
so many emotions, she sank upon a chair.</p><p>The magistrate was about to retire, when Dagobert, who had been&#13;
seriously reflecting for some minutes, said to him in a firm voice:&#13;
"Please to hear me, Sir; I have a deposition to make."</p><p>"Speak, Sir."</p><p>"What I am about to say is very important; it is to you, in your quality&#13;
of a magistrate, that I make this declaration."</p><p>"And as a magistrate I will hear you, sir."</p><p>"I arrived here two days ago, bringing with me from Russia two girls who&#13;
had been entrusted to me by their mother--the wife of Marshal Simon."</p><p>"Of Marshal Simon, Duke de Ligny?" said the commissary, very much&#13;
surprised.</p><p>"Yes, Sir. Well, I left them here, being obliged to get out on pressing&#13;
business. This morning, during my absence, they disappeared--and I am&#13;
certain I know the man who has been the cause of it."</p><p>"Now, my dear," said Frances, much alarmed.</p><p>"Sir," said the magistrate, "your declaration is a very serious one.&#13;
Disappearance of persons--sequestration, perhaps. But are you quite&#13;
sure?"</p><p>"These young ladies were here an hour ago; I repeat, sir, that during my&#13;
absence, they have been taken away."</p><p>"I do not doubt the sincerity of your declaration, sir; but still it is&#13;
difficult to explain so strange an abduction. Who tells you that these&#13;
young girls will not return? Besides, whom do you suspect? One word,&#13;
before you make your accusation. Remember, it is the magistrate who&#13;
hears you. On leaving this place, the law will take its course in this&#13;
affair."</p><p>"That is what I wish, Sir; I am responsible for those young ladies to&#13;
their father. He may arrive at any moment, and I must be prepared to&#13;
justify myself."</p><p>"I understand all these reasons, sir; but still have a care you are not&#13;
deceived by unfounded suspicions. Your denunciation once made, I may&#13;
have to act provisionally against the person accused. Now, if you should&#13;
be under a mistake, the consequences would be very serious for you; and,&#13;
without going further," said the magistrate, pointing to Mother Bunch,&#13;
with emotion, "you see what are the results of a false accusation."</p><p>"You hear, my dear," cried Frances, terrified at the resolution of&#13;
Dagobert to accuse Abbe Dubois; "do not say a word more, I entreat you."</p><p>But the more the soldier reflected, the more he felt convinced that&#13;
nothing but the influence of her confessor could have induced Frances to&#13;
act as she had done; so he resumed, with assurance: "I accuse my wife's&#13;
confessor of being the principal or the accomplice in the abduction of&#13;
Marshal Simon's daughters."</p><p>Frances uttered a deep groan, and hid her face in her hands; while&#13;
Mother Bunch, who had drawn nigh, endeavored to console her. The&#13;
magistrate had listened to Dagobert with extreme astonishment, and he&#13;
now said to him with some severity: "Pray, sir, do not accuse unjustly&#13;
a man whose position is in the highest degree respectable--a priest,&#13;
sir?--yes, a priest? I warned you beforehand to reflect upon what you&#13;
advanced. All this becomes very serious, and, at your age, any levity in&#13;
such matters would be unpardonable."</p><p>"Bless me, sir!" said Dagobert, with impatience; "at my age, one has&#13;
common sense. These are the facts. My wife is one of the best and most&#13;
honorable of human creatures--ask any one in the neighborhood, and they&#13;
will tell you so--but she is a devotee; and, for twenty years, she has&#13;
always seen with her confessor's eyes. She adores her son, she loves me&#13;
also; but she puts the confessor before us both."</p><p>"Sir," said the commissary, "these family details--"</p><p>"Are indispensable, as you shall see. I go out an hour ago, to look&#13;
after this poor girl here. When I come back, the young ladies have&#13;
disappeared. I ask my wife to whom she has entrusted them, and where&#13;
they are; she falls at my feet weeping, and says: 'Do what you will with&#13;
me, but do not ask me what has become of the children. I cannot answer&#13;
you.'"</p><p>"Is thus true, madame?" cried the commissary, looking at Frances with&#13;
surprise.</p><p>"Anger, threats, entreaties, had no effect," resumed Dagobert; "to&#13;
everything she answered as mildly as a saint: 'I can tell you nothing!'&#13;
Now, sir, I maintain that my wife has no interest to take away these&#13;
children; she is under the absolute dominion of her confessor; she has&#13;
acted by his orders and for his purposes; he is the guilty party."</p><p>Whilst Dagobert spoke, the commissary looked more and more attentively&#13;
at Frances, who, supported by the hunchback, continued to weep bitterly.&#13;
After a moment's reflection, the magistrate advanced towards Dagobert's&#13;
wife, and said to her: "Madame, you have heard what your husband has&#13;
just declared."</p><p>"Yes, sir."</p><p>"What have you to say in your justification?"</p><p>"But, sir," cried Dagobert, "it is not my wife that I accuse--I do not&#13;
mean that; it is her confessor."</p><p>"Sir, you have applied to a magistrate; and the magistrate must act as&#13;
he thinks best for the discovery of the truth. Once more, madame,"&#13;
he resumed, addressing Frances, "what have you to say in your&#13;
justification?"</p><p>"Alas! nothing, sir."</p><p>"Is it true that your husband left these young girls in your charge when&#13;
he went out?"</p><p>"Yes, sir."</p><p>"Is it true that, on his return, they were no longer to be found?"</p><p>"Yes, sir."</p><p>"Is it true that, when he asked you where they were, you told him that&#13;
you could give him no information on the subject?"</p><p>The commissary appeared to wait for Frances' reply with kind of anxious&#13;
curiosity.</p><p>"Yes, sir," said she, with the utmost simplicity, "that was the answer I&#13;
made my husband."</p><p>"What, madame!" said the magistrate, with an air of painful&#13;
astonishment; "that was your only answer to all the prayers and commands&#13;
of your husband? What! you refused to give him the least information? It&#13;
is neither probable nor possible."</p><p>"It is the truth, sir."</p><p>"Well, but, after all, madame, what have you done with the young ladies&#13;
that were entrusted to your care?"</p><p>"I can tell you nothing about it, sir. If I would not answer my poor&#13;
husband, I certainly will not answer any one else."</p><p>"Well, sir," resumed Dagobert, "was I wrong? An honest, excellent woman&#13;
like that, who was always full of good sense and affection, to talk in&#13;
this way--is it natural? I repeat to you, sir that it is the work of her&#13;
confessor; act against him promptly and decidedly, we shall soon know&#13;
all, and my poor children will be restored to me."</p><p>"Madame," continued the commissary, without being able to repress a&#13;
certain degree of emotion, "I am about to speak to you very severely.&#13;
My duty obliges me to do so. This affair becomes so serious and&#13;
complicated, that I must instantly commence judicial proceedings on the&#13;
subject. You acknowledge that these young ladies have been left in your&#13;
charge, and that you cannot produce them. Now, listen to me: if you&#13;
refuse to give any explanation in the matter, it is you alone that will&#13;
be accused of their disappearance. I shall be obliged, though with great&#13;
regret, to take you into custody."</p><p>"Me!" cried Frances, with the utmost alarm.</p><p>"Her!" exclaimed Dagobert; "never! It is her confessor that I accuse,&#13;
not my poor wife. Take her into custody, indeed!" He ran towards her, as&#13;
if he would protect her.</p><p>"It is too late, sir," said the commissary. "You have made your charge&#13;
for the abduction of these two young ladies. According to your wife's&#13;
own declaration, she alone is compromised up to this point. I must&#13;
take her before the Public Prosecutor, who will decide what course to&#13;
pursue."</p><p>"And I say, sir," cried Dagobert, in a menacing tone, "that my wife&#13;
shall not stir from this room."</p><p>"Sir," said the commissary coolly, "I can appreciate your feelings; but,&#13;
in the interest of justice, I would beg you not to oppose a necessary&#13;
measure--a measure which, moreover, in ten minutes it would be quite&#13;
impossible for you to prevent."</p><p>These words, spoken with calmness, recalled the soldier to himself.&#13;
"But, sir," said he, "I do not accuse my wife."'</p><p>"Never mind, my dear--do not think of me!" said Frances, with the&#13;
angelic resignation of a martyr. "The Lord is still pleased to try me&#13;
sorely; but I am His unworthy servant, and must gratefully resign myself&#13;
to His will. Let them arrest me, if they choose; I will say no more in&#13;
prison than I have said already on the subject of those poor children."</p><p>"But, sir," cried Dagobert, "you see that my wife is out of her head.&#13;
You cannot arrest her."</p><p>"There is no charge, proof, or indication against the other person whom&#13;
you accuse, and whose character should be his protection. If I take&#13;
your wife, she may perhaps be restored to you after a preliminary&#13;
examination. I regret," added the commissary, in a tone of pity, "to&#13;
have to execute such a mission, at the very moment when your son's&#13;
arrest--"</p><p>"What!" cried Dagobert, looking with speechless astonishment at his wife&#13;
and Mother Bunch; "what does he say? my son?"</p><p>"You were not then aware of it? Oh, sir, a thousand pardons!" said the&#13;
magistrate, with painful emotion. "It is distressing to make you such a&#13;
communication."</p><p>"My son!" repeated Dagobert, pressing his two hands to his forehead. "My&#13;
son! arrested!"</p><p>"For a political offence of no great moment," said the commissary.</p><p>"Oh! this is too much. All comes on me at once!" cried the soldier,&#13;
falling overpowered into a chair, and hiding his face with his hands.</p><p>After a touching farewell, during which, in spite of her terror, Frances&#13;
remained faithful to the vow she had made to the Abbe Dubois--Dagobert,&#13;
who had refused to give evidence against his wife, was left leaning&#13;
upon a table, exhausted by contending emotions, and could not help&#13;
explaining: "Yesterday, I had with me my wife, my son, my two poor&#13;
orphans--and now--I am alone--alone!"</p><p>The moment he pronounced these words, in a despairing tone, a mild sad&#13;
voice was heard close behind him, saying timidly: "M. Dagobert, I am&#13;
here; if you will allow me, I will remain and wait upon you."</p><p>It was Mother Bunch!</p><p>Trusting that the reader's sympathy is with the old soldier thus left&#13;
desolate, with Agricola in his prison, Adrienne in hers, the madhouse,&#13;
and Rose and Blanche Simon in theirs, the nunnery; we hasten to assure&#13;
him (or her, as the case may be), that not only will their future steps&#13;
be traced, but the dark machinations of the Jesuits, and the thrilling&#13;
scenes in which new characters will perform their varied parts, pervaded&#13;
by the watching spirit of the Wandering Jew, will be revealed in Part&#13;
Second of this work, entitled: THE CHASTISEMENT.</p><p>BOOK IV.</p><p>PART SECOND.--THE CHASTISEMENT.</p><p>PROLOGUE.--THE BIRD'S-EYE VIEW OF TWO WORLDS.</p><p>I. The Masquerade II. The Contrast III. The Carouse IV. The&#13;
     Farewell V. The Florine VI. Mother Sainte-Perpetue VII. The&#13;
     Temptation VIII. Mother Bunch and Mdlle. De Cardoville IX.&#13;
     The Encounters--The Meeting XI. Discoveries XII. The Penal&#13;
     Code XIII. Burglary</p><p>As the eagle, perched upon the cliff, commands an all-comprehensive&#13;
view--not only of what happens on the plains and in the woodlands, but&#13;
of matters occurring upon the heights, which its aerie overlooks, so may&#13;
the reader have sights pointed out to him, which lie below the level of&#13;
the unassisted eye.</p><p>In the year 1831, the powerful Order of the Jesuits saw fit to begin&#13;
to act upon information which had for some time been digesting in their&#13;
hands.</p><p>As it related to a sum estimated at no less than thirty or forty&#13;
millions of francs, it is no wonder that they should redouble all&#13;
exertions to obtain it from the rightful owners.</p><p>These were, presumably, the descendants of Marius, Count of Rennepont,&#13;
in the reign of Louis XIV. of France.</p><p>They were distinguished from other men by a simple token, which all, in&#13;
the year above named, had in their hands.</p><p>It was a bronze medal, bearing these legends on reverse and obverse:</p><p>VICTIM&#13;
                  of&#13;
               L. C. D. J.&#13;
               Pray for me!</p><p>PARIS,&#13;
            February the 13th, 1682.</p><p>IN PARIS&#13;
            Rue St Francois, No. 3,&#13;
            In a century and a half&#13;
               you will be.</p><p>February the 13th, 1832.&#13;
               PRAY FOR ME!</p><p>Those who had this token were descendants of a family whom, a hundred&#13;
and fifty years ago, persecution scattered through the world, in&#13;
emigration and exile; in changes of religion, fortune and name. For this&#13;
family--what grandeur, what reverses, what obscurity, what lustre, what&#13;
penury, what glory! How many crimes sullied, how many virtues honored&#13;
it! The history of this single family is the history of humanity!&#13;
Passing through many generations, throbbing in the veins of the poor&#13;
and the rich, the sovereign and the bandit, the wise and the simple, the&#13;
coward and the brave, the saint and the atheist, the blood flowed on to&#13;
the year we have named.</p><p>Seven representatives summed up the virtue, courage, degradation,&#13;
splendor, and poverty of the race. Seven: two orphan twin daughters of&#13;
exiled parents, a dethroned prince, a humble missionary priest, a man&#13;
of the middle class, a young lady of high name and large fortune, and a&#13;
working man.</p><p>Fate scattered them in Russia, India, France, and America.</p><p>The orphans, Rose and Blanche Simon, had left their dead mother's grave&#13;
in Siberia, under charge of a trooper named Francis Baudoin, alias&#13;
Dagobert, who was as much attached to them as he had been devoted to&#13;
their father, his commanding general.</p><p>On the road to France, this little party had met the first check, in the&#13;
only tavern of Mockern village. Not only had a wild beast showman, known&#13;
as Morok the lion-tamer, sought to pick a quarrel with the inoffensive&#13;
veteran, but that failing, had let a panther of his menagerie loose&#13;
upon the soldier's horse. That horse had carried Dagobert, under General&#13;
Simon's and the Great Napoleon's eyes, through many battles; had borne&#13;
the General's wife (a Polish lady under the Czar's ban) to her home of&#13;
exile in Siberia, and their children now across Russia and Germany, but&#13;
only to perish thus cruelly. An unseen hand appeared in a manifestation&#13;
of spite otherwise unaccountable. Dagobert, denounced as a French spy,&#13;
and his fair young companions accused of being adventuresses to help his&#13;
designs, had so kindled at the insult, not less to him than to his old&#13;
commander's daughters, that he had taught the pompous burgomaster of&#13;
Mockern a lesson, which, however, resulted in the imprisonment of the&#13;
three in Leipsic jail.</p><p>General Simon, who had vainly sought to share his master's St. Helena&#13;
captivity, had gone to fight the English in India. But notwithstanding&#13;
his drilling of Radja-sings sepoys, they had been beaten by the troops&#13;
taught by Clive, and not only was the old king of Mundi slain, and the&#13;
realm added to the Company's land, but his son, Prince Djalma, taken&#13;
prisoner. However, at length released, he had gone to Batavia, with&#13;
General Simon. The prince's mother was a Frenchwoman, and among the&#13;
property she left him in the capital of Java, the general was delighted&#13;
to find just such another medal as he knew was in his wife's possession.</p><p>The unseen hand of enmity had reached to him, for letters miscarried,&#13;
and he did not know either his wife's decease or that he had twin&#13;
daughters.</p><p>By a trick, on the eve of the steamship leaving Batavia for the Isthmus&#13;
of Suez, Djalma was separated from his friend, and sailing for Europe&#13;
alone, the latter had to follow in another vessel.</p><p>The missionary priest trod the war trails of the wilderness, with that&#13;
faith and fearlessness which true soldiers of the cross should evince.&#13;
In one of these heroic undertakings, Indians had captured him, and&#13;
dragging him to their village under the shadow of the Rocky Mountains,&#13;
they had nailed him in derision to a cross, and prepared to scalp him.</p><p>But if an unseen hand of a foe smote or stabbed at the sons of&#13;
Rennepont, a visible interpositor had often shielded them, in various&#13;
parts of the globe.</p><p>A man, seeming of thirty years of age, very tall, with a countenance&#13;
as lofty as mournful, marked by the black eyebrows meeting, had thrown&#13;
himself--during a battle's height--between a gun of a park which General&#13;
Simon was charging and that officer. The cannon vomited its hail of&#13;
death, but when the flame and smoke had passed, the tall man stood erect&#13;
as before, smiling pityingly on the gunner, who fell on his knees as&#13;
frightened as if he beheld Satan himself. Again, as General Simon lay&#13;
upon the lost field of Waterloo, raging with his wounds, eager to die&#13;
after such a defeat, this same man staunched his hurts, and bade him&#13;
live for his wife's sake.</p><p>Years after, wearing the same unalterable look, this man accosted&#13;
Dagobert in Siberia, and gave him for General Simon's wife, the diary&#13;
and letters of her husband, written in India, in little hope of them&#13;
ever reaching her hands. And at the year our story opens, this man&#13;
unbarred the cell-door of Leipsic jail, and let Dagobert and the orphans&#13;
out, free to continue their way into France.</p><p>On the other hand, when the scalping-knife had traced its mark around&#13;
the head of Gabriel the missionary, and when only the dexterous turn and&#13;
tug would have removed the trophy, a sudden apparition had terrified&#13;
the superstitious savages. It was a woman of thirty, whose brown&#13;
tresses formed a rich frame around a royal face, toned down by endless&#13;
sorrowing. The red-skins shrank from her steady advance, and when her&#13;
hand was stretched out between them and their young victim, they uttered&#13;
a howl of alarm, and fled as if a host of their foemen were on their&#13;
track. Gabriel was saved, but all his life he was doomed to bear that&#13;
halo of martyrdom, the circling sweep of the scalper's knife.</p><p>He was a Jesuit. By the orders of his society he embarked for Europe. We&#13;
should say here, that he, though owning a medal of the seven described,&#13;
was unaware that he should have worn it. His vessel was driven by storms&#13;
to refit at the Azores, where he had changed ship into the same as was&#13;
bearing Prince Djalma to France, via Portsmouth.</p><p>But the gales followed him, and sated their fury by wrecking the "Black&#13;
Eagle" on the Picardy coast. This was at the same point as were a&#13;
disabled Hamburg steamer, among whose passengers where Dagobert and his&#13;
two charges, was destroyed the same night. Happily the tempest did not&#13;
annihilate them all. There were saved, Prince Djalma and a countryman&#13;
of his, one Faringhea, a Thuggee chief, hunted out of British India;&#13;
Dagobert, and Rose and Blanche Simon, whom Gabriel had rescued. These&#13;
survivors had recovered, thanks to the care they had received in&#13;
Cardoville House, a country mansion which had sheltered them, and except&#13;
the prince and the Strangler chief, the others were speedily able to go&#13;
on to Paris.</p><p>The old grenadier and the orphans--until General Simon should be&#13;
heard from--dwelt in the former's house. His son had kept it, from his&#13;
mother's love for the life-long home. It was such a mean habitation as&#13;
a workman like Agricola Baudoin could afford to pay the rent of, and far&#13;
from the fit abode of the daughters of the Duke de Ligny and Marshal of&#13;
France, which Napoleon had created General Simon, though the rank had&#13;
only recently been approved by the restoration.</p><p>But in Paris the unknown hostile hand showed itself more malignant than&#13;
ever.</p><p>The young lady of high name and large fortune was Adrienne de&#13;
Cardoville, whose aunt, the Princess de Saint-Dizier, was a Jesuit.&#13;
Through her and her accomplices' machinations, the young lady's forward&#13;
yet virtuous, wildly aspiring but sensible, romantic but just, character&#13;
was twisted into a passable reason for her immurement in a mad-house.</p><p>This asylum adjoined St. Mary's Convent, into which Rose and Blanche&#13;
Simon were deceitfully conducted. To secure their removal, Dagobert had&#13;
been decoyed into the country, under pretence of showing some of General&#13;
Simon's document's to a lawyer; his son Agricola arrested for treason,&#13;
on account of some idle verses the blacksmith poet was guilty of, and&#13;
his wife rendered powerless, or, rather, a passive assistant, by the&#13;
influence of the confessional! When Dagobert hurried back from his wild&#13;
goose chase, he found the orphans gone: Mother Bunch (a fellow-tenant of&#13;
the house, who had been brought up in the family) ignorant, and his wife&#13;
stubbornly refusing to break the promise she had given her confessor,&#13;
and acquaint a single soul where she had permitted the girls to be&#13;
taken. In his rage, the soldier rashly accused that confessor, but&#13;
instead of arresting the Abbe Dubois, it was Mrs. Baudoin whom the&#13;
magistrate felt compelled to arrest, as the person whom alone&#13;
he ventured to commit for examination in regard to the orphans'&#13;
disappearance. Thus triumphs, for the time being, the unseen foe.</p><p>The orphans in a nunnery; the dethroned prince a poor castaway in a&#13;
foreign land; the noble young lady in a madhouse; the missionary priest&#13;
under the thumb of his superiors.</p><p>As for the man of the middle class, and the working man, who concluded&#13;
the list of this family, we are to read of them, as well as of the&#13;
others, in the pages which now succeed these.</p><p>CHAPTER I. THE MASQUERADE.</p><p>The following day to that on which Dagobert's wife (arrested for not&#13;
accounting for the disappearance of General Simon's daughters) was led&#13;
away before a magistrate, a noisy and animated scene was transpiring&#13;
on the Place du Chatelet, in front of a building whose first floor and&#13;
basement were used as the tap-rooms of the "Sucking Calf" public-house.</p><p>A carnival night was dying out.</p><p>Quite a number of maskers, grotesquely and shabbily bedecked, had rushed&#13;
out of the low dance-houses in the Guildhall Ward, and were roaring out&#13;
staves of songs as they crossed the square. But on catching sight of a&#13;
second troop of mummers running about the water-side, the first party&#13;
stopped to wait for the others to come up, rejoicing, with many a shout,&#13;
in hopes of one of those verbal battles of slang and smutty talk which&#13;
made Vade so illustrious.</p><p>This mob--nearly all its members half seas over, soon swollen by the&#13;
many people who have to be up early to follow their crafts--suddenly&#13;
concentrated in one of the corners of the square, so that a pale,&#13;
deformed girl, who was going that way, was caught in the human tide.&#13;
This was Mother Bunch. Up with the lark, she was hurrying to receive&#13;
some work from her employer. Remembering how a mob had treated her when&#13;
she had been arrested in the streets only the day before, by mistake,&#13;
the poor work-girl's fears may be imagined when she was now surrounded&#13;
by the revellers against her will. But, spite of all her efforts--very&#13;
feeble, alas!--she could not stir a step, for the band of merry-makers,&#13;
newly arriving, had rushed in among the others, shoving some of them&#13;
aside, pushing far into the mass, and sweeping Mother Bunch--who was in&#13;
their way--clear over to the crowd around the public-house.</p><p>The new-comers were much finer rigged out than the others, for they&#13;
belonged to the gay, turbulent class which goes frequently to the&#13;
Chaumiere, the Prado, the Colisee, and other more or less rowdyish&#13;
haunts of waltzers, made up generally of students, shop-girls, and&#13;
counter skippers, clerks, unfortunates, etc., etc.</p><p>This set, while retorting to the chaff of the other party, seemed to be&#13;
very impatiently expecting some singularly desired person to put in her&#13;
appearance.</p><p>The following snatches of conversation, passing between clowns and&#13;
columbines, pantaloons and fairies, Turks and sultans, debardeurs and&#13;
debardeuses, paired off more or less properly, will give an idea of the&#13;
importance of the wished-for personage.</p><p>"They ordered the spread to be for seven in the morning, so their&#13;
carriages ought to have come up afore now."</p><p>"Werry like, but the Bacchanal Queen has got to lead off the last dance&#13;
in the Prado."</p><p>"I wish to thunder I'd 'a known that, and I'd 'a stayed there to see&#13;
her--my beloved Queen!"</p><p>"Gobinet; if you call her your beloved Queen again, I'll scratch you!&#13;
Here's a pinch for you, anyhow!"</p><p>"Ow, wow, Celeste! hands off! You are black-spotting the be-yutiful&#13;
white satin jacket my mamma gave me when I first came out as Don&#13;
Pasqually!"</p><p>"Why did you call the Bacchanal Queen your beloved, then? What am I, I'd&#13;
like to know?"</p><p>"You are my beloved, but not my Queen, for there is only one moon in&#13;
the nights of nature, and only one Bacchanal Queen in the nights at the&#13;
Prado."</p><p>"That's a bit from a valentine! You can't come over me with such&#13;
rubbish."</p><p>"Gobinet's right! the Queen was an out-and-outer tonight!"</p><p>"In prime feather!"</p><p>"I never saw her more on the go!"</p><p>"And, my eyes! wasn't her dress stunning?"</p><p>"Took your breath away!"</p><p>"Crushing!"</p><p>"Heavy!"</p><p>"Im-mense!"</p><p>"The last kick!"</p><p>"No one but she can get up such dresses."</p><p>"And, then, the dance!"</p><p>"Oh, yes! it was at once bounding waving, twisting! There is not such&#13;
another bayadere under the night-cap of the sky!"</p><p>"Gobinet, give me back my shawl directly. You have already spoilt it&#13;
by rolling it round your great body. I don't choose to have my things&#13;
ruined for hulking beasts who call other women bayaderes!"</p><p>"Celeste, simmer down. I am disguised as a Turk, and, when I talk of&#13;
bayaderes, I am only in character."</p><p>"Your Celeste is like them all, Gobinet; she's jealous of the Bacchanal&#13;
Queen."</p><p>"Jealous!--do you think me jealous? Well now! that's too bad. If I chose&#13;
to be as showy as she is they would talk of me as much. After all, it's&#13;
only a nickname that makes her reputation! nickname!"</p><p>"In that you have nothing to envy her--since you are called Celeste!"</p><p>"You know well enough, Gobinet, that Celeste is my real name."</p><p>"Yes; but it's fancied a nickname--when one looks in your face."</p><p>"Gobinet, I will put that down to your account."</p><p>"And Oscar will help you to add it up, eh?"</p><p>"Yes; and you shall see the total. When I carry one, the remainder will&#13;
not be you."</p><p>"Celeste, you make me cry! I only meant to say that your celestial name&#13;
does not go well with your charming little face, which is still more&#13;
mischievous than that of the Bacchanal Queen."</p><p>"That's right; wheedle me now, wretch!"</p><p>"I swear by the accursed head of my landlord, that, if you liked, you&#13;
could spread yourself as much as the Bacchanal Queen--which is saying a&#13;
great deal."</p><p>"The fact is, that the Bacchanal had cheek enough, in all conscience."</p><p>"Not to speak of her fascinating the bobbies!"</p><p>"And magnetizing the beaks."</p><p>"They may get as angry as they please; she always finishes by making&#13;
them laugh."</p><p>"And they all call her: Queen!"</p><p>"Last night she charmed a slop (as modest as a country girl) whose&#13;
purity took up arms against the famous dance of the Storm-blown Tulip."</p><p>"What a quadrille! Sleepinbuff and the Bacchanal Queen, having opposite&#13;
to them Rose-Pompon and Ninny Moulin!"</p><p>"And all four making tulips as full-blown as could be!"</p><p>"By-the-bye, is it true what they say of Ninny Moulin?"</p><p>"What?"</p><p>"Why that he is a writer, and scribbles pamphlets on religion."</p><p>"Yes, it is true. I have often seen him at my employer's, with whom he&#13;
deals; a bad paymaster, but a jolly fellow!"</p><p>"And pretends to be devout, eh?"</p><p>"I believe you, my boy--when it is necessary; then he is my Lord&#13;
Dumoulin, as large as life. He rolls his eyes, walks with his head on&#13;
one side, and his toes turned in; but, when the piece is played out, he&#13;
slips away to the balls of which he is so fond. The girls christened him&#13;
Ninny Moulin. Add, that he drinks like a fish, and you have the photo&#13;
of the cove. All this doesn't prevent his writing for the religious&#13;
newspapers; and the saints, whom he lets in even oftener than himself,&#13;
are ready to swear by him. You should see his articles and his&#13;
tracts--only see, not read!--every page is full of the devil and&#13;
his horns, and the desperate fryings which await your impious&#13;
revolutionists--and then the authority of the bishops, the power of the&#13;
Pope--hang it! how could I know it all? This toper, Ninny Moulin, gives&#13;
good measure enough for their money!"</p><p>"The fact is, that he is both a heavy drinker and a heavy swell. How&#13;
he rattled on with little Rose-Pompon in the dance and the full-blown&#13;
tulip!"</p><p>"And what a rum chap he looked in his Roman helmet and top-boots."</p><p>"Rose-Pompon dances divinely, too; she has the poetic twist."</p><p>"And don't show her heels a bit!"</p><p>"Yes; but the Bacchanal Queen is six thousand feet above the level of&#13;
any common leg-shaker. I always come back to her step last night in the&#13;
full-blown tulip."</p><p>"It was huge!"</p><p>"It was serene!"</p><p>"If I were father of a family, I would entrust her with the education of&#13;
my sons!"</p><p>"It was that step, however, which offended the bobby's modesty."</p><p>"The fact is, it was a little free."</p><p>"Free as air--so the policeman comes up to her, and says: 'Well,&#13;
my Queen, is your foot to keep on a-goin' up forever?' 'No, modest&#13;
warrior!' replies the Queen; 'I practice the step only once every&#13;
evening, to be able to dance it when I am old. I made a vow of it, that&#13;
you might become an inspector.'"</p><p>"What a comic card!"</p><p>"I don't believe she will remain always with Sleepinbuff."</p><p>"Because he has been a workman?"</p><p>"What nonsense! it would preciously become us, students and shop-boys,&#13;
to give ourselves airs! No; but I am astonished at the Queen's&#13;
fidelity."</p><p>"Yes--they've been a team for three or four good months."</p><p>"She's wild upon him, and he on her."</p><p>"They must lead a gay life."</p><p>"Sometimes I ask myself where the devil Sleepinbuff gets all the money&#13;
he spends. It appears that he pays all last night's expenses, three&#13;
coaches-and-four, and a breakfast this morning for twenty, at ten francs&#13;
a-head."</p><p>"They say he has come into some property. That's why Ninny Moulin, who&#13;
has a good nose for eating and drinking, made acquaintance with him last&#13;
night--leaving out of the question that he may have some designs on the&#13;
Bacchanal Queen."</p><p>"He! In a lot! He's rather too ugly. The girls like to dance with him&#13;
because he makes people laugh--but that's all. Little Rose-Pompon, who&#13;
is such a pretty creature, has taken him as a harmless chap-her-own, in&#13;
the absence of her student."</p><p>"The coaches! the coaches!" exclaimed the crowd, all with one voice.</p><p>Forced to stop in the midst of the maskers, Mother Bunch had not lost&#13;
a word of this conversation, which was deeply painful to her, as it&#13;
concerned her sister, whom she had not seen for a long time. Not that&#13;
the Bacchanal Queen had a bad heart; but the sight of the wretched&#13;
poverty of Mother Bunch--a poverty which she had herself shared, but&#13;
which she had not had the strength of mind to bear any longer--caused&#13;
such bitter grief to the gay, thoughtless girl, that she would no more&#13;
expose herself to it, after she had in vain tried to induce her sister&#13;
to accept assistance, which the latter always refused, knowing that its&#13;
source could not be honorable.</p><p>"The coaches! the coaches!" once more exclaimed the crowd, as they&#13;
pressed forward with enthusiasm, so that Mother Bunch, carried on&#13;
against her will, was thrust into the foremost rank of the people&#13;
assembled to see the show.</p><p>It was, indeed, a curious sight. A man on horseback, disguised as a&#13;
postilion, his blue jacket embroidered with silver, and enormous tail&#13;
from which the powder escaped in puffs, and a hat adorned with long&#13;
ribbons, preceded the first carriage, cracking his whip, and crying with&#13;
all his might: "Make way for the Bacchanal Queen and her court!"</p><p>In an open carriage, drawn by four lean horses, on which rode two old&#13;
postilions dressed as devils, was raised a downright pyramid of men and&#13;
women, sitting, standing, leaning, in every possible variety of odd,&#13;
extravagant, and grotesque costume; altogether an indescribable mass of&#13;
bright colors, flowers, ribbons, tinsel and spangles. Amid this heap of&#13;
strange forms and dresses appeared wild or graceful countenances, ugly&#13;
or handsome features--but all animated by the feverish excitement of&#13;
a jovial frenzy--all turned with an expression of fanatical admiration&#13;
towards the second carriage, in which the Queen was enthroned, whilst&#13;
they united with the multitude in reiterated shouts of "Long live the&#13;
Bacchanal Queen."</p><p>This second carriage, open like the first, contained only the four&#13;
dancers of the famous step of the Storm-blown Tulip--Ninny Moulin, Rose&#13;
Pompon, Sleepinbuff, and the Bacchanal Queen.</p><p>Dumoulin, the religious writer, who wished to dispute possession of Mme.&#13;
de la Sainte-Colombe with his patron, M. Rodin--Dumoulin, surnamed&#13;
Ninny Moulin, standing on the front cushions, would have presented a&#13;
magnificent study for Callot or Gavarni, that eminent artist, who&#13;
unites with the biting strength and marvellous fancy of an illustrious&#13;
caricaturist, the grace, the poetry, and the depth of Hogarth.</p><p>Ninny Moulin, who was about thirty-five years of age, wore very much&#13;
back upon his head a Roman helmet of silver paper. A voluminous plume of&#13;
black feathers, rising from a red wood holder, was stuck on one side&#13;
of this headgear, breaking the too classic regularity of its outline.&#13;
Beneath this casque, shone forth the most rubicund and jovial face, that&#13;
ever was purpled by the fumes of generous wine. A prominent nose, with&#13;
its primitive shape modestly concealed beneath a luxuriant growth of&#13;
pimples, half red, half violet, gave a funny expression to a perfectly&#13;
beardless face; while a large mouth, with thick lips turning their&#13;
insides outwards, added to the air of mirth and jollity which beamed&#13;
from his large gray eyes, set flat in his head.</p><p>On seeing this joyous fellow, with a paunch like Silenus, one could not&#13;
help asking how it was, that he had not drowned in wine, a hundred times&#13;
over, the gall, bile, and venom which flowed from his pamphlets against&#13;
the enemies of Ultramontanism, and how his Catholic beliefs could float&#13;
upwards in the midst of these mad excesses of drink and dancing. The&#13;
question would have appeared insoluble, if one had not remembered how&#13;
many actors, who play the blackest and most hateful first robbers on the&#13;
stage, are, when off it, the best fellow in the world.</p><p>The weather being cold, Ninny Moulin wore a kind of box-coat, which,&#13;
being half-open, displayed his cuirass of scales, and his flesh-colored&#13;
pantaloons, finishing just below the calf in a pair of yellow tops to&#13;
his boots. Leaning forward in front of the carriage, he uttered wild&#13;
shouts of delight, mingled with the words: "Long live the Bacchanal&#13;
Queen!"--after which, he shook and whirled the enormous rattle he held&#13;
in his hand. Standing beside him, Sleepinbuff waved on high a banner&#13;
of white silk, on which were the words: "Love and joy to the Bacchanal&#13;
Queen!"</p><p>Sleepinbuff was about twenty-five years of age. His countenance was gay&#13;
and intelligent, surrounded by a collar of chestnut-colored whiskers;&#13;
but worn with late hours and excesses, it expressed a singular mixture&#13;
of carelessness and hardihood, recklessness and mockery; still, no base&#13;
or wicked passion had yet stamped there its fatal impress. He was the&#13;
perfect type of the Parisian, as the term is generally applied, whether&#13;
in the army, in the provinces, on board a king's ship, or a merchantman.&#13;
It is not a compliment, and yet it is far from being an insult; it is an&#13;
epithet which partakes at once of blame, admiration, and fear; for if,&#13;
in this sense, the Parisian is often idle and rebellious, he is also&#13;
quick at his work, resolute in danger, and always terribly satirical and&#13;
fond of practical jokes.</p><p>He was dressed in a very flashy style. He wore a black velvet jacket&#13;
with silver buttons, a scarlet waistcoat, trousers with broad blue&#13;
stripes, a Cashmere shawl for a girdle with ends loosely floating, and&#13;
a chimney-pot hat covered with flowers and streamers. This disguise set&#13;
off his light, easy figure to great advantage.</p><p>At the back of the carriage, standing up on the cushions, were Rose&#13;
Pompon and the Bacchanal Queen.</p><p>Rose-Pompon, formerly a fringe-maker, was about seventeen years old, and&#13;
had the prettiest and most winning little face imaginable. She was gayly&#13;
dressed in debardeur costume. Her powdered wig, over which was smartly&#13;
cocked on one side an orange and green cap laced with silver, increased&#13;
the effect of her bright black eyes, and of her round, carnation cheeks.&#13;
She wore about her neck an orange-colored cravat, of the same material&#13;
as her loose sash. Her tight jacket and narrow vest of light green&#13;
velvet, with silver ornaments, displayed to the best advantage a&#13;
charming figure, the pliancy of which must have well suited the&#13;
evolutions of the Storm blown Tulip. Her large trousers, of the same&#13;
stuff and color as the jacket, were not calculated to hide any of her&#13;
attractions.</p><p>The Bacchanal Queen, being at the least a head taller, leaned with one&#13;
hand on the shoulder of Rose-Pompon. Mother Bunch's sister ruled, like&#13;
a true monarch, over this mad revelry, which her very presence seemed&#13;
to inspire, such influence had her own mirth and animation over all that&#13;
surrounded her.</p><p>She was a tall girl of about twenty years of age, light and graceful,&#13;
with regular features, and a merry, racketing air. Like her sister, she&#13;
had magnificent chestnut hair, and large blue eyes; but instead of being&#13;
soft and timid, like those of the young sempstress, the latter shone&#13;
with indefatigable ardor in the pursuit of pleasure. Such was the energy&#13;
of her vivacious constitution, that, notwithstanding many nights and&#13;
days passed in one continued revel, her complexion was as pure, her&#13;
cheeks as rosy, her neck as fresh and fair, as if she had that morning&#13;
issued from some peaceful home. Her costume, though singular&#13;
and fantastic, suited her admirably. It was composed of a tight,&#13;
long-waisted bodice in cloth of gold, trimmed with great bunches of&#13;
scarlet ribbon, the ends of which streamed over her naked arms, and&#13;
a short petticoat of scarlet velvet, ornamented with golden beads and&#13;
spangles. This petticoat reached half way down a leg, at once trim and&#13;
strong, in a white silk stocking, and red buskin with brass heel.</p><p>Never had any Spanish dancer a more supple, elastic, and tempting form,&#13;
than this singular girl, who seemed possessed with the spirit of dancing&#13;
and perpetual motion, for, almost every moment, a slight undulation of&#13;
head, hips, and shoulders seemed to follow the music of an invisible&#13;
orchestra; while the tip of her right foot, placed on the carriage door&#13;
in the most alluring manner, continued to beat time--for the Bacchanal&#13;
Queen stood proudly erect upon the cushions.</p><p>A sort of gilt diadem, the emblem of her noisy sovereignty, hung with&#13;
little bells, adorned her forehead. Her long hair, in two thick braids,&#13;
was drawn back from her rosy cheeks, and twisted behind her head. Her&#13;
left hand rested on little Rose-Pompon's shoulder, and in her right she&#13;
held an enormous nosegay, which she waved to the crowd, accompanying&#13;
each salute with bursts of laughter.</p><p>It would be difficult to give a complete idea of this noisily animated&#13;
and fantastic scene, which included also a third carriage, filled, like&#13;
the first, with a pyramid of grotesque and extravagant masks. Amongst&#13;
the delighted crowd, one person alone contemplated the picture with deep&#13;
sorrow. It was Mother Bunch, who was still kept, in spite of herself, in&#13;
the first rank of spectators.</p><p>Separated from her sister for a long time, she now beheld her in all the&#13;
pomp of her singular triumph, in the midst of the cries of joy, and&#13;
the applause of her companions in pleasure. Yet the eyes of the young&#13;
sempstress grew dim with tears; for, though the Bacchanal Queen seemed&#13;
to share in the stunning gayety of all around her--though her face was&#13;
radiant with smiles, and she appeared fully to enjoy the splendors&#13;
of her temporary elevation--yet she had the sincere pity of the poor&#13;
workwoman, almost in rags, who was seeking, with the first dawn of&#13;
morning, the means of earning her daily bread.</p><p>Mother Bunch had forgotten the crowd, to look only at her sister,&#13;
whom she tenderly loved--only the more tenderly, that she thought her&#13;
situation to be pitied. With her eyes fixed on the joyous and beautiful&#13;
girl, her pale and gentle countenance expressed the most touching and&#13;
painful interest.</p><p>All at once, as the brilliant glance of the Bacchanal Queen travelled&#13;
along the crowd, it lighted on the sad features of Mother Bunch.</p><p>"My sister!" exclaimed Cephyse--such was the name of the Bacchanal&#13;
Queen--"My sister!"--and with one bound, light as a ballet-dancer, she&#13;
sprang from her movable throne (which fortunately just happened to&#13;
be stopping), and, rushing up to the hunchback, embraced her&#13;
affectionately.</p><p>All this had passed so rapidly, that the companions of the Bacchanal&#13;
Queen, still stupefied by the boldness of her perilous leap, knew not&#13;
how to account for it; whilst the masks who surrounded Mother Bunch drew&#13;
back in surprise, and the latter, absorbed in the delight of embracing&#13;
her sister, whose caresses she returned, did not even think of the&#13;
singular contrast between them, which was sure to soon excite the&#13;
astonishment and hilarity of the crowd.</p><p>Cephyse was the first to think of this, and wishing to save her sister&#13;
at least one humiliation, she turned towards the carriage, and said:&#13;
"Rose Pompon, throw me down my cloak; and, Ninny Moulin, open the door&#13;
directly!"</p><p>Having received the cloak, the Bacchanal Queen hastily wrapped it round&#13;
her sister, before the latter could speak or move. Then, taking her by&#13;
the hand, she said to her: "Come! come!"</p><p>"I!" cried Mother Bunch, in alarm. "Do not think of it!"</p><p>"I must speak with you. I will get a private room, where we shall be&#13;
alone. So make haste, dear little sister! Do not resist before all these&#13;
people--but come!"</p><p>The fear of becoming a public sight decided Mother Bunch, who, confused&#13;
moreover with the adventure, trembling and frightened, followed her&#13;
sister almost mechanically, and was dragged by her into the carriage, of&#13;
which Ninny Moulin had just opened the door. And so, with the cloak of&#13;
the Bacchanal Queen covering Mother Bunch's poor garments and deformed&#13;
figure, the crowd had nothing to laugh at, and only wondered what this&#13;
meeting could mean, while the coaches pursued their way to the eating&#13;
house in the Place du Chatelet.</p><p>CHAPTER II. THE CONTRAST.</p><p>Some minutes after the meeting of Mother Bunch with the Bacchanal Queen,&#13;
the two sisters were alone together in a small room in the tavern.</p><p>"Let me kiss you again," said Cephyse to the young sempstress; "at least&#13;
now we are alone, you will not be afraid?"</p><p>In the effort of the Bacchanal Queen to clasp Mother Bunch in her arms,&#13;
the cloak fell from the form of the latter. At sight of those miserable&#13;
garments, which she had hardly had time to observe on the Place du&#13;
Chatelet, in the midst of the crowd, Cephyse clasped her hands, and&#13;
could not repress an exclamation of painful surprise. Then, approaching&#13;
her sister, that she might contemplate her more closely, she took her&#13;
thin, icy palms between her own plump hands, and examined for some&#13;
minutes, with increasing grief, the suffering, pale, unhappy creature,&#13;
ground down by watching and privations, and half-clothed in a poor,&#13;
patched cotton gown.</p><p>"Oh, sister! to see you thus!" Unable to articulate another word, the&#13;
Bacchanal Queen threw herself on the other's neck, and burst into tears.&#13;
Then, in the midst of her sobs, she added: "Pardon! pardon!"</p><p>"What is the matter, my dear Cephyse?" said the young sewing-girl,&#13;
deeply moved, and gently disengaging herself from the embrace of her&#13;
sister. "Why do you ask my pardon?"</p><p>"Why?" resumed Cephyse, raising her countenance, bathed in tears, and&#13;
purple with shame; "is it not shameful of me to be dressed in all this&#13;
frippery, and throwing away so much money in follies, while you are thus&#13;
miserably clad, and in need of everything--perhaps dying of want, for I&#13;
have never seen your poor face look so pale and worn."</p><p>"Be at ease, dear sister! I am not ill. I was up rather late last night,&#13;
and that makes me a little pale--but pray do not cry--it grieves me."</p><p>The Bacchanal Queen had but just arrived, radiant in the midst of the&#13;
intoxicated crowd, and yet it was Mother Bunch who was now employed in&#13;
consoling her!</p><p>An incident occurred, which made the contrast still more striking.&#13;
Joyous cries were heard suddenly in the next apartment, and these words&#13;
were repeated with enthusiasm: "Long live the Bacchanal Queen!"</p><p>Mother Bunch trembled, and her eyes filled with tears, as she saw her&#13;
sister with her face buried in her hands, as if overwhelmed with shame.&#13;
"Cephyse," she said, "I entreat you not to grieve so. You will make me&#13;
regret the delight of this meeting, which is indeed happiness to me! It&#13;
is so long since I saw you! But tell me--what ails you?"</p><p>"You despise me perhaps--you are right," said the Bacchanal Queen,&#13;
drying her tears.</p><p>"Despise you? for what?"</p><p>"Because I lead the life I do, instead of having the courage to support&#13;
misery along with you."</p><p>The grief of Cephyse was so heart-breaking, that Mother Bunch, always&#13;
good and indulgent, wishing to console her, and raise her a little in&#13;
her own estimation, said to her tenderly: "In supporting it bravely for&#13;
a whole year, my good Cephyse, you have had more merit and courage than&#13;
I should have in bearing with it my whole life."</p><p>"Oh, sister! do not say that."</p><p>"In simple truth," returned Mother Bunch, "to what temptations is a&#13;
creature like me exposed? Do I not naturally seek solitude, even as&#13;
you seek a noisy life of pleasure? What wants have I? A very little&#13;
suffices."</p><p>"But you have not always that little?"</p><p>"No--but, weak and sickly as I seem, I can endure some privations better&#13;
than you could. Thus hunger produces in me a sort of numbness, which&#13;
leaves me very feeble--but for you, robust and full of life, hunger is&#13;
fury, is madness. Alas! you must remember how many times I have seen&#13;
you suffering from those painful attacks, when work failed us in our&#13;
wretched garret, and we could not even earn our four francs a week--so&#13;
that we had nothing--absolutely nothing to eat--for our pride prevented&#13;
us from applying to the neighbors."</p><p>"You have preserved the right to that honest pride."</p><p>"And you as well! Did you not struggle as much as a human creature&#13;
could? But strength fails at last--I know you well, Cephyse--it was&#13;
hunger that conquered you; and the painful necessity of constant labor,&#13;
which was yet insufficient to supply our common wants."</p><p>"But you could endure those privations--you endure them still."</p><p>"Can you compare me with yourself? Look," said Mother Bunch, taking her&#13;
sister by the hand, and leading her to a mirror placed above a couch,&#13;
"look!--Dost think that God made you so beautiful, endowed you with such&#13;
quick and ardent blood, with so joyous, animated, grasping a nature&#13;
and with such taste and fondness for pleasure, that your youth might be&#13;
spent in a freezing garret, hid from the sun, nailed constantly to your&#13;
chair, clad almost in rags, and working without rest and without hope?&#13;
No! for He has given us other wants than those of eating and drinking.&#13;
Even in our humble condition, does not beauty require some little&#13;
ornament? Does not youth require some movement, pleasure, gayety? Do not&#13;
all ages call for relaxation and rest? Had you gained sufficient wages&#13;
to satisfy hunger, to have a day or so's amusement in the week, after&#13;
working every other day for twelve or fifteen hours, and to procure&#13;
the neat and modest dress which so charming a face might naturally&#13;
claim--you would never have asked for more, I am sure of it--you have&#13;
told me as much a hundred times. You have yielded, therefore, to an&#13;
irresistible necessity, because your wants are greater than mine."</p><p>"It is true," replied the Bacchanal Queen, with a pensive air; "if I&#13;
could but have gained eighteenpence a day, my life would have been quite&#13;
different; for, in the beginning, sister, I felt cruelly humiliated to&#13;
live at a man's expense."</p><p>"Yes, yes--it was inevitable, my dear Cephyse; I must pity, but cannot&#13;
blame you. You did not choose your destiny; but, like me, you have&#13;
submitted to it."</p><p>"Poor sister!" said Cephyse, embracing the speaker tenderly; "you can&#13;
encourage and console me in the midst of your own misfortunes, when I&#13;
ought to be pitying you."</p><p>"Be satisfied!" said Mother Bunch; "God is just and good. If He has&#13;
denied me many advantages, He has given me my joys, as you have yours."</p><p>"Joys?"</p><p>"Yes, and great ones--without which life would be too burdensome, and I&#13;
should not have the courage to go through with it."</p><p>"I understand you," said Cephyse, with emotion; "you still know how to&#13;
devote yourself for others, and that lightens your own sorrows."</p><p>"I do what I can, but, alas! it is very little; yet when I succeed,"&#13;
added Mother Bunch, with a faint smile, "I am as proud and happy as a&#13;
poor little ant, who, after a great deal of trouble, has brought a big&#13;
straw to the common nest. But do not let us talk any more of me."</p><p>"Yes, but I must, even at the risk of making you angry," resumed the&#13;
Bacchanal Queen, timidly; "I have something to propose to you which you&#13;
once before refused. Jacques Rennepont has still, I think, some money&#13;
left--we are spending it in follies--now and then giving a little to&#13;
poor people we may happen to meet--I beg of you, let me come to your&#13;
assistance--I see in your poor face, you cannot conceal it from me, that&#13;
you are wearing yourself out with toil."</p><p>"Thanks, my dear Cephyse, I know your good heart; but I am not in want&#13;
of anything. The little I gain is sufficient for me."</p><p>"You refuse me," said the Bacchanal Queen, sadly, "because you know&#13;
that my claim to this money is not honorable--be it so--I respect your&#13;
scruples. But you will not refuse a service from Jacques; he has been a&#13;
workman, like ourselves, and comrades should help each other. Accept it&#13;
I beseech you, or I shall think you despise me."</p><p>"And I shall think you despise me, if you insist any more upon it, my&#13;
dear Cephyse," said Mother Bunch, in a tone at once so mild and firm&#13;
that the Bacchanal Queen saw that all persuasion would be in vain. She&#13;
hung her head sorrowfully, and a tear again trickled down her cheek.</p><p>"My refusal grieves you," said the other, taking her hand; "I am truly&#13;
sorry--but reflect--and you will understand me."</p><p>"You are right," said the Bacchanal Queen, bitterly, after a moment's&#13;
silence; "you cannot accept assistance from my lover--it was an insult&#13;
to propose it to you. There are positions in life so humiliating, that&#13;
they soil even the good one wishes to do."</p><p>"Cephyse, I did not mean to hurt you--you know it well."</p><p>"Oh! believe me," replied the Bacchanal Queen, "gay and giddy as I am,&#13;
I have sometimes moments of reflection, even in the midst of my maddest&#13;
joy. Happily, such moments are rare."</p><p>"And what do you think of, then?"</p><p>"Why, that the life I lead is hardly the thing; then resolve to ask&#13;
Jacques for a small sum of money, just enough to subsist on for a year,&#13;
and form the plan of joining you, and gradually getting to work again."</p><p>"The idea is a good one; why not act upon it?"</p><p>"Because, when about to execute this project, I examined myself&#13;
sincerely, and my courage failed. I feel that I could never resume the&#13;
habit of labor, and renounce this mode of life, sometimes rich, as&#13;
to day, sometimes precarious,--but at least free and full of leisure,&#13;
joyous and without care, and at worst a thousand times preferable to&#13;
living upon four francs a week. Not that interest has guided me. Many&#13;
times have I refused to exchange a lover, who had little or nothing,&#13;
for a rich man, that I did not like. Nor have I ever asked anything for&#13;
myself. Jacques has spent perhaps ten thousand francs the last three&#13;
or four months, yet we only occupy two half-furnished rooms, because&#13;
we always live out of doors, like the birds: fortunately, when I first&#13;
loved him, he had nothing at all, and I had just sold some jewels&#13;
that had been given me, for a hundred francs, and put this sum in the&#13;
lottery. As mad people and fools are always lucky, I gained a prize of&#13;
four thousand francs. Jacques was as gay, and light-headed, and full of&#13;
fun as myself, so we said: 'We love each other very much, and, as long&#13;
as this money lasts, we will keep up the racket; when we have no more,&#13;
one of two things will happen--either we shall be tired of one another,&#13;
and so part--or else we shall love each other still, and then, to remain&#13;
together, we shall try and get work again; and, if we cannot do so, and&#13;
yet will not part--a bushel of charcoal will do our business!'"</p><p>"Good heaven!" cried Mother Bunch, turning pale.</p><p>"Be satisfied! we have not come to that. We had still something left,&#13;
when a kind of agent, who had paid court to me, but who was so ugly that&#13;
I could not bear him for all his riches, knowing that I was living&#13;
with Jacques asked me to--But why should I trouble you with all these&#13;
details? In one word, he lent Jacques money, on some sort of a doubtful&#13;
claim he had, as was thought, to inherit some property. It is with this&#13;
money that we are amusing ourselves--as long as its lasts."</p><p>"But, my dear Cephyse, instead of spending this money so foolishly, why&#13;
not put it out to interest, and marry Jacques, since you love him?"</p><p>"Oh! in the first place," replied the Bacchanal Queen, laughing, as her&#13;
gay and thoughtless character resumed its ascendancy, "to put money out&#13;
to interest gives one no pleasure. All the amusement one has is to look&#13;
at a little bit of paper, which one gets in exchange for the nice little&#13;
pieces of gold, with which one can purchase a thousand pleasures. As for&#13;
marrying, I certainly like Jacques better than I ever liked any one;&#13;
but it seems to me, that, if we were married, all our happiness would&#13;
end--for while he is only my lover, he cannot reproach me with what has&#13;
passed--but, as my husband, he would be stare to upbraid me, sooner or&#13;
later, and if my conduct deserves blame, I prefer giving it to myself,&#13;
because I shall do it more tenderly."</p><p>"Mad girl that you are! But this money will not last forever. What is to&#13;
be done next?"</p><p>"Afterwards!--Oh! that's all in the moon. To-morrow seems to me as if it&#13;
would not come for a hundred years. If we were always saying: 'We must&#13;
die one day or the other'--would life be worth having?"</p><p>The conversation between Cephyse and her sister was here again&#13;
interrupted by a terrible uproar, above which sounded the sharp, shrill&#13;
noise of Ninny Moulin's rattle. To this tumult succeeded a chorus of&#13;
barbarous cries, in the midst of which were distinguishable these words,&#13;
which shook the very windows: "The Queen! the Bacchanal Queen!"</p><p>Mother Bunch started at this sudden noise.</p><p>"It is only my court, who are getting impatient," said Cephyse--and this&#13;
time she could laugh.</p><p>"Heavens!" cried the sewing-girl, in alarm; "if they were to come here&#13;
in search of you?"</p><p>"No, no--never fear."</p><p>"But listen! do you not hear those steps? they are coming along the&#13;
passage--they are approaching. Pray, sister, let me go out alone,&#13;
without being seen by all these people."</p><p>That moment the door was opened, and Cephyse, ran towards it. She saw in&#13;
the passage a deputation headed by Ninny Moulin, who was armed with his&#13;
formidable rattle, and followed by Rose-Pompon and Sleepinbuff.</p><p>"The Bacchanal Queen! or I poison myself with a glass of water;" cried&#13;
Ninny Moulin.</p><p>"The Bacchanal Queen! or I publish my banns of marriage with Ninny&#13;
Moulin!" cried little Rose-Pompon, with a determined air.</p><p>"The Bacchanal Queen! or the court will rise in arms, and carry her off&#13;
by force!" said another voice.</p><p>"Yes, yes--let us carry her off!" repeated a formidable chorus.</p><p>"Jacques, enter alone!" said the Bacchanal Queen, notwithstanding these&#13;
pressing summonses; then, addressing her court in a majestic tone, she&#13;
added: "In ten minutes, I shall be at your service--and then for a--of a&#13;
time!"</p><p>"Long live the Bacchanal Queen," cried Dumoulin, shaking his rattle as&#13;
he retired, followed by the deputation, whilst Sleepinbuff entered the&#13;
room alone.</p><p>"Jacques," said Cephyse, "this is my good sister."</p><p>"Enchanted to see you," said Jacques, cordially; "the more so as you&#13;
will give me some news of my friend Agricola. Since I began to play the&#13;
rich man, we have not seen each other, but I like him as much as ever,&#13;
and think him a good and worthy fellow. You live in the same house. How&#13;
is he?"</p><p>"Alas, sir! he and his family have had many misfortunes. He is in&#13;
prison."</p><p>"In prison!" cried Cephyse.</p><p>"Agricola in prison! what for?" said Sleepinbuff.</p><p>"For a trifling political offence. We had hoped to get him out on bail."</p><p>"Certainly; for five hundred francs it could be done," said Sleepinbuff.</p><p>"Unfortunately, we have not been able; the person upon whom we relied--"</p><p>The Bacchanal Queen interrupted the speaker by saying to her lover: "Do&#13;
you hear, Jacques? Agricola in prison, for want of five hundred francs!"</p><p>"To be sure! I hear and understand all about it. No need of your&#13;
winking. Poor fellow! he was the support of his mother."</p><p>"Alas! yes, sir--and it is the more distressing, as his father has but&#13;
just returned from Russia, and his mother--"</p><p>"Here," said Sleepinbuff, interrupting, and giving Mother Bunch a purse;&#13;
"take this--all the expenses here have been paid beforehand--this is&#13;
what remains of my last bag. You will find here some twenty-five or&#13;
thirty Napoleons, and I cannot make a better use of them than to serve&#13;
a comrade in distress. Give them to Agricola's father; he will take the&#13;
necessary steps, and to-morrow Agricola will be at his forge, where I&#13;
had much rather he should be than myself."</p><p>"Jacques, give me a kiss!" said the Bacchanal Queen.</p><p>"Now, and afterwards, and again and again!" said Jacques, joyously&#13;
embracing the queen.</p><p>Mother Bunch hesitated for a moment; but reflecting that, after all,&#13;
this sum of money, which was about to be spent in follies, would restore&#13;
life and happiness to the family of Agricola, and that hereafter these&#13;
very five hundred francs, when returned to Jacques, might be of the&#13;
greatest use to him, she resolved to accept this offer. She took the&#13;
purse, and with tearful eyes, said to him: "I will not refuse your&#13;
kindness M. Jacques; you are so good and generous, Agricola's father&#13;
will thus at least have one consolation, in the midst of heavy sorrows.&#13;
Thanks! many thanks!"</p><p>"There is no need to thank me; money was made for others as well as&#13;
ourselves."</p><p>Here, without, the noise recommenced more furiously than ever, and Ninny&#13;
Moulin's rattle sent forth the most doleful sounds.</p><p>"Cephyse," said Sleepinbuff, "they will break everything to pieces,&#13;
if you do not return to them, and I have nothing left to pay for the&#13;
damage. Excuse us," added he, laughing, "but you see that royalty has&#13;
its duties."</p><p>Cephyse deeply moved, extended her arms to Mother Bunch, who threw&#13;
herself into them, shedding sweet tears.</p><p>"And now," said she, to her sister, "when shall I see you again?"</p><p>"Soon--though nothing grieves me more than to see you in want, out of&#13;
which I am not allowed to help you."</p><p>"You will come, then, to see me? It is a promise?"</p><p>"I promise you in her name," said Jacques; "we will pay a visit to you&#13;
and your neighbor Agricola."</p><p>"Return to the company, Cephyse, and amuse yourself with a light heart,&#13;
for M. Jacques has made a whole family happy."</p><p>So saying, and after Sleepinbuff had ascertained that she could go down&#13;
without being seen by his noisy and joyous companions, Mother Bunch&#13;
quietly withdrew, eager to carry one piece of good news at least to&#13;
Dagobert; but intending, first of all, to go to the Rue de Babylone, to&#13;
the garden-house formerly occupied by Adrienne de Cardoville. We shall&#13;
explain hereafter the cause of this determination.</p><p>As the girl quitted the eating-house, three men plainly and comfortably&#13;
dressed, were watching before it, and talking in a low voice. Soon&#13;
after, they were joined by a fourth person, who rapidly descended the&#13;
stairs of the tavern.</p><p>"Well?" said the three first, with anxiety.</p><p>"He is there."</p><p>"Are you sure of it?"</p><p>"Are there two Sleepers-in-buff on earth?" replied the other. "I have&#13;
just seen him; he is togged out like one of the swell mob. They will be&#13;
at table for three hours at least."</p><p>"Then wait for me, you others. Keep as quiet as possible. I will go and&#13;
fetch the captain, and the game is bagged." So saying, one of the three&#13;
men walked off quickly, and disappeared in a street leading from the&#13;
square.</p><p>At this same instant the Bacchanal Queen entered the banqueting-room,&#13;
accompanied by Jacques, and was received with the most frenzied&#13;
acclamations from all sides.</p><p>"Now then," cried Cephyse, with a sort of feverish excitement, as if she&#13;
wished to stun herself; "now then, friends--noise and tumult, hurricane&#13;
and tempest, thunder and earthquake--as much as you please!" Then,&#13;
holding out her glass to Ninny Moulin, she added: "Pour out! pour out!"</p><p>"Long live the Queen!" cried they all, with one voice.</p><p>CHAPTER III. THE CAROUSE.</p><p>The Bacchanal Queen, having Sleepinbuff and Rose-Pompon opposite her,&#13;
and Ninny Moulin on her right hand, presided at the repast, called a&#13;
reveille-matin (wake-morning), generously offered by Jacques to his&#13;
companions in pleasure.</p><p>Both young men and girls seemed to have forgotten the fatigues of a&#13;
ball, begun at eleven o'clock in the evening, and finished at six in&#13;
the morning; and all these couples, joyous as they were amorous and&#13;
indefatigable, laughed, ate, and drank, with youthful and Pantagruelian&#13;
ardor, so that, during the first part of the feast, there was less&#13;
chatter than clatter of plates and glasses.</p><p>The Bacchanal Queen's countenance was less gay, but much more animated&#13;
than usual; her flushed cheeks and sparkling eyes announced a feverish&#13;
excitement; she wished to drown reflection, cost what it might. Her&#13;
conversation with her sister often recurred to her, and she tried to&#13;
escape from such sad remembrances.</p><p>Jacques regarded Cephyse from time to time with passionate adoration;&#13;
for, thanks to the singular conformity of character, mind, and taste&#13;
between him and the Bacchanal Queen, their attachment had deeper and&#13;
stronger roots than generally belong to ephemeral connections founded&#13;
upon pleasure. Cephyse and Jacques were themselves not aware of all the&#13;
power of a passion which till now had been surrounded only by joys and&#13;
festivities, and not yet been tried by any untoward event.</p><p>Little Rose-Pompon, left a widow a few days before by a student, who, in&#13;
order to end the carnival in style, had gone into the country to raise&#13;
supplies from his family, under one of those fabulous pretences which&#13;
tradition carefully preserves in colleges of law and medicine--Rose&#13;
Pompon, we repeat, an example of rare fidelity, determined not to&#13;
compromise herself, had taken for a chaperon the inoffensive Ninny&#13;
Moulin.</p><p>This latter, having doffed his helmet, exhibited a bald head, encircled&#13;
by a border of black, curling hair, pretty long at the back of the head.&#13;
By a remarkable Bacchic phenomenon, in proportion as intoxication gained&#13;
upon him, a sort of zone, as purple as his jovial face, crept by degrees&#13;
over his brow, till it obscured even the shining whiteness of his crown.&#13;
Rose-Pompon, who knew the meaning of this symptom, pointed it out to the&#13;
company, and exclaimed with a loud burst of laughter: "Take care, Ninny&#13;
Moulin! the tide of the wine is coming in."</p><p>"When it rises above his head he will be drowned," added the Bacchanal&#13;
Queen.</p><p>"Oh, Queen! don't disturb me; I am meditating, answered Dumoulin, who&#13;
was getting tipsy. He held in his hand, in the fashion of an antique&#13;
goblet, a punch-bowl filled with wine, for he despised the ordinary&#13;
glasses, because of their small size.</p><p>"Meditating," echoed Rose-Pompon, "Ninny Moulin is meditating. Be&#13;
attentive!"</p><p>"He is meditating; he must be ill then!"</p><p>"What is he meditating? an illegal dance?"</p><p>"A forbidden Anacreontic attitude?"</p><p>"Yes, I am meditating," returned Dumoulin, gravely; "I am meditating&#13;
upon wine, generally and in particular--wine, of which the immortal&#13;
Bossuet"--Dumoulin had the very bad habit of quoting Bossuet when he was&#13;
drunk--"of which the immortal Bossuet says (and he was a judge of good&#13;
liquor): 'In wine is courage, strength joy, and spiritual fervor'--when&#13;
one has any brains," added Ninny Moulin, by way of parenthesis.</p><p>"Oh, my! how I adore your Bossuet!" said Rose-Pompon.</p><p>"As for my particular meditation, it concerns the question, whether the&#13;
wine at the marriage of Cana was red or white. Sometimes I incline to&#13;
one side, sometimes to the other--and sometimes to both at once."</p><p>"That is going to the bottom of the question," said Sleepinbuff.</p><p>"And, above all, to the bottom of the bottles," added the Bacchanal&#13;
Queen.</p><p>"As your majesty is pleased to observe; and already, by dint of&#13;
reflection and research, I have made a great discovery--namely, that, if&#13;
the wine at the marriage of Cana was red--"</p><p>"It couldn't 'a' been white," said Rose-Pompon, judiciously.</p><p>"And if I had arrived at the conviction that it was neither white nor&#13;
red?" asked Dumoulin, with a magisterial air.</p><p>"That could only be when you had drunk till all was blue," observed&#13;
Sleepinbuff.</p><p>"The partner of the Queen says well. One may be too athirst for science;&#13;
but never mind! From all my studies on this question, to which I have&#13;
devoted my life--I shall await the end of my respectable career with&#13;
the sense of having emptied tuns with a historical--theological--and&#13;
archeological tone!"</p><p>It is impossible to describe the jovial grimace and tone with which&#13;
Dumoulin pronounced and accentuated these last words, which provoked a&#13;
general laugh.</p><p>"Archieolopically?" said Rose-Pompon. "What sawnee is that? Has he a&#13;
tail? does he live in the water?"</p><p>"Never mind," observed the Bacchanal Queen; "these are words of wise men&#13;
and conjurers; they are like horsehair bustles--they serve for filling&#13;
out--that's all. I like better to drink; so fill the glasses, Ninny&#13;
Moulin; some champagne, Rose-Pompon; here's to the health of your&#13;
Philemon and his speedy return!"</p><p>"And to the success of his plant upon his stupid and stingy family!"&#13;
added Rose-Pompon.</p><p>The toast was received with unanimous applause.</p><p>"With the permission of her majesty and her court," said Dumoulin, "I&#13;
propose a toast to the success of a project which greatly interests me,&#13;
and has some resemblance to Philemon's jockeying. I fancy that the toast&#13;
will bring me luck."</p><p>"Let's have it, by all means!"</p><p>"Well, then--success to my marriage!" said Dumoulin, rising.</p><p>These words provoked an explosion of shouts, applause, and laughter.&#13;
Ninny Moulin shouted, applauded, laughed even louder than the rest,&#13;
opening wide his enormous mouth, and adding to the stunning noise the&#13;
harsh springing of his rattle, which he had taken up from under his&#13;
chair.</p><p>When the storm had somewhat subsided, the Bacchanal Queen rose and said:&#13;
"I drink to the health of the future Madame Ninny Moulin."</p><p>"Oh, Queen! your courtesy touches me so sensibly that I must&#13;
allow you to read in the depths of my heart the name of my&#13;
future spouse," exclaimed Dumoulin. "She is called Madame&#13;
Honoree-Modeste-Messaline-Angele de la Sainte-Colombe, widow."</p><p>"Bravo! bravo!"</p><p>"She is sixty years old, and has more thousands of francs-a-year than&#13;
she has hair in her gray moustache or wrinkles on her face; she is&#13;
so superbly fat that one of her gowns would serve as a tent for this&#13;
honorable company. I hope to present my future spouse to you on Shrove&#13;
Tuesday, in the costume of a shepherdess that has just devoured her&#13;
flock. Some of them wish to convert her--but I have undertaken to divert&#13;
her, which she will like better. You must help me to plunge her headlong&#13;
into all sorts of skylarking jollity."</p><p>"We will plunge her into anything you please."</p><p>"She shall dance like sixty!" said Rose-Pompon, humming a popular tune.</p><p>"She will overawe the police."</p><p>"We can say to them: 'Respect this lady; your mother will perhaps be as&#13;
old some day!'"</p><p>Suddenly, the Bacchanal Queen rose; her countenance wore a singular&#13;
expression of bitter and sardonic delight. In one hand she held a glass&#13;
full to the brim. "I hear the Cholera is approaching in his seven-league&#13;
boots," she cried. "I drink luck to the Cholera!" And she emptied the&#13;
bumper.</p><p>Notwithstanding the general gayety, these words made a gloomy&#13;
impression; a sort of electric shudder ran through the assemblage, and&#13;
nearly every countenance became suddenly serious.</p><p>"Oh, Cephyse!" said Jacques, in a tone of reproach.</p><p>"Luck to the Cholera," repeated the Queen, fearlessly. "Let him spare&#13;
those who wish to live, and kill together those who dread to part!"</p><p>Jacques and Cephyse exchanged a rapid glance, unnoticed by their joyous&#13;
companions, and for some time the Bacchanal Queen remained silent and&#13;
thoughtful.</p><p>"If you put it that way, it is different," cried Rose-Pompon, boldly.&#13;
"To the Cholera! may none but good fellows be left on earth!"</p><p>In spite of this variation, the impression was still painfully&#13;
impressive. Dumoulin, wishing to cut short this gloomy subject,&#13;
exclaimed: "Devil take the dead, and long live the living! And, talking&#13;
of chaps who both live and live well, I ask you to drink a health most&#13;
dear to our joyous queen, the health of our Amphitryon. Unfortunately,&#13;
I do not know his respectable name, having only had the advantage&#13;
of making his acquaintance this night; he will excuse me, then, if I&#13;
confine myself to proposing the health of Sleepinbuff--a name by no&#13;
means offensive to my modesty, as Adam never slept in any other manner.&#13;
I drink to Sleepinbuff."</p><p>"Thanks, old son!" said Jacques, gayly; "were I to forget your name, I&#13;
should call you 'Have-a-sip?' and I am sure that you would answer: 'I&#13;
will.'"</p><p>"I will directly!" said Dumoulin, making the military salute with one&#13;
hand, and holding out the bowl with the other.</p><p>"As we have drunk together," resumed Sleepinbuff, cordially, "we ought&#13;
to know each other thoroughly. I am Jacques Rennepont?"</p><p>"Rennepont!" cried Dumoulin, who appeared struck by the name, in spite&#13;
of his half-drunkenness; "you are Rennepont?"</p><p>"Rennepont in the fullest sense of the word. Does that astonish you?"</p><p>"There is a very ancient family of that name--the Counts of Rennepont."</p><p>"The deuce there is!" said the other, laughing.</p><p>"The Counts of Rennepont are also Dukes of Cardoville," added Dumoulin.</p><p>"Now, come, old fellow! do I look as if I belonged to such a family?--I,&#13;
a workman out for a spree?"</p><p>"You a workman? why, we are getting into the Arabian Nights!" cried&#13;
Dumoulin, more and more surprised. "You give us a Belshazzar's banquet,&#13;
with accompaniment of carriages and four, and yet are a workman? Only&#13;
tell me your trade, and I will join you, leaving the Vine of the Divine&#13;
to take care of itself."</p><p>"Come, I say! don't think that I am a printer of flimsies, and a&#13;
smasher!" replied Jacques, laughing.</p><p>"Oh, comrade! no such suspicion--"</p><p>"It would be excusable, seeing the rigs I run. But I'll make you easy on&#13;
that point. I am spending an inheritance."</p><p>"Eating and drinking an uncle, no doubt?" said Dumoulin, benevolently.</p><p>"Faith, I don't know."</p><p>"What! you don't know whom you are eating and drinking?"</p><p>"Why, you see, in the first place, my father was a bone-grubber."</p><p>"The devil he was!" said Dumoulin, somewhat out of countenance, though&#13;
in general not over-scrupulous in the choice of his bottle-companions:&#13;
but, after the first surprise, he resumed, with the most charming&#13;
amenity: "There are some rag-pickers very high by scent--I mean&#13;
descent!"</p><p>"To be sure! you may think to laugh at me," said Jacques, "but you are&#13;
right in this respect, for my father was a man of very great merit. He&#13;
spoke Greek and Latin like a scholar, and often told me that he had not&#13;
his equal in mathematics; besides, he had travelled a good deal."</p><p>"Well, then," resumed Dumoulin, whom surprise had partly sobered, "you&#13;
may belong to the family of the Counts of Rennepont, after all."</p><p>"In which case," said Rose-Pompon, laughing, "your father was not a&#13;
gutter-snipe by trade, but only for the honor of the thing."</p><p>"No, no--worse luck! it was to earn his living," replied Jacques; "but,&#13;
in his youth, he had been well off. By what appeared, or rather by&#13;
what did not appear, he had applied to some rich relation, and the&#13;
rich relation had said to him: 'Much obliged! try the work'us.' Then he&#13;
wished to make use of his Greek, and Latin, and mathematics. Impossible&#13;
to do anything--Paris, it seems, being choke-full of learned men--so&#13;
my father had to look for his bread at the end of a hooked stick, and&#13;
there, too, he must have found it, for I ate of it during two years,&#13;
when I came to live with him after the death of an aunt, with whom I had&#13;
been staying in the country."</p><p>"Your respectable father must have been a sort of philosopher," said&#13;
Dumoulin; "but, unless he found an inheritance in a dustbin, I don't see&#13;
how you came into your property."</p><p>"Wait for the end of the song. At twelve years of age I was an&#13;
apprentice at the factory of M. Tripeaud; two years afterwards, my&#13;
father died of an accident, leaving me the furniture of our garret--a&#13;
mattress, a chair, and a table--and, moreover, in an old Eau de Cologne&#13;
box, some papers (written, it seems, in English), and a bronze medal,&#13;
worth about ten sous, chain and all. He had never spoken to me of these&#13;
papers, so, not knowing if they were good for anything, I left them at&#13;
the bottom of an old trunk, instead of burning them--which was well for&#13;
me, since it is upon these papers that I have had money advanced."</p><p>"What a godsend!" said Dumoulin. "But somebody must have known that you&#13;
had them?"</p><p>"Yes; one of those people that are always looking out for old debts came&#13;
to Cephyse, who told me all about it; and, after he had read the papers,&#13;
he said that the affair was doubtful, but that he would lend me ten&#13;
thousand francs on it, if I liked. Ten thousand francs was a large sum,&#13;
so I snapped him up!"</p><p>"But you must have supposed that these old papers were of great value."</p><p>"Faith, no! since my father, who ought to have known their value, had&#13;
never realized on them--and then, you see, ten thousand francs in good,&#13;
bright coin, falling as it were from the clouds, are not to be sneezed&#13;
at--so I took them--only the man made me do a bit of stiff as guarantee,&#13;
or something of that kind."</p><p>"Did you sign it?"</p><p>"Of course--what did I care about it? The man told me it was only a&#13;
matter of form. He spoke the truth, for the bill fell due a fortnight&#13;
ago, and I have heard nothing of it. I have still about a thousand&#13;
francs in his hands, for I have taken him for my banker. And that's the&#13;
way, old pal, that I'm able to flourish and be jolly all day long, as&#13;
pleased as Punch to have left my old grinder of a master, M. Tripeaud."</p><p>As he pronounced this name, the joyous countenance of Jacques became&#13;
suddenly overcast. Cephyse, no longer under the influence of the painful&#13;
impression she had felt for a moment, looked uneasily at Jacques, for&#13;
she knew the irritation which the name of M. Tripeaud produced within&#13;
him.</p><p>"M. Tripeaud," resumed Sleepinbuff, "is one that would make the good&#13;
bad, and the bad worse. They say that a good rider makes a good horse;&#13;
they ought to say that a good master makes a good workman. Zounds! when&#13;
I think of that fellow!" cried Sleepinbuff, striking his hand violently&#13;
on the table.</p><p>"Come, Jacques--think of something else!" said the Bacchanal Queen.&#13;
"Make him laugh, Rose-Pompon."</p><p>"I am not in a humor to laugh," replied Jacques, abruptly, for he was&#13;
getting excited from the effects of the wine; "it is more than I can&#13;
bear to think of that man. It exasperates me! it drives me mad! You&#13;
should have heard him saying: 'Beggarly workmen! rascally workmen! they&#13;
grumble that they have no food in their bellies; well, then, we'll give&#13;
them bayonets to stop their hunger.'(11) And there's the children in his&#13;
factory--you should see them, poor little creatures!--working as long&#13;
as the men--wasting away, and dying by the dozen--what odds? as soon&#13;
as they were dead plenty of others came to take their places--not like&#13;
horses, which can only be replaced with money."</p><p>"Well, it is clear, that you do not like your old master," said&#13;
Dumoulin, more and more surprised at his Amphitryon's gloomy and&#13;
thoughtful air, and, regretting that the conversation had taken this&#13;
serious turn, he whispered a few words in the ear of the Bacchanal&#13;
Queen, who answered by a sign of intelligence.</p><p>"I don't like M. Tripeaud!" exclaimed Jacques. "I hate him--and shall&#13;
I tell you why? Because it is as much his fault as mine, that I have&#13;
become a good-for-nothing loafer. I don't say it to screen myself; but&#13;
it is the truth. When I was 'prenticed to him as a lad, I was all heart&#13;
and ardor, and so bent upon work, that I used to take my shirt off to&#13;
my task, which, by the way, was the reason that I was first called&#13;
Sleepinbuff. Well! I might have toiled myself to death; not one word of&#13;
encouragement did I receive. I came first to my work, and was the last&#13;
to leave off; what matter? it was not even noticed. One day, I was&#13;
injured by the machinery. I was taken to the hospital. When I came out,&#13;
weak as I was, I went straight to my work; I was not to be frightened;&#13;
the others, who knew their master well, would often say to me: 'What&#13;
a muff you must be, little one! What good will you get by working so&#13;
hard?'--still I went on. But, one day, a worthy old man, called Father&#13;
Arsene, who had worked in the house many years, and was a model of good&#13;
conduct, was suddenly turned away, because he was getting too feeble. It&#13;
was a death-blow to him; his wife was infirm, and, at his age, he could&#13;
not get another place. When the foreman told him he was dismissed, he&#13;
could not believe it, and he began to cry for grief. At that moment, M.&#13;
Tripeaud passes; Father Arsene begs him with clasped hands to keep him&#13;
at half-wages. 'What!' says M. Tripeaud, shrugging his shoulders; 'do&#13;
you think that I will turn my factory into a house of invalids? You are&#13;
no longer able to work--so be off!' 'But I have worked forty years of my&#13;
life; what is to become of me?' cried poor Father Arsene. 'That is not&#13;
my business,' answered M. Tripeaud; and, addressing his clerk, he added:&#13;
'Pay what is due for the week, and let him cut his stick.' Father&#13;
Arsene did cut his stick; that evening, he and his old wife suffocated&#13;
themselves with charcoal. Now, you see, I was then a lad; but that story&#13;
of Father Arsene taught me, that, however hard you might work, it would&#13;
only profit your master, who would not even thank you for it, and leave&#13;
you to die on the flags in your old age. So all my fire was damped, and&#13;
I said to myself: 'What's the use of doing more than I just need? If&#13;
I gain heaps of gold for M. Tripeaud, shall I get an atom of it?'&#13;
Therefore, finding neither pride nor profit in my work, I took a disgust&#13;
for it--just did barely enough to earn my wages--became an idler and a&#13;
rake--and said to myself: 'When I get too tired of labor, I can always&#13;
follow the example of Father Arsene and his wife."'</p><p>Whilst Jacques resigned himself to the current of these bitter thoughts,&#13;
the other guests, incited by the expressive pantomime of Dumoulin and&#13;
the Bacchanal Queen, had tacitly agreed together; and, on a signal from&#13;
the Queen, who leaped upon the table, and threw down the bottles and&#13;
glasses with her foot, all rose and shouted, with the accompaniment&#13;
of Ninny Moulin's rattle "The storm blown Tulip! the quadrille of the&#13;
Storm-blown Tulip!"</p><p>At these joyous cries, which burst suddenly, like shell, Jacques&#13;
started; then gazing with astonishment at his guests, he drew his hand&#13;
across his brow, as if to chase away the painful ideas that oppressed&#13;
him, and exclaimed: "You are right. Forward the first couple! Let us be&#13;
merry!"</p><p>In a moment, the table, lifted by vigorous arms, was removed to the&#13;
extremity of the banqueting-room; the spectators, mounted upon chairs,&#13;
benches, and window-ledges, began to sing in chorus the well-known air&#13;
of les Etudiants, so as to serve instead of orchestra, and accompany&#13;
the quadrille formed by Sleepinbuff, the Queen, Ninny Moulin, and Rose&#13;
Pompon.</p><p>Dumoulin, having entrusted his rattle to one of the guests, resumed his&#13;
extravagant Roman helmet and plume; he had taken off his great-coat&#13;
at the commencement of the feast, so that he now appeared in all the&#13;
splendor of his costume. His cuirass of bright scales ended in a tunic&#13;
of feathers, not unlike those worn by the savages, who form the oxen's&#13;
escort on Mardi Gras. Ninny Moulin had a huge paunch and thin legs,&#13;
so that the latter moved about at pleasure in the gaping mouths of his&#13;
large top boots.</p><p>Little Rose-Pompon, with her pinched-up cocked-hat stuck on one side,&#13;
her hands in the pockets of her trousers, her bust a little inclined&#13;
forward, and undulating from right to left, advanced to meet&#13;
Ninny-Moulin; the latter danced, or rather leaped towards her, his&#13;
left leg bent under him, his right leg stretched forward, with the toe&#13;
raised, and the heel gliding on the floor; moreover, he struck his neck&#13;
with his left hand, and by a simultaneous movement, stretched forth&#13;
his right, as if he would have thrown dust in the eyes of his opposite&#13;
partner.</p><p>This first figure met with great success, and the applause was&#13;
vociferous, though it was only the innocent prelude to the step of&#13;
the Storm-blown Tulip--when suddenly the door opened, and one of the&#13;
waiters, after looking about for an instant, in search of Sleepinbuff,&#13;
ran to him, and whispered some words in his ear.</p><p>"Me!" cried Jacques, laughing; "here's a go!"</p><p>The waiter added a few more words, when Sleepinbuff's face assumed&#13;
an expression of uneasiness, as he answered. "Very well! I come&#13;
directly,"--and he made a step towards the door.</p><p>"What's the matter, Jacques?" asked the Bacchanal Queen, in some&#13;
surprise.</p><p>"I'll be back immediately. Some one take my place. Go on with the&#13;
dance," said Sleepinbuff, as he hastily left the room.</p><p>"Something, that was not put down in the bill," said Dumoulin; "he will&#13;
soon be back."</p><p>"That's it," said Cephyse. "Now cavalier suel!" she added, as she took&#13;
Jacques's place, and the dance continued.</p><p>Ninny Moulin had just taken hold of Rose Pompon with his right hand,&#13;
and of the Queen with his left, in order to advance between the two, in&#13;
which figure he showed off his buffoonery to the utmost extent, when&#13;
the door again opened, and the same waiter, who had called out Jacques,&#13;
approached Cephyse with an air of consternation, and whispered in her&#13;
ear, as he had before done to Sleepinbuff.</p><p>The Bacchanal Queen grew pale, uttered a piercing scream, and rushed out&#13;
of the room without a word, leaving her guests in stupefaction.</p><p>(11) These atrocious words were actually spoken during the Lyons Riots.</p><p>CHAPTER IV. THE FAREWELL</p><p>The Bacchanal Queen, following the waiter, arrived at the bottom of the&#13;
staircase. A coach was standing before the door of the house. In it she&#13;
saw Sleepinbuff, with one of the men who, two hours before, had been&#13;
waiting on the Place du Chatelet.</p><p>On the arrival of Cephyse, the man got down, and said to Jacques, as he&#13;
drew out his watch: "I give you a quarter of an hour; it is all that I&#13;
can do for you, my good fellow; after that we must start. Do not try to&#13;
escape, for we'll be watching at the coach doors."</p><p>With one spring, Cephyse was in the coach. Too much overcome to speak&#13;
before, she now exclaimed, as she took her seat by Jacques, and remarked&#13;
the paleness of his countenance: "What is it? What do they want with&#13;
you?"</p><p>"I am arrested for debt," said Jacques, in a mournful voice.</p><p>"You!" exclaimed Cephyse, with a heart-rending sob.</p><p>"Yes, for that bill, or guarantee, they made me sign. And yet the man&#13;
said it was only a form--the rascal!"</p><p>"But you have money in his hands; let him take that on account."</p><p>"I have not a copper; he sends me word by the bailiff, that not having&#13;
paid the bill, I shall not have the last thousand francs."</p><p>"Then let us go to him, and entreat him to leave you at liberty. It was&#13;
he who came to propose to lend you this money. I know it well, as he&#13;
first addressed himself to me. He will have pity on you."</p><p>"Pity?--a money broker pity? No! no!"</p><p>"Is there then no hope? none?" cried Cephyse clasping her hands in&#13;
anguish. "But there must be something done," she resumed. "He promised&#13;
you!"</p><p>"You can see how he keeps his promises," answered Jacques, with&#13;
bitterness. "I signed, without even knowing what I signed. The bill is&#13;
over-due; everything is in order, it would be vain to resist. They have&#13;
just explained all that to me."</p><p>"But they cannot keep you long in prison. It is impossible."</p><p>"Five years, if I do not pay. As I'll never be able to do so, my fate is&#13;
certain."</p><p>"Oh! what a misfortune! and not to be able to do anything!" said&#13;
Cephyse, hiding her face in her hands.</p><p>"Listen to me, Cephyse," resumed Jacques, in a voice of mournful&#13;
emotion; "since I am here, I have thought only of one thing--what is to&#13;
become of you?"</p><p>"Never mind me!"</p><p>"Not mind you?--art mad? What will you do? The furniture of our two&#13;
rooms is not worth two hundred francs. We have squandered our money so&#13;
foolishly, that we have not even paid our rent. We owe three quarters,&#13;
and we must not therefore count upon the furniture. I leave you without&#13;
a coin. At least I shall be fed in prison--but how will you manage to&#13;
live?</p><p>"What is the use of grieving beforehand?"</p><p>"I ask you how you will live to-morrow?" cried Jacques.</p><p>"I will sell my costume, and some other clothes. I will send you half&#13;
the money, and keep the rest. That will last some days."</p><p>"And afterwards?--afterwards?"</p><p>"Afterwards?--why, then--I don't know--how can I tell you!&#13;
Afterwards--I'll look about me."</p><p>"Hear me, Cephyse," resumed Jacques, with bitter agony. "It is now that&#13;
I first know how mach I love you. My heart is pressed as in a vise at&#13;
the thought of leaving you and I shudder to thinly what is to become of&#13;
you." Then--drawing his hand across his forehead, Jacques added: "You&#13;
see we have been ruined by saying--'To-morrow will never come!'--for to&#13;
morrow has come. When I am no longer with you, and you have spent the&#13;
last penny of the money gained by the sale of your clothes--unfit for&#13;
work as you have become--what will you do next? Must I tell you what you&#13;
will do!--you will forget me and--" Then, as if he recoiled from his own&#13;
thoughts, Jacques exclaimed, with a burst of rage and despair--"Great&#13;
Heaven! if that were to happen, I should dash my brains out against the&#13;
stones!"</p><p>Cephyse guessed the half-told meaning of Jacques, and throwing her arms&#13;
around his neck, she said to him: "I take another lover?--never! I am&#13;
like you, for I now first know how much I love you."</p><p>"But, my poor Cephyse--how will you live?"</p><p>"Well, I shall take courage. I will go back and dwell, with my sister,&#13;
as in old times; we will work together, and so earn our bread. I'll&#13;
never go out, except to visit you. In a few days your creditor will&#13;
reflect, that, as you can't pay him ten thousand francs, he may as well&#13;
set you free. By that time I shall have once more acquired the habit of&#13;
working. You shall see, you shall see!--and you also will again acquire&#13;
this habit. We shall live poor, but content. After all, we have had&#13;
plenty of amusement for six month, while so many others have never known&#13;
pleasure all their lives. And believe me, my dear Jacques, when I say&#13;
to you--I shall profit by this lesson. If you love me, do not feel the&#13;
least uneasiness; I tell you, that I would rather die a hundred times,&#13;
than have another lover."</p><p>"Kiss me," said Jacques, with eyes full of tears. "I believe you--yes,&#13;
I believe you--and you give me back my courage, both for now and&#13;
hereafter. You are right; we must try and get to work again, or else&#13;
nothing remains but Father Arsene's bushel of charcoal; for, my girl,"&#13;
added Jacques, in a low and trembling voice, "I have been like a drunken&#13;
man these six months, and now I am getting sober, and see whither we are&#13;
going. Our means once exhausted, I might perhaps have become a robber,&#13;
and you--"</p><p>"Oh, Jacques! don't talk so--it is frightful," interrupted Cephyse; "I&#13;
swear to you that I will return to my sister--that I will work--that I&#13;
will have courage!"</p><p>Thus saying, the Bacchanal Queen was very sincere; she fully intended&#13;
to keep her word, for her heart was not yet completely corrupted. Misery&#13;
and want had been with her, as with so many others, the cause and the&#13;
excuse of her worst errors. Until now, she had at least followed the&#13;
instincts of her heart, without regard to any base or venal motive. The&#13;
cruel position in which she beheld Jacques had so far exalted her love,&#13;
that she believed herself capable of resuming, along with Mother Bunch,&#13;
that life of sterile and incessant toil, full of painful sacrifices and&#13;
privations, which once had been impossible for her to bear, and which&#13;
the habits of a life of leisure and dissipation would now render still&#13;
more difficult.</p><p>Still, the assurances which she had just given Jacques calmed his grief&#13;
and anxiety a little; he had sense and feeling enough to perceive that&#13;
the fatal track which he had hitherto so blindly followed was leading&#13;
both him and Cephyse directly to infamy.</p><p>One of the bailiffs, having knocked at the coach-door, said to Jacques:&#13;
"My lad, you have only five minutes left--so make haste."</p><p>"So, courage, my girl--courage!" said Jacques.</p><p>"I will; you may rely upon me."</p><p>"Are you going upstairs again?"</p><p>"No--oh no!" said Cephyse. "I have now a horror of this festivity."</p><p>"Everything is paid for, and the waiter will tell them not to expect us&#13;
back. They will be much astonished," continued Jacques, "but it's all&#13;
the same now."</p><p>"If you could only go with me to our lodging," said Cephyse, "this&#13;
man would perhaps permit it, so as not to enter Sainte-Pelagie in that&#13;
dress."</p><p>"Oh! he will not forbid you to accompany me; but, as he will be with&#13;
us in the coach, we shall not be able to talk freely in his presence.&#13;
Therefore, let me speak reason to you for the first time in my life.&#13;
Remember what I say, my dear Cephyse--and the counsel will apply to&#13;
me as well as to yourself," continued Jacques, in a grave and feeling&#13;
tone--"resume from to-day the habit of labor. It may be painful,&#13;
unprofitable--never mind--do not hesitate, for too soon will the&#13;
influence of this lesson be forgotten. By-and-bye it will be too late,&#13;
and then you will end like so many unfortunate creatures--"</p><p>"I understand," said Cephyse, blushing; "but I will rather die than lead&#13;
such a life."</p><p>"And there you will do well--for in that case," added Jacques, in a deep&#13;
and hollow voice, "I will myself show you how to die."</p><p>"I count upon you, Jacques," answered Cephyse, embracing her lover&#13;
with excited feeling; then she added, sorrowfully: "It was a kind of&#13;
presentiment, when just now I felt so sad, without knowing why, in the&#13;
midst of all our gayety--and drank to the Cholera, so that we might die&#13;
together."</p><p>"Well! perhaps the Cholera will come," resumed Jacques, with a gloomy&#13;
air; "that would save us the charcoal, which we may not even be able to&#13;
buy."</p><p>"I can only tell you one thing, Jacques, that to live and die together,&#13;
you will always find me ready."</p><p>"Come, dry your eyes," said he, with profound emotion. "Do not let us&#13;
play the children before these men."</p><p>Some minutes after, the coach took the direction to Jacques's lodging,&#13;
where he was to change his clothes, before proceeding to the debtors'&#13;
prison.</p><p>Let us repeat, with regard to the hunchback's sister--for there are&#13;
things which cannot be too often repeated--that one of the most fatal&#13;
consequences of the Inorganization of Labor is the Insufficiency of&#13;
Wages.</p><p>The insufficiency of wages forces inevitably the greater number of&#13;
young girls, thus badly paid, to seek their means of subsistence in&#13;
connections which deprave them.</p><p>Sometimes they receive a small allowance from their lovers, which,&#13;
joined to the produce of their labor, enables them to live. Sometimes&#13;
like the sempstress's sister, they throw aside their work altogether,&#13;
and take up their abode with the man of their choice, should he be&#13;
able to support the expense. It is during this season of pleasure and&#13;
idleness that the incurable leprosy of sloth takes lasting possession of&#13;
these unfortunate creatures.</p><p>This is the first phase of degradation that the guilty carelessness of&#13;
Society imposes on an immense number of workwomen, born with instincts&#13;
of modesty, and honesty, and uprightness.</p><p>After a certain time they are deserted by their seducers--perhaps when&#13;
they are mothers. Or, it may be, that foolish extravagance consigns&#13;
the imprudent lover to prison, and the young girl finds herself alone,&#13;
abandoned, without the means of subsistence.</p><p>Those who have still preserved courage and energy go back to their&#13;
work--but the examples are very rare. The others, impelled by misery,&#13;
and by habits of indolence, fall into the lowest depths.</p><p>And yet we must pity, rather than blame them, for the first and virtual&#13;
cause of their fall has been the insufficient remuneration of labor and&#13;
sudden reduction of pay.</p><p>Another deplorable consequence of this inorganization is the&#13;
disgust which workmen feel for their employment, in addition to the&#13;
insufficiency of their wages. And this is quite conceivable, for&#13;
nothing is done to render their labor attractive, either by variety&#13;
of occupations, or by honorary rewards, or by proper care, or by&#13;
remuneration proportionate to the benefits which their toil provides, or&#13;
by the hope of rest after long years of industry. No--the country thinks&#13;
not, cares not, either for their wants or their rights.</p><p>And yet, to take only one example, machinists and workers in foundries,&#13;
exposed to boiler explosions, and the contact of formidable engines,&#13;
run every day greater dangers than soldiers in time of war, display rare&#13;
practical sagacity, and render to industry--and, consequently, to their&#13;
country--the most incontestable service, during a long and honorable&#13;
career, if they do not perish by the bursting of a boiler, or have not&#13;
their limbs crushed by the iron teeth of a machine.</p><p>In this last case, does the workman receive a recompense equal to that&#13;
which awaits the soldier's praiseworthy, but sterile courage--a place in&#13;
an asylum for invalids? No.</p><p>What does the country care about it? And if the master should happen to&#13;
be ungrateful, the mutilated workman, incapable of further service, may&#13;
die of want in some corner.</p><p>Finally, in our pompous festivals of commerce, do we ever assemble any&#13;
of the skillful workmen who alone have woven those admirable stuffs,&#13;
forged and damascened those shining weapons, chiselled those goblets of&#13;
gold and silver, carved the wood and ivory of that costly furniture, and&#13;
set those dazzling jewels with such exquisite art? No.</p><p>In the obscurity of their garrets, in the midst of a miserable and&#13;
starving family, hardly able to subsist on their scanty wages, these&#13;
workmen have contributed, at least, one half to bestow those wonders&#13;
upon their country, which make its wealth, its glory, and its pride.</p><p>A minister of commerce, who had the least intelligence of his high&#13;
functions and duties, would require of every factory that exhibits&#13;
on these occasions, the selection by vote of a certain number of&#13;
candidates, amongst whom the manufacturer would point out the one that&#13;
appeared most worthy to represent the working classes in these great&#13;
industrial solemnities.</p><p>Would it not be a noble and encouraging example to see the master&#13;
propose for public recompense and distinction the workman, deputed by&#13;
his peers, as amongst the most honest, laborious, and intelligent of his&#13;
profession? Then one most grievous injustice would disappear, and the&#13;
virtues of the workman would be stimulated by a generous and noble&#13;
ambition--he would have an interest in doing well.</p><p>Doubtless, the manufacturer himself, because of the intelligence he&#13;
displays, the capital he risks, the establishment he founds, and the&#13;
good he sometimes does, has a legitimate right to the prizes bestowed&#13;
upon him. But why is the workman to be rigorously excluded from these&#13;
rewards, which have so powerful an influence upon the people? Are&#13;
generals and officers the only ones that receive rewards in the army?&#13;
And when we have remunerated the captains of this great and powerful&#13;
army of industry, why should we neglect the privates?</p><p>Why for them is there no sign of public gratitude? no kind or consoling&#13;
word from august lips? Why do we not see in France, a single workman&#13;
wearing a medal as a reward for his courageous industry, his long and&#13;
laborious career? The token and the little pension attached to it, would&#13;
be to him a double recompense, justly deserved. But, no! for humble&#13;
labor that sustains the State, there is only forgetfulness, injustice,&#13;
indifference, and disdain!</p><p>By this neglect of the public, often aggravated by individual&#13;
selfishness and ingratitude, our workmen are placed in a deplorable&#13;
situation.</p><p>Some of them, notwithstanding their incessant toil, lead a life of&#13;
privations, and die before their time cursing the social system that&#13;
rides over them. Others find a temporary oblivion of their ills in&#13;
destructive intoxication. Others again--in great number--having no&#13;
interest, no advantage, no moral or physical inducement to do more or&#13;
better, confine themselves strictly to just that amount of labor which&#13;
will suffice to earn their wages. Nothing attaches them to their work,&#13;
because nothing elevates, honors, glorifies it in their eyes. They have&#13;
no defence against the reductions of indolence; and if, by some chance,&#13;
they find means of living awhile in repose, they give way by degrees to&#13;
habits of laziness and debauchery, and sometimes the worst passions soil&#13;
forever natures originally willing, healthy and honest--and all for&#13;
want of that protecting and equitable superintendence which should have&#13;
sustained, encouraged, and recompensed their first worthy and laborious&#13;
tendencies.</p><p>We now follow Mother Bunch, who after seeking for work from the person&#13;
that usually employed her, went to the Rue de Babylone, to the lodge&#13;
lately occupied by Adrienne de Cardoville.</p><p>CHAPTER V. FLORINE.</p><p>While the Bacchanal Queen and Sleepinbuff terminated so sadly the most&#13;
joyous portion of their existence, the sempstress arrived at the door of&#13;
the summer-house in the Rue de Babylone.</p><p>Before ringing she dried her tears; a new grief weighed upon her&#13;
spirits. On quitting the tavern, she had gone to the house of the person&#13;
who usually found her in work; but she was told that she could not have&#13;
any because it could be done a third more cheaply by women in prison.&#13;
Mother Bunch, rather than lose her last resource, offered to take it at&#13;
the third less; but the linen had been already sent out; and the&#13;
girl could not hope for employment for a fortnight to come, even if&#13;
submitting to this reduction of wages. One may conceive the anguish of&#13;
the poor creature; the prospect before her was to die of hunger, if&#13;
she would not beg or steal. As for her visit to the lodge in the Rue de&#13;
Babylone, it will be explained presently.</p><p>She rang the bell timidly; a few minutes after, Florine opened the door&#13;
to her. The waiting-maid was no longer adorned after the charming taste&#13;
of Adrienne; on the contrary, she was dressed with an affectation of&#13;
austere simplicity. She wore a high-necked dress of a dark color, made&#13;
full enough to conceal the light elegance of her figure. Her bands of&#13;
jet-black hair were hardly visible beneath the flat border of a starched&#13;
white cap, very much resembling the head-dress of a nun. Yet, in spite&#13;
of this unornamental costume, Florine's pale countenance was still&#13;
admirably beautiful.</p><p>We have said that, placed by former misconduct at the mercy of Rodin&#13;
and M. d'Aigrigny, Florine had served them as a spy upon her mistress,&#13;
notwithstanding the marks of kindness and confidence she had received&#13;
from her. Yet Florine was not entirely corrupted; and she often suffered&#13;
painful, but vain, remorse at the thought of the infamous part she was&#13;
thus obliged to perform.</p><p>At the sight of Mother Bunch, whom she recognized--for she had told&#13;
her, the day before, of Agricola's arrest and Mdlle. de Cardoville's&#13;
madness--Florine recoiled a step, so much was she moved with pity at the&#13;
appearance of the young sempstress. In fact, the idea of being thrown&#13;
out of work, in the midst of so many other painful circumstances, had&#13;
made a terrible impression upon the young workwoman, the traces of&#13;
recent tears furrowed her cheeks--without her knowing it, her features&#13;
expressed the deepest despair--and she appeared so exhausted, so weak,&#13;
so overcome, that Florine offered her arm to support her, and said to&#13;
her kindly: "Pray walk in and rest yourself; you are very pale, and seem&#13;
to be ill and fatigued."</p><p>So saying, Florine led her into a small room; with fireplace and carpet,&#13;
and made her sit down in a tapestried armchair by the side of a good&#13;
fire. Georgette and Hebe had been dismissed, and Florine was left alone&#13;
in care of the house.</p><p>When her guest was seated, Florine said to her with an air of interest:&#13;
"Will you not take anything? A little orange flower-water and sugar,&#13;
warm."</p><p>"I thank you, mademoiselle," said Mother Bunch, with emotion, so easily&#13;
was her gratitude excited by the least mark of kindness; she felt, too,&#13;
a pleasing surprise, that her poor garments had not been the cause of&#13;
repugnance or disdain on the part of Florine.</p><p>"I thank you, mademoiselle," said she, "but I only require a little&#13;
rest, for I come from a great distance. If you will permit me--"</p><p>"Pray rest yourself as long as you like, mademoiselle; I am alone in&#13;
this pavilion since the departure of my poor mistress,"--here Florine&#13;
blushed and sighed;--"so, pray make yourself quite at home. Draw near&#13;
the fire--you wilt be more comfortable--and, gracious! how wet your feet&#13;
are!--place them upon this stool."</p><p>The cordial reception given by Florine, her handsome face and agreeable&#13;
manners, which were not those of an ordinary waiting-maid, forcibly&#13;
struck Mother Bunch, who, notwithstanding her humble condition, was&#13;
peculiarly susceptible to the influence of everything graceful&#13;
and delicate. Yielding, therefore, to these attractions, the young&#13;
sempstress, generally so timid and sensitive, felt herself almost at her&#13;
ease with Florine.</p><p>"How obliging you are, mademoiselle!" said she in a grateful tone. "I am&#13;
quite confused with your kindness."</p><p>"I wish I could do you some greater service than offer you a place at&#13;
the fire, mademoiselle. Your appearance is so good and interesting."</p><p>"Oh, mademoiselle!" said the other, with simplicity, almost in spite&#13;
of herself; "it does one so much good to sit by a warm fire!" Then,&#13;
fearing, in her extreme delicacy, that she might be thought capable of&#13;
abusing the hospitality of her entertainer, by unreasonably prolonging&#13;
her visit, she added: "the motive that has brought me here is this.&#13;
Yesterday, you informed me that a young workman, named Agricola Baudoin,&#13;
had been arrested in this house."</p><p>"Alas! yes, mademoiselle. At the moment, too, when my poor mistress was&#13;
about to render him assistance."</p><p>"I am Agricola's adopted sister," resumed Mother Bunch, with a slight&#13;
blush; "he wrote to me yesterday evening from prison. He begged me to&#13;
tell his father to come here as soon as possible, in order to inform&#13;
Mdlle. de Cardoville that he, Agricola, had important matters to&#13;
communicate to her, or to any person that she might send; but that he&#13;
could not venture to mention them in a letter, as he did not know if&#13;
the correspondence of prisoners might not be read by the governor of the&#13;
prison."</p><p>"What!" said Florine, with surprise; "to my mistress, M. Agricola has&#13;
something of importance to communicate?"</p><p>"Yes, mademoiselle; for, up to this time, Agricola is ignorant of the&#13;
great calamity that has befallen Mdlle. de Cardoville."</p><p>"True; the attack was indeed so sudden," said Florine, casting down her&#13;
eyes, "that no one could have foreseen it."</p><p>"It must have been so," answered Mother Bunch; "for, when Agricola saw&#13;
Mdlle. de Cardoville for the first time, he returned home, struck with&#13;
her grace, and delicacy, and goodness."</p><p>"As were all who approached my mistress," said Florine, sorrowfully.</p><p>"This morning," resumed the sewing-girl, "when, according to Agricola's&#13;
instructions, I wished to speak to his father on the subject, I found&#13;
him already gone out, for he also is a prey to great anxieties; but&#13;
my adopted brother's letter appeared to me so pressing, and to involve&#13;
something of such consequence to Mdlle. de Cardoville, who had shown&#13;
herself so generous towards him, that I came here immediately."</p><p>"Unfortunately, as you already know, my mistress is no longer here."</p><p>"But is there no member of her family to whom, if I could not speak&#13;
myself, I might at least send word by you, that Agricola has something&#13;
to communicate of importance to this young lady?"</p><p>"It is strange!" said Florine, reflecting, and without replying. Then,&#13;
turning towards the sempstress, she added: "You are quite ignorant of&#13;
the nature of these revelations?"</p><p>"Completely so, mademoiselle; but I know Agricola. He is all honor and&#13;
truth, and you may believe whatever he affirms. Besides, he would have&#13;
no interest--"</p><p>"Good gracious!" interrupted Florine, suddenly, as if struck with a&#13;
sadden light; "I have just remembered something. When he was arrested&#13;
in a hiding-place where my mistress had concealed him, I happened to&#13;
be close at hand, and M. Agricola said to me, in a quick whisper: 'Tell&#13;
your generous mistress that her goodness to me will not go unrewarded,&#13;
and that my stay in that hiding-place may not be useless to her.'&#13;
That was all he could say to me, for they hurried him off instantly. I&#13;
confess that I saw in those words only the expression of his gratitude,&#13;
and his hope of proving it one day to my mistress; but now that I&#13;
connect them with the letter he has written you--" said Florine,&#13;
reflecting.</p><p>"Indeed!" remarked Mother Bunch, "there is certainly some connection&#13;
between his hiding-place here and the important secrets which he wishes&#13;
to communicate to your mistress, or one of her family."</p><p>"The hiding-place had neither been inhabited nor visited for some time,"&#13;
said Florine, with a thoughtful air; "M. Agricola may have found therein&#13;
something of interest to my mistress."</p><p>"If his letter had not appeared to me so pressing," resumed the other,&#13;
"I should not have come hither; but have left him to do so himself, on&#13;
his release from prison, which now, thanks to the generosity of one of&#13;
his old fellow-workmen, cannot be very distant. But, not knowing if&#13;
bail would be accepted to-day, I have wished faithfully to perform his&#13;
instructions. The generous kindness of your mistress made it my first&#13;
duty."</p><p>Like all persons whose better instincts are still roused from time to&#13;
time, Florine felt a sort of consolation in doing good whenever she&#13;
could with impunity--that is to say, without exposing herself to the&#13;
inexorable resentments of those on whom she depended. Thanks to Mother&#13;
Bunch, she might now have an opportunity of rendering a great service to&#13;
her mistress. She knew enough of the Princess de Saint-Dizier's hatred&#13;
of her niece, to feel certain that Agricola's communication could not,&#13;
from its very importance, be made with safety to any but Mdlle. de&#13;
Cardoville herself. She therefore said very gravely: "Listen to me,&#13;
mademoiselle! I will give you a piece of advice which will, I think, be&#13;
useful to my poor mistress--but which would be very fatal to me if you&#13;
did not attend to my recommendations."</p><p>"How so, mademoiselle?" said the hunchback, looking at Florine with&#13;
extreme surprise.</p><p>"For the sake of my mistress, M. Agricola must confide to no one, except&#13;
herself, the important things he has to communicate."</p><p>"But, if he cannot see Mdlle. Adrienne, may he not address himself to&#13;
some of her family?"</p><p>"It is from her family, above all, that he must conceal whatever he&#13;
knows. Mdlle. Adrienne may recover, and then M. Agricola can speak to&#13;
her. But should she never get well again, tell your adopted brother that&#13;
it is better for him to keep his secret than to place it (which would&#13;
infallibly happen) at the disposal of the enemies of my mistress."</p><p>"I understand you, mademoiselle," said Mother Bunch, sadly. "The family&#13;
of your generous mistress do not love her, and perhaps persecute her?"</p><p>"I cannot tell you more on this subject now; and, as regards myself, let&#13;
me conjure you to obtain M. Agricola's promise that he will not mention&#13;
to any one in the world the step you have taken, or the advice I have&#13;
given you. The happiness--no, not the happiness," resumed Florine&#13;
bitterly, as if that were a lost hope, "not the happiness--but the peace&#13;
of my life depends upon your discretion."</p><p>"Oh! be satisfied!" said the sewing-girl, both affected and amazed&#13;
by the sorrowful expression of Florine's countenance; "I will not be&#13;
ungrateful. No one in the world but Agricola shall know that I have seen&#13;
you."</p><p>"Thank you--thank you, mademoiselle," cried Florine, with emotion.</p><p>"Do you thank me?" said the other, astonished to see the large tears&#13;
roll down her cheeks.</p><p>"Yes! I am indebted to you for a moment of pure, unmixed happiness; for&#13;
I have perhaps rendered a service to my dear mistress, without risking&#13;
the increase of the troubles that already overwhelm me."</p><p>"You are not happy, then?"</p><p>"That astonishes you; but, believe me, whatever may be, your fate, I&#13;
would gladly change with you."</p><p>"Alas, mademoiselle!" said the sempstress: "you appear to have too good&#13;
a heart, for me to let you entertain such a wish--particularly now."</p><p>"What do you mean?"</p><p>"I hope sincerely, mademoiselle," proceeded Mother Bunch, with deep&#13;
sadness, "that you may never know what it is to want work, when labor is&#13;
your only resource."</p><p>"Are you reduced to that extremity?" cried Florine, looking anxiously&#13;
at the young sempstress, who hung her head, and made no answer. She&#13;
reproached herself, in her excessive delicacy, with having made a&#13;
communication which resembled a complaint, though it had only been wrung&#13;
from her by the thought of her dreadful situation.</p><p>"If it is so," went on Florine, "I pity you with all my heart; and yet I&#13;
know not, if my misfortunes are not still greater than yours."</p><p>Then, after a moment's reflection, Florine exclaimed, suddenly: "But let&#13;
me see! If you are really in that position, I think I can procure you&#13;
some work."</p><p>"Is it possible, mademoiselle?" cried Mother Bunch. "I should never have&#13;
dared to ask you such a service; but your generous offer commands my&#13;
confidence, and may save me from destruction. I will confess to you,&#13;
that, only this morning, I was thrown out of an employment which enabled&#13;
me to earn four francs a week."</p><p>"Four francs a week!" exclaimed Florine, hardly able to believe what she&#13;
heard.</p><p>"It was little, doubtless," replied the other; "but enough for me.&#13;
Unfortunately, the person who employed me, has found out where it can be&#13;
done still cheaper."</p><p>"Four francs a week!" repeated Florine, deeply touched by so much misery&#13;
and resignation. "Well! I think I can introduce you to persons, who will&#13;
secure you wages of at least two francs a day."</p><p>"I could earn two francs a day? Is it possible?"</p><p>"Yes, there is no doubt of it; only, you will have to go out by the day,&#13;
unless you chose to take a pace as servant."</p><p>"In my position," said Mother Bunch, with a mixture of timidity and&#13;
pride, "one has no right, I know, to be overnice; yet I should prefer to&#13;
go out by the day, and still more to remain at home, if possible, even&#13;
though I were to gain less."</p><p>"To go out is unfortunately an indispensable condition," said Florine.</p><p>"Then I must renounce this hope," answered Mother Bunch, timidly; "not&#13;
that I refuse to go out to work--but those who do so, are expected to be&#13;
decently clad--and I confess without shame, because there is no disgrace&#13;
in honest poverty, that I have no better clothes than these."</p><p>"If that be all," said Florine, hastily, "they will find you the means&#13;
of dressing yourself properly."</p><p>Mother Bunch looked at Florine with increasing surprise. These offers&#13;
were so much above what she could have hoped, and what indeed was&#13;
generally earned by needlewomen, that she could hardly credit them.</p><p>"But," resumed she, with hesitation, "why should any one be so generous&#13;
to me, mademoiselle? How should I deserve such high wages?"</p><p>Florine started. A natural impulse of the heart, a desire to be useful&#13;
to the sempstress, whose mildness and resignation greatly interested&#13;
her, had led her to make a hasty proposition; she knew at what price&#13;
would have to be purchased the advantages she proposed, and she now&#13;
asked herself, if the hunchback would ever accept them on such terms.&#13;
But Florine had gone too far to recede, and she durst not tell all. She&#13;
resolved, therefore, to leave the future to chance and as those,&#13;
who have themselves fallen, are little disposed to believe in the&#13;
infallibility of others, Florine said to herself, that perhaps in&#13;
the desperate position in which she was, Mother Bunch would not be so&#13;
scrupulous after all. Therefore she said: "I see, mademoiselle, that you&#13;
are astonished at offers so much above what you usually gain; but I&#13;
must tell you, that I am now speaking of a pious institution, founded&#13;
to procure work for deserving young women. This establishment, which is&#13;
called St. Mary's Society, undertakes to place them out as servants,&#13;
or by the day as needlewomen. Now this institution is managed by such&#13;
charitable persons, that they themselves undertake to supply an&#13;
outfit, when the young women, received under their protection are not&#13;
sufficiently well clothed to accept the places destined for them."</p><p>This plausible explanation of Florine's magnificent offers appeared to&#13;
satisfy the hearer. "I can now understand the high wages of which&#13;
you speak, mademoiselle," resumed she; "only I have no claim to be&#13;
patronized by the charitable persons who direct this establishment."</p><p>"You suffer--you are laborious and honest--those are sufficient claims;&#13;
only, I must tell you, they will ask if you perform regularly your&#13;
religious duties."</p><p>"No one loves and blesses God more fervently than I do, mademoiselle,"&#13;
said the hunchback, with mild firmness; "but certain duties are an&#13;
affair of conscience, and I would rather renounce this patronage, than&#13;
be compelled--"</p><p>"Not the least in the world. Only, as I told you, there are very pious&#13;
persons at the head of this institution, and you must not be astonished&#13;
at their questions on such a subject. Make the trial, at all events;&#13;
what do you risk? If the propositions are suitable--accept them; if, on&#13;
the contrary, they should appear to touch your liberty of conscience,&#13;
you can always refuse--your position will not be the worse for it."</p><p>Mother Bunch had nothing to object to this reasoning which left her at&#13;
perfect freedom, and disarmed her of all suspicion. "On these terms,&#13;
mademoiselle," said she, "I accept your offer, and thank you with all my&#13;
heart. But who will introduce me?"</p><p>"I will--to-morrow, if you please."</p><p>"But they will perhaps desire to make some inquiries about me."</p><p>"The venerable Mother Sainte-Perpetue, Superior of St, Mary's Convent,&#13;
where the institution is established, will, I am sure, appreciate your&#13;
good qualities without inquiry; but if otherwise, she will tell you, and&#13;
you can easily satisfy her. It is then agreed--to-morrow."</p><p>"Shall I call upon you here, mademoiselle?"</p><p>"No; as I told you before, they must not know that you came here on the&#13;
part of M. Agricola, and a second visit might be discovered, and excite&#13;
suspicion. I will come and fetch you in a coach; where do you live?"</p><p>"At No. 3, Rue Brise-Miche; as you are pleased to give yourself so&#13;
much trouble, mademoiselle, you have only to ask the dyer, who acts as&#13;
porter, to call down Mother Bunch."</p><p>"Mother Bunch?" said Florine, with surprise.</p><p>"Yes, mademoiselle," answered the sempstress, with a sad smile; "it is&#13;
the name every one gives me. And you see," added the hunchback, unable&#13;
to restrain a tear, "it is because of my ridiculous infirmity, to which&#13;
this name alludes, that I dread going out to work among strangers,&#13;
because there are so many people who laugh at one, without knowing the&#13;
pain they occasion. But," continued she, drying her eyes, "I have no&#13;
choice, and must make up my mind to it."</p><p>Florine, deeply affected, took the speaker's hand, and said to her: "Do&#13;
not fear. Misfortunes like yours must inspire compassion, not ridicule.&#13;
May I not inquire for you by your real name?"</p><p>"It is Magdalen Soliveau; but I repeat, mademoiselle, that you had&#13;
better ask for Mother Bunch, as I am hardly known by any other name."</p><p>"I will, then, be in the Rue Brise-Miche to-morrow, at twelve o'clock."</p><p>"Oh, mademoiselle! How can I ever requite your goodness?"</p><p>"Don't speak of it: I only hope my interference may be of use to you.&#13;
But of this you must judge for yourself. As for M. Agricola, do not&#13;
answer his letter; wait till he is out of prison, and then tell him to&#13;
keep his secret till he can see my poor mistress."</p><p>"And where is the dear young lady now?"</p><p>"I cannot tell you. I do not know where they took her, when she was&#13;
attacked with this frenzy. You will expect me to-morrow?"</p><p>"Yes--to-morrow," said Mother Bunch.</p><p>The convent whither Florine was to conduct the hunchback contained the&#13;
daughters of Marshal Simon, and was next door to the lunatic asylum of&#13;
Dr. Baleinier, in which Adrienne de Cardoville was confined.</p><p>CHAPTER VI. MOTHER SAINTE-PERPETUE.</p><p>St. Mary's Convent, whither the daughters of Marshal Simon had been&#13;
conveyed, was a large old building, the vast garden of which was on&#13;
the Boulevard de l'Hopital, one of the most retired places in Paris,&#13;
particularly at this period. The following scenes took place on the 12th&#13;
February, the eve of the fatal day, on which the members of the family&#13;
of Rennepont, the last descendants of the sister of the Wandering Jew,&#13;
were to meet together in the Rue St. Francois. St. Mary's Convent was a&#13;
model of perfect regularity. A superior council, composed of influential&#13;
ecclesiastics, with Father d'Aigrigny for president, and of women of&#13;
great reputed piety, at the head of whom was the Princess de Saint&#13;
Dizier, frequently assembled in deliberation, to consult on the means&#13;
of extending and strengthening the secret and powerful influence of this&#13;
establishment, which had already made remarkable progress.</p><p>Skillful combinations and deep foresight had presided at the foundation&#13;
of St. Mary's Convent, which, in consequence of numerous donations,&#13;
possessed already real estate to a great extent, and was daily&#13;
augmenting its acquisitions. The religious community was only a pretext;&#13;
but, thanks to an extensive connection, kept up by means of the most&#13;
decided members of the ultramontane (i. e. high-church) party, a great&#13;
number of rich orphans were placed in the convent, there to receive a&#13;
solid, austere, religious education, very preferable, it was said, to&#13;
the frivolous instruction which might be had in the fashionable boarding&#13;
schools, infected by the corruption of the age. To widows also, and&#13;
lone women who happened moreover to be rich, the convent offered a sure&#13;
asylum from the dangers and temptations of the world; in this peaceful&#13;
retreat, they enjoyed a delightful calm, and secured their salvation,&#13;
whilst surrounded by the most tender and affectionate attentions. Nor&#13;
was this all. Mother Sainte-Perpetue, the superior of the convent,&#13;
undertook in the name of the institution to procure for the faithful,&#13;
who wished to preserve the interior of their houses from the depravity&#13;
of the age, companions for aged ladies, domestic servants, or&#13;
needlewomen working by the day, all selected persons whose morality&#13;
could be warranted. Nothing would seem more worthy of sympathy and&#13;
encouragement than such an institution; but we shall presently unveil&#13;
the vast and dangerous network of intrigue concealed under&#13;
these charitable and holy appearances. The lady Superior, Mother&#13;
Sainte-Perpetue, was a tall woman of about forty years of age, clad in a&#13;
stuff dress of the Carmelite tan color, and wearing a long rosary at her&#13;
waist; a white cap tied under the chin, and a long black veil, closely&#13;
encircled her thin, sallow face. A number of deep wrinkles had impressed&#13;
their transverse furrows in her forehead of yellow ivory; her marked and&#13;
prominent nose was bent like the beak of a bird of prey; her black eye&#13;
was knowing and piercing; the expression of her countenance was at once&#13;
intelligent, cold and firm.</p><p>In the general management of the pecuniary affairs of the community,&#13;
Mother Sainte-Perpetue would have been a match for the most cunning&#13;
attorney. When women are possessed of what is called a talent for&#13;
business, and apply to it their keen penetration, their indefatigable&#13;
perseverance, their prudent dissimulation, and, above all, that quick&#13;
and exact insight, which is natural to them, the results are often&#13;
prodigious. To Mother Sainte-Perpetue, a woman of the coolest and&#13;
strongest intellect, the management of the vast transactions of the&#13;
community was mere child's play. No one knew better how to purchase a&#13;
depreciated property, to restore it to its former value, and then sell&#13;
it with advantage; the price of stock, the rate of exchange, the current&#13;
value of the shares in the different companies, were all familiar to&#13;
her; she had yet never been known to make bad speculation, when the&#13;
question was to invest any of the funds which were given by pious souls&#13;
for the purposes of the convent. She had established in the house the&#13;
utmost order and discipline, and, above all, an extreme economy. The&#13;
constant aim of all her efforts was to enrich, not herself, but the&#13;
community she directed; for the spirit of association, when become a&#13;
collective egotism, gives to corporations the faults and vices of an&#13;
individual. Thus a congregation may dote upon power and money, just as&#13;
a miser loves them for their own sake. But it is chiefly with regard to&#13;
estates that congregations act like a single man. They dream of landed&#13;
property; it is their fixed idea, their fruitful monomania. They pursue&#13;
it with their most sincere, and warm, and tender wishes.</p><p>The first estate is to a rising little community what the wedding&#13;
trousseau is to a young bride, his first horse to a youth, his first&#13;
success to a poet, to a gay girl her first fifty-guinea shawl; because,&#13;
after all, in this material age, an estate gives a certain rank to a&#13;
society on the Religious Exchange, and has so much the more effect upon&#13;
the simple-minded, that all these partnerships in the work of salvation,&#13;
which end by becoming immensely rich, begin with modest poverty as&#13;
social stock-in-trade, and charity towards their neighbors as security&#13;
reserve fund. We may therefore imagine what bitter and ardent rivalry&#13;
must exist between the different congregations with regard to the&#13;
various estates that each can lay claim to; with what ineffable&#13;
satisfaction the richer society crushes the poorer beneath its inventory&#13;
of houses, and farms and paper securities! Envy and hateful jealousy,&#13;
rendered still more irritable by the leisure of a cloistered life, are&#13;
the necessary consequences of such a comparison; and yet nothing is less&#13;
Christian--in the adorable acceptation of that divine word--nothing has&#13;
less in common with the true, essential, and religiously social spirit&#13;
of the gospel, than this insatiable ardor to acquire wealth by every&#13;
possible means--this dangerous avidity, which is far from being atoned&#13;
for, in the eyes of public opinion, by a few paltry alms, bestowed in&#13;
the narrow spirit of exclusion and intolerance.</p><p>Mother Sainte-Perpetue was seated before a large cylindrical-fronted&#13;
desk in the centre of an apartment simply but comfortably furnished.&#13;
An excellent fire burned within the marble chimney, and a soft carpet&#13;
covered the floor. The superior, to whom all letters addressed to the&#13;
sisters or the boarders were every day delivered, had just been opening&#13;
she first, according to her acknowledged right, and carefully unsealing&#13;
the second, without their knowing it, according to a right that she&#13;
ascribed to herself, of course, with a view to the salvation of those&#13;
dear creatures; and partly, perhaps, a little to make herself acquainted&#13;
with their correspondence, for she also had imposed on herself the duty&#13;
of reading all letters that were sent from the convent, before they were&#13;
put into the post. The traces of this pious and innocent inquisition&#13;
were easily effaced, for the good mother possessed a whole arsenal of&#13;
steel tools, some very sharp, to cut the pager imperceptibly round the&#13;
seal--others, pretty little rods, to be slightly heated and rolled round&#13;
the edge of the seal, when the letter had been read and replaced in its&#13;
envelope, so that the wax, spreading as it melted, might cover the first&#13;
incision. Moreover, from a praiseworthy feeling of justice and equality,&#13;
there was in the arsenal of the good mother a little fumigator of the&#13;
most ingenious construction, the damp and dissolving vapor of which was&#13;
reserved for the letters humbly and modestly secured with wafers, thus&#13;
softened, they yielded to the least efforts, without any tearing of the&#13;
paper. According to the importance of the revelations, which she thus&#13;
gleaned from the writers of the letters, the superior took notes more or&#13;
less extensive. She was interrupted in this investigation by two gentle&#13;
taps at the bolted door. Mother Sainte-Perpetue immediately let down the&#13;
sliding cylinder of her cabinet, so as to cover the secret arsenal, and&#13;
went to open the door with a grave and solemn air. A lay sister came to&#13;
announce to her that the Princess de Saint-Dizier was waiting for her&#13;
in the parlor, and that Mdlle. Florine, accompanied by a young girl,&#13;
deformed and badly dressed, was waiting at the door of the little&#13;
corridor.</p><p>"Introduce the princess first," said Mother Sainte Perpetue. And, with&#13;
charming forethought, she drew an armchair to the fire. Mme. de Saint&#13;
Dizier entered.</p><p>Without pretensions to juvenile coquetry, still the princess was&#13;
tastefully and elegantly dressed. She wore a black velvet bonnet of the&#13;
most fashionable make, a large blue cashmere shawl, and a black satin&#13;
dress, trimmed with sable, to match the fur of her muff.</p><p>"To what good fortune am I again to-day indebted for the honor of your&#13;
visit, my dear daughter?" said the superior, graciously.</p><p>"A very important recommendation, my dear mother, though I am in a&#13;
great hurry. I am expected at the house of his Eminence, and have,&#13;
unfortunately, only a few minutes to spare. I have again to speak of the&#13;
two orphans who occupied our attention so long yesterday."</p><p>"They continue to be kept separate, according to your wish; and this&#13;
separation has had such an effect upon them that I have been obliged&#13;
to send this morning for Dr. Baleinier, from his asylum. He found much&#13;
fever joined to great depression, and, singular enough, absolutely the&#13;
same symptoms in both cases. I have again questioned these unfortunate&#13;
creatures, and have been quite confounded and terrified to find them&#13;
perfect heathens."</p><p>"It was, you see, very urgent to place them in your care. But to the&#13;
subject of my visit, my dear mother: we have just learned the unexpected&#13;
return of the soldier who brought these girls to France, and was thought&#13;
to be absent for some days; but he is in Paris, and, notwithstanding his&#13;
age, a man of extraordinary boldness, enterprise and energy. Should he&#13;
discover that the girls are here (which, however, is fortunately&#13;
almost impossible), in his rage at seeing them removed from his impious&#13;
influence, he would be capable of anything. Therefore let me entreat&#13;
you, my dear mother, to redouble your precautions, that no one may&#13;
effect an entrance by night. This quarter of the town is so deserted!"</p><p>"Be satisfied, my dear daughter; we are sufficiently guarded. Our porter&#13;
and gardeners, all well armed, make a round every night on the side&#13;
of the Boulevard de l'Hopital. The walls are high, and furnished with&#13;
spikes at the more accessible places. But I thank you, my dear daughter,&#13;
for having warned me. We will redouble our precautions."</p><p>"Particularly this night, my dear mother."</p><p>"Why so?"</p><p>"Because if this infernal soldier has the audacity to attempt such a&#13;
thing, it will be this very night."</p><p>"How do you know, my dear daughter?"</p><p>"We have information which makes us certain of it," replied the&#13;
princess, with a slight embarrassment, which did not escape the notice&#13;
of the Superior, though she was too crafty and reserved to appear to see&#13;
it; only she suspected that many things were concealed from her.</p><p>"This night, then," resumed Mother Sainte-Perpetue, "we will be more&#13;
than ever on our guard. But as I have the pleasure of seeing you, my&#13;
dear daughter, I will take the opportunity to say a word or two on the&#13;
subject of that marriage we mentioned."</p><p>"Yes, my dear mother," said the princess, hastily, "for it is very&#13;
important. The young Baron de Brisville is a man full of ardent devotion&#13;
in these times of revolutionary impiety; he practises openly, and is&#13;
able to render us great services. He is listened to in the Chamber, and&#13;
does not want for a sort of aggressive and provoking eloquence; I know&#13;
not any one whose tone is more insolent with regard to his faith, and&#13;
the plan is a good one, for this cavalier and open manner of speaking&#13;
of sacred things raises and excites the curiosity of the indifferent.&#13;
Circumstances are happily such that he may show the most audacious&#13;
violence towards our enemies, without the least danger to himself,&#13;
which, of course, redoubles his ardor as a would-be martyr. In a&#13;
word, he is altogether ours, and we, in return, must bring about this&#13;
marriage. You know, besides, my dear mother, that he proposes to offer&#13;
a donation of a hundred thousand francs to St. Mary's the day he gains&#13;
possession of the fortune of Mdlle. Baudricourt."</p><p>"I have never doubted the excellent intentions of M. de Brisville&#13;
with regard to an institution which merits the sympathy of all pious&#13;
persons," answered the superior, discreetly; "but I did not expect to&#13;
meet with so many obstacles on the part of the young lady."</p><p>"How is that?"</p><p>"This girl, whom I always believed a most simple, submissive, timid,&#13;
almost idiotic person--instead of being delighted with this proposal of&#13;
marriage, asks time to consider!"</p><p>"It is really pitiable!"</p><p>"She opposes to me an inert resistance. It is in vain for me to speak&#13;
severely, and tell her that, having no parents or friends, and being&#13;
absolutely confided to my care, she ought to see with my eyes, hear with&#13;
my ears, and when I affirm that this union is suitable in all respects,&#13;
give her adhesion to it without delay or reflection."</p><p>"No doubt. It would be impossible to speak more sensibly."</p><p>"She answers that she wishes to see M. de Brisville, and know his&#13;
character before being engaged."</p><p>"It is absurd--since you undertake to answer for his morality, and&#13;
esteem this a proper marriage."</p><p>"Therefore, I remarked to Mdlle. Baudricourt, this morning, that till&#13;
now I had only employed gentle persuasion, but that, if she forced me&#13;
to it, I should be obliged, in her own interest, to act with rigor, to&#13;
conquer so much obstinacy that I should have to separate her from her&#13;
companions, and to confine her closely in a cell, until she made up her&#13;
mind, after all, to consult her own happiness, and--marry an honorable&#13;
man."</p><p>"And these menaces, my dear mother?"</p><p>"Will, I hope, have a good effect. She kept up a correspondence with&#13;
an old school-friend in the country. I have put a stop to this, for it&#13;
appeared to me dangerous. She is now under my sole influence, and I hope&#13;
we shall attain our ends; but you see, my dear daughter, it is never&#13;
without crosses and difficulties that we succeed in doing good!"</p><p>"And I feel certain that M. de Brisville will even go beyond his first&#13;
promise, and I will pledge myself for him, that, should he marry Mdlle.&#13;
Baudricourt--"</p><p>"You know, my dear daughter," said the superior, interrupting the&#13;
princess, "that if I were myself concerned, I would refuse everything;&#13;
but to give to this institution is to give to Heaven, and I cannot&#13;
prevent M. de Brisville from augmenting the amount of his good works.&#13;
Then, you see, we are exposed to a sad disappointment."</p><p>"What is that, my dear mother?"</p><p>"The Sacred Heart Convent disputes an estate with us that would have&#13;
suited us exactly. Really, some people are quite insatiable! I gave the&#13;
lady superior my opinion upon it pretty freely."</p><p>"She told me as much," answered Madame de Saint-Dizier, "and laid the&#13;
blame on the steward."</p><p>"Oh! so you see her, my dear daughter?" exclaimed the superior, with an&#13;
air of great surprise.</p><p>"I met her at the bishop's," answered Madame de Saint-Dizier, with a&#13;
slight degree of hesitation, that Mother Sainte-Perpetue did not appear&#13;
to notice.</p><p>"I really do not know," resumed the latter, "why our establishment&#13;
should excite so violently the jealousy of the Sacred Heart. There is&#13;
not an evil report that they have not spread with regard to St. Mary's&#13;
Convent. Certain persons are always offended by the success of their&#13;
neighbors!"</p><p>"Come, my dear mother," said the princess, in a conciliating tone, "we&#13;
must hope that the donation of M. de Brisville will enable you to outbid&#13;
the Sacred Heart. This marriage will have a double advantage, you see,&#13;
my dear mother; it will place a large fortune at the disposal of a man&#13;
who is devoted to us, and who will employ it as we wish; and it will&#13;
also greatly increase the importance of his position as our defender,&#13;
by the addition to his income of 100,000 francs a year. We shall have at&#13;
length an organ worthy of our cause, and shall no longer be obliged to&#13;
look for defenders amongst such people as that Dumoulin."</p><p>"There is great power and much learning in the writings of the man you&#13;
name. It is the style of a Saint Bernard, in wrath at the impiety of the&#13;
age."</p><p>"Alas, my dear mother! if you only knew what a strange Saint Bernard&#13;
this Dumoulin is! But I will not offend your ears; all I can tell you&#13;
is, that such defenders would compromise the most sacred cause. Adieu,&#13;
my dear mother! pray redouble your precautions to-night--the return of&#13;
this soldier is alarming."</p><p>"Be quite satisfied, my dear daughter! Oh! I forgot. Mdlle. Florine&#13;
begged me to ask you a favor. It is to let her enter your service. You&#13;
know the fidelity she displayed in watching your unfortunate niece; I&#13;
think that, by rewarding her in this way, you will attach her to you&#13;
completely, and I shall feel grateful on her account."</p><p>"If you interest yourself the least in the world in Florine, my dear&#13;
mother, the thing is done. I will take her into my service. And now it&#13;
strikes me, she may be more useful to me than I thought."</p><p>"A thousand thanks, my dear daughter, for such obliging attention to my&#13;
request. I hope we shall soon meet again. The day after to-morrow, at&#13;
two o'clock, we have a long conference with his Eminence and the Bishop;&#13;
do not forget!"</p><p>"No, my dear mother; I shall take care to be exact. Only, pray, redouble&#13;
your precautions to-night for fear of a great scandal!"</p><p>After respectfully kissing the hand of the superior, the princess&#13;
went out by the great door, which led to an apartment opening on the&#13;
principal staircase. Some minutes after, Florine entered the room by&#13;
another way. The superior was seated and Florine approached her with&#13;
timid humility.</p><p>"Did you meet the Princess de Saint-Dizier?" asked Mother Sainte&#13;
Perpetue.</p><p>"No, mother; I was waiting in the passage, where the windows look out on&#13;
the garden."</p><p>"The princess takes you into her service from to-day," said the&#13;
superior.</p><p>Florine made a movement of sorrowful surprise, and exclaimed: "Me,&#13;
mother! but--"</p><p>"I asked her in your name, and you have only to accept," answered the&#13;
other imperiously.</p><p>"But, mother, I had entreated you--"</p><p>"I tell you, that you accept the offer," said the superior, in so firm&#13;
and positive a tone that Florine cast down her eyes, and replied in a&#13;
low voice: "I accept."</p><p>"It is in M. Rodin's name that I give you this order."</p><p>"I thought so, mother," replied Florine, sadly; "on what conditions am I&#13;
to serve the princess?"</p><p>"On the same conditions as those on which you served her niece."</p><p>Florine shuddered and said: "I am, then, to make frequent secret reports&#13;
with regard to the princess?"</p><p>"You will observe, you will remember, and you will give an account."</p><p>"Yes, my mother."</p><p>"You will above all direct your attention to the visits that the&#13;
princess may receive from the lady superior of the Sacred Heart. You&#13;
must try and listen--for we have to preserve the princess from evil&#13;
influences."</p><p>"I will obey, my mother."</p><p>"You will also try and discover why two young orphans have been brought&#13;
hither, and recommended to be severely treated, by Madame Grivois, the&#13;
confidential waiting-woman of the princess."</p><p>"Yes, mother."</p><p>"Which must not prevent you from remembering anything else that may be&#13;
worthy of remark. To-morrow I will give you particular instructions upon&#13;
another subject."</p><p>"It is well, mother."</p><p>"If you conduct yourself in a satisfactory manner, and execute&#13;
faithfully the instructions of which I speak, you will soon leave the&#13;
princess to enter the service of a young bride; it will be an excellent&#13;
and lasting situation always on the same conditions. It is, therefore,&#13;
perfectly understood that you have asked me to recommend you to Madame&#13;
de Saint Dizier."</p><p>"Yes, mother; I shall remember."</p><p>"Who is this deformed young girl that accompanies you?"</p><p>"A poor creature without any resources, very intelligent, and with an&#13;
education above her class; she works at her needle, but is at present&#13;
without employment, and reduced to the last extremity. I have made&#13;
inquiries about her this morning; she has an excellent character."</p><p>"She is ugly and deformed, you say?"</p><p>"She has an interesting countenance, but she is deformed."</p><p>The superior appeared pleased at this information, and added, after a&#13;
moment's reflection: "She appears intelligent?"</p><p>"Very intelligent."</p><p>"And is absolutely without resources?"</p><p>"Yes, without any."</p><p>"Is she pious?"</p><p>"She does not practice."</p><p>"No matter," said the superior to herself; "if she be intelligent, that&#13;
will suffice." Then she resumed aloud. "Do you know if she is a good&#13;
workwoman?"</p><p>"I believe so, mother."</p><p>The superior rose, took a register from a shelf, appeared to be looking&#13;
into it attentively for some time, and then said, as she replaced it:&#13;
"Fetch in this young girl, and go and wait for me in the press-room."</p><p>"Deformed--intelligent--clever at her needle," said the superior,&#13;
reflecting; "she will excite no suspicion. We must see."</p><p>In about a minute, Florine returned with Mother Bunch, whom she&#13;
introduced to the superior, and then discreetly withdrew. The young&#13;
sempstress was agitated, trembling, and much troubled, for she could, as&#13;
it were, hardly believe a discovery which she had chanced to make during&#13;
Florine's absence. It was not without a vague sense of terror that the&#13;
hunchback remained alone with the lady superior.</p><p>CHAPTER VII. THE TEMPTATION.</p><p>This was the cause of Mother Bunch's emotion. Florine, when she went to&#13;
see the superior, had left the young sempstress in a passage supplied&#13;
with benches, and forming a sort of ante-chamber on the first story.&#13;
Being alone, the girl had mechanically approached a window which&#13;
looked upon the convent garden, shut in by a half demolished wall, and&#13;
terminating at one end in an open paling. This wall was connected with&#13;
a chapel that was still building, and bordered on the garden of a&#13;
neighboring house. The sewing-girl, at one of the windows on the ground&#13;
floor of this house--a grated window, still more remarkable by the sort&#13;
of tent-like awning above it--beheld a young female, with her eyes fixed&#13;
upon the convent, making signs with her hand, at once encouraging and&#13;
affectionate. From the window where she stood, Mother Bunch could not&#13;
see to whom these signs were addressed; but she admired the rare beauty&#13;
of the telegrapher, the brilliancy of her complexion, the shining&#13;
blackness of her large eyes, the sweet and benevolent smile which&#13;
lingered on her lips. There was, no doubt, some answer to her graceful&#13;
and expressive pantomime, for, by a movement full of elegance, the girl&#13;
laid her left hand on her bosom, and waved her right, which seemed to&#13;
indicate that her heart flew towards the place on which she kept her&#13;
eyes. One faint sunbeam, piercing the clouds, came at this moment to&#13;
play with the tresses of the pale countenance, which, now held close&#13;
to the bars of the window, was suddenly, as it were, illuminated by&#13;
the dazzling reflection of her splendid golden hair. At sight of that&#13;
charming face, set in its admirable frame of red curls, Mother Bunch&#13;
started involuntarily; the thought of Mdlle. de Cardoville crossed her&#13;
mind, and she felt persuaded (nor was she, indeed, mistaken), that&#13;
the protectress of Agricola was before her. On thus beholding, in&#13;
that gloomy asylum, this young lady, so marvellously beautiful, and&#13;
remembering the delicate kindness with which a few days before she had&#13;
received Agricola in her luxurious little palace of dazzling splendor,&#13;
the work-girl felt her heart sink within her. She believed Adrienne&#13;
insane; and yet, as she looked attentively at her, it seemed as if&#13;
intelligence and grace animated that adorable countenance. Suddenly,&#13;
Mdlle. de Cardoville laid her fingers upon her lips, blew a couple of&#13;
kisses in the direction towards which she had been looking, and all&#13;
at once disappeared. Reflecting upon the important revelations which&#13;
Agricola had to make to Mdlle. de Cardoville, Mother Bunch regretted&#13;
bitterly that she had no means of approaching her; for she felt sure&#13;
that, if the young lady were mad, the present was a lucid interval.&#13;
She was yet absorbed in these uneasy reflections, when she saw Florine&#13;
return, accompanied by one of the nuns. Mother Bunch was obliged,&#13;
therefore, to keep silence with regard to the discovery she had made,&#13;
and soon after she found herself in the superior's presence. This&#13;
latter, after a rapid and searching examination of the countenance of&#13;
the young workwoman, judged her appearance so timid, gentle and honest,&#13;
that she thought she might repose full confidence in the information&#13;
given by Florine.</p><p>"My dear daughter," said Mother Sainte-Perpetue, in an affectionate&#13;
voice, "Florine has told me in what a cruel situation you are placed. Is&#13;
it true that you are entirely without work?"</p><p>"Alas! yes, madame."</p><p>"Call me mother, my dear daughter; that name is dearer to me, and it is&#13;
the rule of our house. I need not ask you what are your principles?"</p><p>"I have always lived honestly by my labor, mother," answered the girl,&#13;
with a simplicity at once dignified and modest.</p><p>"I believe you, my dear daughter, and I have good reasons for so doing.&#13;
We must thank the Lord, who has delivered you from temptation; but tell&#13;
me--are you clever at your trade?"</p><p>"I do my best, mother, and have always satisfied my employers. If you&#13;
please to try me, you will be able to judge."</p><p>"Your affirmation is sufficient, my dear daughter. You prefer, I think,&#13;
to go out by the day?"</p><p>"Mdlle. Florine told me, mother, that I could not have work at home."</p><p>"Why, no--not for the present, my child. If hereafter an opportunity&#13;
should offer, I will think of it. Just now I have this to propose to&#13;
you. A very respectable old lady has asked me to recommend to her a&#13;
needle-woman by the day; introduced by me, you will certainly suit&#13;
her. The institution will undertake to clothe you becomingly, and this&#13;
advance we shall retain by degrees out of your wages, for you will look&#13;
to us for payment. We propose to give you two francs a day; does that&#13;
appear to you sufficient?"</p><p>"Oh, mother! it is much more than I could have expected."</p><p>"You will, moreover, only be occupied from nine o'clock in the morning&#13;
till six in the evening; you will thus have still some off hours, of&#13;
which you might make use. You see, the situation is not a hard one."</p><p>"Oh! quite the contrary, mother."</p><p>"I must tell you, first of all, with whom the institution intends to&#13;
place you. It is a widow lady, named Mme. de Bremant, a person of the&#13;
most steadfast piety. In her house, I hope, you will meet with none but&#13;
excellent examples. If it should be otherwise, you can come and inform&#13;
me."</p><p>"How so, mother?" said the sewing-girl, with surprise.</p><p>"Listen to me, my dear daughter," said Mother Sainte-Perpetue, in a&#13;
tone ever more and more affectionate; "the institution of St. Mary has&#13;
a double end in view. You will perfectly understand that, if it is our&#13;
duty to give to masters and mistresses every possible security as to the&#13;
morality of the persons that we place in their families, we are likewise&#13;
bound to give to the persons that we so place out every possible&#13;
security as to the morality of their employers."</p><p>"Nothing can be more just and of a wiser foresight, mother."</p><p>"Naturally, my dear daughter; for even as a servant of bad morals may&#13;
cause the utmost trouble in a respectable family, so the bad conduct of&#13;
a master or mistress may have the most baneful influence on the persons&#13;
who serve them, or who come to work in their houses. Now, it is to offer&#13;
a mutual guarantee to good masters and honest servants, that we have&#13;
founded this institution."</p><p>"Oh, madame!" cried Mother Bunch, with simplicity; "such designs merit&#13;
the thanks and blessings of every one."</p><p>"And blessings do not fail us, my dear daughter, because we perform our&#13;
promises. Thus, an interesting workwoman--such as you, for example--is&#13;
placed with persons that we suppose irreproachable. Should she, however,&#13;
perceive, on the part of her employers, or on that of the persons who&#13;
frequent the house, any irregularity of morals, any tendency to what&#13;
would offend her modesty, or shock her religious principles, she should&#13;
immediately give us a detailed account of the circumstances that have&#13;
caused her alarm. Nothing can be more proper--don't you think so?"</p><p>"Yes, mother," answered Mother Bunch, timidly, for she began to find&#13;
this provision somewhat singular.</p><p>"Then," resumed the superior, "if the case appears a serious one, we&#13;
exhort our befriended one to observe what passes more attentively, so&#13;
as to convince herself whether she had really reason to be alarmed.&#13;
She makes a new report to us, and should it confirm our first fears,&#13;
faithful to our pious guardianship, we withdraw her instantly from the&#13;
house. Moreover, as the majority of our young people, notwithstanding&#13;
their innocence and virtue, have not always sufficient experience to&#13;
distinguish what may be injurious to their soul's health, we think it&#13;
greatly to their interest that they should confide to us once a week, as&#13;
a child would to her mother, either in person or by letter, whatever has&#13;
chanced to occur in the house in which we have placed them. Then we can&#13;
judge for them, whether to withdraw them or not. We have already about&#13;
a hundred persons, companions to ladies, young women in shops, servants,&#13;
and needlewomen by the day, whom we have placed in a great number&#13;
of families, and, for the interest of all, we have every reason to&#13;
congratulate ourselves on this mode of proceeding. You understand me, do&#13;
you not, my dear daughter?"</p><p>"Yes-yes, mother," said the sempstress, more and more embarrassed. She&#13;
had too much uprightness and sagacity not to perceive that this plan of&#13;
mutually insuring the morality of masters and servants resembled a vast&#13;
spy system, brought home to the domestic hearth, and carried on by the&#13;
members of the institution almost without their knowledge, for it would&#13;
have been difficult to disguise more skillfully the employment for which&#13;
they were trained.</p><p>"If I have entered into these long details my dear daughter," resumed&#13;
Mother Sainte-Perpetue, taking the hearer's silence for consent, "it&#13;
is that you may not suppose yourself obliged to remain in the house in&#13;
question, if, against our expectation, you should not find there holy&#13;
and pious examples. I believe Mme. de Bremont's house to be a pure and&#13;
godly place; only I have heard (though I will not believe it) that Mme.&#13;
de Bremont's daughter, Mme. de Noisy, who has lately come to reside with&#13;
her, is not so exemplary in her conduct as could be desired, that she&#13;
does not fulfil regularly her religious duties, and that, during the&#13;
absence of her husband, who is now in America, she receives visits,&#13;
unfortunately too frequent, from one M. Hardy, a rich manufacturer."</p><p>At the name of Agricola's master, Mother Bunch could not suppress a&#13;
movement of surprise, and also blushed slightly. The superior&#13;
naturally mistook this surprise and confusion for a proof of the modest&#13;
susceptibility of the young sempstress, and added: "I have told you all&#13;
this, my dear daughter, that you might be on your guard. I have even&#13;
mentioned reports that I believe to be completely erroneous, for the&#13;
daughter of Mme. de Bremont has always had such good examples before&#13;
her that she cannot have so forgotten them. But, being in the house from&#13;
morning to night, you will be able, better than any one, to discover if&#13;
these reports have any foundation in truth. Should it unfortunately so&#13;
turn out, my dear daughter, you would come and confide to me all the&#13;
circumstances that have led you to such a conclusion; and, should I&#13;
then agree in your opinion, I would withdraw you instantly from the&#13;
house--for the piety of the mother would not compensate sufficiently for&#13;
the deplorable example of the daughter's conduct. For, as soon as you&#13;
form part of the institution, I am responsible for your salvation, and,&#13;
in case your delicacy should oblige you to leave Mme. de Bremont's, as&#13;
you might be some time without employment, the institution will allow&#13;
you, if satisfied with your zeal and conduct, one franc a day till we&#13;
could find you another place. You see, my dear daughter, that you have&#13;
everything to gain with us. It is therefore agreed that the day after&#13;
to-morrow you go to Mme. de Bremont's." Mother Bunch found herself in a&#13;
very hard position. Sometimes she thought that her first suspicions were&#13;
confirmed, and, notwithstanding her timidity, her pride felt hurt at the&#13;
supposition, that, because they knew her poor, they should believe&#13;
her capable of selling herself as a spy for the sake of high wages.&#13;
Sometimes, on the contrary, her natural delicacy revolted at the idea&#13;
that a woman of the age and condition of the superior could descend to&#13;
make a proposition so disgraceful both to the accepter and the proposer,&#13;
and she reproached herself with her first doubts and asked herself if&#13;
the superior had not wished to try her, before employing her, to see if&#13;
her probity would enable her to resist a comparatively brilliant offer.&#13;
Mother Bunch was naturally so inclined to think well of every one, that&#13;
she made up her mind to this last conclusion, saying to herself, that&#13;
if, after all, she were deceived, it would be the least offensive mode&#13;
of refusing these unworthy offers. With a movement, exempt from all&#13;
haughtiness, but expressive of natural dignity, the young workman raised&#13;
her head, which she had hitherto held humbly cast down, looked the&#13;
superior full in the face, that the latter might read in her countenance&#13;
the sincerity of her words, and said to her in a slightly agitated&#13;
voice, forgetting this time to call her "mother": "Ah, madame! I cannot&#13;
blame you for exposing me to such a trial. You see that I am very poor,&#13;
and I have yet done nothing to command your confidence. But, believe&#13;
me, poor as I am, I would never stoop to so despicable an action as&#13;
that which you have thought fit to propose to me, no doubt to assure&#13;
yourself, by my refusal, that I am worthy of your kindness. No, no,&#13;
madame--I could never bring myself to be a spy at any price."</p><p>She pronounced these last words with so much animation that her cheeks&#13;
became slightly flushed. The superior had too much tact and experience&#13;
not to perceive the sincerity of the words. Thinking herself lucky that&#13;
the young girl should put this construction upon the affair, she smiled&#13;
upon her affectionately, and stretched out her arms to her, saying: "It&#13;
is well, my dear daughter. Come and embrace me!"</p><p>"Mother--I am really confused--with so much kindness--"</p><p>"No--you deserve it--your words are so full of truth and honesty. Only&#13;
be persuaded that I have not put you to any trial, because there is no&#13;
resemblance between the act of a spy and the marks of filial confidence&#13;
that we require of our members for the sake of watching over their&#13;
morals. But certain persons--I see you are of the number, my dear&#13;
daughter--have such fixed principles, and so mature a judgment, that&#13;
they can do without our advice and guardianship, and can appreciate&#13;
themselves whatever might be dangerous to their salvation. I will&#13;
therefore leave the entire responsibility to yourself, and only ask you&#13;
for such communications as you may think proper to make."</p><p>"Oh, madame! how good you are!" said poor Mother Bunch, for she was&#13;
not aware of the thousand devices of the monastic spirit, and thought&#13;
herself already sure of gaining just wages honorably.</p><p>"It is not goodness--but justice!" answered Mother Sainte-Perpetue,&#13;
whose tone was becoming more and more affectionate. "Too much tenderness&#13;
cannot be shown to pious young women like you, whom poverty has only&#13;
purified because they have always faithfully observed the divine laws."</p><p>"Mother--"</p><p>"One last question, my child! how many times a month do you approach the&#13;
Lord's table?"</p><p>"Madame," replied the hunchback, "I have not taken the sacrament since&#13;
my first communion, eight years ago. I am hardly able, by working every&#13;
day, and all day long, to earn my bread. I have no time--"</p><p>"Gracious heaven!" cried the superior, interrupting, and clasping her&#13;
hands with all the signs of painful astonishment. "Is it possible? you&#13;
do not practise?"</p><p>"Alas, madame! I tell you that I have no time," answered Mother Bunch,&#13;
looking disconcertedly at Mother Saint-Perpetue.</p><p>"I am grieved, my dear daughter," said the latter sorrowfully, after a&#13;
moment's silence, "but I told you that, as we place our friends in none&#13;
but pious houses, so we are asked to recommend none but pious persons,&#13;
who practise their religious duties. It is one of the indispensable&#13;
conditions of our institution. It will, therefore, to my great regret,&#13;
be impossible for me to employ you as I had hoped. If, hereafter, you&#13;
should renounce your present indifference to those duties, we will then&#13;
see."</p><p>"Madame," said Mother Bunch, her heart swollen with tears, for she&#13;
was thus forced to abandon a cheering hope, "I beg pardon for having&#13;
detained you so long--for nothing."</p><p>"It is I, my dear daughter, who regret not to be able to attach you&#13;
to the institution; but I am not altogether hopeless, that a person,&#13;
already so worthy of interest, will one day deserve by her piety the&#13;
lasting support of religious people. Adieu, my dear daughter! go in&#13;
peace, and may God be merciful to you, until the day that you return&#13;
with your whole heart to Him!"</p><p>So saying, the superior rose, and conducted her visitor to the door,&#13;
with all the forms of the most maternal kindness. At the moment she&#13;
crossed the threshold, she said to her: "Follow the passage, go down&#13;
a few steps, and knock at the second door on the right hand. It is the&#13;
press-room, and there you will find Florine. She will show you the way&#13;
out. Adieu, my dear daughter!"</p><p>As soon as Mother Bunch had left the presence of the superior, her&#13;
tears, until now restrained, gushed forth abundantly. Not wishing to&#13;
appear before Florine and the nuns in this state, she stopped a moment&#13;
at one of the windows to dry her eyes. As she looked mechanically&#13;
towards the windows of the next house, where she fancied she had seen&#13;
Adrienne de Cardoville, she beheld the latter come from a door in the&#13;
building, and advance rapidly towards the open paling that separated the&#13;
two gardens. At the same instant, and to her great astonishment, Mother&#13;
Bunch saw one of the two sisters whose disappearance had caused the&#13;
despair of Dagobert, with pale and dejected countenance, approach the&#13;
fence that separated her from Mdlle. de Cardoville, trembling with fear&#13;
and anxiety, as though she dreaded to be discovered.</p><p>CHAPTER VIII. MOTHER BUNCH AND MDLLE. DE CARDOVILLE.</p><p>Agitated, attentive, uneasy, leaning from one of the convent-windows,&#13;
the work-girl followed with her eyes the movements of Mdlle. de&#13;
Cardoville and Rose Simon, whom she so little expected to find together&#13;
in such a place. The orphan, approaching close to the fence, which&#13;
separated the nunnery-garden from that of Dr. Baleinier's asylum, spoke&#13;
a few words to Adrienne, whose features at once expressed astonishment,&#13;
indignation, and pity. At this juncture, a nun came running, and&#13;
looking right and left, as though anxiously seeking for some one; then,&#13;
perceiving Rose, who timidly pressed close to the paling, she seized her&#13;
by the arm, and seemed to scold her severely, and notwithstanding some&#13;
energetic words addressed to her by Mdlle. de Cardoville, she hastily&#13;
carried off the orphan, who with weeping eyes, turned several times to&#13;
look back at Adrienne; whilst the latter, after showing the interest&#13;
she took in her by expressive gestures, turned away suddenly, as if to&#13;
conceal her tears.</p><p>The passage in which the witness stood, during this touching scene, was&#13;
situated on the first story. The thought immediately occurred to the&#13;
sempstress, to go down to the ground-floor, and try to get into the&#13;
garden, so that she might have an opportunity of speaking to the fair&#13;
girl with the golden hair, and ascertaining if it were really Mdlle. de&#13;
Cardoville, to whom; if she found her in a lucid interval, she might say&#13;
that Agricola had things of the greatest importance to communicate, but&#13;
that he did not know how to inform her of them. The day was advancing,&#13;
the sun was on its decline, and fearing that Florine would be tired&#13;
of waiting for her, Mother Bunch made haste to act; with a light step,&#13;
listening anxiously as she went, she reached the end of the passage,&#13;
where three or four stairs led down to the landing-place of the press&#13;
room, and then formed a spiral descent to the ground-floor. Hearing&#13;
voices in the pressroom, the sempstress hastened down the stairs, and&#13;
found herself in a long passage, in the centre of which was a glass&#13;
door, opening on that part of the garden reserved for the superior.&#13;
A path, bordered by a high box-hedge, sheltered her from the gaze of&#13;
curious eyes, and she crept along it, till she reached the open paling;&#13;
which, at this spot, separated the convent-garden from that of Dr.&#13;
Baleinier's asylum. She saw Mdlle. de Cardoville a few steps from her,&#13;
seated, and with her arm resting upon a rustic bench. The firmness&#13;
of Adrienne's character had for a moment been shaken by fatigue,&#13;
astonishment, fright, despair, on the terrible night when she had&#13;
been taken to the asylum by Dr. Baleinier; and the latter, taking a&#13;
diabolical advantage of her weakness and despondency, had succeeded&#13;
for a moment in making her doubt of her own sanity. But the calm, which&#13;
necessarily follows the most painful and violent emotions, combined&#13;
with the reflection and reasoning of a clear and subtle intellect, soon&#13;
convinced Adrienne of the groundlessness of the fears inspired by the&#13;
crafty doctor. She no longer believed that it could even be a mistake on&#13;
the part of the man of science. She saw clearly in the conduct of this&#13;
man, in which detestable hypocrisy was united with rare audacity, and&#13;
both served by a skill no less remarkable, that M. Baleinier was, in&#13;
fact, the blind instrument of the Princess de Saint-Dizier. From&#13;
that moment, she remained silent and calm, but full of dignity; not a&#13;
complaint, not a reproach was allowed to pass her lips. She waited. Yet,&#13;
though they left her at liberty to walk about (carefully depriving her&#13;
of all means of communicating with any one beyond the walls), Adrienne's&#13;
situation was harsh and painful, particularly for her, who so loved to&#13;
be surrounded by pleasant and harmonious objects. She felt, however,&#13;
that this situation could not last long. She did not thoroughly&#13;
understand the penetration and action of the laws; but her good sense&#13;
taught her, that a confinement of a few days under the plea of some&#13;
appearances of insanity, more or less plausible in themselves, might&#13;
be attempted, and even executed with impunity; but that it could not be&#13;
prolonged beyond certain limits, because, after all, a young lady of&#13;
her rank in society could not disappear suddenly from the world, without&#13;
inquiries being made on the subject--and the pretence of a sudden attack&#13;
of madness would lead to a serious investigation. Whether true or false,&#13;
this conviction had restored Adrienne to her accustomed elasticity and&#13;
energy of character. And yet she sometimes in vain asked herself the&#13;
cause of this attempt on her liberty. She knew too well the Princess de&#13;
Saint-Dizier, to believe her capable of acting in this way, without&#13;
a certain end in view, and merely for the purpose of inflicting a&#13;
momentary pang. In this, Mdlle. de Cardoville was not deceived: Father&#13;
d'Aigrigny and the princess were both persuaded, that Adrienne, better&#13;
informed than she wished to acknowledge, knew how important it was for&#13;
her to find herself in the house in the Rue Saint-Francois on the 13th&#13;
of February, and was determined to maintain her rights. In shutting up&#13;
Adrienne as mad, it was intended to strike a fatal blow at her future&#13;
prospects; but this last precaution was useless, for Adrienne, though&#13;
upon the true scent of the family-secret they lead wished to conceal&#13;
from her, had not yet entirely penetrated its meaning, for want of&#13;
certain documents, which had been lost or hidden.</p><p>Whatever had been the motives for the odious conduct of Mdlle. de&#13;
Cardoville's enemies, she was not the less disgusted at it. No one could&#13;
be more free from hatred or revenge, than was this generous young girl,&#13;
but when she thought of all the sufferings which the Princess de Saint&#13;
Dizier, Abbe d'Aigrigny, and Dr. Baleinier had occasioned her, she&#13;
promised herself, not reprisals, but a striking reparation. If it were&#13;
refused her, she was resolved to combat--without truce or rest--this&#13;
combination of craft, hypocrisy, and cruelty, not from resentment for&#13;
what she had endured, but to preserve from the same torments other&#13;
innocent victims, who might not, like her, be able to struggle and&#13;
defend themselves. Adrienne, still under the painful impression which&#13;
had been caused by her interview with Rose Simon, was leaning against&#13;
one of the sides of the rustic bench on which she was seated, and held&#13;
her left hand over her eyes. She had laid down her bonnet beside her,&#13;
and the inclined position of her head brought the long golden curls&#13;
over her fair, shining cheeks. In this recumbent attitude, so full of&#13;
careless grace, the charming proportions of her figure were seen to&#13;
advantage beneath a watered green dress, while a broad collar, fastened&#13;
with a rose-colored satin bow, and fine lace cuffs, prevented too strong&#13;
a contrast between the hue of her dress and the dazzling whiteness of&#13;
the swan-like neck and Raphaelesque hands, imperceptibly veined with&#13;
tiny azure lines. Over the high and well-formed instep, were crossed the&#13;
delicate strings of a little, black satin shoe--for Dr. Baleinier had&#13;
allowed her to dress herself with her usual taste, and elegance of&#13;
costume was not with Adrienne a mark of coquetry, but of duty towards&#13;
herself, because she had been made so beautiful. At sight of this young&#13;
lady, whose dress and appearance she admired in all simplicity, without&#13;
any envious or bitter comparison with her own poor clothes and deformity&#13;
of person, Mother Bunch said immediately to herself, with the good sense&#13;
and sagacity peculiar to her, that it was strange a mad woman should&#13;
dress so sanely and gracefully. It was therefore with a mixture of&#13;
surprise and emotion that she approached the fence which separated her&#13;
from Adrienne--reflecting, however, that the unfortunate girl might&#13;
still be insane, and that this might turn out to be merely a lucid&#13;
interval. And now, with a timid voice, but loud enough to be heard,&#13;
Mother Bunch, in order to assure herself of Adrienne's identity, said,&#13;
whilst her heart beat fast: "Mdlle. de Cardoville!"</p><p>"Who calls me?" said Adrienne. On hastily raising her head, and&#13;
perceiving the hunchback, she could not suppress a slight cry of&#13;
surprise, almost fright. For indeed this poor creature, pale, deformed,&#13;
miserably clad, thus appearing suddenly before her, must have inspired&#13;
Mdlle, de Cardoville, so passionately fond of grace and beauty, with a&#13;
feeling of repugnance, if not of terror--and these two sentiments were&#13;
both visible in her expressive countenance.</p><p>The other did not perceive the impression she had made. Motionless, with&#13;
her eyes fixed, and her hands clasped in a sort of adoring admiration,&#13;
she gazed on the dazzling beauty of Adrienne, whom she had only half&#13;
seen through the grated window. All that Agricola had told her of the&#13;
charms of his protectress, appeared to her a thousand times below the&#13;
reality; and never, even in her secret poetic visions, had she dreamed&#13;
of such rare perfection. Thus, by a singular contrast, a feeling of&#13;
mutual surprise came over these two girls--extreme types of deformity&#13;
and beauty, wealth and wretchedness. After rendering, as it were, this&#13;
involuntary homage to Adrienne, Mother Bunch advanced another step&#13;
towards the fence.</p><p>"What do you want?" cried Mdlle. de Cardoville, rising with a&#13;
sentiment of repugnance, which could not escape the work-girl's notice;&#13;
accordingly, she held down her head timidly, and said in a soft voice:&#13;
"I beg your pardon, madame, to appear so suddenly before you. But&#13;
moments are precious, I come from Agricola."</p><p>As she pronounced these words, the sempstress raised her eyes anxiously,&#13;
fearing that Mdlle. de Cardoville might have forgotten the name of&#13;
the workman. But, to her great surprise and joy, the fears of Adrienne&#13;
seemed to diminish at the name of Agricola, and approaching the fence,&#13;
she looked at the speaker with benevolent curiosity.</p><p>"You come from M. Agricola Baudoin?" said she. "Who are you?"</p><p>"His adopted sister, madame--a poor needlewoman, who lives in the same&#13;
house."</p><p>Adrienne appeared to collect her thoughts, and said, smiling kindly,&#13;
after a moment's silence: "It was you then, who persuaded M. Agricola to&#13;
apply to me to procure him bail?"</p><p>"Oh, madame, do you remember--"</p><p>"I never forget anything that is generous and noble. M. Agricola was&#13;
much affected when he spoke of your devotion. I remember it well; it&#13;
would be strange if I did not. But how came you here, in this convent?"</p><p>"They told me that I should perhaps be able to get some occupation here,&#13;
as I am out of work. Unfortunately, I have been refused by the lady&#13;
superior."</p><p>"And how did you recognize me?"</p><p>"By your great beauty, madame, of which Agricola had told me."</p><p>"Or rather by this," said Adrienne, smiling as she lifted, with the tips&#13;
of her rosy fingers, one end of a long, silky ringlet of golden hair.</p><p>"You must pardon Agricola, madame," said the sewing girl, with one of&#13;
those half smiles, which rarely settled on her lips: "he is a poet, and&#13;
omitted no single perfection in the respectful and admiring description&#13;
which he gave of his protectress."</p><p>"And what induced you to come and speak to me?"</p><p>"The hope of being useful to you, madame. You received Agricola with so&#13;
much goodness, that I have ventured to go shares in his gratitude."</p><p>"You may well venture to do so, my dear girl," said Adrienne, with&#13;
ineffable grace; "until now, unfortunately, I have only been able to&#13;
serve your adopted brother by intention."</p><p>As they exchanged these words, Adrienne and Mother Bunch looked at each&#13;
other with increasing surprise. The latter was, first of all, astonished&#13;
that a person who passed for mad should express herself as Adrienne&#13;
did; next, she was amazed at the ease and freedom with which she herself&#13;
answered the questions of Mdlle. de Cardoville--not knowing that the&#13;
latter was endowed with the precious privilege of lofty and benevolent&#13;
natures, to draw out from those who approached her whatever sympathized&#13;
with herself. On her side, Mdlle. de Cardoville was deeply moved and&#13;
astonished to hear this young, low-born girl, dressed almost like a&#13;
beggar, express herself in terms selected with so much propriety. The&#13;
more she looked at her, the more the feeling of repugnance she at&#13;
first experienced wore off, and was at length converted into quite the&#13;
opposite sentiment. With that rapid and minute power of observation&#13;
natural to women, she remarked beneath the black crape of Mother Bunch's&#13;
cap, the smoothness and brilliancy of the fair, chestnut hair. She&#13;
remarked, too, the whiteness of the long, thin hand, though it displayed&#13;
itself at the end of a patched and tattered sleeve--an infallible proof&#13;
that care, and cleanliness, and self-respect were at least struggling&#13;
against symptoms of fearful distress. Adrienne discovered, also, in the&#13;
pale and melancholy features, in the expression of the blue eyes, at&#13;
once intelligent, mild and timid, a soft and modest dignity, which made&#13;
one forget the deformed figure. Adrienne loved physical beauty, and&#13;
admired it passionately, but she had too superior a mind, too noble a&#13;
soul, too sensitive a heart, not to know how to appreciate moral beauty,&#13;
even when it beamed from a humble and suffering countenance. Only, this&#13;
kind of appreciation was new to Mdlle. de Cardoville; until now, her&#13;
large fortune and elegant habits had kept her at a distance from persons&#13;
of Mother Bunch's class. After a short silence, during which the fair&#13;
patrician and the poor work-girl had closely examined each other,&#13;
Adrienne said to the other: "It is easy, I think, to explain the cause&#13;
of our mutual astonishment. You have, no doubt, discovered that I speak&#13;
pretty reasonably for a mad woman--if they have told you I am one. And&#13;
I," added Mdlle. de Cardoville, in a tone of respectful commiseration,&#13;
"find that the delicacy of your language and manners so singularly&#13;
contrast with the position in which you appear to be, that my surprise&#13;
must be even greater than yours."</p><p>"Ah, madame!" cried Mother Bunch, with a welling forth of such deep and&#13;
sincere joy that the tears started to her eyes; "is it true?--they have&#13;
deceived me--you are not mad! Just now, when I beheld you so kind&#13;
and beautiful, when I heard the sweet tone of your voice, I could not&#13;
believe that such a misfortune had happened to you. But, alas! how is it&#13;
then, madame, that you are in this place?"</p><p>"Poor child!" said Adrienne, touched by the affectionate interest of&#13;
this excellent creature; "and how is it that you, with such a heart and&#13;
head, should be in such distress? But be satisfied! I shall not always&#13;
be here--and that will suffice to tell you, that we shall both resume&#13;
the place which becomes us. Believe me, I shall never forget how, in&#13;
spite of the painful ideas which must needs occupy your mind, on seeing&#13;
yourself deprived of work--your only resource--you have still thought of&#13;
coming to me, and of trying to serve me. You may, indeed, be eminently&#13;
useful to me, and I am delighted at it, for then I shall owe you&#13;
much--and you shall see how I will take advantage of my gratitude!" said&#13;
Adrienne, with a sweet smile. "But," resumed she, "before talking&#13;
of myself, let us think of others. Is your adopted brother still in&#13;
prison?"</p><p>"By this time, madame, I hope he has obtained his freedom; thanks to the&#13;
generosity of one of his comrades. His father went yesterday to offer&#13;
bail for him, and they promised that he should be released to-day. But,&#13;
from his prison, he wrote to me, that he had something of importance to&#13;
reveal to you."</p><p>"To me?"</p><p>"Yes, madame. Should Agricola be released immediately by what means can&#13;
he communicate with you?"</p><p>"He has secrets to tell me!" resumed Mdlle. de Cardoville, with an air&#13;
of thoughtful surprise. "I seek in vain to imagine what they can be; but&#13;
so long as I am confined in this house, and secluded from every one, M.&#13;
Agricola must not think of addressing himself directly or indirectly&#13;
to me. He must wait till I am at liberty; but that is not all, he must&#13;
deliver from that convent two poor children, who are much more to be&#13;
pitied than I am. The daughters of Marshal Simon are detained there&#13;
against their will."</p><p>"You know their name, madame?"</p><p>"When M. Agricola informed me of their arrival in Paris, he told me they&#13;
were fifteen years old, and that they resembled each other exactly--so&#13;
that, the day before yesterday, when I took my accustomed walk, and&#13;
observed two poor little weeping faces come close to the windows of&#13;
their separate cells, one on the ground floor, the other on the first&#13;
story, a secret presentiment told me that I saw in them the orphans&#13;
of whom M. Agricola had spoken, and in whom I already took a lively&#13;
interest, as being my relations."</p><p>"They are your relations, madame, then?"</p><p>"Yes, certainly. So, not being able to do more, I tried to express by&#13;
signs how much I felt for them. Their tears, and the sadness of their&#13;
charming faces, sufficiently told me that they were prisoners in the&#13;
convent, as I am myself in this house."</p><p>"Oh! I understand, madame--the victim of the animosity of your family?"</p><p>"Whatever may be my fate, I am much less to be pitied than these two&#13;
children, whose despair is really alarming. Their separation is what&#13;
chiefly oppresses them. By some words that one of them just now said to&#13;
me, I see that they are, like me, the victims of an odious machination.&#13;
But thanks to you, it will be possible to save them: Since I have been&#13;
in this house I have had no communication with any one; they have not&#13;
allowed me pen or paper, so it is impossible to write. Now listen to me&#13;
attentively, and we shall be able to defeat an odious persecution."</p><p>"Oh, speak! speak, madame!"</p><p>"The soldier, who brought these orphans to France, the father of M.&#13;
Agricola, is still in town?"</p><p>"Yes, madame. Oh! if you only knew his fury, his despair, when, on his&#13;
return home, he no longer found the children that a dying mother had&#13;
confided to him!"</p><p>"He must take care not to act with the least violence. It would ruin&#13;
all. Take this ring," said Adrienne, drawing it from her finger, "and&#13;
give it to him. He must go instantly--are you sure that you can remember&#13;
a name and address?"</p><p>"Oh! yes, madame. Be satisfied on that point. Agricola only mentioned&#13;
your name once, and I have not forgotten it. There is a memory of the&#13;
heart."</p><p>"I perceive it, my dear girl. Remember, then, the name of the Count de&#13;
Montbron."</p><p>"The Count de Montbron--I shall not forget."</p><p>"He is one of my good old friends, and lives on the Place Vendome, No.&#13;
7."</p><p>"Place Vendome, No. 7--I shall remember."</p><p>"M. Agricola's father must go to him this evening, and, if he is not at&#13;
home, wait for his coming in. He must ask to speak to him, as if from&#13;
me, and send him this ring as a proof of what he says. Once with him, he&#13;
must tell him all--the abduction of the girls, the name of the convent&#13;
where they are confined, and my own detention as a lunatic in the asylum&#13;
of Dr. Baleinier. Truth has an accent of its own, which M. de Montbron&#13;
will recognize. He is a man of much experience and judgment, and&#13;
possessed of great influence. He will immediately take the necessary&#13;
steps, and to-morrow, or the day after, these poor orphans and myself&#13;
will be restored to liberty--all thanks to you! But moments are&#13;
precious; we might be discovered; make haste, dear child!"</p><p>At the moment of drawing back, Adrienne said to Mother Bunch, with so&#13;
sweet a smile and affectionate a tone, that it was impossible not to&#13;
believe her sincere: "M. Agricola told me that I had a heart like yours.&#13;
I now understand how honorable, how flattering those words were for me.&#13;
Pray, give me your hand!" added Mdlle. de Cardoville, whose eyes were&#13;
filling with tears; and, passing her beautiful hand through an opening&#13;
in the fence, she offered it to the other. The words and the gesture&#13;
of the fair patrician were full of so much real cordiality, that the&#13;
sempstress, with no false shame, placed tremblingly her own poor thin&#13;
hand in Adrienne's, while the latter, with a feeling of pious respect,&#13;
lifted it spontaneously to her lips, and said: "Since I cannot embrace&#13;
you as my sister, let me at least kiss this hand, ennobled by labor!"</p><p>Suddenly, footsteps were heard in the garden of Dr. Baleinier; Adrienne&#13;
withdrew abruptly, and disappeared behind some trees, saying: "Courage,&#13;
memory, and hope!"</p><p>All this had passed so rapidly that the young workwoman had no time&#13;
to speak or move; tears, sweet tears, flowed abundantly down her pale&#13;
cheeks. For a young lady, like Adrienne de Cardoville, to treat her as a&#13;
sister, to kiss her hand, to tell her that she was proud to resemble&#13;
her in heart--her, a poor creature, vegetating in the lowest abyss&#13;
of misery--was to show a spirit of fraternal equality, divine, as the&#13;
gospel words.</p><p>There are words and impressions which make a noble soul forget years of&#13;
suffering, and which, as by a sudden flash, reveal to it something of&#13;
its own worth and grandeur. Thus it was with the hunchback. Thanks to&#13;
this generous speech, she was for a moment conscious of her own value.&#13;
And though this feeling was rapid as it was ineffable, she clasped&#13;
her hands and raised her eyes to heaven with an expression of fervent&#13;
gratitude; for, if the poor sempstress did not practise, to use the&#13;
jargon of ultramontane cant, no one was more richly endowed with that&#13;
deep religious sentiment, which is to mere dogmas what the immensity of&#13;
the starry heaven is to the vaulted roof of a church.</p><p>Five minutes after quitting Mdlle. de Cardoville, Mother Bunch, having&#13;
left the garden without being perceived, reascended to the first story,&#13;
and knocked gently at the door of the press-room. A sister came to open&#13;
the door to her.</p><p>"Is not Mdlle. Florine, with whom I came, still here, sister?" asked the&#13;
needlewoman.</p><p>"She could not wait for you any longer. No doubt, you have come from our&#13;
mother the superior?"</p><p>"Yes, yes, sister," answered the sempstress, casting down her eyes;&#13;
"would you have the goodness to show me the way out?"</p><p>"Come with me."</p><p>The sewing-girl followed the nun, trembling at every step lest she&#13;
should meet the superior, who would naturally have inquired the cause of&#13;
her long stay in the convent.</p><p>At length the inner gate closed upon Mother Bunch. Passing rapidly&#13;
across the vast court-yard and approaching the porter's lodge, to ask&#13;
him to let her out, she heard these words pronounced in a gruff voice:&#13;
"It seems, old Jerome, that we are to be doubly on our guard to-night.&#13;
Well, I shall put two extra balls in my gun. The superior says we are to&#13;
make two rounds instead of one."</p><p>"I want no gun, Nicholas," said the other voice; "I have my sharp&#13;
scythe, a true gardener's weapon--and none the worse for that."</p><p>Feeling an involuntary uneasiness at these words, which she had heard by&#13;
mere chance, Mother Bunch approached the porter's lodge, and asked him&#13;
to open the outer gate.</p><p>"Where do you come from?" challenged the porter, leaning half way out&#13;
of his lodge, with a double barrelled gun, which he was occupied in&#13;
loading, in his hand, and at the same time examining the sempstress with&#13;
a suspicious air.</p><p>"I come from speaking to the superior," answered Mother Bunch timidly.</p><p>"Is that true?" said Nicholas roughly. "You look like a sanctified&#13;
scarecrow. Never mind. Make haste and cut!"</p><p>The gate opened, and Mother Bunch went out. Hardly had she gone a few&#13;
steps in the sweet, when, to her great surprise, she saw the dog Spoil&#13;
sport run up to her, and his master, Dagobert, a little way behind him,&#13;
arriving also with precipitation. She was hastening to meet the soldier,&#13;
when a full, sonorous voice exclaimed from a little distance: "Oh my&#13;
good sister!" which caused the girl to turn round. From the opposite&#13;
side to that whence Dagobert was coming, she saw Agricola hurrying&#13;
towards the spot.</p><p>CHAPTER IX. THE ENCOUNTERS.</p><p>At the sight of Dagobert and Agricola, Mother Bunch remained motionless&#13;
with surprise, a few steps from the convent-gate. The soldier had not&#13;
yet perceived the sempstress. He advanced rapidly, following the dog,&#13;
who though lean, half-starved, rough-coated, and dirty, seemed to frisk&#13;
with pleasure, as he turned his intelligent face towards his master, to&#13;
whom he had gone back, after caressing Mother Bunch.</p><p>"Yes, yes; I understand you, old fellow!" said the soldier, with&#13;
emotion. "You are more faithful than I was; you did not leave the dear&#13;
children for a minute. Yes, you followed them, and watched day and&#13;
night, without food, at the door of the house to which they were&#13;
taken--and, at length, weary of waiting to see them come forth, ran home&#13;
to fetch me. Yes; whilst I was giving way to despair, like a furious&#13;
madman, you were doing what I ought to have done--discovering their&#13;
retreat. What does it all prove? Why, that beasts are better than&#13;
men--which is well known. Well, at length I shall see them again. When&#13;
I think that tomorrow is the 13th, and that without you, my did&#13;
Spoil-sport, all would be lost--it makes me shudder. But I say, shall we&#13;
soon be there? What a deserted quarter! and night coming on!"</p><p>Dagobert had held this discourse to Spoil-sport, as he walked along&#13;
following the good dog, who kept on at a rapid pace. Suddenly, seeing&#13;
the faithful animal start aside with a bound, he raised his eyes, and&#13;
perceived the dog frisking about the hunchback and Agricola, who had&#13;
just met at a little distance from the convent-gate.</p><p>"Mother Bunch?" exclaimed both father and son, as they approached the&#13;
young workwoman, and looked at her with extreme surprise.</p><p>"There is good hope, M. Dagobert," said she with inexpressible joy.&#13;
"Rose and Blanche are found!" Then, turning towards the smith, she&#13;
added, "There is good hope, Agricola: Mdlle. de Cardoville is not mad. I&#13;
have just seen her."</p><p>"She is not mad? what happiness!" exclaimed the smith.</p><p>"The children!" cried Dagobert, trembling with emotion, as he took the&#13;
work-girl's hands in his own. "You have seen them?"</p><p>"Yes; just now--very sad--very unhappy--but I was not able to speak to&#13;
them."</p><p>"Oh!" said Dagobert, stopping as if suffocated by the news, and pressing&#13;
his hands on his bosom; "I never thought that my old heart could beat&#13;
so!--And yet, thanks to my dog, I almost expected what has taken place.&#13;
Anyhow, I am quite dizzy with joy."</p><p>"Well, father, it's a good day," said Agricola, looking gratefully at&#13;
the girl.</p><p>"Kiss me, my dear child!" added the soldier, as he pressed Mother Bunch&#13;
affectionately in his arms; then, full of impatience, he added: "Come,&#13;
let us go and fetch the children."</p><p>"Ah, my good sister!" said Agricola, deeply moved; "you will restore&#13;
peace, perhaps life, to my father--and Mdlle. de Cardoville--but how do&#13;
you know?"</p><p>"A mere chance. And how did you come here?"</p><p>"Spoil-sport stops and barks," cried Dagobert, who had already made&#13;
several steps in advance.</p><p>Indeed the dog, who was as impatient as his master to see the orphans,&#13;
and far better informed as to the place of their retreat, had posted&#13;
himself at the convent gate, and was beginning to bark, to attract the&#13;
attention of Dagobert. Understanding his dog, the latter said to&#13;
the hunchback, as he pointed in that direction with his finger: "The&#13;
children are there?"</p><p>"Yes, M. Dagobert."</p><p>"I was sure of it. Good dog!--Oh, yes! beasts are better than&#13;
men--except you, my dear girl, who are better than either man or beast.&#13;
But my poor children! I shall see them, I shall have them once more!"</p><p>So saying, Dagobert, in spite of his age, began to run very fast towards&#13;
Spoil-sport. "Agricola," cried Mother Bunch, "prevent thy father from&#13;
knocking at that door. He would ruin all."</p><p>In two strides, the smith had reached his father, just as the latter was&#13;
raising his hand to the knocker. "Stop, father!" cried the smith, as he&#13;
seized Dagobert by the arm.</p><p>"What the devil is it now?"</p><p>"Mother Bunch says that to knock would ruin all."</p><p>"How so?"</p><p>"She will explain it to you." Although not so nimble as Agricola, Mother&#13;
Bunch soon came up, and said to the soldier: "M. Dagobert, do not let us&#13;
remain before this gate. They might open it, and see us; and that would&#13;
excite suspicion. Let us rather go away--"</p><p>"Suspicion!" cried the veteran, much surprised, but without moving from&#13;
the gate; "what suspicion?"</p><p>"I conjure you, do not remain there!" said Mother Bunch, with so much&#13;
earnestness, that Agricola joined her, and said to his father: "Since&#13;
sister rashes it, father, she has some reason for it. The Boulevard de&#13;
l'Hopital is a few steps from here; nobody passes that way; we can talk&#13;
there without being interrupted."</p><p>"Devil take me if I understand a word of all this!" cried Dagobert,&#13;
without moving from his post. "The children are here, and I will fetch&#13;
them away with me. It is an affair of ten minutes."</p><p>"Do not think that, M. Dagobert," said Mother Bunch. "It is much more&#13;
difficult than you imagine. But come! come!--I can hear them talk in the&#13;
court-yard."</p><p>In fact, the sound of voices was now distinctly audible. "Come father!"&#13;
said Agricola, forcing away the soldier, almost in spite of himself.&#13;
Spoil-sport, who appeared much astonished at these hesitations, barked&#13;
two or three times without quitting his post, as if to protest against&#13;
this humiliating retreat; but, being called by Dagobert, he hastened to&#13;
rejoin the main body.</p><p>It was now about five o'clock in the evening. A high wind swept thick&#13;
masses of grayish, rainy cloud rapidly across the sky. The Boulevard de&#13;
l'Hopital, which bordered on this portion of the convent-garden, was,&#13;
as we before said, almost deserted. Dagobert, Agricola, and the serving&#13;
girl could hold a private conference in this solitary place.</p><p>The soldier did not disguise the extreme impatience that these delays&#13;
occasioned in him. Hardly had they turned the corner of the street, when&#13;
he said to Mother Bunch: "Come, my child, explain yourself. I am upon&#13;
hot coals."</p><p>"The house in which the daughters of Marshal Simon are confined is a&#13;
convent, M. Dagobert."</p><p>"A convent!" cried the soldier: "I might have suspected it." Then he&#13;
added: "Well, what then? I will fetch them from a convent as soon as&#13;
from any other place. Once is not always."</p><p>"But, M. Dagobert, they are confined against their will and against&#13;
yours. They will not give them up."</p><p>"They will not give them up? Zounds! we will see about that." And he&#13;
made a step towards the street.</p><p>"Father," said Agricola, holding him back, "one moment's patience; let&#13;
us hear all."</p><p>"I will hear nothing. What! the children are there--two steps from me--I&#13;
know it--and I shall not have them, either by fair means or foul? Oh!&#13;
that would indeed be curious. Let me go."</p><p>"Listen to me, I beseech you, M. Dagobert," said Mother Bunch, taking&#13;
his hand: "there is another way to deliver these poor children. And that&#13;
without violence--for violence, as Mdlle. de Cardoville told me, would&#13;
ruin all."</p><p>"If there is any other way--quick--let me know it!"</p><p>"Here is a ring of Mdlle. de Cardoville's."</p><p>"And who is this Mdlle. de Cardoville?"</p><p>"Father," said Agricola, "it is the generous young lady, who offered to&#13;
be my bail, and to whom I have very important matters to communicate."</p><p>"Good, good," replied Dagobert; "we will talk of that presently. Well,&#13;
my dear girl--this ring?"</p><p>"You must take it directly, M. Dagobert, to the Count de Montbron,&#13;
No. 7, Place Vendome. He appears to be a person of influence, and is a&#13;
friend of Mdlle. de Cardoville's. This ring will prove that you come on&#13;
her behalf, and you will tell him, that she is confined as a lunatic in&#13;
the asylum next door to this convent, in which the daughters of Marshal&#13;
Simon are detained against their will."</p><p>"Well, well--what next?"</p><p>"Then the Count de Montbron will take the proper steps with persons in&#13;
authority, to restore both Mdlle. de Cardoville and the daughters of&#13;
Marshal Simon to liberty--and perhaps, to-morrow, or the day after--"</p><p>"To-morrow or the day after!" cried Dagobert; "perhaps?--It is to-day,&#13;
on the instant, that I must have them. The day after to-morrow would be&#13;
of much use! Thanks, my good girl, but keep your ring: I will manage my&#13;
own business. Wait for me here, my boy."</p><p>"What are you going to do, father?" cried Agricola, still holding back&#13;
the soldier. "It is a convent, remember."</p><p>"You are only a raw recruit; I have my theory of convents at my fingers'&#13;
end. In Spain, I have put it in practice a hundred times. Here is what&#13;
will happen. I knock; a portress opens the door to me; she asks me what&#13;
I want, but I make no answer; she tries to stop me, but I pass on; once&#13;
in the convent, I walk over it from top to bottom, calling my children&#13;
with all my might."</p><p>"But, M. Dagobert, the nuns?" said Mother Bunch, still trying to detain&#13;
the soldier.</p><p>"The nuns run after me, screaming like so many magpies. I know them. At&#13;
Seville I fetched out an Andalusian girl, whom they were trying to keep&#13;
by force. Well, I walk about the convent calling for Rose and Blanche.&#13;
They hear me, and answer. If they are shut in, I take the first piece of&#13;
furniture that comes to hand, and break open the door."</p><p>"But, M. Dagobert--the nuns--the nuns?"</p><p>"The nuns, with all their squalling, will not prevent my breaking open&#13;
the door, seizing my children in my arms, and carrying them off. Should&#13;
the outer door be shut, there will be a second smash--that's all. So,"&#13;
added Dagobert, disengaging himself from the grasp, "wait for me here.&#13;
In ten minutes I shall be back again. Go and get a hackney-coach ready,&#13;
my boy."</p><p>More calm than Dagobert, and, above all, better informed as to the&#13;
provisions of the Penal Code, Agricola was alarmed at the consequences&#13;
that might attend the veteran's strange mode of proceeding. So, throwing&#13;
himself before him, he exclaimed: "One word more, I entreat you."</p><p>"Zounds! make haste!"</p><p>"If you attempt to enter the convent by force, you will ruin all."</p><p>"How so?"</p><p>"First of all, M. Dagobert," said Mother Bunch, "there are men in the&#13;
convent. As I came out just now, I saw the porter loading his gun, and&#13;
heard the gardener talking of his sharp scythe, and the rounds he was to&#13;
make at night."</p><p>"Much I care for a porter's gun and a gardener's scythe!"</p><p>"Well, father; but listen to me a moment, I conjure you. Suppose you&#13;
knock, and the door is opened--the porter will ask you what you want.'</p><p>"I tell him that I wish to speak to the superior, and so walk into the&#13;
convent."</p><p>"But, M. Dagobert," said Mother Bunch, "when once you have crossed the&#13;
court-yard, you reach a second door, with a wicket. A nun comes to it,&#13;
to see who rings, and does not open the door till she knows the object&#13;
of the visit."</p><p>"I will tell her that I wish to see the lady superior."</p><p>"Then, father, as you are not known in the convent, they will go and&#13;
inform the superior."</p><p>"Well, what then?"</p><p>"She will come down."</p><p>"What next?"</p><p>"She will ask you what you want, M. Dagobert."</p><p>"What I want?--the devil! my children!"</p><p>"One minute's patience, father. You cannot doubt, from the precautions&#13;
they have taken, that they wish to detain these young ladies against&#13;
their will, and against yours."</p><p>"Doubt! I am sure of it. To come to that point, they began by turning&#13;
the head of my poor wife."</p><p>"Then, father, the superior will reply to you that she does not know&#13;
what you mean, and that the young ladies are not in the convent."</p><p>"And I will reply to her, that they are in the convent witness--Mother&#13;
Bunch and Spoil-sport."</p><p>"The superior will answer, that she does not know you; that she has no&#13;
explanations to give you; and will close the wicket."</p><p>"Then I break it open--since one must come to that in the end--so leave&#13;
me alone, I tell you! 'sblood! leave me alone!"</p><p>"And, on this noise and violence, the porter will run and fetch the&#13;
guard, and they will begin by arresting you."</p><p>"And what will become of your poor children, then, M. Dagobert?" said&#13;
Mother Bunch.</p><p>Agricola's father had too much good sense not to feel the truth of these&#13;
observations of the girl and his son; but he knew also, that, cost&#13;
what it might, the orphans must be delivered before the morrow. The&#13;
alternative was terrible--so terrible, that, pressing his two hands&#13;
to his burning forehead, Dagobert sunk back upon a stone bench, as if&#13;
struck down by the inexorable fatality of the dilemma.</p><p>Agricola and the workwoman, deeply moved by this mute despair, exchanged&#13;
a sad look. The smith, seating himself beside the soldier, said to him:&#13;
"Do not be down-hearted, father. Remember what's been told you. By going&#13;
with this ring of Mdlle. de Cardoville's to the influential gentleman&#13;
she named, the young ladies may be free by to-morrow, or, at worst, by&#13;
the day after."</p><p>"Blood and thunder! you want to drive me mad!" exclaimed Dagobert,&#13;
starting up from the bench, and looking at Mother Bunch and his son with&#13;
so savage an expression that Agricola and the sempstress drew back, with&#13;
an air of surprise and uneasiness.</p><p>"Pardon me, my children!" said Dagobert, recovering himself after a long&#13;
silence. "I am wrong to get in a passion, for we do not understand one&#13;
another. What you say is true; and yet I am right to speak as I do.&#13;
Listen to me. You are an honest man, Agricola; you an honest girl; what&#13;
I tell you is meant for you alone. I have brought these children from&#13;
the depths of Siberia--do you know why? That they may be to-morrow&#13;
morning in the Rue Saint-Francois. If they are not there, I have failed&#13;
to execute the last wish of their dying mother."</p><p>"No. 3, Rue Saint Francois?" cried Agricola, interrupting his father.</p><p>"Yes; how do you know the number?" said Dagobert.</p><p>"Is not the date inscribed on a bronze medal?"</p><p>"Yes," replied Dagobert, more end more surprised; "who told you?"</p><p>"One instant, father!" exclaimed Agricola; "let me reflect. I think I&#13;
guess it. Did you not tell me, my good sister, that Mdlle. de Cardoville&#13;
was not mad?"</p><p>"Not mad. They detain her in this asylum to prevent her communicating&#13;
with any one. She believes herself, like the daughters of Marshal Simon,&#13;
the victim of an odious machination."</p><p>"No doubt of it," cried the smith. "I understand all now, Mdlle. de&#13;
Cardoville has the same interest as the orphans to appear to-morrow at&#13;
the Rue Saint-Francois. But she does not perhaps know it."</p><p>"How so?"</p><p>"One word more, my good girl. Did Mdlle. de Cardoville tell you that she&#13;
had a powerful motive to obtain her freedom by to-morrow?"</p><p>"No; for when she gave me this ring for the Count de Montbron, she said&#13;
to me: 'By this means both I and Marshal Simon's daughters will be at&#13;
liberty either to-morrow or the day after--'"</p><p>"But explain yourself, then," said Dagobert to his son, with impatience.</p><p>"Just now," replied the smith, "when you came to seek me in prison, I&#13;
told you, father, that I had a sacred duty to perform, and that I would&#13;
rejoin you at home."</p><p>"Yes; and I went, on my side, to take some measures, of which I will&#13;
speak to you presently."</p><p>"I ran instantly to the house in the Rue de Babylone, not knowing that&#13;
Mdlle. de Cardoville was mad, or passed for mad. A servant, who opened&#13;
the door to me, informed me that the young lady had been seized with a&#13;
sudden attack of madness. You may conceive, father, what a blow that was&#13;
to me! I asked where she was: they answered, that they did not know.&#13;
I asked if I could speak to any of the family; as my jacket did not&#13;
inspire any great confidence, they replied that none of her family were&#13;
at present there. I was in despair, but an idea occurred to me. I said&#13;
to myself: 'If she is mad, her family physician must know where they&#13;
have taken her; if she is in a state to hear me, he will take me to&#13;
her; if not, I will speak to her doctor, as I would to her relations.&#13;
A doctor is often a friend.' I asked the servant, therefore, to give me&#13;
the doctor's address. I obtained it without difficulty--Dr. Baleinier,&#13;
No. 12, Rue Taranne. I ran thither, but he had gone out; they told me&#13;
that I should find him about five o'clock at his asylum, which is next&#13;
door to the convent. That is how we have met."</p><p>"But the medal--the medal?" said Dagobert, impatiently; "where did you&#13;
see it?"</p><p>"It is with regard to this and other things that I wished to make&#13;
important communications to Mdlle. de Cardoville."</p><p>"And what are these communications?"</p><p>"The fact is, father, I had gone to her the day of your departure, to&#13;
beg her to get me bail. I was followed; and when she learned this from&#13;
her waiting-woman, she concealed me in a hiding-place. It was a sort of&#13;
little vaulted room, in which no light was admitted, except through a&#13;
tunnel, made like a chimney; yet in a few minutes, I could see pretty&#13;
clearly. Having nothing better to do, I looked all about me and saw that&#13;
the walls were covered with wainscoting. The entrance to this room&#13;
was composed of a sliding panel, moving by means of weights and wheels&#13;
admirably contrived. As these concern my trade, I was interested in&#13;
them, so I examined the springs, spite of my emotion, with curiosity,&#13;
and understood the nature of their play; but there was one brass knob,&#13;
of which I could not discover the use. It was in vain to pull and move&#13;
it from right to left, none of the springs were touched. I said&#13;
to myself: 'This knob, no doubt, belongs to another piece of&#13;
mechanism'--and the idea occurred to me, instead of drawing it towards&#13;
me, to push it with force. Directly after, I heard a grating sound,&#13;
and perceived, just above the entrance to the hiding-place, one of the&#13;
panels, about two feet square, fly open like the door of a secretary. As&#13;
I had, no doubt, pushed the spring rather too hard, a bronze medal and&#13;
chain fell out with a shock."</p><p>"And you saw the address--Rue Saint-Francois?" cried Dagobert.</p><p>"Yes, father; and with this medal, a sealed letter fell to the ground.&#13;
On picking it up, I saw that it was addressed, in large letters: 'For&#13;
Mdlle. de Cardoville. To be opened by her the moment it is delivered.'&#13;
Under these words, I saw the initials 'R.' and 'C.,' accompanied by a&#13;
flourish, and this date: 'Paris, November the 13th, 1830.' On the other&#13;
side of the envelope I perceived two seals, with the letters 'R.' and&#13;
'C.,' surmounted by a coronet."</p><p>"And the seals were unbroken?" asked Mother Bunch.</p><p>"Perfectly whole."</p><p>"No doubt, then, Mdlle. de Cardoville was ignorant of the existence of&#13;
these papers," said the sempstress.</p><p>"That was my first idea, since she was recommended to open the letter&#13;
immediately, and, notwithstanding this recommendation, which bore date&#13;
two years back, the seals remained untouched."</p><p>"It is evident," said Dagobert. "What did you do?"</p><p>"I replaced the whole where it was before, promising myself to inform&#13;
Mdlle. de Cardoville of it. But, a few minutes after, they entered my&#13;
hiding-place, which had been discovered, and I did not see her again. I&#13;
was only able to whisper a few words of doubtful meaning to one of her&#13;
waiting-women, on the subject of what I had found, hoping thereby to&#13;
arouse the attention of her mistress; and, as soon as I was able to&#13;
write to you, my good sister, I begged you to go and call upon Mdlle. de&#13;
Cardoville."</p><p>"But this medal," said Dagobert, "is exactly like that possessed by the&#13;
daughter of Marshal Simon. How can you account for that?"</p><p>"Nothing so plain, father. Mdlle. de Cardoville is their relation. I&#13;
remember now, that she told me so."</p><p>"A relation of Rose and Blanche?"</p><p>"Yes," added Mother Bunch; "she told that also to me just now."</p><p>"Well, then," resumed Dagobert, looking anxiously at his son, "do you&#13;
now understand why I must have my children this very day? Do you now&#13;
understand, as their poor mother told me on her death-bed, that one&#13;
day's delay might ruin all? Do you now see that I cannot be satisfied&#13;
with a perhaps to-morrow, when I have come all the way from Siberia,&#13;
only, that those children might be to-morrow in the Rue Saint-Francois?&#13;
Do you at last perceive that I must have them this night, even if I have&#13;
to set fire to the convent?"</p><p>"But, father, if you employ violence--"</p><p>"Zounds! do you know what the commissary of police answered me this&#13;
morning, when I went to renew my charge against your mother's confessor?&#13;
He said to me that there was no proof, and that they could do nothing."</p><p>"But now there is proof, father, for at least we know where the young&#13;
girls are. With that certainty we shall be strong. The law is more&#13;
powerful than all the superiors of convents in the world."</p><p>"And the Count de Montbron, to whom Mdlle. de Cardoville begs you to&#13;
apply," said Mother Bunch, "is a man of influence. Tell him the reasons&#13;
that make it so important for these young ladies, as well as Mdlle. de&#13;
Cardoville, to be at liberty this evening and he will certainly hasten&#13;
the course of justice, and to-night your children will be restored to&#13;
you."</p><p>"Sister is in the right, father. Go to the Count. Meanwhile, I will run&#13;
to the commissary, and tell him that we now know where the young girls&#13;
are confined. Do you go home, and wait for us, my good girl. We will&#13;
meet at our own house!"</p><p>Dagobert had remained plunged in thought; suddenly, he said to Agricola:&#13;
"Be it so. I will follow your counsel. But suppose the commissary says&#13;
to you: 'We cannot act before to-morrow'--suppose the Count de Montbron&#13;
says to me the same thing--do not think I shall stand with my arms&#13;
folded until the morning."</p><p>"But, father--"</p><p>"It is enough," resumed the soldier in an abrupt voice: "I have made&#13;
up my mind. Run to the commissary, my boy; wait for us at home, my good&#13;
girl; I will go to the Count. Give me the ring. Now for the address!"</p><p>"The Count de Montbron, No. 7, Place Vendome," said she; "you come on&#13;
behalf of Mdlle. de Cardoville."</p><p>"I have a good memory," answered the soldier. "We will meet as soon as&#13;
possible in the Rue Brise-Miche."</p><p>"Yes, father; have good courage. You will see that the law protects and&#13;
defends honest people."</p><p>"So much the better," said the soldier; "because, otherwise, honest&#13;
people would be obliged to protect and defend themselves. Farewell, my&#13;
children! we will meet soon in the Rue Brise-Miche."</p><p>When Dagobert, Agricola, and Mother Bunch separated, it was already dark&#13;
night.</p><p>CHAPTER X. THE MEETING.</p><p>It is eight o'clock in the evening, the rain dashes against the windows&#13;
of Frances Baudoin's apartment in the Rue Brise-Miche, while violent&#13;
squalls of wind shake the badly dosed doors and casements. The disorder&#13;
and confusion of this humble abode, usually kept with so much care and&#13;
neatness, bore testimony to the serious nature of the sad events which&#13;
had thus disturbed existences hitherto peaceful in their obscurity.</p><p>The paved floor was soiled with mud, and a thick layer of dust covered&#13;
the furniture, once so bright and clean. Since Frances was taken away by&#13;
the commissary, the bed had not been made; at night Dagobert had thrown&#13;
himself upon it for a few hours in his clothes, when, worn out with&#13;
fatigue, and crushed by despair, he had returned from new and vain&#13;
attempts to discover Rose and Blanche's prison-house. Upon the drawers&#13;
stood a bottle, a glass, and some fragments of dry bread, proving the&#13;
frugality of the soldier, whose means of subsistence were reduced to the&#13;
money lent by the pawnbroker upon the things pledged by Mother Bunch,&#13;
after the arrest of Frances.</p><p>By the faint glimmer of a candle, placed upon the little stove, now cold&#13;
as marble, for the stock of wood had long been exhausted, one might have&#13;
seen the hunchback sleeping upon a chair, her head resting on her bosom,&#13;
her hands concealed beneath her cotton apron, and her feet resting on&#13;
the lowest rung of the chair; from time to time, she shivered in her&#13;
damp, chill garments.</p><p>After that long day of fatigue and diverse emotions, the poor creature&#13;
had eaten nothing. Had she even thought of it, she would have been at a&#13;
loss for bread. Waiting for the return of Dagobert and Agricola, she&#13;
had sunk into an agitated sleep--very different, alas! from calm&#13;
and refreshing slumber. From time to time, she half opened her eyes&#13;
uneasily, and looked around her. Then, again, overcome by irresistible&#13;
heaviness, her head fell upon her bosom.</p><p>After some minutes of silence, only interrupted by the noise of the&#13;
wind, a slow and heavy step was heard on the landing-place. The door&#13;
opened, and Dagobert entered, followed by Spoil-sport.</p><p>Waking with a start, Mother Bunch raised her head hastily, sprang from&#13;
her chair, and, advancing rapidly to meet Agricola's father, said to&#13;
him: "Well, M. Dagobert! have you good news? Have you--"</p><p>She could not continue, she was so struck with the gloomy expression of&#13;
the soldier's features. Absorbed in his reflections, he did not at first&#13;
appear to perceive the speaker, but threw himself despondingly on a&#13;
chair, rested his elbows upon the table, and hid his face in his&#13;
hands. After a long meditation, he rose, and said in a low voice: "It&#13;
must--yes, it must be done!"</p><p>Taking a few steps up and down the room, Dagobert looked around him,&#13;
as if in search of something. At length, after about a minute's&#13;
examination, he perceived near the stove, a bar of iron, perhaps two&#13;
feet long, serving to lift the covers, when too hot for the fingers.&#13;
Taking this in his hand, he looked at it closely, poised it to judge&#13;
of its weight, and then laid it down upon the drawers with an air of&#13;
satisfaction. Surprised at the long silence of Dagobert, the needlewoman&#13;
followed his movements with timid and uneasy curiosity. But soon her&#13;
surprise gave way to fright, when she saw the soldier take down his&#13;
knapsack, place it upon a chair, open it, and draw from it a pair of&#13;
pocket-pistols, the locks of which he tried with the utmost caution.</p><p>Seized with terror, the sempstress could not forbear exclaiming: "Good&#13;
gracious, M. Dagobert! what are you going to do?"</p><p>The soldier looked at her as if he only now perceived her for the first&#13;
time, and said to her in a cordial, but abrupt voice: "Good-evening, my&#13;
good girl! What is the time?"</p><p>"Eight o'clock has just struck at Saint-Mery's, M. Dagobert."</p><p>"Eight o'clock," said the soldier, speaking to himself; "only eight!"</p><p>Placing the pistols by the side of the iron bar, he appeared again to&#13;
reflect, while he cast his eyes around him.</p><p>"M. Dagobert," ventured the girl, "you have not, then, good news?"</p><p>"No."</p><p>That single word was uttered by the soldier in so sharp a tone, that,&#13;
not daring to question him further, Mother Bunch sat down in silence.&#13;
Spoil sport came to lean his head on the knees of the girl, and followed&#13;
the movements of Dagobert with as much curiosity as herself.</p><p>After remaining for some moments pensive and silent, the soldier&#13;
approached the bed, took a sheet from it, appeared to measure its&#13;
length, and then said, turning towards Mother Bunch: "The scissors!"</p><p>"But, M. Dagobert--"</p><p>"Come, my good girl! the scissors!" replied Dagobert, in a kind tone,&#13;
but one that commanded obedience. The sempstress took the scissors from&#13;
Frances' work-basket, and presented them to the soldier.</p><p>"Now, hold the other end of the sheet, my girl, and draw it out tight."</p><p>In a few minutes, Dagobert had cut the sheet into four strips, which he&#13;
twisted in the fashion of cords, fastening them here and there with bits&#13;
of tape, so as to preserve the twist, and tying them strongly together,&#13;
so as to make a rope of about twenty feet long. This, however, did not&#13;
suffice him, for he said to himself: "Now I must have a hook."</p><p>Again he looked around him, and Mother Bunch, more and more frightened,&#13;
for she now no longer doubted Dagobert's designs, said to him timidly:&#13;
"M. Dagobert, Agricola has not yet come in. It may be some good news&#13;
that makes him so late."</p><p>"Yes," said the soldier, bitterly, as he continued to cast round his&#13;
eyes in search of something he wanted; "good news like mine! But I must&#13;
have a strong iron hook."</p><p>Still looking about, he found one of the coarse, gray sacks, that&#13;
Frances was accustomed to make. He took it, opened it, and said to the&#13;
work girl: "Put me the iron bar and the cord into this bag, my girl. It&#13;
will be easier to carry."</p><p>"Heavens!" cried she, obeying his directions; "you will not go without&#13;
seeing Agricola, M. Dagobert? He may perhaps have some good news to tell&#13;
you."</p><p>"Be satisfied! I shall wait for my boy. I need not start before ten&#13;
o'clock--so I have time."</p><p>"Alas, M. Dagobert! have you last all hope?"</p><p>"On the contrary. I have good hope--but in myself."</p><p>So saying, Dagobert twisted the upper end of the sack, for the purpose&#13;
of closing it, and placed it on the drawers, by the side of his pistols.</p><p>"At all events, you will wait for Agricola, M. Dagobert?"</p><p>"Yes, if he arrives before ten o'clock."</p><p>"Alas; you have then quite made up your mind?"</p><p>"Quite. And yet, if I were weak enough to believe in bad omens--"</p><p>"Sometimes, M. Dagobert, omens do not deceive one," said the girl,&#13;
hoping to induce the soldier to abandon his dangerous resolution.</p><p>"Yes," resumed Dagobert; "old women say so--and, although I am not an&#13;
old woman, what I saw just now weighed heavily on my heart. After all, I&#13;
may have taken a feeling of anger for a presentiment."</p><p>"What have you seen?"</p><p>"I will tell it you, my good girl; it may help to pass the time, which&#13;
appears long enough." Then, interrupting himself, he exclaimed: "Was it&#13;
the half hour that just struck?"</p><p>"Yes, M. Dagobert; it is half-past eight."</p><p>"Still an hour and a half," said Dagobert, in a hollow voice. "This,"&#13;
he added, "is what I saw. As I came along the street, my notice was&#13;
attracted by a large red placard, at the head of which was a black&#13;
panther devouring a white horse. That sight gave me a turn, for you&#13;
must know, my good girl, that a black panther destroyed a poor old white&#13;
horse that I had, Spoil-sport's companion, whose name was Jovial."</p><p>At the sound of this name, once so familiar, Spoil-sport, who was&#13;
crouching at the workwoman's feet, raised his head hastily, and looked&#13;
at Dagobert.</p><p>"You see that beasts have memory--he recollects," said the soldier,&#13;
sighing himself at the remembrance. Then, addressing his dog he added:&#13;
"Dost remember Jovial?"</p><p>On hearing this name a second time pronounced by his master, in a voice&#13;
of emotion, Spoil-sport gave a low whine, as if to indicate that he had&#13;
not forgotten his old travelling companion.</p><p>"It was, indeed, a melancholy incident, M. Dagobert," said Mother Bunch,&#13;
"to find upon this placard a panther devouring a horse."</p><p>"That is nothing to what's to come; you shall hear the rest. I drew near&#13;
the bill, and read in it, that one Morok, just arrived from Germany, is&#13;
about to exhibit in a theatre different wild beasts that he tamed, among&#13;
others a splendid lion, a tiger, and a black Java panther named Death."</p><p>"What an awful name!" said the hearer.</p><p>"You will think it more awful, my child, when I tell you, that this is&#13;
the very panther which strangled my horse at Leipsic, four months ago."</p><p>"Good Heaven! you are right, M. Dagobert," said the girl, "it is awful."</p><p>"Wait a little," said Dagobert, whose countenance was growing more and&#13;
more gloomy, "that is not all. It was by means of this very Morok, the&#13;
owner of the panther, that I and my poor children were imprisoned in&#13;
Leipsic."</p><p>"And this wicked man is in Paris, and wishes you evil?" said Mother&#13;
Bunch. "Oh! you are right, M. Dagobert; you must take care of yourself;&#13;
it is a bad omen."</p><p>"For him, if I catch him," said Dagobert, in a hollow tone. "We have old&#13;
accounts to settle."</p><p>"M. Dagobert," cried Mother Bunch, listening; "some one is running up&#13;
the stairs. It is Agricola's footsteps. I am sure he has good news."</p><p>"That will just do," said the soldier, hastily, without answering.&#13;
"Agricola is a smith. He will be able to find me the iron hook."</p><p>A few moments after, Agricola entered the room; but, alas! the&#13;
sempstress perceived at the first glance, in the dejected countenance of&#13;
the workman, the ruin of her cherished hopes.</p><p>"Well!" said Dagobert to his son, in a tone which clearly announced the&#13;
little faith he attached to the steps taken by Agricola; "well, what&#13;
news?"</p><p>"Father, it is enough to drive one mad--to make one dash one's brains&#13;
out against the wall!" cried the smith in a rage.</p><p>Dagobert turned towards Mother Bunch, and said: "You see, my poor&#13;
child--I was sure of it."</p><p>"Well, father," cried Agricola; "have you seen the Court de Montbron?"</p><p>"The Count de Montbron set out for Lorraine three days ago. That is&#13;
my good news," continued the soldier, with bitter irony; "let us have&#13;
yours--I long to know all. I need to know, if, on appealing to the laws,&#13;
which, as you told me, protect and defend honest people, it ever happens&#13;
that the rogues get the best of it. I want to know this, and then I want&#13;
an iron hook--so I count upon you for both."</p><p>"What do you mean, father?"</p><p>"First, tell me what you have done. We have time. It is not much more&#13;
than half-past eight. On leaving me, where did you go first?"</p><p>"To the commissary, who had already received your depositions."</p><p>"What did he say to you?"</p><p>"After having very kindly listened to all I had to state, he answered,&#13;
that these young girls were placed in a respectable house, a convent--so&#13;
that there did not appear any urgent necessity for their immediate&#13;
removal--and besides, he could not take upon himself to violate the&#13;
sanctity of a religious dwelling upon your simple testimony; to-morrow,&#13;
he will make his report to the proper authorities, and steps will be&#13;
taken accordingly."</p><p>"Yes, yes--plenty of put offs," said the soldier.</p><p>"'But, sir,' answered I to him," resumed Agricola, "'it is now, this&#13;
very night, that you ought to act, for if these young girls should not&#13;
be present to-morrow morning in the Rue Saint Francois, their interests&#13;
may suffer incalculable damage. 'I am very sorry for it,' replied he,&#13;
'but I cannot, upon your simple declaration, or that of your father,&#13;
who--like yourself--is no relation or connection of these young persons,&#13;
act in direct opposition to forms, which could not be set aside, even on&#13;
the demand of a family. The law has its delays and its formalities, to&#13;
which we are obliged to submit.'"</p><p>"Certainly!" said Dagobert. "We must submit to them, at the risk of&#13;
becoming cowardly, ungrateful traitors!"</p><p>"Didst speak also of Mdlle. de Cardoville to him?" asked the work-girl.</p><p>"Yes--but he: answered me on this subject in much the same manner: 'It&#13;
was very serious; there was no proof in support of my deposition. A&#13;
third party had told me that Mdlle. de Cardoville affirms she was not&#13;
mad; but all mad people pretend to be sane. He could not, therefore,&#13;
upon my sole testimony, take upon himself to enter the house of a&#13;
respectable physician. But he would report upon it, and the law would&#13;
have its course--'"</p><p>"When I wished to act just now for myself," said Dagobert, "did I not&#13;
forsee all this? And yet I was weak enough to listen to you."</p><p>"But, father, what you wished to attempt was impossible, and you agreed&#13;
that it would expose you to far too dangerous consequences."</p><p>"So," resumed the soldier, without answering his son, "they told you in&#13;
plain terms, that we must not think of obtaining legally the release of&#13;
Rose and Blanche this evening or even to-morrow morning?"</p><p>"Yes, father. In the eyes of the law, there is no special urgency. The&#13;
question may not be decided for two or three days."</p><p>"That is all I wished to know," said Dagobert, rising and walking up and&#13;
down the room.</p><p>"And yet," resumed his son, "I did not consider myself beaten. In&#13;
despair, but believing that justice could not remain deaf to such&#13;
equitable claims, I ran to the Palais de Justice, hoping to find there a&#13;
judge, a magistrate who would receive my complaint, and act upon it."</p><p>"Well?" said the soldier, stopping him.</p><p>"I was told that the courts shut every day at five o'clock, and do not&#13;
open again til ten in the morning. Thinking of your despair, and of the&#13;
position of poor Mdlle. de Cardoville, I determined to make one more&#13;
attempt. I entered a guard-house of troops of the line, commanded by a&#13;
lieutenant. I told him all. He saw that I was so much moved,&#13;
and I spoke with such warmth and conviction, that he became&#13;
interested.--'Lieutenant,' said I to him, 'grant me one favor; let&#13;
a petty officer and two soldiers go to the convent to obtain a legal&#13;
entrance. Let them ask to see the daughters of Marshal Simon, and&#13;
learn whether it is their choice to remain, or return to my father, who&#13;
brought them from Russia. You will then see if they are not detained&#13;
against their will--'"</p><p>"And what answer did he give you, Agricola?" asked Mother Bunch, while&#13;
Dagobert shrugged his shoulders, and continued to walk up and down.</p><p>"'My good fellow,' said he, 'what you ask me is impossible. I understand&#13;
your motives, but I cannot take upon myself so serious a measure. I&#13;
should be broke were I to enter a convent by force.--'Then, sir, what am&#13;
I to do? It is enough to turn one's head.'--'Faith, I don't know,' said&#13;
the lieutenant; 'it will be safest, I think, to wait.'--Then, believing&#13;
I had done all that was possible, father, I resolved to come back, in&#13;
the hope that you might have been more fortunate than I--but, alas! I&#13;
was deceived!"</p><p>So saying, the smith sank upon a chair, for he was worn out with anxiety&#13;
and fatigue. There was a moment of profound silence after these words of&#13;
Agricola, which destroyed the last hopes of the three, mute and crushed&#13;
beneath the strokes of inexorable fatality.</p><p>A new incident came to deepen the sad and painful character of this&#13;
scene.</p><p>CHAPTER XI. DISCOVERIES.</p><p>The door which Agricola had not thought of fastening opened, as it were,&#13;
timidly, and Frances Baudoin, Dagobert's wife, pale, sinking, hardly&#13;
able to support herself, appeared on the threshold.</p><p>The soldier, Agricola, and Mother Bunch, were plunged in such deep&#13;
dejection, that neither of them at first perceived the entrance. Frances&#13;
advanced two steps into the room, fell upon her knees, clasped her&#13;
hands together, and said in a weak and humble voice; "My poor&#13;
husband--pardon!"</p><p>At these words, Agricola and the work-girl--whose backs were towards the&#13;
door--turned round suddenly, and Dagobert hastily raised his head.</p><p>"My mother!" cried Agricola, running to Frances.</p><p>"My wife!" cried Dagobert, as he also rose, and advanced to meet the&#13;
unfortunate woman.</p><p>"On your knees, dear mother!" said Agricola, stooping down to embrace&#13;
her affectionately. "Get up, I entreat you!"</p><p>"No, my child," said Frances, in her mild, firm accents, "I will not&#13;
rise, till your father has forgiven me. I have wronged him much--now I&#13;
know it."</p><p>"Forgive you, my poor wife?" said the soldier, as he drew near with&#13;
emotion. "Have I ever accused you, except in my first transport of&#13;
despair? No, no; it was the bad priests that I accused, and there I was&#13;
right. Well! I have you again," added he, assisting his son to raise&#13;
Frances; "one grief the less. They have then restored you to liberty?&#13;
Yesterday, I could not even learn in what prison they had put you. I&#13;
have so many cares that I could not think of you only. But come, dear&#13;
wife: sit down!"</p><p>"How feeble you are, dear mother!--how cold--how pale!" said Agricola&#13;
with anguish, his eyes filling with tears.</p><p>"Why did you not let us know?" added he. "We would have gone to fetch&#13;
you. But how you tremble! Your hands are frozen!" continued the smith,&#13;
as he knelt down before Frances. Then, turning towards Mother Bunch:&#13;
"Pray, make a little fire directly."</p><p>"I thought of it, as soon as your father came in, Agricola, but there is&#13;
no wood nor charcoal left."</p><p>"Then pray borrow some of Father Loriot, my dear sister. He is too good&#13;
a fellow to refuse. My poor mother trembles so--she might fall ill."</p><p>Hardly had he said the words, than Mother Bunch went out. The smith rose&#13;
from the ground, took the blanket from the bed, and carefully wrapped&#13;
it about the knees and feet of his mother. Then, again kneeling down, he&#13;
said to her: "Your hands, dear mother!" and, taking those feeble palms&#13;
in his own, he tried to warm them with his breath.</p><p>Nothing could be more touching than this picture: the robust young man,&#13;
with his energetic and resolute countenance, expressing by his looks&#13;
the greatest tenderness, and paying the most delicate attentions to his&#13;
poor, pale, trembling old mother.</p><p>Dagobert, kind-hearted as his son, went to fetch a pillow, and brought&#13;
it to his wife, saying: "Lean forward a little, and I will put this&#13;
pillow behind you; you will be more comfortable and warmer."</p><p>"How you both spoil me!" said Frances, trying to smile. "And you to&#13;
be so kind, after all the ill I have done!" added she to Dagobert,&#13;
as, disengaging one of her hands from those of her son, she took the&#13;
soldier's hand and pressed it to her tearful eyes. "In prison," said she&#13;
in a low voice, "I had time to repent."</p><p>Agricola's heart was near breaking at the thought that his pious and&#13;
good mother, with her angelic purity, should for a moment have been&#13;
confined in prison with so many miserable creatures. He would have made&#13;
some attempt to console her on the subject of the painful past, but he&#13;
feared to give a new shock to Dagobert, and was silent.</p><p>"Where is Gabriel, dear mother?" inquired he. "How is he? As you have&#13;
seen him, tell us all about him."</p><p>"I have seen Gabriel," said Frances, drying her tears; "he is confined&#13;
at home. His superiors have rigorously forbidden his going out. Luckily,&#13;
they did not prevent his receiving me, for his words and counsels have&#13;
opened my eyes to many things. It is from him that I learned how guilty&#13;
I had been to you, my poor husband."</p><p>"How so?" asked Dagobert.</p><p>"Why, you know that if I caused you so much grief, it was not from&#13;
wickedness. When I saw you in such despair, I suffered almost as much&#13;
myself; but I durst not tell you so, for fear of breaking my oath. I had&#13;
resolved to keep it, believing that I did well, believing that it was&#13;
my duty. And yet something told me that it could not be my duty to&#13;
cause you so much pain. 'Alas, my God! enlighten me!' I exclaimed in&#13;
my prison, as I knelt down and prayed, in spite of the mockeries of&#13;
the other women. 'Why should a just and pious work, commanded by my&#13;
confessor, the most respectable of men, overwhelm me and mine with so&#13;
much misery? 'Have mercy on me, my God, and teach me if I have done&#13;
wrong without knowing it!' As I prayed with fervor, God heard me, and&#13;
inspired me with the idea of applying to Gabriel. 'I thank Thee, Father!&#13;
I will obey!' said I within myself. 'Gabriel is like my own child; but&#13;
he is also a priest, a martyr--almost a saint. If any one in the world&#13;
imitates the charity of our blessed Saviour, it is surely he. When I&#13;
leave this prison, I will go and consult him and he will clear up my&#13;
doubts.'"</p><p>"You are right, dear mother," cried Agricola; "it was a thought from&#13;
heaven. Gabriel is an angel of purity, courage, nobleness--the type of&#13;
the true and good priest!"</p><p>"Ah, poor wife!" said Dagobert, with bitterness; "if you had never had&#13;
any confessor but Gabriel!"</p><p>"I thought of it before he went on his journey," said Frances, with&#13;
simplicity. "I should have liked to confess to the dear boy--but I&#13;
fancied Abbe Dubois would be offended, and that Gabriel would be too&#13;
indulgent with regard to my sins.</p><p>"Your sins, poor dear mother?" said Agricola. "As if you ever committed&#13;
any!"</p><p>"And what did Gabriel tell you?" asked the soldier.</p><p>"Alas, my dear! had I but had such an interview with him sooner! What&#13;
I told him of Abbe Dubois roused his suspicions, and he questioned me,&#13;
dear child, as to many things of which he had never spoken to me before.&#13;
Then I opened to him my whole heart, and he did the same to me, and&#13;
we both made sad discoveries with regard to persons whom we had always&#13;
thought very respectable, and who yet had deceived each of us, unknown&#13;
to the other."</p><p>"How so?"</p><p>"Why, they used to tell him, under the seal of secrecy, things that were&#13;
supposed to come from me; and they used to tell me, under the same&#13;
seal of secrecy, things that were supposed to come from him. Thus, he&#13;
confessed to me, that he did not feel at first any vocation for the&#13;
priesthood; but they told him that I should not believe myself safe in&#13;
this world or in the next, if he did not take orders, because I felt&#13;
persuaded that I could best serve the Lord by giving Him so good a&#13;
servant; and that yet I had never dared to ask Gabriel himself to give&#13;
me this proof of his attachment, though I had taken him from the street,&#13;
a deserted orphan, and brought him up as my own son, at the cost of&#13;
labor and privations. Then, how could it be otherwise? The poor dear&#13;
child, thinking he could please me, sacrificed himself. He entered the&#13;
seminary."</p><p>"Horrible," said Agricola; "'tis an infamous snare, and, for the priests&#13;
who were guilty of it, a sacrilegious lie!"</p><p>"During all that time," resumed Frances, "they were holding very&#13;
different language to me. I was told that Gabriel felt his vocation, but&#13;
that he durst not avow it to me, for fear of my being jealous on account&#13;
of Agricola, who, being brought up as a workman, would not enjoy the&#13;
same advantages as those which the priesthood would secure to Gabriel.&#13;
So when he asked my permission to enter the seminary dear child!&#13;
he entered it with regret, but he thought he was making me so&#13;
happy!--instead of discouraging this idea, I did all in my power to&#13;
persuade him to follow it, assuring him that he could not do better, and&#13;
that it would occasion me great joy. You understand, I exaggerated, for&#13;
fear he should think me jealous on account of Agricola."</p><p>"What an odious machination!" said Agricola, in amazement. "They were&#13;
speculating in this unworthy manner upon your mutual devotion. Thus&#13;
Gabriel saw the expression of your dearest wish in the almost forced&#13;
encouragement given to his resolution."</p><p>"Little by little, however, as Gabriel has the best heart in the world,&#13;
the vocation really came to him. That was natural enough--he was born&#13;
to console those who suffer, and devote himself for the unfortunate.&#13;
He would never have spoken to me of the past, had it not been for this&#13;
morning's interview. But then I beheld him, who is usually so mild and&#13;
gentle, become indignant, exasperated, against M. Rodin and another&#13;
person whom he accuses. He had serious complaints against them already,&#13;
but these discoveries, he says, will make up the measure."</p><p>At these words of Frances, Dagobert pressed his hand to his forehead, as&#13;
if to recall something to his memory. For some minutes he had listened&#13;
with surprise, and almost terror, to the account of these secret plots,&#13;
conducted with such deep and crafty dissimulation.</p><p>Frances continued: "When at last I acknowledged to Gabriel, that by the&#13;
advice of Abbe Dubois, my confessor, I had delivered to a stranger the&#13;
children confined to my husband--General Simon's daughters--the dear boy&#13;
blamed me, though with great regret, not for having wished to instruct&#13;
the poor orphans in the truths of our holy religion, but for having&#13;
acted without the consent of my husband, who alone was answerable before&#13;
God and man for the charge entrusted to him. Gabriel severely censured&#13;
Abbe Dubois' conduct, who had given me, he said, bad and perfidious&#13;
counsels; and then, with the sweetness of an angel, the dear boy&#13;
consoled me, and exhorted me to come and tell you all. My poor husband!&#13;
he would fain have accompanied me, for I had scarcely courage to&#13;
come hither, so strongly did I feel the wrong I had done you; but,&#13;
unfortunately, Gabriel is confined at the seminary by the strict order&#13;
of his superiors; he could not come with me, and--"</p><p>Here Dagobert, who seemed much agitated, abruptly interrupted his wife.&#13;
"One word, Frances," said he; "for, in truth, in the midst of so many&#13;
cares, and black, diabolical plots, one loses one's memory, and the head&#13;
begins to wander. Didst not tell me, the day the children disappeared,&#13;
that Gabriel, when taken in by you, had round his neck a bronze medal,&#13;
and in his pocket a book filled with papers in a foreign language?"</p><p>"Yes, my dear."</p><p>"And this medal and these papers were afterwards delivered to your&#13;
confessor?"</p><p>"Yes, my dear."</p><p>"And Gabriel never spoke of them since?"</p><p>"Never."</p><p>Agricola, hearing this from his mother, looked at her with surprise,&#13;
and exclaimed: "Then Gabriel has the same interest as the daughters of&#13;
General Simon, or Mdlle. de Cardoville, to be in the Rue Saint-Francois&#13;
to-morrow?"</p><p>"Certainly," said Dagobert. "And now do you remember what he said to us,&#13;
just after my arrival--that, in a few days, he would need our support in&#13;
a serious matter?"</p><p>"Yes, father."</p><p>"And he is kept a prisoner at his seminary! And he tells your mother&#13;
that he has to complain of his superiors! and he asked us for our&#13;
support with so sad and grave an air, that I said to him--"</p><p>"He would speak so, if about to engage in a deadly duel," interrupted&#13;
Agricola. "True, father! and yet you, who are a good judge of valor,&#13;
acknowledged that Gabriel's courage was equal to yours. For him so to&#13;
fear his superiors, the danger must be great indeed."</p><p>"Now that I have heard your mother, I understand it all," said Dagobert.&#13;
"Gabriel is like Rose and Blanche, like Mdlle. de Cardoville, like your&#13;
mother, like all of us, perhaps--the victim of a secret conspiracy of&#13;
wicked priests. Now that I know their dark machinations, their infernal&#13;
perseverance, I see," added the soldier, in a whisper, "that it requires&#13;
strength to struggle against them. I had not the least idea of their&#13;
power."</p><p>"You are right, father; for those who are hypocritical and wicked do as&#13;
much harm as those who are good and charitable, like Gabriel, do good.&#13;
There is no more implacable enemy than a bad priest."</p><p>"I know it, and that's what frightens me; for my poor children are&#13;
in their hands. But is all lost? Shall I bring myself to give them up&#13;
without an effort? Oh, no, no! I will not show any weakness--and yet,&#13;
since your mother told us of these diabolical plots, I do not know how&#13;
it is but I seem less strong, less resolute. What is passing around me&#13;
appears so terrible. The spiriting away of these children is no longer&#13;
an isolated fact--it is one of the ramifications of a vast conspiracy,&#13;
which surrounds and threatens us all. It seems to me as if I and those I&#13;
love walked together in darkness, in the midst of serpents, in the midst&#13;
of snares that we can neither see nor struggle against. Well! I'll&#13;
speak out! I have never feared death--I am not a coward and yet I&#13;
confess--yes, I confess it--these black robes frighten me--"</p><p>Dagobert pronounced these words in so sincere a tone, that his son&#13;
started, for he shared the same impression. And it was quite natural.&#13;
Frank, energetic, resolute characters, accustomed to act and fight in&#13;
the light of day, never feel but one fear--and that is, to be ensnared&#13;
and struck in the dark by enemies that escape their grasp. Thus,&#13;
Dagobert had encountered death twenty times; and yet, on hearing his&#13;
wife's simple revelation of this dark tissue of lies, and treachery, and&#13;
crime, the soldier felt a vague sense of fear; and, though nothing&#13;
was changed in the conditions of his nocturnal enterprise against the&#13;
convent, it now appeared to him in a darker and more dangerous light.</p><p>The silence, which had reigned for some moments, was interrupted by&#13;
Mother Bunch's return. The latter, knowing that the interview between&#13;
Dagobert, his wife, and Agricola, ought not have any importunate&#13;
witness, knocked lightly at the door, and remained in the passage with&#13;
Father Loriot.</p><p>"Can we come in, Mme. Frances?" asked the sempstress. "Here is Father&#13;
Loriot, bringing some wood."</p><p>"Yes, yes; come in, my good girl," said Agricola, whilst his father&#13;
wiped the cold sweat from his forehead.</p><p>The door opened, and the worthy dyer appeared, with his hands and arms&#13;
of an amaranthine color; on one side, he carried a basket of wood, and&#13;
on the other some live coal in a shovel.</p><p>"Good-evening to the company!" said Daddy Loriot. "Thank you for having&#13;
thought of me, Mme. Frances. You know that my shop and everything in it&#13;
are at your service. Neighbors should help one another; that's my motto!&#13;
You were kind enough, I should think, to my late wife!"</p><p>Then, placing the wood in a corner, and giving the shovel to Agricola,&#13;
the worthy dyer, guessing from the sorrowful appearance of the different&#13;
actors in this scene, that it would be impolite to prolong his visit,&#13;
added: "You don't want anything else, Mme. Frances?"</p><p>"No, thank you, Father Loriot."</p><p>"Then, good-evening to the company!" said the dyer; and, addressing&#13;
Mother Bunch, he added: "Don't forget the letter for M. Dagobert. I&#13;
durstn't touch it for fear of leaving the marks of my four fingers and&#13;
thumb in amaranthine! But, good evening to the company!" and Father&#13;
Loriot went out.</p><p>"M. Dagobert, here is a letter," said Mother Bunch. She set herself to&#13;
light the fire in the stove, while Agricola drew his mother's arm-chair&#13;
to the hearth.</p><p>"See what it is, my boy," said Dagobert to his son; "my head is so heavy&#13;
that I cannot see clear." Agricola took the letter, which contained only&#13;
a few lines, and read it before he looked at the signature.</p><p>"At Sea, December 25th, 1831.</p><p>"I avail myself of a few minutes' communication with a ship bound&#13;
     direct for Europe, to write to you, my old comrade, a few hasty&#13;
     lines, which will reach you probably by way of Havre, before the&#13;
     arrival of my last letters from India. You must by this time be at&#13;
     Paris, with my wife and child--tell them--I am unable to say more&#13;
     --the boat is departing. Only one word; I shall soon be in France.&#13;
     Do not forget the 13th February; the future of my wife and child&#13;
     depends upon it.</p><p>"Adieu, my friend! Believe in my eternal gratitude.</p><p>"SIMON."</p><p>"Agricola--quick! look to your father!" cried the hunchback.</p><p>From the first words of this letter, which present circumstances made so&#13;
cruelly applicable, Dagobert had become deadly pale. Emotion, fatigue,&#13;
exhaustion, joined to this last blow, made him stagger.</p><p>His son hastened to him, and supported him in his arms. But soon the&#13;
momentary weakness passed away, and Dagobert, drawing his hand across&#13;
his brow, raised his tall figure to its full height. Then, whilst his&#13;
eye sparkled, his rough countenance took an expression of determined&#13;
resolution, and he exclaimed, in wild excitement: "No, no! I will not&#13;
be a traitor; I will not be a coward. The black robes shall not frighten&#13;
me; and, this night, Rose and Blanche Simon shall be free!"</p><p>CHAPTER XII. THE PENAL CODE.</p><p>Startled for a moment by the dark and secret machinations of the black&#13;
robes, as he called them, against the persons he most loved, Dagobert&#13;
might have hesitated an instant to attempt the deliverance of Rose and&#13;
Blanche; but his indecision ceased directly on the reading of Marshal&#13;
Simon's letter, which came so timely to remind him of his sacred duties.</p><p>To the soldier's passing dejection had succeeded a resolution full of&#13;
calm and collected energy.</p><p>"Agricola, what o'clock is it?" asked he of his son.</p><p>"Just struck nine, father."</p><p>"You must make me, directly, an iron hook--strong enough to support my&#13;
weight, and wide enough to hold on the coping of a wall. This stove will&#13;
be forge and anvil; you will find a hammer in the house; and, for iron,"&#13;
said the soldier, hesitating, and looking around him, "as for iron--here&#13;
is some!"</p><p>So saying, the soldier took from the hearth a strong pair of tongs, and&#13;
presented them to his son, adding: "Come, my boy! blow up the fire, blow&#13;
it to a white heat, and forge me this iron!"</p><p>On these words, Frances and Agricola looked at each other with surprise;&#13;
the smith remained mute and confounded, not knowing the resolution&#13;
of his father, and the preparations he had already commenced with the&#13;
needlewoman's aid.</p><p>"Don't you hear me, Agricola," repeated Dagobert, still holding the pair&#13;
of tongs in his hand; "you must make me a hook directly."</p><p>"A hook, father?--for what purpose?"</p><p>"To tie to the end of a cord that I have here. There must be a loop at&#13;
one end large enough to fix it securely."</p><p>"But this cord--this hook--for what purpose are they?"</p><p>"To scale the walls of the convent, if I cannot get in by the door."</p><p>"What convent?" asked Frances of her son.</p><p>"How, father?" cried the latter, rising abruptly. "You still think of&#13;
that?"</p><p>"Why! what else should I think of?"</p><p>"But, father, it is impossible; you will never attempt such an&#13;
enterprise."</p><p>"What is it, my child?" asked Frances, with anxiety. "Where is father&#13;
going?"</p><p>"He is going to break into the convent where Marshal Simon's daughters&#13;
are confined, and carry them off."</p><p>"Great God! my poor husband--a sacrilege!" cried Frances, faithful to&#13;
her pious traditions, and, clasping her hands together, she endeavored&#13;
to rise and approach Dagobert.</p><p>The soldier, forseeing that he would have to contend with observations&#13;
and prayers of all sorts, and resolved not to yield, determined to cut&#13;
short all useless supplications, which would only make him lose precious&#13;
time. He said, therefore, with a grave, severe, and almost solemn air,&#13;
which showed the inflexibility of his determination: "Listen to me,&#13;
wife--and you also, my son--when, at my age, a man makes up his mind to&#13;
do anything, he knows the reason why. And when a man has once made up&#13;
his mind, neither wife nor child can alter it. I have resolved to do my&#13;
duty; so spare yourselves useless words. It may be your duty to talk to&#13;
me as you have done; but it is over now, and we will say no more about&#13;
it. This evening I must be master in my own house."</p><p>Timid and alarmed, Frances did not dare to utter a word, but she turned&#13;
a supplicating glance towards her son.</p><p>"Father," said the latter, "one word more--only one."</p><p>"Let us hear," replied Dagobert, impatiently.</p><p>"I will not combat your resolution; but I will prove to you that you do&#13;
not know to what you expose yourself."</p><p>"I know it all," replied the soldier, in an abrupt tone. "The&#13;
undertaking is a serious one; but it shall not be said that I neglected&#13;
any means to accomplish what I promised to do."</p><p>"But father, you do not know to what danger you expose yourself," said&#13;
the smith, much alarmed.</p><p>"Talk of danger! talk of the porter's gun and the gardener's scythe!"&#13;
said Dagobert, shrugging his shoulders contemptuously. "Talk of them,&#13;
and have done with it for, after all, suppose I were to leave my carcass&#13;
in the convent, would not you remain to your mother? For twenty years,&#13;
you were accustomed to do without me. It will be all the less trying to&#13;
you."</p><p>"And I, alas! am the cause of these misfortunes!" cried the poor mother.&#13;
"Ah! Gabriel had good reason to blame me."</p><p>"Mme. Frances, be comforted," whispered the sempstress, who had drawn&#13;
near to Dagobert's wife. "Agricola will not suffer his father to expose&#13;
himself thus."</p><p>After a moment's hesitation, the smith resumed, in an agitated voice:&#13;
"I know you too well, father, to think of stopping you by the fear of&#13;
death."</p><p>"Of what danger, then, do you speak?"</p><p>"Of a danger from which even you will shrink, brave as you are," said&#13;
the young man, in a voice of emotion, that forcibly struck his father.</p><p>"Agricola," said the soldier, roughly and severely, "that remark is&#13;
cowardly, you are insulting."</p><p>"Father--"</p><p>"Cowardly!" resumed the soldier, angrily; "because it is cowardice to&#13;
wish to frighten a man from his duty--insulting! because you think me&#13;
capable of being so frightened."</p><p>"Oh, M. Dagobert!" exclaimed the sewing-girl, "you do not understand&#13;
Agricola."</p><p>"I understand him too well," answered the soldier harshly.</p><p>Painfully affected by the severity of his father, but firm in his&#13;
resolution, which sprang from love and respect, Agricola resumed, whilst&#13;
his heart beat violently. "Forgive me, if I disobey you, father; but,&#13;
were you to hate me for it, I must tell you to what you expose yourself&#13;
by scaling at night the walls of a convent--"</p><p>"My son! do you dare?" cried Dagobert, his countenance inflamed with&#13;
rage-"Agricola!" exclaimed Frances, in tears. "My husband!"</p><p>"M. Dagobert, listen to Agricola!" exclaimed Mother Bunch. "It is only&#13;
in your interest that he speaks."</p><p>"Not one word more!" replied the soldier, stamping his foot with anger.</p><p>"I tell you, father," exclaimed the smith, growing fearfully pale as he&#13;
spoke, "that you risk being sent to the galleys!"</p><p>"Unhappy boy!" cried Dagobert, seizing his son by the arm; "could you&#13;
not keep that from me--rather than expose me to become a traitor and a&#13;
coward?" And the soldier shuddered, as he repeated: "The galleys!"--and,&#13;
bending down his head, remained mute, pensive, withered, as it were, by&#13;
those blasting words.</p><p>"Yes, to enter an inhabited place by night, in such a manner, is what&#13;
the law calls burglary, and punishes with the galleys," cried Agricola,&#13;
at once grieved and rejoicing at his father's depression of mind--"yes,&#13;
father, the galleys, if you are taken in the act; and there are ten&#13;
chances to one that you would be so. Mother Bunch has told you, the&#13;
convent is guarded. This morning, had you attempted to carry off the two&#13;
young ladies in broad daylight, you would have been arrested; but, at&#13;
least, the attempt would have been an open one, with a character of&#13;
honest audacity about it, that hereafter might have procured your&#13;
acquittal. But to enter by night, and by scaling the walls--I tell you,&#13;
the galleys would be the consequence. Now, father, decide. Whatever you&#13;
do, I will do also--for you shall not go alone. Say but the word, and I&#13;
will forge the hook for you--I have here hammer and pincers--and in an&#13;
hour we will set out."</p><p>A profound silence followed these words--a silence that was only&#13;
interrupted by the stifled sobs of Frances, who muttered to herself in&#13;
despair: "Alas! this is the consequence of listening to Abbe Dubois!"</p><p>It was in vain that Mother Bunch tried to console Frances. She was&#13;
herself alarmed, for the soldier was capable of braving even infamy, and&#13;
Agricola had determined to share the perils of his father.</p><p>In spite of his energetic and resolute character, Dagobert remained for&#13;
some time in a kind of stupor. According to his military habits, he had&#13;
looked at this nocturnal enterprise only as a ruse de guerre, authorized&#13;
by his good cause, and by the inexorable fatality of his position; but&#13;
the words of his son brought him back to the fearful reality, and&#13;
left him the choice of a terrible alternative--either to betray the&#13;
confidence of Marshal Simon, and set at naught the last wishes of the&#13;
mother of the orphan--or else to expose himself, and above all his&#13;
son, to lasting disgrace--without even the certainty of delivering the&#13;
orphans after all.</p><p>Drying her eyes, bathed in tears, Frances exclaimed, as if by a sudden&#13;
inspiration: "Dear me! I have just thought of it. There is perhaps a way&#13;
of getting these dear children from the convent without violence."</p><p>"How so, mother?" said Agricola, hastily.</p><p>"It is Abbe Dubois, who had them conveyed thither; but Gabriel supposes,&#13;
that he probably acted by the advice of M. Rodin.</p><p>"And if that were so, mother, it would be in vain to apply to M. Rodin.&#13;
We should get nothing from him."</p><p>"Not from him--but perhaps from that powerful abbe, who is Gabriel's&#13;
superior, and has always patronized him since his first entrance at the&#13;
seminary."</p><p>"What abbe, mother?"</p><p>"Abbe d'Aigrigny."</p><p>"True mother; before being a priest, he was a soldier he may be more&#13;
accessible than others--and yet--"</p><p>"D'Aigrigny!" cried Dagobert, with an expression of hate and horror.&#13;
"There is then mixed up with these treasons, a man who was a soldier&#13;
before being a priest, and whose name is D'Aigrigny?"</p><p>"Yes, father; the Marquis d'Aigrigny--before the Restoration, in the&#13;
service of Russia--but, in 1815, the Bourbons gave him a regiment."</p><p>"It is he!" said Dagobert, in a hollow voice. "Always the same! like an&#13;
evil spirit--to the mother, father, children."</p><p>"What do you mean, father?"</p><p>"The Marquis d'Aigrigny!" replied Dagobert. "Do you know what is this&#13;
man? Before he was a priest, he was the murderer of Rose and Blanche's&#13;
mother, because she despised his love. Before he was a priest, he fought&#13;
against his country, and twice met General Simon face to face in war.&#13;
Yes; while the general was prisoner at Leipsic, covered with wounds&#13;
at Waterloo, the turncoat marquis triumphed with the Russians and&#13;
English!--Under the Bourbons, this same renegade, loaded with honors,&#13;
found himself once more face to face with the persecuted soldier of the&#13;
empire. Between them, this time, there was a mortal duel--the marquis&#13;
was wounded--General Simon was proscribed, condemned, driven into exile.&#13;
The renegade, you say, has become a priest. Well! I am now certain, that&#13;
it is he who has carried off Rose and Blanche, in order to wreak on them&#13;
his hatred of their father and mother. It is the infamous D'Aigrigny,&#13;
who holds them in his power. It is no longer the fortune of these&#13;
children that I have to defend; it is their life--do you hear what I&#13;
say?--their very life?"</p><p>"What, father! do you think this man capable--"</p><p>"A traitor to his country, who finishes by becoming a mock priest, is&#13;
capable of anything. I tell you, that, perhaps at this moment he may&#13;
be killing those children by a slow-fire!" exclaimed the soldier, in a&#13;
voice of agony. "To separate them from one another was to begin to kill&#13;
them. Yes!" added Dagobert, with an exasperation impossible to describe;&#13;
"the daughters of Marshal Simon are in the power of the Marquis&#13;
d'Aigrigny and his band, and I hesitate to attempt their rescue, for&#13;
fear of the galleys! The galleys!" added he, with a convulsive burst of&#13;
laughter; "what do I care for the galleys? Can they send a corpse there?&#13;
If this last attempt fail, shall I not have the right to blow my brains&#13;
out?--Put the iron in the fire, my boy--quick! time presses--and strike&#13;
while the iron's hot!"</p><p>"But your son goes with you!" exclaimed Frances, with a cry of maternal&#13;
despair. Then rising, she threw herself at the feet of Dagobert, and&#13;
said: "If you are arrested, he will be arrested also."</p><p>"To escape the galleys, he will do as I do. I have two pistols."</p><p>"And without you--without him," cried the unhappy mother, extending her&#13;
hands in supplication, "what will become of me?"</p><p>"You are right--I was too selfish," said Dagobert. "I will go alone."</p><p>"You shall not go alone, father," replied Agricola.</p><p>"But your mother?"</p><p>"Mother Bunch sees what is passing; she will go to Mr. Hardy, my master,&#13;
and tell him all. He is the most generous of men, and my mother will&#13;
have food and shelter for the rest of her days."</p><p>"And I am the cause of all!" cried Frances, wringing her hands in&#13;
despair. "Punish me, oh, heaven! for it is my fault. I gave up those&#13;
children. I shall be punished by the death of my child!"</p><p>"Agricola, you shall not go with me--I forbid it!" said Dagobert,&#13;
clasping his son closely to his breast.</p><p>"What! when I have pointed out the danger, am I to be the first to&#13;
shrink from it? you cannot think thus lowly of me, father! Have I not&#13;
also some one to deliver? The good, the generous Mdlle. de Cardoville,&#13;
who tried to save me from a prison, is a captive in her turn. I will&#13;
follow you, father. It is my right, my duty, my determination."</p><p>So saying, Agricola put into the heated stove the tongs that were&#13;
intended to form the hook. "Alas! may heaven have pity upon us!" cried&#13;
his poor mother, sobbing as she still knelt, whilst the soldier seemed a&#13;
prey to the most violent internal struggle.</p><p>"Do not cry so, dear mother; you will break my heart," said Agricola,&#13;
as he raised her with the sempstress's help. "Be comforted! I have&#13;
exaggerated the danger of my father. By acting prudently, we two may&#13;
succeed in our enterprise; without much risk--eh, father?" added he,&#13;
with a significant glance at Dagobert. "Once more, be comforted, dear&#13;
mother. I will answer for everything. We will deliver Marshal Simon's&#13;
daughters, and Mdlle. de Cardoville too. Sister, give me the hammer and&#13;
pincers, there in the press."</p><p>The sempstress, drying her tears, did as desired, while Agricola, by the&#13;
help of bellows, revived the fire in which the tongs were heating.</p><p>"Here are your tools, Agricola," said the hunchback, in a&#13;
deeply-agitated voice, as she presented them with trembling hands to&#13;
the smith, who, with the aid of the pincers, soon drew from the fire&#13;
the white-hot tongs, and, with vigorous blows of the hammer, formed them&#13;
into a hook, taking the stove for his anvil.</p><p>Dagobert had remained silent and pensive. Suddenly he said to Frances,&#13;
taking her by the hand: "You know what metal your son is. To prevent his&#13;
following me would now be impossible. But do not be afraid, dear wife;&#13;
we shall succeed--at least, I hope so. And if we should not succeed--if&#13;
Agricola and me should be arrested--well! we are not cowards; we shall&#13;
not commit suicide; but father and son will go arm in arm to prison,&#13;
with heads high and proud, look like two brave men who have done their&#13;
duty. The day of trial must come, and we will explain all, honestly,&#13;
openly--we will say, that, driven to the last extremity, finding no&#13;
support, no protection in the law, we were forced to have recourse to&#13;
violence. So hammer away, my boy!" added Dagobert, addressing his son,&#13;
pounding the hot iron; "forge, forge, without fear. Honest judges will&#13;
absolve honest men."</p><p>"Yes, father, you are right, be at ease dear mother! The judges will see&#13;
the difference between rascals who scale walls in order to rob, and&#13;
an old soldier and his son who, at peril of their liberty, their life,&#13;
their honor, have sought only to deliver unhappy victims."</p><p>"And if this language should not be heard," resumed Dagobert, "so much&#13;
the worse for them! It will not be your son, or husband, who will be&#13;
dishonored in the eyes of honest people. If they send us to the galleys,&#13;
and we have courage to survive--the young and the old convict will wear&#13;
their chains proudly--and the renegade marquis, the traitor priest,&#13;
will bear more shame than we. So, forge without fear, my boy! There are&#13;
things which the galleys themselves cannot disgrace--our good conscience&#13;
and our honor! But now," he added, "two words with my good Mother Bunch.&#13;
It grows late, and time presses. On entering the garden, did you remark&#13;
if the windows of the convent were far from the ground?"</p><p>"No, not very far, M. Dagobert--particularly on that side which is&#13;
opposite to the madhouse, where Mdlle. de Cardoville is confined."</p><p>"How did you manage to speak to that young lady?"</p><p>"She was on the other side of an open paling, which separates the two&#13;
gardens."</p><p>"Excellent!" said Agricola, as he continued to hammer the iron: "we can&#13;
easily pass from one garden to the other. The madhouse may perhaps&#13;
be the readier way out. Unfortunately, you do not know, Mdlle. de&#13;
Cardoville's chamber."</p><p>"Yes, I do," returned the work-girl, recollecting herself. "She is&#13;
lodged in one of the wings, and there is a shade over her window,&#13;
painted like canvas, with blue and white stripes."</p><p>"Good! I shall not forget that."</p><p>"And can you form no guess as to where are the rooms of my poor&#13;
children?" said Dagobert.</p><p>After a moment's reflection, Mother Bunch answered, "They are opposite&#13;
to the chamber occupied by Mdlle. de Cardoville, for she makes signs&#13;
to them from her window: and I now remember she told me, that their two&#13;
rooms are on different stories, one on the ground-floor, and the other&#13;
up one pair of stairs."</p><p>"Are these windows grated?" asked the smith.</p><p>"I do not know."</p><p>"Never mind, my good girl: with these indications we shall do very&#13;
well," said Dagobert. "For the rest, I have my plans."</p><p>"Some water, my little sister," said Agricola, "that I may cool my&#13;
iron." Then addressing his father: "Will this hook do?"</p><p>"Yes, my boy; as soon as it is cold we will fasten the cord."</p><p>For some time, Frances Baudoin had remained upon her knees, praying with&#13;
fervor. She implored Heaven to have pity on Agricola and Dagobert,&#13;
who, in their ignorance, were about to commit a great crime; and she&#13;
entreated that the celestial vengeance might fall upon her only, as she&#13;
alone had been the cause of the fatal resolution of her son and husband.</p><p>Dagobert and Agricola finished their preparations in silence. They&#13;
were both very pale, and solemnly grave. They felt all the danger of so&#13;
desperate an enterprise.</p><p>The clock at Saint-Mery's struck ten. The sound of the bell was faint,&#13;
and almost drowned by the lashing of the wind and rain, which had not&#13;
ceased for a moment.</p><p>"Ten o'clock!" said Dagobert, with a start. "There is not a minute to&#13;
lose. Take the sack, Agricola."</p><p>"Yes, father."</p><p>As he went to fetch the sack, Agricola approached Mother Bunch, who was&#13;
hardly able to sustain herself, and said to her in a rapid whisper: "If&#13;
we are not here to-morrow, take care of my mother. Go to M. Hardy, who&#13;
will perhaps have returned from his journey. Courage, my sister! embrace&#13;
me. I leave poor mother to you." The smith, deeply affected, pressed the&#13;
almost fainting girl in his arms.</p><p>"Come, old Spoil-sport," said Dagobert: "you shall be our scout."&#13;
Approaching his wife, who, just risen from the ground, was clasping her&#13;
son's head to her bosom, and covering it with tears and kisses, he said&#13;
to her, with a semblance of calmness and serenity: "Come, my dear wife,&#13;
be reasonable! Make us a good fire. In two or three hours we will bring&#13;
home the two poor children, and a fine young lady. Kiss me! that will&#13;
bring me luck."</p><p>Frances threw herself on her husband's neck, without uttering a word.&#13;
This mute despair, mingled with convulsive sobs, was heart-rending.&#13;
Dagobert was obliged to tear himself from his wife's arms, and striving&#13;
to conceal his emotion, he said to his son, in an agitated voice:&#13;
"Let us go--she unmans me. Take care of her, my good Mother Bunch.&#13;
Agricola--come!"</p><p>The soldier slipped the pistols into the pocket of his great coat, and&#13;
rushed towards the door, followed by Spoil-sport.</p><p>"My son, let me embrace you once more--alas! it is perhaps for the last&#13;
time!" cried the unfortunate mother, incapable of rising, but stretching&#13;
out her arms to Agricola. "Forgive me! it is all my fault."</p><p>The smith turned back, mingled his tears with those of his mother--for&#13;
he also wept--and murmured, in a stifled voice: "Adieu, dear mother! Be&#13;
comforted. We shall soon meet again."</p><p>Then, escaping from the embrace, he joined his father upon the stairs.</p><p>Frances Baudoin heaved a long sigh, and fell almost lifeless into the&#13;
needlewoman's arms.</p><p>Dagobert and Agricola left the Rue Brise-Miche in the height of&#13;
the storm, and hastened with great strides towards the Boulevard de&#13;
l'Hopital, followed by the dog.</p><p>CHAPTER XIII. BURGLARY.</p><p>Half-past eleven had just struck, when Dagobert and his son arrived on&#13;
the Boulevard de l'Hopital.</p><p>The wind blew violently, and the rain fell down in torrents, but&#13;
notwithstanding the thickness of the watery clouds, it was tolerably&#13;
light, thanks to the late rising of the moon. The tall, dark trees, and&#13;
the white walls of the convent garden, were distinguishable in the midst&#13;
of the pale glimmer. Afar off, a street lamp, acted on by the wind, with&#13;
its red lights hardly visible through the mist and rain, swung backwards&#13;
and forwards over the dirty causeway of the solitary boulevard.</p><p>At rare intervals, they heard, at a very great distance, the rattle and&#13;
rumble of a coach, returning home late; then all was again silent.</p><p>Since their departure from the Rue Brise-Miche, Dagobert and his son had&#13;
hardly exchanged a word. The design of these two brave men was noble&#13;
and generous, and yet, resolute but pensive, they glided through the&#13;
darkness like bandits, at the hour of nocturnal crimes.</p><p>Agricola carried on his shoulders the sack containing the cord, the&#13;
hook, and the iron bar; Dagobert leaned upon the arm of his son, and&#13;
Spoil sport followed his master.</p><p>"The bench, where we sat down, must be close by," said Dagobert,&#13;
stopping.</p><p>"Yes," said Agricola, looking around; "here it is, father."</p><p>"It is oily half-past eleven--we must wait for midnight," resumed&#13;
Dagobert. "Let us be seated for an instant, to rest ourselves, and&#13;
decide upon our plan."</p><p>After a moment's silence, the soldier took his son's hands between his&#13;
own, and thus continued: "Agricola, my child--it is yet time. Let me&#13;
go alone, I entreat you. I shall know very well how to get through the&#13;
business; but the nearer the moment comes, the more I fear to drag you&#13;
into this dangerous enterprise."</p><p>"And the nearer the moment comes, father, the more I feel I may be&#13;
of some use; but, be it good or bad, I will share the fortune of your&#13;
adventure. Our object is praiseworthy; it is a debt of honor that you&#13;
have to pay, and I will take one half of it. Do not fancy that I will&#13;
now draw back. And so, dear father, let us think of our plan of action."</p><p>"Then you will come?" said Dagobert, stifling a sigh.</p><p>"We must do everything," proceeded Agricola, "to secure success. You&#13;
have already noticed the little garden-door, near the angle of the&#13;
wall--that is excellent."</p><p>"We shall get by that way into the garden, and look immediately for the&#13;
open paling."</p><p>"Yes; for on one side of this paling is the wing inhabited by Mdlle.&#13;
de Cardoville, and on the other that part of the convent in which the&#13;
general's daughters are confined."</p><p>At this moment, Spoil-sport, who was crouching at Dagobert's feet, rose&#13;
suddenly, and pricked up his ears, as if to listen.</p><p>"One would think that Spoil-sport heard something," said Agricola. They&#13;
listened--but heard only the wind, sounding through the tall trees of&#13;
the boulevard.</p><p>"Now I think of it, father--when the garden-door is once open, shall we&#13;
take Spoil-sport with us?"</p><p>"Yes; for if there is a watch-dog, he will settle him. And then he will&#13;
give us notice of the approach of those who go the rounds. Besides, he&#13;
is so intelligent, so attached to Rose and Blanche, that (who knows?) he&#13;
may help to discover the place where they are. Twenty times I have seen&#13;
him find them in the woods, by the most extraordinary instinct."</p><p>A slow and solemn knell here rose above the noise of the wind: it was&#13;
the first stroke of twelve.</p><p>That note seemed to echo mournfully through the souls of Agricola and&#13;
his father. Mute with emotion, they shuddered, and by a spontaneous&#13;
movement, each grasped the hand of the other. In spite of themselves,&#13;
their hearts kept time to every stroke of the clock, as each successive&#13;
vibration was prolonged through the gloomy silence of the night.</p><p>At the last strobe, Dagobert said to his son, in a firm voice: "It is&#13;
midnight. Shake hands, and let us forward!"</p><p>The moment was decisive and solemn. "Now, father," said Agricola, "we&#13;
will act with as much craft and daring as thieves going to pillage a&#13;
strong box."</p><p>So saying, the smith took from the sack the cord and hook; Dagobert&#13;
armed himself with the iron bar, and both advanced cautiously, following&#13;
the wall in the direction of the little door, situated not far from the&#13;
angle formed by the street and the boulevard. They stopped from time to&#13;
time, to listen attentively, trying to distinguish those noises which&#13;
were not caused either by the high wind or the rain.</p><p>It continued light enough for them to be able to see surrounding&#13;
objects, and the smith and the soldier soon gained the little door,&#13;
which appeared much decayed, and not very strong.</p><p>"Good!" said Agricola to his father. "It will yield at one blow."</p><p>The smith was about to apply his shoulder vigorously to the door, when&#13;
Spoil-sport growled hoarsely, and made a "point." Dagobert silenced the&#13;
dog with a word, and grasping his son's arm, said to him in a whisper:&#13;
"Do not stir. The dog has scented some one in the garden."</p><p>Agricola and his father remained for some minutes motionless, holding&#13;
their breath and listening. The dog, in obedience to his master, no&#13;
longer growled, but his uneasiness and agitation were displayed more and&#13;
more. Yet they heard nothing.</p><p>"The dog must have been deceived, father," whispered Agricola.</p><p>"I am sure of the contrary. Do not move."</p><p>After some seconds of expectation, Spoil-sport crouched down abruptly,&#13;
and pushed his nose as far as possible under the door, snuffling up the&#13;
air.</p><p>"They are coming," said Dagobert hastily, to his son.</p><p>"Let us draw off a little distance," replied Agricola.</p><p>"No," said his father; "we must listen. It will be time to retire, if&#13;
they open the door. Here, Spoil-sport! down!"</p><p>The dog obeyed, and withdrawing from the door, crouched down at the feet&#13;
of his master. Some seconds after, they heard a sort of splashing on the&#13;
damp ground, caused by heavy footsteps in puddles of water, and then the&#13;
sound of words, which carried away by the wind, did not reach distinctly&#13;
the ears of the soldier and the smith.</p><p>"They are the people of whom Mother Bunch told us, going their round,"&#13;
said Agricola to his father.</p><p>"So much the better. There will be an interval before they come round&#13;
again, and we shall have some two hours before us, without interruption.&#13;
Our affair is all right now."</p><p>By degrees, the sound of the footsteps became less and less distinct,&#13;
and at last died away altogether.</p><p>"Now, quick! we must not lose any time," said Dagobert to his son, after&#13;
waiting about ten minutes; "they are far enough. Let us try to open the&#13;
door."</p><p>Agricola leaned his powerful shoulder against it, and pushed vigorously;&#13;
but the door did not give way, notwithstanding its age.</p><p>"Confound it!" said Agricola; "there is a bar on the inside. I am sure&#13;
of it, or these old planks would not have resisted my weight."</p><p>"What is to be done?"</p><p>"I will scale the wall by means of the cord and hook, and open the door&#13;
from the other side."</p><p>So saying, Agricola took the cord, and after several attempts, succeeded&#13;
in fixing the hook on the coping of the wall.</p><p>"Now, father, give me a leg up; I will help myself up with the cord;&#13;
once astride on the wall, I can easily turn the hook and get down into&#13;
the garden."</p><p>The soldier leaned against the wall, and joined his two hands, in the&#13;
hollow of which his son placed one of his feet, then mounting upon the&#13;
robust shoulders of his father, he was able, by help of the cord, and&#13;
some irregularities in the wall, to reach the top. Unfortunately, the&#13;
smith had not perceived that the coping of the wall was strewed with&#13;
broken bottles, so that he wounded his knees and hands; but, for fear of&#13;
alarming Dagobert, he repressed every exclamation of pain, and replacing&#13;
the hook, he glided down the cord to the ground. The door was close by,&#13;
and he hastened to it; a strong wooden bar had indeed secured it on the&#13;
inside. This was removed, and the lock was in so bad a state, that it&#13;
offered no resistance to a violent effort from Agricola.</p><p>The door was opened, and Dagobert entered the garden with Spoil-sport.</p><p>"Now," said the soldier to his son, "thanks to you, the worst is&#13;
over. Here is a means of escape for the poor children, and Mdlle. de&#13;
Cardoville. The thing is now to find them, without accident or delay.&#13;
Spoil-sport will go before as a scout. Come, my good dog!" added&#13;
Dagobert, "above all--fair and softly!"</p><p>Immediately, the intelligent animal advanced a few steps, sniffing and&#13;
listening with the care and caution of a hound searching for the game.</p><p>By the half-light of the clouded moon, Dagobert and his son perceived&#13;
round them a V-shaped grove of tall trees, at which several paths met.&#13;
Uncertain which to choose, Agricola said to his father: "Let us take&#13;
the path that runs alongside the wall. It will surely lead to some&#13;
building."</p><p>"Right! Let us walk on the strips of grass, instead of through the mud.&#13;
It will make less noise."</p><p>The father and son, preceded by the Siberian dog, kept for some time in&#13;
a winding path, at no great distance from the wall. They stopped now&#13;
and then to listen, or to satisfy themselves, before continuing their&#13;
advance, with regard to the changing aspects of the trees and bushes,&#13;
which, shaken by the wind, and faintly illumined by the pale light of&#13;
the moon, often took strange and doubtful forms.</p><p>Half-past twelve struck as Agricola and his father reached a large&#13;
iron gate which shut in that part of the garden reserved for the&#13;
Superior--the same into which Mother Bunch had intruded herself, after&#13;
seeing Rose Simon converse with Adrienne de Cardoville.</p><p>Through the bars of this gate, Agricola and his father perceived at a&#13;
little distance an open paling, which joined a half-finished chapel, and&#13;
beyond it a little square building.</p><p>"That is no doubt the building occupied by Mdlle. de Cardoville," said&#13;
Agricola.</p><p>"And the building which contains the chambers of Rose and Blanche, but&#13;
which we cannot see from here, is no doubt opposite it," said Dagobert.&#13;
"Poor children! they are there, weeping tears of despair," added he,&#13;
with profound emotion.</p><p>"Provided the gate be but open," said Agricola.</p><p>"It will probably be so--being within the walls."</p><p>"Let us go on gently."</p><p>The gate was only fastened by the catch of the lock. Dagobert was about&#13;
to open it, when Agricola said to him: "Take care! do not make it creak&#13;
on its hinges."</p><p>"Shall I push it slowly or suddenly?"</p><p>"Let me manage it," said Agricola; and he opened the gate so quickly,&#13;
that it creaked very little; still the noise might have been plainly&#13;
heard, in the silence of the night, during one of the lulls between the&#13;
squalls of wind.</p><p>Agricola and his father remained motionless for a moment, listening&#13;
uneasily, before they ventured to pass through the gate. Nothing&#13;
stirred, however; all remained calm and still. With fresh courage, they&#13;
entered the reserved garden.</p><p>Hardly had the dog arrived on this spot, when he exhibited tokens of&#13;
extraordinary delight. Picking up his ears, wagging his tail, bounding&#13;
rather than running, he had soon reached the paling where, in&#13;
the morning, Rose Simon had for a moment conversed with Mdlle. de&#13;
Cardoville. He stopped an instant at this place, as if at fault, and&#13;
turned round and round like a dog seeking the scent.</p><p>Dagobert and his son, leaving Spoil-sport to his instinct, followed&#13;
his least movements with intense interest, hoping everything from his&#13;
intelligence and his attachment to the orphans.</p><p>"It was no doubt near this paling that Rose stood when Mother Bunch saw&#13;
her," said Dagobert. "Spoil-sport is on her track. Let him alone."</p><p>After a few seconds, the dog turned his head towards Dagobert, and&#13;
started at full trot in the direction of a door on the ground-floor of&#13;
a building, opposite to that occupied by Adrienne. Arrived at this door,&#13;
the dog lay down, seemingly waiting for Dagobert.</p><p>"No doubt of it! the children are there!" said Dagobert, hastening to&#13;
rejoin Spoil-sport; "it was by this door that they took Rose into the&#13;
house."</p><p>"We must see if the windows are grated," said Agricola, following his&#13;
father.</p><p>"Well, old fellow!" whispered the soldier, as he came up to the dog and&#13;
pointed to the building, "are Rose and Blanche there?"</p><p>The dog lifted his head, and answered by a joyful bark. Dagobert had&#13;
just time to seize the mouth of the animal with his hands.</p><p>"He will ruin all!" exclaimed the smith. "They have, perhaps, heard&#13;
him."</p><p>"No," said Dagobert. "But there is no longer any doubt--the children are&#13;
here."</p><p>At this instant, the iron gate, by which the soldier and his son had&#13;
entered the reserved garden, and which they had left open, fell to with&#13;
a loud noise.</p><p>"They've shut us in," said Agricola, hastily; "and there is no other&#13;
issue."</p><p>For a moment, the father and son looked in dismay at each other; but&#13;
Agricola instantly resumed: "The gate has perhaps shut of itself. I will&#13;
make haste to assure myself of this, and to open it again if possible."</p><p>"Go quickly; I will examine the windows."</p><p>Agricola flew towards the gate, whilst Dagobert, gliding along the wall,&#13;
soon reached the windows on the ground floor. They were four in number,&#13;
and two of them were not grated. He looked up at the first story; it was&#13;
not very far from the ground, and none of the windows had bars. It would&#13;
then be easy for that one of the two sisters, who inhabited this story,&#13;
once informed of their presence, to let herself down by means of a&#13;
sheet, as the orphans had already done to escape from the inn of&#13;
the White Falcon. But the difficult thing was to know which room she&#13;
occupied. Dagobert thought they might learn this from the sister on the&#13;
ground floor; but then there was another difficulty--at which of the&#13;
four windows should they knock?</p><p>Agricola returned precipitately. "It was the wind, no doubt, which shut&#13;
the gate," said he. "I have opened it again, and made it fast with a&#13;
stone. But we have no time to lose."</p><p>"And how shall we know the windows of the poor children?" said Dagobert,&#13;
anxiously.</p><p>"That is true," said Agricola, with uneasiness. "What is to be done?"</p><p>"To call them at hap-hazard," continued Dagobert, "would be to give the&#13;
alarm."</p><p>"Oh, heavens!" cried Agricola, with increasing anguish. "To have arrived&#13;
here, under their windows, and yet not to know!"</p><p>"Time presses," said Dagobert, hastily, interrupting his son; "we must&#13;
run all risks."</p><p>"But how, father?"</p><p>"I will call out loud, 'Rose and Blanche'--in their state of despair, I&#13;
am sure they do not sleep. They will be stirring at my first summons. By&#13;
means of a sheet, fastened to the window, she who is on the first&#13;
story will in five minutes be in our arms. As for the one on the ground&#13;
floor--if her window is not grated, we can have her in a second. If it&#13;
is, we shall soon loosen one of the bars."</p><p>"But, father--this calling out aloud?"</p><p>"Will not perhaps be heard."</p><p>"But if it is heard--all will be lost."</p><p>"Who knows? Before they have time to call the watch, and open several&#13;
doors, the children may be delivered. Once at the entrance of the&#13;
boulevard, and we shall be safe."</p><p>"It is a dangerous course; but I see no other."</p><p>"If there are only two men, I and Spoil-sport will keep them in check,&#13;
while you will have time to carry off the children."</p><p>"Father, there is a better way--a surer one," cried Agricola, suddenly.&#13;
"From what Mother Bunch told us, Mdlle. de Cardoville has corresponded&#13;
by signs with Rose and Blanche."</p><p>"Yes."</p><p>"Hence she knows where they are lodged, as the poor children answered&#13;
her from their windows."</p><p>"You are right. There is only that course to take. But how find her&#13;
room?"</p><p>"Mother Bunch told me there was a shade over the window."</p><p>"Quick! we have only to break through a wooden fence. Have you the iron&#13;
bar?"</p><p>"Here it is."</p><p>"Then, quick!"</p><p>In a few steps, Dagobert and his son had reached the paling. Three&#13;
planks, torn away by Agricola, opened an easy passage.</p><p>"Remain here, father, and keep watch," said he to Dagobert, as he&#13;
entered Dr. Baleinier's garden.</p><p>The indicated window was easily recognized. It was high and broad; a&#13;
sort of shade surmounted it, for this window had once been a door, since&#13;
walled in to the third of its height. It was protected by bars of iron,&#13;
pretty far apart. Since some minutes, the rain had ceased. The moon,&#13;
breaking through the clouds, shone full upon the building. Agricola,&#13;
approaching the window, saw that the room was perfectly dark; but light&#13;
came from a room beyond, through a door left half open. The smith,&#13;
hoping that Mdlle. de Cardoville might be still awake, tapped lightly at&#13;
the window. Soon after, the door in the background opened entirely, and&#13;
Mdlle. de Cardoville, who had not yet gone to bed, came from the other&#13;
chamber, dressed as she had been at her interview with Mother Bunch. Her&#13;
charming features were visible by the light of the taper she held in&#13;
her hand. Their present expression was that of surprise and anxiety. The&#13;
young girl set down the candlestick on the table, and appeared to listen&#13;
attentively as she approached the window. Suddenly she started and&#13;
stopped abruptly. She had just discerned the face of a man, looking&#13;
at her through the window. Agricola, fearing that Mdlle. de Cardoville&#13;
would retire in terror to the next room, again tapped on the glass, and&#13;
running the risk of being heard by others, said in a pretty loud voice:&#13;
"It is Agricola Baudoin."</p><p>These words reached the ears of Adrienne. Instantly remembering her&#13;
interview with Mother Bunch, she thought that Agricola and Dagobert&#13;
must have entered the convent for the purpose of carrying off Rose&#13;
and Blanche. She ran to the window, recognized Agricola in the clear&#13;
moonlight, and cautiously opened the casement.</p><p>"Madame," said the smith, hastily; "there is not an instant to lose.&#13;
The Count de Montbron is not in Paris. My father and myself have come to&#13;
deliver you."</p><p>"Thanks, thanks, M. Agricola!" said Mdlle. de Cardoville, in a tone&#13;
expressive of the most touching gratitude; "but think first of the&#13;
daughters of General Simon."</p><p>"We do think of them, madame, I have come to ask you which are their&#13;
windows."</p><p>"One is on the ground floor, the last on the garden-side; the other is&#13;
exactly over it, on the first story."</p><p>"Then they are saved!" cried the smith.</p><p>"But let me see!" resumed Adrienne, hastily; "the first story is pretty&#13;
high. You will find, near the chapel they are building, some long poles&#13;
belonging to the scaffolding. They may be of use to you."</p><p>"They will be as good as a ladder, to reach the upstairs window. But now&#13;
to think of you madame."</p><p>"Think only of the dear orphans. Time presses. Provided they are&#13;
delivered to-night, it makes little difference to me to remain a day or&#13;
two longer in this house."</p><p>"No, mademoiselle," cried the smith, "it is of the first importance that&#13;
you should leave this place to-night. Interests are concerned, of which&#13;
you know nothing. I am now sure of it."</p><p>"What do you mean?"</p><p>"I have not time to explain myself further; but I conjure you madame, to&#13;
come. I can wrench out two of these bars; I will fetch a piece of iron."</p><p>"It is not necessary. They are satisfied with locking the outer door&#13;
of this building, which I inhabit alone. You can easily break open the&#13;
lock."</p><p>"And, in ten minutes, we shall be on the boulevard," said the smith.&#13;
"Make yourself ready, madame; take a shawl, a bonnet, for the night is&#13;
cold. I will return instantly."</p><p>"M. Agricola," said Adrienne, with tears in her eyes, "I know what you&#13;
risk for my sake. I shall prove to you, I hope, that I have as good a&#13;
memory as you have. You and your adopted sister are noble and valiant&#13;
creatures, and I am proud to be indebted to you. But do not return for&#13;
me till the daughters of Marshal Simon are in safety."</p><p>"Thanks to your directions, the thing will be done directly, madame. I&#13;
fly to rejoin my father, and we will come together to fetch you."</p><p>Following the excellent advice of Mdlle. de Cardoville, Agricola took&#13;
one of the long, strong poles that rested against the wall of the&#13;
chapel, and, bearing it on his robust shoulders, hastened to rejoin&#13;
his father. Hardly had Agricola passed the fence, to direct his steps&#13;
towards the chapel, obscured in shadow, than Mdlle. de Cardoville&#13;
thought she perceived a human form issue from one of the clumps of trees&#13;
in the convent-garden, cross the path hastily, and disappear behind&#13;
a high hedge of box. Alarmed at the sight, Adrienne in vain called to&#13;
Agricola in a low voice, to bid him beware. He could not hear her; he&#13;
had already rejoined his father, who, devoured by impatience, went from&#13;
window to window with ever-increasing anguish.</p><p>"We are saved," whispered Agricola. "Those are the windows of the poor&#13;
children--one on the ground floor, the other on the first story."</p><p>"At last!" said Dagobert, with a burst of joy impossible to describe. He&#13;
ran to examine the windows. "They are not grated!" he exclaimed.</p><p>"Let us make sure, that one of them is there," said Agricola; "then, by&#13;
placing this pole against the wall, I will climb up to the first story,&#13;
which is not so very high."</p><p>"Right, my boy!--once there, tap at the window, and call Rose or&#13;
Blanche. When she answers, come down. We will rest the pole against&#13;
the window, and the poor child will slide along it. They are bold and&#13;
active. Quick, quick! to work!"</p><p>"And then we will deliver Mdlle. de Cardoville."</p><p>Whilst Agricola placed his pole against the wall, and prepares to mount,&#13;
Dagobert tapped at the panes of the last window on the ground floor, and&#13;
said aloud: "It is I--Dagobert."</p><p>Rose Simon indeed occupied the chamber. The unhappy child, in despair&#13;
at being separated from her sister, was a prey to a burning fever, and,&#13;
unable to sleep, watered her pillow with her tears. At the sound of the&#13;
tapping on the glass, she started up affrighted, then, hearing the voice&#13;
of the soldier--that voice so familiar and so dear--she sat up in bed,&#13;
pressed her hands across her forehead, to assure herself that she was&#13;
not the plaything of a dream, and, wrapped in her long night-dress, ran&#13;
to the window with a cry of joy. But suddenly--and before she could open&#13;
the casement--two reports of fire-arms were heard, accompanied by loud&#13;
cries of "Help! thieves!"</p><p>The orphan stood petrified with terror, her eyes mechanically fixed upon&#13;
the window, through which she saw confusedly, by the light of the moon,&#13;
several men engaged in a mortal struggle, whilst the furious barking&#13;
of Spoil-sport was heard above all the incessant cries of "Help! Help!&#13;
Thieves! Murder!"</p><p>BOOK V.</p><p>XIV. The Eve of a Great Day XV. The Thug XVI. The Two&#13;
     Brothers of the Good Work XVII. The House in the Rue Saint-&#13;
     Francois XVIII. Debit and Credit XIX. The Heir XX. The&#13;
     Rupture XXI. The Change XXII. The Red Room XXIII. The&#13;
     Testament XXIV. The Last Stroke of Noon XXV. The Deed of&#13;
     Gift</p><p>CHAPTER XIV. THE EVE OF A GREAT DAY.</p><p>About two hours before the event last related took place at St. Mary's&#13;
Convent, Rodin and Abbe d'Aigrigny met in the room where we have already&#13;
seen them, in the Rue du Milieu-des-Ursins. Since the Revolution of&#13;
July, Father d'Aigrigny had thought proper to remove for the moment to&#13;
this temporary habitation all the secret archives and correspondence of&#13;
his Order--a prudent measure, since he had every reason to fear that the&#13;
reverend fathers would be expelled by the state from that magnificent&#13;
establishment, with which the restoration had so liberally endowed their&#13;
society. (11)</p><p>Rodin, dressed in his usual sordid style, mean and dirty as ever, was&#13;
writing modestly at his desk, faithful to his humble part of secretary,&#13;
which concealed, as we have already seen a far more important&#13;
office--that of Socius--a function which, according to the constitutions&#13;
of the Order, consists in never quitting his superior, watching his&#13;
least actions, spying into his very thoughts, and reporting all to Rome.</p><p>In spite of his usual impassibility, Rodin appeared visibly uneasy and&#13;
absent in mind; he answered even more briefly than usual to the commands&#13;
and questions of Father d'Aigrigny, who had but just entered the room.</p><p>"Has anything new occurred during my absence?" asked he. "Are the&#13;
reports still favorable?"</p><p>"Very favorable."</p><p>"Read them to me."</p><p>"Before giving this account to your reverence," said Rodin, "I must&#13;
inform you that Morok has been two days in Paris."</p><p>"Morok?" said Abbe d'Aigrigny, with surprise. "I thought, on leaving&#13;
Germany and Switzerland, he had received from Friburg the order to&#13;
proceed southward. At Nismes, or Avignon, he would at this moment be&#13;
useful as an agent; for the Protestants begin to move, and we fear a&#13;
reaction against the Catholics."</p><p>"I do not know," said Rodin, "if Morok may not have had private reasons&#13;
for changing his route. His ostensible reasons are, that he comes here&#13;
to give performances."</p><p>"How so?"</p><p>"A dramatic agent, passing through Lyons, engaged him and his menagerie&#13;
for the Port Saint-Martin Theatre at a very high price. He says that he&#13;
did not like to refuse such an offer."</p><p>"Well," said Father d'Aigrigny, shrugging his shoulders, "but by&#13;
distributing his little books, and selling prints and chaplets, as&#13;
well as by the influence he would certainly exercise over the pious and&#13;
ignorant people of the South or of Brittany, he might render services,&#13;
such as he can never perform in Paris."</p><p>"He is now below, with a kind of giant, who travels about with him. In&#13;
his capacity of your reverence's old servant, Morok hoped to have the&#13;
honor of kissing your hand this evening."</p><p>"Impossible--impossible--you know how much I am occupied. Have you sent&#13;
to the Rue Saint-Francois?"</p><p>"Yes, I have. The old Jew guardian has had notice from the notary. To&#13;
morrow, at six in the morning, the masons will unwall the door, and,&#13;
for the first time since one hundred and fifty years, the house will be&#13;
opened."</p><p>Father d'Aigrigny remained in thought for a moment, and then said to&#13;
Rodin: "On the eve of such a decisive day, we must neglect nothing,&#13;
and call every circumstance to memory. Read me the copy of the note,&#13;
inserted in the archives of the society, a century and a half ago, on&#13;
the subject of Rennepont."</p><p>The secretary took the note from the case, and read as follows:</p><p>"'This 19th day of February, 1682, the Reverend Father-Provincial&#13;
Alexander Bourdon sent the following advice, with these words in the&#13;
margin: Of extreme importance for the future.</p><p>"'We have just discovered, by the confession of a dying person to one of&#13;
our fathers, a very close secret.</p><p>"'Marius de Rennepont, one of the most active and redoubtable partisans&#13;
of the Reformed Religion, and one of the most determined enemies of our&#13;
Holy Society, had apparently re-entered the pale of our Mother Church,&#13;
but with the sole design of saving his worldly goods, threatened with&#13;
confiscation because of his irreligious and damnable errors. Evidence&#13;
having been furnished by different persons of our company to prove that&#13;
the conversion of Rennepont was not sincere, and in reality covered a&#13;
sacrilegious lure, the possessions of the said gentleman, now considered&#13;
a relapsed heretic, were confiscated by our gracious sovereign, his&#13;
Majesty King Louis XIV, and the said Rennepont was condemned to the&#13;
galleys for life.(12) He escaped his doom by a voluntary death; in&#13;
consequence of which abominable crime, his body was dragged upon a&#13;
hurdle, and flung to the dogs on the highway.</p><p>"'From these preliminaries, we come to the great secret, which is of&#13;
such importance to the future interests of our Society.</p><p>"'His Majesty Louis XIV., in his paternal and Catholic goodness towards&#13;
the Church in general, and our Order in particular, had granted to us&#13;
the profit of this confiscation, in acknowledgment of our services in&#13;
discovering the infamous and sacrilegious relapse of the said Rennepont.</p><p>"'But we have just learned, for certain, that a house situated in Paris,&#13;
No. 3, Rue Saint-Francois, and a sum of fifty thousand gold crowns, have&#13;
escaped this confiscation, and have consequently been stolen from our&#13;
Society.</p><p>"'The house was conveyed, before the confiscation, by means of a feigned&#13;
purchase, to a friend of Rennepont's a good Catholic, unfortunately, as&#13;
against him we cannot take any severe measures. Thanks to the culpable,&#13;
but secure connivance of his friend, the house has been walled up, and&#13;
is only to be opened in a century and a half, according to the last&#13;
will of Rennepont. As for the fifty thousand gold crowns, they have been&#13;
placed in hands which, unfortunately, are hitherto unknown to us, in&#13;
order to be invested and put out to use for one hundred and fifty years,&#13;
at the expiration of which time they are to be divided between the then&#13;
existing descendants of the said Rennepont; and it is calculated that&#13;
this sum, increased by so many accumulations, will by then have become&#13;
enormous, and will amount to at least forty or fifty millions of livres&#13;
tournois. From motives which are not known, but which are duly stated&#13;
in a testamentary document, the said Rennepont has concealed from his&#13;
family, whom the edicts against the Protestants have driven out of&#13;
France, the investment of these fifty thousand crowns; and has only&#13;
desired his relations to preserve in their line from generation to&#13;
generation, the charge to the last survivors, to meet in Paris, Rue&#13;
Saint-Francois, a hundred and fifty years hence, on February the 13th,&#13;
1832. And that this charge might not be forgotten, he employed a person,&#13;
whose description is known, but not his real occupation, to cause to&#13;
be manufactured sundry bronze medals, on which the request and date are&#13;
engraved, and to deliver one to each member of the family--a measure the&#13;
more necessary, as, from some other motive equally unknown, but probably&#13;
explained in the testament, the heirs are to present themselves on the&#13;
day in question, before noon, in person, and not by any attorney, or&#13;
representative, or to forfeit all claim to the inheritance. The stranger&#13;
who undertook to distribute the medals to the different members of the&#13;
family of Rennepont is a man of thirty to thirty-six years of age, of&#13;
tall stature, and with a proud and sad expression of countenance. He has&#13;
black eyebrows, very thick, and singularly joined together. He is&#13;
known as JOSEPH, and is much suspected of being an active and dangerous&#13;
emissary of the wretched republicans and heretics of the Seven&#13;
United Provinces. It results from these premises, that this sum,&#13;
surreptitiously confided by a relapsed heretic to unknown hands, has&#13;
escaped the confiscation decreed in our favor by our well-beloved king.&#13;
A serious fraud and injury has therefore been committed, and we are&#13;
bound to take every means to recover this our right, if not immediately,&#13;
at least in some future time. Our Society being (for the greater glory&#13;
of God and our Holy Father) imperishable, it will be easy, thanks to the&#13;
connections we keep up with all parts of the world, by means of missions&#13;
and other establishments, to follow the line of this family of Rennepont&#13;
from generation to generation, without ever losing sight of it--so that&#13;
a hundred and fifty years hence, at the moment of the division of this&#13;
immense accumulation of property, our Company may claim the inheritance&#13;
of which it has been so treacherously deprived, and recover it by&#13;
any means in its power, fas aut nefas, even by craft or violence--our&#13;
Company not being bound to act tenderly with the future detainers of&#13;
our goods, of which we have been maliciously deprived by an infamous and&#13;
sacrilegious heretic--and because it is right to defend, preserve,&#13;
and recover one's own property by every means which the Lord may place&#13;
within one's reach. Until, therefore, the complete restitution of this&#13;
wealth, the family of Rennepont must be considered as reprobate and&#13;
damnable, as the cursed seed of a Cain, and always to be watched with&#13;
the utmost caution. And it is to be recommended, that, every year&#13;
from this present date, a sort of inquisition should be held as to the&#13;
situation of the successive members of this family.'"</p><p>Rodin paused, and said to Father d'Aigrigny: "Here follows the account,&#13;
year by year, of the history of this family, from the year 1682, to our&#13;
own day. It will be useless to read this to your reverence."</p><p>"Quite useless," said Abbe d'Aigrigny. "The note contains all the&#13;
important facts." Then, after a moment's silence, he exclaimed, with&#13;
an expression of triumphant pride: "How great is the power of the&#13;
Association, when founded upon tradition and perpetuity! Thanks to this&#13;
note, inserted in our archives a century and a half ago, this family has&#13;
been watched from generation to generation--our Order has always had&#13;
its eyes upon them, following them to all points of the globe, to which&#13;
exile had distributed them--and at last, to-morrow, we shall obtain&#13;
possession of this property, at first inconsiderable, but which a&#13;
hundred and fifty years have raised to a royal fortune. Yes, we shall&#13;
succeed, for we have foreseen every eventuality. One thing only troubles&#13;
me."</p><p>"What is that?" asked Rodin.</p><p>"The information that we have in vain tried to obtain from the guardian&#13;
of the house in the Rue Saint-Francois. Has the attempt been once more&#13;
made, as I directed?"</p><p>"It has been made."</p><p>"Well?"</p><p>"This time, as always before, the old Jew has remained impenetrable.&#13;
Besides he is almost in his second childhood, and his wife not much&#13;
better."</p><p>"When I think," resumed Father d'Aigrigny, "that for a century and a&#13;
half, this house in the Rue Saint-Francois has remained walled up, and&#13;
that the care of it has been transmitted from generation to generation&#13;
in this family of the Samuels--I cannot suppose that they have all been&#13;
ignorant as to who were and are the successive holders of these funds,&#13;
now become immense by accumulation."</p><p>"You have seen," said Rodin, "by the notes upon this affair, that the&#13;
Order has always carefully followed it up ever since 1682. At different&#13;
periods attempts have been made to obtain information upon subjects&#13;
not fully explained in the note of Father Bourdon. But this race of Jew&#13;
guardians has ever remained dumb, and we must therefore conclude that&#13;
they know nothing about it."</p><p>"That has always struck me as impossible; for the ancestor of these&#13;
Samuels was present at the closing of the house, a hundred and fifty&#13;
years ago. He was according to the file, a servant or confidential clerk&#13;
of De Rennepont. It is impossible that he should not have known many&#13;
things, the tradition of which must have been preserved in the family."</p><p>"If I were allowed to hazard a brief observation," began Rodin, humbly.</p><p>"Speak."</p><p>"A few years ago we obtained certain information through the&#13;
confessional, that the funds were in existence, and that they had risen&#13;
to an enormous amount."</p><p>"Doubtless; and it was that which called the attention of the Reverend&#13;
Father-General so strongly to this affair."</p><p>"We know, then, what probably the descendants of the family do not--the&#13;
immense value of this inheritance?"</p><p>"Yes," answered Father d'Aigrigny, "the person who certified this fact&#13;
in confession is worthy of all belief. Only lately, the same declaration&#13;
was renewed; but all the efforts of the confessor could not obtain the&#13;
name of the trustee, or anything beyond the assertion, that the money&#13;
could not be in more honest hands."</p><p>"It seems to me, then," resumed Rodin, "that we are certain of what is&#13;
most important."</p><p>"And who knows if the holder of this enormous sum will appear to-morrow,&#13;
in spite of the honesty ascribed to him? The nearer the moment the more&#13;
my anxiety increases. Ah!" continued Father d'Aigrigny, after a moment's&#13;
silence, "the interests concerned are so immense that the consequences&#13;
of success are quite incalculable. However, all that it was possible to&#13;
do, has been at least tried."</p><p>To these words, which Father d'Aigrigny addressed to Rodin, as if asking&#13;
for his assent, the socius returned no answer.</p><p>The abbe looked at him with surprise, and said: "Are you not of my&#13;
opinion--could more have been attempted? Have we not gone to the extreme&#13;
limit of the possible?"</p><p>Rodin bowed respectfully, but remained mute.</p><p>"If you think we have omitted some precaution," cried Father d'Aigrigny,&#13;
with a sort of uneasy impatience, "speak out! We have still time. Once&#13;
more, do you think it is possible to do more than I have done? All the&#13;
other descendants being removed, when Gabriel appears to-morrow in&#13;
the Rue Saint-Francois, will he not be the only representative of this&#13;
family, and consequently the rightful possessor of this immense fortune?&#13;
Now, according to his act of renunciation, and the provisions of our&#13;
statutes, it is not to him, but to the Order, that these possessions&#13;
must fall. Could I have acted better, or in any other manner? Speak&#13;
frankly!"</p><p>"I cannot permit myself to offer an opinion on this subject," replied&#13;
Rodin, humbly, and again bowing; "the success of the measures taken must&#13;
answer your reverence."</p><p>Father d'Aigrigny shrugged his shoulders, and reproached himself for&#13;
having asked advice of this writing-machine, that served him for&#13;
a secretary, and to whom he only ascribed three qualities--memory,&#13;
discretion, and exactness.</p><p>(11) This was an idle fear, for we read in the Constitutionnel, Feb. 1st&#13;
1832, as follows: "When in 1822, M. de Corbiere abruptly abolished that&#13;
splendid Normal School, which, during its few years' existence, had&#13;
called forth or developed such a variety of talent, it was decided,&#13;
as some compensation, that a house in the Rue des Postes should be&#13;
purchased, where the congregation of the Holy Ghost should be located&#13;
and endowed. The Minister of Marine supplied the funds for this purpose,&#13;
and its management was placed at the disposal of the Society, which then&#13;
reigned over France. From that period it has held quiet possession of&#13;
the place, which at once became a sort of house of entertainment, where&#13;
Jesuitism sheltered, and provided for, the numerous novitiates that&#13;
flocked from all parts of the country, to receive instructions from&#13;
Father Ronsin. Matters were in this state when the Revolution of&#13;
July broke out, which threatened to deprive the Society of this&#13;
establishment. But it will hardly be believed; this was not done. It&#13;
is true that they suppressed their practice, but they left them in&#13;
possession of the house in the Rue des Postes; and to this very day, the&#13;
31st of January, 1832, the members of the Sacred Heart are housed at the&#13;
expense of government, during the whole of which time the Normal School&#13;
has been without a shelter--and on its reorganization, thrust into a&#13;
dirty hole, in a narrow corner of the College of Louis the Great."</p><p>The above appeared in the Constitutionnel, respecting the house in&#13;
the Rue des Posses. We are certainly ignorant as to the nature of the&#13;
transactions, since that period, that have taken place between the&#13;
reverend fathers and the government; but we read further, in a recently&#13;
published article that appeared in a journal, in reference to the&#13;
Society of Jesus, that the house in the Rue des Postes, still forms a&#13;
part of their landed property. We will here give some portions of the&#13;
article in question.</p><p>"The following is a list of the property belonging to this branch of</p><p>Jesuits:                                       Fr.&#13;
     House in the Rue de Postes, worth about 500,000&#13;
     One in the Rue de Sevres, estimated at  300,000&#13;
     Farm, two leagues from Paris.....150,000&#13;
     House and church at Bourges..... 100,000&#13;
     Notre Dame de Liesse, donation in 1843   60,000&#13;
     Saint Acheul, House for Novitiates..  400,000&#13;
     Nantes, a house...........100,000&#13;
     Quimper, ditto...........  40,000&#13;
     Laval, house and church......  150,000&#13;
     Rennes, a house..........  20,000&#13;
     Vannes, ditto...........  20,000&#13;
     Metz, ditto............  40,000&#13;
     Strasbourg............   60,000&#13;
     Rouen, ditto...........   15,000</p><p>"By this it appears that these various items amount to little less than&#13;
two millions. Teaching, moreover, is another important source of revenue&#13;
to the Jesuits. The college at Broyclette alone brings in 200,000&#13;
francs. The two provinces in France (for the general of the Jesuits at&#13;
Rome has divided France into two provinces, Lyons and Paris) possess,&#13;
besides a large sum in ready money, Austrian bonds of more than 260,000&#13;
francs. Their Propagation of Faith furnishes annually some 50,000&#13;
francs; and the harvest which the priests collect by their sermons&#13;
amounts to 150,000 francs. The alms given for charity may be estimated&#13;
at the same figure, producing together a revenue of 540,000 francs. Now,&#13;
to this revenue may be added the produce of the sale of the Society's&#13;
works, and the profit obtained by hawking pictures. Each plate costs,&#13;
design and engraving included, about 600 francs, off which are struck&#13;
about 10,000 copies, at 40 francs per thousand, and there is a further&#13;
expense of 250 francs to their publisher; and they obtain a net profit&#13;
of 210 francs on every thousand. This, indeed, is working to advantage.&#13;
And it can easily be imagined with what rapidity all these are sold. The&#13;
fathers themselves are the travellers for the Society, and it would be&#13;
difficult to find more zealous or persevering ones. They are always well&#13;
received, and do not know what it is to meet with a refusal. They always&#13;
take care that the publisher should be one of their own body. The first&#13;
person whom they selected for this occupation was one of their members,&#13;
possessing some money; but they were obliged, notwithstanding, to make&#13;
certain advances to enable him to defray the expenses of its first&#13;
establishment. But, when they became fully convinced of the success of&#13;
their undertaking, they suddenly called in these advances, which the&#13;
publisher was not in a condition to pay. They were perfectly aware of&#13;
this, and superseded him by a wealthy successor, with whom they could&#13;
make a better bargain; and thus, without remorse, they ruined the&#13;
man, by thrusting him from an appointment of which they had morally&#13;
guaranteed the continuance."</p><p>(12) Louis XIV., the great King, punished with the Galleys those&#13;
Protestants who, once converted, often by force, afterwards returned&#13;
to their first belief. As for those Protestants who remained in France,&#13;
notwithstanding the rigor of the edicts against them, they were deprived&#13;
of burial, dragged upon a hurdle, and given to the dogs.--E. S.</p><p>CHAPTER XV. THE THUG.</p><p>After a moment's silence, Father d'Aigrigny resumed "Read me to-day's&#13;
report on the situation of each of the persons designated."</p><p>"Here is that of this evening; it has just come."</p><p>"Let us hear."</p><p>Rodin read as follows: "Jacques Rennepont, alias Sleepinbuff, was seen&#13;
in the interior of the debtors' prison at eight o'clock this evening."</p><p>"He will not disturb us to-morrow. One; go on."</p><p>"The lady superior of St. Mary's Convent, warned by the Princess&#13;
de Saint-Dizier, has thought fit to confine still more strictly the&#13;
Demoiselles Rose and Blanche Simon. This evening, at nine o'clock, they&#13;
have been carefully locked in their cells, and armed men will make their&#13;
round in the convent garden during the night."</p><p>"Thanks to these precautions, there is nothing to fear from that side,"&#13;
said Father d'Aigrigny. "Go on."</p><p>"Dr. Baleinier, also warned by the Princess de Saint-Dizier, continues&#13;
to have Mdlle. de Cardoville very closely watched. At a quarter to nine&#13;
the door of the building in which she is lodged was locked and bolted."</p><p>"That is still another cause the less for uneasiness."</p><p>"As for M. Hardy," resumed Rodin "I have received this morning, from&#13;
Toulouse, a letter from his intimate friend, M. de Bressac, who has been&#13;
of such service to us in keeping the manufacturer away for some&#13;
days longer. This letter contains a note, addressed by M. Hardy to a&#13;
confidential person, which M. de Bressac has thought fit to intercept,&#13;
and send to us as another proof of the success of the steps he has&#13;
taken, and for which he hopes we shall give him credit--as to serve us,&#13;
he adds, he betrays his friend in the most shameful manner, and acts a&#13;
part in an odious comedy. M. de Bressac trusts that, in return for these&#13;
good offices, we will deliver up to him those papers, which place him&#13;
in our absolute dependence, as they might ruin for ever a woman he loves&#13;
with an adulterous passion. He says that we ought to have pity on the&#13;
horrible alternative in which he is placed--either to dishonor and ruin&#13;
the woman he adores, or infamously to betray the confidence of his bosom&#13;
friend."</p><p>"These adulterous lamentations are not deserving of pity," answered&#13;
Father d'Aigrigny, with contempt. "We will see about that; M. de Bressac&#13;
may still be useful to us. But let us hear this letter of M. Hardy, that&#13;
impious and republican manufacturer, worthy descendant of an accursed&#13;
race, whom it is of the first importance to keep away."</p><p>"Here is M. Hardy's letter," resumed Rodin. "To-morrow, we will send it&#13;
to the person to whom it is addressed." Rodin read as follows:</p><p>"TOULOUSE, February the 10th.</p><p>"At length I find a moment to write to you, and to explain the cause&#13;
of the sudden departure which, without alarming, must at least have&#13;
astonished you. I write also to ask you a service; the facts may be&#13;
stated in a few words. I have often spoken to you of Felix de Bressac,&#13;
one of my boyhood mates, though not nearly so old as myself. We have&#13;
always loved each other tenderly, and have shown too many proofs of&#13;
mutual affection not to count upon one another. He is a brother to me.&#13;
You know all I mean by that expression. Well--a few days ago, he wrote&#13;
to me from Toulouse, where he was to spend some time: 'If you love me,&#13;
come; I have the greatest need of you. At once! Your consolations&#13;
may perhaps give me the courage to live. If you arrive too late--why,&#13;
forgive me--and think sometimes of him who will be yours to the last.'&#13;
Judge of my grief and fear on receipt of the above. I seat instantly&#13;
for post-horses. My old foreman, whom I esteem and revere (the father of&#13;
General Simon), hearing that I was going to the south, begged me to take&#13;
him with me, and to leave him for some days in the department of the&#13;
Creuse, to examine some ironworks recently founded there. I consented&#13;
willingly to this proposition, as I should thus at least have some one&#13;
to whom I could pour out the grief and anxiety which had been caused&#13;
by this letter from Bressac. I arrive at Toulouse; they tell me that&#13;
he left the evening before, taking arms with him, a prey to the most&#13;
violent despair. It was impossible at first to tell whither he had gone;&#13;
after two days, some indications, collected with great trouble, put me&#13;
upon his track. At last, after a thousand adventures, I found him in a&#13;
miserable village. Never--no, never, have I seen despair like this.&#13;
No violence, but a dreadful dejection, a savage silence. At first, he&#13;
almost repulsed me; then, this horrible agony having reached its height,&#13;
he softened by degrees, and, in about a quarter of an hour, threw&#13;
himself into my arms, bathed in tears. Beside him were his loaded&#13;
pistols: one day later, and all would have been over. I cannot tell you&#13;
the reason of his despair; I am not at liberty to do so; but it did not&#13;
greatly astonish me. Now there is a complete cure to effect. We must&#13;
calm, and soothe, and heal this poor soul, which has been cruelly&#13;
wounded. The hand of friendship is alone equal to this delicate task,&#13;
and I have good hope of success. I have therefore persuaded him to&#13;
travel for some time; movement and change of scene will be favorable to&#13;
him. I shall take him first to Nice; we set out tomorrow. If he wishes&#13;
to prolong this excursion. I shall do so too, for my affairs do not&#13;
imperiously demand my presence in Paris before the end of March. As&#13;
for the service I have to ask of you, it is conditional. These are the&#13;
facts. According to some family papers that belonged to my mother,&#13;
it seems I have a certain interest to present myself at No. 3, Rue&#13;
Saint-Francois, in Paris, on the 13th of February. I had inquired about&#13;
it, and could learn nothing, except that this house of very antique&#13;
appearance, has been shut up for the last hundred and fifty years,&#13;
through a whim of one of my maternal ancestors, and that it is to be&#13;
opened on the 13th of this month, in presence of the co-heirs who, if&#13;
I have any, are quite unknown to me. Not being able to attend myself, I&#13;
have written to my foreman, the father of General Simon, in whom I have&#13;
the greatest confidence, and whom I had left behind in the department&#13;
of the Creuse, to set out for Paris, and to be present at the opening&#13;
of this house, not as an agent (which would be useless), but as a&#13;
spectator, and inform me at Nice what has been the result of this&#13;
romantic notion of my ancestor's. As it is possible that my foreman may&#13;
arrive too late to accomplish this mission, I should be much obliged&#13;
if you would inquire at my house at Plessy, if he has yet come, and,&#13;
in case of his still being absent, if you would take his place at the&#13;
opening of the house in the Rue Saint-Francois. I believe that I have&#13;
made a very small sacrifice for my friend Bressac, in not being in Paris&#13;
on that day. But had the sacrifice been immense, I should have made it&#13;
with pleasure, for my care and friendship are at present most necessary&#13;
to the man whom I look upon as a brother. I count upon your compliance&#13;
with my request, and, begging you to be kind enough to write me, 'to&#13;
be called for,' at Nice, the result of your visit of inquiry, I remain,&#13;
etc., etc.</p><p>"FRANCIS HARDY."</p><p>"Though his presence cannot be of any great importance, it would be&#13;
preferable that Marshal Simon's father should not attend at the opening&#13;
of this house to-morrow," said Father d'Aigrigny. "But no matter. M.&#13;
Hardy himself is out of the way. There only remains the young Indian."</p><p>"As for him," continued the abbe, with a thoughtful air, "we acted&#13;
wisely in letting M. Norval set out with the presents of Mdlle. de&#13;
Cardoville. The doctor who accompanies M. Norval, and who was chosen by&#13;
M. Baleinier, will inspire no suspicion?"</p><p>"None," answered Rodin. "His letter of yesterday is completely&#13;
satisfactory."</p><p>"There is nothing, then, to fear from the Indian prince," said&#13;
D'Aigrigny. "All goes well."</p><p>"As for Gabriel," resumed Rodin, "he has again written this morning, to&#13;
obtain from your reverence the interview that he has vainly solicited&#13;
for the last three days. He is affected by the rigor exercised towards&#13;
him, in forbidding him to leave the house for these five days past."</p><p>"To-morrow, when we take him to the Rue Saint-Francois, I will hear what&#13;
he has to say. It will be time enough. Thus, at this hour," said Father&#13;
d'Aigrigny, with an air of triumphant satisfaction, "all the descendants&#13;
of this family, whose presence might ruin our projects, are so&#13;
placed that it is absolutely impossible for them to be at the Rue&#13;
Saint-Francois to-morrow before noon, while Gabriel will be sure to be&#13;
there. At last our end is gained."</p><p>Two cautious knocks at the door interrupted Father d'Aigrigny. "Come&#13;
in," said he.</p><p>An old servant in black presented himself, and said: "There is a man&#13;
downstairs who wishes to speak instantly to M. Rodin on very urgent&#13;
business."</p><p>"His name?" asked Father d'Aigrigny.</p><p>"He would not tell his name; but he says that he comes from M. Van Dael,&#13;
a merchant in Java."</p><p>Father d'Aigrigny and Rodin exchanged a glance of surprise, almost of&#13;
alarm.</p><p>"See what this man is," said D'Aigrigny to Rodin, unable to conceal&#13;
his uneasiness, "and then come and give me an account of it." Then,&#13;
addressing the servant, he added: "Show him in"--and exchanging&#13;
another expressive sign with Rodin, Father d'Aigrigny disappeared by a&#13;
side-door.</p><p>A minute after, Faringhea, the ex-chief of the Stranglers, appeared&#13;
before Rodin, who instantly remembered having seen him at Cardoville&#13;
Castle.</p><p>The socius started, but he did not wish to appear to recollect his&#13;
visitor. Still bending over his desk, he seemed not to seen Faringhea,&#13;
but wrote hastily some words on a sheet of paper that lay before him.</p><p>"Sir," said the servant, astonished at the silence of Rodin, "here is&#13;
the person."</p><p>Rodin folded the note that he had so precipitately written, and said to&#13;
the servant: "Let this be taken to its address. Wait for an answer."</p><p>The servant bowed, and went out. Then Rodin, without rising, fixed his&#13;
little reptile-eyes on Faringhea, and said to him courteously: "To whom,&#13;
sir, have I the honor of speaking?"</p><p>CHAPTER XVI. THE TWO BROTHERS OF THE GOOD WORK.</p><p>Faringhea, as we have before stated, though born in India, had travelled&#13;
a good deal, and frequented the European factories in different parts&#13;
of Asia. Speaking well both English and French, and full of intelligence&#13;
and sagacity, he was perfectly civilized.</p><p>Instead of answering Rodin's question, he turned upon him a fixed and&#13;
searching look. The socius, provoked by this silence, and forseeing&#13;
vaguely that Faringhea's arrival had some connection--direct or&#13;
indirect--with Djalma, repeated, though still with the greatest&#13;
coolness: "To whom, sir, have I the honor of speaking?"</p><p>"Do you not recognize me," said Faringhea, advancing two steps nearer to&#13;
Rodin's chair.</p><p>"I do not think I have ever had the honor of seeing you," answered the&#13;
other, coldly.</p><p>"But I recognize you," said Faringhea; "I saw you at Cardoville Castle&#13;
the day that a ship and a steamer were wrecked together."</p><p>"At Cardoville Castle? It is very possible, sir. I was there when a&#13;
shipwreck took place."</p><p>"And that day I called you by your name, and you asked me what I&#13;
wanted. I replied: 'Nothing now, brother--hereafter, much.' The time has&#13;
arrived. I have come to ask for much."</p><p>"My dear sir," said Rodin, still impassible, "before we continue this&#13;
conversation, which appears hitherto tolerably obscure, I must repeat my&#13;
wish to be informed to whom I have the advantage of speaking. You have&#13;
introduced yourself here under pretext of a commission from Mynheer&#13;
Joshua Van Dael, a respectable merchant of Batavia, and--"</p><p>"You know the writing of M. Van Dael?" said Faringhea, interrupting&#13;
Rodin.</p><p>"I know it perfectly."</p><p>"Look!" The half-caste drew from his pocket (he was shabbily dressed in&#13;
European clothes) a long dispatch, which he had taken from one Mahal the&#13;
Smuggler, after strangling him on the beach near Batavia. These papers&#13;
he placed before Rodin's eyes, but without quitting his hold of them.</p><p>"It is, indeed, M. Van Dael's writing," said Rodin, and he stretched&#13;
out his hard towards the letter, which Faringhea quickly and prudently&#13;
returned to his pocket.</p><p>"Allow me to observe, my dear sir, that you have a singular manner of&#13;
executing a commission," said Rodin. "This letter, being to my address,&#13;
and having been entrusted to you by M. Van Dael, you ought--"</p><p>"This letter was not entrusted to me by M. Van Dael," said Faringhea,&#13;
interrupting Rodin.</p><p>"How, then, is it in your possession?"</p><p>"A Javanese smuggler betrayed me. Van Dael had secured a passage to&#13;
Alexandria for this man, and had given him this letter to carry with him&#13;
for the European mail. I strangled the smuggler, took the letter, made&#13;
the passage--and here I am."</p><p>The Thug had pronounced these words with an air of savage boasting; his&#13;
wild, intrepid glance did not quail before the piercing look of Rodin,&#13;
who, at this strange confession, had hastily raised his head to observe&#13;
the speaker.</p><p>Faringhea thought to astonish or intimidate Rodin by these ferocious&#13;
words; but, to his great surprise, the socius, impassible as a corpse,&#13;
said to him, quite simply: "Oh! they strangle people in Java?"</p><p>"Yes, there and elsewhere," answered Faringhea, with a bitter smile.</p><p>"I would prefer to disbelieve you; but I am surprised at your sincerity&#13;
M.--, what is your name?"</p><p>"Faringhea."</p><p>"Well, then, M. Faringhea, what do you wish to come to? You have&#13;
obtained by an abominable crime, a letter addressed to me, and now you&#13;
hesitate to deliver it."</p><p>"Because I have read it, and it may be useful to me."</p><p>"Oh! you have read it?" said Rodin, disconcerted for a moment. Then he&#13;
resumed: "It is true, that judging by your mode of possessing yourself&#13;
of other people's correspondence, we cannot expect any great amount of&#13;
honesty on your part. And pray what have you found so useful to you in&#13;
this letter?"</p><p>"I have found, brother, that you are, like myself, a son of the Good&#13;
Work."</p><p>"Of what good work do you speak" asked Rodin not a little surprised.</p><p>Faringhea replied with an expression of bitter irony. "Joshua says to&#13;
you in his letter--'Obedience and courage, secrecy and patience, craft&#13;
and audacity, union between us, who have the world for our country, the&#13;
brethren for our family, Rome for our queen.'"</p><p>"It is possible that M. Van Dael has written thus to me Pray, sir, what&#13;
do you conclude from it?"</p><p>"We, too, have the world for our country, brother, our accomplices for&#13;
our family, and for our queen Bowanee."</p><p>"I do not know that saint," said Rodin, humbly.</p><p>"It is our Rome," answered the Strangler. "Van Dael speaks to you of&#13;
those of your Order, who, scattered over all the earth, labor for&#13;
the glory of Rome, your queen. Those of our band labor also in divers&#13;
countries, for the glory of Bowanee."</p><p>"And who are these sons of Bowanee, M. Faringhea?"</p><p>"Men of resolution, audacious, patient, crafty, obstinate, who, to make&#13;
the Good Work succeed, would sacrifice country and parents, and sister&#13;
and brother, and who regard as enemies all not of their band!"</p><p>"There seems to be much that is good in the persevering and exclusively&#13;
religious spirit of such an order," said Rodin, with a modest and&#13;
sanctified air; "only, one must know your ends and objects."</p><p>"The same as your own, brother--we make corpses."(13)</p><p>"Corpses!" cried Rodin.</p><p>"In this letter," resumed Faringhea, "Van Dael tells you that the&#13;
greatest glory of your Order is to make 'a corpse of man.' Our work also&#13;
is to make corpses of men. Man's death is sweet to Bowanee."</p><p>"But sir," cried Rodin, "M. Van Dael speaks of the soul, of the will, of&#13;
the mind, which are to be brought down by discipline."</p><p>"It is true--you kill the soul, and we the body. Give me your hand,&#13;
brother, for you also are hunters of men."</p><p>"But once more, sir,--understand, that we only meddle with the will, the&#13;
mind," said Rodin.</p><p>"And what are bodies deprived of soul, will, thought, but mere corpses?&#13;
Come--come, brother; the dead we make by the cord are not more icy and&#13;
inanimate than those you make by your discipline. Take my hand, brother;&#13;
Rome and Bowanee are sisters."</p><p>Notwithstanding his apparent calmness, Rodin could not behold, without&#13;
some secret alarm, a wretch like Faringhea in possession of a long&#13;
letter from Van Dael, wherein mention must necessarily have been made of&#13;
Djalma. Rodin believed, indeed, that he had rendered it impossible for&#13;
the young Indian to be at Paris on the morrow, but not knowing what&#13;
connection might have been formed, since the shipwreck, between the&#13;
prince and the half-caste, he looked upon Faringhea as a man who might&#13;
probably be very dangerous. But the more uneasy the socius felt in&#13;
himself, the more he affected to appear calm and disdainful. He replied,&#13;
therefore: "This comparison between Rome and Bowanee is no doubt very&#13;
amusing; but what, sir, do you deduce from it?"</p><p>"I wish to show you, brother, what I am, and of what I am capable, to&#13;
convince you that it is better to have me for a friend than an enemy."</p><p>"In other terms, sir," said Rodin, with contemptuous irony, "you belong&#13;
to a murderous sect in India, and, you wish, by a transparent allegory,&#13;
to lead me to reflect on the fate of the man from whom you have stolen&#13;
the letter addressed to me. In my turn, I will take the freedom just&#13;
to observe to you, in all humility, M. Faringhea, that here it is not&#13;
permitted to strangle anybody, and that if you were to think fit to make&#13;
any corpses for the love of Bowanee, your goddess, we should make you a&#13;
head shorter, for the love of another divinity commonly called justice."</p><p>"And what would they do to me, if I tried to poison any one?"</p><p>"I will again humbly observe to you, M. Faringhea, that I have no time&#13;
to give you a course of criminal jurisprudence; but, believe me, you&#13;
had better resist the temptation to strangle or poison any one. One word&#13;
more: will you deliver up to me the letters of M. Van Dael, or not?"</p><p>"The letters relative to Prince Djalma?" said the half-caste, looking&#13;
fixedly at Rodin, who, notwithstanding a sharp and sudden twinge,&#13;
remained impenetrable, and answered with the utmost simplicity: "Not&#13;
knowing what the letters which you, sir, are pleased to keep from me,&#13;
may contain, it is impossible for me to answer your question. I beg, and&#13;
if necessary, I demand, that you will hand me those letters--or that you&#13;
will retire."</p><p>"In a few minutes, brother, you will entreat me to remain."</p><p>"I doubt it."</p><p>"A few words will operate--this miracle. If just now I spoke to you&#13;
about poisoning, brother, it was because you sent a doctor to Cardoville&#13;
Castle, to poison (at least for a time) Prince Djalma."</p><p>In spite of himself, Rodin started almost imperceptibly, as he replied:&#13;
"I do not understand you."</p><p>"It is true, that I am a poor foreigner, and doubtless speak with an&#13;
accent; I will try and explain myself better. I know, by Van Dael's&#13;
letters, the interest you have that Prince Djalma should not be here to&#13;
morrow, and all that you have done with this view. Do you understand me&#13;
now?"</p><p>"I have no answer for you."</p><p>Two cautious taps at the door here interrupted the conversation. "Come&#13;
in," said Rodin.</p><p>"The letter has been taken to its address, sir," said the old servant,&#13;
bowing, "and here is the answer."</p><p>Rodin took the paper, and, before he opened it, said courteously to&#13;
Faringhea: "With your permission, sir?"</p><p>"Make no ceremonies," said the half-caste.</p><p>"You are very kind," replied Rodin, as, having read the letter he&#13;
received, he wrote hastily some words at the bottom, saying: "Send this&#13;
back to the same address."</p><p>The servant bowed respectfully, and withdrew.</p><p>"Now can I continue"' asked the half-caste, of Rodin.</p><p>"Certainly."</p><p>"I will continue, then," resumed Faringhea:</p><p>"The day before yesterday, just as the prince, all wounded as he&#13;
was, was about, by my advice, to take his departure for Paris, a fine&#13;
carriage arrived, with superb presents for Djalma, from an unknown&#13;
friend. In this carriage were two men--one sent by the unknown&#13;
friend--the other a doctor, sent by you to attend upon Djalma, and&#13;
accompany him to Paris. It was a charitable act, brother--was it not&#13;
so?"</p><p>"Go on with your story, sir."</p><p>"Djalma set out yesterday. By declaring that the prince's wound would&#13;
grow seriously worse, if he did not lie down in the carriage during all&#13;
the journey, the doctor got rid of the envoy of the unknown friend, who&#13;
went away by himself. The doctor wished to get rid of me too; but Djalma&#13;
so strongly insisted upon it, that I accompanied the prince and doctor.&#13;
Yesterday evening, we had come about half the distance. The doctor&#13;
proposed we should pass the night at an inn. 'We have plenty of time,'&#13;
said he, 'to reach Paris by to-morrow evening'--the prince having told&#13;
him, that he must absolutely be in Paris by the evening of the 12th. The&#13;
doctor had been very pressing to set out alone with the prince. I knew&#13;
by Van Dael's letter, that it was of great importance to you for Djalma&#13;
not to be here on the 13th; I had my suspicions, and I asked the&#13;
doctor if he knew you; he answered with an embarrassed air, and then my&#13;
suspicion became certainty. When we reached the inn, whilst the doctor&#13;
was occupied with Djalma, I went up to the room of the former, and&#13;
examined a box full of phials that he had brought with him. One of them&#13;
contained opium--and then I guessed--"</p><p>"What did you guess, sir?"</p><p>"You shall know. The doctor said to Djalma, before he left him: 'Your&#13;
wound is doing well, but the fatigue of the journey might bring on&#13;
inflammation; it will be good for you, in the course of to-morrow, to&#13;
take a soothing potion, that I will make ready this evening, to have&#13;
with us in the carriage.' The doctor's plan was a simple one," added&#13;
Faringhea; "to-day the prince was to take the potion at four or five&#13;
o'clock in the afternoon--and fall into a deep sleep--the doctor to grow&#13;
uneasy, and stop the carriage--to declare that it would be dangerous to&#13;
continue the journey--to pass the night at an inn, and keep close watch&#13;
over the prince, whose stupor was only, to cease when it suited your&#13;
purposes. That was your design--it was cleverly planned--I chose to make&#13;
use of it myself, and I have succeeded."</p><p>"All that you are talking about, my dear sir," said Rodin, biting his&#13;
nails, "is pure Hebrew to me."</p><p>"No doubt, because of my accent. But tell me, have you heard speak of&#13;
array--mow?"</p><p>"No."</p><p>"Your loss! It is an admirable production of the Island of Java, so&#13;
fertile in poisons."</p><p>"What is that to me?" said Rodin, in a sharp voice, but hardly able to&#13;
dissemble his growing anxiety.</p><p>"It concerns you nearly. We sons of Bowanee have a horror of shedding&#13;
blood," resumed Faringhea; "to pass the cord round the neck of our&#13;
victims, we wait till they are asleep. When their sleep is not deep&#13;
enough, we know how to make it deeper. We are skillful at our work; the&#13;
serpent is not more cunning, or the lion more valiant, Djalma himself&#13;
bears our mark. The array-mow is an impalpable powder, and, by letting&#13;
the sleeper inhale a few grains of it, or by mixing it with the tobacco&#13;
to be smoked by a waking man, we can throw our victim into a stupor,&#13;
from which nothing will rouse him. If we fear to administer too strong a&#13;
dose at once, we let the sleeper inhale a little at different times, and&#13;
we can thus prolong the trance at pleasure, and without any danger,&#13;
as long as a man does not require meat and drink--say, thirty or&#13;
forty hours. You see, that opium is mere trash compared to this divine&#13;
narcotic. I had brought some of this with me from Java--as a mere&#13;
curiosity, you know--without forgetting the counter poison."</p><p>"Oh! there is a counter-poison, then?" said Rodin, mechanically.</p><p>"Just as there are people quite contrary to what we are, brother of&#13;
the good work. The Javanese call the juice of this root tooboe; it&#13;
dissipates the stupor caused by the array-mow, as the sun disperses the&#13;
clouds. Now, yesterday evening, being certain of the projects of your&#13;
emissary against Djalma, I waited till the doctor was in bed and&#13;
asleep. I crept into his room, and made him inhale such a dose of&#13;
array-mow--that he is probably sleeping still."</p><p>"Miscreant!" cried Rodin, more and more alarmed by this narrative, for&#13;
Faringhea had dealt a terrible blow at the machinations of the socius&#13;
and his friends. "You risk poisoning the doctor."</p><p>"Yes, brother; just as he ran the risk of poisoning Djalma. This morning&#13;
we set out, leaving your doctor at the inn, plunged in a deep sleep.&#13;
I was alone in the carriage with Djalma. He smoked like a true Indian;&#13;
some grains of array-mow, mixed with the tobacco in his long pipe, first&#13;
made him drowsy; a second dose, that he inhaled, sent him to sleep; and&#13;
so I left him at the inn where we stopped. Now, brother, it depends&#13;
upon me, to leave Djalma in his trance, which will last till to-morrow&#13;
evening or to rouse him from it on the instant. Exactly as you&#13;
comply with my demands or not, Djalma will or will not be in the Rue&#13;
Saint-Francois to morrow."</p><p>So saying, Faringhea drew from his pocket the medal belonging to Djalma,&#13;
and observed, as he showed it to Rodin: "You see that I tell you&#13;
the truth. During Djalma's sleep, took from him this medal, the only&#13;
indication he has of the place where he ought to be to-morrow. I finish,&#13;
then as I began: Brother, I have come to ask you for a great deal."</p><p>For some minutes, Rodin had been biting his nails to the quick, as was&#13;
his custom when seized with a fit of dumb and concentrated rage. Just&#13;
then, the bell of the porter's lodge rang three times in a particular&#13;
manner. Rodin did not appear to notice it, and yet a sudden light&#13;
sparkled in his small reptile eyes; while Faringhea, with his arms&#13;
folded, looked at him with an expression of triumph and disdainful&#13;
superiority. The socius bent down his head, remained silent for some&#13;
seconds, took mechanically a pen from his desk, and began to gnaw the&#13;
feather, as if in deep reflection upon what Faringhea had just said.&#13;
Then, throwing down the pen upon the desk, he turned suddenly towards&#13;
the half-caste, and addressed him with an air of profound contempt "Now,&#13;
really, M. Faringhea--do you think to make game of us with your cock-and&#13;
bull stories?"</p><p>Amazed, in spite of his audacity, the half-caste recoiled a step.</p><p>"What, sir!" resumed Rodin. "You come here into a respectable house,&#13;
to boast that you have stolen letters, strangled this man, drugged that&#13;
other?--Why, sir, it is downright madness. I wished to hear you to the&#13;
end, to see to what extent you would carry your audacity--for none but a&#13;
monstrous rascal would venture to plume himself on such infamous crimes.&#13;
But I prefer believing, that they exist only in your imagination."</p><p>As he barked out these words, with a degree of animation not usual&#13;
in him, Rodin rose from his seat, and approached the chimney, while&#13;
Faringhea, who had not yet recovered from his surprise, looked at him&#13;
in silence. In a few seconds, however, the half-caste returned, with a&#13;
gloomy and savage mien: "Take care, brother; do not force me to prove to&#13;
you that I have told the truth."</p><p>"Come, come, sir; you must be fresh from the Antipodes, to believe us&#13;
Frenchmen such easy dupes. You have, you say, the prudence of a serpent,&#13;
and the courage of a lion. I do not know if you are a courageous lion,&#13;
but you are certainly not a prudent serpent. What! you have about you a&#13;
letter from M. Van Dael, by which I might be compromised--supposing all&#13;
this not to be a fable--you have left Prince Djalma in a stupor, which&#13;
would serve my projects, and from which you alone can rouse him--you are&#13;
able, you say, to strike a terrible blow at my interests--and yet you do&#13;
not consider (bold lion! crafty serpent as you are!) that I only want to&#13;
gain twenty-four hours upon you. Now, you come from the end of India to&#13;
Paris, an unknown stranger--you believe me to be as great a scoundrel as&#13;
yourself,--since you call me brother--and do not once consider, that you&#13;
are here in my power--that this street and house are solitary, and&#13;
that I could have three or four persons to bind you in a second, savage&#13;
Strangler though you are!--and that just by pulling this bell-rope,"&#13;
said Rodin, as he took it in his hand. "Do not be alarmed," added he,&#13;
with a diabolical smile, as he saw Faringhea make an abrupt movement of&#13;
surprise and fright; "would I give you notice, if I meant to act in&#13;
this manner?--But just answer me. Once bound and put in confinement for&#13;
twenty-four hours, how could you injure me? Would it not be easy for&#13;
me to possess myself of Van Dael's letter, and Djalma's medal? and the&#13;
latter, plunged in a stupor till to-morrow evening, need not trouble me&#13;
at all. You see, therefore, that your threats are vain because they rest&#13;
upon falsehood--because it is not true, that Prince Djalma is here and&#13;
in your power. Begone, sir--leave the house; and when next you wish to&#13;
make dupes, show more judgment in the selection."</p><p>Faringhea seemed struck with astonishment. All that he had just heard&#13;
seemed very probable. Rodin might seize upon him, the letter, and the&#13;
medal, and, by keeping him prisoner, prevent Djalma from being awakened.&#13;
And yet Rodin ordered him to leave the house, at the moment when&#13;
Faringhea had imagined himself so formidable. As he thought for&#13;
the motives of this inexplicable conduct, it struck him that Rodin,&#13;
notwithstanding the proofs he had brought him, did not yet believe that&#13;
Djalma was in his power. On that theory, the contempt of Van Dael's&#13;
correspondent admitted of a natural explanation. But Rodin was playing a&#13;
bold and skillful game; and, while he appeared to mutter to himself,&#13;
as in anger, he was observing, with intense anxiety, the Strangler's&#13;
countenance.</p><p>The latter, almost certain that he had divined the secret motive of&#13;
Rodin, replied: "I am going--but one word more. You think I deceive&#13;
you?"</p><p>"I am certain of it. You have told me nothing but a tissue of fables,&#13;
and I have lost much time in listening to them. Spare me the rest; it is&#13;
late--and I should like to be alone."</p><p>"One minute more: you are a man, I see, from whom nothing should be&#13;
hid," said Faringhea, "from Djalma, I could now only expect alms and&#13;
disdain--for, with a character like this, to say to him, 'Pay me,&#13;
because I might have betrayed you and did not,' would be to provoke his&#13;
anger and contempt. I could have killed him twenty times over, but his&#13;
day is not yet come," said the Thug, with a gloomy air; "and to wait for&#13;
that and other fatal days, I must have gold, much gold. You alone can&#13;
pay me for the betrayal of Djalma, for you alone profit by it. You&#13;
refuse to hear me, because you think I am deceiving you. But I took the&#13;
direction of the inn where we stopped--and here it is. Send some one to&#13;
ascertain the truth of what I tell you, and then you will believe me.&#13;
But the price of my services will be high; for I told you that I wanted&#13;
much."</p><p>So saying, Faringhea offered a printed card to Rodin: the socius, who,&#13;
out of the corner of his eye, followed all the half-caste's movements,&#13;
appeared to be absorbed in thought, and taking no heed of anything.</p><p>"Here is the address," repeated Faringhea, as he held out the card to&#13;
Rodin; "assure yourself that I do not lie."</p><p>"Eh? what is it?" said the other, casting a rapid but stolen glance at&#13;
the address, which he read greedily, without touching the card.</p><p>"Take this address," repeated the half-caste, "and you may then assure&#13;
yourself--"</p><p>"Really, sir," cried Rodin, pushing back the card with his hand, "your&#13;
impudence confounds me. I repeat that I wish to have nothing in common&#13;
with you. For the last time, I tell you to leave the house. I know&#13;
nothing about your Prince Djalma. You say you can injure me--do so--make&#13;
no ceremonies--but, in heaven's name, leave me to myself."</p><p>So saying, Rodin rang the bell violently. Faringhea made a movement as&#13;
if to stand upon the defensive; but only the old servant, with his quiet&#13;
and placid mien, appeared at the door.</p><p>"Lapierre, light the gentleman out," said Rodin, pointing to Faringhea.</p><p>Terrified at Rodin's calmness, the half-caste hesitated to leave the&#13;
room.</p><p>"Why do you wait, sir?" said Rodin, remarking his hesitation. "I wish to&#13;
be alone."</p><p>"So, sir," said Faringhea, as he withdrew, slowly, "you refuse my&#13;
offers? Take care! to-morrow it will be too late."</p><p>"I have the honor to be your most humble servant, sir," said Rodin,&#13;
bowing courteously. The Strangler went out, and the door closed upon&#13;
him.</p><p>Immediately, Father d'Aigrigny entered from the next room. His&#13;
countenance was pale and agitated.</p><p>"What have you done?" exclaimed he addressing Rodin.</p><p>"I have heard all. I am unfortunately too sure that this wretch spoke&#13;
the truth. The Indian is in his power, and he goes to rejoin him."</p><p>"I think not," said Rodin, humbly, as bowing, he reassumed his dull and&#13;
submissive countenance.</p><p>"What will prevent this man from rejoining the prince?"</p><p>"Allow me. As soon as the rascal was shown in, I knew him; and so,&#13;
before speaking a word to him, I wrote a few lines to Morok, who was&#13;
waiting below with Goliath till your reverence should be at leisure.&#13;
Afterwards, in the course of the conversation, when they brought me&#13;
Morok's answer, I added some fresh instructions, seeing the turn that&#13;
affairs were taking."</p><p>"And what was the use of all this, since you have let the man leave the&#13;
house?"</p><p>"Your reverence will perhaps deign to observe that he did not leave it;&#13;
till he had given me the direction of the hotel where the Indian now is,&#13;
thanks to my innocent stratagem of appearing to despise him. But, if it&#13;
had failed, Faringhea would still have fallen into the hands of Goliath&#13;
and Morok, who are waiting for him in the street, a few steps from the&#13;
door. Only we should have been rather embarrassed, as we should not have&#13;
known where to find Prince Djalma."</p><p>"More violence!" said Father d'Aigrigny, with repugnance.</p><p>"It is to be regretted, very much regretted," replied Rodin; "but it was&#13;
necessary to follow out the system already adopted."</p><p>"Is that meant for a reproach?" said Father d'Aigrigny, who began to&#13;
think that Rodin was something more than a mere writing-machine.</p><p>"I could not permit myself to blame your reverence," said Rodin,&#13;
cringing almost to the ground. "But all that will be required is to&#13;
confine this man for twenty-four hours."</p><p>"And afterwards--his complaints?"</p><p>"Such a scoundrel as he is will not dare to complain. Besides, he left&#13;
this house in freedom. Morok and Goliath will bandage his eyes when they&#13;
seize him. The house has another entrance in the Rue Vieille-des-Ursins.&#13;
At this hour, and in such a storm, no one will be passing through this&#13;
deserted quarter of the town. The knave will be confused by the change&#13;
of place; they will put him into a cellar, of the new building, and to&#13;
morrow night, about the same hour, they will restore him to liberty with&#13;
the like precautions. As for the East Indian, we now know where to find&#13;
him; we must send to him a confidential person, and, if he recovers from&#13;
his trance, there would be, in my humble opinion," said Rodin, modestly,&#13;
"a very simple and quiet manner of keeping him away from the Rue Saint&#13;
Francois all day to-morrow."</p><p>The same servant with the mild countenance, who had introduced and shown&#13;
out Faringhea, here entered the room, after knocking discreetly at the&#13;
door. He held in his hand a sort of game-bag, which he gave to Rodin,&#13;
saying: "Here is what M. Morok has just brought; he came in by the Rue&#13;
Vieille."</p><p>The servant withdrew, and Rodin, opening the bag, said to Father&#13;
d'Aigrigny, as he showed him the contents: "The medal, and Van Dael's&#13;
letter. Morok has been quick at his work."</p><p>"One more danger avoided," said the marquis; "it is a pity to be forced&#13;
to such measures."</p><p>"We must only blame the rascal who has obliged us to have recourse to&#13;
them. I will send instantly to the hotel where the Indian lodges."</p><p>"And, at seven in the morning, you will conduct Gabriel to the Rue Saint&#13;
Francois. It is there that I must have with him the interview which he&#13;
has so earnestly demanded these three days."</p><p>"I informed him of it this evening, and he awaits your orders."</p><p>"At last, then," said Father d'Aigrigny, "after so many struggles, and&#13;
fears, and crosses, only a few hours separate us from the moment which&#13;
we have so long desired."</p><p>We now conduct the reader to the house in the Rue Saint-Francois.</p><p>(13) The doctrine of passive and absolute obedience, the principal tool&#13;
in the hands of the Jesuits, as summed up in these terrible words of the&#13;
dying Loyola--that every member of the order should be in the hands of&#13;
his superiors as a dead body--'perinde ad cadaver'.</p><p>CHAPTER XVII. THE HOUSE IN THE RUE SAINT-FRANCOIS.</p><p>On entering the Rue Saint-Gervais, by the Rue Dore (in the Marais),&#13;
you would have found yourself, at the epoch of this narrative, directly&#13;
opposite to an enormously high wall, the stones of which were black and&#13;
worm-eaten with age. This wall, which extended nearly the whole length&#13;
of that solitary street, served to support a terrace shaded by trees&#13;
of some hundred years old, which thus grew about forty feet above the&#13;
causeway. Through their thick branches appeared the stone front, peaked&#13;
roof and tall brick chimneys of an antique house, the entrance of which&#13;
was situated in the Rue Saint-Francois, not far from the Rue Saint&#13;
Gervais corner. Nothing could be more gloomy than the exterior of this&#13;
abode. On the entrance-side also was a very high wall, pierced with two&#13;
or three loop-holes, strongly grated. A carriage gateway in massive oak,&#13;
barred with iron, and studded with large nail-heads, whose primitive&#13;
color disappeared beneath a thick layer of mud, dust, and rust, fitted&#13;
close into the arch of a deep recess, forming the swell of a bay window&#13;
above. In one of these massive gates was a smaller door, which served&#13;
for ingress and egress to Samuel the Jew, the guardian of this dreary&#13;
abode. On passing the threshold, you came to a passage, formed in the&#13;
building which faced in the street. In this building was the lodging of&#13;
Samuel, with its windows opening upon the rather spacious inner court&#13;
yard, through the railing of which you perceived the garden. In the&#13;
middle of this garden stood a two-storied stone house, so strangely&#13;
built, that you had to mount a flight of steps, or rather a&#13;
double-flight of at least twenty steps, to reach the door, which had&#13;
been walled up a hundred and fifty years before. The window-blinds&#13;
of this habitation had been replaced by large thick plates of lead,&#13;
hermetically soldered and kept in by frames of iron clamped in the&#13;
stone. Moreover, completely to intercept air and light, and thus to&#13;
guard against decay within and without, the roof had been covered with&#13;
thick sheets of lead, as well as the vents of the tall chimneys, which&#13;
had previously been bricked up. The same precautions had been taken with&#13;
respect to a small square belvedere, situated on the top of the house;&#13;
this glass cage was covered with a sort of dome, soldered to the roof.&#13;
Only, in consequence of some singular fancy, in every one of the leaden&#13;
plates, which concealed the four sides of the belvedere, corresponding&#13;
to the cardinal points, seven little round holes had been bored in&#13;
the form of a cross, and were easily distinguishable from the outside.&#13;
Everywhere else the plates of lead were completely unpierced. Thanks&#13;
to these precautions, and to the substantial structure of the&#13;
building, nothing but a few outward repairs had been necessary; and the&#13;
apartments, entirely removed from the influence of the external air, no&#13;
doubt remained, during a century and a half, exactly in the same state&#13;
as at the time of their being shut up. The aspect of walls in crevices,&#13;
of broken, worm-eaten shutters, of a roof half fallen in, and windows&#13;
covered with wall-flowers, would perhaps have been less sad than the&#13;
appearance of this stone house, plated with iron and lead, and preserved&#13;
like a mausoleum. The garden, completely deserted, and only regularly&#13;
visited once a week by Samuel, presented to the view, particularly in&#13;
summer, an incredible confusion of parasites and brambles. The trees,&#13;
left to themselves, had shot forth and mingled their branches in all&#13;
directions; some straggling vines, reproduced from offshoots, had&#13;
crept along the ground to the foot of the trees, and, climbing up their&#13;
trunks, had twined themselves about them, and encircled their highest&#13;
branches with their inextricable net. You could only pass through this&#13;
virgin forest by following the path made by the guardian, to go from the&#13;
grating to the house, the approaches to which were a little sloped to&#13;
let the water run off, and carefully paved to the width of about ten&#13;
feet. Another narrow path which extended all around the enclosure, was&#13;
every night perambulated by two or three Pyrenees dogs--a faithful race,&#13;
which had been perpetuated in the house during a century and a half.&#13;
Such was the habitation destined for the meeting of the descendants of&#13;
the family of Rennepont. The night which separated the 12th from the&#13;
13th day of February was near its close. A calm had succeeded the storm,&#13;
and the rain had ceased; the sky was clear and full of stars; the moon,&#13;
on its decline, shone with a mild lustre, and threw a melancholy light&#13;
over that deserted, silent house, whose threshold for so many years no&#13;
human footstep had crossed.</p><p>A bright gleam of light, issuing from one of the windows of the&#13;
guardian's dwelling, announced that Samuel was awake. Figure to yourself&#13;
a tolerably large room, lined from top to bottom with old walnut&#13;
wainscoting browned to an almost black, with age. Two half-extinguished&#13;
brands are smoking amid the cinders on the hearth. On the stone&#13;
mantelpiece, painted to resemble gray granite, stands an old iron&#13;
candlestick, furnished with a meagre candle, capped by an extinguisher.&#13;
Near it one sees a pair of double-barrelled pistols, and a sharp&#13;
cutlass, with a hilt of carved bronze, belonging to the seventeenth&#13;
century. Moreover, a heavy rifle rests against one of the chimney jambs.&#13;
Four stools, an old oak press, and a square table with twisted legs,&#13;
formed the sole furniture of this apartment. Against the wall were&#13;
systematically suspended a number of keys of different sizes, the shape&#13;
of which bore evidence to their antiquity, whilst to their rings were&#13;
affixed divers labels. The back of the old press, which moved by a&#13;
secret spring, had been pushed aside, and discovered, built in the wall,&#13;
a large and deep iron chest, the lid of which, being open, displayed&#13;
the wondrous mechanism of one of those Florentine locks of the sixteenth&#13;
century, which, better than any modern invention, set all picklocks&#13;
at defiance; and, moreover, according to the notions of that age, are&#13;
supplied with a thick lining of asbestos cloth, suspended by gold wire&#13;
at a distance from the sides of the chest, for the purpose of rendering&#13;
incombustible the articles contained in it. A large cedar-wood box&#13;
had been taken from the chest, and placed upon a stool; it contained&#13;
numerous papers, carefully arranged and docketed. By the light of a&#13;
brass lamp, the old keeper Samuel, was writing in a small register,&#13;
whilst Bathsheba, his wife, was dictating to him from an account. Samuel&#13;
was about eighty two years old, and, notwithstanding his advanced age, a&#13;
mass of gray curling hair covered his head. He was short, thin, nervous,&#13;
and the involuntary petulance of his movements proved that years had not&#13;
weakened his energy and activity; though, out of doors, where, however,&#13;
he made his appearance very seldom, he affected a sort of second&#13;
childhood, as had been remarked by Rodin to Father d'Aigrigny. An old&#13;
dressing-gown, of maroon-colored camlet, with large sleeves, completely&#13;
enveloped the old man, and reached to his feet.</p><p>Samuel's features were cast in the pure, Eastern mould of his race. His&#13;
complexion was of a dead yellow, his nose aquiline, his chin shaded by&#13;
a little tuft of white beard, while projecting cheek-bones threw a harsh&#13;
shadow upon the hollow and wrinkled cheeks. His countenance was full of&#13;
intelligence, fine sharpness, and sagacity. On his broad, high forehead&#13;
one might read frankness, honesty, and firmness; his eyes, black and&#13;
brilliant as an Arab's, were at once mild and piercing.</p><p>His wife, Bathsheba, some fifteen years younger than himself, was of&#13;
tall stature, and dressed entirely in black. A low cap, of starched&#13;
lawn, which reminded one of the grave head-dresses of Dutch matrons,&#13;
encircled a pale and austere countenance, formerly of a rare and haughty&#13;
beauty, and impressed with the Scriptural character. Some lines in the&#13;
forehead, caused by the almost continual knitting of her gray brows,&#13;
showed that this woman had often suffered from the pressure of intense&#13;
grief.</p><p>At this very moment her countenance betrayed inexpressible sorrow. Her&#13;
look was fixed, her head resting on her bosom. She had let her right&#13;
hand, which held a small account-book, fall upon her lap, while the&#13;
other hand grasped convulsively a long tress of jet-black hair, which&#13;
she bore about her neck. It was fastened by a golden clasp, about an&#13;
inch square, in which, under a plate of crystal, that shut in one side&#13;
of it like a relic-case, could be seen a piece of linen, folded square,&#13;
and almost entirely covered with dark red spots that resembled blood a&#13;
long time dried.</p><p>After a short silence, during which Samuel was occupied with his&#13;
register, he read aloud what he had just been writing: "Per contra,&#13;
5,000 Austrian Metallics of 1,000 florins, under date of October 19th,&#13;
1826."</p><p>After which enumeration, Samuel raised his head, and said to his wife:&#13;
"Well, is it right, Bathsheba? Have you compared it with the account&#13;
book?"</p><p>Bathsheba did not answer. Samuel looked at her, and, seeing that she was&#13;
absorbed in grief, said to her, with an expression of tender anxiety:&#13;
"What is the matter? Good heaven! what is the matter with you?"</p><p>"The 19th of October, 1826," said she, slowly, with her eyes still&#13;
fixed, and pressing yet more closely the lock of black hair which she&#13;
wore about her neck; "It was a fatal day--for, Samuel, it was the date&#13;
of the last letter which we received from--"</p><p>Bathsheba was unable to proceed. She uttered a long sigh, and concealed&#13;
her face in her hands.</p><p>"Oh! I understand you," observed the old man, in a tremulous voice; "a&#13;
father may be taken up by the thought of other cares; but the heart of&#13;
a mother is ever wakeful." Throwing his pen down upon the table, Samuel&#13;
leaned his forehead upon his hands in sorrow.</p><p>Bathsheba resumed, as if she found a melancholy pleasure in these cruel&#13;
remembrances: "Yes; that was the last day on which our son, Abel, wrote&#13;
to us from Germany, to announce to us that he had invested the funds&#13;
according to your desire and was going thence into Poland, to effect&#13;
another operation."</p><p>"And in Poland he met the death of a martyr," added Samuel. "With no&#13;
motive and no proof, they accused him falsely of coming to organize&#13;
smuggling, and the Russian governor, treating him as they treat our&#13;
brothers in that land of cruel tyranny, condemned him to the dreadful&#13;
punishment of the knout, without even hearing him in his defence. Why&#13;
should they hear a Jew? What is a Jew? A creature below a serf, whom&#13;
they reproach for all the vices that a degrading slavery has engendered.&#13;
A Jew beaten to death? Who would trouble themselves about it?"</p><p>"And poor Abel, so good, so faithful, died beneath their stripes, partly&#13;
from shame, partly from the wounds," said Bathsheba, shuddering. "One&#13;
of our Polish brethren obtained with great difficulty permission to&#13;
bury him. He cut off this lock of beautiful black hair--which, with this&#13;
scrap of linen, bathed in the blood of our dear son, is all that&#13;
now remains to us of him." Bathsheba covered the hair and clasp with&#13;
convulsive kisses.</p><p>"Alas!" said Samuel, drying his tears, which had burst forth at these&#13;
sad recollections, "the Lord did not at last remove our child, until the&#13;
task which our family has accomplished faithfully for a century and a&#13;
half was nearly at an end. Of what use will our race be henceforth upon&#13;
earth?" added Samuel, most bitterly. "Our duty is performed. This casket&#13;
contains a royal fortune--and yonder house, walled up for a hundred&#13;
and fifty years, will be opened to-morrow to the descendants of my&#13;
ancestor's benefactor." So saying, Samuel turned his face sorrowfully&#13;
towards the house, which he could see through the window. The dawn was&#13;
just about to appear. The moon had set; belvedere, roof, and chimneys&#13;
formed a black mass upon the dark blue of the starry firmament.</p><p>Suddenly, Samuel grew pale, and, rising abruptly, said to his wife in&#13;
a tremulous tone, whilst he still pointed to the house: "Bathsheba! the&#13;
seven points of light--just as it was thirty years ago. Look! look:"</p><p>Indeed, the seven round holes, bored in the form of a cross in the&#13;
leaden plates which covered the window of the belvedere, sparkled like&#13;
so many luminous points, as if some one in the house ascended with a&#13;
light to the roof.</p><p>CHAPTER XVIII. DEBIT AND CREDIT.</p><p>For some seconds, Samuel and Bathsheba remained motionless, with their&#13;
eyes fixed in fear and uneasiness on the seven luminous points,&#13;
which shone through the darkness of the night from the summit of the&#13;
belvedere; while, on the horizon, behind the house, a pale, rosy hue&#13;
announced the dawn of day.</p><p>Samuel was the first to break silence, and he said to his wife, as he&#13;
drew his hand across his brow: "The grief caused by the remembrance of&#13;
our poor child has prevented us from reflecting that, after all, there&#13;
should be nothing to alarm us in what we see."</p><p>"How so, Samuel?"</p><p>"My father always told me that he, and my grandfather before him, had&#13;
seen such lights at long intervals."</p><p>"Yes, Samuel--but without being able, any more than ourselves, to&#13;
explain the cause."</p><p>"Like my father and grandfather, we can only suppose that some secret&#13;
passage gives admittance to persons who, like us, have some mysterious&#13;
duty to fulfil in this dwelling. Besides, my father warned me not to be&#13;
uneasy at these appearances, foretold by him, and now visible for the&#13;
second time in thirty years."</p><p>"No matter for that, Samuel, it does strike one as if it was something&#13;
supernatural."</p><p>"The days of miracles are over." said the Jew, shaking his head&#13;
sorrowfully: "many of the old houses in this quarter have subterraneous&#13;
communications with distant places--some extending even to the Seine and&#13;
the Catacombs. Doubtless, this house is so situated, and the persons who&#13;
make these rare visits enter by some such means."</p><p>"But that the belvedere should be thus lighted up?"</p><p>"According to the plan of the building, you know that the belvedere&#13;
forms a kind of skylight to the apartment called the Great Hall of&#13;
Mourning, situated on the upper story. As it is completely dark, in&#13;
consequence of the closing of all the windows, they must use a light to&#13;
visit this Hall of Mourning--a room which is said to contain some very&#13;
strange and gloomy things," added the Jew, with a shudder.</p><p>Bathsheba, as well as her husband, gazed attentively on the seven&#13;
luminous points, which diminished in brightness as the daylight&#13;
gradually increased.</p><p>"As you say, Samuel, the mystery may be thus explained," resumed the&#13;
Hebrew's wife. "Besides, the day is so important a one for the family&#13;
of Rennepont, that this apparition: ought not to astonish us under the&#13;
circumstances."</p><p>"Only to think," remarked Samuel, "that these lights have appeared at&#13;
several different times throughout a century and a half! There must,&#13;
therefore, be another family that, like ours, has devoted itself, from&#13;
generation to generation, to accomplish a pious duty."</p><p>"But what is this duty? It will perhaps be explained today."</p><p>"Come, come, Bathsheba," suddenly exclaimed Samuel, as if roused from&#13;
his reverie, and reproaching himself with idleness; this is the day,&#13;
and, before eight o'clock, our cash account must be in order, and these&#13;
titles to immense property arranged, so that they may be delivered to&#13;
the rightful owners"--and he pointed to the cedar-wood box.</p><p>"You are right, Samuel; this day does not belong to us. It is a solemn&#13;
day--one that would have been sweet, oh! very sweet to you and me--if&#13;
now any days could be sweet to us," said Bathsheba bitterly, for she was&#13;
thinking of her son.</p><p>"Bathsheba," said Samuel, mournfully, as he laid his hand on his wife's;&#13;
"we shall at least have the stern satisfaction of having done our duty.&#13;
And has not the Lord been very favorable to us, though He has thus&#13;
severely tried us by the death of our son? Is it not thanks to His&#13;
providence that three generations of my family have been able to&#13;
commence, continue, and finish this great work?"</p><p>"Yes, Samuel," said the Jewess, affectionately, "and for you at least&#13;
this satisfaction will be combined with calm and quietness, for on&#13;
the stroke of noon you will be delivered from a very terrible&#13;
responsibility."</p><p>So saying, Bathsheba pointed to the box.</p><p>"It is true," replied the old man; "I had rather these immense riches&#13;
were in the hands of those to whom they belong, than in mine; but, to&#13;
day, I shall cease to be their trustee. Once more then, I will check the&#13;
account for the last time, and compare the register with the cash-book&#13;
that you hold in your hand."</p><p>Bathsheba bowed her head affirmatively, and Samuel, taking up his pen,&#13;
occupied himself once more with his calculations. His wife, in spite&#13;
of herself, again yielded to the sad thoughts which that fatal date had&#13;
awakened, by reminding her of the death of her son.</p><p>Let us now trace rapidly the history, in appearance so romantic and&#13;
marvellous, in reality so simple, of the fifty thousand crowns, which,&#13;
thanks to the law of accumulation, and to a prudent, intelligent and&#13;
faithful investment, had naturally, and necessarily, been transformed,&#13;
in the space of a century and a half, into a sum far more important&#13;
than the forty millions estimated by Father d'Aigrigny--who, partially&#13;
informed on this subject, and reckoning the disastrous accidents,&#13;
losses, and bankruptcies which might have occurred during so long a&#13;
period, believed that forty millions might well b e considered enormous.</p><p>The history of this fortune being closely connected with that of the&#13;
Samuel family, by whom it had been managed for three generations, we&#13;
shall give it again in a few words.</p><p>About the period 1670, some years before his death, Marius de Rennepont,&#13;
then travelling in Portugal, had been enabled, by means of powerful&#13;
interest, to save the life of an unfortunate Jew, condemned to be burnt&#13;
alive by the Inquisition, because of his religion. This Jew was Isaac&#13;
Samuel, grandfather of the present guardian of the house in the Rue&#13;
Saint-Francois.</p><p>Generous men often attach themselves to those they have served, as much,&#13;
at least, as the obliged parties are attached to their benefactors.&#13;
Having ascertained that Isaac, who at that time carried on a petty&#13;
broker's business at Lisbon, was industrious, honest, active, laborious,&#13;
and intelligent, M. de Rennepont, who then possessed large property&#13;
in France, proposed to the Jew to accompany him, and undertake the&#13;
management of his affairs. The same hatred and suspicion with which the&#13;
Israelites have always been followed, was then at its height. Isaac was&#13;
therefore doubly grateful for this mark of confidence on the part of&#13;
M. de Rennepont. He accepted the offer, and promised from that day to&#13;
devote his existence to the service of him who had first saved his life,&#13;
and then trusted implicitly to his good faith and uprightness, although&#13;
he was a Jew, and belonged to a race generally suspected and despised.&#13;
M. de Rennepont, a man of great soul, endowed with a good spirit, was&#13;
not deceived in his choice. Until he was deprived of his fortune, it&#13;
prospered wonderfully in the hands of Isaac Samuel, who, gifted with an&#13;
admirable aptitude for business, applied himself exclusively to advance&#13;
the interests of his benefactor.</p><p>Then came the persecution and ruin of M. de Rennepont, whose property&#13;
was confiscated and given up to the reverend fathers of the Company of&#13;
Jesus only a few days before his death. Concealed in the retreat he had&#13;
chosen, therein to put a violent end to his life, he sent secretly for&#13;
Isaac Samuel, and delivered to him fifty thousand crowns in gold, the&#13;
last remains of his fortune. This faithful servant was to invest the&#13;
money to the best advantage, and, if he should have a son, transmit to&#13;
him the same obligation; or, should he have no child, he was to seek out&#13;
some relation worthy of continuing this trust, to which would moreover&#13;
be annexed a fair reward. It was thus to be transmitted and perpetuated&#13;
from relative to relative, until the expiration of a century and a half.&#13;
M. de Rennepont also begged Isaac to take charge, during his life, of&#13;
the house in the Rue Saint-Francois, where he would be lodged gratis,&#13;
and to leave this function likewise to his descendants, if it were&#13;
possible.</p><p>If even Isaac Samuel had not had children, the powerful bond of union&#13;
which exists between certain Jewish families, would have rendered&#13;
practicable the last will of De Rennepont. The relations of Isaac would&#13;
have become partner; in his gratitude to his benefactor, and they, and&#13;
their succeeding generations, would have religiously accomplished the&#13;
task imposed upon one of their race. But, several years after the death&#13;
of De Rennepont, Isaac had a son.</p><p>This son, Levy Samuel, born in 1689, not having had any children by his&#13;
first wife, married again at nearly sixty years of age, and, in 1750, he&#13;
also had a son--David Samuel, the guardian of the house in the Rue Saint&#13;
Francois, who, in 1832 (the date of this narrative), was eighty-two&#13;
years old, and seemed likely to live as long as his father, who had died&#13;
at the age of ninety-three. Finally, Abel Samuel, the son whom Bathsheba&#13;
so bitterly regretted, born in 1790, had perished under the Russian&#13;
knout, at the age of thirty-six.</p><p>Having established this humble genealogy, we easily understand how this&#13;
successive longevity of three members of the Samuel family, all of whom&#13;
had been guardians of the walled house, by uniting, as it were, the&#13;
nineteenth with the seventeenth century, simplified and facilitated&#13;
the execution of M. de Rennepont's will; the latter having declared his&#13;
desire to the grandfather of the Samuels, that the capital should only&#13;
be augmented by interest at five per cent.--so that the fortune might&#13;
come to his descendants free from all taint of usurious speculation.</p><p>The fellow men of the Samuel family, the first inventors of the bill of&#13;
exchange, which served them in the Middle Ages to transport mysteriously&#13;
considerable amounts from one end of the world to the other, to conceal&#13;
their fortune, and to shield it from the rapacity of their enemies--the&#13;
Jews, we say, having almost the monopoly of the trade in money and&#13;
exchanges, until the end of the eighteenth century, aided the secret&#13;
transactions and financial operations of this family, which, up to about&#13;
1820, placed their different securities, which had become progressively&#13;
immense, in the hands of the principal Israelitish bankers and merchants&#13;
of Europe. This sure and secret manner of acting had enabled the present&#13;
guardian of the house in the Rue Saint-Francois, to effect enormous&#13;
investments, unknown to all; and it was more especially during the&#13;
period of his management, that the capital sum had acquired, by the mere&#13;
fact of compound interest, an almost incalculable development. Compared&#13;
with him, his father and grandfather had only small amounts to manage.&#13;
Though it had only been necessary to find successively sure and&#13;
immediate investments, so that the money might not remain as it were&#13;
one day without bearing interest, it had acquired financial capacity to&#13;
attain this result, when so many millions were in question. The last of&#13;
the Samuels, brought up in the school of his father, had exhibited&#13;
this capacity in a very high degree, as will be seen immediately by the&#13;
results. Nothing could be more touching, noble, and respectable, than&#13;
the conduct of the members of this Jewish family, who, partners in the&#13;
engagement of gratitude taken by their ancestor, devote themselves for&#13;
long years, with as much disinterestedness as intelligence and honesty,&#13;
to the slow acquisition of a kingly fortune, of which they expect no&#13;
part themselves, but which, thanks to them, would come pure, as immense,&#13;
to the hands of the descendants of their benefactor! Nor could anything&#13;
be more honorable to him who made, and him who received this deposit,&#13;
than the simple promise by word of mouth, unaccompanied by any security&#13;
save mutual confidence and reciprocal esteem, when the result was only&#13;
to be produced at the end of a century and a half!</p><p>After once more reading his inventory with attention, Samuel said to his&#13;
wife: "I am certain of the correctness of my additions. Now please&#13;
to compare with the account-book in your hand the summary of the&#13;
investments that I have just entered in the register. I will assure&#13;
myself, at the same time, that the bonds and vouchers are properly&#13;
arranged in this casket, that, on the opening of the will, they may be&#13;
delivered in order to the notary."</p><p>"Begin, my dear, and I will check you," said Bathsheba.</p><p>Samuel read as follows, examining as he went on, the contents of his&#13;
casket:</p><p>Statement of the account of the heirs of M. DE RENNEPONT, delivered by&#13;
DAVID SAMUELS.</p><p>DEBIT.</p><p>2,000,000 francs per annum,&#13;
      in the French 5 P. C.,&#13;
      bought from 1825 to 1832,&#13;
      at an average price of 99f.&#13;
      50c............ 39,800,000&#13;
     900,000 francs, ditto, in&#13;
      the French 3 P. C.,&#13;
      bought during the&#13;
      same years, at an average&#13;
      of 74f 25c........ 22,275,000&#13;
     5;000 shares in the Bank&#13;
      of France, bought at 1,900 9,500,000&#13;
     3,000 shares in the Four&#13;
      Canals, in a certificate&#13;
      from the Company,&#13;
      bought at 1,115f..... 3,345,000&#13;
     125,000 ducats of&#13;
      Neapolitans, at an average&#13;
      of 82. 2,050,000 ducats,&#13;
      at 4f. 400.......  9,020,000&#13;
     5,000 Austrian Metallics,&#13;
      of 1,000 florins, at 93&#13;
     --say 4,650,000 florins,&#13;
      at 2f. 50c........ 11,625,000&#13;
     75,000 pounds sterling&#13;
      per annum, English&#13;
      Consolidated 3 P. C.,&#13;
      at 88 3/4--say 2,218,750,&#13;
      at 25f......... 55,468,750&#13;
     1,200,000 florins, Dutch&#13;
     2 1/2 P. C., at 60-28,&#13;
     860,000 florins, at 2f.&#13;
     100........... 60,606,000&#13;
     Cash in banknotes, gold&#13;
     and silver........   535,250&#13;
                          ------&#13;
              Francs  212,175,000</p><p>Paris, 12th February, 1832.&#13;
     CREDIT.</p><p>150,000 francs&#13;
      received from M.&#13;
      de Rennepont,&#13;
      in 1682, by Isaac&#13;
      Samuel my grandfather;&#13;
      and invested by him,&#13;
      my father, and myself,&#13;
      in different securities,&#13;
      at Five per Cent.&#13;
      Interest, with a&#13;
      settlement of account&#13;
      and Investment of&#13;
      interest every six&#13;
      months, producing,&#13;
      as by annexed vouchers, 225,950,000</p><p>Less losses sustained&#13;
      by failures, expenses of&#13;
      commission and&#13;
      brokerage, and&#13;
      salary of three&#13;
      generations of&#13;
      trustees, as per&#13;
      statement annexed    13,775,000&#13;
                           ----------&#13;
                          212,175,000</p><p>Francs 212,175,000</p><p>"It is quite right," said Samuel, after examining the papers, contained&#13;
in the cedar-wood box. "There remains in hand, at the absolute disposal&#13;
of the heirs of the Rennepont family, the Sum Of TWO HUNDRED AND TWELVE&#13;
MILLIONS, ONE HUNDRED AND SEVENTY-FIVE THOUSAND FRANCS." And the old man&#13;
looked at his wife with an expression of legitimate pride. "It is hardly&#13;
credible!" cried Bathsheba, struck with surprise. "I knew that you had&#13;
immense property in your hands; but I could never have believed, that&#13;
one hundred and fifty thousand francs, left a century and a half ago,&#13;
should be the only source of this immense fortune."</p><p>"It is even so, Bathsheba," answered the old man, proudly. "Doubtless,&#13;
my grandfather, my father, and myself, have all been exact and faithful&#13;
in the management of these funds; doubtless, we have required some&#13;
sagacity in the choice of investments, in times of revolution and&#13;
commercial panics; but all this was easy to us, thanks to our relations&#13;
with our brethren in all countries--and never have I, or any of mine,&#13;
made an usurious investment, or even taken the full advantage of&#13;
the legal rate of interest. Such were the positive demands of M. de&#13;
Rennepont, given to my grandfather; nor is there in the world a&#13;
fortune that has been obtained by purer means. Had it not been for this&#13;
disinterestedness, we might have much augmented this two hundred&#13;
and twelve millions, only by taking advantage of a few favorable&#13;
circumstances."</p><p>"Dear me! is it possible?"</p><p>"Nothing is more simple, Bathsheba. Every one knows, that in fourteen&#13;
years a capital will be doubled, by the mere accumulation of interest&#13;
and compound interest at five per cent. Now reflect, that in a century&#13;
and a half there are ten times fourteen years, and that these one&#13;
hundred and fifty thousands francs have thus been doubled and redoubled,&#13;
over and over again. All that astonishes you will then appear plain&#13;
enough. In 1682, M. de Rennepont entrusted my grandfather with a hundred&#13;
and fifty thousand francs; this sum, invested as I have told you, would&#13;
have produced in 1696, fourteen years after, three hundred thousand&#13;
francs. These last, doubled in 1710, would produce six hundred thousand.&#13;
On the death of my grandfather in 1719, the amount was already near a&#13;
million; in 1724, it would be twelve hundred thousand francs; in 1738,&#13;
two millions four hundred thousand; in 1752, about two years after my&#13;
birth, four millions eight hundred thousand; in 1766, nine millions six&#13;
hundred thousand; in 1780, nineteen millions two hundred thousand; in&#13;
1794, twelve years after the death of my father, thirty-eight millions&#13;
four hundred thousand; in 1808, seventy-six millions eight hundred&#13;
thousand; in 1822, one hundred and fifty-three millions six hundred&#13;
thousand; and, at this time, taking the compound interest for ten years,&#13;
it should be at least two hundred and twenty-five millions. But losses&#13;
and inevitable charges, of which the account has been strictly kept,&#13;
have reduced the sum to two hundred and twelve millions one hundred and&#13;
seventy-five thousand francs, the securities for which are in this box."</p><p>"I now understand you, my dear," answered Bathsheba, thoughtfully;&#13;
"but how wonderful is this power of accumulation! and what admirable&#13;
provision may be made for the future, with the smallest present&#13;
resources!"</p><p>"Such, no doubt, was the idea of M. de Rennepont; for my father has&#13;
often told me, and he derived it from his father, that M. de Rennepont&#13;
was one of the soundest intellects of his time," said Samuel, as he&#13;
closed the cedar-box.</p><p>"God grant his descendants may be worthy of this kingly fortune, and&#13;
make a noble use of it!" said Bathsheba, rising.</p><p>It was now broad day, and the clock had just struck seven.</p><p>"The masons will soon be here," said Samuel, as he replaced the&#13;
cedar-box in the iron safe, concealed behind the antique press. "Like&#13;
you, Bathsheba, I am curious and anxious to know, what descendants of M.&#13;
de Rennepont will now present themselves."</p><p>Two or three loud knocks on the outer gate resounded through the house.&#13;
The barking of the watch-dogs responded to this summons.</p><p>Samuel said to his wife: "It is no doubt the masons, whom the notary has&#13;
sent with his clerk. Tie all the keys and their labels together; I will&#13;
come back and fetch them."</p><p>So saying, Samuel went down to the door with much nimbleness,&#13;
considering his age, prudently opened a small wicket, and saw three&#13;
workmen, in the garb of masons, accompanied by a young man dressed in&#13;
black.</p><p>"What may you want, gentlemen?" said the Jew, before opening the door,&#13;
as he wished first to make sure of the identity of the personages.</p><p>"I am sent by M. Dumesnil, the notary," answered the clerk, "to be&#13;
present at the unwalling of a door. Here is a letter from my master,&#13;
addressed to M. Samuel, guardian of the house."</p><p>"I am he, sir," said the Jew; "please to put the letter through the&#13;
slide, and I will take it."</p><p>The clerk did as Samuel desired, but shrugged his shoulders at what&#13;
he considered the ridiculous precautions of a suspicious old man. The&#13;
housekeeper opened the box, took the letter, went to the end of&#13;
the vaulted passage in order to read it, and carefully compared the&#13;
signature with that of another letter which he drew from the pocket&#13;
of his long coat; then, after all these precautions, he chained up his&#13;
dogs, and returned to open the gate to the clerk and masons.</p><p>"What the devil, my good man!" said the clerk, as he entered; "there&#13;
would not be more formalities in opening the gates of a fortress!"</p><p>The Jew bowed, but without answering.</p><p>"Are you deaf, my good fellow?" cried the clerk, close to his ears.</p><p>"No, sir," said Samuel, with a quiet smile, as he advanced several steps&#13;
beyond the passage. Then pointing to the old house, he added: "That,&#13;
sir, is the door which you will have to open; you will also have to&#13;
remove the lead and iron from the second window to the right."</p><p>"Why not open all the windows?" asked the clerk.</p><p>"Because, sir, as guardian of this house, I have received particular&#13;
orders on the subject."</p><p>"Who gave you these orders?"</p><p>"My father, sir, who received them from his father, who transmitted them&#13;
from the master of this house. When I cease to have the care of it, the&#13;
new proprietor will do as he pleases."</p><p>"Oh! very well," said the clerk, not a little surprised. Then,&#13;
addressing himself to the masons, he added: "This is your business, my&#13;
fine fellows; you are to unwall the door, and remove the iron frame-work&#13;
of the second window to the right."</p><p>Whilst the masons set to work, under the inspection of the notary's&#13;
clerk, a coach stopped before the outer gate, and Rodin, accompanied by&#13;
Gabriel, entered the house in the Rue Saint-Francois.</p><p>CHAPTER XIX. THE HEIR</p><p>Samuel opened the door to Gabriel and Rodin.</p><p>The latter said to the Jew, "You, sir, are the keeper of this house?"</p><p>"Yes, sir," replied Samuel.</p><p>"This is Abbe Gabriel de Rennepont," said Rodin, as he introduced his&#13;
companion, "one of the descendants of the family of the Renneponts."</p><p>"Happy to hear it, sir," said the Jew, almost involuntarily, struck with&#13;
the angelic countenance of Gabriel--for nobleness and serenity of soul&#13;
were visible in the glance of the young priest, and were written upon&#13;
his pure, white brow, already crowned with the halo of martyrdom. Samuel&#13;
looked at Gabriel with curiosity and benevolent interest; but feeling&#13;
that this silent contemplation must cause some embarrassment to his&#13;
guest, he said to him, "M. Abbe, the notary will not be here before ten&#13;
o'clock."</p><p>Gabriel looked at him in turn, with an air of surprise, and answered,&#13;
"What notary, sir?"</p><p>"Father d'Aigrigny will explain all this to you," said Rodin, hastily.&#13;
Then addressing Samuel, he added, "We are a little before the time. Will&#13;
you allow us to wait for the arrival of the notary?"</p><p>"Certainly," said Samuel, "if you please to walk into my house."</p><p>"I thank you, sir," answered Rodin, "and accept your offer."</p><p>"Follow me, then, gentlemen," said the old man.</p><p>A few moments after, the young priest and the socius, preceded by&#13;
Samuel, entered one of the rooms occupied by the latter, on the&#13;
ground-floor of the building, looking out upon the court-yard.</p><p>"The Abbe d'Aigrigny, who has been the guardian of M. Gabriel, will soon&#13;
be coming to ask for us," added Rodin; "will you have the kindness, sir&#13;
to show him into this room?"</p><p>"I will not fail to do so, sir," said Samuel, as he went out.</p><p>The socius and Gabriel were left alone. To the adorable gentleness which&#13;
usually gave to the fine features of the missionary so touching a charm,&#13;
there had succeeded in this moment a remarkable expression of sadness,&#13;
resolution, and severity. Rodin not having seen Gabriel for some days,&#13;
was greatly struck by the change he remarked in him. He had watched him&#13;
silently all the way from the Rue des Postes to the Rue Saint-Francois.&#13;
The young priest wore, as usual, a long black cassock, which made still&#13;
more visible the transparent paleness of his countenance. When the Jew&#13;
had left the room, Gabriel said to Rodin, in a firm voice, "Will you at&#13;
length inform me, sir, why, for some days past, I have been prevented&#13;
from speaking to his reverence Father d'Aigrigny? Why has he chosen this&#13;
house to grant me an interview?"</p><p>"It is impossible for me to answer these questions," replied Rodin,&#13;
coldly. "His reverence will soon arrive, and will listen to you. All I&#13;
can tell you is, that the reverend father lays as much stress upon this&#13;
meeting as you do. If he has chosen this house for the interview, it is&#13;
because you have an interest to be here. You know it well--though you&#13;
affected astonishment on hearing the guardian speak of a notary."</p><p>So saying, Rodin fixed a scrutinizing, anxious look upon Gabriel, whose&#13;
countenance expressed only surprise.</p><p>"I do not understand you," said he, in reply to Rodin. "What have I to&#13;
do with this house?"</p><p>"It is impossible that you should not know it," answered Rodin, still&#13;
looking at him with attention.</p><p>"I have told you, sir, that I do not know it," replied the other, almost&#13;
offended by the pertinacity of the socius.</p><p>"What, then, did your adopted mother come to tell you yesterday? Why did&#13;
you presume to receive her without permission from Father d'Aigrigny, as&#13;
I have heard this morning? Did she not speak with you of certain family&#13;
papers, found upon you when she took you in?"</p><p>"No, sir," said Gabriel; "those papers were delivered at the time to&#13;
my adopted mother's confessor, and they afterwards passed into Father&#13;
d'Aigrigny's hands. This is the first I hear for a long time of these&#13;
papers."</p><p>"So you affirm that Frances Baudoin did not come to speak to you on&#13;
this subject?" resumed Rodin, obstinately, laying great emphasis on his&#13;
words.</p><p>"This is the second time, sir, that you seem to doubt my affirmation,"&#13;
said the young priest, mildly, while he repressed a movement of&#13;
impatience, "I assure you that I speak the truth."</p><p>"He knows nothing," thought Rodin; for he was too well convinced of&#13;
Gabriel's sincerity to retain the least doubt after so positive a&#13;
declaration. "I believe you," went on he. "The idea only occurred to me&#13;
in reflecting what could be the reason of sufficient weight to induce&#13;
you to transgress Father d'Aigrigny's orders with regard to the absolute&#13;
retirement he had commanded, which was to exclude all communication with&#13;
those without. Much more, contrary to all the rules of our house, you&#13;
ventured to shut the door of your room, whereas it ought to remain half&#13;
open, that the mutual inspection enjoined us might be the more easily&#13;
practiced. I could only explain these sins against discipline, by the&#13;
necessity of some very important conversation with your adopted mother."</p><p>"It was to a priest, and not to her adopted son, that Madame Baudoin&#13;
wished to speak," replied Gabriel, in a tone of deep seriousness. "I&#13;
closed my door because I was to hear a confession."</p><p>"And what had Frances Baudoin of such importance to confess?"</p><p>"You will know that by-and-bye, when I speak to his reverence--if it be&#13;
his pleasure that you should hear me."</p><p>These words were so firmly spoken, that a long silence ensued. Let us&#13;
remind the reader that Gabriel had hitherto been kept by his superiors&#13;
in the most complete ignorance of the importance of the family interests&#13;
which required his presence in the Rue Saint-Francois. The day before,&#13;
Frances Baudoin, absorbed in her own grief, had forgotten to tell him&#13;
that the two orphans also should be present at this meeting, and had she&#13;
even thought of it, Dagobert would have prevented her mentioning this&#13;
circumstance to the young priest.</p><p>Gabriel was therefore quite ignorant of the family ties which united him&#13;
with the daughters of Marshal Simon, with Mdlle. de Cardoville, with M.&#13;
Hardy, Prince Djalma, and Sleepinbuff. In a word, if it had then been&#13;
revealed to him that he was the heir of Marius de Rennepont, he would&#13;
have believed himself the only descendant of the family. During the&#13;
moment's silence which succeeded his conversation with Rodin, Gabriel&#13;
observed through the windows the mason's at their work of unwalling the&#13;
door. Having finished this first operation, they set about removing the&#13;
bars of iron by which a plate of lead was fixed over the same entrance.</p><p>At this juncture, Father d'Aigrigny, conducted by Samuel, entered the&#13;
room. Before Gabriel could turn around, Rodin had time to whisper to the&#13;
reverend father, "He knows nothing--and we have no longer anything to&#13;
fear from the Indian."</p><p>Notwithstanding his affected calmness, Father d'Aigrigny's countenance&#13;
was pale and contracted, like that of a player who is about to stake all&#13;
on a last, decisive game. Hitherto, all had favored the designs of the&#13;
Society; but he could not think without alarm of the four hours which&#13;
still remained before they should reach the fatal moment. Gabriel having&#13;
turned towards him, Father d'Aigrigny offered him his hand with a smile,&#13;
and said to him in an affectionate and cordial tone, "My dear son, it&#13;
has pained me a good deal to have been obliged to refuse you till now&#13;
the interview that you so much desired. It has been no less distressing&#13;
to me to impose on you a confinement of some days. Though I cannot give&#13;
any explanation of what I may think fit to order, I will just observe to&#13;
you that I have acted only for your interest."</p><p>"I am bound to believe your reverence," answered Gabriel, bowing his&#13;
head.</p><p>In spite of himself, the young priest felt a vague sense of fear, for&#13;
until his departure for his American mission, Father d'Aigrigny,&#13;
at whose feet he had pronounced the formidable vows which bound him&#13;
irrevocably to the Society of Jesus, had exercised over him that&#13;
frightful species of influence which, acting only by despotism,&#13;
suppression, and intimidation, breaks down all the living forces of&#13;
the soul, and leaves it inert, trembling, and terrified. Impressions of&#13;
early youth are indelible, and this was the first time, since his&#13;
return from America, that Gabriel found himself in presence of Father&#13;
d'Aigrigny; and although he did not shrink from the resolution he had&#13;
taken, he regretted not to have been able, as he had hoped, to gather&#13;
new strength and courage from an interview with Agricola and Dagobert.&#13;
Father d'Aigrigny knew mankind too well not to have remarked the emotion&#13;
of the young priest, and to have endeavored to explain its cause. This&#13;
emotion appeared to him a favorable omen; he redoubled, therefore, his&#13;
seductive arts, his air of tenderness and amenity, reserving to himself,&#13;
if necessary, the choice of assuming another mask. He sat down, while&#13;
Gabriel and Rodin remained standing in a respectful position, and said&#13;
to the former: "You desire, my dear son, to have an important interview&#13;
with me?"</p><p>"Yes, father," said Gabriel, involuntarily casting down his eyes before&#13;
the large, glittering gray pupil of his superior.</p><p>"And I also have matters of great importance to communicate to you.&#13;
Listen to me first; you can speak afterwards."</p><p>"I listen, father."</p><p>"It is about twelve years ago, my dear son," said Father d'Aigrigny,&#13;
affectionately, "that the confessor of your adopted mother, addressing&#13;
himself to me through M. Rodin, called my attention to yourself, by&#13;
reporting the astonishing progress you had made at the school of the&#13;
Brothers. I soon found, indeed, that your excellent conduct, your&#13;
gentle, modest character, and your precocious intelligence, were worthy&#13;
of the most tender interest. From that moment I kept my eyes upon&#13;
you, and at the end of some time, seeing that you did not fall off, it&#13;
appeared to me that there was something more in you than the stuff that&#13;
makes a workman. We agreed with your adopted mother, and through my&#13;
intervention, you were admitted gratuitously to one of the schools of&#13;
our Company. Thus one burden the less weighed upon the excellent woman&#13;
who had taken charge of you, and you received from our paternal care all&#13;
the benefits of a religious education. Is not this true, my dear son?"</p><p>"It is true, father," answered Gabriel, casting down his eyes.</p><p>"As you grew up, excellent and rare virtues displayed themselves in your&#13;
character. Your obedience and mildness were above all exemplary. You&#13;
made rapid progress in your studies. I knew not then to what career you&#13;
wished to devote yourself, but I felt certain that, in every station of&#13;
life, you would remain a faithful son of the Church. I was not deceived&#13;
in my hopes, or rather, my dear son, you surpassed them all. Learning,&#13;
by a friendly communication, that your adopted mother ardently desired&#13;
to see you take orders, you acceded generously and religiously to the&#13;
wish of the excellent woman to whom you owed so much. But as the Lord is&#13;
always just in His recompenses, He willed that the most touching work of&#13;
gratitude you could show to your adopted mother, should at the same time&#13;
be divinely profitable by making you one of the militant members of our&#13;
holy Church."</p><p>At these words, Gabriel could not repress a significant start, as he&#13;
remembered Frances' sad confidences. But he restrained himself, whilst&#13;
Rodin stood leaning with his elbow on the corner of the chimney-piece,&#13;
continuing to examine him with singular and obstinate attention.</p><p>Father d'Aigrigny resumed: "I do not conceal from you, my dear son,&#13;
that your resolution filled me with joy. I saw in you one of the future&#13;
lights of the Church, and I was anxious to see it shine in the midst&#13;
of our Company. You submitted courageously to our painful and difficult&#13;
tests; you were judged worthy of belonging to us, and, after taking in&#13;
my presence the irrevocable and sacred oath, which binds you for ever to&#13;
our Company for the greater glory of God, you answered the appeal of our&#13;
Holy Father(14) to willing souls, and offered yourself as a missionary,&#13;
to preach to savages the one Catholic faith. Though it was painful to us&#13;
to part with our dear son, we could not refuse to accede to such&#13;
pious wishes. You set out a humble missionary you return a glorious&#13;
martyr--and we are justly proud to reckon you amongst our number. This&#13;
rapid sketch of the past was necessary, my dear son to arrive at what&#13;
follows, for we wish now, if it be possible, to draw still closer the&#13;
bonds that unite us. Listen to me, my dear son; what I am about to say&#13;
is confidential and of the highest importance, not only for you, but the&#13;
whole Company."</p><p>"Then, father," cried Gabriel hastily, interrupting the Abbe d'Aigrigny,&#13;
"I cannot--I ought not to hear you."</p><p>The young priest became deadly pale; one saw, by the alteration of&#13;
his features, that a violent struggle was taking place within him, but&#13;
recovering his first resolution, he raised his head, and casting an&#13;
assured look on Father d'Aigrigny and Rodin, who glanced at each other&#13;
in mute surprise, he resumed: "I repeat to you, father, that if it&#13;
concerns confidential matters of the Company, I must not hear you."</p><p>"Really, my dear son, you occasion me the greatest astonishment. What&#13;
is the matter?--Your countenance changes, your emotion is visible. Speak&#13;
without fear; why can you not hear me?"</p><p>"I cannot tell you, father, until I also have, in my turn, rapidly&#13;
sketched the past--such as I have learned to judge it of late. You&#13;
will then understand, father, that I am no longer entitled to your&#13;
confidence, for an abyss will doubtlessly soon separate us."</p><p>At these words, it is impossible to paint the look rapidly exchanged&#13;
between Rodin and Father d'Aigrigny. The socius began to bite his nails,&#13;
fixing his reptile eye angrily upon Gabriel; Father d'Aigrigny grew&#13;
livid, and his brow was bathed in cold sweat. He asked himself with&#13;
terror, if, at the moment of reaching the goal, the obstacle was going&#13;
to come from Gabriel, in favor of whom all other obstacles had been&#13;
removed. This thought filled him with despair. Yet the reverend&#13;
father contained himself admirably, remained calm, and answered with&#13;
affectionate unction: "It is impossible to believe, my dear son, that&#13;
you and I can ever be separated by an abyss--unless by the abyss of&#13;
grief, which would be caused by any serious danger to your salvation.&#13;
But speak; I listen to you."</p><p>"It is true, that, twelve years ago, father," proceeded Gabriel, in a&#13;
firm voice, growing more animated as he proceeded, "I entered, through&#13;
your intervention, a college of the Company of Jesus. I entered it&#13;
loving, truthful, confiding. How did they encourage those precious&#13;
instincts of childhood? I will tell you. The day of my entrance, the&#13;
Superior said to me, as he pointed out two children a little older than&#13;
myself: 'These are the companions that you will prefer. You will always&#13;
walk three together. The rules of the house forbid all intercourse&#13;
between two persons only. They also require, that you should listen&#13;
attentively to what your companions say, so that you may report it to&#13;
me; for these dear children may have, without knowing it, bad thoughts&#13;
or evil projects. Now, if you love your comrades, you must inform me of&#13;
these evil tendencies, that my paternal remonstrances may save them from&#13;
punishment; it is better to prevent evil than to punish it.'"</p><p>"Such are, indeed, my dear son," said Father d'Aigrigny, "the rules&#13;
of our house, and the language we hold to all our pupils on their&#13;
entrance."</p><p>"I know it, father," answered Gabriel, bitterly; "three days after,&#13;
a poor, submissive, and credulous child, I was already a spy upon my&#13;
comrades, hearing and remembering their conversation, and reporting it&#13;
to the superior, who congratulated me on my zeal. What they thus made&#13;
me do was shameful, and yet, God knows! I thought I was accomplishing a&#13;
charitable duty. I was happy in obeying the commands of a superior whom&#13;
I respected, and to whose words I listened, in my childish faith, as I&#13;
should have listened to those of Heaven. One day, that I had broken some&#13;
rule of the house, the superior said to me: 'My child, you have deserved&#13;
a severe punishment; but you will be pardoned, if you succeed in&#13;
surprising one of your comrades in the same fault that you have&#13;
committed.' And for that, notwithstanding my faith and blind obedience,&#13;
this encouragement to turn informer, from the motive of personal&#13;
interest, might appear odious to me, the superior added. 'I speak to&#13;
you, my child, for the sake of your comrade's salvation. Were he&#13;
to escape punishment, his evil habits would become habitual. But by&#13;
detecting him in a fault, and exposing him to salutary correction, you&#13;
will have the double advantage of aiding in his salvation, and escaping&#13;
yourself a merited punishment, which will have been remitted because of&#13;
your zeal for your neighbor--"</p><p>"Doubtless," answered Father d'Aigrigny, more and more terrified by&#13;
Gabriel's language; "and in truth, my dear son, all this is conformable&#13;
to the rule followed in our colleges, and to the habits of the members&#13;
of our Company, 'who may denounce each other without prejudice to mutual&#13;
love and charity, and only for their greater spiritual advancement,&#13;
particularly when questioned by their superior, or commanded for the&#13;
greater glory of God,' as our Constitution has it."</p><p>"I know it," cried Gabriel; "I know it. 'Tis in the name of all that is&#13;
most sacred amongst men, that we are encouraged to do evil."</p><p>"My dear son," said Father d'Aigrigny, trying to conceal his secret and&#13;
growing terror beneath an appearance of wounded dignity, "from you to me&#13;
these words are at least strange."</p><p>At this, Rodin quitted the mantelpiece, on which he had been leaning,&#13;
begin to walk up and down the room, with a meditative air, and without&#13;
ceasing to bite his nails.</p><p>"It is cruel to be obliged to remind you, my dear son, that your are&#13;
indebted to us for the education you have received," added Father&#13;
d'Aigrigny.</p><p>"Such were its fruits, father," replied Gabriel. "Until then I had been&#13;
a spy on the other children, from a sort of disinterestedness; but the&#13;
orders of the superior made me advance another step on that shameful&#13;
road. I had become an informer, to escape a merited punishment. And yet,&#13;
such was my faith, my humility, my confidence, that I performed with&#13;
innocence and candor this doubly odious part. Once, indeed, tormented by&#13;
vague scruples, the last remains of generous aspirations that they were&#13;
stifling within me, I asked myself if the charitable and religious end&#13;
could justify the means, and I communicated my doubts to the superior.&#13;
He replied, that I had not to judge, but to obey, and that to him alone&#13;
belonged the responsibility of my acts."</p><p>"Go on, my dear son," said Father d'Aigrigny, gelding, in spite of&#13;
himself, to the deepest dejection. "Alas! I was right in opposing your&#13;
travel to America."</p><p>"And yet it was the will of Providence, in that new, productive, and&#13;
free country, that, enlightened by a singular chance, on past and&#13;
present, my eyes were at length opened. Yes!" cried Gabriel, "it was in&#13;
America that, released from the gloomy abode where I had spent so many&#13;
years of my youth, and finding myself for the first time face to face&#13;
with the divine majesty of Nature, in the heart of immense solitudes&#13;
through which I journeyed--it was there that, overcome by so much&#13;
magnificence and grandeur, I made a vow--" Here Gabriel interrupted&#13;
himself, to continue: "Presently, father, I will explain to you that&#13;
vow; but believe me," added the missionary, with an accent of deep&#13;
sorrow, "it was a fatal day to me when I first learned to fear and&#13;
condemn all that I had hitherto most revered and blessed. Oh! I assure&#13;
you father," added Gabriel, with moist eyes, "it was not for myself&#13;
alone, that I then wept."</p><p>"I know the goodness of your heart, my dear son," replied Father&#13;
d'Aigrigny, catching a glimpse of hope, on seeing Gabriel's emotion; "I&#13;
fear that you have been led astray. But trust yourself to us, as to&#13;
your spiritual fathers, and I doubt not we shall confirm your faith,&#13;
so unfortunately shaken, and disperse the darkness which at present&#13;
obscures your sight. Alas, my dear son, in your vain illusions, you have&#13;
mistaken some false glimmer for the pure light of day. But go on."</p><p>Whilst Father d'Aigrigny was thus speaking, Rodin stopped, took a pocket&#13;
book from his coat, and wrote down several notes. Gabriel was becoming&#13;
more and more pale and agitated. It required no small courage in him,&#13;
to speak as he was speaking, for, since his journey to America, he&#13;
had learned to estimate the formidable power of the Company. But this&#13;
revelation of the past, looked at from the vantage-ground of a more&#13;
enlightened present, was for the young priest the excuse, or rather the&#13;
cause of the determination he had just signified to his superior, and&#13;
he wished to explain all faithfully, notwithstanding the danger he&#13;
knowingly encountered. He continued therefore, in an agitated voice:</p><p>"You know, father, that the last days of my childhood, that happy age&#13;
of frankness and innocent joy, were spent in an atmosphere of terror,&#13;
suspicion, and restraint. Alas! how could I resign myself to the least&#13;
impulse of confiding trust, when I was recommended to shun the looks of&#13;
him who spoke with me, in order to hide the impression that his words&#13;
might cause--to conceal whatever I felt, and to observe and listen to&#13;
everything? Thus I reached the age of fifteen; by degrees, the rare&#13;
visits that I was allowed to pay, but always in presence of one of our&#13;
fathers, to my adopted mother and brother, were quite suppressed, so as&#13;
to shut my heart against all soft and tender emotions. Sad and fearful&#13;
in that large, old noiseless, gloomy house, I felt that I became more&#13;
and more isolated from the affections and the freedom of the world.&#13;
My time was divided between mutilated studies, without connection and&#13;
without object, and long hours of minute devotional exercises. I ask&#13;
you, father, did they ever seek to warm our young souls by words of&#13;
tenderness or evangelic love? Alas, no! For the words of the divine&#13;
Saviour--Love ye one another, they had substituted the command: Suspect&#13;
ye one another. Did they ever, father, speak to us of our country or of&#13;
liberty?--No! ah, no! for those words make the heart beat high; and with&#13;
them, the heart must not beat at all. To our long hours of study and&#13;
devotion, there only succeeded a few walks, three by three--never two&#13;
and two--because by threes, the spy-system is more practicable, and&#13;
because intimacies are more easily formed by two alone; and thus might&#13;
have arisen some of those generous friendships, which also make the&#13;
heart beat more than it should.15 And so, by the habitual repression of&#13;
every feeling, there came a time when I could not feel at all. For six&#13;
months, I had not seen my adopted mother and brother; they came to visit&#13;
me at the college; a few years before, I should have received them with&#13;
transports and tears; this time my eyes were dry, my heart was cold. My&#13;
mother and brother quitted me weeping. The sight of this grief struck me&#13;
and I became conscious of the icy insensibility which had been creeping&#13;
upon me since I inhabited this tomb. Frightened at myself, I wished to&#13;
leave it, while I had still strength to do so. Then, father, I spoke to&#13;
you of the choice of a profession; for sometimes, in waking moments,&#13;
I seemed to catch from afar the sound of an active and useful life,&#13;
laborious and free, surrounded by family affections. Oh! then I felt the&#13;
want of movement and liberty, of noble and warm emotions--of that life&#13;
of the soul, which fled before me. I told it you, father on my&#13;
knees, bathing your hands with my tears. The life of a workman or a&#13;
soldier--anything would have suited me. It was then you informed me,&#13;
that my adopted mother, to whom I owed my life--for she had taken me in,&#13;
dying of want, and, poor herself, had shared with me the scanty bread&#13;
of her child--admirable sacrifice for a mother!--that she," continued&#13;
Gabriel, hesitating and casting down his eyes, for noble natures blush&#13;
for the guilt of others, and are ashamed of the infamies of which they&#13;
are themselves victims, "that she, that my adopted mother, had but one&#13;
wish, one desire--"</p><p>"That of seeing you takes orders, my dear son," replied Father&#13;
d'Aigrigny; "for this pious and perfect creature hoped, that, in&#13;
securing your salvation, she would provide for her own: but she did not&#13;
venture to inform you of this thought, for fear you might ascribe it to&#13;
an interested motive."</p><p>"Enough, father!" said Gabriel, interrupting the Abbe d'Aigrigny, with&#13;
a movement of involuntary indignation; "it is painful for me to hear you&#13;
assert an error. Frances Baudoin never had such a thought."</p><p>"My dear son, you are too hasty in your judgments," replied Father&#13;
d'Aigrigny, mildly. "I tell you, that such was the one, sole thought of&#13;
your adopted mother."</p><p>"Yesterday, father, she told me all. She and I were equally deceived."</p><p>"Then, my dear son," said Father d'Aigrigny, sternly, "you take the word&#13;
of your adopted mother before mine?"</p><p>"Spare me an answer painful for both of us, father," said Gabriel,&#13;
casting down his eyes.</p><p>"Will you now tell me," resumed Father d'Aigrigny, with anxiety, "what&#13;
you mean to--"</p><p>The reverend father was unable to finish. Samuel entered the room, and&#13;
said: "A rather old man wishes to speak to M. Rodin."</p><p>"That is my name, sir," answered the socius, in surprise; "I am much&#13;
obliged to you." But, before following the Jew, he gave to Father&#13;
d'Aigrigny a few words written with a pencil upon one of the leaves of&#13;
his packet-book.</p><p>Rodin went out in very uneasy mood, to learn who could have come to seek&#13;
him in the Rue Saint-Francois. Father d'Aigrigny and Gabriel were left&#13;
alone together.</p><p>(14) It is only in respect to Missions that the Jesuits acknowledge the&#13;
papal supremacy.</p><p>(15) This rule is so strict in Jesuit Colleges, that if one of three&#13;
pupils leaves the other two, they separate out of earshot till the first&#13;
comes back.</p><p>CHAPTER XX. THE RUPTURE.</p><p>Plunged into a state of mortal anxiety, Father d'Aigrigny had taken&#13;
mechanically the note written by Rodin, and held it in his hand without&#13;
thinking of opening it. The reverend father asked himself in alarm, what&#13;
conclusion Gabriel would draw from these recriminations upon the&#13;
past; and he durst not make any answer to his reproaches, for fear of&#13;
irritating the young priest, upon whose head such immense interests now&#13;
reposed. Gabriel could possess nothing for himself, according to the&#13;
constitutions of the Society of Jesus. Moreover, the reverend father had&#13;
obtained from him, in favor of the Order, an express renunciation of&#13;
all property that might ever come to him. But the commencement of his&#13;
conversation seemed to announce so serious a change in Gabriel's views&#13;
with regard to the Company, that he might choose to break through the&#13;
ties which attached him to it; and in that case, he would not be legally&#13;
bound to fulfil any of his engagements.(16) The donation would thus be&#13;
cancelled de facto, just at the moment of being so marvellously realized&#13;
by the possession of the immense fortune of the Rennepont family, and&#13;
d'Aigrigny's hopes would thus be completely and for ever frustrated.&#13;
Of all these perplexities which the reverend father had experienced&#13;
for some time past, with regard to this inheritance, none had been more&#13;
unexpected and terrible than this. Fearing to interrupt or question&#13;
Gabriel, Father d'Aigrigny waited, in mute terror, the end of this&#13;
interview, which already bore so threatening an aspect.</p><p>The missionary resumed: "It is my duty, father, to continue this sketch&#13;
of my past life, until the moment of my departure for America. You will&#13;
understand, presently, why I have imposed on myself this obligation."</p><p>Father d'Aigrigny nodded for him to proceed.</p><p>"Once informed of the pretended wishes of my adopted mother, I resigned&#13;
myself to them, though at some cost of feeling. I left the gloomy abode,&#13;
in which I had passed my childhood and part of my youth, to enter one&#13;
of the seminaries of the Company. My resolution was not caused by an&#13;
irresistible religious vocation, but by a wish to discharge the sacred&#13;
debt I owed my adopted mother. Yet the true spirit of the religion of&#13;
Christ is so vivifying, that I felt myself animated and warmed by the&#13;
idea of carrying out the adorable precepts of our Blessed Saviour. To my&#13;
imagination, a seminary, instead of resembling the college where I had&#13;
lived in painful restraint, appeared like a holy place, where all that&#13;
was pure and warm in the fraternity of the Gospel would be applied to&#13;
common life--where, for example, the lessons most frequently taught&#13;
would be the ardent love of humanity, and the ineffable sweets of&#13;
commiseration and tolerance--where the everlasting words of Christ&#13;
would be interpreted in their broadest sense--and where, in fine, by&#13;
the habitual exercise and expansion of the most generous sentiments, men&#13;
were prepared for the magnificent apostolic mission of making the rich&#13;
and happy sympathize with the sufferings of their brethren, by unveiling&#13;
the frightful miseries of humanity--a sublime and sacred morality, which&#13;
none are able to withstand, when it is preached with eyes full of tears,&#13;
and hearts overflowing with tenderness and charity!"</p><p>As he delivered these last words with profound emotion, Gabriel's eyes&#13;
became moist, and his countenance shone with angelic beauty.</p><p>"Such is, indeed, my dear son, the spirit of Christianity; but one must&#13;
also study and explain the letter," answered Father d'Aigrigny, coldly.&#13;
"It is to this study that the seminaries of our Company are specially&#13;
destined. Now the interpretation of the letter is a work of analysis,&#13;
discipline, and submission--and not one of heart and sentiment."</p><p>"I perceive that only too well, father. On entering this new house, I&#13;
found, alas! all my hopes defeated. Dilating for a moment, my heart soon&#13;
sunk within me. Instead of this centre of life, affection, youth, of&#13;
which I had dreamed. I found, in the silent and ice-cold seminary,&#13;
the same suppression of every generous emotion, the same inexorable&#13;
discipline, the same system of mutual prying, the same suspicion, the&#13;
same invincible obstacles to all ties of friendship. The ardor which had&#13;
warmed my soul for an instant soon died out; little by little, I fell&#13;
back into the habits of a stagnant, passive, mechanical life, governed&#13;
by a pitiless power with mechanical precision, just like the inanimate&#13;
works of a watch."</p><p>"But order, submission and regularity are the first foundations of our&#13;
Company, my dear son."</p><p>"Alas, father! it was death, not life, that I found thus organized. In&#13;
the midst of this destruction of every generous principle, I devoted&#13;
myself to scholastic and theological studies--gloomy studies--a wily,&#13;
menacing, and hostile science which, always awake to ideas of peril,&#13;
contest, and war, is opposed to all those of peace, progress, and&#13;
liberty."</p><p>"Theology, my dear son," said Father d'Aigrigny, sternly, "is at once&#13;
a buckler and a sword; a buckler, to protect and cover the Catholic&#13;
faith--a sword, to attack and combat heresy."</p><p>"And yet, father, Christ and His apostles knew not this subtle science:&#13;
their simple and touching words regenerated mankind, and set freedom&#13;
over slavery. Does not the divine code of the Gospel suffice to teach&#13;
men to love one another? But, alas! far from speaking to us this&#13;
language, our attention was too often occupied with wars of religion,&#13;
and the rivers of blood that had flowed in honor of the Lord, and for&#13;
the destruction of heresy. These terrible lessons made our life still&#13;
more melancholy. As we grew near to manhood, our relations at the&#13;
seminary assumed a growing character of bitterness, jealousy and&#13;
suspicion. The habit of tale bearing against each other, applied to more&#13;
serious subjects, engendered silent hate and profound resentments. I&#13;
was neither better nor worse than the others. All of us, bowed down&#13;
for years beneath the iron yoke of passive obedience, unaccustomed to&#13;
reflection or free-will, humble and trembling before our superiors, had&#13;
the same pale, dull, colorless disposition. At last I took orders; once&#13;
a priest, you invited me, father, to enter the Company of Jesus, or&#13;
rather I found myself insensibly brought to this determination. How,&#13;
I do not know. For a long time before, my will was not my own. I went&#13;
through all my proofs; the most terrible was decisive; for some months,&#13;
I lived in the silence of my cell, practicing with resignation the&#13;
strange and mechanical exercises that you ordered me. With the exception&#13;
of your reverence, nobody approached me during that long space of time;&#13;
no human voice but yours sounded in my ear. Sometimes, in the night,&#13;
I felt vague terrors; my mind, weakened by fasting, austerity, and&#13;
solitude, was impressed with frightful visions. At other times, on the&#13;
contrary, I felt a sort of quiescence, in the idea that, having once&#13;
pronounced my vows, I should be delivered for ever from the burden of&#13;
thought and will. Then I abandoned myself to an insurmountable torpor,&#13;
like those unfortunate wretches, who, surprised by a snow-storm,&#13;
yield to a suicidal repose. Thus I awaited the fatal moment. At last,&#13;
according to the rule of discipline, choking with the death rattle,(17)&#13;
I hastened the moment of accomplishing the final act of my expiring&#13;
will--the vow to renounce it for ever."</p><p>"Remember, my dear son," replied Father d'Aigrigny, pale and tortured by&#13;
increasing anguish, "remember, that, on the eve of the day fixed for&#13;
the completion of your vows; I offered, according to the rule of our&#13;
Company, to absolve you from joining us--leaving you completely free,&#13;
for we accept none but voluntary vocations."</p><p>"It is true, father," answered Gabriel, with sorrowful bitterness;&#13;
"when, worn out and broken by three months of solitude and trial, I was&#13;
completely exhausted, and unable to move a step, you opened the door&#13;
of my cell, and said to me: 'If you like, rise and walk; you are free;&#13;
Alas! I had no more strength. The only desire of my soul, inert and&#13;
paralyzed for so long a period, was the repose of the grave; and&#13;
pronouncing those irrevocable vows, I fell, like a corpse, into your&#13;
hands."</p><p>"And, till now, my dear son, you have never failed in this corpse--like&#13;
obedience,--to use the expression of our glorious founder--because, the&#13;
more absolute this obedience, the more meritorious it must be."</p><p>After a moment's silence, Gabriel resumed: "You had always concealed&#13;
from me, father, the true ends of the Society into which I entered. I&#13;
was asked to abandon my free-will to my superiors, in the name of the&#13;
Greater Glory of God. My vows once pronounced, I was to be in your hands&#13;
a docile and obedient instrument; but I was to be employed, you told me,&#13;
in a holy, great and beauteous work. I believed you, father--how should&#13;
I not have believed you? but a fatal event changed my destiny--a painful&#13;
malady caused by--"</p><p>"My son," cried Father d'Aigrigny, interrupting Gabriel, "it is useless&#13;
to recall these circumstances."</p><p>"Pardon me, father, I must recall them. I have the right to be heard. I&#13;
cannot pass over in silence any of the facts, which have led me to take&#13;
the immutable resolution that I am about to announce to you."</p><p>"Speak on, my son," said Father d'Aigrigny, frowning; for he was much&#13;
alarmed at the words of the young priest, whose cheeks, until now pale,&#13;
were covered with a deep blush.</p><p>"Six months before my departure for America," resumed Gabriel, casting&#13;
down his eyes, "you informed me, that I was destined to confess&#13;
penitents; and to prepare then for that sacred ministry, you gave me a&#13;
book."</p><p>Gabriel again hesitated. His blushes increased. Father d'Aigrigny could&#13;
scarcely restrain a start of impatience and anger.</p><p>"You gave me a book," resumed the young priest, with a great effort&#13;
to control himself, "a book containing questions to be addressed by&#13;
a confessor to youths, and young girls, and married women, when they&#13;
present themselves at the tribunal of penance. My God!" added Gabriel,&#13;
shuddering at the remembrance. "I shall never forget that awful moment.&#13;
It was night. I had retired to my chamber, taking with me this book,&#13;
composed, you told me, by one of our fathers, and completed by a holy&#13;
bishop.(18) Full of respect, faith, and confidence, I opened those&#13;
pages. At first, I did not understand them--afterwards I understood--and&#13;
then I was seized with shame and horror--struck with stupor--and had&#13;
hardly strength to close, with trembling hand, this abominable volume.&#13;
I ran to you, father, to accuse myself of having involuntarily cast my&#13;
eyes on those nameless pages, which, by mistake, you had placed in my&#13;
hands."</p><p>"Remember, also, my dear son," said Father d'Aigrigny, gravely, "that I&#13;
calmed your scruples, and told you that a priest, who is bound to&#13;
hear everything under the seal of confession, must be able to know and&#13;
appreciate everything; and that our Company imposes the task of reading&#13;
this Compendium, as a classical work, upon young deacons seminarists,&#13;
and priests, who are destined to be confessors."</p><p>"I believed you, father. In me the habit of inert obedience was so&#13;
powerful, and I was so unaccustomed to independent reflection, that,&#13;
notwithstanding my horror (with which I now reproached myself as with&#13;
a crime), I took the volume back into my chamber, and read. Oh, father!&#13;
what a dreadful revelation of criminal fancies, guilty of guiltiest in&#13;
their refinement!"</p><p>"You speak of this book in blamable terms," skid Father d'Aigrigny,&#13;
severely; "you were the victim of a too lively imagination. It is to it&#13;
that you must attribute this fatal impression, and not to an excellent&#13;
work, irreproachable for its special purpose, and duly authorized by the&#13;
Church. You are not able to judge of such a production."</p><p>"I will speak of it no more, father," said Gabriel: and he thus resumed:&#13;
"A long illness followed that terrible night. Many times, they feared&#13;
for my reason. When I recovered, the past appeared to me like a painful&#13;
dream. You told me, then, father, that I was not yet ripe for certain&#13;
functions; and it was then that I earnestly entreated you to be allowed&#13;
to go on the American missions. After having long refused my prayer,&#13;
you at length consented. From my childhood, I had always lived in the&#13;
college or seminary, to a state of continual restraint and subjection.&#13;
By constantly holding down my head and eyes, I had lost the habit of&#13;
contemplating the heavens and the splendors of nature. But, oh!&#13;
what deep, religious happiness I felt, when I found myself suddenly&#13;
transported to the centre of the imposing grandeur of the seas-half-way&#13;
between the ocean and the sky!--I seemed to come forth from a place of&#13;
thick darkness; for the first time, for many years, I felt my heart beat&#13;
freely in my bosom; for the first time, I felt myself master of my own&#13;
thoughts, and ventured to examine my past life, as from the summit of&#13;
a mountain, one looks down into a gloomy vale. Then strange doubts rose&#13;
within me. I asked myself by what right, and for what end, any beings&#13;
had so long repressed, almost annihilated, the exercise of my will, of&#13;
my liberty, of my reason, since God had endowed me with these gifts. But&#13;
I said to myself, that perhaps, one day, the great, beauteous, and holy&#13;
work, in which I was to have my share, would be revealed to me, and&#13;
would recompense my obedience and resignation."</p><p>At this moment, Rodin re-entered the room. Father d'Aigrigny questioned&#13;
him with a significant look. The socius approached, and said to him in&#13;
a low voice, so, that Gabriel could not hear: "Nothing serious. It was&#13;
only to inform me, that Marshal Simon's father is arrived at M. Hardy's&#13;
factory."</p><p>Then, glancing at Gabriel, Rodin appeared to interrogate Father&#13;
d'Aigrigny, who hung his head with a desponding air. Yet he resumed,&#13;
again addressing Gabriel, whilst Rodin took his old place, with his&#13;
elbow on the chimney-piece: "Go on, my dear son. I am anxious to learn&#13;
what resolution you have adopted."</p><p>"I will tell you in a moment, father. I arrived at Charleston. The&#13;
superior of our establishment in that place, to whom I imparted my&#13;
doubts as to the object of our Society, took upon himself to clear them&#13;
up, and unveiled it all to me with alarming frankness. He told me the&#13;
tendency not perhaps of all the members of the Company, for a great&#13;
number must have shared my ignorance--but the objects which our leaders&#13;
have pertinaciously kept in view, ever since the foundation of the&#13;
Order. I was terrified. I read the casuists. Oh, father! that was a&#13;
new and dreadful revelation, when, at every page, I read the excuse and&#13;
justification of robbery, slander, adultery, perjury, murder, regicide.&#13;
When I considered that I, the priest of a God of charity, justice,&#13;
pardon, and love, was to belong henceforth to a Company, whose chiefs&#13;
professed and glorified in such doctrines, I made a solemn oath to break&#13;
for ever the ties which bound me to it!"(19)</p><p>On these words of Gabriel, Father d'Aigrigny and Rodin exchanged a look&#13;
of terror. All was lost; their prey had escaped them. Deeply moved by&#13;
the remembrances he recalled, Gabriel did not perceive the action of&#13;
the reverend father and the socius, and thus continued: "In spite of my&#13;
resolution, father, to quit the Company, the discovery I had made was&#13;
very painful to me. Oh! believe me, for the honest and loving soul,&#13;
nothing is more frightful than to have to renounce what it has long&#13;
respected!--I suffered so much, that, when I thought of the dangers of&#13;
my mission, I hoped, with a secret joy, that God would perhaps take me&#13;
to Himself under these circumstances: but, on the contrary, He watched&#13;
over me with providential solicitude."</p><p>As he said this, Gabriel felt a thrill, for he remembered a Mysterious&#13;
Woman who had saved his life in America. After a moment's silence, he&#13;
resumed: "My mission terminated, I returned hither to beg, father, that&#13;
you would release me from my vows. Many times but in vain, I solicited&#13;
an interview. Yesterday, it pleased Providence that I should have a long&#13;
conversation with my adopted mother; from her I learned the trick by&#13;
which my vocation had been forced upon me--and the sacrilegious abuse&#13;
of the confessional, by which she had been induced to entrust to other&#13;
persons the orphans that a dying mother had confided to the care of&#13;
an honest soldier. You understand, father, that, if even I had before&#13;
hesitated to break these bonds, what I have heard yesterday must have&#13;
rendered my decision irrevocable. But at this solemn moment, father,&#13;
I am bound to tell you, that I do not accuse the whole Society; many&#13;
simple, credulous, and confiding men, like myself, must no doubt form&#13;
part of it. Docile instruments, they see not in their blindness the work&#13;
to which they are destined. I pity them, and pray God to enlighten them,&#13;
as he has enlightened me."</p><p>"So, my son," said Father d'Aigrigny, rising with livid and despairing&#13;
look, "you come to ask of me to break the ties which attach you to the&#13;
Society?"</p><p>"Yes, father; you received my vows--it is for you to release me from&#13;
them."</p><p>"So, my son, you understand that engagements once freely taken by you,&#13;
are now to be considered as null and void?"</p><p>"Yes, father."</p><p>"So, my son, there is to be henceforth nothing in common between you and&#13;
our Company?"</p><p>"No, father--since I request you to absolve me of my vows."</p><p>"But, you know, my son, that the Society may release you--but that you&#13;
cannot release yourself."</p><p>"The step I take proves to you, father, the importance I attach to an&#13;
oath, since I come to you to release me from it. Nevertheless, were&#13;
you to refuse me, I should not think myself bound in the eyes of God or&#13;
man."</p><p>"It is perfectly clear," said Father d'Aigrigny to Rodin, his voice&#13;
expiring upon his lips, so deep was his despair.</p><p>Suddenly, whilst Gabriel, with downcast eyes, waited for the answer&#13;
of Father d'Aigrigny, who remained mute and motionless, Rodin appeared&#13;
struck with a new idea, on perceiving that the reverend father still&#13;
held in his hand the note written in pencil. The socius hastily&#13;
approached Father d'Aigrigny, and said to him in a whisper, with a look&#13;
of doubt and alarm: "Have you not read my note?"</p><p>"I did not think of it," answered the reverend father, mechanically.</p><p>Rodin appeared to make a great effort to repress a movement of violent&#13;
rage. Then he said to Father d'Aigrigny, in a calm voice: "Read it now."</p><p>Hardly had the reverend father cast his eyes upon this note, than&#13;
a sudden ray of hope illumined his hitherto despairing countenance.&#13;
Pressing the hand of the socius with an expression of deep gratitude, he&#13;
said to him in a low voice: "You are right. Gabriel is ours."</p><p>(16) The statutes formally state that the Company can expel all drones&#13;
and wasps, but that no man can break his ties, if the Order wishes to&#13;
retain him.</p><p>(17) This is their own command. The constitution expressly bids the&#13;
novice wait for this decisive climax of the ordeal before taking the&#13;
vows of God.</p><p>(18) It is impossible, even in Latin, to give our readers an idea of&#13;
this infamous work.</p><p>(19) This is true. See the extracts from the Compendium for the use of&#13;
Schools, published under the title of "Discoveries by a Bibliophilist."&#13;
Strasburg, 1843. For regicide, see Sanchez and others.</p><p>CHAPTER XXI. THE CHANGE.</p><p>Before again addressing Gabriel, Father d'Aigrigny carefully reflected;&#13;
and his countenance, lately so disturbed, became gradually once more&#13;
serene. He appeared to meditate and calculate the effects of the&#13;
eloquence he was about to employ, upon an excellent and safe theme,&#13;
which the socius struck with the danger of the situation, had suggested&#13;
in a few lines rapidly written with a pencil, and which, in his despair,&#13;
the reverend father had at first neglected. Rodin resumed his post of&#13;
observation near the mantelpiece, on which he leaned his elbow,&#13;
after casting at Father d'Aigrigny a glance of disdainful and angry&#13;
superiority, accompanied by a significant shrug of the shoulders.</p><p>After this involuntary manifestation, which was luckily not perceived&#13;
by Father d'Aigrigny, the cadaverous face of the socius resumed its&#13;
icy calmness, and his flabby eyelids, raised a moment with anger and&#13;
impatience, fell, and half-veiled his little, dull eyes. It must be&#13;
confessed that Father d'Aigrigny, notwithstanding the ease and elegance&#13;
of his speech, notwithstanding the seduction of his exquisite manners,&#13;
his agreeable features, and the exterior of an accomplished and refined&#13;
man of the world, was often subdued and governed by the unpitying&#13;
firmness, the diabolical craft and depth of Rodin, the old, repulsive,&#13;
dirty, miserably dressed man, who seldom abandoned his humble part of&#13;
secretary and mute auditor. The influence of education is so powerful,&#13;
that Gabriel, notwithstanding the formal rupture he had just provoked,&#13;
felt himself still intimidated in presence of Father d'Aigrigny, and&#13;
waited with painful anxiety for the answer of the reverend father to his&#13;
express demand to be released from his old vows. His reverence having,&#13;
doubtless, regularly laid his plan of attack, at length broke silence,&#13;
heaved a deep sigh, gave to his countenance, lately so severe and&#13;
irritated, a touching expression of kindness, and said to Gabriel, in an&#13;
affectionate voice: "Forgive me, my dear son, for having kept silence&#13;
so long; but your abrupt determination has so stunned me, and has raised&#13;
within me so many painful thoughts, that I have had to reflect for some&#13;
moments, to try and penetrate the cause of this rupture, and I think&#13;
I have succeeded. You have well considered, my dear son, the serious&#13;
nature of the step you are taking?"</p><p>"Yes, father."</p><p>"And you have absolutely decided to abandon the Society, even against my&#13;
will?"</p><p>"It would be painful to me, father--but I must resign myself to it."</p><p>"It should be very painful to you, indeed, my dear son; for you took the&#13;
irrevocable vow freely, and this vow, according to our statutes, binds&#13;
you not to quit the Society, unless with the consent of your superiors."</p><p>"I did not then know, father, the nature of the engagement I took. More&#13;
enlightened now, I ask to withdraw myself; my only desire is to obtain&#13;
a curacy in some village far from Paris. I feel an irresistible vocation&#13;
for such humble and useful functions. In the country, there is so much&#13;
misery, and such ignorance of all that could contribute to ameliorate&#13;
the condition of the agricultural laborer, that his existence is as&#13;
unhappy as that of a negro slave; for what liberty has he? and what&#13;
instruction? Oh! it seems to me, that, with God's help, I might, as a&#13;
village curate, render some services to humanity. It would therefore be&#13;
painful to me, father, to see you refuse--"</p><p>"Be satisfied, my son," answered Father d'Aigrigny; "I will no longer&#13;
seek to combat your desire to separate yourself from us."</p><p>"Then, father, you release me from my vows?"</p><p>"I have not the power to do so, my dear son; but I will write&#13;
immediately to Rome, to ask the necessary authority from our general."</p><p>"I thank you, father."</p><p>"Soon, my dear son, you will be delivered from these bonds, which you&#13;
deem so heavy; and the men you abandon will not the less continue to&#13;
pray for you, that God may preserve you from still greater wanderings.&#13;
You think yourself released with regard to us, my dear son; but we do&#13;
not think ourselves released with regard to you. It is not thus that we&#13;
can get rid of the habit of paternal attachment. What would you have? We&#13;
look upon ourselves as bound to our children, by the very benefits with&#13;
which we have loaded them. You were poor, and an orphan; we stretched&#13;
out our arms to you, as much from the interest which you deserved, my&#13;
dear son, as to spare your excellent adopted mother too great a burden."</p><p>"Father," said Gabriel, with suppressed emotion, "I am not ungrateful."</p><p>"I wish to believe so, my dear son. For long years, we gave to you, as&#13;
to our beloved child, food for the body and the soul. It pleases you now&#13;
to renounce and abandon us. Not only do we consent to it--but now that I&#13;
have penetrated the true motives of your rupture with us, it is my duty&#13;
to release you from your vow."</p><p>"Of what motives do you speak, Father?"</p><p>"Alas! my dear son, I understand your fears. Dangers menace us--you know&#13;
it well."</p><p>"Dangers, father?" cried Gabriel.</p><p>"It is impossible, my dear son, that you should not be aware that,&#13;
since the fall of our legitimate sovereigns, our natural protectors,&#13;
revolutionary impiety becomes daily more and more threatening. We&#13;
are oppressed with persecutions. I can, therefore, comprehend and&#13;
appreciate, my dear son, the motive which under such circumstances,&#13;
induces you to separate from us."</p><p>"Father!" cried Gabriel, with as much indignation as grief, "you do not&#13;
think that of me--you cannot think it."</p><p>Without noticing the protestations of Gabriel, Father d'Aigrigny&#13;
continued his imaginary picture of the dangers of the Company, which,&#13;
far from being really in peril, was already beginning secretly to&#13;
recover its influence.</p><p>"Oh! if our Company were now as powerful as it was some years ago,"&#13;
resumed the reverend father; "if it were still surrounded by the respect&#13;
and homage which are due to it from all true believers--in spite of the&#13;
abominable calumnies with which we are assailed--then, my dear son, we&#13;
should perhaps have hesitated to release you from your vows, and have&#13;
rather endeavored to open your eyes to the light, and save you from&#13;
the fatal delusion to which you are a prey. But now that we are weak,&#13;
oppressed, threatened on every side, it is our duty, it is an act of&#13;
charity, not to force you to share in perils from which you have the&#13;
prudence to wish to withdraw yourself."</p><p>So, saying, Father d'Aigrigny cast a rapid glance at his socius,&#13;
who answered with a nod of approbation, accompanied by a movement of&#13;
impatience that seemed to say: "Go on! go on!"</p><p>Gabriel was quite overcome. There was not in the whole world a heart&#13;
more generous, loyal, and brave than his. We may judge of what he&#13;
must have suffered, on hearing the resolution he had come to thus&#13;
misinterpreted.</p><p>"Father," he resumed, in an agitated voice, whilst his eyes filled&#13;
with tears, "your words are cruel and unjust. You know that I am not a&#13;
coward."</p><p>"No," said Rodin, in his sharp, cutting voice, addressing Father&#13;
d'Aigrigny, and pointing to Gabriel with a disdainful look; "your dear&#13;
son is only prudent."</p><p>These words from Rodin made Gabriel start; a slight blush colored his&#13;
pale cheeks; his large and blue eyes sparkled with a generous anger;&#13;
then, faithful to the precepts of Christian humility and resignation,&#13;
he conquered this irritable impulse, hung down his head, and, too much&#13;
agitated to reply, remained silent, and brushed away an unseen tear.&#13;
This tear did not escape the notice of the socius. He saw in it no&#13;
doubt, a favorable symptom, for he exchanged a glance of satisfaction&#13;
with Father d'Aigrigny. The latter was about to touch on a question of&#13;
great interest, so, notwithstanding his self-command, his voice trembled&#13;
slightly; but encouraged, or rather pushed on by a look from Rodin,&#13;
who had become extremely attentive, he said to Gabriel: "Another motive&#13;
obliges us not to hesitate in releasing you from your vow, my dear son.&#13;
It is a question of pure delicacy. You probably learned yesterday&#13;
from your adopted mother, that you will perhaps be called upon to take&#13;
possession of an inheritance, of which the value is unknown."</p><p>Gabriel raised his head hastily and said to Father d'Aigrigny: "As I&#13;
have already stated to M. Rodin, my adopted mother only talked of her&#13;
scruples of conscience, and I was completely ignorant of the existence&#13;
of the inheritance of which you speak."</p><p>The expression of indifference with which the young priest pronounced&#13;
these last words, was remarked by Rodin.</p><p>"Be it so," replied Father d'Aigrigny. "You were not aware of it--I&#13;
believe you--though all appearances would tend to prove the contrary--to&#13;
prove, indeed, that the knowledge of this inheritance was not&#13;
unconnected with your resolution to separate from us."</p><p>"I do not understand you, Father."</p><p>"It is very simple. Your rupture with us would then have two motives.&#13;
First, we are in danger, and you think it prudent to leave us--"</p><p>"Father!"</p><p>"Allow me to finish, my dear son, and come to the second motive. If I&#13;
am deceived, you can tell me so. These are the facts. Formerly, on the&#13;
hypothesis that your family, of which you knew nothing, might one day&#13;
leave you some property, you made, in return for the care bestowed on&#13;
you by the Company, a free gift of all you might hereafter possess, not&#13;
to us--but to the poor, of whom we are the born shepherds."</p><p>"Well, father?" asked Gabriel, not seeing to what this preamble tended.</p><p>"Well, my dear son--now that you are sure of enjoying a competence, you&#13;
wish, no doubt, by separating from us, to annul this donation made under&#13;
other circumstances."</p><p>"To speak plainly, you violate your oath, because we are persecuted,&#13;
and because you wish to take back your gifts," added Rodin, in a&#13;
sharp voice, as if to describe in the clearest and plainest manner the&#13;
situation of Gabriel with regard to the Society.</p><p>At this infamous accusation, Gabriel could only raise his hands and eyes&#13;
to heaven, and exclaim, with an expression of despair, "Oh, heaven!"</p><p>Once more exchanging a look of intelligence with Rodin, Father&#13;
d'Aigrigny said to him, in a severe tone, as if reproaching him for his&#13;
too savage frankness: "I think you go too far. Our dear son could only&#13;
have acted in the base and cowardly manner you suggest, had he known his&#13;
position as an heir; but, since he affirms the contrary, we are bound to&#13;
believe him--in spite of appearances."</p><p>"Father," said Gabriel, pale, agitated trembling, and with half&#13;
suppressed grief and indignation, "I thank you, at least, for having&#13;
suspended your judgment. No, I am not a coward; for heaven is my&#13;
witness, that I knew of no danger to which the Society was exposed. Nor&#13;
am I base and avaricious; for heaven is also my witness, that only at&#13;
this moment I learn from you, father, that I may be destined to inherit&#13;
property, and--"</p><p>"One word, my dear son. It is quite lately that I became informed of&#13;
this circumstance, by the greatest chance in the world," said Father&#13;
d'Aigrigny, interrupting Gabriel; "and that was thanks to some family&#13;
papers which your adopted mother had given to her confessor, and which&#13;
were entrusted to us when you entered our college. A little before your&#13;
return from America, in arranging the archives of the Company, your file&#13;
of papers fell into the hands of our father-attorney. It was examined,&#13;
and we thus learned that one of your paternal ancestors, to whom the&#13;
house in which we now are belonged, left a will which is to be opened to&#13;
day at noon. Yesterday, we believed you one of us; our statutes command&#13;
that we should possess nothing of our own; you had corroborated those&#13;
statutes, by a donation in favor of the patrimony of the poor--which we&#13;
administer. It was no longer you, therefore, but the Company, which, in&#13;
my person, presented itself as the inheritor in your place, furnished&#13;
with your titles, which I have here ready in order. But now, my clear&#13;
son, that you separate from us, you must present yourself in your own&#13;
name. We came here as the representatives of the poor, to whom in former&#13;
days you piously abandoned whatever goods might fall to your share. Now,&#13;
on the contrary, the hope of a fortune changes your sentiments. You are&#13;
free to resume your gifts."</p><p>Gabriel had listened to Father d'Aigrigny with painful impatience. At&#13;
length he exclaimed. "Do you mean to say, father, that you think me&#13;
capable of canceling a donation freely made, in favor of the Company, to&#13;
which I am indebted for my education? You believe me infamous enough to&#13;
break my word, in the hope of possessing a modest patrimony?"</p><p>"This patrimony, my dear, son, may be small; but it may also be&#13;
considerable."</p><p>"Well, father! if it were a king's fortune," cried Gabriel, with proud&#13;
and noble indifference, "I should not speak otherwise--and I have,&#13;
I think, the right to be believed listen to my fixed resolution. The&#13;
Company to which I belong runs, you say, great dangers. I will inquire&#13;
into these dangers. Should they prove threatening--strong in the&#13;
determination which morally separates me from you--I will not leave you&#13;
till I see the end of your perils. As for the inheritance, of which you&#13;
believe me so desirous, I resign it to you formally, father, as I once&#13;
freely promised. My only wish is, that this property may be employed&#13;
for the relief of the poor. I do not know what may be the amount of this&#13;
fortune, but large or small, it belongs to the Company, because I have&#13;
thereto pledged my word. I have told you, father, that my chief&#13;
desire is to obtain a humble curacy in some poor village--poor, above&#13;
all--because there my services will be most useful. Thus, father, when a&#13;
man, who never spoke falsehood in his life, affirms to you, that he only&#13;
sighs for so humble an existence, you ought, I think, to believe him&#13;
incapable of snatching back, from motives of avarice, gifts already&#13;
made."</p><p>Father d'Aigrigny had now as much trouble to restrain his joy, as he&#13;
before had to conceal his terror. He appeared, however, tolerably calm,&#13;
and said to Gabriel: "I did not expect less from you, my dear son."</p><p>Then he made a sign to Rodin, to invite him to interpose. The latter&#13;
perfectly understood his superior. He left the chimney, drew near&#13;
to Gabriel, and leaned against the table, upon which stood paper and&#13;
inkstand. Then, beginning mechanically to beat the tattoo with the tips&#13;
of his coarse fingers, in all their array of flat and dirty nails, he&#13;
said to Father d'Aigrigny: "All this is very fine! but your dear son&#13;
gives you no security for the fulfilment of his promise except an&#13;
oath--and that, we know, is of little value."</p><p>"Sir!" cried Gabriel</p><p>"Allow me," said Rodin, coldly. "The law does not acknowledge our&#13;
existence and therefore can take no cognizance of donations made in&#13;
favor of the Company. You might resume to-morrow what you are pleased to&#13;
give us to-day."</p><p>"But my oath, sir!" cried Gabriel.</p><p>Rodin looked at him fixedly, as he answered: "Your oath? Did you not&#13;
swear eternal obedience to the Company, and never to separate from&#13;
us?--and of what weight now are these oaths?"</p><p>For a moment Gabriel was embarrassed; but, feeling how false was this&#13;
logic, he rose, calm and dignified, went to seat himself at the desk,&#13;
took up a pen, and wrote as follows:</p><p>"Before God, who sees and hears me, and in the presence of you, Father&#13;
d'Aigrigny and M. Rodin, I renew and confirm, freely and voluntarily,&#13;
the absolute donation made by me to the Society of Jesus, in the person&#13;
of the said Father d'Aigrigny, of all the property which may hereafter&#13;
belong to me, whatever may be its value. I swear, on pain of infamy, to&#13;
perform tis irrevocable promise, whose accomplishment I regard, in my&#13;
soul and conscience, as the discharge of a debt, and the fulfilment of a&#13;
pious duty.</p><p>"This donation having for its object the acknowledgment of past&#13;
services, and the relief of the poor, no future occurrences can at&#13;
all modify it. For the very reason that I know I could one day legally&#13;
cancel the present free and deliberate act, I declare, that if ever I&#13;
were to attempt such a thing, under any possible circumstances, I should&#13;
deserve the contempt and horror of all honest people.</p><p>"In witness whereof I have written this paper, on the 13th of February,&#13;
1832, in Paris, immediately before the opening of the testament of one&#13;
of my paternal ancestors.</p><p>"GABRIEL DE RENNEPONT."</p><p>As he rose, the young priest delivered this document to Rodin, without&#13;
uttering a word. The socius read it attentively, and, still impassible,&#13;
answered, as he looked at Gabriel: "Well, it is a written oath--that is&#13;
all."</p><p>Gabriel dwelt stupefied at the audacity of Rodin, who ventured to tell&#13;
him, that this document, in which he renewed his donation in so noble,&#13;
generous, and spontaneous a manner, was not all sufficient. The&#13;
socius was the first again to break the silence, and he said to Father&#13;
d'Aigrigny, with his usual cool impudence. "One of two things must be.&#13;
Either your dear son means to render his donation absolutely valuable&#13;
and irrevocable,--or--"</p><p>"Sir," exclaimed Gabriel, interrupting him, and hardly able to restrain&#13;
himself, "spare yourself and me such a shameful supposition."</p><p>"Well, then," resumed Rodin, impassible as ever, "as you are perfectly&#13;
decided to make this donation a serious reality, what objection can you&#13;
have to secure it legally?"</p><p>"None, sir," said Gabriel, bitterly, "since my written and sworn promise&#13;
will not suffice you."</p><p>"My dear son," said Father d'Aigrigny, affectionately, "if this were&#13;
a donation for my own advantage, believe me I should require no better&#13;
security than your word. But here I am, as it were, the agent of the&#13;
Society, or rather the trustee of the poor, who will profit by your&#13;
generosity. For the sake of humanity, therefore, we cannot secure this&#13;
gift by too many legal precautions, so that the unfortunate objects of&#13;
our care may have certainty instead of vague hopes to depend upon. God&#13;
may call you to him at any moment, and who shall say that your heirs&#13;
will be so ready to keep the oath you have taken?"</p><p>"You are right, father," said Gabriel, sadly; "I had not thought of the&#13;
case of death, which is yet so probable."</p><p>Hereupon, Samuel opened the door of the room, and said: "Gentlemen, the&#13;
notary has just arrived. Shall I show him in? At ten o'clock precisely,&#13;
the door of the house will be opened."</p><p>"We are the more glad to see the notary," said Rodin, "as we just happen&#13;
to have some business with him. Pray ask him to walk in."</p><p>"I will bring him to you instantly," replied Samuel, as he went out.</p><p>"Here is a notary," said Rodin to Gabriel. "If you have still the same&#13;
intentions, you can legalize your donation in presence of this public&#13;
officer, and thus save yourself from a great burden for the future."</p><p>"Sir," said Gabriel, "happen what may, I am as irrevocably engaged by&#13;
this written promise, which I beg you to keep, father"--and he handed&#13;
the paper to Father d'Aigrigny "as by the legal document, which I am&#13;
about to sign," he added, turning to Rodin.</p><p>"Silence, my dear son," said Father d'Aigrigny; "here is the notary,"&#13;
just as the latter entered the room.</p><p>During the interview of the administrative officer with Rodin, Gabriel,&#13;
and Father d'Aigrigny, we shall conduct the reader to the interior of&#13;
the walled-up house.</p><p>CHAPTER XXII. THE RED ROOM.</p><p>As Samuel had said, the door of the walled-up house had just been&#13;
disencumbered of the bricks, lead, and iron, which had kept it from&#13;
view, and its panels of carved oak appeared as fresh and sound, as on&#13;
the day when they had first been withdrawn from the influence of the air&#13;
and time. The laborers, having completed their work, stood waiting&#13;
upon the steps, as impatient and curious as the notary's clerk, who&#13;
had superintended the operation, when they saw Samuel slowly advancing&#13;
across the garden, with a great bunch of keys in his hand.</p><p>"Now, my friends," said the old man, when he had reached the steps,&#13;
"your work is finished. The master of this gentleman will pay you, and I&#13;
have only to show you out by the street door."</p><p>"Come, come, my good fellow," cried the clerk, "you don't think. We&#13;
are just at the most interesting and curious moment; I and these honest&#13;
masons are burning to see the interior of this mysterious house, and you&#13;
would be cruel enough to send us away? Impossible!"</p><p>"I regret the necessity, sir, but so it must he. I must be the first to&#13;
enter this dwelling, absolutely alone, before introducing the heirs, in&#13;
order to read the testament."</p><p>"And who gave you such ridiculous and barbarous orders?" cried the&#13;
clerk, singularly disappointed.</p><p>"My father, sir."</p><p>"A most respectable authority, no doubt; but come, my worthy guardian,&#13;
my excellent guardian," resumed the clerk, "be a good fellow, and let us&#13;
just take a peep in at the door."</p><p>"Yes, yes, sir, only a peep!" cried the heroes of the trowel, with a&#13;
supplicating air.</p><p>"It is disagreeable to have to refuse you, gentlemen," answered Samuel;&#13;
"but I cannot open this door, until I am alone."</p><p>The masons, seeing the inflexibility of the old man, unwillingly&#13;
descended the steps; but the clerk had resolved to dispute the ground&#13;
inch by inch, and exclaimed: "I shall wait for my master. I do not leave&#13;
the house without him. He may want me--and whether I remain on these&#13;
steps or elsewhere, can be of little consequence to you my worthy&#13;
keeper."</p><p>The clerk was interrupted in his appeal by his master himself, who&#13;
called out from the further side of the courtyard, with an air of&#13;
business: "M. Piston! quick, M. Piston--come directly!"</p><p>"What the devil does he want with me?" cried the clerk, in a passion.&#13;
"He calls me just at the moment when I might have seen something."</p><p>"M. Piston," resumed the voice, approaching, "do you not hear?"</p><p>While Samuel let out the masons, the clerk saw, through a clump of&#13;
trees, his master running towards him bareheaded, and with an air of&#13;
singular haste and importance. The clerk was therefore obliged to leave&#13;
the steps, to answer the notary's summons, towards whom he went with a&#13;
very bad grace.</p><p>"Sir, sir," said M. Dumesnil, "I have been calling you this hour with&#13;
all my might."</p><p>"I did not hear you sir," said M. Piston.</p><p>"You must be deaf, then. Have you any change about you?"</p><p>"Yes sir," answered the clerk, with some surprise.</p><p>"Well, then, you must go instantly to the nearest stamp-office, and&#13;
fetch me three or four large sheets of stamped paper, to draw up a deed.&#13;
Run! it is wanted directly."</p><p>"Yes, sir," said the clerk, casting a rueful and regretful glance at the&#13;
door of the walled-up house.</p><p>"But make haste, will you, M. Piston," said the notary.</p><p>"I do not know, sir, where to get any stamped paper."</p><p>"Here is the guardian," replied M. Dumesnil. "He will no doubt be able&#13;
to tell you."</p><p>At this instant, Samuel was returning, after showing the masons out by&#13;
the street-door.</p><p>"Sir," said the notary to him, "will you please to tell me where we can&#13;
get stamped paper?"</p><p>"Close by, sir," answered Samuel; "in the tobacconist's, No. 17, Rue&#13;
Vieille-du-Temple."</p><p>"You hear, M. Piston?" said the notary to his clerk. "You can get the&#13;
stamps at the tobacconist's, No. 17, Rue Vieille-du-Temple. Be quick!&#13;
for this deed must be executed immediately before the opening of the&#13;
will. Time presses."</p><p>"Very well, sir; I will make haste," answered the clerk, discontentedly,&#13;
as he followed his master, who hurried back into the room where he had&#13;
left Rodin, Gabriel, and Father d'Aigrigny.</p><p>During this time, Samuel, ascending the steps, had reached the door,&#13;
now disencumbered of the stone, iron, and lead with which it had been&#13;
blocked up. It was with deep emotion that the old man having selected&#13;
from his bunch of keys the one he wanted, inserted it in the keyhole,&#13;
and made the door turn upon its hinges. Immediately he felt on his&#13;
face a current of damp, cold air, like that which exhales from a cellar&#13;
suddenly opened. Having carefully re-closed and double-locked the door,&#13;
the Jew advanced along the hall, lighted by a glass trefoil over the&#13;
arch of the door. The panes had lost their transparency by the effect of&#13;
time, and now had the appearance of ground-glass. This hall, paved with&#13;
alternate squares of black and white marble, was vast, sonorous, and&#13;
contained a broad staircase leading to the first story. The walls of&#13;
smooth stone offered not the least appearance of decay or dampness; the&#13;
stair-rail of wrought iron presented no traces of rust; it was inserted,&#13;
just above the bottom step, into a column of gray granite, which&#13;
sustained a statue of black marble, representing a negro bearing a&#13;
flambeau. This statue had a strange countenance, the pupils of the eyes&#13;
being made of white marble.</p><p>The Jew's heavy tread echoed beneath the lofty dome of the hall.&#13;
The grandson of Isaac Samuel experienced a melancholy feeling, as he&#13;
reflected that the footsteps of his ancestor had probably been the last&#13;
which had resounded through this dwelling, of which he had closed the&#13;
doors a hundred and fifty years before; for the faithful friend,&#13;
in favor of whom M. de Rennepont had made a feigned transfer of the&#13;
property, had afterwards parted with the same, to place it in the name&#13;
of Samuel's grandfather, who had transmitted it to his descendants, as&#13;
if it had been his own inheritance.</p><p>To these thoughts, in which Samuel was wholly absorbed, was joined the&#13;
remembrance of the light seen that morning through the seven openings in&#13;
the leaden cover of the belvedere; and, in spite of the firmness of his&#13;
character, the old man could not repress a shudder, as, taking a second&#13;
key from his bunch, and reading upon the label, The Key of the Red&#13;
Room, he opened a pair of large folding doors, leading to the inner&#13;
apartments. The window which, of all those in the house, had alone been&#13;
opened, lighted this large room, hung with damask, the deep purple of&#13;
which had undergone no alteration. A thick Turkey carpet covered the&#13;
floor, and large arm-chairs of gilded wood, in the severe Louis XIV.&#13;
style, were symmetrically arranged along the wall. A second door,&#13;
leading to the next room, was just opposite the entrance. The&#13;
wainscoting and the cornice were white, relieved with fillets and&#13;
mouldings of burnished gold. On each side of this door was a large&#13;
piece of buhl-furniture, inlaid with brass and porcelain, supporting&#13;
ornamental sets of sea crackle vases. The window was hung with heavy&#13;
deep-fringed damask curtains, surmounted by scalloped drapery, with&#13;
silk tassels, directly opposite the chimney-piece of dark-gray marble,&#13;
adorned with carved brass-work. Rich chandeliers, and a clock in the&#13;
same style as the furniture, were reflected in a large Venice glass,&#13;
with basiled edges. A round table, covered with a cloth of crimson&#13;
velvet, was placed in the centre of this saloon.</p><p>As he approached this table, Samuel perceived a piece of white vellum,&#13;
on which were inscribed these words: "My testament is to be opened in&#13;
this saloon. The other apartments are to remain closed, until after the&#13;
reading of my last will--M. De R."</p><p>"Yes," said the Jew, as he perused with emotion these lines traced so&#13;
long ago; "this is the same recommendation as that which I received from&#13;
my father; for it would seem that the other apartments of this house are&#13;
filled with objects, on which M. de Rennepont set a high value, not for&#13;
their intrinsic worth, but because of their origin. The Hall of Mourning&#13;
must be a strange and mysterious chamber. Well," added Samuel, as he&#13;
drew from his pocket a register bound in black shagreen, with a brass&#13;
lock, from which he drew the key, after placing it upon the table, "here&#13;
is the statement of the property in hand, which I have been ordered to&#13;
bring hither, before the arrival of the heirs."</p><p>The deepest silence reigned in the room, at the moment when Samuel&#13;
placed the register on the table. Suddenly a simple and yet most&#13;
startling occurrence roused him from his reverie. In the next apartment&#13;
was heard the clear, silvery tone of a clock, striking slowly ten. And&#13;
the hour was ten! Samuel had too much sense to believe in perpetual&#13;
motion, or in the possibility of constructing a clock to go far one&#13;
hundred and fifty years. He asked himself, therefore, with surprise and&#13;
alarm, how this clock could still be going, and how it could mark so&#13;
exactly the hour of the day. Urged with restless curiosity, the old man&#13;
was about to enter the room; but recollecting the recommendation of his&#13;
father, which had now been confirmed by the few lines he had just read&#13;
from De Rennepont's pen, he stopped at the door, and listened with&#13;
extreme attention.</p><p>He heard nothing--absolutely nothing, but the last dying vibration of&#13;
the clock. After having long reflected upon this strange fact, Samuel,&#13;
comparing it with the no less extraordinary circumstance of the light&#13;
perceived that morning through the apertures in the belvedere, concluded&#13;
that there must be some connection between these two incidents. If&#13;
the old man could not penetrate the true cause of these extraordinary&#13;
appearances, he at least explained them to himself, by remembering the&#13;
subterraneous communications, which, according to tradition, were said&#13;
to exist between the cellars of this house and distant places; and he&#13;
conjectured that unknown and mysterious personages thus gained access&#13;
to it two or three times in a century. Absorbed in these thoughts Samuel&#13;
approached the fireplace, which, as we have said, was directly opposite&#13;
the window. Just then, a bright ray of sunlight, piercing the clouds,&#13;
shone full upon two large portraits, hung upon either side of the&#13;
fireplace, and not before remarked by the Jew. They were painted life&#13;
size, and represented one a woman, the other a man. By the sober yet&#13;
powerful coloring of these paintings, by the large and vigorous style,&#13;
it was easy to recognize a master's hand. It would have been difficult&#13;
to find models more fitted to inspire a great painter. The woman&#13;
appeared to be from five-and-twenty to thirty years of age. Magnificent&#13;
brown hair, with golden tints, crooned a forehead, white, noble, and&#13;
lofty. Her head-dress, far from recalling the fashion, which Madame de&#13;
Sevigne brought in during the age of Louis XIV., reminded one rather of&#13;
some of the portraits of Paul Veronese, in which the hair encircles the&#13;
face in broad, undulating bands, surmounted by a thick plait, like a&#13;
crown, at the back of the head. The eyebrows, finely pencilled, were&#13;
arched over large eyes of bright, sapphire blue. Their gaze at once&#13;
proud and mournful, had something fatal about it. The nose, finely&#13;
formed, terminated in slight dilated nostrils: a half smile, almost&#13;
of pain, contracted the mouth; the face was a long oval, and the&#13;
complexion, extremely pale, was hardly shaded on the cheek by a light&#13;
rose-color. The position of the head and neck announced a rare mixture&#13;
of grace and dignity. A sort of tunic or robe, of glossy black material,&#13;
came as high as the commencement of her shoulders, and just marking&#13;
her lithe and tall figure, reached down to her feet, which were almost&#13;
entirely concealed by the folds of this garment.</p><p>The attitude was full of nobleness and simplicity. The head looked white&#13;
and luminous, standing out from a dark gray sky, marbled at the horizon&#13;
by purple clouds, upon which were visible the bluish summits of distant&#13;
hills, in deep shadow. The arrangement of the picture, as well as the&#13;
warm tints of the foreground, contrasting strongly with these distant&#13;
objects, showed that the woman was placed upon an eminence, from which&#13;
she could view the whole horizon. The countenance was deeply pensive and&#13;
desponding. There was an expression of supplicating and resigned grief,&#13;
particularly in her look, half raised to heaven, which one would have&#13;
thought impossible to picture. On the left side of the fireplace was the&#13;
other portrait, painted with like vigor. It represented a man, between&#13;
thirty and thirty-five years of age, of tall stature. A large brown&#13;
cloak, which hung round him in graceful folds, did not quite conceal a&#13;
black doublet, buttoned up to the neck, over which fell a square white&#13;
collar. The handsome and expressive head was marked with stern powerful&#13;
lines, which did not exclude an admirable air of suffering, resignation,&#13;
and ineffable goodness. The hair, as well as the beard and eyebrows, was&#13;
black; and the latter, by some singular caprice of nature, instead&#13;
of being separated and forming two distinct arches, extended from one&#13;
temple to the other, in a single bow, and seemed to mark the forehead of&#13;
this man with a black line.</p><p>The background of this picture also represented a stormy sky; but,&#13;
beyond some rocks in the distance, the sea was visible, and appeared to&#13;
mingle with the dark clouds. The sun, just now shining upon these two&#13;
remarkable figures (which it appeared impossible to forget, after once&#13;
seeing them), augmented their brilliancy.</p><p>Starting from his reverie, and casting his eyes by chance upon these&#13;
portraits, Samuel was greatly struck with them. They appeared almost&#13;
alive. "What noble and handsome faces!" he exclaimed, as he approached&#13;
to examine them more closely. "Whose are these portraits? They are not&#13;
those of any of the Rennepont family, for my father told me that they&#13;
are all in the Hall of Mourning. Alas!" added the old man, "one might&#13;
think, from the great sorrow expressed in their countenances, that they&#13;
ought to have a place in that mourning-chamber."</p><p>After a moment's silence, Samuel resumed: "Let me prepare everything for&#13;
this solemn assembly, for it has struck ten." So saying, he placed the&#13;
gilded arm-chairs round the table, and then continued, with a pensive&#13;
air: "The hour approaches, and of the descendants of my grandfather's&#13;
benefactor, we have seen only this young priest, with the angelic&#13;
countenance. Can he be the sole representative of the Rennepont family?&#13;
He is a priest, and this family will finish with him! Well! the moment&#13;
is come when I must open this door, that the will may be read. Bathsheba&#13;
is bringing hither the notary. They knock at the door; it is time!" And&#13;
Samuel, after casting a last glance towards the place where the clock&#13;
had struck ten, hastened to the outer door, behind which voices were now&#13;
audible.</p><p>He turned the key twice in the lock, and threw the portals open. To his&#13;
great regret, he saw only Gabriel on the steps, between Rodin and Father&#13;
d'Aigrigny. The notary, and Bathsheba, who had served them as a guide,&#13;
waited a little behind the principal group.</p><p>Samuel could not repress a sigh, as he stood bowing on the threshold,&#13;
and said to them: "All is ready, gentlemen. You may walk in."</p><p>CHAPTER XXIII. THE TESTAMENT.</p><p>When Gabriel, Rodin, and Father d'Aigrigny entered the Red Room, they&#13;
were differently affected. Gabriel, pale and sad, felt a kind of painful&#13;
impatience. He was anxious to quit this house, though he had already&#13;
relieved himself of a great weight, by executing before the notary,&#13;
secured by every legal formality, a deed making over all his rights of&#13;
inheritance to Father d'Aigrigny. Until now it had not occurred to the&#13;
young priest, that in bestowing the care upon him, which he was about&#13;
to reward so generously, and in forcing his vocation by a sacrilegious&#13;
falsehood, the only object of Father d'Aigrigny might have been to&#13;
secure the success of a dark intrigue. In acting as he did, Gabriel was&#13;
not yielding, in his view of the question, to a sentiment of exaggerated&#13;
delicacy. He had made this donation freely, many years before. He would&#13;
have looked upon it as infamy now to withdraw it. It was hard enough&#13;
to be suspected of cowardice: for nothing in the world would he have&#13;
incurred the least reproach of cupidity.</p><p>The missionary must have been endowed with a very rare and excellent&#13;
nature, or this flower of scrupulous probity would have withered&#13;
beneath the deleterious and demoralizing influence of his education; but&#13;
happily, as cold sometimes preserves from corruption, the icy atmosphere&#13;
in which he had passed a portion of his childhood and youth had&#13;
benumbed, but not vitiated, his generous qualities, which had indeed&#13;
soon revived in the warm air of liberty. Father d'Aigrigny, much paler&#13;
and more agitated than Gabriel, strove to excuse and explain his anxiety&#13;
by attributing it to the sorrow he experienced at the rupture of his&#13;
dear son with the Order. Rodin, calm, and perfectly master of himself,&#13;
saw with secret rage the strong emotion of Father d'Aigrigny, which&#13;
might have inspired a man less confiding than Gabriel with strange&#13;
suspicions. Yet, notwithstanding his apparent indifference, the socius&#13;
was perhaps still more ardently impatient than his superior for the&#13;
success of this important affair. Samuel appeared quite desponding, no&#13;
other heir but Gabriel having presented himself. No doubt the old man&#13;
felt a lively sympathy for the young priest; but then he was a priest,&#13;
and with him would finish the line of Rennepont; and this immense&#13;
fortune, accumulated with so much labor, would either be again&#13;
distributed, or employed otherwise than the testator had desired. The&#13;
different actors in this scene were standing around the table. As they&#13;
were about to seat themselves, at the invitation of the notary, Samuel&#13;
pointed to the register bound in black shagreen, and said: "I was&#13;
ordered, sir, to deposit here this register. It is locked. I will&#13;
deliver up the key, immediately after the reading of the will."</p><p>"This course is, in fact, directed by the note which accompanies the&#13;
will," said M. Dumesnil, "as it was deposited, in the year 1682, in the&#13;
hands of Master Thomas Le Semelier, king's counsel, and notary of the&#13;
Chatelet of Paris, then living at No. 13, Place Royale."</p><p>So saying, M. Dumesnil drew from a portfolio of red morocco a large&#13;
parchment envelope, grown yellow with time; to this envelope was&#13;
annexed, by a silken thread, a note also upon vellum.</p><p>"Gentlemen," said the notary, "if you please to sit down, I will read&#13;
the subjoined note, to regulate the formalities at the opening of the&#13;
will."</p><p>The notary, Rodin, Father d'Aigrigny, and Gabriel, took seats. The young&#13;
priest, having his back turned to the fireplace, could not see the two&#13;
portraits. In spite of the notary's invitation, Samuel remained standing&#13;
behind the chair of that functionary, who read as follows:</p><p>"'On the 13th February, 1832, my will shall be carried to No. 3, in the&#13;
Rue Saint-Francois.</p><p>"'At ten o'clock precisely, the door of the Red Room shall be opened&#13;
to my heirs, who will no doubt have arrived long before at Paris, in&#13;
anticipation of this day, and will have had time to establish their line&#13;
of descent.</p><p>"'As soon as they are assembled, the will shall be read, and, at the&#13;
last stroke of noon, the inheritance shall be finally settled in favor&#13;
of those of my kindred, who according to my recommendation (preserved,&#13;
I hope, by tradition in my family, during a century and a half); shall&#13;
present themselves in person, and not by agents, before twelve o'clock,&#13;
on the 13th of February, in the Rue Saint-Francois.'"</p><p>Having read these words in a sonorous voice, the notary stopped an&#13;
instant, and resumed, in a solemn tone: "M. Gabriel Francois Marie de&#13;
Rennepont, priest, having established, by legal documents, his descent&#13;
on the father's side, and his relationship to the testator, and being at&#13;
this hour the only one of the descendants of the Rennepont family here&#13;
present, I open the testament in his presence, as it has been ordered."</p><p>So saying, the notary drew from its envelope the will, which had been&#13;
previously opened by the President of the Tribunal, with the formalities&#13;
required by law. Father d'Aigrigny leaned forward, and resting his elbow&#13;
on the table, seemed to pant for breath. Gabriel prepared himself to&#13;
listen with more curiosity than interest. Rodin was seated at some&#13;
distance from the table, with his old hat between his knees, in the&#13;
bottom of which, half hidden by the folds of a shabby blue cotton&#13;
handkerchief, he had placed his watch. The attention of the socius was&#13;
divided between the least noise from without, and the slow evolution of&#13;
the hands of the watch, which he followed with his little, wrathful eye,&#13;
as if hastening their progress, so great was his impatience for the hour&#13;
of noon.</p><p>The notary, unfolding the sheet of parchment, read what follows, in the&#13;
midst of profound attention:</p><p>Hameau de Villetaneuse,</p><p>"'February 13th, 1682.</p><p>"'I am about to escape, by death, from the disgrace of the galleys, to&#13;
which the implacable enemies of my family have caused me to be condemned&#13;
as a relapsed heretic.</p><p>"'Moreover, life is too bitter for me since the death of my son, the&#13;
victim of a mysterious crime.</p><p>"'At nineteen years of age--poor henry!--and his murderers unknown--no,&#13;
not unknown--if I may trust my presentiments.</p><p>"'To preserve my fortune for my son, I had feigned to abjure the&#13;
Protestant faith. As long as that beloved boy lived, I scrupulously kept&#13;
up Catholic appearances. The imposture revolted me, but the interest of&#13;
my son was concerned.</p><p>"'When they killed him, this deceit became insupportable to me. I&#13;
was watched, accused, and condemned as relapsed. My property has been&#13;
confiscated, and I am sentenced to the galleys.</p><p>"'Tis a terrible time we live in! Misery and servitude! sanguinary&#13;
despotism and religious intolerance! Oh, it is sweet to abandon life!&#13;
sweet to rest and see no more such evils and such sorrows!</p><p>"'In a few hours, I shall enjoy that rest. I shall die. Let me think&#13;
of those who will survive--or rather, of those who will live perhaps in&#13;
better times.</p><p>"'Out of all my fortune, there remains to me a sum of fifty thousand&#13;
crowns, deposited in a friend's hands.</p><p>"'I have no longer a son; but I have numerous relations, exiled in&#13;
various parts of Europe. This sum of fifty thousand crowns, divided&#13;
between them, would profit each of them very little. I have disposed of&#13;
it differently.</p><p>"'In this I have followed the wise counsels of a man, whom I venerate&#13;
as the image of God on earth, for his intelligence, wisdom, and goodness&#13;
are almost divine.</p><p>"'Twice in the course of my life have I seen this man, under very fatal&#13;
circumstances--twice have I owed him safety, once of the soul, once of&#13;
the body.</p><p>"'Alas! he might perhaps have saved my poor child, but he came too&#13;
late--too late.</p><p>"'Before he left me, he wished to divert me from the intention of&#13;
dying--for he knew all. But his voice was powerless. My grief, my&#13;
regret, my discouragement, were too much for him.</p><p>"'It is strange! when he was convinced of my resolution to finish my&#13;
days by violence, some words of terrible bitterness escaped him, making&#13;
me believe that he envied me--my fate--my death!</p><p>"'Is he perhaps condemned to live?</p><p>"'Yes; he has, no doubt, condemned himself to be useful to humanity,&#13;
and yet life is heavy on him, for I heard him repeat one day, with an&#13;
expression of despair and weariness that I have never forgotten: "Life!&#13;
life! who will deliver me from it?"</p><p>"'Is life then so very burdensome to him?</p><p>"'He is gone. His last words have made me look for my departure with&#13;
serenity. Thanks to him, my death shall not be without fruit.</p><p>"'Thanks to him, these lines, written at this moment by a man who, in a&#13;
few hours, will have ceased to live, may perhaps be the parents of great&#13;
things a century and a half hence--yes! great and noble things, if my&#13;
last will is piously followed by my descendants, for it is to them that&#13;
I here address myself.</p><p>"'That they may understand and appreciate this last will--which I&#13;
commend to the care of the unborn, who dwell in the future whither I am&#13;
hastening--they must know the persecutors of my family and avenge their&#13;
ancestor, but by a noble vengeance.</p><p>"'My grandfather was a Catholic. Induced by perfidious counsels rather&#13;
than religious zeal, he attached himself, though a layman, to a Society&#13;
whose power has always been terrible and mysterious--the Society of&#13;
Jesus--'"</p><p>At these words of the testament, Father d'Aigrigny, Rodin, and Gabriel&#13;
looked involuntarily at each other: The notary, who had not perceived&#13;
this action, continued to read:</p><p>"'After some years, during which he had never ceased to profess the&#13;
most absolute devotion to this Society, he was suddenly enlightened by&#13;
fearful revelations as to the secret ends it pursued, and the means it&#13;
employed.</p><p>"'This was in 1510, a month before the assassination of Henry IV.&#13;
"'My grandfather, terrified at the secret of which he had become the&#13;
unwilling depositary, and which was to be fully explained by the death&#13;
of the best of kings, not only broke with the Society, but, as if&#13;
Catholicism itself had been answerable for the crimes of its members,&#13;
he abandoned the Romish religion, in which he had hitherto lived, and&#13;
became a Protestant.</p><p>"'Undeniable proofs, attesting the connivance of two members of the&#13;
Company with Ravaillac, a connivance also proved in the case of Jean&#13;
Chatel, the regicide, were in my grandfather's possession.</p><p>"'This was the first cause of the violent hatred of the Society for our&#13;
family. Thank Heaven, these papers have been placed in safety, and if my&#13;
last will is executed, will be found marked A. M.C. D. G., in the ebony&#13;
casket in the Hall of Mourning, in the house in the Rue Saint-Francois.</p><p>"'My father was also exposed to these secret persecutions. His ruin, and&#13;
perhaps his death, would have been the consequence, had it not been for&#13;
the intervention of an angelic woman, towards whom he felt an almost&#13;
religious veneration.</p><p>"'The portrait of this woman, whom I saw a few years ago, as well as&#13;
that of the man whom I hold in the greatest reverence, were painted&#13;
by me from memory, and have been placed in the Red Room in the Rue&#13;
Saint-Francois--to be gratefully valued, I hope, by the descendants of&#13;
my family.'"</p><p>For some moments Gabriel had become more and more attentive to the&#13;
reading of this testament. He thought within himself by how strange a&#13;
coincidence one of his ancestors had, two centuries before, broken with&#13;
the Society of Jesus, as he himself had just done; and that from this&#13;
rupture, two centuries old, dated also that species of hatred with which&#13;
the Society of Jesus had always pursued his family. Nor did the young&#13;
priest find it less strange that this inheritance, transmitted to him&#13;
after a lapse of a hundred and fifty years, from one of his kindred (the&#13;
victim of the Society of Jesus), should return by a voluntary act to the&#13;
coffers of this same society. When the notary read the passage relative&#13;
to the two portraits, Gabriel, who, like Father d'Aigrigny, sat with his&#13;
back towards the pictures, turned round to look at them. Hardly had the&#13;
missionary cast his eyes on the portrait of the woman, than he uttered&#13;
a loud cry of surprise, and almost terror. The notary paused in his&#13;
reading, and looked uneasily at the young priest.</p><p>CHAPTER XXIV. THE LAST STROKE OF NOON.</p><p>At the cry uttered by Gabriel, the notary had stopped reading the&#13;
testament, and Father d'Aigrigny hastily drew near the young priest. The&#13;
latter rose trembling from his seat and gazed with increasing stupor at&#13;
the female portrait.</p><p>Then he said in a low voice, as if speaking to himself. "Good Heaven!&#13;
is it possible that nature can produce such resemblances? Those eyes--so&#13;
proud and yet so sad--that forehead--that pale complexion--yes, all her&#13;
features, are the same--all of them!"</p><p>"My dear son, what is the matter?" said Father d'Aigrigny, as astonished&#13;
as Samuel and the notary.</p><p>"Eight months ago," replied the missionary, in a voice of deep emotion,&#13;
without once taking his eyes from the picture, "I was in the power of&#13;
the Indians, in the heart of the Rocky Mountains. They had crucified,&#13;
and were beginning to scalp me; I was on the point of death, when Divine&#13;
Providence sent me unexpected aid--sent me this woman for a deliverer."</p><p>"That woman!" cried Samuel, Father d'Aigrigny, and the notary, all&#13;
together.</p><p>Rodin alone appeared completely indifferent to this episode of the&#13;
picture. His face contracted with angry impatience, he bit his nails to&#13;
the quick, as he contemplated with agony the slow progress of the hands&#13;
of his watch.</p><p>"What! that woman saved your life?" resumed Father d'Aigrigny.</p><p>"Yes, this woman," replied Gabriel, in a still lower and more trembling&#13;
voice; "this woman--or rather a woman so much resembling her, that if&#13;
this picture had not been here for a century and a half, I should have&#13;
felt sure it was the same--nor can I explain to myself that so striking&#13;
a resemblance could be the effect of chance. Well," added he, after&#13;
a moment's silence, as he heaved a profound sigh, "the mysteries of&#13;
Nature, and the will of God, are impenetrable."</p><p>Gabriel fell back into his chair, in the midst of a general silence,&#13;
which was broken by Father d'Aigrigny saying, "It is a case of&#13;
extraordinary resemblance; that is all, my dear son. Only, the natural&#13;
gratitude which you feel towards your benefactress, makes you take a&#13;
deep interest in this singular coincidence."</p><p>Rodin, bursting with impatience, here said to the notary, by whose side&#13;
he stood, "It seems to me, sir, that all this little romance has nothing&#13;
to do with the testament."</p><p>"You are right," answered the notary, resuming his seat; "but the fact&#13;
is so extraordinary, and as you say, romantic, that one cannot help&#13;
sharing in this gentleman's astonishment."</p><p>He pointed to Gabriel, who, with his elbow resting on the arms of the&#13;
chair, leaned his forehead upon his hand, apparently quite absorbed in&#13;
thought. The notary continued the reading of the will, as follows:</p><p>"'Such are the persecutions to which my family has been exposed on the&#13;
part of the Society of Jesus.</p><p>"'The Society possesses at this hour the whole of my confiscated&#13;
property. I am about to die. May its hatred perish with me, and spare my&#13;
kindred, whose fate at this solemn moment is my last and only thought.</p><p>"'This morning I sent for a man of long tried probity Isaac Samuel. He&#13;
owes his life to me, and every day I congratulate myself on having been&#13;
able to preserve to the world so honest and excellent a creature.</p><p>"'Before the confiscation of my property, Isaac Samuel had long managed&#13;
it with as much intelligence as uprightness. I have entrusted him with&#13;
the fifty thousand crowns, returned to me by a faithful friend. Isaac&#13;
Samuel, and his descendants after him, to whom he will leave this debt&#13;
of gratitude, will invest the above sum, and allow it to accumulate,&#13;
until the expiration of the hundred and fiftieth year from this time.</p><p>"'The amount thus accumulated may become enormous, and constitute a&#13;
royal fortune, if no unfavorable event should occur. May my descendants&#13;
attend to my wishes, as to the division and employment of this immense&#13;
sum!</p><p>"'In a century and a half, there happen so many changes, so many&#13;
varieties of fortunes, such a rise and fall in the condition of the&#13;
successive generations of a family, that probably, a hundred and fifty&#13;
years hence, my descendants will belong to various classes of society,&#13;
and thus represent the divers social elements of their time.</p><p>"'There may, perhaps, be among them men of great intelligence great&#13;
courage, or great virtue--learned men, or names illustrious in arts&#13;
and arms. There may, perhaps, also be obscure workmen, or humble&#13;
citizens--perhaps, also, alas! great criminals.</p><p>"'However, this may be, my most earnest desire is that my descendants&#13;
should combine together, and, reconstituting one family, by a close and&#13;
sincere union, put into practice the divine words of Christ, "Love ye&#13;
one another."</p><p>"'This union would have a salutary tendency; for it seems to me that&#13;
upon union, upon the association of men together, must depend the future&#13;
happiness of mankind.</p><p>"'The Company, which so long persecuted my family, is one of the most&#13;
striking examples of the power of association, even when applied to&#13;
evil.</p><p>"'There is something so fruitful and divine in this principle, that it&#13;
sometimes forces to good the worst and most dangerous combinations.</p><p>"'Thus, the missions have thrown a scanty but pure and generous light on&#13;
the darkness of this Company of Jesus--founded with the detestable and&#13;
impious aim of destroying, by a homicidal education, all will, thought,&#13;
liberty, and intelligence, in the people, so as to deliver them,&#13;
trembling, superstitious, brutal, and helpless, to the despotism of&#13;
kings, governed in their turn by confessors belonging to the Society.'"</p><p>At this passage of the will, there was another strange look exchanged&#13;
between Gabriel and Father d'Aigrigny. The notary continued:</p><p>"'If a perverse association, based upon the degradation of humanity,&#13;
upon fear and despotism, and followed by the maledictions of the people,&#13;
has survived for centuries, and often governed the world by craft and&#13;
terror--how would it be with an association, which, taking fraternity&#13;
and evangelic love for its means, had for its end to deliver man&#13;
and woman from all degrading slavery, to invite to the enjoyment of&#13;
terrestrial happiness those who have hitherto known nothing of life but&#13;
its sorrows and miseries, and to glorify and enrich the labor that feeds&#13;
the state?--to enlighten those whom ignorance has depraved?--to favor&#13;
the free expansion of all the passions, which God, in His infinite&#13;
wisdom, and inexhaustible goodness, gave to man as so many powerful&#13;
levers?--to sanctify all the gifts of Heaven: love, maternity, strength,&#13;
intelligence, beauty, genius?--to make men truly religious, and deeply&#13;
grateful to their Creator, by making them understand the splendors of&#13;
Nature, and bestowing on them their rightful share in the treasures&#13;
which have been poured upon us?</p><p>"'Oh! if it be Heaven's will that, in a century and a half, the&#13;
descendants of my family, faithful to the last wishes of a heart that&#13;
loved humanity, meet in this sacred union!--if it be Heaven's will&#13;
that amongst them be found charitable and passionate souls, full of&#13;
commiseration for those who suffer, and lofty minds, ardent for liberty!&#13;
warm and eloquent natures! resolute characters! women, who unite beauty&#13;
and wit with goodness--oh! then, how fruitful, how powerful will be the&#13;
harmonious union of all these ideas, and influences, and forces--of&#13;
all these attractions grouped round that princely fortune, which,&#13;
concentrated by association, and wisely managed, would render&#13;
practicable the most admirable Utopias!</p><p>"'What a wondrous centre of fertile and generous thoughts! What precious&#13;
and life-giving rays would stream incessantly from this focus of&#13;
charity, emancipation, and love! What great things might be attempted&#13;
what magnificent examples given to the world! What a divine mission!&#13;
What an irresistible tendency towards good might be impressed on the&#13;
whole human race by a family thus situated, and in possession of such&#13;
means!</p><p>"'And, then, such a beneficent association would be able to combat the&#13;
fatal conspiracy of which I am the victim, and which, in a century and a&#13;
half, may have lost none of its formidable power.</p><p>"'So, to this work of darkness, restraint, and despotism, which weighs&#13;
heavily on the Christian world, my family would oppose their work of&#13;
light, expansion, and liberty!</p><p>"'The genii of good and evil would stand face to face. The struggle&#13;
would commence, and God would protect the right.</p><p>"'And that these immense pecuniary resources, which will give so much&#13;
power to my family, may not be exhausted by the course of years,&#13;
my heirs, following my last will, are to place out, upon the same&#13;
conditions, double the sum that I have invested--so that, a century and&#13;
a half later, a new source of power and action will be at the disposal&#13;
of their descendants. What a perpetuity of good!</p><p>"'In the ebony cabinet of the Hall of Mourning will be found some&#13;
practical suggestions on the subject of this association.</p><p>"'Such is my last will--or rather, such are my last hopes.</p><p>"'When I require absolutely that the members of my family should appear&#13;
in person in the Rue Saint-Francois, on the day of the opening of this&#13;
testament, it is so that, united in that solemn moment, they may see and&#13;
know each other. My words may then, perhaps, have some effect upon them;&#13;
and, instead of living divided, they will combine together. It will be&#13;
for their own interest, and my wishes will thus be accomplished.</p><p>"'When I sent, a few days ago, to those of my family whom exile has&#13;
dispersed over Europe, a medal on which is engravers the date of the&#13;
convocation of my heirs, a century and a half from this time, I was&#13;
forced to keep secret my true motive, and only to tell them, that my&#13;
descendants would find it greatly to their interest to attend this&#13;
meeting.</p><p>"'I have acted thus, because I know the craft and perseverance of the&#13;
society of which I have been the victim. If they could guess that my&#13;
descendants would hereafter have to divide immense sums between them,&#13;
my family would run the risk of much fraud and malice, through the fatal&#13;
recommendations handed down from age to age in the Society of Jesus.</p><p>"'May these precautions be successful! May the wish, expressed upon&#13;
these medals, be faithfully transmitted from generation to generation!</p><p>"'If I fix a day and hour, in which my inheritance shall irrevocably&#13;
fall to those of my descendants who shall appear in the Rue&#13;
Saint-Francois on the 13th February, in 1832, it is that all delays&#13;
must have a term, and that my heirs will have been sufficiently informed&#13;
years before of the great importance of this meeting.</p><p>"'After the reading of my testament, the person who shall then be the&#13;
trustee of the accumulated funds, shall make known their amount, so&#13;
that, with the last stroke of noon, they may be divided between my heirs&#13;
then and there present.</p><p>"'The different apartments of the house shall then be opened to them.&#13;
They will see in them divers objects, well worthy of interest, pity, and&#13;
respect--particularly in the Hall of Mourning.</p><p>"'My desire is, that the house may not be sold, but that it may remain&#13;
furnished as it is, and serve as a place of meeting for my descendants,&#13;
if, as I hope, they attend to my last wishes.</p><p>"'If, on the contrary, they are divided amongst themselves--if, instead&#13;
of uniting for one of the most generous enterprises that ever signalized&#13;
an age, they yield to the influence of selfish passions--if they prefer&#13;
a sterile individuality to a fruitful association--if, in this immense&#13;
fortune, they see only an opportunity for frivolous dissipation, or&#13;
sordid interest--may they be accursed by all those whom they might have&#13;
loved, succored, and disfettered!--and then let this house be utterly&#13;
demolished and destroyed, and the papers, of which Isaac Samuel&#13;
possesses the inventory, as well as the two portraits in the Red Room,&#13;
be burnt by the guardian of the property.</p><p>"'I have spoken. My duty is accomplished. In all this, I have followed&#13;
the counsels of the man whom I revere and love as the image of God upon&#13;
earth.</p><p>"'The faithful friend, who preserved for me the fifty thousand crowns,&#13;
the wreck of my fortune, knows the use I mean to make of them. I could&#13;
not refuse his friendship this mark of confidence. But I have concealed&#13;
from him the name of Isaac Samuel--for to have mentioned it might have&#13;
exposed this latter and his descendants to great dangers.</p><p>"'In a short time, this friend, who knows not that my resolution to die&#13;
is so near its accomplishment, will come hither with my notary. Into&#13;
their hands, after the usual formalities, I shall deliver my sealed&#13;
testament.</p><p>"'Such is my last will. I leave its execution to the superintending care&#13;
of Providence. God will protect the cause of love, peace, union, and&#13;
liberty.</p><p>"'This mystic testament,(20) having been freely made by me, and written&#13;
entirely with my own hand, I intend and will its scrupulous execution&#13;
both in spirit and the letter.</p><p>"'This 13th day of February, 1682, at one o'clock in the afternoon.</p><p>"'MARIUS DE RENNEPONT.'"</p><p>As the notary had proceeded with the reading of the testament, Gabriel&#13;
was successively agitated by divers painful impressions. At first, as&#13;
we have before said, he was struck with the singular fatality which&#13;
restored this immense fortune, derived from a victim of the Society of&#13;
Jesus, to the hands of that very association, by the renewal of his&#13;
deed of gift. Then, as his charitable and lofty soul began fully to&#13;
comprehend the admirable tendency of the association so earnestly&#13;
recommended by Marius de Rennepont, he reflected with bitter remorse,&#13;
that, in consequence of his act of renunciation, and of the absence of&#13;
any other heir, this great idea would never be realized, and a fortune,&#13;
far more considerable than had even been expected, would fall to&#13;
the share of an ill-omened society, in whose hands it would become a&#13;
terrible means of action. At the same time, it must be said that the&#13;
soul of Gabriel was too pure and noble to feel the slightest personal&#13;
regret, on hearing the great probable value of the property he had&#13;
renounced. He rejoiced rather in withdrawing his mind, by a touching&#13;
contrast, from the thought of the wealth he had abandoned, to the humble&#13;
parsonage, where he hoped to pass the remainder of his life, in the&#13;
practice of most evangelical virtue.</p><p>These ideas passed confusedly through his brain. The sight of that&#13;
woman's portrait, the dark revelations contained in the testament, the&#13;
grandeur of the views exhibited in this last will of M. de Rennepont,&#13;
all these extraordinary incidents had thrown Gabriel into a sort of&#13;
stupor, in which he was still plunged, when Samuel offered the key&#13;
of the register to the notary, saying: "You will find, sir, in this&#13;
register, the exact statement of the sums in my possession, derived from&#13;
the investment and accumulation of the one hundred and fifty thousand&#13;
francs, entrusted to my grandfather by M. Marius de Rennepont."</p><p>"Your grandfather!" cried Father d'Aigrigny, with the utmost surprise;&#13;
"it is then your family that has always had the management of this&#13;
property."</p><p>"Yes, sir; and, in a few minutes, my wife will bring hither the casket&#13;
which contains the vouchers."</p><p>"And to what sum does this property amount?" asked Rodin, with an air of&#13;
the most complete indifference.</p><p>"As M. Notary may convince himself by this statement," replied Samuel,&#13;
with perfect frankness, and as if he were only talking of the original&#13;
one hundred and fifty thousand francs, "I have in my possession various&#13;
current securities to the amount of two hundred and twelve millions, one&#13;
hundred and seventy--"</p><p>"You say, sir'" cried Father d'Aigrigny, without giving Samuel time to&#13;
finish, for the odd money did not at all interest his reverence.</p><p>"Yes, the sum!" added Rodin, in an agitated voice, and, for the first&#13;
time, perhaps, in his life losing his presence of mind; "the sum--the&#13;
sum--the sum!"</p><p>"I say, sir," resumed the old man, "that I hold securities for two&#13;
hundred and twelve millions, one hundred and seventy-five thousand&#13;
francs, payable to self or bearer--as you may soon convince yourself, M.&#13;
Notary, for here is my wife with the casket."</p><p>Indeed, at this moment, Bathsheba entered, holding in her arms the cedar&#13;
wood chest, which contained the securities in question; she placed it&#13;
upon the table, and withdrew, after exchanging an affectionate glance&#13;
with Samuel. When the latter declared the enormous amount of the sum in&#13;
hand, his words were received with silent stupor. All the actors in&#13;
this scene, except himself, believed that they were the sport of some&#13;
delusion. Father d'Aigrigny and Rodin had counted upon forty millions.&#13;
This sum, in itself enormous, was more than quintupled. Gabriel, when he&#13;
heard the notary read those passages in the testament, which spoke of&#13;
a princely fortune, being quite ignorant of the prodigious effects of&#13;
eligible investments, had valued the property at some three or&#13;
four millions. He was, therefore, struck dumb with amazement at the&#13;
exorbitant amount named. Notwithstanding his admirable disinterestedness&#13;
and scrupulous honor, he felt dazzled and giddy at the thought, that&#13;
all these immense riches might have belonged to him--alone. The notary,&#13;
almost as much amazed as Gabriel, examined the statement, and could&#13;
hardly believe his eyes. The Jew also remained mute, and seemed&#13;
painfully absorbed in thought, that no other heir made his appearance.</p><p>In the depth of this profound silence, the clock in the next room began&#13;
slowly to strike twelve. Samuel started, and heaved a deep sigh. A&#13;
few seconds more, and the fatal term would be at an end. Rodin, Father&#13;
d'Aigrigny, Gabriel, and the notary, were all under the influence of&#13;
such complete surprise, that not one of them even remarked how strange&#13;
it was to hear the sound of this clock.</p><p>"Noon!" cried Rodin, as, by an involuntary movement, he hastily placed&#13;
his two hands upon the casket, as if to take possession of it.</p><p>"At last!" cried Father d'Aigrigny, with an expression of joy, triumph&#13;
transport, which it is impossible to describe. Then he added, as he&#13;
threw himself into Gabriel's arms, whom he embraced warmly: "Oh, my dear&#13;
son! how the poor will bless you! You will be a second Vincent de Paul.&#13;
You will be canonized, I promise you."</p><p>"Let us first thank Providence," said Rodin, in a grave and solemn&#13;
tone, as he fell upon his knees, "let us thank Providence, that He has&#13;
permitted so much wealth to be employed for His glory!"'</p><p>Father d'Aigrigny, having again embraced Gabriel, took him by the hand,&#13;
and said: "Rodin is right. Let us kneel, my dear son, and render thanks&#13;
to Providence!"</p><p>So saying, Father d'Aigrigny knelt down, dragging Gabriel with him, and&#13;
the latter, confused and giddy with so many precipitate events, yielded&#13;
mechanically to the impulse. It was the last stroke of twelve when they&#13;
all rose together.</p><p>Then said the notary, in a slightly agitated voice, for there was&#13;
something extraordinary and solemn in this scene--</p><p>"No other heir of M. Marius de Rennepont having presented himself,&#13;
before noon on this day, I execute the will of the testator, by&#13;
declaring, in the name of law and justice, that M. Francois Marie&#13;
Gabriel de Rennepont, here present, is the sole heir and possessor of&#13;
all the estate, real and personal, bequeathed under the said will;&#13;
all which estate the said Gabriel de Rennepont, priest, has freely and&#13;
voluntarily made over by deed of gift to Frederic Emanuel de Bordeville,&#13;
Marquis d'Aigrigny, priest, who has accepted the same, and is,&#13;
therefore, the only legal holder of such property, in the room of the&#13;
said Gabriel de Rennepont, by virtue of the said deed, drawn up and&#13;
engrossed by me this morning, and signed in my presence by the said&#13;
Gabriel de Rennepont and Frederic d'Aigrigny."</p><p>At this moment, the sound of loud voices was heard from the garden.&#13;
Bathsheba entered hastily, and said to her husband with an agitated air:&#13;
"Samuel--a soldier--who insists--"</p><p>She had not time to finish. Dagobert appeared at the door of the Red&#13;
Room. The soldier was fearfully pale. He seemed almost fainting; his&#13;
left arm was in a sling, and he leaned upon Agricola. At sight of&#13;
Dagobert, the pale and flabby eyelids of Rodin were suddenly distended,&#13;
as if all the blood in his body had flowed towards the head. Then the&#13;
socius threw himself upon the casket, with the haste of ferocious rage&#13;
and avidity, as if he were resolved to cover it with his body, and&#13;
defend it at the peril of his life.</p><p>(20) This term is sanctioned by legal usage.</p><p>CHAPTER XXV. THE DEED OF GIFT.</p><p>Father d'Aigrigny did not recognize Dagobert, and had never seen&#13;
Agricola. He could not therefore, at first explain the kind of angry&#13;
alarm exhibited by Rodin. But the reverend father understood it all,&#13;
when he heard Gabriel utter a cry of joy, and saw him rush into the&#13;
arms of the smith, exclaiming: "My brother! my second father--oh! it is&#13;
heaven that sends you to me."</p><p>Having pressed Gabriel's hand, Dagobert advanced towards Father&#13;
d'Aigrigny, with a rapid but unsteady step. As he remarked the soldier's&#13;
threatening countenance, the reverend father, strong in his acquired&#13;
rights, and feeling that, since noon, he was at home here; drew back a&#13;
little, and said imperiously to the veteran: "Who are you, sir!--What do&#13;
you want here?"</p><p>Instead of answering, the soldier continued to advance, then, stopping&#13;
just facing Father d'Aigrigny, he looked at him for a second with such&#13;
an astounding mixture of curiosity, disdain, aversion, and audacity,&#13;
that the ex-colonel of hussars quailed before the pale face and glowing&#13;
eye of the veteran. The notary and Samuel, struck with surprise,&#13;
remained mute spectators of this scene, while Agricola and Gabriel&#13;
followed with anxiety Dagobert's least movements. As for Rodin, he&#13;
pretended to be leaning on the casket, in order still to cover it with&#13;
his body.</p><p>Surmounting at length the embarrassment caused by the steadfast look&#13;
of the soldier, Father d'Aigrigny raised his head, and repeated. "I ask&#13;
you, sir, who you are, and what you want?"</p><p>"Do you not recognize me?" said Dagobert, hardly able to restrain&#13;
himself.</p><p>"No, sir--"</p><p>"In truth," returned the soldier, with profound contempt, "You cast&#13;
down your eyes for shame when, at Leipsic, you fought for the Russians&#13;
against the French, and when General Simon, covered with wounds,&#13;
answered you, renegade that you were, when you asked him for his sword,&#13;
'I do not surrender to a traitor!'--and dragged himself along to one of&#13;
the Russian grenadiers, to whom he yielded up his weapon. Well! there&#13;
was then a wounded soldier by the side of General Simon--I am he."</p><p>"In brief, sir, what do you want?" said Father d'Aigrigny, hardly, able&#13;
to control himself.</p><p>"I have come to unmask you--you, that are as false and hateful a priest,&#13;
as Gabriel is admirable and beloved by all."</p><p>"Sir!" cried the marquis, becoming livid with rage and emotion.</p><p>"I tell you, that you are infamous," resumed the soldier, with still&#13;
greater force. "To rob Marshal Simon's daughters, and Gabriel, and&#13;
Mdlle. de Cardoville of their inheritance, you have had recourse to the&#13;
most shameful means."</p><p>"What do you say?" cried Gabriel. "The daughters of Marshal Simon?"</p><p>"Are your relations, my dear boy, as is also that worthy Mdlle. de&#13;
Cardoville, the benefactress of Agricola. Now, this priest," he added,&#13;
pointing to Father d'Aigrigny, "has had them shut up--the one as mad,&#13;
in a lunatic asylum--the others in a convent. As for you, my dear boy, I&#13;
did not hope to find you here, believing that they would have prevented&#13;
you, like the others, from coming hither this morning. But, thank God,&#13;
you are here, and I arrive in time. I should have been sooner, but for&#13;
my wound. I have lost so much blood, that I have done nothing but faint&#13;
all the morning."</p><p>"Truly!" cried Gabriel, with uneasiness. "I had not remarked your arm in&#13;
a sling. What is the wound?"</p><p>At a sign from Agricola, Dagobert answered: "Nothing; the consequence of&#13;
a fall. But here I am, to unveil many infamies."</p><p>It is impossible to paint the curiosity, anguish, surprise, or fear,&#13;
of the different actors in this scene, as they listened to Dagobert's&#13;
threatening words. But the most overcome was Gabriel. His angelic&#13;
countenance was distorted, his knees trembled under him. Struck by the&#13;
communication of Dagobert which revealed the existence of other heirs,&#13;
he was unable to speak for some time; at length, he cried out, in a tone&#13;
of despair: "And it is I--oh, God! I--who am the cause of the spoliation&#13;
of this family!"</p><p>"You, brother?" exclaimed Agricola.</p><p>"Did they not wish to rob you also?" added Dagobert.</p><p>"The will," cried Gabriel, with increasing agony, "gave the property to&#13;
those of the heirs that should appear before noon."</p><p>"Well?" said Dagobert, alarmed at the emotion of the young priest.</p><p>"Twelve o'clock has struck," resumed the latter. "Of all the family, I&#13;
alone was present. Do you understand it now? The term is expired. The&#13;
heirs have been thrust aside by me!"</p><p>"By you!" said Dagobert, stammering with joy. "By you, my brave boy!&#13;
then all is well."</p><p>"But--"</p><p>"All is well," resumed Dagobert, radiant with delight. "You will share&#13;
with the others--I know you."</p><p>"But all this property I have irrevocably, made over to another," cried&#13;
Gabriel, in despair.</p><p>"Made over the property!" cried Dagobert, quite petrified. "To whom,&#13;
then?--to whom?"</p><p>"To this gentleman," said Gabriel, pointing to Father d'Aigrigny.</p><p>"To him!" exclaimed Dagobert, overwhelmed by the news; "to him--the&#13;
renegade--who has always been the evil genius of this family!"</p><p>"But, brother," cried Agricola, "did you then know your claim to this&#13;
inheritance?"</p><p>"No," answered the young priest, with deep dejection; "no--I only&#13;
learned it this morning, from Father d'Aigrigny. He told me, that he&#13;
had only recently been informed of my rights, by family papers long ago&#13;
found upon me, and sent by our mother to her confessor."</p><p>A sudden light seemed to dawn upon the mind of the smith, as he&#13;
exclaimed: "I understand it all now. They discovered in these papers,&#13;
that you would one day have a chance of becoming rich. Therefore, they&#13;
interested themselves about you--therefore, they took you into their&#13;
college, where we could never see you--therefore, they deceived you in&#13;
your vocation by shameful falsehoods, to force you to become a priest,&#13;
and to lead you to make this deed of gift. Oh, sir!" resumed Agricola,&#13;
turning towards Father d'Aigrigny, with indignation, "my father is&#13;
right--such machinations are indeed infamous!"</p><p>During this scene, the reverend father and his socius, at first alarmed&#13;
and shaken in their audacity, had by degrees recovered all their&#13;
coolness. Rodin, still leaning upon the casket, had said a few words in&#13;
a low voice to Father d'Aigrigny. So that when Agricola, carried away by&#13;
his indignation, reproached the latter with his infamous machinations,&#13;
he bowed his head humbly, and answered: "We are bound to forgive&#13;
injuries, and offer them to the Lord as a mark of our humility."</p><p>Dagobert, confounded at all he had just heard, felt his reason begin to&#13;
wander. After so much anxiety, his strength failed beneath this new and&#13;
terrible blow. Agricola's just and sensible words, in connection with&#13;
certain passages of the testament, at once enlightened Gabriel as to&#13;
the views of Father d'Aigrigny, in taking charge of his education, and&#13;
leading him to join the Society of Jesus. For the first time in his&#13;
life, Gabriel was able to take in at a glance all the secret springs of&#13;
the dark intrigue, of which he had been the victim. Then, indignation&#13;
and despair surmounting his natural timidity, the missionary, with&#13;
flashing eye, and cheeks inflamed with noble wrath, exclaimed, as he&#13;
addressed Father d'Aigrigny: "So, father, when you placed me in one of&#13;
your colleges, it was not from any feeling of kindness or commiseration,&#13;
but only in the hope of bringing me one day to renounce in favor of your&#13;
Order my share in this inheritance; and it did not even suffice you&#13;
to sacrifice me to your cupidity, but I must also be rendered the&#13;
involuntary instrument of a shameful spoliation! If only I were&#13;
concerned--if you only coveted my claim to all this wealth, I should not&#13;
complain. I am the minister of a religion which honors and sanctifies&#13;
poverty; I have consented to the donation in your favor, and I have not,&#13;
I could never have any claim upon it. But property is concerned which&#13;
belong to poor orphans, brought from a distant exile by my adopted&#13;
father, and I will not see them wronged. But the benefactress of my&#13;
adopted brother is concerned, and I will not see her wronged. But&#13;
the last will of a dying man is concerned, who, in his ardent love&#13;
of humanity, bequeathed to his descendants an evangelic mission--an&#13;
admirable mission of progress, love, union, liberty--and I will not&#13;
see this mission blighted in its bud. No, no; I tell you, that this his&#13;
mission shall be accomplished, though I have to cancel the donation I&#13;
have made."</p><p>On these words, Father d'Aigrigny and Rodin looked at each other with a&#13;
slight shrug of the shoulders. At a sign from the socius, the reverend&#13;
father began to speak with immovable calmness, in a slow and sanctified&#13;
voice, keeping eyes constantly cast down: "There are many incidents&#13;
connected with this inheritance of M. de Rennepont, which appear very&#13;
complicated--many phantoms, which seem un usually menacing--and yet,&#13;
nothing could be really more simple and natural. Let us proceed in&#13;
regular order. Let us put aside all these calumnious imputations; we&#13;
will return to them afterwards. M. Gabriel de Rennepont--and I humbly&#13;
beg him to contradict me, if I depart in the least instance from the&#13;
exact truth--M. Gabriel de Rennepont, in acknowledgment of the care&#13;
formerly bestowed on him by the society to which I have the honor to&#13;
belong, made over to me, as its representative, freely and voluntarily,&#13;
all the property that might come to him one day, the value of which was&#13;
unknown to him, as well as to myself."</p><p>Father d'Aigrigny here looked at Gabriel, as if appealing to him for the&#13;
truth of this statement.</p><p>"It is true," said the young priest: "I made this donation freely."</p><p>"This morning, in consequence of a private conversation, which I will&#13;
not repeat--and in this, I am certain beforehand, of the Abbe Gabriel--"</p><p>"True," replied Gabriel, generously; "the subject of this conversation&#13;
is of little importance."</p><p>"It was then, in consequence of this conversation that the Abbe Gabriel&#13;
manifested the desire to confirm this donation--not in my favor, for I&#13;
have little to do with earthly wealth--but in favor of the sacred and&#13;
charitable works of which our Company is the trustee. I appeal to the&#13;
honor of M. Gabriel to declare if he have not engaged himself towards&#13;
us, not only by a solemn oath, but by a perfectly legal act, executed in&#13;
presence of M. Dumesnil, here present?"</p><p>"It is all true," answered Gabriel.</p><p>"The deed was prepared by me," added the notary.</p><p>"But Gabriel could only give you what belonged to him," cried Dagobert.&#13;
"The dear boy never supposed that you were making use of him to rob&#13;
other people."</p><p>"Do me the favor, sir, to allow me to explain myself," replied Father&#13;
d'Aigrigny, courteously; "you can afterwards make answer."</p><p>Dagobert repressed with difficulty his painful impatience. The reverend&#13;
father continued: "The Abbe Gabriel has therefore, by the double&#13;
engagement of an oath and a legal act, confirmed his donation. Much&#13;
more," resumed Father d'Aigrigny: "when to his great astonishment and&#13;
to ours, the enormous amount of the inheritance became known, the Abbe&#13;
Gabriel, faithful to his own admirable generosity, far from repenting of&#13;
his gifts, consecrated them once more by a pious movement of gratitude&#13;
to Providence--for M. Notary will doubtless remember, that, after&#13;
embracing the Abbe Gabriel with transport, and telling him that he was&#13;
a second Vincent de Paul in charity, I took him by the hand, and we both&#13;
knelt down together to thank heaven for having inspired him with the&#13;
thought too offer these immense riches to the Greater Glory of the&#13;
Lord."</p><p>"That is true, also," said Gabriel, honestly; "so long as myself was&#13;
concerned, though I might be astounded for a moment by the revelation of&#13;
so enormous a fortune, I did not think for an instant of cancelling the&#13;
donation I had freely made."</p><p>"Under these circumstances," resumed Father d'Aigrigny, "the hour fixed&#13;
for the settlement of the inheritance having struck, and Abbe Gabriel&#13;
being the only heir that presented himself, he became necessarily&#13;
the only legitimate possessor of this immense wealth--enormous, no&#13;
doubt--and charity makes me rejoice that it is enormous, for, thanks to&#13;
it, many miseries will be relieved and many tears wiped away. But,&#13;
all on a sudden, here comes this gentleman," said Father d'Aigrigny,&#13;
pointing to Dagobert; "and, under some delusion, which I forgive from&#13;
the bottom of my soul, and which I am sure he will himself regret,&#13;
accuses me, with insults and threats, with having carried off (I know&#13;
not where) some persons (I know not whom), in order to prevent their&#13;
being here at the proper time--"</p><p>"Yes, I accuse you of this infamy!" cried the soldier exasperated by the&#13;
calmness and audacity of the reverend father: "yes--and I will--"</p><p>"Once again, sir, I conjure you to be so good as to let me finish; you&#13;
can reply afterwards," said Father d'Aigrigny, humbly, in the softest&#13;
and most honeyed accents.</p><p>"Yes, I will reply, and confound you!" cried Dagobert.</p><p>"Let him finish, father. You can speak presently," said Agricola.</p><p>The soldier was silent as Father d'Aigrigny continued with new&#13;
assurance: "Doubtless, if there should really be any other heirs,&#13;
besides the Abbe Gabriel, it is unfortunate for them that they have not&#13;
appeared in proper time. And if, instead of defending the cause of the&#13;
poor and needy, I had only to look to my own interest, I should be far&#13;
from availing myself of this advantage, due only to chance; but, as a&#13;
trustee for the great family of the poor, I am obliged to maintain my&#13;
absolute right to this inheritance; and I do not doubt that M. Notary&#13;
will acknowledge the validity of my claim, and deliver to me these&#13;
securities, which are now my legitimate property."</p><p>"My only mission," replied the notary, in an agitated voice, "is&#13;
faithfully to execute the will of the testator. The Abbe Gabriel&#13;
de Rennepont alone presented himself, within the term fixed by the&#13;
testament. The deed of gift is in due form; I cannot refuse, therefore,&#13;
to deliver to the person named in the deed the amount of the heritage--"</p><p>On these words Samuel hid his face in his hands, and heaved a deep&#13;
sigh; he was obliged to acknowledge the rigorous justice of the notary's&#13;
observations.</p><p>"But, sir," cried Dagobert, addressing the man of law, "this cannot be.&#13;
You will not allow two poor orphans to be despoiled. It is in the name&#13;
of their father and mother that I speak to you. I give you my honor--the&#13;
honor of a soldier!--that they took advantage of the weakness of my wife&#13;
to carry the daughters of Marshal Simon to a convent, and thus prevent&#13;
me bringing them here this morning. It is so true, that I have already&#13;
laid my charge before a magistrate."</p><p>"And what answer did you receive?" said the notary.</p><p>"That my deposition was not sufficient for the law to remove these young&#13;
girls from the convent in which they were, and that inquiries would be&#13;
made--"</p><p>"Yes, sir," added Agricola, "and it was the same with regard to Mdlle.&#13;
de Cardoville, detained as mad in a lunatic asylum, though in the full&#13;
enjoyment of her reason. Like Marshal Simon's daughters, she too has a&#13;
claim to this inheritance. I took the same steps for her, as my father&#13;
took for Marshal Simon's daughters."</p><p>"Well?" asked the notary.</p><p>"Unfortunately, sir," answered Agricola, "they told me; as they did my&#13;
father, that my deposition would not suffice, and that they must make&#13;
inquiries."</p><p>At this moment, Bathsheba, having heard the street-bell ring, left the&#13;
Red Room at a sign from Samuel. The notary resumed, addressing Agricola&#13;
and his father: "Far be it from me, gentlemen, to call in question your&#13;
good faith; but I cannot, to my great regret, attach such importance to&#13;
your accusations, which are not supported by proof, as to suspend the&#13;
regular legal course. According to your own confession, gentlemen,&#13;
the authorities, to whom you addressed yourselves, did not see fit to&#13;
interfere on your depositions, and told you they would inquire further.&#13;
Now, really, gentlemen, I appeal to you: how can I, in so serious&#13;
a matter, take upon myself a responsibility, which the magistrates&#13;
themselves have refused to take?"</p><p>"Yes, you should do so, in the name of justice and honor?" cried&#13;
Dagobert.</p><p>"It may be so, sir, in your opinion; but in my view of the case, I&#13;
remain faithful to justice and honor, by executing with exactness the&#13;
last will of the dead. For the rest you have no occasion to despair. If&#13;
the persons, whose interests you represent, consider themselves injured,&#13;
they may hereafter have recourse to an action at law, against the person&#13;
receiving as donee of the Abbe Gabriel--but in the meanwhile, it is my&#13;
duty to put him in immediate possession of the securities. I should be&#13;
gravely injured, were I to act in any, other manner."</p><p>The notary's observations seemed so reasonable, that Samuel, Dagobert&#13;
and Agricola were quite confounded. After a moment's thought, Gabriel&#13;
appeared to take a desperate resolution, and said to the notary, in a&#13;
firm voice--</p><p>"Since, under these circumstances, the law is powerless to obtain the&#13;
right, I must adopt, sir, an extreme course. Before doing so, I will ask&#13;
M. l'Abbe d'Aigrigny, for the last time, if he will content himself with&#13;
that portion of the property which falls justly to me, on condition that&#13;
the rest shall be placed in safe hands, till the heirs, whose names have&#13;
been brought forward, shall prove their claim."</p><p>"To this proposition I must answer as I have done already," replied&#13;
Father d'Aigrigny; "it is not I who am concerned, but an immense work of&#13;
charity. I am, therefore, obliged to refuse the part-offer of the Abbe&#13;
Gabriel, and to remind him of his engagements of every kind."</p><p>"Then you refuse this arrangement?" asked Gabriel, in an agitated voice.</p><p>"Charity commands me to do so."</p><p>"You refuse it--absolutely?"</p><p>"I think of all the good and pious institutions that these treasures&#13;
will enable us to establish for the Greater Glory of the Lord, and I&#13;
have neither the courage nor the desire to make the least concession."</p><p>"Then, sir," resumed the good priest, in a still more agitated manner,&#13;
"since you force me to do it, I revoke my donation. I only intended to&#13;
dispose of my own property, and not of that which did not belong to me."</p><p>"Take care M. l'Abbe," said rather d'Aigrigny; "I would observe that I&#13;
hold in my hand a written, formal promise."</p><p>"I know it, sir; you have a written paper, in which I take an oath&#13;
never to revoke this donation, upon any pretext whatever, and on pain of&#13;
incurring the aversion and contempt of all honest men. Well, sir! be it&#13;
so," said Gabriel, with deep bitterness; "I will expose myself to all&#13;
the consequences of perjury; you may proclaim it everywhere. I may be&#13;
hated and despised by all--but God will judge me!" The young priest&#13;
dried a tear, which trickled from his eye.</p><p>"Oh! do not be afraid, my dear boy!" cried Dagobert, with reviving hope.&#13;
"All honest men will be on your side!"</p><p>"Well done, brother!" said Agricola.</p><p>"M. Notary," said Rodin, in his little sharp voice, "please to explain&#13;
to Abbe Gabriel, that he may perjure himself as much as he thinks&#13;
fit, but that the Civil Code is much less easy to violate than a mere&#13;
promise, which is only--sacred!"</p><p>"Speak, sir," said Gabriel.</p><p>"Please to inform Abbe Gabriel," resumed Rodin, "that a deed of gift,&#13;
like that made in favor of Father d'Aigrigny, can only be cancelled for&#13;
one of three reasons--is it not so?"</p><p>"Yes, sir, for three reasons," said the notary.</p><p>"The first is in case of the birth of a child," said Rodin, "and I&#13;
should blush to mention such a contingency to the Abbe Gabriel. The&#13;
second is the ingratitude of the donee--and the Abbe Gabriel may&#13;
be certain of our deep and lasting gratitude. The last case is the&#13;
non-fulfilment of the wishes of the donor, with regard to the employment&#13;
of his gifts.</p><p>"Now, although the Abbe Gabriel may have suddenly conceived a very bad&#13;
opinion of us, he will at least give us some time to show that his&#13;
gifts have been disposed of according to his wishes, and applied to the&#13;
Greater Glory of the Lord."</p><p>"Now, M. Notary," added Father d'Aigrigny, "it is for you to decide and&#13;
say, if Abbe Gabriel can revoke the donation he has made."</p><p>Just as the notary was going to answer, Bathsheba reentered the room,&#13;
followed by two more personages, who appeared in the Red Room at a&#13;
little distance from each other.</p><p>BOOK VI.</p><p>PART SECOND.--THE CHASTISEMENT. (Concluded.)</p><p>XXVI. A Good Genius XXVII. The First Last, And the Last&#13;
     First XXVIII. The Stranger XXIX. The Den XXX. An Unexpected&#13;
     Visit XXXI. Friendly Services XXXII. The Advice XXXIII. The&#13;
     Accuser XXXIV. Father d'Aigrigny's Secretary XXXV. Sympathy&#13;
     XXXVI. Suspicions XXXVII. Excuses XXXVIII. Revelations&#13;
     XXXIX. Pierre Simon</p><p>CHAPTER XXVI. A GOOD GENIUS.</p><p>The first of the two, whose arrival had interrupted the answer of the&#13;
notary, was Faringhea. At sight of this man's forbidding countenance,&#13;
Samuel approached, and said to him: "Who are you, sir?"</p><p>After casting a piercing glance at Rodin, who started but soon recovered&#13;
his habitual coolness, Faringhea replied to Samuel: "Prince Djalma&#13;
arrived lately from India, in order to be present here this day, as it&#13;
was recommended to him by an inscription on a medal, which he wore about&#13;
his neck."</p><p>"He, also!" cried Gabriel, who had been the shipmate of the Indian&#13;
Prince from the Azores, where the vessel in which he came from&#13;
Alexandria had been driven into port: "he also one of the heirs! In&#13;
fact, the prince told me during the voyage that his mother was of French&#13;
origin. But, doubtless, he thought it right to conceal from me the&#13;
object of his journey. Oh! that Indian is a noble and courageous young&#13;
man. Where is he?"</p><p>The Strangler again looked at Rodin, and said, laying strong emphasis&#13;
upon his words: "I left the prince yesterday evening. He informed me&#13;
that, although he had a great interest to be here, he might possibly&#13;
sacrifice that interest to other motives. I passed the night in the same&#13;
hotel, and this morning, when I went to call on him, they told me he was&#13;
already gone out. My friendship for him led me to come hither, hoping&#13;
the information I should be able to give might be of use to the prince."</p><p>In making no mention of the snare into which he had fallen the day&#13;
before, in concealing Rodin's machinations with regard to Djalma, and&#13;
in attributing the absence of this latter to a voluntary cause, the&#13;
Strangler evidently wished to serve the socius, trusting that Rodin&#13;
would know how to recompense his discretion. It is useless to observe,&#13;
that all this story was impudently false. Having succeeded that morning&#13;
in escaping from his prison by a prodigious effort of cunning, audacity,&#13;
and skill, he had run to the hotel where he had left Djalma; there&#13;
he had learned that a man and woman, of an advanced age, and most&#13;
respectable appearance, calling themselves relations of the young&#13;
Indian, had asked to see him--and that, alarmed at the dangerous state&#13;
of somnolency in which he seemed to be plunged, they had taken him home&#13;
in their carriage, in order to pay him the necessary attention.</p><p>"It is unfortunate," said the notary, "that this heir also did not&#13;
make his appearance--but he has, unhappily, forfeited his right to the&#13;
immense inheritance that is in question."</p><p>"Oh! an immense inheritance is in question," said Faringhea, looking&#13;
fixedly at Rodin, who prudently turned away his eyes.</p><p>The second of the two personages we have mentioned entered at this&#13;
moment. It was the father of Marshal Simon, an old man of tall stature,&#13;
still active and vigorous for his age. His hair was white and thin. His&#13;
countenance, rather fresh-colored, was expressive at once of quickness,&#13;
mildness and energy.</p><p>Agricola advanced hastily to meet him. "You here, M. Simon!" he&#13;
exclaimed.</p><p>"Yes, my boy," said the marshal's father, cordially pressing Agricola's&#13;
hand "I have just arrived from my journey. M. Hardy was to have been&#13;
here, about some matter of inheritance, as he supposed: but, as he will&#13;
still be absent from Paris for some time, he has charged me--"</p><p>"He also an heir!--M. Francis Hardy!" cried Agricola, interrupting the&#13;
old workman.</p><p>"But how pale and agitated you are, my boy!" said the marshal's father,&#13;
looking round with astonishment. "What is the matter?"</p><p>"What is the matter?" cried Dagobert, in despair, as he approached the&#13;
foreman. "The matter is that they would rob your granddaughters, and&#13;
that I have brought them from the depths of Siberia only to witness this&#13;
shameful deed!"</p><p>"Eh?" cried the old workman, trying to recognize the soldiers face, "you&#13;
are then--"</p><p>"Dagobert."</p><p>"You--the generous, devoted friend of my son!" cried the marshal's&#13;
father, pressing the hands of Dagobert in his own with strong emotion;&#13;
"but did you not speak of Simon's daughter?"</p><p>"Of his daughters; for he is more fortunate than he imagines," said&#13;
Dagobert. "The poor children are twins."</p><p>"And where are they?" asked the old man.</p><p>"In a convent."</p><p>"In a convent?"</p><p>"Yes; by the treachery of this man, who keeps them there in order to&#13;
disinherit them."</p><p>"What man?"</p><p>"The Marquis d'Aigrigny."</p><p>"My son's mortal enemy!" cried the old workman, as he threw a glance of&#13;
aversion at Father d'Aigrigny, whose audacity did not fail him.</p><p>"And that is not all," added Agricola. "M. Hardy, my worthy and&#13;
excellent master, has also lost his right to this immense inheritance."</p><p>"What?" cried Marshal Simon's father; "but M. Hardy did not know that&#13;
such important interests were concerned. He set out hastily to join one&#13;
of his friends who was in want of him."</p><p>At each of these successive revelations, Samuel felt his trouble&#13;
increase: but he could only sigh over it, for the will of the testator&#13;
was couched, unhappily, in precise and positive terms.</p><p>Father d'Aigrigny, impatient to end this scene, which caused him cruel&#13;
embarrassment, in spite of his apparent calmness, said to the notary,&#13;
in a grave and expressive voice: "It is necessary, sir, that all&#13;
this should have an end. If calumny could reach me, I would answer&#13;
victoriously by the facts that have just come to light. Why attribute&#13;
to odious conspiracies the absence of the heirs, in whose names this&#13;
soldier and his son have so uncourteously urged their demands? Why&#13;
should such absence be less explicable than the young Indian's, or than&#13;
M. Hardy's, who, as his confidential man has just told us, did not even&#13;
know the importance of the interests that called him hither? Is it not&#13;
probable, that the daughters of Marshal Simon, and Mdlle. de Cardoville&#13;
have been prevented from coming here to-day by some very natural&#13;
reasons? But, once again, this has lasted too long. I think M. Notary&#13;
will agree with me, that this discovery of new heirs does not at all&#13;
affect the question, which I had the honor to propose to him just now;&#13;
namely whether, as trustee for the poor, to whom Abbe Gabriel made a&#13;
free gift of all he possessed, I remain notwithstanding his tardy and&#13;
illegal opposition, the only possessor of this property, which I&#13;
have promised, and which I now again promise, in presence of all here&#13;
assembled, to employ for the Greater Glory of the Lord? Please to answer&#13;
me plainly, M. Notary; and thus terminate the scene which must needs be&#13;
painful to us all."</p><p>"Sir," replied the notary, in a solemn tone, "on my soul and conscience,&#13;
and in the name of law and justice--as a faithful and impartial executor&#13;
of the last will of M. Marius de Rennepont, I declare that, by virtue&#13;
of the deed of gift of Abbe Gabriel de Rennepont, you, M. l'Abbe&#13;
d'Aigrigny, are the only possessor of this property, which I place at&#13;
your immediate disposal, that you may employ the same according to the&#13;
intention of the donor."</p><p>These words pronounced with conviction and gravity, destroyed the last&#13;
vague hopes that the representatives of the heirs might till then have&#13;
entertained. Samuel became paler than usual, and pressed convulsively&#13;
the hand of Bathsheba, who had drawn near to him. Large tears rolled&#13;
down the cheeks of the two old people. Dagobert and Agricola were&#13;
plunged into the deepest dejection. Struck with the reasoning of&#13;
the notary, who refused to give more credence and authority to their&#13;
remonstrances than the magistrates had done before him, they saw&#13;
themselves forced to abandon every hope. But Gabriel suffered more than&#13;
any one; he felt the most terrible remorse, in reflecting that, by his&#13;
blindness, he had been the involuntary cause and instrument of this&#13;
abominable theft.</p><p>So, when the notary, after having examined and verified the amount of&#13;
securities contained in the cedar box, said to Father d'Aigrigny:&#13;
"Take possession, sir, of this casket--" Gabriel exclaimed, with bitter&#13;
disappointment and profound despair: "Alas! one would fancy, under these&#13;
circumstances, that an inexorable fatality pursues all those who are&#13;
worthy of interest, affection or respect. Oh, my God!" added the young&#13;
priest, clasping his hands with fervor, "Thy sovereign justice will&#13;
never permit the triumph of such iniquity."</p><p>It was as if heaven had listened to the prayer of the missionary. Hardly&#13;
had he spoken, when a strange event took place.</p><p>Without waiting for the end of Gabriel's invocation, Rodin, profiting by&#13;
the decision of the notary, had seized the casket in his arms, unable&#13;
to repress a deep aspiration of joy and triumph. At the very moment&#13;
when Father d'Aigrigny and his socius thought themselves at last in safe&#13;
possession of the treasure, the door of the apartment in which the clock&#13;
had been heard striking was suddenly opened.</p><p>A woman appeared upon the threshold.</p><p>At sight of her, Gabriel uttered a loud cry, and remained as if&#13;
thunderstruck. Samuel and Bathsheba fell on their knees together, and&#13;
raised their clasped hands. The Jew and Jewess felt inexplicable hopes&#13;
reviving within them.</p><p>All the other actors in this scene appeared struck with stupor.&#13;
Rodin--Rodin himself--recoiled two steps, and replaced the casket on the&#13;
table with a trembling hand. Though the incident might appear natural&#13;
enough--a woman appearing on the threshold of a door, which she had just&#13;
thrown open--there was a pause of deep and solemn silence. Every bosom&#13;
seemed oppressed, and as if struggling for breath. All experienced,&#13;
at sight of this woman, surprise mingled with fear, and indefinable&#13;
anxiety--for this woman was the living original of the portrait, which&#13;
had been placed in the room a hundred and fifty years ago. The same&#13;
head-dress, the same flowing robe, the same countenance, so full of&#13;
poignant and resigned grief! She advanced slowly, and without appearing&#13;
to perceive the deep impression she had caused. She approached one of&#13;
the pieces of furniture, inlaid with brass, touched a spring concealed&#13;
in the moulding of gilded bronze, so that an upper drawer flew open, and&#13;
taking from it a sealed parchment envelope, she walked up to the table,&#13;
and placed this packet before the notary, who, hitherto silent and&#13;
motionless, received it mechanically from her.</p><p>Then, casting upon Gabriel, who seemed fascinated by her presence, a&#13;
long, mild, melancholy look, this woman directed her steps towards the&#13;
hall, the door of which had remained open. As she passed near Samuel and&#13;
Bathsheba, who were still kneeling, she stopped an instant, bowed her&#13;
fair head towards them, and looked at them with tender solicitude. Then,&#13;
giving them her hands to kiss, she glided away as slowly as she had&#13;
entered--throwing a last glance upon Gabriel. The departure of this&#13;
woman seemed to break the spell under which all present had remained for&#13;
the last few minutes. Gabriel was the first to speak, exclaiming, in an&#13;
agitated voice. "It is she--again--here--in this house!"</p><p>"Who, brother?" said Agricola, uneasy at the pale and almost wild&#13;
looks of the missionary; for the smith had not yet remarked the strange&#13;
resemblance of the woman to the portrait, though he shared in the&#13;
general feeling of amazement, without being able to explain it to&#13;
himself. Dagobert and Faringhea were in a similar state of mind.</p><p>"Who is this woman?" resumed Agricola, as he took the hand of Gabriel,&#13;
which felt damp and icy cold.</p><p>"Look!" said the young priest. "Those portraits have been there for more&#13;
than a century and a half."</p><p>He pointed to the paintings before which he was now seated, and&#13;
Agricola, Dagobert, and Faringhea raised their eyes to either side of&#13;
the fireplace. Three exclamations were now heard at once.</p><p>"It is she--it is the same woman!" cried the smith, in amazement, "and&#13;
her portrait has been here for a hundred and fifty years!"</p><p>"What do I see?" cried Dagobert, as he gazed at the portrait of the man.&#13;
"The friend and emissary of Marshal Simon. Yes! it is the same face that&#13;
I saw last year in Siberia. Oh, yes! I recognize that wild and sorrowful&#13;
air--those black eyebrows, which make only one!"</p><p>"My eyes do not deceive me," muttered Faringhea to himself, shuddering&#13;
with horror. "It is the same man, with the black mark on his forehead,&#13;
that we strangled and buried on the banks of the Ganges--the same man,&#13;
that one of the sons of Bowanee told me, in the ruins of Tchandi, had&#13;
been met by him afterwards at one of the gates of Bombay--the man of the&#13;
fatal curse, who scatters death upon his passage--and his picture has&#13;
existed for a hundred and fifty years!"</p><p>And, like Dagobert and Agricola, the stranger could not withdraw his&#13;
eyes from that strange portrait.</p><p>"What a mysterious resemblance!" thought Father d'Aigrigny. Then, as if&#13;
struck with a sudden idea, he said to Gabriel: "But this woman is the&#13;
same that saved your life in America?"</p><p>"It is the same," answered Gabriel, with emotion; "and yet she told me&#13;
she was going towards the North," added the young priest, speaking to&#13;
himself.</p><p>"But how came she in this house?" said Father d'Aigrigny, addressing&#13;
Samuel. "Answer me! did this woman come in with you, or before you?"</p><p>"I came in first, and alone, when this door was first opened since a&#13;
century and half," said Samuel, gravely.</p><p>"Then how can you explain the presence of this woman here?" said Father&#13;
d'Aigrigny.</p><p>"I do not try to explain it," said the Jew. "I see, I believe, and now I&#13;
hope." added he, looking at Bathsheba with an indefinable expression.</p><p>"But you ought to explain the presence of this woman!" said Father&#13;
d'Aigrigny, with vague uneasiness. "Who is she? How came she hither?"</p><p>"All I know is, sir, that my father has often told me; there are&#13;
subterraneous communications between this house and distant parts of the&#13;
quarter."</p><p>"Oh! then nothing can be clearer," said Father d'Aigrigny; "it only&#13;
remains to be known what this woman intends by coming hither. As for&#13;
her singular resemblance to this portrait, it is one of the freaks of&#13;
nature."</p><p>Rodin had shared in the general emotion, at the apparition of this&#13;
mysterious woman. But when he saw that she had delivered a sealed packet&#13;
to the notary, the socius, instead of thinking of the strangeness of&#13;
this unexpected vision, was only occupied with a violent desire to quit&#13;
the house with the treasure which had just fallen to the Company. He&#13;
felt a vague anxiety at sight of the envelope with the black seal, which&#13;
the protectress of Gabriel had delivered to the notary, and was still&#13;
held mechanically in his hands. The socius, therefore, judging this a&#13;
very good opportunity to walk off with the casket, during the general&#13;
silence and stupor which still continued, slightly touched Father&#13;
d'Aigrigny's elbow, made him a sign of intelligence, and, tucking the&#13;
cedar-wood chest under his arm, was hastening towards the door.</p><p>"One moment, sir," said Samuel, rising, and standing in his path; "I&#13;
request M. Notary to examine the envelope, that has just been delivered&#13;
to him. You may then go out."</p><p>"But, sir," said Rodin, trying to force a passage, "the question is&#13;
definitively decided in favor of Father d'Aigrigny. Therefore, with your&#13;
permission--"</p><p>"I tell you, sir," answered the old man, in a loud voice, "that this&#13;
casket shall not leave the house, until M. Notary has examined the&#13;
envelope just delivered to him!"</p><p>These words drew the attention of all, Rodin was forced to retrace his&#13;
steps. Notwithstanding the firmness of his character, the Jew shuddered&#13;
at the look of implacable hate which Rodin turned upon him at this&#13;
moment.</p><p>Yielding to the wish of Samuel, the notary examined the envelope with&#13;
attention. "Good Heaven!" he cried suddenly; "what do I see?--Ah! so&#13;
much the better!"</p><p>At this exclamation all eyes turned upon the notary. "Oh! read, read,&#13;
sir!" cried Samuel, clasping his hands together. "My presentiments have&#13;
not then deceived me!"</p><p>"But, sir," said Father d'Aigrigny to the notary, for he began to share&#13;
in the anxiety of Rodin, "what is this paper?"</p><p>"A codicil," answered the notary; "a codicil, which reopens the whole&#13;
question."</p><p>"How, sir?" cried Father d'Aigrigny, in a fury, as he hastily drew&#13;
nearer to the notary, "reopens the whole question! By what right?"</p><p>"It is impossible," added Rodin. "We protest against it.</p><p>"Gabriel! father! listen," cried Agricola, "all is not lost. There is&#13;
yet hope. Do you hear, Gabriel? There is yet hope."</p><p>"What do you say?" exclaimed the young priest, rising, and hardly&#13;
believing the words of his adopted brother.</p><p>"Gentlemen," said the notary; "I will read to you the superscription&#13;
of this envelope. It changes, or rather, it adjourns, the whole of the&#13;
testamentary provisions."</p><p>"Gabriel!" cried Agricola, throwing himself on the neck of the&#13;
missionary, "all is adjourned, nothing is lost!"</p><p>"Listen, gentlemen," said the notary; and he read as follows:</p><p>"'This is a Codicil, which for reasons herein stated, adjourns and&#13;
prorogues to the 1st day of June, 1832, though without any other change,&#13;
all the provisions contained in the testament made by me, at one o'clock&#13;
this afternoon. The house shall be reclosed, and the funds left in the&#13;
hands of the same trustee, to be distributed to the rightful claimants&#13;
on the 1st of June, 1832.</p><p>"'Villetaneuse, this 13th of February, 1682, eleven o'clock at night.&#13;
"'MARIUS DE RENNEPONT.'"</p><p>"I protest against this codicil as a forgery!" cried Father d'Aigrigny&#13;
livid with rage and despair.</p><p>"The woman who delivered it to the notary is a suspicious character,"&#13;
added Rodin. "The codicil has been forged."</p><p>"No, sir," said the notary, severely; "I have just compared the two&#13;
signatures, and they are absolutely alike. For the rest--what I said&#13;
this morning, with regard to the absent heirs, is now applicable to&#13;
you--the law is open; you may dispute the authenticity of this codicil.&#13;
Meanwhile, everything will remain suspended--since the term for the&#13;
adjustment of the inheritance is prolonged for three months and a half."</p><p>When the notary had uttered these last words, Rodin's nails dripped&#13;
blood; for the first time, his wan lips became red.</p><p>"Oh, God! Thou hast heard and granted my prayer!" cried Gabriel,&#13;
kneeling down with religious fervor, and turning his angelic face&#13;
towards heaven. "Thy sovereign justice has not let iniquity triumph!"</p><p>"What do you say, my brave boy?" cried Dagobert, who, in the first&#13;
tumult of joy, had not exactly understood the meaning of the codicil.</p><p>"All is put off, father!" exclaimed the smith; "the heirs will have&#13;
three months and a half more to make their claim. And now that these&#13;
people are unmasked," added Agricola, pointing to Rodin and Father&#13;
d'Aigrigny, "we have nothing more to fear from them. We shall be on&#13;
our guard; and the orphans, Mdlle. de Cardoville, my worthy master, M.&#13;
Hardy, and this young Indian, will all recover their own."</p><p>We must renounce the attempt to paint the delight, the transport of&#13;
Gabriel and Agricola, of Dagobert, and Marshal Simon's father, of Samuel&#13;
and Bathsheba. Faringhea alone remained in gloomy silence, before the&#13;
portrait of the man with the black-barred forehead. As for the fury of&#13;
Father d'Aigrigny and Rodin, when they saw Samuel retake possession of&#13;
the casket, we must also renounce any attempt to describe it. On the&#13;
notary's suggestion, who took with him the codicil, to have it opened&#13;
according to the formalities of the law, Samuel agreed that it would be&#13;
more prudent to deposit in the Bank of France the securities of immense&#13;
value that were now known to be in his possession.</p><p>While all the generous hearts, which had for a moment suffered so much,&#13;
were overflowing with happiness, hope, and joy, Father d'Aigrigny and&#13;
Rodin quitted the house with rage and death in their souls. The reverend&#13;
father got into his carriage, and said to his servants: "To Saint-Dizier&#13;
House!"--Then, worn out and crushed, he fell back upon the seat, and hid&#13;
his face in his hands, while he uttered a deep groan. Rodin sat next to&#13;
him, and looked with a mixture of anger and disdain at this so dejected&#13;
and broken-spirited man.</p><p>"The coward!" said he to himself. "He despairs--and yet--"</p><p>A quarter of an hour later, the carriage stopped in the Rue de Babylone,&#13;
in the court-yard of Saint-Dizier House.</p><p>CHAPTER XXVII. THE FIRST LAST, AND THE LAST FIRST.</p><p>The carriage had travelled rapidly to Saint-Dizier House. During all&#13;
the way, Rodin remained mute, contenting himself with observing Father&#13;
d'Aigrigny, and listening to him, as he poured forth his grief and fury&#13;
in a long monologue, interrupted by exclamations, lamentations, and&#13;
bursts of rage, directed against the strokes of that inexorable destiny,&#13;
which had ruined in a moment the best founded hopes. When the carriage&#13;
entered the courtyard, and stopped before the portico, the princess's&#13;
face could be seen through one of the windows, half hidden by the folds&#13;
of a curtain; in her burning anxiety, she came to see if it was really&#13;
Father d'Aigrigny who arrived at the house. Still more, in defiance&#13;
of all ordinary rules, this great lady, generally so scrupulous as to&#13;
appearances, hurried from her apartment, and descended several steps&#13;
of the staircase, to meet Father d'Aigrigny, who was coming up with&#13;
a dejected air. At sight of the livid and agitated countenance of the&#13;
reverend father, the princess stopped suddenly, and grew pale. She&#13;
suspected that all was lost. A look rapidly exchanged with her old lover&#13;
left her no doubt of the issue she so much feared. Rodin humbly followed&#13;
the reverend father, and both, preceded by the princess, entered the&#13;
room. The door once closed, the princess, addressing Father d'Aigrigny,&#13;
exclaimed with unspeakable anguish: "What has happened?"</p><p>Instead of answering this question, the reverend father, his eyes&#13;
sparkling with rage, his lips white, his features contracted, looked&#13;
fixedly at the princess, and said to her: "Do you know the amount of&#13;
this inheritance, that we estimated at forty millions?"</p><p>"I understand," cried the princess; "we have been deceived. The&#13;
inheritance amounts to nothing, and all you have dare has been in vain."</p><p>"Yes, it has indeed been in vain," answered the reverend father,&#13;
grinding his teeth with rage; "it was no question of forty millions, but&#13;
of two hundred and twelve millions.</p><p>"Two hundred and twelve millions!" repeated the princess in amazement,&#13;
as she drew back a step. "It is impossible!"</p><p>"I tell you I saw the vouchers, which were examined by the notary."</p><p>"Two hundred and twelve millions?" resumed the princess, with deep&#13;
dejection. "It is an immense and sovereign power--and you have&#13;
renounced--you have not struggled for it, by every possible means, and&#13;
till the last moment?"</p><p>"Madame, I have done all that I could!--notwithstanding the treachery&#13;
of Gabriel, who this very morning declared that he renounced us, and&#13;
separated from the Society."</p><p>"Ungrateful!" said the princess, unaffectedly.</p><p>"The deed of gift, which I had the precaution to have prepared by the&#13;
notary, was in such good, legal form, that in spite of the objections of&#13;
that accursed soldier and his son, the notary had put me in possession&#13;
of the treasure."</p><p>"Two hundred and twelve millions!" repeated the princess clasping her&#13;
hands. "Verily it is like a dream!"</p><p>"Yes," replied Father d'Aigrigny, bitterly, "for us, this possession is&#13;
indeed a dream, for a codicil has been discovered, which puts off for&#13;
three months and a half all the testamentary provisions. Now that our&#13;
very precautions have roused the suspicion of all these heirs--now that&#13;
they know the enormous amount at stake--they will be upon their guard;&#13;
and all is lost."</p><p>"But who is the wretch that produced this codicil?"</p><p>"A woman."</p><p>"What woman?"</p><p>"Some wandering creature, that Gabriel says he met in America, where she&#13;
saved his life."</p><p>"And how could this woman be there--how could she know the existence of&#13;
this codicil?"</p><p>"I think it was all arranged with a miserable Jew, the guardian of the&#13;
house, whose family has had charge of the funds for three generations;&#13;
he had no doubt some secret instructions, in case he suspected the&#13;
detention of any of the heirs, for this Marius de Rennepont had foreseen&#13;
that our Company would keep their eyes upon his race."</p><p>"But can you not dispute the validity of this codicil?"</p><p>"What, go to law in these times--litigate about a will--incur the&#13;
certainty of a thousand clamors, with no security for success?--It is&#13;
bad enough, that even this should get wind. Alas! it is terrible. So&#13;
near the goal! after so much care and trouble. An affair that had been&#13;
followed up with so much perseverance during a century and a half!"</p><p>"Two hundred and twelve millions!" said the princess. "The Order would&#13;
have had no need to look for establishments in foreign countries; with&#13;
such resources, it would have been able to impose itself upon France."</p><p>"Yes," resumed Father d'Aigrigny, with bitterness; "by means of&#13;
education, we might have possessed ourselves of the rising generation.&#13;
The power is altogether incalculable." Then, stamping with his foot, he&#13;
resumed: "I tell you, that it is enough to drive one mad with rage! an&#13;
affair so wisely, ably, patiently conducted!"</p><p>"Is there no hope?"</p><p>"Only that Gabriel may not revoke his donation, in as far as concerns&#13;
himself. That alone would be a considerable sum--not less than thirty&#13;
millions."</p><p>"It is enormous--it is almost what you hoped," said the princess; "then&#13;
why despair?"</p><p>"Because it is evident that Gabriel will dispute this donation. However&#13;
legal it may be, he will find means to annul it, now that he is free,&#13;
informed as to our designs, and surrounded by his adopted family. I tell&#13;
you, that all is lost. There is no hope left. I think it will be even&#13;
prudent to write to Rome, to obtain permission to leave Paris for a&#13;
while. This town is odious to me!"</p><p>"Oh, yes! I see that no hope is left--since you, my friend, have decided&#13;
almost to fly."</p><p>Father d'Aigrigny was completely discouraged and broken down; this&#13;
terrible blow had destroyed all life and energy within him. He threw&#13;
himself back in an arm-chair, quite overcome. During the preceding&#13;
dialogue, Rodin was standing humbly near the door, with his old hat in&#13;
his hand. Two or three times, at certain passages in the conversation&#13;
between Father d'Aigrigny and the princess, the cadaverous face of the&#13;
socius, whose wrath appeared to be concentrated, was slightly flushed,&#13;
and his flappy eyelids were tinged with red, as if the blood mounted in&#13;
consequence of an interior struggle; but, immediately after, his dull&#13;
countenance resumed its pallid blue.</p><p>"I must write instantly to Rome, to announce this defeat, which has&#13;
become an event of the first importance, because it overthrows immense&#13;
hopes," said Father d'Aigrigny, much depressed.</p><p>The reverend father had remained seated; pointing to a table, he said to&#13;
Rodin, with an abrupt and haughty air:</p><p>"Write!"</p><p>The socius placed his hat on the ground, answered with a respectful&#13;
bow the command, and with stooping head and slanting walk, went to&#13;
seat himself on a chair, that stood before a desk. Then, taking pen&#13;
and paper, he waited, silent and motionless, for the dictation of his&#13;
superior.</p><p>"With your permission, princess?" said Father d'Aigrigny to Madame de&#13;
Saint-Dizier. The latter answered by an impatient wave of the hand, as&#13;
if she reproached him for the formal demand at such a time. The reverend&#13;
father bowed, and dictated these words in a hoarse and hollow voice:&#13;
"All our hopes, which of late had become almost certainties, have been&#13;
suddenly defeated. The affair of the Rennepont inheritance, in spite&#13;
of all the care and skill employed upon it, has completely and&#13;
finally failed. At the point to which matters had been brought, it is&#13;
unfortunately worse than a failure; it is a most disastrous event for&#13;
the Society, which was clearly entitled to this property, fraudulently&#13;
withdrawn from a confiscation made in our favor. My conscience at least&#13;
bears witness, that, to the last moment, I did all that was possible&#13;
to defend and secure our rights. But I repeat, we must consider this&#13;
important affair as lost absolutely and forever, and think no more about&#13;
it."</p><p>Thus dictating, Father d'Aigrigny's back was turned towards Rodin. At a&#13;
sudden movement made by the socius, in rising and throwing his pen upon&#13;
the table, instead of continuing to write, the reverend father turned&#13;
round, and, looking at Rodin with profound astonishment, said to him:&#13;
"Well! what are you doing?"</p><p>"It is time to end this--the man is mad!" said Rodin to himself, as he&#13;
advanced slowly towards the fireplace.</p><p>"What! you quit your place--you cease writing?" said the reverend&#13;
father, in amazement. Then, addressing the princess, who shared in his&#13;
astonishment, he added, as he glanced contemptuously at the socius, "He&#13;
is losing his senses."</p><p>"Forgive him," replied Mme. de Saint-Dizier; "it is, no doubt, the&#13;
emotion caused by the ruin of this affair."</p><p>"Thank the princess, return to your place, and continue to write," said&#13;
Father d'Aigrigny to Rodin, in a tone of disdainful compassion, as, with&#13;
imperious finger, he pointed to the table.</p><p>The socius, perfectly indifferent to this new order, approached the&#13;
fireplace, drew himself up to his full height as he turned his arched&#13;
back, planted himself firmly on his legs, stamped on the carpet with the&#13;
heel of his clumsy, greasy shoes, crossed his hands beneath the flaps of&#13;
his old, spotted coat, and, lifting his head, looked fixedly at&#13;
Father d'Aigrigny. The socius had not spoken a word, but his hideous&#13;
countenance, now flushed, suddenly revealed such a sense of his&#13;
superiority, and such sovereign contempt for Father d'Aigrigny, mingled&#13;
with so calm and serene a daring, that the reverend father and the&#13;
princess were quite confounded by it. They felt themselves overawed by&#13;
this little old man, so sordid and so ugly. Father d'Aigrigny knew too&#13;
well the customs of the Company, to believe his humble secretary capable&#13;
of assuming so suddenly these airs of transcendent superiority without&#13;
a motive, or rather, without a positive right. Late, too late, the&#13;
reverend father perceived, that this subordinate agent might be partly&#13;
a spy, partly an experienced assistant, who, according to the&#13;
constitutions of the Order, had the power and mission to depose and&#13;
provisionally replace, in certain urgent cases, the incapable person&#13;
over whom he was stationed as a guard. The reverend father was not&#13;
deceived. From the general to the provincials, and to the rectors of&#13;
the colleges, all the superior members of the Order have stationed&#13;
near them, often without their knowledge, and in apparently the lowest&#13;
capacities, men able to assume their functions at any given moment, and&#13;
who, with this view, constantly keep up a direct correspondence with&#13;
Rome.</p><p>From the moment Rodin had assumed this position, the manners of Father&#13;
d'Aigrigny, generally so haughty, underwent a change. Though it cost him&#13;
a good deal, he said with hesitation, mingled with deference: "You have,&#13;
no doubt, the right to command me--who hitherto have commanded." Rodin,&#13;
without answering, drew from his well-rubbed and greasy pocket-book a&#13;
slip of paper, stamped upon both sides, on which were written several&#13;
lines in Latin. When he had read it, Father d'Aigrigny pressed this&#13;
paper respectfully, even religiously, to his lips: then returned it to&#13;
Rodin, with a low bow. When he again raised his head, he was purple with&#13;
shame and vexation. Notwithstanding his habits of passive obedience&#13;
and immutable respect for the will of the Order, he felt a bitter and&#13;
violent rage at seeing himself thus abruptly deposed from power. That&#13;
was not all. Though, for a long time past, all relations in gallantry&#13;
had ceased between him and Mme. de Saint-Dizier, the latter was not the&#13;
less a woman; and for him to suffer this humiliation in presence of a&#13;
woman was, undoubtedly, cruel, as, notwithstanding his entrance into the&#13;
Order, he had not wholly laid aside the character of man of the world.&#13;
Moreover, the princess, instead of appearing hurt and offended by this&#13;
sudden transformation of the superior into a subaltern, and of the&#13;
subaltern into a superior, looked at Rodin with a sort of curiosity&#13;
mingled with interest. As a woman--as a woman, intensely ambitious,&#13;
seeking to connect herself with every powerful influence--the princess&#13;
loved this strange species of contrast. She found it curious and&#13;
interesting to see this man, almost in rags, mean in appearance, and&#13;
ignobly ugly, and but lately the most humble of subordinates look down&#13;
from the height of his superior intelligence upon the nobleman by&#13;
birth, distinguished for the elegance of his manners, and just before so&#13;
considerable a personage in the Society. From that moment, as the more&#13;
important personage of the two, Rodin completely took the place of&#13;
Father d'Aigrigny in the princess's mind. The first pang of humiliation&#13;
over, the reverend father, though his pride bled inwardly, applied all&#13;
his knowledge of the world to behave with redoubled courtesy towards&#13;
Rodin, who had become his superior by this abrupt change of fortune. But&#13;
the ex-socius, incapable of appreciating, or rather of acknowledging,&#13;
such delicate shades of manner, established himself at once, firmly,&#13;
imperiously, brutally, in his new position, not from any reaction of&#13;
offended pride, but from a consciousness of what he was really worth.&#13;
A long acquaintance with Father d'Aigrigny had revealed to him the&#13;
inferiority of the latter.</p><p>"You threw away your pen," said Father d'Aigrigny to Rodin with extreme&#13;
deference, "while I was dictating a note for Rome. Will you do me the&#13;
favor to tell me how I have acted wrong?"</p><p>"Directly," replied Rodin, in his sharp, cutting voice. "For a long time&#13;
this affair appeared to me above your strength; but I abstained from&#13;
interfering. And yet what mistakes! what poverty of invention; what&#13;
coarseness in the means employed to bring it to bear!"</p><p>"I can hardly understand your reproaches," answered Father d'Aigrigny,&#13;
mildly, though a secret bitterness made its way through his apparent&#13;
submission. "Was not the success certain, had it not been for this&#13;
codicil? Did you not yourself assist in the measures that you now&#13;
blame?"</p><p>"You commanded, then, and it was my duty to obey. Besides, you were just&#13;
on the point of succeeding--not because of the means you had taken--but&#13;
in spite of those means, with all their awkward and revolting&#13;
brutality."</p><p>"Sir--you are severe," said Father d'Aigrigny.</p><p>"I am just. One has to be prodigiously clever, truly, to shut up any one&#13;
in a room, and then lock the door! And yet, what else have you done? The&#13;
daughters of General Simon?--imprisoned at Leipsic, shut up in a&#13;
convent at Paris! Adrienne de Cardoville?--placed in confinement.&#13;
Sleepinbuff--put in prison. Djalma?--quieted by a narcotic. One only&#13;
ingenious method, and a thousand times safer, because it acted morally,&#13;
not materially, was employed to remove M. Hardy. As for your other&#13;
proceedings--they were all bad, uncertain, dangerous. Why? Because they&#13;
were violent, and violence provokes violence. Then it is no longer a&#13;
struggle of keen, skillful, persevering men, seeing through the darkness&#13;
in which they walk, but a match of fisticuffs in broad day. Though we&#13;
should be always in action, we should always shrink from view; and yet&#13;
you could find no better plan than to draw universal attention to us&#13;
by proceedings at once open and deplorably notorious. To make them more&#13;
secret, you call in the guard, the commissary of police, the jailers,&#13;
for your accomplices. It is pitiable, sir; nothing but the most&#13;
brilliant success could cover such wretched folly; and this success has&#13;
been wanting."</p><p>"Sir," said Father d'Aigrigny, deeply hurt, for the Princess de Saint&#13;
Dizier, unable to conceal the sort of admiration caused in her by the&#13;
plain, decisive words of Rodin, looked at her old lover, with an air&#13;
that seemed to say, "He is right;"--"sir, you are more than severe in&#13;
your judgment; and, notwithstanding the deference I owe to you, I must&#13;
observe, that I am not accustomed--"</p><p>"There are many other things to which you are not accustomed," said&#13;
Rodin, harshly interrupting the reverend father; "but you will accustom&#13;
yourself to them. You have hitherto had a false idea of your own value.&#13;
There is the old leaven of the soldier and the worlding fermenting&#13;
within you, which deprives your reason of the coolness, lucidity, and&#13;
penetration that it ought to possess. You have been a fine military&#13;
officer, brisk and gay, foremost in wars and festivals, with pleasures&#13;
and women. These things have half worn you out. You will never be&#13;
anything but a subaltern; you have been thoroughly tested. You will&#13;
always want that vigor and concentration of mind which governs men and&#13;
events. That vigor and concentration of mind I have--and do you know&#13;
why? It is because, solely devoted to the service of the Company, I have&#13;
always been ugly, dirty, unloved, unloving--I have all my manhood about&#13;
me!"</p><p>In pronouncing these words, full of cynical pride, Rodin was truly&#13;
fearful. The princess de Saint-Dizier thought him almost handsome by his&#13;
energy and audacity.</p><p>Father d'Aigrigny, feeling himself overawed, invincibly and inexorably,&#13;
by this diabolical being, made a last effort to resist and exclaimed,&#13;
"Oh! sir, these boastings are no proofs of valor and power. We must see&#13;
you at work."</p><p>"Yes," replied Rodin, coldly; "do you know at what work?" Rodin was fond&#13;
of this interrogative mode of expression. "Why, at the work that you so&#13;
basely abandon."</p><p>"What!" cried the Princess de Saint-Dizier; for Father d'Aigrigny,&#13;
stupefied at Rodin's audacity, was unable to utter a word.</p><p>"I say," resumed Rodin, slowly, "that I undertake to bring to a good&#13;
issue this affair of the Rennepont inheritance, which appears to you so&#13;
desperate."</p><p>"You?" cried Father d'Aigrigny. "You?" "I."</p><p>"But they have unmasked our maneuvers."</p><p>"So much the better; we shall be obliged to invent others."</p><p>"But they; will suspect us in everything."</p><p>"So much the better; the success that is difficult is the most certain."</p><p>"What! do you hope to make Gabriel consent not to revoke his donation,&#13;
which is perhaps illegal?"</p><p>"I mean to bring in to the coffers of the Company the whole of the two&#13;
hundred and twelve millions, of which they wish to cheat us. Is that&#13;
clear?"</p><p>"It is clear--but impossible."</p><p>"And I tell you that it is, and must be possible. Do you not understand,&#13;
short-sighted as you are!" cried Rodin, animated to such a degree that&#13;
his cadaverous face became slightly flushed; "do you not understand that&#13;
it is no longer in our choice to hesitate? Either these two hundred&#13;
and twelve millions must be ours--and then the re-establishment of our&#13;
sovereign influence in France is sure--for, in these venal times, with&#13;
such a sum at command, you may bribe or overthrow a government, or light&#13;
up the flame of civil war, and restore legitimacy, which is our natural&#13;
ally, and, owing all to us, would give us all in return--"</p><p>"That is clear," cried the princess, clasping her hands in admiration.</p><p>"If, on the contrary," resumed Rodin, "these two hundred and twelve&#13;
millions fall into the hands of the family of the Renneponts, it will&#13;
be our ruin and our destruction. We shall create a stock of bitter and&#13;
implacable enemies. Have you not heard the execrable designs of that&#13;
Rennepont, with regard to the association he recommends, and which, by&#13;
an accursed fatality, his race are just in a condition to realize? Think&#13;
of the forces that would rally round these millions. There would be&#13;
Marshal Simon, acting in the name of his daughters--that is, the man of&#13;
the people become a duke, without being the vainer for it, which secures&#13;
his influence with the mob, because military spirit and Bonapartism&#13;
still represent, in the eyes of the French populace, the traditions of&#13;
national honor and glory. There would be Francis Hardy, the liberal,&#13;
independent, enlightened citizen, the type of the great manufacturer,&#13;
the friend of progress, the benefactor of his workmen. There would be&#13;
Gabriel--the good priest, as they say!--the apostle of the primitive&#13;
gospel, the representative of the democracy of the church, of the poor&#13;
country curate as opposed to the rich bishop, the tiller of the vine as&#13;
opposed to him who sits in the shade of it; the propagator of all&#13;
the ideas of fraternity, emancipation, progress--to use their own&#13;
jargon--and that, not in the name of revolutionary and incendiary&#13;
politics, but in the name of a religion of charity, love, and peace--to&#13;
speak as they speak. There, too, would be Adrienne de Cardoville, the&#13;
type of elegance, grace, and beauty, the priestess of the senses, which&#13;
she deifies by refining and cultivating them. I need not tell you of&#13;
her wit and audacity; you know them but too well. No one could be more&#13;
dangerous to us than this creature, a patrician in blood, a plebeian in&#13;
heart, a poet in imagination. Then, too, there would be Prince Djalma,&#13;
chivalrous, bold, ready for adventure, knowing nothing of civilized&#13;
life, implacable in his hate as in his affection, a terrible instrument&#13;
for whoever can make use of him. In this detestable family, even such&#13;
a wretch as Sleepinbuff, who in himself is of no value, raised and&#13;
purified by the contact of these generous and far from narrow natures&#13;
(as they call them), might represent the working class, and take a large&#13;
share in the influence of that association. Now do you not think that if&#13;
all these people, already exasperated against us, because (as they say)&#13;
we have wished to rob them, should follow the detestable counsels of&#13;
this Rennepont--should unite their forces around this immense fortune,&#13;
which would strengthen them a hundred-fold--do you not think that, if&#13;
they declare a deadly war against us, they will be the most dangerous&#13;
enemies that we have ever had? I tell you that the Company has never&#13;
been in such serious peril; yes, it is now a question of life and&#13;
death. We must no longer defend ourselves, but lead the attack, so as&#13;
to annihilate this accursed race of Rennepont, and obtain possession of&#13;
these millions."</p><p>At this picture, drawn by Rodin with a feverish animation, which had&#13;
only the more influence from its unexpectedness, the princess and Father&#13;
d'Aigrigny looked at each other in confusion.</p><p>"I confess," said the reverend father to Rodin, "I had not considered&#13;
all the dangerous consequences of this association, recommended by M. de&#13;
Rennepont. I believe that the heir, from the characters we know them to&#13;
be possessed of, would wish to realize this Utopia. The peril is great&#13;
and pressing; what is to be done?"</p><p>"What, sir? You have to act upon ignorant, heroic, enthusiastic natures&#13;
like Djalma's--sensual and eccentric characters like Adrienne de&#13;
Cardoville's--simple and ingenuous minds like Rose and Blanche&#13;
Simon's--honest and frank dispositions like Francis Hardy's--angelic and&#13;
pure souls like Gabriel's--brutal and stupid instincts like Jacques--and&#13;
can you ask, 'What is to be done?'"</p><p>"In truth, I do not understand you," said Father d'Aigrigny.</p><p>"I believe it. Your past conduct shows as much," replied Rodin,&#13;
contemptuously. "You have had recourse to the lowest and most mechanical&#13;
contrivances, instead of acting upon the noble and generous passions,&#13;
which, once united, would constitute so formidable a bond; but which,&#13;
now divided and isolated, are open to every surprise, every seduction,&#13;
every attack! Do you, at length understand me? Not yet?" added Rodin,&#13;
shrugging his shoulders. "Answer me--do people die of despair?"</p><p>"Yes."</p><p>"May not the gratitude of successful love reach the last limits of&#13;
insane generosity?"</p><p>"Yes."</p><p>"May there not be such horrible deceptions, that suicide is the only&#13;
refuge from frightful realities?"</p><p>"Yes."</p><p>"May not the excess of sensuality lead to the grave by a slow and&#13;
voluptuous agony?"</p><p>"Yes."</p><p>"Are there not in life such terrible circumstances that the most&#13;
worldly, the firmest, the most impious characters, throw themselves&#13;
blindly, overwhelmed with despair, into the arms of religion, and&#13;
abandon all earthly greatness for sackcloth, and prayers, and solitude?"</p><p>"Yes."</p><p>"Are there not a thousand occasions in which the reaction of the&#13;
passions works the most extraordinary changes, and brings about the most&#13;
tragic catastrophes in the life of man and woman?"</p><p>"No doubt."</p><p>"Well, then! why ask me, 'What is to be done?' What would you say, for&#13;
example, if before three months are over, the most dangerous members of&#13;
this family of the Renneponts should come to implore, upon their knees,&#13;
admission to that very Society which they now hold in horror, and from&#13;
which Gabriel has just separated?"</p><p>"Such a conversion is impossible," cried Father d'Aigrigny.</p><p>"Impossible? What were you, sir, fifteen years ago?" said Rodin. "An&#13;
impious and debauched man of the world. And yet you came to us, and your&#13;
wealth became ours. What! we have conquered princes, kings, popes; we&#13;
have absorbed and extinguished in our unity magnificent intelligences,&#13;
which, from afar, shone with too dazzling a light; we have all but&#13;
governed two worlds; we have perpetuated our Society, full of life,&#13;
rich and formidable, even to this day, through all the hate, and all the&#13;
persecutions that have assailed us; and yet we shall not be able to&#13;
get the better of a single family, which threatens our Company, and has&#13;
despoiled us of a large fortune? What! we are not skillful enough to&#13;
obtain this result without having recourse to awkward and dangerous&#13;
violence? You do not know, then, the immense field that is thrown&#13;
open by the mutually destructive power of human passions, skillfully&#13;
combined, opposed, restrained, excited?--particularly," added Rodin,&#13;
with a strange smile, "when, thanks to a powerful ally, these passions&#13;
are sure to be redoubled in ardor and energy."</p><p>"What ally?" asked Father d'Aigrigny, who, as well as the Princess de&#13;
Saint-Dizier, felt a sort of admiration mixed with terror.</p><p>"Yes," resumed Rodin, without answering the reverend father; "this&#13;
formidable ally, who comes to our assistance, may bring about the most&#13;
astonishing transformations--make the coward brave, and the impious&#13;
credulous, and the gentle ferocious--"</p><p>"But this ally!" cried the Princess, oppressed with a vague sense of&#13;
fear. "This great and formidable ally--who is he?"</p><p>"If he comes," resumed Rodin, still impassible, "the youngest and most&#13;
vigorous, every moment in danger of death, will have no advantage over&#13;
the sick man at his last gasp."</p><p>"But who is this ally?" exclaimed Father d'Aigrigny, more and more&#13;
alarmed, for as the picture became darker, Rodin's face become more&#13;
cadaverous.</p><p>"This ally, who can decimate a population, may carry away with him in&#13;
the shroud that he drags at his heels, the whole of an accursed race;&#13;
but even he must respect the life of that great intangible body, which&#13;
does not perish with the death of its members--for the spirit of the&#13;
Society of Jesus is immortal!"</p><p>"And this ally?"</p><p>"Oh, this ally," resumed Rodin, "who advances with slow steps, and whose&#13;
terrible coming is announced by mournful presentiments--"</p><p>"Is--"</p><p>"The Cholera!"</p><p>These words, pronounced by Rodin in an abrupt voice, made the Princess&#13;
and Father d'Aigrigny grow pale and tremble. Rodin's look was gloomy and&#13;
chilling, like a spectre's. For some moments, the silence of the&#13;
tomb reigned in the saloon. Rodin was the first to break it. Still&#13;
impassible, he pointed with imperious gesture to the table, where a few&#13;
minutes before he had himself been humbly seated, and said in a sharp&#13;
voice to Father d'Aigrigny, "Write!"</p><p>The reverend father started at first with surprise; then, remembering&#13;
that from a superior he had become an inferior, he rose, bowed lowly to&#13;
Rodin, as he passed before him, seated himself at the table, took the&#13;
pen, and said, "I am ready."</p><p>Rodin dictated, and the reverend Father wrote as follows: "By the&#13;
mismanagement of the Reverend Father d'Aigrigny, the affair of the&#13;
inheritance of the Rennepont family has been seriously compromised.&#13;
The sum amounts to two hundred and twelve millions. Notwithstanding&#13;
the check we have received, we believe we may safely promise to prevent&#13;
these Renneponts from injuring the Society, and to restore the two&#13;
hundred and twelve millions to their legitimate possessors. We only ask&#13;
for the most complete and extensive powers."</p><p>A quarter of an hour after this scene, Rodin left Saint Dizier House,&#13;
brushing with his sleeve the old greasy hat, I which he had pulled off&#13;
to return the salute of the porter by a very low bow.</p><p>CHAPTER XXVIII. THE STRANGER.</p><p>The following scene took place on the morrow of the day in which&#13;
Father d'Aigrigny had been so rudely degraded by Rodin to the subaltern&#13;
position formerly occupied by the socius.</p><p>It is well known that the Rue Clovis is one of the most solitary streets&#13;
in the Montagne St. Genevieve district. At the epoch of this narrative,&#13;
the house No. 4, in this street, was composed of one principal building,&#13;
through which ran a dark passage, leading to a little, gloomy court, at&#13;
the end of which was a second building, in a singularly miserable and&#13;
dilapidated condition. On the ground-floor, in front of the house, was a&#13;
half-subterraneous shop, in which was sold charcoal, fagots, vegetables,&#13;
and milk. Nine o'clock in the morning had just struck. The mistress of&#13;
the shop, one Mother Arsene, an old woman of a mild, sickly countenance,&#13;
clad in a brown stuff dress, with a red bandanna round her head, was&#13;
mounted on the top step of the stairs which led down to her door, and&#13;
was employed in setting out her goods--that is, on one side of her&#13;
door she placed a tin milk-can, and on the other some bunches of stale&#13;
vegetables, flanked with yellowed cabbages. At the bottom of the steps,&#13;
in the shadowy depths of the cellar, one could see the light of the&#13;
burning charcoal in a little stove. This shop situated at the side of&#13;
the passage, served as a porter's lodge, and the old woman acted as&#13;
portress. On a sudden, a pretty little creature, coming from the house,&#13;
entered lightly and merrily the shop. This young girl was Rose-Pompon,&#13;
the intimate friend of the Bacchanal Queen.--Rose-Pompon, a widow for&#13;
the moment, whose bacchanalian cicisbeo was Ninny Moulin, the orthodox&#13;
scapegrace, who, on occasion, after drinking his fill, could transform&#13;
himself into Jacques Dumoulin, the religious writer, and pass gayly from&#13;
dishevelled dances to ultramontane polemics, from Storm-blown Tulips to&#13;
Catholic pamphlets.</p><p>Rose-Pompon had just quitted her bed, as appeared by the negligence of&#13;
her strange morning costume; no doubt, for want of any other head-dress,&#13;
on her beautiful light hair, smooth and well-combed, was stuck jauntily&#13;
a foraging-cap, borrowed from her masquerading costume. Nothing could&#13;
be more sprightly than that face, seventeen years old, rosy, fresh,&#13;
dimpled, and brilliantly lighted up by a pair of gay, sparkling blue&#13;
eyes. Rose Pompon was so closely enveloped from the neck to the feet&#13;
in a red and green plaid cloak, rather faded, that one could guess the&#13;
cause of her modest embarrassment. Her naked feet, so white that one&#13;
could not tell if she wore stockings or not, were slipped into little&#13;
morocco shoes, with plated buckles. It was easy to perceive that her&#13;
cloak concealed some article which she held in her hand.</p><p>"Good-day, Rose-Pompon," said Mother Arsene with a kindly air; "you are&#13;
early this morning. Had you no dance last night?"</p><p>"Don't talk of it, Mother Arsene; I had no heart to dance. Poor&#13;
Cephyse--the Bacchanal Queen--has done nothing but cry all night. She&#13;
cannot console herself, that her lover should be in prison."</p><p>"Now, look here, my girl," said the old woman, "I must speak to you&#13;
about your friend Cephyse. You won't be angry?"</p><p>"Am I ever angry?" said Rose-Pompon, shrugging her shoulders.</p><p>"Don't you think that M. Philemon will scold me on his return?"</p><p>"Scold you! what for?"</p><p>"Because of his rooms, that you occupy."</p><p>"Why, Mother Arsene, did not Philemon tell you, that, in his absence, I&#13;
was to be as much mistress of his two rooms as I am of himself?"</p><p>"I do not speak of you, but of your friend Cephyse, whom you have also&#13;
brought to occupy M. Philemon's lodgings."</p><p>"And where would she have gone without me, my good Mother Arsene? Since&#13;
her lover was arrested, she has not dared to return home, because she&#13;
owes ever so many quarters. Seeing her troubles. I said to her: 'Come,&#13;
lodge at Philemon's. When he returns, we must find another place for&#13;
you.'"</p><p>"Well, little lovey--if you only assure me that M. Philemon will not be&#13;
angry--"</p><p>"Angry! for what? That we spoil his things? A fine set of things he has&#13;
to spoil! I broke his last cup yesterday--and am forced to fetch the&#13;
milk in this comic concern."</p><p>So saying, laughing with all her might, Rose-Pompon drew her pretty&#13;
little white arm from under her cloak, and presented to Mother Arsene&#13;
one of those champagne glasses of colossal capacity, which hold about a&#13;
bottle.</p><p>"Oh, dear!" said the greengrocer in amazement; "it is like a glass&#13;
trumpet."</p><p>"It is Philemon's grand gala-glass, which they gave him when he took his&#13;
degrees in boating," said Rose-Pompon, gravely.</p><p>"And to think you must put your milk in it--I am really ashamed," said&#13;
Mother Arsene.</p><p>"So am I! If I were to meet any one on the stairs, holding this glass in&#13;
my hand like a Roman candlestick, I should burst out laughing, and&#13;
break the last remnant of Philemon's bazaar, and he would give me his&#13;
malediction."</p><p>"There is no danger that you will meet any one. The first-floor is gone&#13;
out, and the second gets up very late."</p><p>"Talking of lodgers," said Rose-Pompon, "is there not a room to let&#13;
on the second-floor in the rear house? It might do for Cephyse, when&#13;
Philemon comes back."</p><p>"Yes, there is a little closet in the roof--just over the two rooms of&#13;
the mysterious old fellow," said Mother Arsene.</p><p>"Oh, yes! Father Charlemagne. Have you found out anything more about&#13;
him?"</p><p>"Dear me, no, my girl! only that he came this morning at break of day,&#13;
and knocked at my shutters. 'Have you received a letter for me, my good&#13;
lady?' said he--for he is always so polite, the dear man!--'No, sir,'&#13;
said I.'--'Well, then, pray don't disturb yourself, my good lady!' said&#13;
he; 'I will call again.' And so he went away."</p><p>"Does he never sleep in the house?"</p><p>"Never. No doubt, he lodges somewhere else--but he passes some hours&#13;
here, once every four or five days."</p><p>"And always comes alone?"</p><p>"Always."</p><p>"Are you quite sure? Does he never manage to slip in some little puss&#13;
of a woman? Take care, or Philemon will give you notice to quit," said&#13;
Rose-Pompon, with an air of mock-modesty.</p><p>"M. Charlemagne with a woman! Oh, poor dear man!" said the greengrocer,&#13;
raising her hands to heaven; "if you saw him, with his greasy hat, his&#13;
old gray coat, his patched umbrella, and his simple face, he looks more&#13;
like a saint than anything else."</p><p>"But then, Mother Arsene, what does the saint do here, all alone for&#13;
hours, in that hole at the bottom of the court, where one can hardly see&#13;
at noon-day?"</p><p>"That's what I ask myself, my dovey, what can he be doing? It can't be&#13;
that he comes to look at his furniture, for he has nothing but a flock&#13;
bed, a table, a stove, a chair, and an old trunk."</p><p>"Somewhat in the style of Philemon's establishment," said Rose-Pompon.</p><p>"Well, notwithstanding that, Rosey, he is as much afraid that any one&#13;
should come into his room, as if we were all thieves, and his furniture&#13;
was made of massy gold. He has had a patent lock put on the door, at his&#13;
own expense; he never leaves me his key; and he lights his fire himself,&#13;
rather than let anybody into his room."</p><p>"And you say he is old?"</p><p>"Yes, fifty or sixty."</p><p>"And ugly?"</p><p>"Just fancy, little viper's eyes, looking as if they had been bored with&#13;
a gimlet, in a face as pale as death--so pale, that the lips are white.&#13;
That's for his appearance. As for his character, the good old man's so&#13;
polite!--he pulls off his hat so often, and makes you such low bows,&#13;
that it is quite embarrassing."</p><p>"But, to come back to the point," resumed Rose-Pompon, "what can he&#13;
do all alone in those two rooms? If Cephyse should take the closet, on&#13;
Philemon's return, we may amuse ourselves by finding out something about&#13;
it. How much do they want for the little room?"</p><p>"Why, it is in such bad condition, that I think the landlord would let&#13;
it go for fifty or fifty-five francs a-year, for there is no room for a&#13;
stove, and the only light comes through a small pane in the roof."</p><p>"Poor Cephyse!" said Rose, sighing, and shaking her head sorrowfully.&#13;
"After having amused herself so well, and flung away so much money with&#13;
Jacques Rennepont, to live in such a place, and support herself by hard&#13;
work! She must have courage!"</p><p>"Why, indeed, there is a great difference between that closet and the&#13;
coach-and-four in which Cephyse came to fetch you the other day, with&#13;
all the fine masks, that looked so gay--particularly the fat man in&#13;
the silver paper helmet, with the plume and the top boots. What a jolly&#13;
fellow!"</p><p>"Yes, Ninny Moulin. There is no one like him to dance the forbidden&#13;
fruit. You should see him with Cephyse, the Bacchanal Queen. Poor&#13;
laughing, noisy thing!--the only noise she makes now is crying."</p><p>"Oh! these young people--these young people!" said the greengrocer.</p><p>"Easy, Mother Arsene; you were young once."</p><p>"I hardly know. I have always thought myself much the same as I am now."</p><p>"And your lovers, Mother Arsene?"</p><p>"Lovers! Oh, yes! I was too ugly for that--and too well taken care of."</p><p>"Your mother looked after you, then?"</p><p>"No, my girl; but I was harnessed."</p><p>"Harnessed!" cried Rose-Pompon, in amazement, interrupting the dealer.</p><p>"Yes,--harnessed to a water-cart, along with my brother. So, you see,&#13;
when we had drawn like a pair of horses for eight or ten hours a day, I&#13;
had no heart to think of nonsense."</p><p>"Poor Mother Arsene, what a hard life," said Rose-Pompon with interest.</p><p>"In the winter, when it froze, it was hard enough. I and my brother were&#13;
obliged to be rough-shod, for fear of slipping."</p><p>"What a trade for a woman! It breaks one's heart. And they forbid people&#13;
to harness dogs!" added Rose-Pompon, sententiously.(21)</p><p>"Why, 'tis true," resumed Mother Arsene. "Animals are sometimes better&#13;
off than people. But what would you have? One must live, you know. As&#13;
you make your bed, you must lie. It was hard enough, and I got a disease&#13;
of the lungs by it--which was not my fault. The strap, with which I&#13;
was harnessed, pressed so hard against my chest, that I could scarcely&#13;
breathe: so I left the trade, and took to a shop, which is just to tell&#13;
you, that if I had had a pretty face and opportunity, I might have done&#13;
like so many other young people, who begin with laughter and finish--"</p><p>"With a laugh t'other side of the mouth--you would say; it is true,&#13;
Mother Arsene. But, you see, every one has not the courage to go into&#13;
harness, in order to remain virtuous. A body says to herself, you must&#13;
have some amusement while you are young and pretty--you will not always&#13;
be seventeen years old--and then--and then--the world will end, or you&#13;
will get married."</p><p>"But, perhaps, it would have been better to begin by that."</p><p>"Yes, but one is too stupid; one does not know how to catch the men, or&#13;
to frighten them. One is simple, confiding, and they only laugh at us.&#13;
Why, Mother Arsene, I am myself an example that would make you shudder;&#13;
but 'tis quite enough to have had one's sorrows, without fretting one's&#13;
self at the remembrance."</p><p>"What, my beauty! you, so young and gay, have had sorrows?"</p><p>"Ah, Mother Arsene! I believe you. At fifteen and a half I began to cry,&#13;
and never left off till I was sixteen. That was enough, I think."</p><p>"They deceived you, mademoiselle?"</p><p>"They did worse. They treated me as they have treated many a poor girl,&#13;
who had no more wish to go wrong than I had. My story is not a three&#13;
volume one. My father and mother are peasants near Saint-Valery, but&#13;
so poor--so poor, that having five children to provide for, they were&#13;
obliged to send me, at eight years old, to my aunt, who was a charwoman&#13;
here in Paris. The good woman took me out of charity, and very kind it&#13;
was of her, for I earned but little. At eleven years of age she sent me&#13;
to work in one of the factories of the Faubourg Saint-Antoine. I don't&#13;
wish to speak, ill of the masters of these factories; but what do they&#13;
care, if little boys and girls are mixed up pell-mell with young men and&#13;
women of eighteen to twenty? Now you see, there, as everywhere, some are&#13;
no better than they should be; they are not particular in word or deed,&#13;
and I ask you, what art example for the children, who hear and see more&#13;
than you think for. Then, what happens? They get accustomed as they grow&#13;
older, to hear and see things, that afterwards will not shock them at&#13;
all."</p><p>"What you say there is true, Rose-Pompon. Poor children! who takes any&#13;
trouble about them?--not their father or mother, for they are at their&#13;
daily work."</p><p>"Yes, yes, Mother Arsene, it is all very well; it is easy to cry down a&#13;
young girl that has gone wrong; but if they knew all the ins and&#13;
outs, they would perhaps pity rather than blame her. To come back to&#13;
myself--at fifteen years old I was tolerably pretty. One day I had&#13;
something to ask of the head clerk. I went to him in his private room.&#13;
He told me he would grant what I wanted, and even take me under his&#13;
patronage, if I would listen to him; and he began by trying to kiss me.&#13;
I resisted. Then he said to me:--'You refuse my offer? You shall have no&#13;
more work; I discharge you from the factory.'"</p><p>"Oh, the wicked man!" said Mother Arsene.</p><p>"I went home all in tears, and my poor aunt encouraged me not to yield,&#13;
and she would try to place me elsewhere. Yes--but it was impossible;&#13;
the factories were all full. Misfortunes never come single; my aunt fell&#13;
ill, and there was not a sou in the house; I plucked up my courage, and&#13;
returned to entreat the mercy of the clerk at the factory. Nothing would&#13;
do. 'So much the worse,' said he; 'you are throwing away your luck. If&#13;
you had been more complying, I should perhaps have married you.' What&#13;
could I do, Mother Arsene?--misery was staring me in the face; I had no&#13;
work; my aunt was ill; the clerk said he would marry me--I did like so&#13;
many others."</p><p>"And when, afterwards, you spoke to him about marriage?"</p><p>"Of course he laughed at me, and in six months left me. Then I wept&#13;
all the tears in my body, till none remained--then I was very ill--and&#13;
then--I console myself, as one may console one's self for anything.&#13;
After some changes, I met with Philemon. It is upon him that I revenge&#13;
myself for what others have done to me. I am his tyrant," added&#13;
Rose-Pompon, with a tragic air, as the cloud passed away which had&#13;
darkened her pretty face during her recital to Mother Arsene.</p><p>"It is true," said the latter thoughtfully. "They deceive a poor&#13;
girl--who is there to protect or defend her? Oh! the evil we do does not&#13;
always come from ourselves, and then--"</p><p>"I spy Ninny Moulin!" cried Rose-Pompon, interrupting the greengrocer,&#13;
and pointing to the other side of the street. "How early abroad! What&#13;
can he want with me?" and Rose wrapped herself still more closely and&#13;
modestly in her cloak.</p><p>It was indeed Jacques Dumoulin, who advanced with his hat stuck on one&#13;
side, with rubicund nose and sparkling eye, dressed in a loose coat,&#13;
which displayed the rotundity of his abdomen. His hands, one of which&#13;
held a huge cane shouldered like a musket, were plunged into the vast&#13;
pockets of his outer garment.</p><p>Just as he reached the threshold of the door, no doubt with the&#13;
intention of speaking to the portress, he perceived Rose-Pompon. "What!"&#13;
he exclaimed, "my pupil already stirring? That is fortunate. I came on&#13;
purpose to bless her at the rise of morn!"</p><p>So saying, Ninny Moulin advanced with open arms towards Rose-Pompon who&#13;
drew back a step.</p><p>"What, ungrateful child!" resumed the writer on divinity. "Will you&#13;
refuse me the morning's paternal kiss?"</p><p>"I accept paternal kisses from none but Philemon. I had a letter from&#13;
him yesterday, with a jar of preserves, two geese, a bottle of home-made&#13;
brandy, and an eel. What ridiculous presents! I kept the drink, and&#13;
changed the rest for two darling live pigeons, which I have installed&#13;
in Philemon's cabinet, and a very pretty dove-cote it makes me. For the&#13;
rest, my husband is coming back with seven hundred francs, which he got&#13;
from his respectable family, under pretence of learning the bass viol,&#13;
the cornet-a-piston, and the speaking trumpet, so as to make his way in&#13;
society, and a slap-up marriage--to use your expression--my good child."</p><p>"Well, my dear pupil, we will taste the family brandy, and enjoy&#13;
ourselves in expectation of Philemon and his seven hundred francs."</p><p>So saying, Ninny Moulin slapped the pockets of his waistcoat, which&#13;
gave forth a metallic sound, and added: "I come to propose to you to&#13;
embellish my life, to-day and to-morrow, and even the day after, if your&#13;
heart is willing."</p><p>"If the announcements are decent and fraternal, my heart does not say&#13;
no."</p><p>"Be satisfied; I will act by you as your grandfather, your great&#13;
grandfather, your family portrait. We will have a ride, a dinner, the&#13;
play, a fancy dress ball, and a supper afterwards. Will that suit you?"</p><p>"On condition that poor Cephyse is to go with us. It will raise her&#13;
spirits."</p><p>"Well, Cephyse shall be of the party."</p><p>"Have you come into a fortune, great apostle?"</p><p>"Better than that, most rosy and pompous of all Rose-Pom, pons! I am&#13;
head editor of a religious journal; and as I must make some appearance&#13;
in so respectable a concern, I ask every month for four weeks in&#13;
advance, and three days of liberty. On this condition, I consent to play&#13;
the saint for twenty-seven days out of thirty, and to be always as grave&#13;
and heavy as the paper itself."</p><p>"A journal! that will be something droll, and dance forbidden steps all&#13;
alone on the tables of the cafes."</p><p>"Yes, it will be droll enough; but not for everybody. They are rich&#13;
sacristans, who pay the expenses. They don't look to money, provided the&#13;
journal bites, tears, burns, pounds, exterminates and destroys. On my&#13;
word of honor, I shall never have been in such a fury!" added Ninny&#13;
Moulin, with a loud, hoarse laugh. "I shall wash the wounds of my&#13;
adversaries with venom of the finest vintage, and gall of the first&#13;
quality."</p><p>For his peroration, Ninny Moulin imitated the pop of uncorking a bottle&#13;
of champagne--which made Rose-Pompon laugh heartily.</p><p>"And what," resumed she, "will be the name of your journal of&#13;
sacristans?"</p><p>"It will be called 'Neighborly Love.'"</p><p>"Come! that is a very pretty name."</p><p>"Wait a little! there is a second title."</p><p>"Let us hear it."</p><p>"'Neighborly Love; or, the Exterminator of the Incredulous, the&#13;
Indifferent, the Lukewarm, and Others,' with this motto from the great&#13;
Bossuet: 'Those who are not for us are against us.'"</p><p>"That is what Philemon says in the battles at the Chaumiere, when he&#13;
shakes his cane."</p><p>"Which proves, that the genius of the Eagle of Meaux is universal. I&#13;
only reproach him for having been jealous of Moliere."</p><p>"Bah! actor's jealousy," said Rose-Pompon.</p><p>"Naughty girl!" cried Ninny Moulin, threatening her with his finger.</p><p>"But if you are going to exterminate Madame de la Sainte-Colombo, who is&#13;
somewhat lukewarm--how about your marriage?"</p><p>"My journal will advance it, on the contrary. Only think! editor-In&#13;
chief is a superb position; the sacristans will praise, and push, and&#13;
support, and bless me; I shall get La-Sainte-Colombe--and then, what a&#13;
life I'll lead!"</p><p>At this moment, a postman entered the shop, and delivered a letter to&#13;
the greengrocer, saying: "For M. Charlemagne, post-paid!"</p><p>"My!" said Rose-Pompon; "it is for the little mysterious old man, who&#13;
has such extraordinary ways. Does it come from far?"</p><p>"I believe you; it comes from Italy, from Rome," said Ninny Moulin,&#13;
looking in his turn at the letter, which the greengrocer held in her&#13;
hand. "Who is the astonishing little old man of whom you speak?"</p><p>"Just imagine to yourself, my great apostle," said Rose-Pompon, "a&#13;
little old man, who has two rooms at the bottom of that court. He never&#13;
sleeps there, but comes from time to time, and shuts himself up for&#13;
hours, without ever allowing any one to enter his lodging, and without&#13;
any one knowing what he does there."</p><p>"He is a conspirator," said Ninny Moulin, laughing, "or else a comer."</p><p>"Poor dear man," said Mother Arsene, "what has he done with his false&#13;
money? He pays me always in sous for the bit of bread and the radish I&#13;
furnish him for his breakfast."</p><p>"And what is the name of this mysterious chap?" asked Dumoulin.</p><p>"M. Charlemagne," said the greengrocer. "But look, surely one speaks of&#13;
the devil, one is sure to see his horns."</p><p>"Where's the horns?"</p><p>"There, by the side of the house--that little old man, who walks with&#13;
his neck awry, and his umbrella under his arm."</p><p>"M. Rodin!" ejaculated Ninny Moulin, retreating hastily, and descending&#13;
three steps into the shop, in order not to be seen. Then he added. "You&#13;
say, that this gentleman calls himself--"</p><p>"M. Charlemagne--do you know him?" asked the greengrocer.</p><p>"What the devil does he do here, under a false name?" said Jacques&#13;
Dumoulin to himself.</p><p>"You know him?" said Rose-Pompon, with impatience. "You are quite&#13;
confused."</p><p>"And this gentleman has two rooms in this house, and comes here&#13;
mysteriously," said Jacques Dumoulin, more and more surprised.</p><p>"Yes," resumed Rose-Pompon; "you can see his windows from Philemon's&#13;
dove-cote."</p><p>"Quick! quick! let me go into the passage, that I may not meet him,"&#13;
said Dumoulin.</p><p>And, without having been perceived by Rodin, he glided from the shop&#13;
into the passage, and thence mounted to the stairs, which led to the&#13;
apartment occupied by Rose-Pompon.</p><p>"Good-morning, M. Charlemagne," said Mother Arsene to Rodin, who made&#13;
his appearance on the threshold. "You come twice in a day; that is&#13;
right, for your visits are extremely rare."</p><p>"You are too polite, my good lady," said Rodin, with a very courteous&#13;
bow; and he entered the shop of the greengrocer.</p><p>(21) There are, really, ordinances, full of a touching interest for the&#13;
canine race, which forbid the harnessing of dogs.</p><p>CHAPTER XXIX. THE DEN.</p><p>Rodin's countenance, when he entered Mother Arsene's shop, was&#13;
expressive of the most simple candor. He leaned his hands on the knob of&#13;
his umbrella, and said: "I much regret, my good lady, that I roused you&#13;
so early this morning."</p><p>"You do not come often enough, my dear sir, for me to find fault with&#13;
you."</p><p>"How can I help it, my good lady? I live in the country, and only come&#13;
hither from time to time to settle my little affairs."</p><p>"Talking of that sir, the letter you expected yesterday has arrived&#13;
this morning. It is large, and comes from far. Here it is," said the&#13;
greengrocer, drawing it from her pocket; "it cost nothing for postage."</p><p>"Thank you, my dear lady," said Rodin, taking the letter with apparent&#13;
indifference, and putting it into the side-pocket of his great-coat,&#13;
which he carefully buttoned over.</p><p>"Are you going up to your rooms, sir?"</p><p>"Yes, my good, lady."</p><p>"Then I will get ready your little provisions," said Mother Arsene; "as&#13;
usual, I suppose, my dear sir?"</p><p>"Just as usual."</p><p>"It shall be ready in the twinkling of an eye, sir."</p><p>So saying, the greengrocer took down an old basket; after throwing&#13;
into it three or four pieces of turf, a little bundle of wood, and some&#13;
charcoal, she covered all this fuel with a cabbage leaf; then, going to&#13;
the further end of the shop, she took from a chest a large round loaf,&#13;
cut off a slice, and selecting a magnificent radish with the eye of a&#13;
connoisseur, divided it in two, made a hole in it, which she filled with&#13;
gray salt joined the two pieces together again, and placed it carefully&#13;
by the side of the bread, on the cabbage leaf which separated the&#13;
eatables from the combustibles. Finally, taking some embers from the&#13;
stove, she put them into a little earthen pot, containing ashes, which&#13;
she placed also in the basket.</p><p>Then, reascending to her top step, Mother Arsene said to Rodin: "Here is&#13;
your basket, sir."</p><p>"A thousand thanks, my good lady," answered Rodin, and plunging his&#13;
hand into the pocket of his trousers, he drew forth eight sous, which he&#13;
counted out only one by one to the greengrocer, and said to her, as he&#13;
carried off his store: "Presently, when I come down again, I will return&#13;
your basket as usual."</p><p>"Quite at your service, my dear sir, quite at your service," said Mother&#13;
Arsene.</p><p>Rodin tucked his umbrella under his left arm, took up the greengrocer's&#13;
basket with his right hand, entered the dark passage, crossed the little&#13;
court and mounted with light step to the second story of a dilapidated&#13;
building; there, drawing a key from his pocket, he opened a door, which&#13;
he locked carefully after him. The first of the two rooms which he&#13;
occupied was completely unfurnished, as for the second, it is impossible&#13;
to imagine a more gloomy and miserable den. Papering so much worn, torn&#13;
and faded, that no one could recognize its primitive color, bedecked&#13;
the walls. A wretched flock-bed, covered with a moth-fretted blanket; a&#13;
stool, and a little table of worm-eaten wood; an earthenware stove, as&#13;
cracked as old china; a trunk with a padlock, placed under the bed--such&#13;
was the furniture of this desolate hole. A narrow window, with dirty&#13;
panes, hardly gave any light to this room, which was almost deprived&#13;
of air by the height of the building in front; two old cotton pocket&#13;
handkerchiefs, fastened together with pins, and made to slide upon a&#13;
string stretched across the window, served for curtains. The plaster&#13;
of the roof, coming through the broken and disjointed tiles, showed the&#13;
extreme neglect of the inhabitant of this abode. After locking his door,&#13;
Rodin threw his hat and umbrella on the bed, placed his basket on the&#13;
ground, set the radish and bread on the table, and kneeling down before&#13;
his stove, stuffed it with fuel, and lighted it by blowing with vigorous&#13;
lungs on the embers contained in his earthen pot.</p><p>When, to use the consecrated expression, the stove began to draw, Rodin&#13;
spread out the handkerchiefs, which served him for curtains; then,&#13;
thinking himself quite safe from every eye, he took from the side-pocket&#13;
of his great-coat the letter that Mother Arsene had given him. In doing&#13;
so, he brought out several papers and different articles; one of these&#13;
papers, folded into a thick and rumpled packet, fell upon the table,&#13;
and flew open. It contained a silver cross of the Legion of Honor, black&#13;
with time. The red ribbon of this cross had almost entirely lost its&#13;
original color. At sight of this cross, which he replaced in his pocket&#13;
with the medal of which Faringhea had despoiled Djalma, Rodin shrugged&#13;
his shoulders with a contemptuous and sardonic air; then, producing his&#13;
large silver watch, he laid it on the table by the side of the letter&#13;
from Rome. He looked at this letter with a singular mixture of suspicion&#13;
and hope, of fear, and impatient curiosity. After a moment's reflection,&#13;
he prepared to unseal the envelope; but suddenly he threw it down again&#13;
upon the table, as if, by a strange caprice, he had wished to prolong&#13;
for a few minutes that agony of uncertainty, as poignant and irritating&#13;
as the emotion of the gambler.</p><p>Looking at his watch, Rodin resolved not to open the letter, until the&#13;
hand should mark half-past nine, of which it still wanted seven minutes.&#13;
In one of those whims of puerile fatalism, from which great minds have&#13;
not been exempt, Rodin said to himself: "I burn with impatience to open&#13;
this letter. If I do not open it till half-past nine, the news will be&#13;
favorable." To employ these minutes, Rodin took several turns up and&#13;
down the room, and stood in admiring contemplation before two old&#13;
prints, stained with damp and age, and fastened to the wall by rusty&#13;
nails. The first of these works of art--the only ornaments with which&#13;
Rodin had decorated this hole--was one of those coarse pictures,&#13;
illuminated with red, yellow, green, and blue, such as are sold at&#13;
fairs; an Italian inscription announced that this print had been&#13;
manufactured at Rome. It represented a woman covered with rags, bearing&#13;
a wallet, and having a little child upon her knees; a horrible hag of&#13;
a fortune-teller held in her hands the hand of the little child, and&#13;
seemed to read there his future fate, for these words in large blue&#13;
letters issued from her mouth: "Sara Papa" (he shall be Pope).</p><p>The second of these works of art, which appeared to inspire Rodin with&#13;
deep meditations, was an excellent etching, whose careful finish and&#13;
bold, correct drawing, contrasted singularly with the coarse coloring&#13;
of the other picture. This rare and splendid engraving, which had cost&#13;
Rodin six louis (an enormous expense for him), represented a young boy&#13;
dressed in rags. The ugliness of his features was compensated by the&#13;
intellectual expression of his strongly marked countenance. Seated on&#13;
a stone, surrounded by a herd of swine, that he seemed employed in&#13;
keeping, he was seen in front, with his elbow resting on his knee, and&#13;
his chin in the palm of his hand. The pensive and reflective attitude&#13;
of this young man, dressed as a beggar, the power expressed in his large&#13;
forehead, the acuteness of his penetrating glance, and the firm lines&#13;
of the mouth, seemed to reveal indomitable resolution, combined with&#13;
superior intelligence and ready craft. Beneath this figure, the emblems&#13;
of the papacy encircled a medallion, in the centre of which was the&#13;
head of an old man, the lines of which, strongly marked, recalled in&#13;
a striking manner, notwithstanding their look of advanced age, the&#13;
features of the young swineherd. This engraving was entitled THE YOUTH&#13;
of SIXTUS V.; the color print was entitled The Prediction.(22)</p><p>In contemplating these prints more and more nearly, with ardent and&#13;
inquiring eye, as though he had asked for hopes or inspirations from&#13;
them, Rodin had come so close that, still standing, with his right arm&#13;
bent behind his head, he rested, as it were, against the wall, whilst,&#13;
hiding his left hand in the pocket of his black trousers, he thus held&#13;
back one of the flaps of his olive great-coat. For some minutes, he&#13;
remained in this meditative attitude.</p><p>Rodin, as we have said, came seldom to this lodging; according to the&#13;
rules of his Order, he had till now lived with Father d'Aigrigny,&#13;
whom he was specially charged to watch. No member of the Society,&#13;
particularly in the subaltern position which Rodin had hitherto held,&#13;
could either shut himself in, or possess an article of furniture made&#13;
to lock. By this means nothing interferes with the mutual spy-system,&#13;
incessantly carried on, which forms one of the most powerful resources&#13;
of the Company of Jesus. It was on account of certain combinations,&#13;
purely personal to himself, though connected on some points with the&#13;
interests of the Order, that Rodin, unknown to all, had taken these&#13;
rooms in the Rue Clovis. And it was from the depths of this obscure&#13;
den that the socius corresponded directly with the most eminent and&#13;
influential personages of the sacred college. On one occasion, when&#13;
Rodin wrote to Rome, that Father d'Aigrigny, having received orders to&#13;
quit France without seeing his dying mother, had hesitated to set out,&#13;
the socius had added, in form of postscriptum, at the bottom of the&#13;
letter denouncing to the General of the Order the hesitation of Father&#13;
d'Aigrigny:</p><p>"Tell the Prince Cardinal that he may rely upon me, but I hope for his&#13;
active aid in return."</p><p>This familiar manner of corresponding with the most powerful dignitary&#13;
of the Order, the almost patronizing tone of the recommendation&#13;
that Rodin addressed to the Prince Cardinal, proved that the socius,&#13;
notwithstanding his apparently subaltern position, was looked upon, at&#13;
that epoch, as a very important personage, by many of the Princes of the&#13;
Church, who wrote to him at Paris under a false name, making use of a&#13;
cipher and other customary precautions. After some moments passed in&#13;
contemplation, before the portrait of Sixtus V., Rodin returned slowly&#13;
to the table, on which lay the letter, which, by a sort of superstitious&#13;
delay, he had deferred opening, notwithstanding his extreme curiosity.&#13;
As it still wanted some minutes of half-past nine, Rodin, in order not&#13;
to lose time, set about making preparations for his frugal breakfast.&#13;
He placed on the table, by the side of an inkstand, furnished with pens,&#13;
the slice of bread and the radish; then seating himself on his stool,&#13;
with the stove, as it were, between his legs, he drew a horn-handled&#13;
knife from his pocket, and cutting alternately a morsel of bread and a&#13;
morsel of radish, with a sharp, well-worn blade, he began his temperate&#13;
repast with a vigorous appetite, keeping his eye fixed on the hand of&#13;
his watch. When it reached the momentous hour, he unsealed the envelope&#13;
with a trembling hand.</p><p>It contained two letters. The first appeared to give him little&#13;
satisfaction; for, after some minutes, he shrugged his shoulders, struck&#13;
the table impatiently with the handle of his knife, disdainfully pushed&#13;
aside the letter with the back of his dirty hand, and perused the second&#13;
epistle, holding his bread in one hand, and with the other mechanically&#13;
dipping a slice of radish into the gray salt spilt on a corner of the&#13;
table. Suddenly, Rodin's hand remained motionless. As he progressed&#13;
in his reading, he appeared more and more interested, surprised, and&#13;
struck. Rising abruptly, he ran to the window, as if to assure himself,&#13;
by a second examination of the cipher, that he was not deceived. The&#13;
news announced to him in the letter seemed to be unexpected. No doubt,&#13;
Rodin found that he had deciphered correctly, for, letting fall his&#13;
arms, not in dejection, but with the stupor of a satisfaction as&#13;
unforeseen as extraordinary, he remained for some time with his head&#13;
down, and his eyes fixed--the only mark of joy that he gave being&#13;
manifested by a loud, frequent, and prolonged respiration. Men who are&#13;
as audacious in their ambition, as they are patient and obstinate in&#13;
their mining and countermining, are surprised at their own success, when&#13;
this latter precedes and surpasses their wise and prudent expectations.&#13;
Rodin was now in this case. Thanks to prodigies of craft, address, and&#13;
dissimulation, thanks to mighty promises of corruption, thanks to the&#13;
singular mixture of admiration, fear, and confidence, with which his&#13;
genius inspired many influential persons, Rodin now learned from members&#13;
of the pontifical government, that, in case of a possible and probable&#13;
occurrence, he might, within a given time, aspire, with a good chance of&#13;
success, to a position which has too often excited the fear, the hate,&#13;
or the envy of many sovereigns, and which has in turn, been occupied by&#13;
great, good men, by abominable scoundrels, and by persons risen from&#13;
the lowest grades of society. But for Rodin to attain this end with&#13;
certainty, it was absolutely necessary for him to succeed in that&#13;
project, which he had undertaken to accomplish without violence, and&#13;
only by the play and the rebound of passions skillfully managed. The&#13;
project was: To secure for the Society of Jesus the fortune of the&#13;
Rennepont family.</p><p>This possession would thus have a double and immense result; for Rodin,&#13;
acting in accordance with his personal views, intended to make of his&#13;
Order (whose chief was at his discretion) a stepping-stone and a means&#13;
of intimidation. When his first impression of surprise had passed&#13;
away--an impression that was only a sort of modesty of ambition and&#13;
self diffidence, not uncommon with men of really superior powers--Rodin&#13;
looked more coldly and logically on the matter, and almost reproached&#13;
himself for his surprise. But soon after, by a singular contradiction,&#13;
yielding to one of those puerile and absurd ideas, by which men are&#13;
often carried away when they think themselves alone and unobserved,&#13;
Rodin rose abruptly, took the letter which had caused him such glad&#13;
surprise, and went to display it, as it were, before the eyes of the&#13;
young swineherd in the picture: then, shaking his head proudly and&#13;
triumphantly, casting his reptile-glance on the portrait, he muttered&#13;
between his teeth, as he placed his dirty finger on the pontifical&#13;
emblem: "Eh, brother? and I also--perhaps!"</p><p>After this ridiculous interpolation, Rodin returned to his seat, and,&#13;
as if the happy news he had just received had increased his appetite, he&#13;
placed the letter before him, to read it once more, whilst he exercised&#13;
his teeth, with a sort of joyous fury, on his hard bread and radish,&#13;
chanting an old Litany.</p><p>There was something strange, great, and, above all, frightful, in the&#13;
contrast afforded by this immense ambition, already almost justified&#13;
by events, and contained, as it were, in so miserable an abode. Father&#13;
d'Aigrigny (who, if not a very superior man, had at least some real&#13;
value, was a person of high birth, very haughty, and placed in the best&#13;
society) would never have ventured to aspire to what Rodin thus looked&#13;
to from the first. The only aim of Father d'Aigrigny, and even this&#13;
he thought presumptuous, was to be one day elected General of his&#13;
Order--that Order which embraced the world. The difference of the&#13;
ambitious aptitudes of these two personages is conceivable. When a man&#13;
of eminent abilities, of a healthy and vivacious nature, concentrates&#13;
all the strength of his mind and body upon a single point, remaining,&#13;
like Rodin, obstinately chaste and frugal, and renouncing every&#13;
gratification of the heart and the senses--the man, who revolts against&#13;
the sacred designs of his Creator, does so almost always in favor of&#13;
some monstrous and devouring passion--some infernal divinity, which,&#13;
by a sacrilegious pact, asks of him, in return for the bestowal of&#13;
formidable power, the destruction of every noble sentiment, and of all&#13;
those ineffable attractions and tender instincts with which the Maker,&#13;
in His eternal wisdom and inexhaustible munificence, has so paternally&#13;
endowed His creatures.</p><p>During the scene that we have just described, Rodin had not perceived&#13;
that the curtain of a window on the third story of the building opposite&#13;
had been partially drawn aside, and had half-revealed the sprightly face&#13;
of Rose-Pompon, and the Silenus-like countenance of Ninny Moulin.&#13;
It ensued that Rodin, notwithstanding his barricade of cotton&#13;
handkerchiefs, had not been completely sheltered from the indiscreet and&#13;
curious examination of the two dancers of the Storm-blown Tulip.</p><p>(22) According to the tradition, it was predicted to the mother of&#13;
Sixtus V., that he would be pope; and, in his youth, he is said to have&#13;
kept swine.</p><p>CHAPTER XXX. AN UNEXPECTED VISIT.</p><p>Though Rodin had experienced much surprise on reading the second letter&#13;
from Rome, he did not choose that his answer should betray any such&#13;
amazement. Having finished his frugal breakfast, he took a sheet of&#13;
paper, and rapidly wrote in cipher the following note, in the short,&#13;
abrupt style that was natural to him when not obliged to restrain&#13;
himself:</p><p>"The information does not surprise me. I had foreseen it all. Indecision&#13;
and cowardice always bear such fruit. This is not enough. Heretical&#13;
Russia murders Catholic Poland. Rome blesses the murderers, and curses&#13;
the victims.(23)</p><p>"Let it pass.</p><p>"In return, Russia guarantees to Rome, by Austria, the bloody&#13;
suppression of the patriots of Romagna.</p><p>"That, too, is well.</p><p>"The cut-throat band of good Cardinal Albani is not sufficient for the&#13;
massacre of the impious liberals. They are weary of the task.</p><p>"Not so well. They must go on."</p><p>When Rodin had written these last words, his attention was suddenly&#13;
attracted by the clear and sonorous voice of Rose-Pompon, who, knowing&#13;
her Beranger by heart, had opened Philemon's window, and, seated on the&#13;
sill, sang with much grace and prettiness this verse of the immortal&#13;
song-writer:</p><p>"How wrong you are! Is't you dare say&#13;
   That heaven ever scowls on earth?&#13;
   The earth that laughs up to its blue,&#13;
   The earth that owes it joy and birth?&#13;
   Oh, may the wine from vines it warms,&#13;
   May holy love thence fluttering down,&#13;
   Lend my philosophy their charms,&#13;
   To drive away care's direful frown!&#13;
   So, firm let's stand,&#13;
   Full glass in hand,&#13;
   And all evoke&#13;
   The God of honest folk!"</p><p>This song, in its divine gentleness, contrasted so strangely with the&#13;
cold cruelty of the few lines written by Rodin, that he started and bit&#13;
his lips with rage, as he recognized the words of the great poet, truly&#13;
Christian, who had dealt such rude blows to the false Church. Rodin&#13;
waited for some moments with angry impatience, thinking the voice would&#13;
continue; but Rose-Pompon was silent, or only continued to hum, and soon&#13;
changed to another air, that of the Good Pope, which she entoned, but&#13;
without words. Rodin, not venturing to look out of his window to see who&#13;
was this troublesome warbler, shrugged his shoulders, resumed his pen,&#13;
and continued:</p><p>"To it again. We must exasperate the independent spirits in all&#13;
countries--excite philosophic rage all over Europe make liberalism foam&#13;
at the mouth--raise all that is wild and noisy against Rome. To&#13;
effect this, we must proclaim in the face of the world these three&#13;
propositions. 1. It is abominable to assert that a man may be saved in&#13;
any faith whatever, provided his morals be pure. 2. It is odious and&#13;
absurd to grant liberty of conscience to the people. 3. The liberty of&#13;
the press cannot be held in too much horror.24</p><p>"We must bring the Pap-fed man to declare these propositions in&#13;
every respect orthodox--show him their good effect upon despotic&#13;
governments--upon true Catholics, the muzzlers of the people. He will&#13;
fall into the snare. The propositions once published, the storm will&#13;
burst forth. A general rising against Rome--a wide schism--the sacred&#13;
college divided into three parties. One approves--the other blames--the&#13;
third trembles. The Sick Man, still more frightened than he is now at&#13;
having allowed the destruction of Poland, will shrink from the clamors,&#13;
reproaches, threats, and violent ruptures that he has occasioned.</p><p>"That is well--and goes far.</p><p>"Then, set the Pope to shaking the conscience of the Sick Man, to&#13;
disturb his mind, and terrify his soul.</p><p>"To sum up. Make everything bitter to him--divide his council--isolate&#13;
him--frighten him--redouble the ferocious ardor of good Albini--revive&#13;
the appetite of the Sanfedists(25)--give them a gulf of liberals--let&#13;
there be pillage, rape, massacre, as at Cesena--a downright river&#13;
of Carbonaro blood--the Sick Man will have a surfeit of it. So many&#13;
butcheries in his name--he will shrink, be sure he will shrink--every&#13;
day will have its remorse, every night its terror, every minute&#13;
its anguish; and the abdication he already threatens will come at&#13;
last--perhaps too soon. That is now the only danger; you must provide&#13;
against it.</p><p>"In case of an abdication, the grand penitentiary has understood me.&#13;
Instead of confiding to a general the direction of our Order, the best&#13;
militia of the Holy See, I should command it myself. Thenceforward this&#13;
militia would give me no uneasiness. For instance: the Janissaries and&#13;
the Praetorian Guards were always fatal to authority--why?--because&#13;
they were able to organize themselves as defenders of the government,&#13;
independently of the government; hence their power of intimidation.</p><p>"Clement XIV. was a fool. To brand and abolish our Company was an absurd&#13;
fault. To protect and make it harmless, by declaring himself the General&#13;
of the Order, is what he should have done. The Company, then at his&#13;
mercy, would have consented to anything. He would have absorbed us, made&#13;
us vassals of the Holy See, and would no longer have had to fear our&#13;
services. Clement XIV. died of the cholic. Let him heed who hears. In a&#13;
similar case, I should not die the same death."</p><p>Just then, the clear and liquid voice of Rose-Pompon was again heard.&#13;
Rodin bounded with rage upon his seat; but soon, as he listened to the&#13;
following verse, new to him (for, unlike Philemon's widow, he had not&#13;
his Beranger at his fingers' ends), the Jesuit, accessible to certain&#13;
odd, superstitious notions, was confused and almost frightened at so&#13;
singular a coincidence. It is Beranger's Good Pope who speaks--</p><p>"What are monarchs? sheepish sots!&#13;
   Or they're robbers, puffed with pride,&#13;
   Wearing badges of crime blots,&#13;
   Till their certain graves gape wide.&#13;
   If they'll pour out coin for me,&#13;
   I'll absolve them--skin and bone!&#13;
   If they haggle--they shall see,&#13;
   My nieces dancing on their throne!&#13;
   So laugh away!&#13;
   Leap, my fay!&#13;
   Only watch one hurt the thunder&#13;
   First of all by Zeus under,&#13;
   I'm the Pope, the whole world's wonder!"</p><p>Rodin, half-risen from his chair, with outstretched neck and attentive&#13;
eye, was still listening, when Rose-Pompon, flitting like a bee from&#13;
flower to flower of her repertoire, had already begun the delightful air&#13;
of Colibri. Hearing no more, the Jesuit reseated himself, in a sort&#13;
of stupor; but, after some minutes' reflection, his countenance again&#13;
brightened up, and he seemed to see a lucky omen in this singular&#13;
incident. He resumed his pen, and the first words he wrote partook, as&#13;
it were, of this strange confidence in fate.</p><p>"I have never had more hope of success than at this moment. Another&#13;
reason to neglect nothing. Every presentiment demands redoubled zeal. A&#13;
new thought occurred to me yesterday.</p><p>"We shall act here in concert. I have founded an ultra-Catholic paper&#13;
called Neighborly Love. From its ultramontane, tyrannical, liberticidal&#13;
fury, it will be thought the organ of Rome. I will confirm these&#13;
reports. They will cause new terrors.</p><p>"That will be well.</p><p>"I shall raise the question of the liberty of instruction. The raw&#13;
liberals will support us. Like fools, they admit us to equal rights;&#13;
when our privileges, our influence of the confessional, our obedience to&#13;
Rome, all place us beyond the circle of equal rights, by the advantages&#13;
which we enjoy. Double fools! they think us disarmed, because they have&#13;
disarmed themselves towards us.</p><p>"A burning question--irritating clamors--new cause of disgust for the&#13;
Weak Man. Every little makes a mickle.</p><p>"That also is very well.</p><p>"To sum up all in two words. The end is abdication--the means, vexation,&#13;
incessant torture. The Rennepont inheritance wilt pay for the election.&#13;
The price agreed, the merchandise will be sold."</p><p>Rodin here paused abruptly, thinking he had heard some noise at that&#13;
door of his, which opened on the staircase; therefore he listened with&#13;
suspended breath; but all remaining silent, he thought he must have been&#13;
deceived, and took up his pen:</p><p>"I will take care of the Rennepont business--the hinge on which&#13;
will turn our temporal operations. We must begin from the&#13;
foundation--substitute the play of interests, and the springs of&#13;
passion, for the stupid club law of Father d'Aigrigny. He nearly&#13;
compromised everything--and yet he has good parts, knows the world, has&#13;
powers of seduction, quick insight--but plays ever in a single key, and&#13;
is not great enough to make himself little. In his stead, I shall know&#13;
how to make use of him. There is good stuff in the man. I availed myself&#13;
in time of the full powers given by the R. F. G.; I may inform Father&#13;
d'Aigrigny, in case of need, of the secret engagements taken by the&#13;
General towards myself. Until now, I have let him invent for this&#13;
inheritance the destination that you know of. A good thought, but&#13;
unseasonable. The same end, by other means.</p><p>"The information was false. There are over two hundred millions. Should&#13;
the eventuality occur, what was doubtful must become certain. An immense&#13;
latitude is left us. The Rennepont business is now doubly mine, and&#13;
within three months, the two hundred millions will be ours, by the&#13;
free will of the heirs themselves. It must be so; for this failing, the&#13;
temporal part would escape me, and my chances be diminished by one half.&#13;
I have asked for full powers; time presses, and I act as if I had&#13;
them. One piece of information is indispensable for the success of my&#13;
projects. I expect it from you, and I must have it; do you understand&#13;
me? The powerful influence of your brother at the Court of Vienna will&#13;
serve you in this. I wish to have the most precise details as to the&#13;
present position of the Duke de Reichstadt--the Napoleon II. of the&#13;
Imperialists. Is it possible, by means of your brother, to open a secret&#13;
correspondence with the prince, unknown to his attendants?</p><p>"Look to this promptly. It is urgent. This note will be sent off to day.&#13;
I shall complete it to-morrow. It will reach you, as usual, by the hands&#13;
of the petty shopkeeper."</p><p>At the moment when Rodin was sealing this letter within a double&#13;
envelope, he thought that he again heard a noise at the door. He&#13;
listened. After some silence, several knocks were distinctly audible.&#13;
Rodin started. It was the first time any one had knocked at his door,&#13;
since nearly a twelve-month that he occupied this room. Hastily placing&#13;
the letter in his great-coat pocket, the Jesuit opened the old trunk&#13;
under his bed, took from it a packet of papers wrapped in a tattered&#13;
cotton handkerchief, added to them the two letters in cipher he had&#13;
just received, and carefully relocked the trunk. The knocking continued&#13;
without, and seemed to show more and more impatience. Rodin took the&#13;
greengrocer's basket in his hand, tucked his umbrella under his arm, and&#13;
went with some uneasiness to ascertain who was this unexpected visitor.&#13;
He opened the door, and found himself face to face with Rose-Pompon, the&#13;
troublesome singer, and who now, with a light and pretty courtesy, said&#13;
to him in the most guileless manner in the world, "M. Rodin, if you&#13;
please?"</p><p>(23) On page 110 of Lamennais' Affaires de Rome, will be seen the&#13;
following admirable scathing of Rome by the most truly evangelical&#13;
spirit of our age: "So long as the issue of the conflict between Poland&#13;
and her oppressors remained in the balances, the papal official organ&#13;
contained not one word to offend the so long victorious nation; but&#13;
hardly had she gone down under the Czar's atrocious vengeance, and the&#13;
long torture of a whole land doomed to rack, and exile, and servitude&#13;
began, than this same journal found no language black enough to stain&#13;
those whom fortune had fled. Yet it is wrong to charge this unworthy&#13;
insult to papal power; it only cringes to the law which Russia lays down&#13;
to it, when it says:</p><p>"'If you want to keep your own bones unbroken, bide where you are,&#13;
beside the scaffold, and, as the victims pass, hoot at them!'"</p><p>(24) See Pope Gregory XVI.'s Encyclical Letter to the Bishops in France,&#13;
1832.</p><p>(25) Hardly had the Sixteenth Gregory ascended the pontifical throne,&#13;
than news came of the rising in Bologna. His first idea was to call&#13;
the Austrians, and incite the Sanfedist volunteer bands of fanatics.&#13;
Cardinal Albini defeated the liberals at Cesena, where his followers&#13;
pillaged churches, sacked the town, and ill-treated women. At Forli,&#13;
cold-blooded murders were committed. In 1832 the Sanfedists (Holy&#13;
Faithites) openly paraded their medals, bearing the heads of the Duke&#13;
of Modena and the Pope; letters issued by the apostolic confederation;&#13;
privileges and indulgences. They took the following oath: "I. A. B.,&#13;
vow to rear the throne and altar over the bones of infamous freedom&#13;
shriekers, and exterminate these latter without pity for children's&#13;
cries and women's tears." The disorders perpetrated by these marauders&#13;
went beyond all bounds; the Romish Court regularized anarchy and&#13;
organized the Sanfedists into volunteer corps, to which fresh privileges&#13;
were granted. (Revue deux Mondes, Nov. 15th, 1844.--"La Revolution en&#13;
Italie.")</p><p>CHAPTER XXXI. FRIENDLY SERVICES.</p><p>Notwithstanding his surprise and uneasiness, Rodin did not frown. He&#13;
began by locking his door after him, as he noticed the young girl's&#13;
inquisitive glance. Then he said to her good-naturedly, "Who do you&#13;
want, my dear?"</p><p>"M. Rodin," repeated Rose-Pompon, stoutly, opening her bright blue eyes&#13;
to their full extent, and looking Rodin full in the face.</p><p>"It's not here," said he, moving towards the stairs. "I do not know him.&#13;
Inquire above or below."</p><p>"No, you don't! giving yourself airs at your age!" said Rose-Pompon,&#13;
shrugging her shoulders. "As if we did not know that you are M. Rodin."</p><p>"Charlemagne," said the socius, bowing; "Charlemagne, to serve you--if I&#13;
am able."</p><p>"You are not able," answered Rose-Pompon, majestically; then she added&#13;
with a mocking air, "So, we have our little pussy-cat hiding-places; we&#13;
change our name; we are afraid Mamma Rodin will find us out."</p><p>"Come, my dear child," said the socius, with a paternal smile; "you have&#13;
come to the right quarter. I am an old man, but I love youth--happy,&#13;
joyous youth! Amuse yourself, pray, at my expense. Only let me pass, for&#13;
I am in a hurry." And Rodin again advanced towards the stairs.</p><p>"M. Rodin," said Rose-Pompon, in a solemn voice, "I have very important&#13;
things to say to you, and advice to ask about a love affair."</p><p>"Why, little madcap that you are! have you nobody to tease in your own&#13;
house, that you must come here?"</p><p>"I lodge in this house, M. Rodin," answered Rose-Pompon, laying a&#13;
malicious stress on the name of her victim.</p><p>"You? Oh, dear, only to think I did not know I had such a pretty&#13;
neighbor."</p><p>"Yes, I have lodged here six months, M. Rodin."</p><p>"Really! where?"</p><p>"On the third story, front, M. Rodin."</p><p>"It was you, then, that sang so well just now?"</p><p>"Rather."</p><p>"You gave me great pleasure, I must say."</p><p>"You are very polite, M. Rodin."</p><p>"You lodge, I suppose, with your respectable family?"</p><p>"I believe you, M. Rodin," said Rose-Pompon, casting down her eyes&#13;
with a timid air. "I lodge with Grandpapa Philemon, and Grandmamma&#13;
Bacchanal--who is a queen and no mistake."</p><p>Rodin had hitherto been seriously uneasy, not knowing in what manner&#13;
Rose had discovered his real name. But on hearing her mention the&#13;
Bacchanal queen, with the information that she lodged in the house,&#13;
he found something to compensate for the disagreeable incident of&#13;
Rose-Pompon's appearance. It was, indeed, important to Rodin to find&#13;
out the Bacchanal Queen, the mistress of Sleepinbuff, and the sister of&#13;
Mother Bunch, who had been noted as dangerous since her interview with&#13;
the superior of the convent, and the part she had taken in the projected&#13;
escape of Mdlle. de Cardoville. Moreover, Rodin hoped--thanks to what he&#13;
had just heard--to bring Rose-Pompon to confess to him the name of the&#13;
person from whom she had learned that "Charlemagne" masked "Rodin."</p><p>Hardly had the young girl pronounced the name of the Bacchanal queen,&#13;
than Rodin clasped his hands, and appeared as much surprised as&#13;
interested.</p><p>"Oh, my dear child," he exclaimed, "I conjure you not to jest on this&#13;
subject. Are you speaking of a young girl who bears that nickname, the&#13;
sister of a deformed needlewoman."</p><p>"Yes, sir, the Bacchanal Queen is her nickname," said Rose-Pompon,&#13;
astonished in her turn; "she is really Cephyse Soliveau, and she is my&#13;
friend."</p><p>"Oh! she is your friend?" said Rodin, reflecting.</p><p>"Yes, sir, my bosom friend."</p><p>"So you love her?"</p><p>"Like a sister. Poor girl! I do what I can for her, and that's not much.&#13;
But how comes it that a respectable man of your age should know the&#13;
Bacchanal Queen?--Ah! that shows you have a false name!"</p><p>"My dear child, I am no longer inclined to laugh," said Rodin, with&#13;
so sorrowful an air, that Rose-Pompon, reproaching herself with her&#13;
pleasantry, said to him: "But how comes it that you know Cephyse?"</p><p>"Alas! I do not know her--but a young fellow, that I like excessively--"</p><p>"Jacques Rennepont?"</p><p>"Otherwise called Sleepinbuff. He is now in prison for debt," sighed&#13;
Rodin. "I saw him yesterday."</p><p>"You saw him yesterday?--how strange!" said Rose-Pompon, clapping her&#13;
hands. "Quick! quick!--come over to Philemon's, to give Cephyse news of&#13;
her lover. She is so uneasy about him."</p><p>"My dear child, I should like to give her good news of that worthy&#13;
fellow, whom I like in spite of his follies, for who has not been guilty&#13;
of follies?" added Rodin, with indulgent good-nature.</p><p>"To be sure," said Rose-Pompon, twisting about as if she still wore the&#13;
costume of a debardeur.</p><p>"I will say more," added Rodin: "I love him because of his follies; for,&#13;
talk as we may, my dear child, there is always something good at bottom,&#13;
a good heart, or something, in those who spend generously their money&#13;
for other people."</p><p>"Well, come! you are a very good sort of a man," said Rose-Pompon,&#13;
enchanted with Rodin's philosophy. "But why will you not come and see&#13;
Cephyse, and talk to her of Jacques?"</p><p>"Of what use would it be to tell her what she knows already--that&#13;
Jacques is in prison? What I should like, would be to get the worthy&#13;
fellow out of his scrape."</p><p>"Oh, sir! only do that, only get Jacques out of prison," cried Rose&#13;
Pompon, warmly, "and we will both give you a kiss--me and Cephyse!"</p><p>"It would be throwing kisses away, dear little madcap!" said Rodin,&#13;
smiling. "But be satisfied, I want no reward to induce me to do good&#13;
when I can."</p><p>"Then you hope to get Jacques out of prison?"</p><p>Rodin shook his head, and answered with a grieved and disappointed air.&#13;
"I did hope it. Certainly, I did hope it; but now all is changed."</p><p>"How's that?" asked Rose-Pompon, with surprise.</p><p>"That foolish joke of calling me M. Rodin may appear very amusing to&#13;
you, my dear child. I understand it, you being only an echo. Some one&#13;
has said to you: 'Go and tell M. Charlemagne that he is one M. Rodin.&#13;
That will be very funny.'"</p><p>"Certainly, I should never myself have thought of calling you M. Rodin.&#13;
One does not invent such names," answered Rose-Pompon.</p><p>"Well! that person with his foolish jokes, has done, without knowing it,&#13;
a great injury to Jacques Rennepont."</p><p>"What! because I called you Rodin instead of Charlemagne?" cried Rose&#13;
Pompon, much regretting the pleasantry which she had carried on at the&#13;
instigation of Ninny Moulin. "But really, sir," she added, "what can&#13;
this joke have to do with the service that you were, about to render&#13;
Jacques?"</p><p>"I am not at liberty to tell you, my child. In truth, I am very sorry&#13;
for poor Jacques. Believe me, I am; but do let me pass.</p><p>"Listen to me, sir, I beg," said Rose-Pompon; "if I told you the name&#13;
of the person who told me to call you Rodin, would you interest yourself&#13;
again for Jacques?"</p><p>"I do not wish to know any one's secrets, my dear child. In all this,&#13;
you have been the echo of persons who are, perhaps, very dangerous;&#13;
and, notwithstanding the interest I feel for Jacques Rennepont, I do not&#13;
wish, you understand, to make myself enemies. Heaven forbid!"</p><p>Rose-Pompon did not at all comprehend Rodin's fears, and upon this he&#13;
had counted; for after a second's reflection, the young girl resumed:&#13;
"Well, sir--this is too deep for me; I do not understand it. All I know&#13;
is, that I am truly sorry if I have injured a good young man by a mere&#13;
joke. I will tell you exactly how it happened. My frankness may be of&#13;
some use."</p><p>"Frankness will often clear up the most obscure matters," said Rodin,&#13;
sententiously.</p><p>"After all," said Rose-Pompon, "it's Ninny's fault. Why does he tell&#13;
me nonsense, that might injure poor Cephyse's lover? You see, sir, it&#13;
happened in this way. Ninny Moulin who is fond of a joke, saw you just&#13;
now in the street. The portress told him that your name was Charlemagne.&#13;
He said to me: 'No; his name is Rodin. We must play him a trick. Go to&#13;
his room, Rose-Pompon, knock at the door, and call him M. Rodin. You&#13;
will see what a rum face he will make.' I promised Ninny Moulin not to&#13;
name him; but I do it, rather than run the risk of injuring Jacques."</p><p>At Ninny Moulin's name Rodin had not been able to repress a movement of&#13;
surprise. This pamphleteer, whom he had employed to edit the "Neighborly&#13;
Love," was not personally formidable; but, being fond of talking in&#13;
his drink, he might become troublesome, particularly if Rodin, as was&#13;
probable, had often to visit this house, to execute his project upon&#13;
Sleepinbuff, through the medium of the Bacchanal Queen. The socius&#13;
resolved, therefore, to provide against this inconvenience.</p><p>"So, my dear child," said he to Rose-Pompon, "it is a M. Desmoulins that&#13;
persuaded you to play off this silly joke?"</p><p>"Not Desmoulins, but Dumoulin," corrected Rose. "He writes in the&#13;
pewholders' papers, and defends the saints for money; for, if Ninny&#13;
Moulin is a saint, his patrons are Saint Drinkard and Saint Flashette,&#13;
as he himself declares."</p><p>"This gentleman appears to be very gay."</p><p>"Oh! a very good fellow."</p><p>"But stop," resumed Rodin, appearing to recollect himself; "ain't he a&#13;
man about thirty-six or forty, fat, with a ruddy complexion?"</p><p>"Ruddy as a glass of red wine," said Rose-Pompon, "and with a pimpled&#13;
nose like a mulberry."</p><p>"That's the man--M. Dumoulin. Oh! in that case, I am quite satisfied,&#13;
my dear child. The jest no longer makes me uneasy; for M. Dumoulin is a&#13;
very worthy man--only perhaps a little too fond of his joke."</p><p>"Then, sir, you will try to be useful to Jacques? The stupid pleasantry&#13;
of Ninny Moulin will not prevent you?"</p><p>"I hope not."</p><p>"But I must not tell Ninny Moulin that you know it was he who sent me to&#13;
call you M. Rodin--eh, sir?"</p><p>"Why not? In every case, my dear child, it is always better to speak&#13;
frankly the truth."</p><p>"But, sir, Ninny Moulin so strongly recommended me not to name him to&#13;
you--"</p><p>"If you have named him, it is from a very good motive; why not avow&#13;
it? However, my dear child, this concerns you, not me. Do as you think&#13;
best."</p><p>"And may I tell Cephyse of your good intentions towards Jacques?"</p><p>"The truth, my dear child, always the truth. One need never hesitate to&#13;
say what is."</p><p>"Poor Cephyse! how happy she will be!" cried Rose-Pompon, cheerfully;&#13;
"and the news will come just in time."</p><p>"Only you must not exaggerate; I do not promise positively to get this&#13;
good fellow out of prison; I say, that I will do what I can. But what I&#13;
promise positively is--for, since the imprisonment of poor Jacques, your&#13;
friend must be very much straitened--"</p><p>"Alas, sir!"</p><p>"What I promise positively is some little assistance which your friend&#13;
will receive to-day, to enable her to live honestly; and if she behaves&#13;
well--hereafter--why, hereafter, we shall see."</p><p>"Oh, sir! you do not know how welcome will be your assistance to poor&#13;
Cephyse! One might fancy you were her actual good angel. Faith! you may&#13;
call yourself Rodin, or Charlemagne; all I know is, that you are a nice,&#13;
sweet--"</p><p>"Come, come, do not exaggerate," said Rodin; "say a good sort of old&#13;
fellow; nothing more, my dear child. But see how things fall out,&#13;
sometimes! Who could have told me, when I heard you knock at my&#13;
door--which, I must say, vexed me a great deal--that it was a pretty&#13;
little neighbor of mine, who under the pretext of playing off a joke,&#13;
was to put me in the way of doing a good action? Go and comfort your&#13;
friend; this evening she will receive some assistance; and let us have&#13;
hope and confidence. Thanks be, there are still some good people in the&#13;
world!"</p><p>"Oh, sir! you prove it yourself."</p><p>"Not at all! The happiness of the old is to see the young happy."</p><p>This was said by Rodin with so much apparent kindness, that Rose-Pompon&#13;
felt the tears well up to her eyes, and answered with much emotion:&#13;
"Sir, Cephyse and me are only poor girls; there are many more virtuous&#13;
in the world; but I venture to say, we have good hearts. Now, if ever&#13;
you should be ill, only send for us; there are no Sisters of Charity&#13;
that will take better care of you. It is all that we can offer you,&#13;
without reckoning Philemon, who shall go through fire and water for&#13;
you, I give you my word for it--and Cephyse, I am sure, will answer for&#13;
Jacques also, that he will be yours in life and death."</p><p>"You see, my dear child, that I was right in saying--a fitful head and a&#13;
good heart. Adieu, till we meet again."</p><p>Thereupon Rodin, taking up the basket, which he had placed on the ground&#13;
by the side of his umbrella, prepared to descend the stairs.</p><p>"First of all, you must give me this basket; it will be in your way&#13;
going down," said Rose-Pompon, taking the basket from the hands of&#13;
Rodin, notwithstanding his resistance. Then she added: "Lean upon my&#13;
arm. The stairs are so dark. You might slip."</p><p>"I will accept your offer, my dear child, for I am not very courageous."&#13;
Leaning paternally on the right arm of Rose-Pompon, who held the&#13;
basket in her left hand, Rodin descended the stairs, and crossed the&#13;
court-yard.</p><p>"Up there, on the third story, do you see that big face close to the&#13;
window-frame?" said Rose-Pompon suddenly to Rodin, stopping in the&#13;
centre of the little court. "That is my Ninny Moulin. Do you know him?&#13;
Is he the same as yours?"</p><p>"The same as mine," said Rodin, raising his head, and waving his hand&#13;
very affectionately to Jacques Dumoulin, who, stupefied thereat, retired&#13;
abruptly from the window.</p><p>"The poor fellow! I am sure he is afraid of me since his foolish joke,"&#13;
said Rodin, smiling. "He is very wrong."</p><p>And he accompanied these last words with a sinister nipping of the lips,&#13;
not perceived by Rose-Pompon.</p><p>"And now, my dear child," said he, as they both entered the passage, "I&#13;
no longer need you assistance; return to your friend, and tell her the&#13;
good news you have heard."</p><p>"Yes, sir, you are right. I burn with impatience to tell her what a good&#13;
man you are." And Rose-Pompon sprung towards the stairs.</p><p>"Stop, stop! how about my basket that the little madcap carries off with&#13;
her?" said Rodin.</p><p>"Oh true! I beg your pardon, sir. Poor Cephyse! how pleased she will be.&#13;
Adieu, sir!" And Rose-Pompon's pretty figure disappeared in the darkness&#13;
of the staircase, which she mounted with an alert and impatient step.</p><p>Rodin issued from the entry. "Here is your basket, my good lady," said&#13;
he, stopping at the threshold of Mother Arsene's shop. "I give you my&#13;
humble thanks for your kindness."</p><p>"For nothing, my dear sir, for nothing. It is all at your service. Well,&#13;
was the radish good?"</p><p>"Succulent, my dear madame, and excellent."</p><p>"Oh! I am glad of it. Shall we soon see you again?"</p><p>"I hope so. But could you tell me where is the nearest post-office?"</p><p>"Turn to the left, the third house, at the grocer's."</p><p>"A thousand thanks."</p><p>"I wager it's a love letter for your sweetheart," said Mother Arsene,&#13;
enlivened probably by Rose Pompon's and Ninny Moulin's proximity.</p><p>"Ha! ha! ha! the good lady!" said Rodin, with a titter. Then, suddenly&#13;
resuming his serious aspect, he made a low bow to the greengrocer,&#13;
adding: "Your most obedient humble servant!" and walked out into the&#13;
street.</p><p>We now usher the reader into Dr. Baleinier's asylum, in which Mdlle. de&#13;
Cardoville was confined.</p><p>CHAPTER XXXII. THE ADVICE.</p><p>Adrienne de Cardoville had been still more strictly confined in Dr.&#13;
Baleinier's house, since the double nocturnal attempt of Agricola and&#13;
Dagobert, in which the soldier, though severely wounded, had succeeded,&#13;
thanks to the intrepid devotion of his son, seconded by the heroic Spoil&#13;
sport, in gaining the little garden gate of the convent, and escaping by&#13;
way of the boulevard, along with the young smith. Four o'clock had just&#13;
struck. Adrienne, since the previous day, had been removed to a chamber&#13;
on the second story of the asylum. The grated window, with closed&#13;
shutters, only admitted a faint light to this apartment. The young lady,&#13;
since her interview with Mother Bunch, expected to be delivered any day&#13;
by the intervention of her friends. But she felt painful uneasiness on&#13;
the subject of Agricola and Dagobert, being absolutely ignorant of the&#13;
issue of the struggle in which her intended liberators had been engaged&#13;
with the people of the asylum and convent. She had in vain questioned&#13;
her keepers on the subject; they had remained perfectly mute. These new&#13;
incidents had augmented the bitter resentment of Adrienne against the&#13;
Princess de Saint Dizier, Father d'Aigrigny, and their creatures. The&#13;
slight paleness of Mdlle. de Cardoville's charming face, and her fine&#13;
eyes a little drooping, betrayed her recent sufferings; seated before&#13;
a little table, with her forehead resting upon one of her hands, half&#13;
veiled by the long curls of her golden hair, she was turning over the&#13;
leaves of a book. Suddenly, the door opened, and M. Baleinier entered.&#13;
The doctor, a Jesuit, in lay attire, a docile and passive instrument&#13;
of the will of his Order, was only half in the confidence of Father&#13;
d'Aigrigny and the Princess de Saint-Dizier. He was ignorant of the&#13;
object of the imprisonment of Mdlle. de Cardoville; he was ignorant also&#13;
of the sudden change which had taken place in the relative position&#13;
of Father d'Aigrigny and Rodin, after the reading of the testament&#13;
of Marius de Rennepont. The doctor had, only the day before, received&#13;
orders from Father d'Aigrigny (now acting under the directions of Rodin)&#13;
to confine Mdlle. de Cardoville still more strictly, to act towards her&#13;
with redoubled severity, and to endeavor to force her, it will be seen&#13;
by what expedients, to renounce the judicial proceedings, which she&#13;
promised herself to take hereafter against her persecutors. At sight of&#13;
the doctor, Mdlle. de Cardoville could not hide the aversion and disdain&#13;
with which this man inspired her. M. Baleinier, on the contrary, always&#13;
smiling, always courteous, approached Adrienne with perfect ease and&#13;
confidence, stopped a few steps from her, as if to study her features&#13;
more attentively, and then added like a man who is satisfied with the&#13;
observations he had made: "Come! the unfortunate events of the night&#13;
before last have had a less injurious influence than I feared. There is&#13;
some improvement; the complexion is less flushed, the look calmer,&#13;
the eyes still somewhat too bright, but no longer shining with such&#13;
unnatural fire. You are getting on so well! Now the cure must be&#13;
prolonged--for this unfortunate night affair threw you into a state&#13;
of excitement, that was only the more dangerous from your not being&#13;
conscious of it. Happily, with care, your recovery will not, I hope, be&#13;
very much delayed." Accustomed though she was to the audacity of this&#13;
tool of the Congregation, Mdlle. de Cardoville could not forbear saying&#13;
to him, with a smile of bitter disdain: "What impudence, sir, there is&#13;
in your probity! What effrontery in your zeal to earn your hire! Never&#13;
for a moment do you lay aside your mask; craft and falsehood are ever on&#13;
your lips. Really, if this shameful comedy causes you as much fatigue as&#13;
it does me disgust and contempt, they can never pay you enough."</p><p>"Alas!" said the doctor, in a sorrowful tone; "always this unfortunate&#13;
delusion, that you are not in want of our care!--that I am playing a&#13;
part, when I talk to you of the sad state in which you were when we were&#13;
obliged to bring you hither by stratagem. Still, with the exception of&#13;
this little sign of rebellious insanity, your condition has marvellously&#13;
improved. You are on the high-road to a complete cure. By-and-by, your&#13;
excellent heart will render me the justice that is due to me; and, one&#13;
day, I shall be judged as I deserve."</p><p>"I, believe it, sir; the day approaches, in which you will be judged as&#13;
you deserve," said Adrienne, laying great stress upon the two words.</p><p>"Always that other fixed idea," said the doctor with a sort of&#13;
commiseration. "Come, be reasonable. Do not think of this childishness."</p><p>"What! renounce my intention to demand at the hands of justice&#13;
reparation for myself, and disgrace for you and your accomplices? Never,&#13;
sir--never!"</p><p>"Well!" said the doctor, shrugging his shoulders; "once at liberty,&#13;
thank heaven, you will have many other things to think of, my fair&#13;
enemy."</p><p>"You forget piously the evil that you do; but I, sir, have a better&#13;
memory."</p><p>"Let us talk seriously. Have you really the intention of applying to the&#13;
courts?" inquired Dr. Baleinier, in a grave tone.</p><p>"Yes, sir, and you know that what I intend, I firmly carry out."</p><p>"Well! I can only conjure you not to follow out this idea," replied the&#13;
doctor, in a still more solemn tone; "I ask it as a favor, in the name&#13;
of your own interest."</p><p>"I think, sir, that you are a little too ready to confound your interest&#13;
with mine."</p><p>"Now come," said Dr. Baleinier, with a feigned impatience, as if quite&#13;
certain of convincing Mdlle. de Cardoville on the instant; "would you&#13;
have the melancholy courage to plunge into despair two persons full of&#13;
goodness and generosity?"</p><p>"Only two? The jest would be complete, if you were to reckon three:&#13;
you, sir, and my aunt, and Abbe d'Aigrigny; for these are no doubt the&#13;
generous persons in whose name you implore my pity."</p><p>"No, madame; I speak neither of myself, nor of your aunt, nor of Abbe&#13;
d'Aigrigny."</p><p>"Of whom, then, sir?" asked Mdlle. de Cardoville with surprise.</p><p>"Of two poor fellows, who, no doubt sent by those whom you call your&#13;
friends, got into the neighboring convent the other night, and thence&#13;
into this garden. The guns which you heard go off were fired at them."</p><p>"Alas! I thought so. They refused to tell me if either of them was&#13;
wounded," said Adrienne, with painful emotion.</p><p>"One of them received a wound, but not very serious, since he was able&#13;
to fly and escape pursuit."</p><p>"Thank God!" cried Mdlle. de Cardoville, clasping her hands with fervor.</p><p>"It is quite natural that you should rejoice at their escape, but&#13;
by what strange contradiction do you now wish to put the officers of&#13;
justice on their track? A singular manner, truly, of rewarding their&#13;
devotion!"</p><p>"What do you say, sir?" asked Mdlle. de Cardoville.</p><p>"For if they should be arrested," resumed Dr. Baleinier, without&#13;
answering her, "as they have been guilty of housebreaking and attempted&#13;
burglary, they would be sent to the galleys."</p><p>"Heavens! and for my sake!"</p><p>"Yes; it would be for you, and what is worse, by you, that they would be&#13;
condemned."</p><p>"By me, sir?"</p><p>"Certainly; that is, if you follow up your vengeance against your aunt&#13;
and Abbe d'Aigrigny--I do not speak of myself, for I am quite safe; in&#13;
a word, if you persist in laying your complaint before the magistrates,&#13;
that you have been unjustly confined in this house."</p><p>"I do not understand you, sir. Explain yourself," said Adrienne, with&#13;
growing uneasiness.</p><p>"Child that you are!" cried the Jesuit of the short robe, with an air of&#13;
conviction; "do you think that if the law once takes cognizance of this&#13;
affair, you can stop short its action where and when you please? When&#13;
you leave this house, you lodge a complaint against me and against&#13;
your family; well, what happens? The law interferes, inquires, calls&#13;
witnesses, enters into the most minute investigations. Then, what&#13;
follows? Why, that this nocturnal escalade, which the superior of the&#13;
convent has some interest in hushing up, for fear of scandal--that this&#13;
nocturnal attempt, I say, which I also would keep quiet, is necessarily&#13;
divulged, and as it involves a serious crime, to which a heavy penalty&#13;
is attached, the law will ferret into it, and find out these unfortunate&#13;
men, and if, as is probable, they are detained in Paris by their duties&#13;
or occupations, or even by a false security, arising from the honorable&#13;
motives which they know to have actuated them, they will be arrested.&#13;
And who will be the cause of this arrest? You, by your deposition&#13;
against us."</p><p>"Oh, sir! that would be horrible; but it is impossible."</p><p>"It is very possible, on the contrary," returned M. Baleinier: "so that,&#13;
while I and the superior of the convent, who alone are really entitled&#13;
to complain, only wish to keep quiet this unpleasant affair, it is&#13;
you--you, for whom these unfortunate men have risked the galleys--that&#13;
will deliver them up to justice."</p><p>Though Mdlle. de Cardoville was not completely duped by the lay Jesuit,&#13;
she guessed that the merciful intentions which he expressed with regard&#13;
to Dagobert and his son, would be absolutely subordinate to the course&#13;
she might take in pressing or abandoning the legitimate vengeance which&#13;
she meant to claim of authority. Indeed, Rodin, whose instructions the&#13;
doctor was following without knowing it, was too cunning to have it said&#13;
to Mdlle. de Cardoville: "If you attempt any proceedings, we denounce&#13;
Dagobert and his son;" but he attained the same end, by inspiring&#13;
Adrienne with fears on the subject of her two liberators, so as to&#13;
prevent her taking any hostile measures. Without knowing the exact law&#13;
on the subject, Mdlle. de Cardoville had too much good sense not to&#13;
understand that Dagobert and Agricola might be very seriously involved&#13;
in consequence of their nocturnal adventure, and might even find&#13;
themselves in a terrible position. And yet, when she thought of all&#13;
she had suffered in that house, and of all the just resentment she&#13;
entertained in the bottom of her heart, Adrienne felt unwilling to&#13;
renounce the stern pleasure of exposing such odious machinations to the&#13;
light of day. Dr. Baleinier watched with sullen attention her whom he&#13;
considered his dupe, for he thought he could divine the cause of the&#13;
silence and hesitation of Mdlle. de Cardoville.</p><p>"But, sir," resumed the latter, unable to conceal her anxiety, "if I&#13;
were disposed, for whatever reason, to make no complaint, and to forget&#13;
the wrongs I have suffered, when should I leave this place?"</p><p>"I cannot tell; for I do not know when you will be radically cured,"&#13;
said the doctor, benignantly. "You are in a very good way, but--"</p><p>"Still this insolent and stupid acting!" broke forth Mdlle. de&#13;
Cardoville, interrupting the doctor with indignation. "I ask, and if it&#13;
must be, I entreat you to tell me how long I am to be shut up in this&#13;
dreadful house, for I shall leave it some day, I suppose?"</p><p>"I hope so, certainly," said the Jesuit of the short robe, with unction;&#13;
"but when, I am unable to say. Moreover, I must tell you frankly, that&#13;
every precaution is taken against such attempts as those of the other&#13;
night; and the most vigorous watch will be maintained, to prevent your&#13;
communicating with any one. And all this in your own interest, that your&#13;
poor head may not again be dangerously excited."</p><p>"So, sir," said Adrienne, almost terrified, "compared with what awaits&#13;
me, the last few days have been days of liberty."</p><p>"Your interest before everything," answered the doctor, in a fervent&#13;
tone.</p><p>Mdlle. de Cardoville, feeling the impotence of her indignation and&#13;
despair, heaved a deep sigh, and hid her face in her hands.</p><p>At this moment, quick footsteps were heard in the passage, and one of&#13;
the nurses entered, after having knocked at the door.</p><p>"Sir," said she to the doctor, with a frightened air, "there are two&#13;
gentlemen below, who wish to see you instantly, and the lady also."</p><p>Adrienne raised her head hastily; her eyes were bathed in tears.</p><p>"What are the names of these persons?" said M. Baleinier, much&#13;
astonished.</p><p>"One of them said to me," answered the nurse: "'Go and inform Dr.&#13;
Baleinier that I am a magistrate, and that I come on a duty regarding&#13;
Mdlle. de Cardoville.'"</p><p>"A magistrate!" exclaimed the Jesuit of the short robe, growing purple&#13;
in the face, and unable to hide his surprise and uneasiness.</p><p>"Heaven be praised!" cried Adrienne, rising with vivacity, her&#13;
countenance beaming through her tears with hope and joy; "my friends&#13;
have been informed in time, and the hour of justice is arrived!"</p><p>"Ask these persons to walk up," said Dr. Baleinier, after a moment's&#13;
reflection. Then, with a still more agitated expression of countenance,&#13;
he approached Adrienne with a harsh, and almost menacing air, which&#13;
contrasted with the habitual placidity of his hypocritical smile, and&#13;
said to her in a low voice: "Take care, madame! do not rejoice too&#13;
soon."</p><p>"I no longer fear you," answered Mdlle. de Cardoville, with a bright,&#13;
flashing eye. "M. de Montbron is no doubt returned to Paris, and has&#13;
been informed in time. He accompanies the magistrate, and comes to&#13;
deliver me. I pity you, sir--both you and yours," added Adrienne, with&#13;
an accent of bitter irony.</p><p>"Madame," cried M. Baleinier, no longer able to dissemble his growing&#13;
alarm, "I repeat to you, take care! Remember what I have told you. Your&#13;
accusations would necessarily involve the discovery of what took place&#13;
the other night. Beware! the fate of the soldier and his son is in your&#13;
hands. Recollect they are in danger of the convict's chains."</p><p>"Oh! I am not your dupe, sir. You are holding out a covert menace.&#13;
Have at least the courage to say to me, that, if I complain to the&#13;
magistrates, you will denounce the soldier and his son."</p><p>"I repeat, that, if you make any complaint, those two people are lost,"&#13;
answered the doctor, ambiguously.</p><p>Startled by what was really dangerous in the doctor's threats, Adrienne&#13;
asked: "Sir, if this magistrate questions me, do you think I will tell&#13;
him a falsehood?"</p><p>"You will answer what is true," said M. Baleinier, hastily, in the hope&#13;
of still attaining his end. "You will answer that you were in so excited&#13;
a state of mind a few days ago, that it was thought advisable, for your&#13;
own sake, to bring you hither, without your knowing it. But you are now&#13;
so much better, that you acknowledge the utility of the measures taken&#13;
with regard to you. I will confirm these words for, after all, it is the&#13;
truth."</p><p>"Never!" cried Mdlle. de Cardoville, with indignation, "never will I be&#13;
the accomplice of so infamous a falsehood; never will I be base enough&#13;
to justify the indignities that I have suffered!"</p><p>"Here is the magistrate," said M. Baleinier, as he caught the sound of&#13;
approaching footsteps. "Beware!"</p><p>The door opened, and, to the indescribable amazement of the doctor,&#13;
Rodin appeared on the threshold, accompanied by a man dressed in&#13;
black, with a dignified and severe countenance. In the interest of his&#13;
projects, and from motives of craft and prudence that will hereafter be&#13;
known, Rodin had not informed Father d'Aigrigny, and consequently&#13;
the doctor, of the unexpected visit he intended to pay to the asylum,&#13;
accompanied by a magistrate. On the contrary, he had only the day before&#13;
given orders to M. Baleinier to confine Mdlle. de Cardoville still more&#13;
strictly. Therefore, imagine the stupor of the doctor when he saw the&#13;
judicial officer, whose unexpected presence and imposing aspect were&#13;
otherwise sufficiently alarming, enter the room, accompanied by Rodin,&#13;
Abbe d'Aigrigny's humble and obscure secretary. From the door,&#13;
Rodin, who was very shabbily dressed, as usual, pointed out Mdlle.&#13;
de Cardoville to the magistrate, by a gesture at once respectful and&#13;
compassionate. Then, while the latter, who had not been able to repress&#13;
a movement of admiration at sight of the rare beauty of Adrienne, seemed&#13;
to examine her with as much surprise as interest, the Jesuit modestly&#13;
receded several steps.</p><p>Dr. Baleinier in his extreme astonishment, hoping to be understood by&#13;
Rodin, made suddenly several private signals, as if to interrogate him&#13;
on the cause of the magistrate's visit. But this was only productive of&#13;
fresh amazement to M. Baleinier; for Rodin did not appear to recognize&#13;
him, or to understand his expressive pantomime, and looked at him with&#13;
affected bewilderment. At length, as the doctor, growing impatient,&#13;
redoubled his mute questionings, Rodin advanced with a stride, stretched&#13;
forward his crooked neck, and said, in a loud voice: "What is your&#13;
pleasure, doctor?"</p><p>These words, which completely disconcerted Baleinier, broke the silence&#13;
which had reigned for some seconds, and the magistrate turned round.&#13;
Rodin added, with imperturbable coolness: "Since our arrival, the doctor&#13;
has been making all sorts of mysterious signs to me. I suppose he has&#13;
something private to communicate, but, as I have no secrets, I must beg&#13;
him to speak out loud."</p><p>This reply, so embarrassing for M. Baleinier, uttered in a tone of&#13;
aggression, and with an air of icy coldness, plunged the doctor into&#13;
such new and deep amazement, that he remained for some moments without&#13;
answering. No doubt the magistrate was struck with this incident, and&#13;
with the silence which followed it, for he cast a look of great severity&#13;
on the doctor. Mdlle. de Cardoville, who had expected to have seen M. de&#13;
Montbron, was also singularly surprised.</p><p>CHAPTER XXXIII. THE ACCUSER.</p><p>Baleinier, disconcerted for a moment by the unexpected presence of a&#13;
magistrate, and by Rodin's inexplicable attitude, soon recovered his&#13;
presence of mind, and addressing his colleague of the longer robe, said&#13;
to him: "If I make signs to you, sir, it was that, while I wished&#13;
to respect the silence which this gentleman"--glancing at the&#13;
magistrate--"has preserved since his entrance, I desired to express my&#13;
surprise at the unexpected honor of this visit."</p><p>"It is to the lady that I will explain the reason for my silence, and&#13;
beg her to excuse it," replied the magistrate, as he made a half-bow to&#13;
Adrienne, whom he thus continued to address: "I have just received&#13;
so serious a declaration with regard to you, madame, that I could not&#13;
forbear looking at you for a moment in silence, to see if I could read&#13;
in your countenance or in your attitude, the truth or falsehood of the&#13;
accusation that has been placed in my hands; and I have every reason to&#13;
believe that it is but too well founded."</p><p>"May I at length be informed, sir," said Dr. Baleinier, in a polite but&#13;
firm tone, "to whom I have the honor of speaking?"</p><p>"Sir, I am juge d'instruction, and I have come to inform myself as to a&#13;
fact which has been pointed out to me--"</p><p>"Will you do me the honor to explain yourself, sir?" said the doctor,&#13;
bowing.</p><p>"Sir," resumed the magistrate, M. de Gernande, a man of about fifty&#13;
years of age, full of firmness and straightforwardness, and knowing how&#13;
to unite the austere duties of his position with benevolent politeness,&#13;
"you are accused of having committed--a very great error, not to use a&#13;
harsher expression. As for the nature of that error, I prefer believing,&#13;
sir, that you (a first rate man of science) may have been deceived in&#13;
the calculation of a medical case, rather than suspect you of having&#13;
forgotten all that is sacred in the exercise of a profession that is&#13;
almost a priesthood."</p><p>"When you specify the facts, sir," answered the Jesuit of the short&#13;
robe, with a degree of haughtiness, "it will be easy for me to prove&#13;
that my reputation as a man of science is no less free from reproach,&#13;
than my conscience as a man of honor."</p><p>"Madame," said M. de Gernande, addressing Adrienne, "is it true that you&#13;
were conveyed to this house by stratagem?"</p><p>"Sir," cried M. Baleinier, "permit me to observe, that the manner in&#13;
which you open this question is an insult to me."</p><p>"Sir, it is to the lady that I have the honor of addressing myself,"&#13;
replied M. de Gernande, sternly; "and I am the sole judge of the&#13;
propriety of my questions."</p><p>Adrienne was about to answer affirmatively to the magistrate, when an&#13;
expressive took from Dr. Baleinier reminded her that she would perhaps&#13;
expose Dagobert and his son to cruel dangers. It was no base and vulgar&#13;
feeling of vengeance by which Adrienne was animated, but a legitimate&#13;
indignation, inspired by odious hypocrisy. She would have thought it&#13;
cowardly not to unmask the criminals; but wishing to avoid compromising&#13;
others, she said to the magistrate, with an accent full of mildness and&#13;
dignity: "Permit me, sir, in my turn, rather to ask you a question."</p><p>"Speak, madame."</p><p>"Will the answer I make be considered a formal accusation?"</p><p>"I have come hither, madame, to ascertain the truth, and no&#13;
consideration should induce you to dissemble it."</p><p>"So be it, sir," resumed Adrienne; "but suppose, having just causes of&#13;
complaint, I lay them before you, in order to be allowed to leave this&#13;
house, shall I afterwards be at liberty not to press the accusations I&#13;
have made?"</p><p>"You may abandon proceedings, madame, but the law will take up your case&#13;
in the name of society, if its rights have been inured in your person."</p><p>"Shall I then not be allowed to pardon? Should I not be sufficiently&#13;
avenged by a contemptuous forgetfulness of the wrongs I have suffered?"</p><p>"Personally, madame, you may forgive and forget; but I have the honor&#13;
to repeat to you, that society cannot show the same indulgence, if&#13;
it should turn out that you have been the victim of a criminal&#13;
machination--and I have every reason to fear it is so. The manner in&#13;
which you express yourself, the generosity of your sentiments, the&#13;
calmness and dignity of your attitude, convince me that I have been well&#13;
informed."</p><p>"I hope, sir," said Dr. Baleinier, recovering his coolness, "that you&#13;
will at least communicate the declaration that has been made to you."</p><p>"It has been declared to me, sir," said the magistrate, in a stern&#13;
voice, "that Mdlle. de Cardoville was brought here by stratagem."</p><p>"By stratagem?"</p><p>"Yes, sir."</p><p>"It is true. The lady was brought here by stratagem," answered the&#13;
Jesuit of the short robe, after a moment's silence.</p><p>"You confess it, then?" said M. de Gernande.</p><p>"Certainly I do, sir. I admit that I had recourse to means which we are&#13;
unfortunately too often obliged to employ, when persons who most need&#13;
our assistance are unconscious of their own sad state."</p><p>"But, sir," replied the magistrate, "it has also been declared to me,&#13;
that Mdlle. de Cardoville never required such aid."</p><p>"That, sir, is a question of medical jurisprudence, which has to be&#13;
examined and discussed," said M. Baleinier, recovering his assurance.</p><p>"It will, indeed, sir, be seriously discussed; for you are accused of&#13;
confining Mdlle. De Cardoville, while in the full possession of all her&#13;
faculties."</p><p>"And may I ask you for what purpose?" said M. de Baleinier, with a&#13;
slight shrug of the shoulders, and in a tone of irony. "What interest&#13;
had I to commit such a crime, even admitting that my reputation did not&#13;
place me above so odious and absurd a charge?"</p><p>"You are said to have acted, sir, in furtherance of a family plot,&#13;
devised against Mdlle. de Cardoville for a pecuniary motive."</p><p>"And who has dared, sir, to make so calumnious a charge?" cried Dr.&#13;
Baleinier, with indignant warmth. "Who has had the audacity to accuse&#13;
a respectable, and I dare to say, respected man, of having been the&#13;
accomplice in such infamy?"</p><p>"I," said Rodin, coldly.</p><p>"You!" cried Dr. Baleinier, falling back two steps, as if thunderstruck.</p><p>"Yes, I accuse you," repeated Rodin, in a clear sharp voice.</p><p>"Yes, it was this gentleman who came to me this morning, with ample&#13;
proofs, to demand my interference in favor of Mdlle. de Cardoville,"&#13;
said the magistrate, drawing back a little, to give Adrienne the&#13;
opportunity of seeing her defender.</p><p>Throughout this scene, Rodin's name had not hitherto been mentioned.&#13;
Mdlle. de Cardoville had often heard speak of the Abbe d'Aigrigny's&#13;
secretary in no very favorable terms; but, never having seen him, she&#13;
did not know that her liberator was this very Jesuit. She therefore&#13;
looked towards him, with a glance in which were mingled curiosity,&#13;
interest, surprise and gratitude. Rodin's cadaverous countenance, his&#13;
repulsive ugliness, his sordid dress, would a few days before have&#13;
occasioned Adrienne a perhaps invincible feeling of disgust. But the&#13;
young lady, remembering how the sempstress, poor, feeble, deformed,&#13;
and dressed almost in rags was endowed notwithstanding her wretched&#13;
exterior, with one of the noblest and most admirable hearts, recalled&#13;
this recollection in favor of the Jesuit. She forgot that he was ugly&#13;
and sordid, only to remember that he was old, that he seemed poor, and&#13;
that he had come to her assistance. Dr. Baleinier, notwithstanding his&#13;
craft, notwithstanding his audacious hypocrisy, in spite even of his&#13;
presence of mind, could not conceal how much he was disturbed by Rodin's&#13;
denunciation. His head became troubled as he remembered how, on the&#13;
first day of Adrienne's confinement in this house, the implacable appeal&#13;
of Rodin, through the hole in the door, had prevented him (Baleinier)&#13;
from yielding to emotions of pity, inspired by the despair of this&#13;
unfortunate young girl, driven almost to doubt of her own reason. And&#13;
yet it was this very Rodin, so cruel, so inexorable, the devoted agent&#13;
of Father d'Aigrigny, who denounced him (Baleinier), and brought a&#13;
magistrate to set Adrienne at liberty--when, only the day before, Father&#13;
d'Aigrigny had ordered an increase of severity towards her!</p><p>The lay Jesuit felt persuaded that Rodin was betraying Father d'Aigrigny&#13;
in the most shameful manner, and that Mdlle. de Cardoville's friends had&#13;
bribed and bought over this scoundrelly secretary. Exasperated by what&#13;
he considered a monstrous piece of treachery, the doctor exclaimed, in a&#13;
voice broken with rage: "And it is you, sir, that have the impudence to&#13;
accuse me--you, who only a few days ago--"</p><p>Then, reflecting that the retort upon Rodin would be self-accusation,&#13;
he appeared to give way to an excess of emotion, and resumed with&#13;
bitterness: "Ah, sir, you are the last person that I should have thought&#13;
capable of this odious denunciation. It is shameful!"</p><p>"And who had a better right than I to denounce this infamy?" answered&#13;
Rodin, in a rude, overbearing tone. "Was I not in a position to&#13;
learn--unfortunately, too late--the nature of the conspiracy of which&#13;
Mdlle. de Cardoville and others have been the victims? Then, what was&#13;
my duty as an honest man? Why, to inform the magistrate, to prove what I&#13;
set forth, and to accompany him hither. That is what I have done."</p><p>"So, sir," said the doctor, addressing the magistrate, "it is not only&#13;
myself that this man accuses, but he dares also--"</p><p>"I accuse the Abbe d'Aigrigny," resumed Rodin, in a still louder and&#13;
more imperative tone, interrupting the doctor, "I accuse the Princess de&#13;
Saint-Dizier, I accuse you, sir--of having, from a vile motive of self&#13;
interest, confined Mdlle. de Cardoville in this house, and the two&#13;
daughters of Marshal Simon in the neighboring convent. Is that clear?"</p><p>"Alas! it is only too true," said Adrienne, hastily. "I have seen those&#13;
poor children all in tears, making signs of distress to me."</p><p>The accusation of Rodin, with regard to the orphans, was a new and&#13;
fearful blow for Dr. Baleinier. He felt perfectly convinced that the&#13;
traitor had passed clear over to the enemy's camp. Wishing therefore to&#13;
put an end to this embarrassing scene, he tried to put a good face on&#13;
the matter, in spite of his emotion, and said to the magistrate:</p><p>"I might confine myself, sir, to silence--disdaining to answer such&#13;
accusations, till a judicial decision had given them some kind of&#13;
authority. But, strong in a good conscience I address myself to Mdlle.&#13;
de Cardoville, and I beg her to say if this very morning I did not&#13;
inform her, that her health would soon be sufficiently restored to allow&#13;
her to leave this house. I conjure her, in the name of her well-known&#13;
love of truth to state if such was not my language, when I was alone&#13;
with her--"</p><p>"Come, sir!" said Rodin, interrupting Baleinier with an insolent air;&#13;
"suppose that, from pure generosity, this dear young lady were to admit&#13;
as much--what will it prove in your favor?--why, nothing at all."</p><p>"What, sir," cried the doctor, "do you presume--"</p><p>"I presume to unmask you, without asking your leave. What have you just&#13;
told us? Why, that being alone with Mdlle. de Cardoville, you talked to&#13;
her as if she were really mad. How very conclusive!"</p><p>"But, sir--" cried the doctor.</p><p>"But, sir," resumed Rodin, without allowing him to continue, "it is&#13;
evident that, foreseeing the possibility of what has occurred to-day,&#13;
and, to provide yourself with a hole to creep out at, you have pretended&#13;
to believe your own execrable falsehood, in presence of this poor young&#13;
lady, that you might afterwards call in aid the evidence of your own&#13;
assumed conviction. Come, sir! such stories will not go down with people&#13;
of common sense or common humanity."</p><p>"Come now, sir!" exclaimed Baleinier, angrily.</p><p>"Well, sir," resumed Rodin, in a still louder voice, which completely&#13;
drowned that of the doctor; "is it true, or is it not, that you have&#13;
recourse to the mean evasion of ascribing this odious imprisonment to a&#13;
scientific error? I affirm that you do so, and that you think yourself&#13;
safe, because you can now say: 'Thanks to my care, the young lady has&#13;
recovered her reason. What more would you have?'"</p><p>"Yes, I do say that, sir, and I maintain it."</p><p>"You maintain a falsehood; for it is proven that the lady never lost her&#13;
reason for a moment."</p><p>"But I, sir, maintain that she did lose it."</p><p>"And I, sir, will prove the contrary," said Rodin.</p><p>"You? How will you do that?" cried the doctor.</p><p>"That I shall take care not to tell you at present, as you may&#13;
well suppose," answered Rodin, with an ironical smile, adding with&#13;
indignation: "But, really, sir, you ought to die for shame, to dare to&#13;
raise such a question in presence of the lady. You should at least have&#13;
spared her this discussion."</p><p>"Sir!"</p><p>"Oh, fie, sir! I say, fie! It is odious to maintain this argument before&#13;
her--odious if you speak truth, doubly odious if you lie," said Rodin,&#13;
with disgust.</p><p>"This violence is inconceivable!" cried the Jesuit of the short robe,&#13;
exasperated; "and I think the magistrate shows great partiality in&#13;
allowing such gross calumnies to be heaped upon me!"</p><p>"Sir," answered M. de Gernande, severely, "I am entitled not only to&#13;
hear, but to provoke any contradictory discussion that may enlighten&#13;
me in the execution of my duty; it results from all this, that, even in&#13;
your opinion, sir, Mdlle. de Cardoville's health is sufficiently good to&#13;
allow her to return home immediately."</p><p>"At least, I do not see any very serious inconvenience likely to arise&#13;
from it, sir," said the doctor: "only I maintain that the cure is not&#13;
so complete as it might have been, and, on this subject, I decline all&#13;
responsibility for the future."</p><p>"You can do so, safely," said Rodin; "it is not likely that the young&#13;
lady will ever again have recourse to your honest assistance."</p><p>"It is useless, therefore, to employ my official authority, to demand&#13;
the immediate liberation of Mdlle. de Cardoville," said the magistrate.</p><p>"She is free," said Baleinier, "perfectly free."</p><p>"As for the question whether you have imprisoned her on the plea of a&#13;
suppositious madness, the law will inquire into it, sir, and you will be&#13;
heard."</p><p>"I am quite easy, sir," answered M. Baleinier, trying to look so; "my&#13;
conscience reproaches me with nothing."</p><p>"I hope it may turn out well, sir," said M. de Gernande. "However bad&#13;
appearances may be, more especially when persons of your station in&#13;
society are concerned, we should always wish to be convinced of their&#13;
innocence." Then, turning to Adrienne, he added: "I understand, madame,&#13;
how painful this scene must be to all your feelings of delicacy and&#13;
generosity; hereafter, it will depend upon yourself, either to proceed&#13;
for damages against M. Baleinier, or to let the law take its course.&#13;
One word more. The bold and upright man"--here the magistrate pointed&#13;
to Rodin--"who has taken up your cause in so frank and disinterested a&#13;
manner, expressed a belief that you would, perhaps, take charge for the&#13;
present of Marshal Simon's daughters, whose liberation I am about to&#13;
demand from the convent where they also are confined by stratagem."</p><p>"The fact is, sir," replied Adrienne, "that, as soon as I learned the&#13;
arrival of Marshal Simon's daughters in Paris, my intention was to offer&#13;
them apartments in my house. These young ladies are my near relations.&#13;
It is at once a duty and a pleasure for me to treat them as sisters. I&#13;
shall, therefore, be doubly grateful to you, sir, if you will trust them&#13;
to my care."</p><p>"I think that I cannot serve them better," answered M. de Gernande.&#13;
Then, addressing Baleinier, he added, "Will you consent, sir, to my&#13;
bringing these two ladies hither? I will go and fetch them, while Mdlle.&#13;
de Cardoville prepares for her departure. They will then be able to&#13;
leave this house with their relation."</p><p>"I entreat the lady to make use of this house as her own, until she&#13;
leaves it," replied M. Baleinier. "My carriage shall be at her orders to&#13;
take her home."</p><p>"Madame," said the magistrate, approaching Adrienne, "without prejudging&#13;
the question, which must soon be decided by, a court of law, I may at&#13;
least regret that I was not called in sooner. Your situation must have&#13;
been a very cruel one."</p><p>"There will at least remain to me, sir, from this mournful time,"&#13;
said Adrienne, with graceful dignity, "one precious and touching&#13;
remembrance--that of the interest which you have shown me. I hope that&#13;
you will one day permit me to thank you, at my own home, not for the&#13;
justice you have done me, but for the benevolent and paternal manner in&#13;
which you have done it. And moreover, sir," added Mdlle. de Cardoville,&#13;
with a sweet smile, "I should like to prove to you, that what they call&#13;
my cure is complete."</p><p>M. de Gernande bowed respectfully in reply. During the abort dialogue of&#13;
the magistrate with Adrienne, their backs were both turned to Baleinier&#13;
and Rodin. The latter, profiting by this moment's opportunity, hastily&#13;
slipped into the doctor's hand a note just written with a pencil in the&#13;
bottom of his hat. Baleinier looked at Rodin in stupefied amazement. But&#13;
the latter made a peculiar sign, by raising his thumb to his forehead,&#13;
and drawing it twice across his brow. Then he remained impassible. This&#13;
had passed so rapidly, that when M. de Gernande turned round, Rodin was&#13;
at a distance of several steps from Dr. Baleinier, and looking at Mdlle.&#13;
de Cardoville with respectful interest.</p><p>"Permit me to accompany you, sir," said the doctor, preceding the&#13;
magistrate, whom Mdlle. de Cardoville saluted with much affability. Then&#13;
both went out, and Rodin remained alone with the young lady.</p><p>After conducting M. de Gernande to the outer door of the house, M.&#13;
Baleinier made haste to read the pencil-note written by Rodin; it ran as&#13;
follows: "The magistrate is going to the convent, by way of the street.&#13;
Run round by the garden, and tell the Superior to obey the order I&#13;
have given with regard to the two young girls. It is of the utmost&#13;
importance."</p><p>The peculiar sign which Rodin had made, and the tenor of this note,&#13;
proved to Dr. Baleinier, who was passing from surprise to amazement,&#13;
that the secretary, far from betraying the reverend father, was still&#13;
acting for the Greater Glory of the Lord. However, whilst he obeyed the&#13;
orders, M. Baleinier sought in vain to penetrate the motives of Rodin's&#13;
inexplicable conduct, who had himself informed the authorities of an&#13;
affair that was to have been hushed up, and that might have the most&#13;
disastrous consequences for Father d'Aigrigny, Madame de Saint-Dizier,&#13;
and Baleinier himself. But let us return to Rodin, left alone with&#13;
Mdlle, de Cardoville.</p><p>CHAPTER XXXIV. FATHER D'AIGRIGNY'S SECRETARY.</p><p>Hardly had the magistrate and Dr. Baleinier disappeared, than Mdlle. de&#13;
Cardoville, whose countenance was beaming with joy, exclaimed, as she&#13;
looked at Rodin with a mixture of respect and gratitude, "At length,&#13;
thanks to you, sir, I am free--free! Oh, I had never before felt&#13;
how much happiness, expansion, delight, there is in that adorable&#13;
word--liberty!"</p><p>Her bosom rose and fell, her rosy nostrils dilated, her vermilion lips&#13;
were half open, as if she again inhaled with rapture pure and vivifying&#13;
air.</p><p>"I have been only a few days in this horrible place," she resumed, "but&#13;
I have suffered enough from my captivity to make me resolve never to let&#13;
a year pass without restoring to liberty some poor prisoners for debt.&#13;
This vow no doubt appears to belong a little to the Middle Ages,"&#13;
added she, with a smile; "but I would fain borrow from that noble epoch&#13;
something more than its old windows and furniture. So, doubly thanks,&#13;
sir!--for I take you as a partner in that project of deliverance, which&#13;
has just (you see) unfolded itself in the midst of the happiness I owe&#13;
to you, and by which you seem so much affected. Oh! let my joy speak my&#13;
gratitude, and pay you for your generous aid!" exclaimed the young girl&#13;
with enthusiasm.</p><p>Mdlle. de Cardoville had truly remarked a complete transfiguration in&#13;
the countenance of Rodin. This man, lately so harsh, severe, inflexible,&#13;
with regard to Dr. Baleinier, appeared now under the influence of the&#13;
mildest and most tender sentiments. His little, half-veiled eyes were&#13;
fixed upon Adrienne with an expression of ineffable interest. Then, as&#13;
if he wished to tear himself from these impressions, he said, speaking&#13;
to himself, "Come, come, no weakness. Time is too precious; my mission&#13;
is not fulfilled. My dear young lady," added he, addressing himself to&#13;
Adrienne, "believe what I say--we will talk hereafter of gratitude--but&#13;
we have now to talk of the present so important for you and your family.&#13;
Do you know what is taking place?"</p><p>Adrienne looked at the Jesuit with surprise, and said, "What is taking&#13;
place, sir?"</p><p>"Do you know the real motive of your imprisonment in this house? Do you&#13;
know what influenced the Princess de Saint-Dizier and Abbe d'Aigrigny?"</p><p>At the sound of those detested names, Mdlle. de Cardoville's face,&#13;
now so full of happiness, became suddenly sad, and she answered with&#13;
bitterness, "It is hatred, sir, that no doubt animated Madame de&#13;
Saint-Dizier against me."</p><p>"Yes, hatred; and, moreover, the desire to rob you with impunity of an&#13;
immense fortune."</p><p>"Me, sir! how?"</p><p>"You must be ignorant, my dear young lady, of the interest you had to be&#13;
in the Rue Saint-Francois on the 13th February, for an inheritance?"</p><p>"I was ignorant, sir, of the date and details: but I knew by some family&#13;
papers, and thanks to an extraordinary circumstance, that one of our&#13;
ancestors--"</p><p>"Had left an enormous sum to be divided between his descendants; is it&#13;
not so?"</p><p>"Yes, sir."</p><p>"But what unfortunately you did not know, my dear young lady, was that&#13;
the heirs were all bound to be present at a certain hour on the 13th&#13;
February. This day and hour once past, the absent would forfeit their&#13;
claim. Do you now understand why you have been imprisoned here, my dear&#13;
young lady?"</p><p>"Yes, yes; I understand it," cried Mdlle. de Cardoville; "cupidity was&#13;
added to the hatred which my aunt felt for me. All is explained. Marshal&#13;
Simon's daughters, having the same right as I had have, like me, been&#13;
imprisoned."</p><p>"And yet," cried Rodin, "you and they were not the only victims."</p><p>"Who, then, are the others, sir?"</p><p>"A young East Indian."</p><p>"Prince Djalma?" said Adrienne, hastily.</p><p>"For the same reason he has been nearly poisoned with a narcotic."</p><p>"Great God!" cried the young girl, clasping her hands in horror. "It is&#13;
fearful. That young prince, who was said to have so noble and generous a&#13;
character! But I had sent to Cardoville Castle--"</p><p>"A confidential person, to fetch the prince to Paris--I know it, my dear&#13;
young lady; but, by means of a trick, your friend was got out of the&#13;
way, and the young Oriental delivered to his enemies."</p><p>"And where is he now?"</p><p>"I have only vague information on the subject. I know that he is in&#13;
Paris, and do not despair of finding him. I shall pursue my researches&#13;
with an almost paternal ardor, for we cannot too much love the rare&#13;
qualities of that poor king's son. What a heart, my dear young lady!&#13;
what a heart! Oh, it is a heart of gold, pure and bright as the gold of&#13;
his country!"</p><p>"We must find the prince, sir," said Adrienne with emotion; "let me&#13;
entreat you to neglect nothing for that end. He is my relation--alone&#13;
here--without support--without assistance."</p><p>"Certainly," replied Rodin, with commiseration. "Poor boy!--for he is&#13;
almost a boy--eighteen or nineteen years of age--thrown into the&#13;
heart of Paris, of this hell--with his fresh, ardent, half-savage&#13;
passions--with his simplicity and confidence--to what perils may he not&#13;
be exposed?"</p><p>"Well, we must first find him, sir," said Adrienne, hastily; "and then&#13;
we will save him from these dangers. Before I was confined here, I&#13;
learned his arrival in France, and sent a confidential person to offer&#13;
him the services of an unknown friend. I now see that this mad idea,&#13;
with which I have been so much reproached, was a very sensible one. I am&#13;
more convinced of it than ever. The prince belongs to my family, and&#13;
I owe him a generous hospitality. I had destined for him the lodge I&#13;
occupied at my aunt's."</p><p>"And you, my dear young lady?"</p><p>"To-day, I shall remove to a house, which I had prepared some time ago,&#13;
with the determination of quitting Madame de Saint-Dizier, and living&#13;
alone as I pleased. Then, sir, as you seem bent upon being the good&#13;
genius of our family, be as generous with regard to Prince Djalma, as&#13;
you have been to me and Marshal Simon's daughters. I entreat you to&#13;
discover the hiding-place of this poor king's son, as you call him; keep&#13;
my secret for me, and conduct him to the house offered by the unknown&#13;
friend. Let him not disquiet himself about anything; all his wants shall&#13;
be provided for; he shall live--like a prince."</p><p>"Yes; he will indeed live like a prince, thanks to your royal&#13;
munificence. But never was such kind interest better deserved. It is&#13;
enough to see (as I have seen) his fine, melancholy countenance--"</p><p>"You have seen him, then, sir?" said Adrienne, interrupting Rodin.</p><p>"Yes, my dear young lady; I was with him for about two hours. It was&#13;
quite enough to judge of him. His charming features are the mirror of&#13;
his soul."</p><p>"And where did you see him, sir?"</p><p>"At your old Chateau de Cardoville, my dear young lady, near which he&#13;
had been shipwrecked in a storm, and whither I had gone to--" Rodin&#13;
hesitated for a moment, and then, as if yielding to the frankness of&#13;
his disposition, added: "Whither I had gone to commit a bad action--a&#13;
shameful, miserable action, I must confess!"</p><p>"You, sir?--at Cardoville House--to commit a bad action?" cried&#13;
Adrienne, much surprised.</p><p>"Alas! yes, my dear young lady," answered Rodin with simplicity. "In one&#13;
word, I had orders from Abbe d'Aigrigny, to place your former bailiff in&#13;
the alternative either of losing his situation or lending himself to a&#13;
mean action--something, in fact, that resembled spying and calumny; but&#13;
the honest, worthy man refused."</p><p>"Why, who are you, sir?" said Mdlle. de Cardoville, more and more&#13;
astonished.</p><p>"I am Rodin, lately secretary of the Abbe d'Aigrigny--a person of very&#13;
little importance, as you see."</p><p>It is impossible to describe the accent, at once humble and ingenuous,&#13;
of the Jesuit, as he pronounced these words, which he accompanied with&#13;
a respectful bow. On this revelation, Mdlle. de Cardoville drew back&#13;
abruptly. We have said that Adrienne had sometimes heard talk of Rodin,&#13;
the humble secretary of the Abbe d'Aigrigny, as a sort of obedient and&#13;
passive machine. That was not all; the bailiff of Cardoville Manor,&#13;
writing to Adrienne on the subject of Prince Djalma, had complained of&#13;
the perfidious and dishonest propositions of Rodin. She felt, therefore,&#13;
a vague suspicion, when she heard that her liberator was the man who had&#13;
played so odious a part. Yet this unfavorable feeling was balanced by&#13;
the sense of what she owed to Rodin, and by his frank denunciation of&#13;
Abbe d'Aigrigny before the magistrate. And then the Jesuit, by his own&#13;
confession, had anticipated, as it were, the reproaches that might have&#13;
been addressed to him. Still, it was with a kind of cold reserve that&#13;
Mdlle. de Cardoville resumed this dialogue, which she had commenced with&#13;
as much frankness as warmth and sympathy.</p><p>Rodin perceived the impression he had made. He expected it. He was not&#13;
the least disconcerted when Mdlle. de Cardoville said to him, as she&#13;
fixed upon him a piercing glance, "Ah! you are M. Rodin--secretary to&#13;
the Abbe d'Aigrigny?"</p><p>"Say ex-secretary, if you please, my dear young lady," answered the&#13;
Jesuit; "for you see clearly that I can never again enter the house of&#13;
the Abbe d'Aigrigny. I have made of him an implacable enemy, and I am&#13;
now without employment--but no matter--nay, so much the better--since,&#13;
at this price, the wicked are unmasked, and honest people rescued."</p><p>These words, spoken with much simplicity, and dignity, revived a feeling&#13;
of pity in Adrienne's heart. She thought within herself that, after all,&#13;
the poor old man spoke the truth. Abbe d'Aigrigny's hate, after this&#13;
exposure, would be inexorable, and Rodin had braved it for the sake of a&#13;
generous action.</p><p>Still Mdlle. de Cardoville answered coldly, "Since you knew, sir, that&#13;
the propositions you were charged to make to the bailiff of Cardoville&#13;
were shameful and perfidious, how could you undertake the mission?"</p><p>"How?" replied Rodin, with a sort of painful impatience; "why, because&#13;
I was completely under Abbe d'Aigrigny's charm, one of the most&#13;
prodigiously clever men I have ever known, and, as I only discovered the&#13;
day before yesterday, one of the most prodigiously dangerous men there&#13;
is in the world. He had conquered my scruples, by persuading me that&#13;
the End justifies the Means. I must confess that the end he seemed to&#13;
propose to himself was great and beautiful; but the day before yesterday&#13;
I was cruelly undeceived. I was awakened, as it were, by a thunder-peal.&#13;
Oh, my dear young lady!" added Rodin, with a sort of embarrassment&#13;
and confusion, "let us talk no more of my fatal journey to Cardoville.&#13;
Though I was only an ignorant and blind instrument, I feel as ashamed&#13;
and grieved at it as if I had acted for myself. It weighs upon me, it&#13;
oppresses me. I entreat you, let us speak rather of yourself, and of&#13;
what interests you--for the soul expands with generous thoughts, even as&#13;
the breast is dilated in pure and healthful air."</p><p>Rodin had confessed his fault so spontaneously, he explained it so&#13;
naturally, he appeared to regret it so sincerely, that Adrienne,&#13;
whose suspicions had no other grounds, felt her distrust a good deal&#13;
diminished.</p><p>"So," she resumed, still looking attentively at Rodin, "it was at&#13;
Cardoville that you saw Prince Djalma?"</p><p>"Yes, madame; and my affection for him dates from that interview.&#13;
Therefore I will accomplish my task. Be satisfied, my dear young lady;&#13;
like you, like Marshal Simon's daughters, the prince shall avoid being&#13;
the victim of this detestable plot, which unhappily does not stop&#13;
there."</p><p>"And who besides, then, is threatened?"</p><p>"M. Hardy, a man full of honor and probity, who is also your relation,&#13;
and interested in this inheritance, but kept away from Paris by infamous&#13;
treachery. And another heir, an unfortunate artisan, who falling into a&#13;
trap cleverly baited, has been thrown into a prison for debt."</p><p>"But, sir," said Adrienne, suddenly, "for whose advantage was this&#13;
abominable plot, which really alarms me, first devised?"</p><p>"For the advantage of Abbe d'Aigrigny," answered Rodin.</p><p>"How, and by what right! Was he also an heir?"</p><p>"It would take too long to explain it to you, my dear young lady. You&#13;
will know all one day. Only be convinced that your family has no more&#13;
bitter enemy that Abbe d'Aigrigny."</p><p>"Sir," said Adrienne, giving way to one last suspicion, "I will speak&#13;
frankly to you. How can I have deserved the interest that you seem to&#13;
take in me, and that you even extend to all the members of my family?"</p><p>"My dear young lady," answered Rodin, with a smile, "were I to tell you&#13;
the cause, you would only laugh at, or misapprehend me."</p><p>"Speak, I beg of you, sir. Do not mistrust me or yourself."</p><p>"Well, then, I became interested in you--devoted to you--because your&#13;
heart is generous, your mind lofty, your character independent and&#13;
proud. Once attached to you, those of your race, who are indeed&#13;
themselves worthy of interest, were no longer indifferent to me. To&#13;
serve them was to serve you also."</p><p>"But, sir--admitting that you suppose me worthy of the too flattering&#13;
praises you bestow upon me--how could you judge of my heart, my mind, my&#13;
character?"</p><p>"I will tell you, my dear young lady; but first I must make another&#13;
confession, that fills me with shame. If you were not even so&#13;
wonderfully endowed, what you have suffered in this house should suffice&#13;
to command the interest of every honest man--don't you think so?"</p><p>"I do think it should, sir."</p><p>"I might thus explain the interest I feel in you. But no--I confess&#13;
it--that would not have sufficed with me. Had you been only Mdlle. de&#13;
Cardoville--a rich, noble, beautiful young lady--I should doubtless have&#13;
pitied your misfortune; but I should have said to myself, 'This poor&#13;
young lady is certainly much to be pitied; but what can I, poor man, do&#13;
in it? My only resource is my post of secretary to the Abbe d'Aigrigny,&#13;
and he would be the first that must be attacked. He is all-powerful, and&#13;
I am nothing. To engage in a struggle with him would be to ruin myself,&#13;
without the hope of saving this unfortunate person.' But when I&#13;
learnt what you were, my dear young lady, I revolted, in spite of my&#13;
inferiority. 'No,' I said, 'a thousand times, no! So fine an intellect,&#13;
so great a heart, shall not be the victims of an abominable plot. I may&#13;
perish in the struggle, but I will at least make the attempt.'"</p><p>No words can paint the mixture of delicacy, energy, and sensibility with&#13;
which Rodin uttered these sentiments. As it often happens with people&#13;
singularly repulsive and ill-favored, if they can once bring you to&#13;
forget their ugliness, their very deformity becomes a source of interest&#13;
and commiseration, and you say to yourself, "What a pity that such a&#13;
mind, such a soul, should inhabit so poor a body!"--and you are touched&#13;
and softened by the contrast.</p><p>It was thus that Mdlle. de Cardoville began to look upon Rodin. He had&#13;
shown himself as simple and affectionate towards her as he had been&#13;
brutal and insolent to Dr. Baleinier. One thing only excited the lively&#13;
curiosity of Mdlle. de Cardoville--she wished to know how Rodin had&#13;
conceived the devotion and admiration which she seemed to inspire.</p><p>"Forgive my indiscreet and obstinate curiosity, sir, but I wish to&#13;
know--"</p><p>"How you were morally revealed to me--is it not so? Oh, my dear young&#13;
lady! nothing is more simple. I will explain it to you in two words.&#13;
The Abbe d'Aigrigny saw in me nothing but a writing-machine, an obtuse,&#13;
mute, blind instrument--"</p><p>"I thought M. d'Aigrigny had more penetration."</p><p>"And you are right, my dear young lady; he is a man of unparalleled&#13;
sagacity; but I deceived him by affecting more than simplicity. Do not,&#13;
therefore, think me false. No; I am proud in my manner--and my pride&#13;
consists in never appearing above my position, however subaltern it may&#13;
be! Do you know why? It is that, however haughty may be my superiors, I&#13;
can say to myself, 'They do not know my value. It is the inferiority of&#13;
my condition, not me, that they humiliate.' By this I gain doubly--my&#13;
self-love is spared, and I hate no one."</p><p>"Yes, I understand that sort of pride," said Adrienne, more and more&#13;
struck with Rodin's original turn of mind.</p><p>"But let us return to what concerns you, my dear young lady. On the eve&#13;
of the 13th of February, the Abbe d'Aigrigny delivered to me a paper&#13;
in shorthand, and said to me, 'Transcribe this examination; you may&#13;
add that it is to support the decision of a family council, which has&#13;
declared, in accordance with the report of Dr. Baleinier, the state of&#13;
mind of Mdlle. de Cardoville to be sufficiently alarming to render it&#13;
necessary to confine her in a lunatic asylum.'"</p><p>"Yes," said Adrienne, with bitterness; "it related to a long interview,&#13;
which I had with the Princess de Saint-Dizier, my aunt, and which was&#13;
taken down without my knowledge."</p><p>"Behold me, then, poring over my shorthand report, and beginning to&#13;
transcribe it. At the end of the first ten lines, I was struck with&#13;
stupor. I knew not if I were awake or dreaming. 'What! mad?' They must&#13;
be themselves insane who dare assert so monstrous a proposition!--More&#13;
and more interested, I continued my reading--I finished it--Oh! then,&#13;
what shall I say? What I felt, my dear young lady, it is impossible to&#13;
express. It was sympathy, delight, enthusiasm!"</p><p>"Sir," said Adrienne.</p><p>"Yes, my dear young lady, enthusiasm! Let not the words shock your&#13;
modesty. Know that these ideas, so new, so independent, so courageous&#13;
which you expressed to your aunt with so much brilliancy, are, without&#13;
your being aware of it, common to you and another person, for whom you&#13;
will one day feel the most tender and religious respect."</p><p>"Of whom do you speak, sir?" cried Mdlle. de Cardoville, more and more&#13;
interested.</p><p>After a moment's apparent hesitation, Rodin resumed, "No, no--it is&#13;
useless now to inform you of it. All I can tell you, my dear young lady,&#13;
is that, when I had finished my reading, I ran to Abbe d'Aigrigny's, to&#13;
convince him of the error into which he had fallen with regard to you.&#13;
It was impossible then to find him; but yesterday morning I told him&#13;
plainly what I thought. He only appeared surprised to find that I could&#13;
think at all. He received my communications with contemptuous silence.&#13;
I thought him deceived; I continued my remonstrances, but quite in vain.&#13;
He ordered me to follow him to the house, where the testament of your&#13;
ancestor was to be opened. I was so blind with regard to the Abbe&#13;
d'Aigrigny, that it required the successive arrivals of the soldier,&#13;
of his son, and of Marshal Simon's father, to open my eyes thoroughly.&#13;
Their indignation unveiled to me the extent of a conspiracy, plotted&#13;
long ago, and carried on with terrible ability. Then, I understood why&#13;
you were confined here as a lunatic; why the daughters of Marshal Simon&#13;
were imprisoned in a convent. Then a thousand recollections returned to&#13;
my mind; fragments of letters and statements, which had been given me&#13;
to copy or decipher, and of which I had never been able to find the&#13;
explanation, put me on the track of this odious machination. To express&#13;
then and there the sudden horror I felt at these crimes, would have been&#13;
to ruin all. I did not make this mistake. I opposed cunning to cunning;&#13;
I appeared even more eager than Abbe d'Aigrigny. Had this immense&#13;
inheritance been destined for me alone, I could not have shown myself&#13;
more grasping and merciless. Thanks to this stratagem, Abbe d'Aigrigny&#13;
had no suspicion. A providential accident having rescued the inheritance&#13;
from his hands, he left the house in a state of profound consternation.&#13;
For my part, I felt indescribable joy; for I had now the means of saving&#13;
and avenging you, my dear young lady. As usual, I went yesterday evening&#13;
to my place of business. During the absence of the abbe, it was easy for&#13;
me to peruse the correspondence relative to the inheritance. In this way&#13;
I was able to unite all the threads of this immense plot. Oh! then,&#13;
my dear young lady, I remained, struck with horror, in presence of the&#13;
discoveries that I made, and that I never should have made under any&#13;
other circumstances."</p><p>"What discoveries, sir?"</p><p>"There are some secrets which are terrible to those who possess them. Do&#13;
not ask me to explain, my dear young lady; but, in this examination, the&#13;
league formed against you and your relations, from motives of insatiable&#13;
cupidity, appeared to me in all its dark audacity. Thereupon, the lively&#13;
and deep interest which I already felt for you, my dear young lady, was&#13;
augmented greatly, and extended itself to the other innocent victims of&#13;
this infernal conspiracy. In spite of my weakness, I determined to risk&#13;
all, to unmask the Abbe d'Aigrigny. I collected the necessary proofs,&#13;
to give my declaration before the magistrate the needful authority;&#13;
and, this morning, I left the abbe's house without revealing to him my&#13;
projects. He might have employed some violent method to detain me; yet&#13;
it would have been cowardly to attack him without warning. Once out of&#13;
his house, I wrote to him, that I had in my hands proof enough of his&#13;
crimes, to attack him openly in the face of day. I would accuse, and he&#13;
must defend himself. I went directly to a magistrate, and you know the&#13;
rest."</p><p>At this juncture, the door opened, and one of the nurses appeared, and&#13;
said to Rodin: "Sir, the messenger that you and the magistrate sent to&#13;
the Rue Brise-Miche has just come back."</p><p>"Has he left the letter?"</p><p>"Yes, sir; and it was taken upstairs directly."</p><p>"Very well. Leave us!" The nurse went out.</p><p>CHAPTER XXXV. SYMPATHY.</p><p>If it had been possible for Mdlle. de Cardoville to harbor any suspicion&#13;
of the sincerity of Rodin's devotion, it must have given way before this&#13;
reasoning, unfortunately so simple and undeniable. How could she suppose&#13;
the faintest complicity between the Abbe d'Aigrigny and his secretary,&#13;
when it was the latter who completely unveiled the machinations of his&#13;
master, and exposed them to the tribunals? when in this, Rodin went&#13;
even further than Mdlle. de Cardoville would herself have gone? Of what&#13;
secret design could she suspect the Jesuit? At worst, of a desire to&#13;
earn by his services the profitable patronage of the young lady.</p><p>And then, had he not just now protested against this supposition, by&#13;
declaring his devotion, not to Mdlle. de Cardoville--not to the fair,&#13;
rich, noble lady--but to the high-souled and generous girl? Finally,&#13;
as Rodin had said himself, could any but a miserable wretch fail to be&#13;
interested in Adrienne's fate? A strange mixture of curiosity, surprise,&#13;
and interest, was joined with Mdlle. de Cardoville's feelings of&#13;
gratitude towards Rodin. Yet, as she recognized the superior mind under&#13;
that humble exterior, she was suddenly struck with a grave suspicion.&#13;
"Sir," said she to Rodin, "I always confess to the persons I esteem the&#13;
doubts they may have inspired, so that they may justify themselves, and&#13;
excuse me, if I am wrong."</p><p>Rodin looked at Mdlle. de Cardoville with surprise, as if mentally&#13;
calculating the suspicions than she might entertain, and replied,&#13;
after a moment's silence: "You are perhaps thinking of my journey to&#13;
Cardoville, of my base proposals to your good and worthy bailiff? Oh! if&#13;
you--"</p><p>"No, no, sir," said Adrienne, interrupting him; "you made that&#13;
confession spontaneously, and I quite understand, that, blinded with&#13;
regard to M. d'Aigrigny, you passively executed instructions repugnant&#13;
to your delicacy. But how comes it, that, with your incontestable&#13;
merits, you have so long; occupied so mean a position in his service?"</p><p>"It is true," said Rodin, with a smile; "that must impress you&#13;
unfavorably, my dear young lady; for a man of any capacity, who remains&#13;
long in an inferior condition, has evidently some radical vice, some bad&#13;
or base passion--"</p><p>"It is generally true, sir."</p><p>"And personally true--with regard to myself."</p><p>"What, sir! do you make this avowal?"</p><p>"Alas! I confess that I have a bad passion, to which, for forty years, I&#13;
have sacrificed all chances of attaining to a better position."</p><p>"And this passion, sir?"</p><p>"Since I must make the unpleasant avowal, this passion is&#13;
indolence--yes, indolence--the horror of all activity of mind, of all&#13;
moral responsibility, of taking the lead in anything. With the twelve&#13;
hundred francs that Abbe d'Aigrigny gave me, I was the happiest man in&#13;
the world; I trusted to the nobleness of his views; his thoughts became&#13;
mine, his wishes mine. My work once finished, I returned to my poor&#13;
little chamber, I lighted my fire, I dined on vegetables--then, taking&#13;
up some book of philosophy, little known, and dreaming over it, I gave&#13;
free course to my imagination, which, restrained all the day long,&#13;
carried me through numberless theories to a delicious Utopia. Then, from&#13;
the eminences of my intelligence, lifted up Lord knows whither, by the&#13;
audacity of my thoughts, I seemed to look down upon my master, and upon&#13;
the great men of the earth. This fever lasted for three or four hours,&#13;
after which I had a good sleep; and, the next morning, I went lightly to&#13;
my work, secure of my daily bread, without cares for the future, living&#13;
content with little, waiting with impatience for the delights of my&#13;
solitary evening, and saying to myself as I went on writing like a&#13;
stupid machine: 'And yet--and yet--if I chose!'--"</p><p>"Doubtless, you could, like others, surer than others, have reached a&#13;
higher position," said Adrienne, greatly struck with Rodin's practical&#13;
philosophy.</p><p>"Yes, I think I could have done so; but for what purpose?--You see, my&#13;
dear young lady, what often renders people of some merit puzzles to the&#13;
vulgar, is that they are frequently content to say: 'If I chose!'"</p><p>"But, sir, without attaching much importance to the luxuries of&#13;
life, there is a certain degree of comfort, which age renders almost&#13;
indispensable, and which you seem to have utterly renounced."</p><p>"Undeceive yourself, if you please, my dear young lady," said Rodin,&#13;
with a playful smile. "I am a true Sybarite; I require absolutely warm&#13;
clothes, a good stove, a soft mattress, a good piece of bread, a fresh&#13;
radish, flavored with good cheap salt, and some good, clear water; and,&#13;
notwithstanding this complication of wants, my twelve hundred francs&#13;
have always more than sufficed, for I have been able to make some little&#13;
savings."</p><p>"But now that you are without employment, how will you manage to live,&#13;
sir?" said Adrienne, more and more interested by the singularities of&#13;
this man, and wishing to put his disinterestedness to the proof.</p><p>"I have laid by a little, which will serve me till I have unravelled&#13;
the last thread of Father d'Aigrigny's dark designs. I owe myself this&#13;
reparation, for having been his dupe; three or four days, I hope, will&#13;
complete the work. After that, I have the certainty of meeting with a&#13;
situation, in my native province, under a collector of taxes: some&#13;
time ago, the offer was made me by a friend; but then I would not leave&#13;
Father d'Aigrigny, notwithstanding the advantages proposed. Fancy, my&#13;
dear young lady--eight hundred francs, with board and lodging! As I am&#13;
a little of the roughest, I should have preferred lodging apart; but, as&#13;
they give me so much, I must submit to this little inconvenience."</p><p>Nothing could exceed Rodin's ingenuity, in making these little household&#13;
confidences (so abominably false) to Mdlle. de Cardoville, who felt her&#13;
last suspicions give way.</p><p>"What, sir?" said she to the Jesuit, with interest; "in three or four&#13;
days, you mean to quit Paris?"</p><p>"I hope to do so, my dear young lady; and that," added he, in a&#13;
mysterious tone, "and that for many reasons. But what would be very&#13;
precious to me," he resumed, in a serious voice, as he looked at&#13;
Adrienne with emotion, "would be to carry with me the conviction,&#13;
that you did me the justice to believe, that, on merely reading your&#13;
interview with the Princess de Saint-Dizier, I recognized at once&#13;
qualities quite unexampled in our day, in a young person of your age and&#13;
condition."</p><p>"Ah, sir!" said Adrienne, with a smile, "do not think yourself&#13;
obliged to return so soon the sincere praises that I bestowed on your&#13;
superiority of mind. I should be better pleased with ingratitude."</p><p>"Oh, no! I do not flatter you, my dear young lady. Why should I? We&#13;
may probably never meet again. I do not flatter you; I understand&#13;
you--that's all--and what will seem strange to you, is, that your&#13;
appearance complete, the idea which I had already formed of you, my dear&#13;
young lady, in reading your interview with your aunt: and some parts of&#13;
your character, hitherto obscure to me, are now fully displayed."</p><p>"Really, sir, you astonish me more and more."</p><p>"I can't help it! I merely describe my impressions. I can now explain&#13;
perfectly, for example, your passionate love of the beautiful, your&#13;
eager worship of the refinements of the senses, your ardent aspirations&#13;
for a better state of things, your courageous contempt of many degrading&#13;
and servile customs, to which woman is condemned; yes, now I&#13;
understand the noble pride with which you contemplate the mob of vain,&#13;
self-sufficient, ridiculous men, who look upon woman as a creature&#13;
destined for their service, according to the laws made after their own&#13;
not very handsome image. In the eyes of these hedge-tyrants, woman, a&#13;
kind of inferior being to whom a council of cardinals deigned to grant a&#13;
soul by a majority of two voices, ought to think herself supremely happy&#13;
in being the servant of these petty pachas, old at thirty, worn-out,&#13;
used up, weary with excesses, wishing only for repose, and seeking, as&#13;
they say, to make an end of it, which they set about by marrying some&#13;
poor girl, who is on her side desirous to make a beginning."</p><p>Mdlle. de Cardoville would certainly have smiled at these satirical&#13;
remarks, if she had not been greatly struck by hearing Rodin express in&#13;
such appropriate terms her own ideas, though it was the first time in&#13;
her life that she saw this dangerous man. Adrienne forgot, or&#13;
rather, she was not aware, that she had to deal with a Jesuit of rare&#13;
intelligence, uniting the information and the mysterious resources of&#13;
the police-spy with the profound sagacity of the confessor; one of those&#13;
diabolic priests, who, by the help of a few hints, avowals, letters,&#13;
reconstruct a character, as Cuvier could reconstruct a body from&#13;
zoological fragments. Far from interrupting Rodin, Adrienne listened&#13;
to him with growing curiosity. Sure of the effect he produced, he&#13;
continued, in a tone of indignation: "And your aunt and the Abbe&#13;
d'Aigrigny treated you as mad, because you revolted against the yoke of&#13;
such tyrants! because, hating the shameful vices of slavery, you chose&#13;
to be independent with the suitable qualities of independence, free with&#13;
the proud virtues of liberty!"</p><p>"But, sir," said Adrienne, more and more surprised, "how can my thoughts&#13;
be so familiar to you?"</p><p>"First, I know you perfectly, thanks to your interview with the Princess&#13;
de Saint-Dizier: and next, if it should happen that we both pursue the&#13;
same end, though by different means," resumed Rodin, artfully, as he&#13;
looked at Mdlle. de Cardoville with an air of intelligence, "why should&#13;
not our convictions be the same?"</p><p>"I do not understand you, sir. Of what end do you speak?"</p><p>"The end pursued incessantly by all lofty, generous, independent&#13;
spirits--some acting, like you, my dear young lady, from passion, from&#13;
instinct, without perhaps explaining to themselves the high mission they&#13;
are called on to ful, fil. Thus, for example, when you take pleasure&#13;
in the most refined delights, when you surround yourself with all that&#13;
charms the senses, do you think that you only yield to the attractions&#13;
of the beautiful, to the desire of exquisite enjoyments? No! ah, no! for&#13;
then you would be incomplete, odiously selfish, a dry egotist, with a&#13;
fine taste--nothing more--and at your age, it would be hideous, my dear&#13;
young lady, it would be hideous!"</p><p>"And do you really think thus severely of me?" said Adrienne, with&#13;
uneasiness, so much influence had this man irresistibly attained over&#13;
her.</p><p>"Certainly, I should think thus of you, if you loved luxury for luxury's&#13;
sake; but, no--quite another sentiment animates you," resumed the&#13;
Jesuit. "Let us reason a little. Feeling a passionate desire for all&#13;
these enjoyments, you know their value and their need more than any&#13;
one--is it not so?"</p><p>"It is so," replied Adrienne, deeply interested.</p><p>"Your gratitude and favor are then necessarily acquired by those who,&#13;
poor, laborious, and unknown, have procured for you these marvels of&#13;
luxury, which you could not do without?"</p><p>"This feeling of gratitude is so strong in me, sir," replied Adrienne,&#13;
more and more pleased to find herself so well understood, "that I once&#13;
had inscribed on a masterpiece of goldsmith's work, instead of the name&#13;
of the seller, that of the poor unknown artist who designed it, and who&#13;
has since risen to his true place."</p><p>"There you see, I was not deceived," went on Rodin; "the taste for&#13;
enjoyment renders you grateful to those who procure it for you; and&#13;
that is not all; here am I, an example, neither better nor worse than my&#13;
neighbors, but accustomed to privations, which cause me no suffering--so&#13;
that the privations of others necessarily touch me less nearly than they&#13;
do you, my dear young lady; for your habits of comfort must needs render&#13;
you more compassionate towards misfortune. You would yourself suffer too&#13;
much from poverty, not to pity and succor those who are its victims."</p><p>"Really, sir," said Adrienne, who began to feel herself under the fatal&#13;
charm of Rodin, "the more I listen to you, the more I am convinced that&#13;
you would defend a thousand times better than I could those ideas for&#13;
which I was so harshly reproached by Madame de Saint-Dizier and&#13;
Abbe d'Aigrigny. Oh! speak, speak, sir! I cannot tell you with what&#13;
happiness, with what pride I listen."</p><p>Attentive and moved, her eyes fixed on the Jesuit with as much interest&#13;
as sympathy and curiosity, Adrienne, by a graceful toss of the head that&#13;
was habitual to her, threw hack her long, golden curls, the better to&#13;
contemplate Rodin, who thus resumed: "You are astonished, my dear young&#13;
lady, that you were not understood by your aunt or by Abbe d'Aigrigny!&#13;
What point of contact had you with these hypocritical, jealous, crafty&#13;
minds, such as I can judge them to be now? Do you wish a new proof of&#13;
their hateful blindness? Among what they called your monstrous follies,&#13;
which was the worst, the most damnable? Why, your resolution to live&#13;
alone and in your own way, to dispose freely of the present and the&#13;
future. They declared this to be odious, detestable, immoral. And&#13;
yet--was this resolution dictated by a mad love of liberty? no!--by&#13;
a disordered aversion to all restraint? no!--by the desire of&#13;
singularity?--no!--for then I, too, should have blamed you severely."</p><p>"Other reasons have indeed guided me, sir, I assure you," said Adrienne&#13;
eagerly, for she had become very eager for the esteem with which her&#13;
character might inspire Rodin.</p><p>"Oh! I know it well; your motives could only be excellent ones," replied&#13;
the Jesuit. "Why then did you take this resolution, so much called in&#13;
question? Was it to brave established etiquette? no! for you respected&#13;
them until the hate of Mme. de Saint-Dizier forced you to withdraw&#13;
yourself from her unbearable guardianship. Was it to live alone, to&#13;
escape the eyes of the world? no! you would be a hundred times more open&#13;
to observation in this than any other condition. Was it to make a bad&#13;
use of your liberty? no, ah, no! those who design evil seek for darkness&#13;
and solitude; while you place yourself right before the jealous&#13;
anal envious eyes of the vulgar crowd. Why then do you take this&#13;
determination, so courageous and rare, unexampled in a young person of&#13;
your age? Shall I tell you, my dear young lady? It is, that you wish to&#13;
prove, by your example, that a woman of pure heart and honest mind, with&#13;
a firm character and independence of soul, may nobly and proudly throw&#13;
off the humiliating guardianship that custom has imposed upon her. Yes,&#13;
instead of accepting the fate of a revolted slave, a life only destined&#13;
to hypocrisy or vice, you wish to live freely in presence of all the&#13;
world, independent, honorable, and respected. You wish to have, like&#13;
man, the exercise of your own free will, the entire responsibility&#13;
of all your actions, so as to establish the fact, that a woman left&#13;
completely to herself, may equal man in reason, wisdom, uprightness, and&#13;
surpass him indelicacy and dignity. That is your design, my dear young&#13;
lady. It is noble and great. Will your example be imitated? I hope it&#13;
may; but whether it be so or not, your generous attempt, believe me,&#13;
will place you in a high and worthy position."</p><p>Mdlle. de Cardoville's eyes shone with a proud and gentle brightness,&#13;
her cheeks were slightly colored, her bosom heaved, she raised her&#13;
charming head with a movement of involuntary pride; at length completely&#13;
under the charm of that diabolical man she exclaimed: "But, sir, who are&#13;
you that can thus know and analyze my most secret thoughts, and read&#13;
my soul more clearly than myself, so as to give new life and action to&#13;
those ideas of independence which have long stirred within me? Who are&#13;
you, that can thus elevate me in my own eyes, for now I am conscious of&#13;
accomplishing a mission, honorable to myself, and perhaps useful to my&#13;
sisters immersed in slavery? Once again, sir, who are you?"</p><p>"Who am I, madame?" answered Rodin, with a smile of the greatest good&#13;
nature; "I have already told you that I am a poor old man, who for the&#13;
last forty years, having served in the day time as a writing machine to&#13;
record the ideas of others, went home every evening to work out ideas of&#13;
his own--a good kind of man who, from his garret, watches and even takes&#13;
some little share in the movement of generous spirits, advancing towards&#13;
an end that is nearer than is commonly thought. And thus, my dear young&#13;
lady, as I told you just now, you and I are both tending towards the&#13;
same objects, though you may do the same without reflection, and merely&#13;
in obedience to your rare and divine instincts. So continue so to live,&#13;
fair, free, and happy!--it is your mission--more providential than you&#13;
may think it. Yes; continue to surround yourself with all the marvels of&#13;
luxury and art; refine your senses, purify your tastes, by the exquisite&#13;
choice of your enjoyments; by genius, grace, and purity raise yourself&#13;
above the stupid and ill-favored mob of men, that will instantly&#13;
surround you, when they behold you alone and free; they will consider&#13;
you an easy prey, destined to please their cupidity, their egotism,&#13;
their folly.</p><p>"Laugh at them, and mock these idiotic and sordid pretensions. Be&#13;
the queen of your own world, and make yourself respected as a queen.&#13;
Love--shine--enjoy--it is your part upon earth. All the flowers, with&#13;
which you are whelmed in profusion, will one day bear fruit. You think&#13;
that you have lived only for pleasure; in reality, you will have lived&#13;
for the noblest aims that could tempt a great and lofty soul. And&#13;
so--some years hence--we may meet again, perhaps; you, fairer and more&#13;
followed than ever; I, older and more obscure. But, no matter--a secret&#13;
voice, I am sure, says to you at this moment, that between us two,&#13;
however different, there exists an invisible bond, a mysterious&#13;
communion, which nothing hereafter will ever be able to destroy!"</p><p>He uttered these final words in a tone of such profound emotion, that&#13;
Adrienne started. Rodin had approached without her perceiving it, and&#13;
without, as it were, walking at all, for he dragged his steps along the&#13;
floor, with a sort of serpent motion; and he had spoken with so much&#13;
warmth and enthusiasm, that his pale face had become slightly tinged,&#13;
and his repulsive ugliness had almost disappeared before the brilliancy&#13;
of his small sharp eyes, now wide open, and fixed full upon Adrienne.&#13;
The latter leaned forward, with half-open lips and deep-drawn breath,&#13;
nor could she take her eyes from the Jesuit's; he had ceased to speak,&#13;
and yet she was still listening. The feelings of the fair young lady,&#13;
in presence of this little old man, dirty, ugly, and poor, were&#13;
inexplicable. That comparison so common, and yet so true, of the&#13;
frightful fascination of the bird by the serpent, might give some idea&#13;
of the singular impression made upon her. Rodin's tactics were skillful&#13;
and sure. Until now, Mdlle. de Cardoville had never analyzed her tastes&#13;
or instincts. She had followed them, because they were inoffensive and&#13;
charming. How happy and proud she then was sure to be to hear a man of&#13;
superior mind not only praise these tendencies, for which she had been&#13;
heretofore so severely blamed, but congratulate her upon them, as upon&#13;
something great, noble, and divine! If Rodin had only addressed himself&#13;
to Adrienne's self-conceit, he would have failed in his perfidious&#13;
designs, for she had not the least spark of vanity. But he addressed&#13;
himself to all that was enthusiastic and generous in her heart; that&#13;
which he appeared to encourage and admire in her was really worthy of&#13;
encouragement and admiration. How could she fail to be the dupe of such&#13;
language, concealing though it did such dark and fatal projects?</p><p>Struck with the Jesuit's rare intelligence, feeling her curiosity&#13;
greatly excited by some mysterious words that he had purposely uttered,&#13;
hardly explaining to herself the strange influence which this pernicious&#13;
counsellor already exercised over her, and animated by respectful&#13;
compassion for a man of his age and talents placed in so precarious a&#13;
position, Adrienne said to him, with all her natural cordiality, "A man&#13;
of your merit and character, sir, ought not to be at the mercy of the&#13;
caprice of circumstances. Some of your words have opened a new horizon&#13;
before me; I feel that, on many points, your counsels may be of the&#13;
greatest use to me. Moreover, in coming to fetch me from this house, and&#13;
in devoting yourself to the service of other persons of my family,&#13;
you have shown me marks of interest which I cannot forget without&#13;
ingratitude. You have lost a humble but secure situation. Permit me--"</p><p>"Not a word more, my dear young lady," said Rodin, interrupting Mdlle.&#13;
de Cardoville, with an air of chagrin. "I feel for you the deepest&#13;
sympathy; I am honored by having ideas in common with you; I believe&#13;
firmly that some day you will have to ask advice of the poor old&#13;
philosopher; and, precisely because of all that, I must and ought to&#13;
maintain towards you the most complete independence."</p><p>"But, sir, it is I that would be the obliged party, if you deigned to&#13;
accept what I offer."</p><p>"Oh, my dear young lady," said Rodin, with a smile: "I know that your&#13;
generosity would always know how to make gratitude light and easy; but,&#13;
once more, I cannot accept anything from you. One day, perhaps, you will&#13;
know why."</p><p>"One day?"</p><p>"It is impossible for me to tell you more. And then, supposing I were&#13;
under an obligation to you, how could I tell you all that was good and&#13;
beautiful in your actions? Hereafter, if you are somewhat indebted to&#13;
me for my advice, so much the better; I shall be the more ready to blame&#13;
you, if I find anything to blame."</p><p>"In this way, sir, you would forbid me to be grateful to you."</p><p>"No, no," said Rodin, with apparent emotion. "Oh, believe me! there will&#13;
come a solemn moment, in which you may repay all, in a manner worthy of&#13;
yourself and me."</p><p>This conversation was here interrupted by the nurse, who said to&#13;
Adrienne as she entered: "Madame, there is a little humpback workwoman&#13;
downstairs, who wishes to speak to you. As, according to the doctor's&#13;
new orders, you are to do as you like, I have come to ask, if I am to&#13;
bring her up to you. She is so badly dressed, that I did not venture."</p><p>"Bring her up, by all means," said Adrienne, hastily, for she had&#13;
recognized Mother Bunch by the nurse's description. "Bring her up&#13;
directly."</p><p>"The doctor has also left word, that his carriage is to be at your&#13;
orders, madame; are the horses to be put to?"</p><p>"Yes, in a quarter of an hour," answered Adrienne to the nurse, who&#13;
went out; then, addressing Rodin, she continued: "I do not think the&#13;
magistrate can now be long, before he returns with Marshal Simon's&#13;
daughters?"</p><p>"I think not, my dear young lady; but who is this deformed workwoman?"&#13;
asked Rodin, with an air of indifference.</p><p>"The adopted sister of a gallant fellow, who risked all in endeavoring&#13;
to rescue me from this house. And, sir," said Adrienne, with emotion,&#13;
"this young workwoman is a rare and excellent creature. Never was&#13;
a nobler mind, a more generous heart, concealed beneath an exterior&#13;
less--"</p><p>But reflecting, that Rodin seemed to unite in his own person the same&#13;
moral and physical contrasts as the sewing-girl, Adrienne stopped short,&#13;
and then added, with inimitable grace, as she looked at the Jesuit, who&#13;
was somewhat astonished at the sudden pause: "No; this noble girl is&#13;
not the only person who proves how loftiness of soul, and superiority of&#13;
mind, can make us indifferent to the vain advantages which belong&#13;
only to the accidents of birth or fortune." At the moment of Adrienne&#13;
speaking these last words, Mother Bunch entered the room.</p><p>CHAPTER XXXVI. SUSPICIONS.</p><p>Mdlle. de Cardoville sprang hastily to meet the visitor, and said&#13;
to her, in a voice of emotion, as she extended her arms towards her:&#13;
"Come--come--there is no grating to separate us now!"</p><p>On this allusion, which reminded her how her poor, laborious hand had&#13;
been respectfully kissed by the fair and rich patrician, the young&#13;
workwoman felt a sentiment of gratitude, which was at once ineffable&#13;
and proud. But, as she hesitated to respond to the cordial reception,&#13;
Adrienne embraced her with touching affection. When Mother Bunch found&#13;
herself clasped in the fair arms of Mdlle. de Cardoville, when she felt&#13;
the fresh and rosy lips of the young lady fraternally pressed to her own&#13;
pale and sickly cheek, she burst into tears without being able to utter&#13;
a word. Rodin, retired in a corner of the chamber, locked on this scene&#13;
with secret uneasiness. Informed of the refusal, so full of dignity,&#13;
which Mother Bunch had opposed to the perfidious temptations of the&#13;
superior of St. Mary's Convent, and knowing the deep devotion of this&#13;
generous creature for Agricola--a devotion which for some days she had&#13;
so bravely extended to Mdlle. de Cardoville--the Jesuit did not like&#13;
to see the latter thus laboring to increase that affection. He thought,&#13;
wisely, that one should never despise friend or enemy, however small&#13;
they may appear. Now, devotion to Mdlle. de Cardoville constituted an&#13;
enemy in his eyes; and we know, moreover, that Rodin combined in&#13;
his character rare firmness, with a certain degree of superstitious&#13;
weakness, and he now felt uneasy at the singular impression of fear&#13;
which Mother Bunch inspired in him. He determined to recollect this&#13;
presentiment.</p><p>Delicate natures sometimes display in the smallest things the most&#13;
charming instincts of grace and goodness. Thus, when the sewing-girl was&#13;
shedding abundant and sweet tears of gratitude, Adrienne took a richly&#13;
embroidered handkerchief, and dried the pale and melancholy face. This&#13;
action, so simple and spontaneous, spared the work-girl one humiliation;&#13;
for, alas! humiliation and suffering are the two gulfs, along the edge&#13;
of which misfortune continually passes. Therefore, the least kindness is&#13;
in general a double benefit to the unfortunate. Perhaps the reader may&#13;
smile in disdain at the puerile circumstance we mention. But poor&#13;
Mother Bunch, not venturing to take from her pocket her old ragged&#13;
handkerchief, would long have remained blinded by her tears, if Mdlle.&#13;
de Cardoville had not come to her aid.</p><p>"Oh! you are so good--so nobly charitable, lady!" was all that the&#13;
sempstress could say, in a tone of deep emotion; for she was still more&#13;
touched by the attention of the young lady, than she would perhaps have&#13;
been by a service rendered.</p><p>"Look there, sir," said Adrienne to Rodin, who drew near hastily.&#13;
"Yes," added the young patrician, proudly, "I have indeed discovered&#13;
a treasure. Look at her, sir; and love her as I love her, honor as I&#13;
honor. She has one of those hearts for which we are seeking."</p><p>"And which, thank heaven, we are still able to find, my dear young&#13;
lady!" said Rodin, as he bowed to the needle-woman.</p><p>The latter raised her eyes slowly, and locked at the Jesuit. At sight of&#13;
that cadaverous countenance, which was smiling benignantly upon her, the&#13;
young girl started. It was strange! she had never seen this man, and&#13;
yet she felt instantly the same fear and repulsion that he had felt with&#13;
regard to her. Generally timid and confused, the work-girl could not&#13;
withdraw her eyes from Rodin's; her heart beat violently, as at the&#13;
coming of some great danger, and, as the excellent creature feared only&#13;
for those she loved, she approached Adrienne involuntarily, keeping&#13;
her eyes fixed on Rodin. The Jesuit was too good a physiognomist not to&#13;
perceive the formidable impression he had made, and he felt an increase&#13;
of his instinctive aversion for the sempstress. Instead of casting down&#13;
his eyes, he appeared to examine her with such sustained attention, that&#13;
Mdlle. de Cardoville was astonished at it.</p><p>"I beg your pardon, my dear girl," said Rodin, as if recalling his&#13;
recollections, and addressing himself to Mother Bunch, "I beg your&#13;
pardon--but I think--if I am not deceived--did you not go a few days&#13;
since to St. Mary's Convent, hard by?"</p><p>"Yes, sir."</p><p>"No doubt, it was you. Where then was my head?" cried Rodin. "It was&#13;
you--I should have guessed it sooner."</p><p>"Of what do you speak, sir?" asked Adrienne.</p><p>"Oh! you are right, my dear young lady," said Rodin, pointing to the&#13;
hunchback. "She has indeed a noble heart, such as we seek. If you knew&#13;
with what dignity, with what courage this poor girl, who was out of work&#13;
and, for her, to want work is to want everything--if you knew, I say,&#13;
with what dignity she rejected the shameful wages that the superior of&#13;
the convent was unprincipled enough to offer, on condition of her acting&#13;
as a spy in a family where it was proposed to place her."</p><p>"Oh, that is infamous!" cried Mdlle. de Cardoville, with disgust. "Such&#13;
a proposal to this poor girl--to her!"</p><p>"Madame," said Mother Bunch, bitterly, "I had no work, I was poor, they&#13;
did not know me--and they thought they might propose anything to the&#13;
likes of me."</p><p>"And I tell you," said Rodin, "that it was a double baseness on the part&#13;
of the superior, to offer such temptation to misery, and it was doubly&#13;
noble in you to refuse."</p><p>"Sir," said the sewing-girl, with modest embarrassment.</p><p>"Oh! I am not to be intimidated," resumed Rod in. "Praise or blame, I&#13;
speak out roughly what I think. Ask this dear young lady," he added,&#13;
with a glance at Adrienne. "I tell you plainly, that I think as well of&#13;
you as she does herself."</p><p>"Believe me, dear," said Adrienne, "there are some sorts of praise which&#13;
honor, recompense, and encourage; and M. Rodin's is of the number. I&#13;
know it,--yes, I know it."</p><p>"Nay, my dear young lady, you must not ascribe to me all the honor of&#13;
this judgment."</p><p>"How so, sir?"</p><p>"Is not this dear girl the adopted sister of Agricola Baudoin, the&#13;
gallant workman, the energetic and popular poet? Is not the affection of&#13;
such a man the best of guarantees, and does it not enable us to judge,&#13;
as it were, by the label?" added Rodin, with a smile.</p><p>"You are right, sir," said Adrienne; "for, before knowing this dear&#13;
girl, I began to feel deeply interested in her, from the day that her&#13;
adopted brother spoke to me about her. He expressed himself with so much&#13;
warmth, so much enthusiasm, that I at once conceived an esteem for the&#13;
person capable of inspiring so noble an attachment."</p><p>These words of Adrienne, joined to another circumstance, had such&#13;
an effect upon their hearer, that her pale face became crimson. The&#13;
unfortunate hunchback loved Agricola, with love as passionate as it was&#13;
secret and painful: the most indirect allusion to this fatal sentiment&#13;
occasioned her the most cruel embarrassment. Now, the moment Mdlle. de&#13;
Cardoville spoke of Agricola's attachment for Mother Bunch, the latter&#13;
had encountered Rodin's observing and penetrating look fixed upon her.&#13;
Alone with Adrienne, the sempstress would have felt only a momentary&#13;
confusion on hearing the name of the smith; but unfortunately she&#13;
fancied that the Jesuit, who already filled her with involuntary fear,&#13;
had seen into her heart, and read the secrets of that fatal love, of&#13;
which she was the victim. Thence the deep blushes of the poor girl, and&#13;
the embarrassment so painfully visible, that Adrienne was struck with&#13;
it.</p><p>A subtle and prompt mind, like Rodin's on perceiving the smallest&#13;
effect, immediately seeks the cause. Proceeding by comparison, the&#13;
Jesuit saw on one side a deformed, but intelligent young girl, capable&#13;
of passionate devotion; on the other, a young workman, handsome, bold,&#13;
frank, and full of talent. "Brought up together, sympathizing with each&#13;
other on many points, there must be some fraternal affection between&#13;
them," said he to himself; "but fraternal affection does not blush, and&#13;
the hunchback blushed and grew troubled beneath my look; does she, then,&#13;
Love Agricola?"</p><p>Once on the scent of this discovery, Rodin wished to pursue the&#13;
investigation. Remarking the surprise and visible uneasiness that Mother&#13;
Bunch had caused in Adrienne, he said to the latter, with a smile,&#13;
looking significantly at the needlewoman: "You see, my dear young&#13;
lady, how she blushes. The good girl is troubled by what we said of the&#13;
attachment of this gallant workman."</p><p>The needlewoman hung down her head, overcome with confusion. After the&#13;
pause of a second, during which Rodin preserved silence, so as to give&#13;
time for his cruel remark to pierce the heart of the victim, the savage&#13;
resumed: "Look at the dear girl! how embarrassed she appears!"</p><p>Again, after another silence, perceiving that Mother Bunch from crimson&#13;
had become deadly pale, and was trembling in all her limbs, the Jesuit&#13;
feared he had gone too far, whilst Adrienne said to her friend, with&#13;
anxiety: "Why, dear child, are you so agitated?"</p><p>"Oh! it is clear enough," resumed Rodin, with an air of perfect&#13;
simplicity; for having discovered what he wished to know, he now chose&#13;
to appear unconscious. "It is quite clear and plain. This good girl has&#13;
the modesty of a kind and tender sister for a brother. When you praise&#13;
him, she fancies that she is herself praised."</p><p>"And she is as modest as she is excellent," added Adrienne, taking bath&#13;
of the girl's hands, "the least praise, either of her adopted brother or&#13;
of herself, troubles her in this way. But it is mere childishness, and I&#13;
must scold her for it."</p><p>Mdlle. de Cardoville spoke sincerely, for the explanation given by Rodin&#13;
appeared to her very plausible. Like all other persons who, dreading&#13;
every moment the discovery of some painful secret have their courage&#13;
as easily restored as shaken, Mother Bunch persuaded herself (and she&#13;
needed to do so, to escape dying of shame), that the last words of Rodin&#13;
were sincere, and that he had no idea of the love she felt for Agricola.&#13;
So her agony diminished, and she found words to reply to Mdlle. de&#13;
Cardoville.</p><p>"Excuse me, madame," she said timidly, "I am so little accustomed to&#13;
such kindness as that with which you overwhelm me, that I make a sorry&#13;
return for all your goodness."</p><p>"Kindness, my poor girl?" said Adrienne. "I have done nothing for&#13;
you yet. But, thank heaven! from this day I shall be able to keep my&#13;
promise, and reward your devotion to me, your courageous resignation,&#13;
your sacred love of labor, and the dignity of which you have given so&#13;
many proofs, under the most cruel privations. In a word, from this day,&#13;
if you do not object to it, we will part no more."</p><p>"Madame, you are too kind," said Mother Bunch, in a trembling voice;&#13;
"but I--"</p><p>"Oh! be satisfied," said Adrienne, anticipating her meaning. "If you&#13;
accept my offer, I shall know how to reconcile with my desire (not&#13;
a little selfish) of having you near me, the independence of your&#13;
character, your habits of labor, your taste for retirement, and your&#13;
anxiety to devote yourself to those who deserve commiseration; it is,&#13;
I confess, by affording you the means of satisfying these generous&#13;
tendencies, that I hope to seduce and keep you by me."</p><p>"But what have I done?" asked the other, simply, "to merit any gratitude&#13;
from you? Did you not begin, on the contrary, by acting so generously to&#13;
my adopted brother?"</p><p>"Oh! I do not speak of gratitude," said Adrienne; "we are quits. I speak&#13;
of friendship and sincere affection, which I now offer you."</p><p>"Friendship to me, madame?"</p><p>"Come, come," said Adrienne, with a charming smile, "do not be proud&#13;
because your position gives you the advantage. I have set my heart on&#13;
having you for a friend, and you will see that it shall be so. But now&#13;
that I think of it (a little late, you will say), what good wind brings&#13;
you hither?"</p><p>"This morning M. Dagobert received a letter, in which he was requested&#13;
to come to this place, to learn some news that would be of the greatest&#13;
interest to him. Thinking it concerned Marshal Simon's daughters, he&#13;
said to me: 'Mother Bunch, you have taken so much interest in those&#13;
dear children, that you must come with me: you shall witness my joy on&#13;
finding them, and that will be your reward.'"</p><p>Adrienne glanced at Rodin. The latter made an affirmative movement of&#13;
the head, and answered: "Yes, yes, my dear young lady: it was I who&#13;
wrote to the brave soldier, but without signing the letter, or giving&#13;
any explanation. You shall know why."</p><p>"Then, my dear girl, why did you come alone?" said Adrienne.</p><p>"Alas, madame! on arriving here, it was your kind reception that made me&#13;
forget my fears."</p><p>"What fears?" asked Rodin.</p><p>"Knowing that you lived here, madame, I supposed the letter was from&#13;
you; I told M. Dagobert so, and he thought the same. When we arrived,&#13;
his impatience was so great, that he asked at the door if the orphans&#13;
were in this house, and he gave their description. They told him no.&#13;
Then, in spite of my supplications, he insisted on going to the convent&#13;
to inquire about them."</p><p>"What imprudence!" cried Adrienne.</p><p>"After what took place the other night, when he broke in," added Rodin,&#13;
shrugging his shoulders.</p><p>"It was in vain to tell him," returned Mother Bunch, "that the letter&#13;
did not announce positively, that the orphans would be delivered up to&#13;
him; but that, no doubt, he would gain some information about them. He&#13;
refused to hear anything, but said to me: 'If I cannot find them, I will&#13;
rejoin you. But they were at the convent the day before yesterday, and&#13;
now that all is discovered, they cannot refuse to give them up--"</p><p>"And with such a man there is no disputing!" said Rodin, with a smile.</p><p>"I hope they will not recognize him!" said Adrienne, remembering&#13;
Baleinier's threats.</p><p>"It is not likely," replied Rodin; "they will only refuse him&#13;
admittance. That will be, I hope, the worst misfortune that will happen.&#13;
Besides, the magistrate will soon be here with the girls. I am no longer&#13;
wanted: other cares require my attention. I must seek out Prince Djalma.&#13;
Only tell me, my dear young lady, where I shall find you, to keep you&#13;
informed of my discoveries, and to take measures with regard to the&#13;
young prince, if my inquiries, as I hope, shall be attended with&#13;
success."</p><p>"You will find me in my new house, Rue d'Anjou, formerly Beaulieu House.&#13;
But now I think of it," said Adrienne, suddenly, after some moments of&#13;
reflection, "it would not be prudent or proper, on many accounts, to&#13;
lodge the Prince Djalma in the pavilion I occupied at Saint-Dizier&#13;
House. I saw, some time ago, a charming little house, all furnished and&#13;
ready; it only requires some embellishments, that could be completed in&#13;
twenty four hours, to make it a delightful residence. Yes, that will be&#13;
a thousand times preferable," added Mdlle. de Cardoville, after a new&#13;
interval of silence; "and I shall thus be able to preserve the strictest&#13;
incognito."</p><p>"What!" cried Rodin, whose projects would be much impeded by this new&#13;
resolution of the young lady; "you do not wish him to know who you are?"</p><p>"I wish Prince Djalma to know absolutely nothing of the anonymous friend&#13;
who comes to his aid; I desire that my name should not be pronounced&#13;
before him, and that he should not even know of my existence--at&#13;
least, for the present. Hereafter--in a month, perhaps--I will see;&#13;
circumstances will guide me."</p><p>"But this incognito," said Rodin, hiding his disappointment, "will be&#13;
difficult to preserve."</p><p>"If the prince had inhabited the lodge, I agree with you; the&#13;
neighborhood of my aunt would have enlightened him, and this fear is one&#13;
of the reasons that have induced me to renounce my first project. But&#13;
the prince will inhabit a distant quarter--the Rue Blanche. Who will&#13;
inform him of my secret? One of my old friends, M. Norval--you, sir--and&#13;
this dear girl," pointing to Mother Bunch, "on whose discretion I can&#13;
depend as on your own, will be my only confidants. My secret will then&#13;
be quite safe. Besides, we will talk further on this subject to-morrow.&#13;
You must begin by discovering the retreat of this unfortunate young&#13;
prince."</p><p>Rodin, though much vexed at Adrienne's subtle determination with&#13;
regard to Djalma, put the best face on the matter, and replied: "Your&#13;
intentions shall be scrupulously fulfilled, my dear young lady; and&#13;
to-morrow, with your leave, I hope to give you a good account of what&#13;
you are pleased to call my providential mission."</p><p>"To-morrow, then, I shall expect you with impatience," said Adrienne, to&#13;
Rodin, affectionately. "Permit me always to rely upon you, as from this&#13;
day you may count upon me. You must be indulgent with me, sir; for I see&#13;
that I shall yet have many counsels, many services to ask of you--though&#13;
I already owe you so much."</p><p>"You will never owe me enough, my dear young lady, never enough,"&#13;
said Rodin, as he moved discreetly towards the door, after bowing to&#13;
Adrienne. At the very moment he was going out, he found himself face to&#13;
face with Dagobert.</p><p>"Holloa! at last I have caught one!" shouted the soldier, as he seized&#13;
the Jesuit by the collar with a vigorous hand.</p><p>CHAPTER XXXVII. EXCUSES.</p><p>On seeing Dagobert grasp Rodin so roughly by the collar, Mdlle. de&#13;
Cardoville exclaimed in terror, as she advanced several steps towards&#13;
the soldier: "In the name of Heaven, sir! what are you doing?"</p><p>"What am I doing?" echoed the soldier, harshly, without relaxing his&#13;
hold on Rodin, and turning his head towards Adrienne, whom he did not&#13;
know; "I take this opportunity to squeeze the throat of one of the&#13;
wretches in the band of that renegade, until he tells me where my poor&#13;
children are."</p><p>"You strangle me," said the Jesuit, in a stifled voice, as he tried to&#13;
escape from the soldier.</p><p>"Where are the orphans, since they are not here, and the convent door&#13;
has been closed against me?" cried Dagobert, in a voice of thunder.</p><p>"Help! help!" gasped Rodin.</p><p>"Oh! it is dreadful!" said Adrienne, as, pale and trembling, she held up&#13;
her clasped hands to Dagobert. "Have mercy, sir! listen to me! listen to&#13;
him!"</p><p>"M. Dagobert!" cried Mother Bunch, seizing with her weak hands the&#13;
soldier's arm, and showing him Adrienne, "this is Mdlle. de Cardoville.&#13;
What violence in her presence! and then, you are deceived doubtless!"</p><p>At the name of Mdlle. de Cardoville, the benefactress of his son, the&#13;
soldier turned round suddenly, and loosened his hold on Rodin. The&#13;
latter, crimson with rage and suffocation, set about adjusting his&#13;
collar and his cravat.</p><p>"I beg your pardon, madame," said Dagobert, going towards Adrienne, who&#13;
was still pale with fright; "I did not known who you were, and the first&#13;
impulse of anger quite carried me away."</p><p>"But what has this gentleman done to you?" said Adrienne. "If you had&#13;
listened to me, you would have learned--"</p><p>"Excuse me if I interrupt you, madame," said the soldier to Adrienne, in&#13;
a hollow voice. Then addressing himself to Rodin, who had recovered his&#13;
coolness, he added: "Thank the lady, and begone!--If you remain here, I&#13;
will not answer for myself."</p><p>"One word only, my dear sir," said Rodin.</p><p>"I tell you that if you remain, I will not answer for myself!" cried&#13;
Dagobert, stamping his foot.</p><p>"But, for heaven's sake, tell me the cause of this anger," resumed&#13;
Adrienne; "above all, do not trust to appearances. Calm yourself, and&#13;
listen."</p><p>"Calm myself, madame!" cried Dagobert, in despair; "I can think only of&#13;
one thing, ma dame--of the arrival of Marshal Simon--he will be in Paris&#13;
to-day or to-morrow."</p><p>"Is it possible?" said Adrienne. Rodin started with surprise and joy.</p><p>"Yesterday evening," proceeded Dagobert, "I received a letter from the&#13;
marshal: he has landed at Havre. For three days I have taken step&#13;
after step, hoping that the orphans would be restored to me, as the&#13;
machinations of those wretches have failed." He pointed to Rodin with a&#13;
new gesture of impatience. "Well! it is not so. They are conspiring some&#13;
new infamy. I am prepared for anything."</p><p>"But, sir," said Rodin advancing, "permit me--"</p><p>"Begone!" cried Dagobert, whose irritation and anxiety redoubled, as he&#13;
thought how at any moment Marshal Simon might arrive in Paris. "Begone!&#13;
Were it not for this lady, I would at least be revenged on some one."</p><p>Rodin made a nod of intelligence to Adrienne, whom he approached&#13;
prudently, and, pointing to Dagobert with a gesture of affectionate&#13;
commiseration, he said to the latter: "I will leave you, sir, and the&#13;
more willingly, as I was about to withdraw when you entered." Then,&#13;
coming still closer to Mdlle. de Cardoville, the Jesuit whispered&#13;
to her, "Poor soldier! he is beside himself with grief, and would be&#13;
incapable of hearing me. Explain it all to him, my dear young lady;&#13;
he will be nicely caught," added he, with a cunning air. "But in the&#13;
meantime," resumed Rodin, feeling in the side-pocket of his great-coat&#13;
and taking out a small parcel, "let me beg you to give him this, my dear&#13;
young lady. It is my revenge, and a very good one."</p><p>And while Adrienne, holding the little parcel in her hand looked at the&#13;
Jesuit with astonishment, the latter laying his forefinger upon his lip,&#13;
as if recommending silence, drew backward on tiptoe to the door, and&#13;
went out after again pointing to Dagobert with a gesture of pity; while&#13;
the soldier, in sullen dejection, with his head drooping, and his arms&#13;
crossed upon his bosom, remained deaf to the sewing-girl's earnest&#13;
consolations. When Rodin had left the room, Adrienne, approaching the&#13;
soldier, said to him, in her mild voice, with an expression of deep&#13;
interest, "Your sudden entry prevented my asking you a question that&#13;
greatly concerns me. How is your wound?"</p><p>"Thank you, madame," said Dagobert, starting from his painful lethargy,&#13;
"it is of no consequence, but I have not time to think of it. I am sorry&#13;
to have been so rough in your presence, and to have driven away that&#13;
wretch; but 'tis more than I could master. At sight of those people, my&#13;
blood is all up."</p><p>"And yet, believe me, you have been too hasty in your judgment. The&#13;
person who was just now here--"</p><p>"Too hasty, madame! I do not see him to-day for the first time. He was&#13;
with that renegade the Abbe d'Aigrigny--"</p><p>"No doubt!--and yet he is an honest and excellent man."</p><p>"He!" cried Dagobert.</p><p>"Yes; for at this moment he is busy about only one thing restoring to&#13;
you those dear children!"</p><p>"He!" repeated Dagobert, as if he could not believe what he heard. "He&#13;
restore me my children?"</p><p>"Yes; and sooner, perhaps, than you think for."</p><p>"Madame," said Dagobert, abruptly, "he deceives you. You are the dupe of&#13;
that old rascal."</p><p>"No," said Adrienne, shaking her head, with a smile. "I have proofs of&#13;
his good faith. First of all, it is he who delivers me from this house."</p><p>"Is it true?" said Dagobert, quite confounded.</p><p>"Very true; and here is, perhaps, something that will reconcile you to&#13;
him," said Adrienne, as she delivered the small parcel which Rodin&#13;
had given her as he went out. "Not wishing to exasperate you by his&#13;
presence, he said to me: 'Give this to that brave soldier; it is my&#13;
revenge.'"</p><p>Dagobert looked at Mdlle. de Cardoville with surprise, as he&#13;
mechanically opened the little parcel. When he had unfolded it, and&#13;
discovered his own silver cross, black with age, and the old red, faded&#13;
ribbon, treasures taken from him at the White Falcon Inn, at the same&#13;
time as his papers, he exclaimed in a broken voice: "My cross! my cross!&#13;
It is my cross!" In the excitement of his joy, he pressed the silver&#13;
star to his gray moustache.</p><p>Adrienne and the other were deeply affected by the emotion of the old&#13;
soldier, who continued, as he ran towards the door by which Rodin had&#13;
gone out: "Next to a service rendered to Marshal Simon, my wife, or son,&#13;
nothing could be more precious to me. And you answer for this worthy&#13;
man, madame, and I have ill used him in your presence! Oh! he is&#13;
entitled to reparation, and he shall have it."</p><p>So saying, Dagobert left the room precipitately, hastened through two&#13;
other apartments, gained the staircase, and descending it rapidly,&#13;
overtook Rodin on the lowest step.</p><p>"Sir," said the soldier to him, in an agitated voice, as he seized him&#13;
by the arm, "you must come upstairs directly."</p><p>"You should make up your mind to one thing or the other, my dear sir,"&#13;
said Rodin, stopping good-naturedly; "one moment you tell me to begone,&#13;
and the next to return. How are we to decide?"</p><p>"Just now, sir, I was wrong; and when I am wrong, I acknowledge it.&#13;
I abused and ill-treated you before witnesses; I will make you my&#13;
apologies before witnesses."</p><p>"But, my dear sir--I am much obliged to you--I am in a hurry."</p><p>"I cannot help your being in a hurry. I tell you, I must have you come&#13;
upstairs, directly--or else--or else," resumed Dagobert, taking the hand&#13;
of the Jesuit, and pressing it with as much cordiality as emotion, "or&#13;
else the happiness you have caused the in returning my cross will not be&#13;
complete."</p><p>"Well, then, my good friend, let us go up."</p><p>"And not only have you restored me my cross, for which I have wept many&#13;
tears, believe me, unknown to any one," cried Dagobert, much affected;&#13;
"but the young lady told me, that, thanks to you, those poor children&#13;
but tell me--no false joy-is it really true?--My God! is it really&#13;
true?"</p><p>"Ah! ah! Mr. Inquisitive," said Rodin, with a cunning smile. Then he&#13;
added: "Be perfectly tranquil, my growler; you shall have your two&#13;
angels back again." And the Jesuit began to ascend the stairs.</p><p>"Will they be restored to me to-day?" cried Dagobert, stopping Rodin&#13;
abruptly, by catching hold of his sleeve.</p><p>"Now, really, my good friend," said the Jesuit, "let us come to the&#13;
point. Are we to go up or down? I do not find fault, but you turn me&#13;
about like a teetotum."</p><p>"You are right. We shall be better able to explain things upstairs. Come&#13;
with me--quick! quick!" said Dagobert, as, taking the Jesuit by the arm,&#13;
he hurried him along, and brought him triumphantly into the room, where&#13;
Adrienne and Mother Bunch had remained in much surprise at the soldier's&#13;
sudden disappearance.</p><p>"Here he is! here he is!" cried Dagobert, as he entered. "Luckily, I&#13;
caught him at the bottom of the stairs."</p><p>"And you have made me come up at a fine pace!" added Rodin, pretty well&#13;
out of breath.</p><p>"Now, sir," said Dagobert, in a grave voice, "I declare, in presence of&#13;
all, that I was wrong to abuse and ill-treat you. I make you my apology&#13;
for it, sir; and I acknowledge, with joy, that I owe you--much--oh! very&#13;
much and when I owe, I pay."</p><p>So saying, Dagobert held out his honest hand to Rodin, who pressed it&#13;
in a very affable manner, and replied: "Now, really--what is all this&#13;
about? What great service do you speak of?"</p><p>"This!" said Dagobert, holding up the cross before Rodin's eyes. "You do&#13;
not know, then, what this cross is to me?"</p><p>"On the contrary, supposing you would set great store by it, I intended&#13;
to have the pleasure of delivering it myself. I had brought it for that&#13;
purpose; but, between ourselves, you gave me so warm a reception, that I&#13;
had not the time--"</p><p>"Sir," said Dagobert, in confusion, "I assure you that I sincerely&#13;
repent of what I have done."</p><p>"I know it, my good friend; do not say another word about it. You were&#13;
then much attached to this cross?"</p><p>"Attached to it, sir!" cried Dagobert. "Why, this cross," and he kissed&#13;
it as he spoke, "is my relic. He from whom it came was my saint--my&#13;
hero--and he had touched it with his hand!"</p><p>"Oh!" said Rodin, feigning to regard the cross with as much curiosity as&#13;
respectful admiration; "did Napoleon--the Great Napoleon--indeed touch&#13;
with his own hand--that victorious hand!--this noble star of honor?"</p><p>"Yes, sir, with his own hand. He placed it there upon my bleeding&#13;
breast, as a cure for my fifth wound. So that, you see, were I dying of&#13;
hunger, I think I should not hesitate betwixt bread and my cross--that&#13;
I might, in any case, have it on my heart in death. But, enough--enough!&#13;
let us talk of something else. It is foolish in an old soldier, is it&#13;
not?" added Dagobert, drawing his hand across his eyes, and then, as&#13;
if ashamed to deny what he really felt: "Well, then! yes," he resumed,&#13;
raising his head proudly, and no longer seeking to conceal the tears&#13;
that rolled down his cheek; "yes, I weep for joy, to have found my&#13;
cross--my cross, that the Emperor gave me with his victorious hand, as&#13;
this worthy man has called it."</p><p>"Then blessed be my poor old hand for having restored you the glorious&#13;
treasure!" said Rodin, with emotion. "In truth," he added, "the day will&#13;
be a good one for everybody--as I announced to you this morning in my&#13;
letter."</p><p>"That letter without a signature?" asked the soldier, more and more&#13;
astonished. "Was it from you?"</p><p>"It was I who wrote it. Only, fearing some new snare of the Abbe&#13;
d'Aigrigny, I did not choose, you understand, to explain myself more&#13;
clearly."</p><p>"Then--I shall see--my orphans?"</p><p>Rodin nodded affirmatively, with an expression of great good-nature.</p><p>"Presently--perhaps immediately," said Adrienne, with smile. "Well! was&#13;
I right in telling you that you had not judged this gentleman fairly?"</p><p>"Why did he not tell me this when I came in?" cried Dagobert, almost&#13;
beside himself with joy.</p><p>"There was one difficulty in the way, my good friend," said Rodin; "it&#13;
was, that when you came in, you nearly throttled me."</p><p>"True; I was too hasty. Once more, I ask your pardon. But was I to&#13;
blame? I had only seen you with that Abbe d'Aigrigny, and in the first&#13;
moment--"</p><p>"This dear young lady," said Rodin, bowing to Adrienne, "will tell you&#13;
that I have been, without knowing it, the accomplice IN many perfidious&#13;
actions; but as soon as I began to see my way through the darkness, I&#13;
quitted the evil course on which I had entered, and returned to that&#13;
which is honest, just and true."</p><p>Adrienne nodded affirmatively to Dagobert, who appeared to consult her&#13;
look.</p><p>"If I did not sign the letter that I wrote to you, my good friend, it&#13;
was partly from fear that my name might inspire suspicion; and if I&#13;
asked you to come hither, instead of to the convent, it was that I had&#13;
some dread--like this dear young lady--lest you might be recognized by&#13;
the porter or by the gardener, your affair of the other night rendering&#13;
such a recognition somewhat dangerous."</p><p>"But M. Baleinier knows all; I forgot that," said Adrienne, with&#13;
uneasiness. "He threatened to denounce M. Dagobert and his son, if I&#13;
made any complaint."</p><p>"Do not be alarmed, my dear young lady; it will soon be for you to&#13;
dictate conditions," replied Rodin. "Leave that to me; and as for you,&#13;
my good friend, your torments are now finished."</p><p>"Yes," said Adrienne, "an upright and worthy magistrate has gone to the&#13;
convent, to fetch Marshal Simon's daughters. He will bring them hither;&#13;
but he thought with me, that it would be most proper for them to take&#13;
up their abode in my house. I cannot, however, come to this decision&#13;
without your consent, for it is to you that these orphans were entrusted&#13;
by their mother."</p><p>"You wish to take her place with regard to them, madame?" replied&#13;
Dagobert. "I can only thank you with all my heart, for myself and for&#13;
the children. But, as the lesson has been a sharp one, I must beg to&#13;
remain at the door of their chamber, night and day. If they go out with&#13;
you, I must be allowed to follow them at a little distance, so as to&#13;
keep them in view, just like Spoil-sport, who has proved himself a&#13;
better guardian than myself. When the marshal is once here--it will be&#13;
in a day or two--my post will be relieved. Heaven grant it may be soon!"</p><p>"Yes," replied Rodin, in a firm voice, "heaven grant he may arrive soon,&#13;
for he will have to demand a terrible reckoning of the Abbe d'Aigrigny,&#13;
for the persecution of his daughters; and yet the marshal does not know&#13;
all."</p><p>"And don't you tremble for the renegade?" asked Dagobert, as he thought&#13;
how the marquis would soon find himself face to face with the marshal.</p><p>"I never care for cowards and traitors," answered Rodin; "and when&#13;
Marshal Simon returns--" Then, after a pause of some seconds, he&#13;
continued: "If he will do me the honor to hear me, he shall be edified&#13;
as to the conduct of the Abbe d'Aigrigny. The marshal knows that his&#13;
dearest friends, as well as himself, have been victims of the hatred of&#13;
that dangerous man."</p><p>"How so?" said Dagobert.</p><p>"Why, yourself, for instance," replied Rodin; "you are an example of&#13;
what I advance."</p><p>"Do you think it was mere chance, that brought about the scene at the&#13;
White Falcon Inn, near Leipsic?"</p><p>"Who told you of that scene?" said Dagobert in astonishment.</p><p>"Where you accepted the challenge of Morok," continued the Jesuit,&#13;
without answering Dagobert's question, "and so fell into a trap, or else&#13;
refused it, and were then arrested for want of papers, and thrown into&#13;
prison as a vagabond, with these poor children. Now, do you know the&#13;
object of this violence? It was to prevent your being here on the 13th&#13;
of February."</p><p>"But the more I hear, sir," said Adrienne, "the more I am alarmed at the&#13;
audacity of the Abbe d'Aigrigny, and the extent of the means he has at&#13;
his command. Really," she resumed, with increasing surprise, "if your&#13;
words were not entitled to absolute belief--"</p><p>"You would doubt their truth, madame?" said Dagobert. "It is like me.&#13;
Bad as he is. I cannot think that this renegade had relations with a&#13;
wild-beast showman as far off as Saxony; and then, how could he know&#13;
that I and the children were to pass through Leipsic? It is impossible,&#13;
my good man."</p><p>"In fact, sir," resumed Adrienne, "I fear that you are deceived by your&#13;
dislike (a very legitimate one) of Abbe d'Aigrigny, and that you ascribe&#13;
to him an almost fabulous degree of power and extent of influence."</p><p>After a moment's silence, during which Rodin looked first at Adrienne&#13;
and then at Dagobert, with a kind of pity, he resumed. "How could&#13;
the Abbe d'Aigrigny have your cross in his possession, if he had no&#13;
connection with Morok?"</p><p>"That is true, sir," said Dagobert; "joy prevented me from reflecting.&#13;
But how indeed, did my cross come into your hands?"</p><p>"By means of the Abbe d'Aigrigny's having precisely those relations with&#13;
Leipsic, of which you and the young lady seem to doubt."</p><p>"But how did my cross get to Paris?"</p><p>"Tell me; you were arrested at Leipsic for want of papers--is it not&#13;
so?"</p><p>"Yes; but I could never understand how my passports and money&#13;
disappeared from my knapsack. I thought I must have had the misfortune&#13;
to lose them."</p><p>Rodin shrugged his shoulders, and replied: "You were robbed of them&#13;
at the White Falcon Inn, by Goliath, one of Morok's servants, and the&#13;
latter sent the papers and the cross to the Abbe d'Aigrigny, to prove&#13;
that he had succeeded in executing his orders with respect to the&#13;
orphans and yourself. It was the day before yesterday, that I obtained&#13;
the key of that dark machination. Cross and papers were amongst the&#13;
stores of Abbe d'Aigrigny; the papers formed a considerable bundle,&#13;
and he might have missed them; but, hoping to see you this morning, and&#13;
knowing how a soldier of the Empire values his cross, his sacred relic,&#13;
as you call it, my good friend--I did not hesitate. I put the relic into&#13;
my pocket. 'After all,' said I, 'it is only restitution, and my delicacy&#13;
perhaps exaggerates this breach of trust.'"</p><p>"You could not have done a better action," said Adrienne; "and, for my&#13;
part, because of the interest I feel for M. Dagobert--I take it as a&#13;
personal favor. But, sir," after a moment's silence, she resumed with&#13;
anxiety: "What terrible power must be at the command of M. d'Aigrigny,&#13;
for him to have such extensive and formidable relations in a foreign&#13;
country!"</p><p>"Silence!" said Rodin, in a low voice, and looking round him with an air&#13;
of alarm. "Silence! In heaven's name do not ask me about it!"</p><p>CHAPTER XXXVIII. REVELATIONS.</p><p>Mdlle. de Cardoville, much astonished at the alarm displayed by Rodin,&#13;
when she had asked him for some explanation of the formidable and far&#13;
reaching power of the Abby d'Aigrigny, said to him: "Why, sir, what is&#13;
there so strange in the question that I have just asked you?"</p><p>After a moment's silence, Rodin cast his looks all around, with well&#13;
feigned uneasiness, and replied in a whisper: "Once more, madame, do not&#13;
question me on so fearful a subject. The walls of this house may have&#13;
ears."</p><p>Adrienne and Dagobert looked at each other with growing surprise. Mother&#13;
Bunch, by an instinct of incredible force, continued to regard Rodin&#13;
with invincible suspicion. Sometimes she stole a glance at him, as if&#13;
trying to penetrate the mask of this man, who filled her with fear. At&#13;
one moment, the Jesuit encountered her anxious gaze, obstinately fixed&#13;
upon him; immediately he nodded to her with the greatest amenity. The&#13;
young girl, alarmed at finding herself observed, turned away with a&#13;
shudder.</p><p>"No, no, my dear young lady," resumed Rodin, with a sigh, as he saw&#13;
Mdlle. de Cardoville astonished at his silence; "do not question me on&#13;
the subject of the Abbe d'Aigrigny's power!"</p><p>"But, to persist, sir," said Adrienne; "why this hesitation to answer?&#13;
What do you fear?"</p><p>"Ah, my dear young lady," said Rodin, shuddering, "those people are so&#13;
powerful! their animosity is so terrible!"</p><p>"Be satisfied, sir; I owe you too much, for my support ever to fail&#13;
you."</p><p>"Ah, my dear young lady," cried Rodin, as if hurt by the supposition;&#13;
"think better of me, I entreat you. Is it for myself that I fear?--No,&#13;
no; I am too obscure, too inoffensive; but it is for you, for Marshal&#13;
Simon, for the other members of your family, that all is to be feared.&#13;
Oh, my dear young lady! let me beg you to ask no questions. There are&#13;
secrets which are fatal to those who possess them."</p><p>"But, sir, is it not better to know the perils with which one is&#13;
threatened?"</p><p>"When you know the manoeuvres of your enemy, you may at least defend&#13;
yourself," said Dagobert. "I prefer an attack in broad daylight to an&#13;
ambuscade."</p><p>"And I assure you," resumed Adrienne, "the few words you have spoken&#13;
cause me a vague uneasiness."</p><p>"Well, if I must, my dear young lady," replied the Jesuit, appearing to&#13;
make a great effort, "since you do not understand my hints, I will be&#13;
more explicit; but remember," added he, in a deeply serious tone, "that&#13;
you have persevered in forcing me to tell you what you had perhaps&#13;
better not have known."</p><p>"Speak, Sir, I pray you speak," said Adrienne.</p><p>Drawing about him Adrienne, Dagobert, and Mother Bunch, Rodin said to&#13;
them in a low voce, and with a mysterious air: "Have you never heard of&#13;
a powerful association, which extends its net over all the earth, and&#13;
counts its disciples, agents, and fanatics in every class of society&#13;
which has had, and often has still, the ear of kings and nobles--which,&#13;
in a word, can raise its creatures to the highest positions, and with a&#13;
word can reduce them again to the nothingness from which it alone could&#13;
uplift them?"</p><p>"Good heaven, sir!" said Adrienne, "what formidable association? Until&#13;
now I never heard of it."</p><p>"I believe you; and yet your ignorance on this subject greatly&#13;
astonishes me, my dear young lady."</p><p>"And why should it astonish you?"</p><p>"Because you lived some time with your aunt, and must have often seen&#13;
the Abbe d'Aigrigny."</p><p>"I lived at the princess's, but not with her; for a thousand reasons she&#13;
had inspired me with warrantable aversion."</p><p>"In truth, my dear young lady, my remark was ill-judged. It was there,&#13;
above all, and particularly in your presence, that they would keep&#13;
silence with regard to this association--and yet to it alone did the&#13;
Princess de Saint-Dizier owe her formidable influence in the world,&#13;
during the last reign. Well, then; know this--it is the aid of that&#13;
association which renders the Abbe d'Aigrigny so dangerous a man.</p><p>"By it he was enabled to follow and to reach divers members of your&#13;
family, some in Siberia, some in India, others on the heights of the&#13;
American mountains; but, as I have told you, it was only the day before&#13;
yesterday, and by chance, that, examining the papers of Abbe d'Aigrigny,&#13;
I found the trace of his connection with this Company, of which he is&#13;
the most active and able chief."</p><p>"But the name, sir, the name of this Company?" said Adrienne.</p><p>"Well! it is--" but Rodin stopped short.</p><p>"It is," repeated Adrienne, who was now as much interested as Dagobert&#13;
and the sempstress; "it is--"</p><p>Rodin looked round him, beckoned all the actors in this scene to draw&#13;
nearer, and said in a whisper, laying great stress upon the words: "It&#13;
is--the Society of Jesus!" and he again shuddered.</p><p>"The Jesuits!" cried Mdlle. de Cardoville, unable to restrain a burst&#13;
of laughter, which was the more buoyant, as, from the mysterious&#13;
precautions of Rodin, she had expected some very different revelation.&#13;
"The Jesuits!" she resumed, still laughing. "They have no existence,&#13;
except in books; they are frightful historical personages, certainly;&#13;
but why should you put forward Madame de Saint-Dizier and M. d'Aigrigny&#13;
in that character? Such as they are, they have done quite enough to&#13;
justify my aversion and disdain."</p><p>After listening in silence to Mdlle. de Cardoville Rodin continued, with&#13;
a grave and agitated air: "Your blindness frightens me, my dear, young&#13;
lady; the past should have given you some anxiety for the future, since,&#13;
more than any one, you have already suffered from the fatal influence of&#13;
this Company, whose existence you regard as a dream!"</p><p>"I, sir?" said Adrienne, with a smile, although a little surprised.</p><p>"You."</p><p>"Under what circumstances?"</p><p>"You ask me this question! my dear young lady! you ask me this&#13;
question!--and yet you have been confined here as a mad person! Is it&#13;
not enough to tell you that the master of this house is one of the most&#13;
devoted lay members of the Company, and therefore the blind instrument&#13;
of the Abbe d'Aigrigny?"</p><p>"So," said Adrienne, this time without smiling, "Dr. Baleinier"</p><p>"Obeyed the Abbe d'Aigrigny, the most formidable chief of that&#13;
formidable society. He employs his genius for evil; but I must confess&#13;
he is a man of genius. Therefore, it is upon him that you and yours must&#13;
fix all your doubts and suspicions; it is against him that you must be&#13;
upon your guard. For, believe me, I know him, and he does not look upon&#13;
the game as lost. You must be prepared for new attacks, doubtless of&#13;
another kind, but only the more dangerous on that account--"</p><p>"Luckily, you give us notice," said Dagobert, "and you will be on our&#13;
side."</p><p>"I can do very little, my good friends; but that little is at the&#13;
service of honest people," said Rodin.</p><p>"Now," said Adrienne, with a thoughtful air, completely persuaded by&#13;
Rodin's air of conviction, "I can explain the inconceivable influence&#13;
that my aunt exercised in the world. I ascribed it chiefly to her&#13;
relations with persons in power; I thought that she, like the Abbe&#13;
d'Aigrigny, was concerned in dark intrigues, for which religion served&#13;
as a veil--but I was far from believing what you tell me."</p><p>"How many things you have got to learn!" resumed Rodin. "If you knew, my&#13;
dear young lady, with what art these people surround you, without your&#13;
being aware of it, by agents devoted to themselves! Every one of your&#13;
steps is known to them, when they have any interest in such knowledge.&#13;
Thus, little by little, they act upon you--slowly, cautiously,&#13;
darkly. They circumvent you by every possible means, from flattery to&#13;
terror--seduce or frighten, in order at last to rule you, without your&#13;
being conscious of their authority. Such is their object, and I must&#13;
confess they pursue it with detestable ability."</p><p>Rodin had spoken with so much sincerity, that Adrienne trembled; then,&#13;
reproaching herself with these fears, she resumed: "And yet, no--I can&#13;
never believe in so infernal a power; the might of priestly ambition&#13;
belongs to another age. Heaven be praised, it has disappeared forever!"</p><p>"Yes, certainly, it is out of sight; for they now know how to disperse&#13;
and disappear, when circumstances require it. But then are they the&#13;
most dangerous; for suspicion is laid asleep, and they keep watch in the&#13;
dark. Oh! my dear young lady, if you knew their frightful ability! In&#13;
my hatred of all that is oppressive, cowardly, and hypocritical, I had&#13;
studied the history of that terrible society, before I knew that the&#13;
Abbe d'Aigrigny belonged to it. Oh! it is dreadful. If you knew what&#13;
means they employ! When I tell you that, thanks to their diabolical&#13;
devices, the most pure and devoted appearances often conceal the most&#13;
horrible snares." Rodin's eye rested, as if by chance, on the hunchback;&#13;
but, seeing that Adrienne did not take the hint, the Jesuit continued:&#13;
"In a word--are you not exposed to their pursuits?--have they any&#13;
interest in gaining you over?--oh! from that moment, suspect all that&#13;
surround you, suspect the most noble attachments, the most tender&#13;
affections, for these monsters sometimes succeed in corrupting your&#13;
best friends, and making a terrible use of them, in proportion to the&#13;
blindness of your confidence."</p><p>"Oh! it is impossible," cried Adrienne, in horror. "You must exaggerate.&#13;
No! hell itself never dreamed of more frightful treachery!"</p><p>"Alas, my dear young lady! one of your relations, M. Hardy--the most&#13;
loyal and generous-hearted man that could be--has been the victim of&#13;
some such infamous treachery. Do you know what we learned from the&#13;
reading of your ancestor's will? Why, that he died the victim of the&#13;
malevolence of these people; and now, at the lapse of a hundred and&#13;
fifty years, his descendants are still exposed to the hate of that&#13;
indestructible society."</p><p>"Oh, sir! it terrifies me," said Adrienne, feeling her heart sink within&#13;
her. "But are there no weapons against such attacks?"</p><p>"Prudence, my dear young lady--the most watchful caution--the most&#13;
incessant study and suspicion of all that approach you."</p><p>"But such a life would be frightful! It is a torture to be the victim of&#13;
continual suspicions, doubts, and fears."</p><p>"Without doubt! They know it well, the wretches! That constitutes their&#13;
strength. They often triumph by the very excess of the precautions&#13;
taken against them. Thus, my dear young lady, and you, brave and worthy&#13;
soldier, in the name of all that is dear to you, be on your guard, and&#13;
do not lightly impart your confidence. Be on your guard, for you have&#13;
nearly fallen the victims of those people. They will always be your&#13;
implacable enemies. And you, also, poor, interesting girl!" added the&#13;
Jesuit, speaking to Mother Bunch, "follow my advice--fear these people.&#13;
Sleep, as the proverb says, with one eye open."</p><p>"I, sir!" said the work-girl. "What have I done? what have I to fear?"</p><p>"What have you done? Dear me! Do not you tenderly love this young lady,&#13;
your protectress? have you not attempted to assist her? Are you not the&#13;
adopted sister of the son of this intrepid soldier, the brave Agricola!&#13;
Alas, poor, girl! are not these sufficient claims to their hatred, in&#13;
spite of your obscurity? Nay, my dear young lady! do not think that I&#13;
exaggerate. Reflect! only reflect! Think what I have just said to&#13;
the faithful companion-in-arms of Marshal Simon, with regard to his&#13;
imprisonment at Leipsic. Think what happened to yourself, when, against&#13;
all law and reason, you were brought hither. Then you will see, that&#13;
there is nothing exaggerated in the picture I have drawn of the secret&#13;
power of this Company. Be always on your guard, and, in doubtful cases,&#13;
do not fear to apply to me. In three days, I have learned enough by my&#13;
own experience, with regard to their manner of acting, to be able to&#13;
point out to you many a snare, device, and danger, and to protect you&#13;
from them."</p><p>"In any such case, sir," replied Mdlle. de Cardoville, "my interests, as&#13;
well as gratitude, would point to you as my best counsellor."</p><p>According to the skillful tactics of the sons of Loyola, who sometimes&#13;
deny their own existence, in order to escape from an adversary--and&#13;
sometimes proclaim with audacity the living power of their organization,&#13;
in order to intimidate the feeble-R-odin had laughed in the face of the&#13;
bailiff of Cardoville, when the latter had spoken of the existence of&#13;
the Jesuits; while now, at this moment, picturing their means of action,&#13;
he endeavored, and he succeeded in the endeavor, to impregnate the mind&#13;
of Mdlle. de Cardoville with some germs of doubt, which were gradually&#13;
to develop themselves by reflection, and serve hereafter the dark&#13;
projects that he meditated. Mother Bunch still felt considerable alarm&#13;
with regard to Rodin. Yet, since she had heard the fatal powers of the&#13;
formidable Order revealed to Adrienne, the young sempstress, far from&#13;
suspecting the Jesuit of having the audacity to speak thus of a society&#13;
of which he was himself a member, felt grateful to him, in spite of&#13;
herself, for the important advice that he had just given her patroness.&#13;
The side-glance which she now cast upon him (which Rodin also detected,&#13;
for he watched the young girl with sustained attention), was full&#13;
of gratitude, mingled with surprise. Guessing the nature of this&#13;
impression, and wishing entirely to remove her unfavorable opinion, and&#13;
also to anticipate a revelation which would be made sooner or later,&#13;
the Jesuit appeared to have forgotten something of great importance,&#13;
and exclaimed, striking his forehead: "What was I thinking of?" Then,&#13;
speaking to Mother Bunch, he added: "Do you know where your sister is,&#13;
my dear girl?" Disconcerted and saddened by this unexpected question,&#13;
the workwoman answered with a blush, for she remembered her last&#13;
interview with the brilliant Bacchanal Queen: "I have not seen my sister&#13;
for some days, sir."</p><p>"Well, my dear girl, she is not very comfortable," said Rodin; "I&#13;
promised one of her friends to send her some little assistance. I have&#13;
applied to a charitable person, and that is what I received for her."&#13;
So saying, he drew from his pocket a sealed roll of coin, which he&#13;
delivered to Mother Bunch, who was now both surprised and affected.</p><p>"You have a sister in trouble, and I know nothing of it?" said Adrienne,&#13;
hastily. "This is not right of you, my child!"</p><p>"Do not blame her," said Rodin. "First of all, she did not know that her&#13;
sister was in distress, and, secondly, she could not ask you, my dear&#13;
young lady, to interest yourself about her."</p><p>As Mdlle. de Cardoville looked at Rodin with astonishment, he added,&#13;
again speaking to the hunchback: "Is not that true, my dear girl!"</p><p>"Yes, sir," said the sempstress, casting down her eyes and blushing.&#13;
Then she added, hastily and anxiously: "But when did you see my sister,&#13;
sir? where is she? how did she fall into distress?"</p><p>"All that would take too long to tell you, my dear girl; but go as soon&#13;
as possible to the greengrocer's in the Rue Clovis, and ask to speak to&#13;
your sister as from M. Charlemagne or M. Rodin, which you please, for&#13;
I am equally well known in that house by my Christian name as by my&#13;
surname, and then you will learn all about it. Only tell your sister,&#13;
that, if she behaves well, and keeps to her good resolutions, there are&#13;
some who will continue to look after her."</p><p>More and more surprised, Mother Bunch was about to answer Rodin, when&#13;
the door opened, and M. de Gernande entered. The countenance of the&#13;
magistrate was grave and sad.</p><p>"Marshal Simon's daughters!" cried Mdlle. de Cardoville.</p><p>"Unfortunately, they are not with me," answered the judge.</p><p>"Then, where are they, sir? What have they done with them? The day&#13;
before yesterday, they were in the convent!" cried Dagobert, overwhelmed&#13;
by this complete destruction of his hopes.</p><p>Hardly had the soldier pronounced these words, when, profiting by&#13;
the impulse which gathered all the actors in this scene about the&#13;
magistrate, Rodin withdrew discreetly towards the door, and disappeared&#13;
without any one perceiving his absence. Whilst the soldier, thus&#13;
suddenly thrown back to the depths of his despair, looked at M. de&#13;
Gernande, waiting with anxiety for the answer, Adrienne said to the&#13;
magistrate: "But, sir, when you applied at the convent, what explanation&#13;
did the superior give on the subject of these young girls?"</p><p>"The lady superior refused to give any explanation, madame. 'You&#13;
pretend,' said she, 'that the young persons of whom you speak are&#13;
detained here against their will. Since the law gives you the right of&#13;
entering this house, make your search.' 'But, madame, please to answer&#13;
me positively,' said I to the superior; 'do you declare, that you know&#13;
nothing of the young girls, whom I have come to claim?' 'I have nothing&#13;
to say on this subject, sir. You assert, that you are authorized to&#13;
make a search: make it.' Not being able to get any other explanation,"&#13;
continued the magistrate, "I searched all parts of the convent, and had&#13;
every door opened--but, unfortunately, I could find no trace of these&#13;
young ladies."</p><p>"They must have sent them elsewhere," cried Dagobert; "who&#13;
knows?--perhaps, ill. They will kill them--O God! they will kill them!"&#13;
cried he, in a heart-rending tone.</p><p>"After such a refusal, what is to be done? Pray, sir, give us your&#13;
advice; you are our providence," said Adrienne, turning to speak to&#13;
Rodin, who she fancied was behind her. "What is your--"</p><p>Then, perceiving that the Jesuit had suddenly disappeared, she said to&#13;
Mother Bunch, with uneasiness: "Where is M. Rodin?"</p><p>"I do not know, madame," answered the girl, looking round her; "he is no&#13;
longer here."</p><p>"It is strange," said Adrienne, "to disappear so abruptly!"</p><p>"I told you he was a traitor!" cried Dagobert, stamping with rage; "they&#13;
are all in a plot together."</p><p>"No, no," said Mdlle. de Cardoville; "do not think that. But the&#13;
absence is not the less to be regretted, for, under these difficult&#13;
circumstances, he might have given us very useful information, thanks to&#13;
the position he occupied at M. d'Aigrigny's."</p><p>"I confess, madame, that I rather reckoned upon it," said M. de&#13;
Gernande; "and I returned hither, not only to inform you of the&#13;
fruitless result of my search, but also to seek from the upright and&#13;
honorable roan, who so courageously unveiled these odious machinations,&#13;
the aid of his counsels in this contingency."</p><p>Strangely enough, for the last few moments Dagobert was so completely&#13;
absorbed in thought, that he paid no attention to the words of the&#13;
magistrate, however important to him. He did not even perceive the&#13;
departure of M. de Gernande, who retired after promising Adrienne that&#13;
he would neglect no means to arrive at the truth, in regard to the&#13;
disappearance of the orphans. Uneasy at this silence, wishing to quit&#13;
the house immediately, and induce Dagobert to accompany her, Adrienne,&#13;
after exchanging a rapid glance with Mother Bunch, was advancing towards&#13;
the soldier, when hasty steps were heard from without the chamber, and a&#13;
manly sonorous voice, exclaiming with impatience, "Where is he--where is&#13;
he?"</p><p>At the sound of this voice, Dagobert seemed to rouse himself with a&#13;
start, made a sudden bound, and with a loud cry, rushed towards the&#13;
door. It opened. Marshal Simon appeared on the threshold!</p><p>CHAPTER XXXIX. PIERRE SIMON.</p><p>Marshal Pierre Simon, Duke de Ligny, was a man of tall stature, plainly&#13;
dressed in a blue frock-coat, buttoned up to the throat, with a red&#13;
ribbon tied to the top buttonhole. You could not have wished to see&#13;
a more frank, honest, and chivalrous cast of countenance than the&#13;
marshal's. He had a broad forehead, an aquiline nose, a well formed&#13;
chin, and a complexion bronzed by exposure to the Indian sun. His hair,&#13;
cut very short, was inclined to gray about the temples; but his eyebrows&#13;
were still as black as his large, hanging moustache. His walk was free&#13;
and bold, and his decided movements showed his military impetuosity. A&#13;
man of the people, a man of war and action, the frank cordiality of&#13;
his address invited friendliness and sympathy. As enlightened as he was&#13;
intrepid as generous as he was sincere, his manly, plebeian pride was&#13;
the most remarkable part of his character. As others are proud of their&#13;
high birth, so was he of his obscure origin, because it was ennobled by&#13;
the fine qualities of his father, the rigid republican, the intelligent&#13;
and laborious artisan, who, for the space of forty years, had been the&#13;
example and the glory of his fellow-workmen. In accepting with gratitude&#13;
the aristocratic title which the Emperor had bestowed upon him, Pierre&#13;
Simon acted with that delicacy which receives from a friendly hand a&#13;
perfectly useless gift, and estimates it according to the intention of&#13;
the giver. The religious veneration of Pierre Simon for the Emperor had&#13;
never been blind; in proportion as his devotion and love for his idol&#13;
were instructive and necessary, his admiration was serious, and founded&#13;
upon reason. Far from resembling those swashbucklers who love fighting&#13;
for its own sake, Marshal Simon not only admired his hero as the&#13;
greatest captain in the world, but he admired him, above all, because he&#13;
knew that the Emperor had only accepted war in the hope of one day being&#13;
able to dictate universal peace; for if peace obtained by glory and&#13;
strength is great, fruitful, and magnificent, peace yielded by weakness&#13;
and cowardice is sterile, disastrous, and dishonoring. The son of a&#13;
workman, Pierre Simon still further admired the Emperor, because that&#13;
imperial parvenu had always known how to make that popular heart beat&#13;
nobly, and, remembering the people, from the masses of whom he first&#13;
arose, had invited them fraternally to share in regal and aristocratic&#13;
pomp.</p><p>When Marshal Simon entered the room, his countenance was much agitated.&#13;
At sight of Dagobert, a flash of joy illumined his features; he rushed&#13;
towards the soldier, extending his arms, and exclaimed, "My friend! my&#13;
old friend!"</p><p>Dagobert answered this affectionate salute with silent emotion. Then the&#13;
marshal, disengaging himself from his arms, and fixing his moist eyes&#13;
upon him, said to him in so agitated a voice that his lips trembled,&#13;
"Well, didst arrive in time for the 13th of February?"</p><p>"Yes, general; but everything is postponed for four months."</p><p>"And--my wife?--my child?" At this question Dagobert shuddered, hung&#13;
down his head, and was silent.</p><p>"They are not, then, here?" asked Simon, with more surprise than&#13;
uneasiness. "They told me they were not at your house, but that I should&#13;
find you here--and I came immediately. Are they not with you?"</p><p>"General," said Dagobert, becoming deadly pale; "general--" Drying&#13;
the drops of cold sweat that stood upon his forehead, he was unable to&#13;
articulate a word, for his voice was checked in his parched throat.</p><p>"You frighten me!" exclaimed Pierre Simon, becoming pale as the soldier,&#13;
and seizing him by the arm.</p><p>At this, Adrienne advanced, with a countenance full of grief and&#13;
sympathy; seeing the cruel embarrassment of Dagobert, she wished to come&#13;
to his assistance, and she said to Pierre Simon, in a mild but agitated&#13;
voice, "Marshal, I am Mdlle. de Cardoville--a relation of your dear&#13;
children."</p><p>Pierre Simon turned around suddenly, as much struck with the dazzling&#13;
beauty of Adrienne as with the words she had just pronounced. He&#13;
stammered out in his surprise, "You, madame--a relation--of my&#13;
children!"</p><p>He laid a stress on the last words, and looked at Dagobert in a kind of&#13;
stupor.</p><p>"Yes, marshal your children," hastily replied Adrienne; "and the love of&#13;
those charming twin sisters--"</p><p>"Twin sisters!" cried Pierre Simon, interrupting Mdlle. de Cardoville,&#13;
with an outburst of joy impossible to describe. "Two daughters instead&#13;
of one! Oh! what happiness for their mother! Pardon me, madame, for&#13;
being so impolite," he continued; "and so little grateful for what you&#13;
tell me. But you will understand it; I have been seventeen years without&#13;
seeing my wife; I come, and I find three loved beings, instead of two.&#13;
Thanks, madame: would I could express all the gratitude I owe you! You&#13;
are our relation; this is no doubt your house; my wife and children&#13;
are with you. Is it so? You think that my sudden appearance might be&#13;
prejudicial to them? I will wait--but madame, you, that I am certain&#13;
are good as fair--pity my impatience--will make haste to prepare them to&#13;
receive me--"</p><p>More and more agitated, Dagobert avoided the marshal's gaze, and&#13;
trembled like a leaf. Adrienne cast down her eyes without answering.&#13;
Her heart sunk within her, at thought of dealing the terrible blow to&#13;
Marshal Simon.</p><p>The latter, astonished at this silence, looking at Adrienne, then at&#13;
the soldier, became first uneasy, and at last alarmed. "Dagobert!" he&#13;
exclaimed, "something is concealed from me!"</p><p>"General!" stammered the soldier, "I assure you--I--I--."</p><p>"Madame!" cried Pierre Simon, "I conjure you, in pity, speak to me&#13;
frankly!--my anxiety is horrible. My first fears return upon me. What&#13;
is it? Are my wife and daughters ill? Are they in danger? Oh! speak!&#13;
speak!"</p><p>"Your daughters, marshal," said Adrienne "have been rather unwell, since&#13;
their long journey--but they are in no danger."</p><p>"Oh, heaven! it is my wife!"</p><p>"Have courage, sir!" said Mdlle. de Cardoville, sadly. "Alas! you must&#13;
seek consolation in the affection of the two angels that remain to you."</p><p>"General!" said Dagobert, in a firm grave tone, "I returned from&#13;
Siberia--alone with your two daughters."</p><p>"And their mother! their mother!" cried Simon, in a voice of despair.</p><p>"I set out with the two orphans the day after her death," said the&#13;
soldier.</p><p>"Dead?" exclaimed Pierre Simon, overwhelmed by the stroke; "dead?" A&#13;
mournful silence was the only answer. The marshal staggered beneath this&#13;
unexpected shock, leaned on the back of a chair for support, and then,&#13;
sinking into the seat, concealed his face with his hands. For same&#13;
minutes nothing was heard but stifled sobs, for not only had Pierre&#13;
Simon idolized his wife, but by one of those singular compromises, that&#13;
a man long cruelly tried sometimes makes with destiny, Pierre Simon,&#13;
with the fatalism of loving souls, thought he had a right to reckon upon&#13;
happiness after so many years of suffering, and had not for a moment&#13;
doubted that he should find his wife and child--a double consolation&#13;
reserved to him after going through so much. Very different from certain&#13;
people, whom the habit of misfortune renders less exacting, Simon had&#13;
reckoned upon happiness as complete as had been his misery. His wife and&#13;
child were the sole, indispensable conditions of this felicity, and, had&#13;
the mother survived her daughters, she would have no more replaced them&#13;
in his eyes than they did her. Weakness or avarice of the heart, so it&#13;
was; we insist upon this singularity, because the consequences of these&#13;
incessant and painful regrets exercised a great influence on the&#13;
future life of Marshal Simon. Adrienne and Dagobert had respected the&#13;
overwhelming grief of this unfortunate man. When he had given a free&#13;
course to his tears, he raised his manly countenance, now of marble&#13;
paleness, drew his hand across his blood-shot eyes, rose, and said to&#13;
Adrienne, "Pardon me, madame; I could not conquer my first emotion.&#13;
Permit me to retire. I have cruel details to ask of the worthy friend&#13;
who only quitted my wife at the last moment. Have the kindness to let&#13;
me see my children--my poor orphans!--" And the marshal's voice again&#13;
broke.</p><p>"Marshal," said Mdlle. de Cardoville, "just now we were expecting your&#13;
dear children: unfortunately, we have been deceived in our hopes."&#13;
Pierre Simon first looked at Adrienne without answering, as if he had&#13;
not heard or understood.--"But console yourself," resumed the young&#13;
girl; "we have yet no reason to despair."</p><p>"To despair?" repeated the marshaling by turns at Mdlle. de Cardoville&#13;
despair?--"of what, in heaven's name?"</p><p>"Of seeing your children, marshal," said Adrienne; "the presence of&#13;
their father will facilitate the search."</p><p>"The search!" cried Pierre Simon. "Then, my daughters are not here?"</p><p>"No, sir," said Adrienne, at length; "they have been taken from the&#13;
affectionate care of the excellent man who brought them from Russia, to&#13;
be removed to a convent."</p><p>"Wretch!" cried Pierre Simon, advancing towards Dagobert, with a&#13;
menacing and terrible aspect; "you shall answer to me for all!"</p><p>"Oh, sir, do not blame him!" cried Mdlle. de Cardoville.</p><p>"General," said Dagobert, in a tone of mournful resignation, "I merit&#13;
your anger. It is my fault. Forced to absent myself from Paris, I&#13;
entrusted the children to my wife; her confessor turned her head, and&#13;
persuaded her that your daughters would be better in a convent than at&#13;
our house. She believed him, and let them be conveyed there. Now they&#13;
say at the convent, that they do not know where they are. This is the&#13;
truth: do what you will with me; I have only to silently endure."</p><p>"This is infamous!" cried Pierre Simon, pointing to Dagobert, with a&#13;
gesture of despairing indignation. "In whom can a man confide, if he has&#13;
deceived me? Oh, my God!"</p><p>"Stay, marshal! do not blame him," repeated Mdlle. de Cardoville; "do&#13;
not think so! He has risked life and honor to rescue your children from&#13;
the convent. He is not the only one who has failed in this attempt. Just&#13;
now, a magistrate--despite his character and authority--was not more&#13;
successful. His firmness towards the superior, his minute search of the&#13;
convent, were all in vain. Up to this time it has been impossible to&#13;
find these unfortunate children."</p><p>"But where's this convent!" cried Marshal Simon, raising his head, his&#13;
face all pale and agitated with grief and rage. "Where is it? Do these&#13;
vermin know what a father is, deprived of his children?" At the moment&#13;
when Marshal Simon, turning towards Dagobert, pronounced these words,&#13;
Rodin, holding Rose and Blanche by the hand, appeared at the open door&#13;
of the chamber. On hearing the marshal's exclamation, he started with&#13;
surprise, and a flash of diabolical joy lit up his grim countenance--for&#13;
he had not expected to meet Pierre Simon so opportunely.</p><p>Mdlle. de Cardoville was the first to perceive the presence of Rodin.&#13;
She exclaimed, as she hastened towards him: "Oh! I was not deceived. He&#13;
is still our providence."</p><p>"My poor children!" said Rodin, in a low voice, to the young girls, as&#13;
he pointed to Pierre Simon, "this is your father!"</p><p>"Sir!" cried Adrienne, following close upon Rose and Blanche. "Your&#13;
children are here!"</p><p>As Simon turned round abruptly, his two daughters threw themselves into&#13;
his arms. Here was a long silence, broken only by sobs, and kisses, and&#13;
exclamations of joy.</p><p>"Come forward, at least, and enjoy the good you have done!" said Mdlle.&#13;
de Cardoville, drying her eyes, and turning towards Rodin, who, leaning&#13;
against the door, seemed to contemplate this scene with deep emotion.</p><p>Dagobert, at sight of Rodin bringing back the children, was at first&#13;
struck with stupor, and unable to move a step; but hearing the words of&#13;
Adrienne, and yielding to a burst of almost insane gratitude, he threw&#13;
himself on his knees before the Jesuit, joined his hands together, and&#13;
exclaimed in a broken voice: "You have saved me, by bringing back these&#13;
children."</p><p>"Oh, bless you, sir!" said Mother Bunch, yielding to the general&#13;
current.</p><p>"My good friends, this is too much," said Rodin, as if his emotions were&#13;
beyond his strength; "this is really too much for me. Excuse me to the&#13;
marshal, and tell him that I am repaid by the sight of his happiness."</p><p>"Pray, sir," said Adrienne, "let the marshal at least have the&#13;
opportunity to see and know you."</p><p>"Oh, remain! you that have saved us all!" cried Dagobert, trying to stop&#13;
Rodin.</p><p>"Providence, you know, my dear young lady, does not trouble itself about&#13;
the good that is done, but the good that remains to do," said Rodin,&#13;
with an accent of playful kindness. "Must I not think of Prince Djalma?&#13;
My task is not finished, and moments are precious. Come," he added,&#13;
disengaging himself gently from Dagobert's hold, "come the day has been&#13;
as good a one as I had hoped.. The Abbe d'Aigrigny is unmasked; you&#13;
are free, my dear young lady; you have recovered your cross, my brave&#13;
soldier; Mother Bunch is sure of a protectress; the marshal has found&#13;
his children. I have my share in all these joys, it is a full share--my&#13;
heart is satisfied. Adieu, my friends, till we meet again." So saying,&#13;
Rodin waved his hand affectionately to Adrienne, Dagobert, and the&#13;
hunchback, and withdrew, waving his hand with a look of delight on&#13;
Marshal Simon, who, seated between his daughters, held them in his arms,&#13;
and covered them with tears and kisses, remaining quite indifferent to&#13;
all that was passing around him.</p><p>An hour after this scene, Mdlle. de Cardoville and the sempstress,&#13;
Marshal Simon, his two daughters and Dagobert quitted Dr. Beleinier's&#13;
asylum.</p><p>In terminating this episode, a few words by way of moral, with regard to&#13;
lunatic asylums and convents may not be out of place. We have said, and&#13;
we repeat, that the laws which apply to the superintendence of lunatic&#13;
asylums appear to us insufficient. Facts that have recently transpired&#13;
before the courts, and other facts that have been privately communicated&#13;
to us, evidently prove this insufficiency. Doubtless, magistrates have&#13;
full power to visit lunatic asylums. They are even required to make&#13;
such visits. But we know, from the best authority, that the numerous&#13;
and pressing occupations of magistrates, whose number is often out of&#13;
proportion with the labor imposed upon them, render these inspections so&#13;
rare, that they are, so to speak, illusory. It appears, therefore, to us&#13;
advisable to institute a system of inspections, at least twice a month,&#13;
especially designed for lunatic asylums, and entrusted to a physician&#13;
and a magistrate, so that every complaint may be submitted to a double&#13;
examination. Doubtless, the law is sufficient when its ministers are&#13;
fully informed; but how many formalities, how many difficulties must be&#13;
gone through, before they can be so, particularly when the unfortunate&#13;
creature who needs their assistance, already suspected, isolated, and&#13;
imprisoned, has no friend to come forward in defence, and demand, in his&#13;
or her name, the protection of the authorities! Is it not imperative,&#13;
therefore, on the civil power, to meet these necessities by a periodical&#13;
and well-organized system of inspection?</p><p>What we here say of lunatic asylums will apply with still greater force&#13;
to convents for women, seminaries, and houses inhabited by religious&#13;
bodies. Recent and notorious facts, with which all France has rung,&#13;
have, unfortunately, proved that violence, forcible detention, barbarous&#13;
usage, abduction of minors, and illegal imprisonment, accompanied by&#13;
torture, are occurrences which, if not frequent, are at least possible&#13;
in religious houses. It required singular accidents, audacious and&#13;
cynical brutalities; to bring these detestable actions to public&#13;
knowledge. How many other victims have been, and, perhaps still are,&#13;
entombed in those large silent mansions, where no profane look may&#13;
penetrate, and which, through the privileges of the clergy, escape the&#13;
superintendence of the civil power. Is it not deplorable that these&#13;
dwellings should not also be subject to periodical inspection, by&#13;
visitors consisting, if it be desired, of a priest, a magistrate, and&#13;
some delegate of the municipal authorities? If nothing takes place, but&#13;
what is legal, human, and charitable, in these establishments, which&#13;
have all the character, and incur all the responsibility, of public&#13;
institutions, why this resistance, this furious indignation of the&#13;
church party, when any mention is made of touching what they call their&#13;
privileges? There is something higher than the constitutions devised&#13;
at Rome. We mean the Law of France--the common law--which grants to all&#13;
protection, but which, in return, exacts from all respect and obedience.</p><p>BOOK VII.</p><p>XL. The East Indian in Paris XLI. Rising XLII. Doubts XLIII.&#13;
     The Letter XLIV. Adrienne and Djalma XLV. The Consultation&#13;
     XLVI. Mother Bunch's Diary XLVII. The Diary Continued&#13;
     XLVIII. The Discovery XLIX. The Trysting-Place of the Wolves&#13;
     L. The Common Dwelling-House LI. The Secret LII. Revelations</p><p>CHAPTER XL. THE EAST INDIAN IN PARIS.</p><p>Since three days, Mdlle. de Cardoville had left Dr. Baleinier's. The&#13;
following scene took place in a little dwelling in the Rue Blanche, to&#13;
which Djalma had been conducted in the name of his unknown protector.&#13;
Fancy to yourself a pretty, circular apartment, hung with Indian&#13;
drapery, with purple figures on a gray ground, just relieved by a&#13;
few threads of gold. The ceiling, towards the centre, is concealed by&#13;
similar hangings, tied together by a thick, silken cord; the two ends&#13;
of this cord, unequal in length, terminated, instead of tassels, in two&#13;
tiny Indian lamps of gold filigreed-work, marvellously finished. By one&#13;
of those ingenious combinations, so common in barbarous countries,&#13;
these lamps served also to burn perfumes. Plates of blue crystal, let&#13;
in between the openings of the arabesque, and illumined by the interior&#13;
light, shone with so limpid an azure, that the golden lamps seemed&#13;
starred with transparent sapphires. Light clouds, of whitish vapor rose&#13;
incessantly from these lamps, and spread all around their balmy odor.</p><p>Daylight was only admitted to this room (it was about two o'clock in the&#13;
afternoon) through a little greenhouse, on the other side of a door of&#13;
plate-glass, made to slide into the thickness of the wall, by means of a&#13;
groove. A Chinese shade was arranged so as to hide or replace this&#13;
glass at pleasure. Some dwarf palm tress, plantains, and other Indian&#13;
productions, with thick leaves of a metallic green, arranged in clusters&#13;
in this conservatory, formed, as it were, the background to two large&#13;
variegated bushes of exotic flowers, which were separated by a narrow&#13;
path, paved with yellow and blue Japanese tiles, running to the foot of&#13;
the glass. The daylight, already much dimmed by the leaves through which&#13;
it passed, took a hue of singular mildness as it mingled with the azure&#13;
lustre of the perfumed lamps, and the crimson brightness of the fire&#13;
in the tall chimney of oriental porphyry. In the obscurity of this&#13;
apartment, impregnated with sweet odors and the aromatic vapor of&#13;
Persian tobacco, a man with brown, hanging locks, dressed in a long robe&#13;
of dark green, fastened round the waist by a parti-colored sash, was&#13;
kneeling upon a magnificent Turkey carpet, filling the golden bowl of&#13;
a hookah; the long, flexible tube of this pipe, after rolling its folds&#13;
upon the carpet, like a scarlet serpent with silver scales, rested&#13;
between the slender fingers of Djalma, who was reclining negligently on&#13;
a divan. The young prince was bareheaded; his jet-black hair, parted on&#13;
the middle of his forehead, streamed waving about his face and neck of&#13;
antique beauty--their warm transparent colors resembling amber or topaz.&#13;
Leaning his elbow on a cushion, he supported his chin with the palm of&#13;
his right hand. The flowing sleeve of his robe, falling back from his&#13;
arm, which was round as that of a woman, revealed mysterious signs&#13;
formerly tattooed there in India by a Thug's needle. The son of&#13;
Radja-sing held in his left hand the amber mouthpiece of his pipe. His&#13;
robe of magnificent cashmere, with a border of a thousand hues, reaching&#13;
to his knee, was fastened about his slim and well-formed figure by the&#13;
large folds of an orange-colored shawl. This robe was half withdrawn&#13;
from one of the elegant legs of this Asiatic Antinous, clad in a kind&#13;
of very close fitting gaiter of crimson velvet, embroidered with silver,&#13;
and terminating in a small white morocco slipper, with a scarlet heel.&#13;
At once mild and manly, the countenance of Djalma was expressive of that&#13;
melancholy and contemplative calmness habitual to the Indian and the&#13;
Arab, who possess the happy privilege of uniting, by a rare combination,&#13;
the meditative indolence of the dreamer with the fiery energy of the&#13;
man of action--now delicate, nervous, impressionable as women--now&#13;
determined, ferocious, and sanguinary as bandits.</p><p>And this semi-feminine comparison, applicable to the moral nature of the&#13;
Arab and the Indian, so long as they are not carried away by the ardor&#13;
of battle and the excitement of carnage, is almost equally applicable to&#13;
their physical constitution; for if, like women of good blood, they have&#13;
small extremities, slender limbs, fine and supple forms, this delicate&#13;
and often charming exterior always covers muscles of steel, full of an&#13;
elasticity, and vigor truly masculine. Djalma's oblong eyes, like black&#13;
diamonds set in bluish mother-of-pearl, wandered mechanically from the&#13;
exotic flowers to the ceiling; from time to time he raised the amber&#13;
mouthpiece of the hookah to his lips; then, after a slow aspiration,&#13;
half opening his rosy lips, strongly contrasted with the shining enamel&#13;
of his teeth, he sent forth a little spiral line of smoke, freshly&#13;
scented by the rose-water through which it had passed.</p><p>"Shall I put more tobacco in the hookah?" said the kneeling figure,&#13;
turning towards Djalma, and revealing the marked and sinister features&#13;
of Faringhea the Strangler.</p><p>The young prince remained dumb, either that, from an oriental contempt&#13;
for certain races, he disdained to answer the half-caste, or that,&#13;
absorbed in his reverie, he did not even hear him. The Strangler became&#13;
again silent; crouching cross-legged upon the carpet, with his elbows&#13;
resting on his knees, and his chin upon his hands, he kept his eyes&#13;
fixed on Djalma, and seemed to await the reply or the orders of him&#13;
whose sire had been surnamed the Father of the Generous. How had&#13;
Faringhea, the sanguinary worshipper of Bowanee, the Divinity of Murder,&#13;
been brought to seek or to accept such humble functions? How came this&#13;
man, possessed of no vulgar talents, whose passionate eloquence and&#13;
ferocious energy had recruited many assassins for the service of the&#13;
Good Work, to resign himself to so base a condition? Why, too, had&#13;
this man, who, profiting by the young prince's blindness with regard&#13;
to himself, might have so easily sacrificed him as an offering to&#13;
Bowanee--why had he spared the life of Radja-sings son? Why, in fine,&#13;
did he expose himself to such frequent encounters with Rodin, whom he&#13;
had only known under the most unfavorable auspices? The sequel of this&#13;
story will answer all these questions. We can only say at present,&#13;
that, after a long interview with Rodin, two nights before, the Thug had&#13;
quitted him with downcast eyes and cautious bearing.</p><p>After having remained silent for some time, Djalma, following with his&#13;
eye the cloud of whitish smoke that he had just sent forth into space,&#13;
addressed Faringhea, without looking at him, and said to him in the&#13;
language, as hyperbolical as concise, of Orientals: "Time passes. The&#13;
old man with the good heart does not come. But he will come. His word is&#13;
his word."</p><p>"His word is his word, my lord," repeated Faringhea, in an affirmative&#13;
tone. "When he came to fetch you, three days ago, from the house whither&#13;
those wretches, in furtherance of their wicked designs, had conveyed you&#13;
in a deep sleep--after throwing me, your watchful and devoted servant,&#13;
into a similar state--he said to you: 'The unknown friend, who sent for&#13;
you to Cardoville Castle, bids me come to you, prince. Have confidence,&#13;
and follow me. A worthy abode is prepared for you.'--And again, he said&#13;
to you, my lord: 'Consent not to leave the house, until my return. Your&#13;
interest requires it. In three days you will see me again, and then be&#13;
restored to perfect freedom.' You consented to those terms, my lord, and&#13;
for three days you have not left the house."</p><p>"And I wait for the old man with impatience," said Djalma, "for this&#13;
solitude is heavy with me. There must be so many things to admire in&#13;
Paris. Above all."</p><p>Djalma did not finish the sentence, but relapsed into a reverie. After&#13;
some moments' silence, the son of Radja-sing said suddenly to Faringhea,&#13;
in the tone of an impatient yet indolent sultan: "Speak to me!"</p><p>"Of what shall I speak, my lord?"</p><p>"Of what you will," said Djalma, with careless contempt, as he fixed&#13;
on the ceiling his eyes, half-veiled with languor. "One thought pursues&#13;
me--I wish to be diverted from it. Speak to me."</p><p>Faringhea threw a piercing glance on the countenance of the young&#13;
Indian, and saw that his cheeks were colored with a slight blush. "My&#13;
lord," said the half-caste, "I can guess your thought."</p><p>Djalma shook his head, without looking at the Strangler. The latter&#13;
resumed: "You are thinking of the women of Paris, my lord."</p><p>"Be silent, slave!" said Djalma, turning abruptly on the sofa, as if&#13;
some painful wound had been touched to the quick. Faringhea obeyed.</p><p>After the lapse of some moments. Djalma broke forth again with&#13;
impatience, throwing aside the tube of the hookah, and veiling both&#13;
eyes with his hands: "Your words are better than silence. Cursed be my&#13;
thoughts, and the spirit which calls up these phantoms!"</p><p>"Why should you fly these thoughts, my lord? You are nineteen years of&#13;
age, and hitherto all your youth has been spent in war and captivity.&#13;
Up to this time, you have remained as chaste as Gabriel, that young&#13;
Christian priest, who accompanied us on our voyage."</p><p>Though Faringhea did not at all depart from his respectful deference&#13;
for the prince, the latter felt that there was something of irony in the&#13;
tone of the half-caste, as he pronounced the word "chaste."</p><p>Djalma said to him with a mixture of pride and severity: "I do not wish&#13;
to pass for a barbarian, as they call us, with these civilized people;&#13;
therefore I glory in my chastity."</p><p>"I do not understand, my lord."</p><p>"I may perhaps love some woman, pure as was my mother when she married&#13;
my father; and to ask for purity from a woman, a man must be chaste as&#13;
she."</p><p>At this, Faringhea could not refrain from a sardonic smile.</p><p>"Why do you laugh, slave?" said the young prince, imperiously.</p><p>"Among civilized people, as you call them, my lord, the man who married&#13;
in the flower of his innocence would be mortally wounded with ridicule."</p><p>"It is false, slave! He would only be ridiculous if he married one that&#13;
was not pure as himself."</p><p>"Then, my lord, he would not only be wounded--he would be killed&#13;
outright, for he would be doubly and unmercifully laughed at."</p><p>"It is false! it is false. Where did you learn all this?"</p><p>"I have seen Parisian women at the Isle of France, and at Pondicherry,&#13;
my lord. Moreover, I learned a good deal during our voyage; I talked&#13;
with a young officer, while you conversed with the young priest."</p><p>"So, like the sultans of our harems, civilized men require of women the&#13;
innocence they have themselves lost."</p><p>"They require it the more, the less they have of it, my lord."</p><p>"To require without any return, is to act as a master to his slave; by&#13;
what right?"</p><p>"By the right of the strongest--as it is among us, my lord."</p><p>"And what do the women do?"</p><p>"They prevent the men from being too ridiculous, when they marry, in the&#13;
eyes of the world."</p><p>"But they kill a woman that is false?" said Djalma, raising himself&#13;
abruptly, and fixing upon Faringhea a savage look, that sparkled with&#13;
lurid fire.</p><p>"They kill her, my lord, as with us--when they find her out."</p><p>"Despots like ourselves! Why then do these civilized men not shut up&#13;
their women, to force them to a fidelity which they do not practise?"</p><p>"Because their civilization is barbarous, and their barbarism civilized,&#13;
my lord."</p><p>"All this is sad enough, if true," observed Djalma, with a pensive air,&#13;
adding, with a species of enthusiasm, employing, as usual, the mystic&#13;
and figurative language familiar to the people of his country; "yes,&#13;
your talk afflicts me, slave--for two drops of dew blending in the cup&#13;
of a flower are as hearts that mingle in a pure and virgin love; and two&#13;
rays of light united in one inextinguishable flame, are as the burning&#13;
and eternal joys of lovers joined in wedlock."</p><p>Djalma spoke of the pure enjoyments of the soul with inexpressible&#13;
grace, yet it was when he painted less ideal happiness, that his eyes&#13;
shone like stars; he shuddered slightly, his nostrils swelled, the pale&#13;
gold of his complexion became vermilion, and the young prince sank into&#13;
a deep reverie.</p><p>Faringhea, having remarked this emotion, thus spoke: "If, like the proud&#13;
and brilliant king-bird of our woods, you prefer numerous and varied&#13;
pleasures to solitary and monotonous amours--handsome, young, rich&#13;
as you are, my lord, were you to seek out the seductive&#13;
Parisians--voluptuous phantoms of your nights--charming tormentors&#13;
of your dreams--were you to cast upon them looks bold as a challenge,&#13;
supplicating as prayers, ardent as desires--do you not think that many&#13;
a half-veiled eye would borrow fire from your glance? Then it would no&#13;
longer be the monotonous delights of a single love, the heavy chain of&#13;
our life--no, it would be the thousand pleasures of the harem--a harem&#13;
peopled with free and proud beauties, whom happy love would make your&#13;
slaves. So long constrained, there is no such thing as excess to you.&#13;
Believe me, it would then be you, the ardent, the magnificent son of our&#13;
country, that would become the love and pride of these women--the most&#13;
seductive in the world, who would soon have for you no looks but those&#13;
of languor and passion."</p><p>Djalma had listened to Faringhea with silent eagerness. The expression&#13;
of his features had completely changed; it was no longer the melancholy&#13;
and dreaming youth, invoking the sacred remembrance of his mother,&#13;
and finding only in the dew of heaven, in the calyx of flowers, images&#13;
sufficiently pure to paint the chastity of the love he dreamed of; it&#13;
was no longer even the young man, blushing with a modest ardor at the&#13;
thought of the permitted joys of a legitimate union. No! the incitements&#13;
of Faringhea had kindled a subterraneous fire; the inflamed countenance&#13;
of Djalma, his eyes now sparkling and now veiled, his manly and sonorous&#13;
respiration, announced the heat of his blood, the boiling up of&#13;
the passions, only the more energetic, that they had been hitherto&#13;
restrained.</p><p>So, springing suddenly from the divan, supple, vigorous, and light as&#13;
a young tiger, Djalma clutched Faringhea by the throat exclaiming: "Thy&#13;
words are burning poison!"</p><p>"My lord," said Faringhea, without opposing the least resistance, "your&#13;
slave is your slave." This submission disarmed the prince.</p><p>"My life belongs to you," repeated the half-caste.</p><p>"I belong to you, slave!" cried Djalma, repulsing him. "Just now, I hung&#13;
upon your lips, devouring your dangerous lies."</p><p>"Lies, my lord? Only appear before these women, and their looks will&#13;
confirm my words."</p><p>"These women love me!--me, who have only lived in war and in the woods?"</p><p>"The thought that you, so young, have already waged bloody war on men&#13;
and tigers, will make them adore, my lord."</p><p>"You lie!"</p><p>"I tell you, my lord, on seeing your hand, as delicate as theirs, but&#13;
which has been so often bathed in hostile blood, they will wish to&#13;
caress it; and they will kiss it again, when they think that, in our&#13;
forests, with loaded rifle, and a poniard between your teeth, you smiled&#13;
at the roaring of a lion or panther for whom you lay in wait."</p><p>"But I am a savage--a barbarian."</p><p>"And for that very reason you will have them at your feet. They will&#13;
feel themselves both terrified and charmed by all the violence and fury,&#13;
the rage of jealousy, the passion and the love, to which a man of your&#13;
blood, your youth, your ardor must be subject. To-day mild and tender,&#13;
to-morrow fierce and suspicious, another time ardent and passionate,&#13;
such you will be--and such you ought to be, if you wish to win them.&#13;
Yes; let a kiss of rage be heard between two kisses: let a dagger&#13;
glitter in the midst of caresses, and they will fall before you,&#13;
palpitating with pleasure, love, and fear--and you will be to them, not&#13;
a man, but a god."</p><p>"Dost think so?" cried Djalma, carried away in spite of himself by the&#13;
Thug's wild eloquence.</p><p>"You know, you feel, that I speak the truth," cried the latter,&#13;
extending his arm towards the young Indian.</p><p>"Why, yes!" exclaimed Djalma, his eyes sparkling, his nostrils swelling,&#13;
as he moved about the apartment with savage bounds. "I know not if I&#13;
possess my reason, or if I am intoxicated, but it seems to me that you&#13;
speak truth. Yes, I feel that they will love me with madness and fury,&#13;
because my love will be mad and furious they will tremble with pleasure&#13;
and fear, because the very thought of it makes me tremble with delight&#13;
and terror. Slave, it is true; there is something exciting and fearful&#13;
in such a love!" As he spoke forth these words, Djalma was superb in his&#13;
impetuous sensuality. It is a rare thing to see a young man arrive&#13;
in his native purity, at the age in which are developed, in all their&#13;
powerful energy, those admirable instincts of love, which God has&#13;
implanted in the heart of his creatures, and which, repressed,&#13;
disguised, or perverted, may unseat the reason, or generate mad excesses&#13;
and frightful crimes--but which, directed towards a great and noble&#13;
passion, may and must, by their very violence, elevate man, through&#13;
devotion and tenderness, to the limits of the ideal.</p><p>"Oh! this woman--this woman, before whom I am to tremble--and who,&#13;
in turn, must tremble before me--where is she?" cried Djalma, with&#13;
redoubled excitement. "Shall I ever find her?"</p><p>"One is a good deal, my lord," replied Faringhea, with his sardonic&#13;
coolness; "he who looks for one woman, will rarely succeed in this&#13;
country; he who seeks women, is only at a loss to choose."</p><p>As the half-caste made this impertinent answer to Djalma, a very elegant&#13;
blue-and-white carriage stopped before the garden-gate of the house,&#13;
which opened upon a deserted street. It was drawn by a pair of beautiful&#13;
blood-horses, of a cream color, with black manes and tails. The&#13;
scutcheons on the harness were of silver, as were also the buttons of&#13;
the servants' livery, which was blue with white collars. On the blue&#13;
hammercloth, also laced with white, as well as on the panels of the&#13;
doors, were lozenge-shaped coats of arms, without crest or coronet, as&#13;
usually borne by unmarried daughters of noble families. Two women were&#13;
in this carriage--Mdlle. de Cardoville and Florine.</p><p>CHAPTER XLI. RISING.</p><p>To explain the arrival of Mdlle. de Cardoville at the garden-door of&#13;
the house occupied by Djalma, we must cast a retrospective glance at&#13;
previous events. On leaving Doctor Baleinier's, Mdlle. de Cardoville had&#13;
gone to take up her residence in the Rue d'Anjou. During the last few&#13;
months of her stay with her aunt, Adrienne had secretly caused this&#13;
handsome dwelling to be repaired and furnished, and its luxury&#13;
and elegance were now increased by all the wonders of the lodge of&#13;
Saint-Dizier House. The world found it very strange, that a lady of the&#13;
age and condition of Mdlle. de Cardoville should take the resolution of&#13;
living completely alone and free, and, in fact, of keeping house exactly&#13;
like a bachelor, a young widow, or an emancipated minor. The world&#13;
pretended not to know that Mdlle. de Cardoville possessed what is often&#13;
wanting in men, whether of age or twice of age--a firm character, a&#13;
lofty mind, a generous heart, strong and vigorous good sense.</p><p>Judging that she would require faithful assistance in the internal&#13;
management of her house, Adrienne had written to the bailiff of&#13;
Cardoville, and his wife, old family servants, to come immediately to&#13;
Paris: M. Dupont thus filled the office of steward, and Mme. Dupont&#13;
that of housekeeper. An old friend of Adrienne's father, the Count de&#13;
Montbron, an accomplished old man, once very much in fashion, and still&#13;
a connoisseur in all sorts of elegances, had advised Adrienne to act&#13;
like a princess, and take an equerry; recommended for this office a man&#13;
of good rearing and ripe age, who, himself an amateur in horses, had&#13;
been ruined in England, at Newmarket, the Derby, and Tattersall's, and&#13;
reduced, as sometimes happened to gentlemen in that country, to drive&#13;
the stage coaches, thus finding an honest method of earning his bread,&#13;
and at the same time gratifying his taste for horses. Such was M. de&#13;
Bonneville, M. de Montbron's choice. Both from age and habits, this&#13;
equerry could accompany Mdlle. de Cardoville on horseback, and better&#13;
than any one else, superintend the stable. He accepted, therefore, the&#13;
employment with gratitude, and, thanks to his skill and attention, the&#13;
equipages of Mdlle. de Cardoville were not eclipsed in style by anything&#13;
of the kind in Paris. Mdlle. de Cardoville had taken back her women,&#13;
Hebe, Georgette, and Florine. The latter was at first to have re-entered&#13;
the service of the Princess de Saint-Dizier, to continue her part of spy&#13;
for the superior of St. Mary's Convent; but, in consequence of the new&#13;
direction given by Rodin to the Rennepont affair, it was decided&#13;
that Florine, if possible, should return to the service of Mdlle. de&#13;
Cardoville. This confidential place, enabling this unfortunate creature&#13;
to render important and mysterious services to the people who held her&#13;
fate in their hands, forced her to infamous treachery. Unfortunately,&#13;
all things favored this machination. We know that Florine, in her&#13;
interview with Mother Bunch, a few days after Mdlle. de Cardoville was&#13;
imprisoned at Dr. Baleinier's, had yielded to a twinge of remorse,&#13;
and given to the sempstress advice likely to be of use to Adrienne's&#13;
interests--sending word to Agricola not to deliver to Madame de Saint&#13;
Dizier the papers found in the hiding-place of the pavilion, but only&#13;
to entrust them to Mdlle. de Cardoville herself. The latter, afterwards&#13;
informed of these details by Mother Bunch, felt a double degree of&#13;
confidence and interest in Florine, took her back into her service&#13;
with gratitude, and almost immediately charged her with a confidential&#13;
mission--that of superintending the arrangements of the house hired for&#13;
Djalma's habitation. As for Mother Bunch (yielding to the solicitations&#13;
of Mdlle. de Cardoville, and finding she was no longer of use to&#13;
Dagobert's wife, of whom we shall speak hereafter), she had consented to&#13;
take up her abode in the hotel on the Rue d'Anjou, along with Adrienne,&#13;
who with that rare sagacity of the heart peculiar to her, entrusted&#13;
the young sempstress, who served her also as a secretary, with the&#13;
department of alms-giving.</p><p>Mdlle. de Cardoville had at first thought of entertaining her merely&#13;
as a friend, wishing to pay homage in her person to probity with labor,&#13;
resignation in sorrow, and intelligence in poverty; but knowing&#13;
the workgirl's natural dignity, she feared, with reason that,&#13;
notwithstanding the delicate circumspection with which the hospitality&#13;
would be offered, Mother Bunch might perceive in it alms in disguise.&#13;
Adrienne preferred, therefore, whilst she treated her as a friend, to&#13;
give her a confidential employment. In this manner the great delicacy of&#13;
the needlewoman would be spared, since she could earn her livelihood by&#13;
performing duties which would at the same time satisfy her praiseworthy&#13;
instincts of charity. In fact, she could fulfil, better than any one,&#13;
the sacred mission confided to her by Adrienne. Her cruel experience in&#13;
misfortune, the goodness of her angelic soul, the elevation of her mind,&#13;
her rare activity, her penetration with regard to the painful secrets&#13;
of poverty, her perfect knowledge of the industrial classes, were&#13;
sufficient security for the tact and intelligence with which the&#13;
excellent creature would second the generous intentions of Mdlle. de&#13;
Cardoville.</p><p>Let us now speak of the divers events which, on that day, preceded the&#13;
coming of Mdlle. de Cardoville to the garden-gate of the house in the&#13;
Rue Blanche. About ten o'clock in the morning, the blinds of Adrienne's&#13;
bedchamber, closely shut, admitted no ray of daylight to this apartment,&#13;
which was only lighted by a spherical lamp of oriental alabaster,&#13;
suspended from the ceiling by three long silver chains. This apartment,&#13;
terminating in a dome, was in the form of a tent with eight sides. From&#13;
the ceiling to the floor, it was hung with white silk, covered with&#13;
long draperies of muslin, fastened in large puffs to the wall, by bands&#13;
caught in at regular distances by plates of ivory. Two doors, also&#13;
of ivory, admirably encrusted with mother-of-pearl, led, one to the&#13;
bath-room, the other to the toilet-chamber, a sort of little temple&#13;
dedicated to the worship of beauty, and furnished as it had been at the&#13;
pavilion of Saint Dizier House. Two other compartments of the wall were&#13;
occupied by windows, completely veiled with drapery. Opposite the bed,&#13;
enclosing splendid fire-dogs of chased silver, was a chimney-piece&#13;
of white marble, like crystallized snow, on which were sculptured two&#13;
magnificent caryatides, and a frieze representing birds and flowers.&#13;
Above this frieze, carved in openwork with extreme delicacy, was a&#13;
marble basket, filled with red camellias. Their leaves of shining&#13;
green their flowers of a delicate rosy hue, were the only colors that&#13;
disturbed the harmonious whiteness of this virgin retreat. Finally, half&#13;
surrounded by waves of white muslin, which poured down from the dome&#13;
like a mass of light clouds, the bed was visible--very low, and resting&#13;
on feet of carved ivory, which stood upon the ermine carpet that covered&#13;
the floor. With the exception of a plinth, also in ivory, admirably&#13;
inlaid with mother-of-pearl, the bed was entirely covered with white&#13;
satin, wadded and quilted like an immense scent-bag. The cambric sheets,&#13;
trimmed with lace, being a little disturbed on one side, discovered the&#13;
corner of a white taffety mattress, and a light counterpane of watered&#13;
stuff--for an equal temperature always reigned in this apartment, warm&#13;
as a fine spring day.</p><p>From a singular scruple, arising from the same sentiment which had&#13;
caused Adrienne to have inscribed on a masterpiece of goldsmith's work&#13;
the name of the maker instead of that of the seller, she had wished all&#13;
these articles, so costly and sumptuous, to be manufactured by workmen&#13;
chosen amongst the most intelligent, honest, and industrious of their&#13;
class, whom she had supplied with the necessary materials. In this&#13;
manner she had been able to add to the price of the work the profit&#13;
usually gained by the middle man, who speculates in such labor; this&#13;
notable augmentation of wages had spread happiness and comfort through a&#13;
hundred necessitous families, who, blessing the munificence of Adrienne,&#13;
gave her, as she said, the right to enjoy her luxury as a good action.&#13;
Nothing could be fresher or more charming than the interior of this&#13;
bedchamber. Mdlle. de Cardoville had just awoke; she reposed in the&#13;
middle of this flood of muslin, lace, cambric, and white silk, in a&#13;
position full of sweet grace. Never during the night did she cover that&#13;
beautiful golden hair (a certain recipe, said the Greeks, for preserving&#13;
it for a long while in magnificence). Every evening, her women arranged&#13;
her long silky curls in flat tresses, forming two broad bands, which,&#13;
descending sufficiently low almost entirely to conceal the small ear,&#13;
the rosy lobe of which was alone visible, were joined to the large plait&#13;
behind the head.</p><p>This head-dress, borrowed from Greek antiquity, set off to admiration&#13;
the pure, fine features of Mdlle. de Cardoville, and made her look so&#13;
much younger, that, instead of eighteen, one would hardly have given her&#13;
fifteen years of age. Gathered thus closely about the temples, the hair&#13;
lost its transparent and brilliant hues, and would have appeared almost&#13;
brown, but for the golden tints which played here and there, amid the&#13;
undulations of the tresses. Lulled in that morning torpor, the warm&#13;
languor of which is so favorable to soft reveries, Adrienne leaned&#13;
with her elbow on the pillow, and her head a little on one side,&#13;
which displayed to advantage the ideal contour of her bared neck and&#13;
shoulders; her smiling lips, moist and rosy, were, like her cheeks, cold&#13;
as if they had just been bathed in ice-water; her snow-white lids&#13;
half veiled the large, dark, soft eyes, which now gazed languidly upon&#13;
vacancy, and now fixed themselves with pleasure upon the rosy flowers&#13;
and green leaves in the basket of camellias. Who can paint the matchless&#13;
serenity of Adrienne's awaking--when the fair and chaste soul roused&#13;
itself in the fair and chaste body? It was the awakening of a heart as&#13;
pure as the fresh and balmy breath of youth, that made her bosom rise&#13;
and fall in its white, immaculate purity. What creed, what dogma, what&#13;
formula, what religious symbol, oh! paternal and divine Creator! can&#13;
ever give a more complete idea of Thy harmonious and ineffable power,&#13;
than the image of a young maiden awaking in the bloom of her beauty,&#13;
and in all the grace of that modesty with which Thou hast endowed her,&#13;
seeking, in her dreamy innocence, for the secret of that celestial&#13;
instinct of love, which Thou hast placed in the bosom of all Thy&#13;
creatures--oh! Thou whose love is eternal, and goodness infinite!</p><p>The confused thoughts which, since her sleep, had appeared gently to&#13;
agitate Adrienne, absorbed her more and more; her head resting on her&#13;
bosom, her beautiful arm upon the couch, her features without becoming&#13;
precisely sad, assumed an expression of touching melancholy. Her dearest&#13;
desire was accomplished; she was about to live independent and alone.&#13;
But this affectionate, delicate, expansive, and marvellously complete&#13;
nature, felt that God had not given her such rare treasures, to bury&#13;
them in a cold and selfish solitude. She felt how much that was great&#13;
and beautiful might be inspired by love, both in herself, and in&#13;
him that should be worthy of her. Confiding in her courage, and the&#13;
nobleness of her character, proud of the example that she wished to give&#13;
to other women, knowing that all eyes would be fixed enviously upon her,&#13;
she felt, as it were, only too sure of herself; far from fearing that&#13;
she should make a bad choice, she rather feared, that she should not&#13;
find any from whom to choose, so pure and perfect was her taste. And,&#13;
even had she met with her own ideal, she had views so singular and&#13;
so just, so extraordinary and yet so sensible, with regard to the&#13;
independence and dignity of woman, that, inexorably determined to make&#13;
no concession upon this head, she asked herself if the man of her choice&#13;
would ever accept the hitherto unheard-of conditions that she meant to&#13;
impose. In recalling to her remembrance the possible suitors that she&#13;
had met in the world, she remembered also the dark, but true picture,&#13;
which Rodin had drawn with so much caustic bitterness. She remembered,&#13;
too, not without a certain pride, the encouragement this man had given&#13;
her, not by flattery, but by advising her to follow out and accomplish&#13;
a great, generous, and beautiful design. The current or the caprice of&#13;
fancy soon brought Adrienne to think of Djalma. Whilst she congratulated&#13;
herself on having paid to her royal kinsman the duties of a kingly&#13;
hospitality, the young lady was far from regarding the prince as the&#13;
hero of her future.</p><p>And first she said to herself, not unreasonably, that this half-savage&#13;
boy, with passions, if not untamable, yet untamed, transported on a&#13;
sudden into the midst of a refined civilization, would be inevitably&#13;
destined to fiery trials and violent transformations. Now Mdlle. de&#13;
Cardoville, having nothing masculine or despotic in her character, had&#13;
no wish to civilize the young savage. Therefore, notwithstanding the&#13;
interest, or rather because of the interest, which she felt for the&#13;
young Indian, she was firmly resolved, not to make herself known to him,&#13;
till after the lapse of two or three months; and she determined also,&#13;
that, even if Djalma should learn by chance that she was his relation,&#13;
she would not receive his visit. She desired, if not to try him, at&#13;
least to leave him free in all his acts, so that he might expend the&#13;
first fire of his passions, good or bad. But not wishing to abandon him&#13;
quite without defence to the perils of Parisian life, she requested the&#13;
Count de Montbron, in confidence, to introduce Prince Djalma to the&#13;
best company in Paris, and to enlighten him by the counsels of his&#13;
long experience. M. de Montbron had received the request of Mdlle.&#13;
de Cardoville with the greatest pleasure, taking delight, he said, in&#13;
starting his royal tiger in drawing-rooms, and bringing him into contact&#13;
with the flower of the fine ladies and gentlemen of Paris, offering at&#13;
the same time to wager any amount in favor of his half-savage pupil.</p><p>"As for myself, my dear Count," said Adrienne to M. de Montbron, with&#13;
her usual frankness, "my resolution is not to be shaken. You have told&#13;
me the effect that will be produced in the fashionable world, by the&#13;
first appearance of Prince Djalma, an Indian nineteen years of age,&#13;
of surprising beauty, proud and wild as a young lion arriving from his&#13;
forest; it is new, it is extraordinary, you added; and, therefore, all&#13;
the coquetries of civilized life will pursue him with an eagerness which&#13;
makes me tremble for him. Now, seriously, my dear count it will not&#13;
suit me to appear as the rival of so many fine ladies, who are about&#13;
to expose themselves intrepidly to the claws of the young tiger. I take&#13;
great interest in him, because he is my cousin, because he is handsome,&#13;
because he is brave, and above all because he does not wear that&#13;
horrible European dress. No doubt these are rare qualities--but not&#13;
sufficient to make me change my mind. Besides, the good old philosopher,&#13;
my new friend, has given me advice about this Indian, which you, my&#13;
dear Count, who are not a philosopher, will yet approve. It is, for some&#13;
time, to receive visits at home, but not to visit other people--which&#13;
will spare me the awkwardness of meeting my royal cousin, and allow me&#13;
to make a careful choice, even amongst my usual society. As my house&#13;
will be an excellent one, my position most unusual, and as I shall be&#13;
suspected of all sorts of naughty secrets, I shall be in no want of&#13;
inquisitive visitors, who will amuse me a good deal, I assure you."</p><p>And as M. de Montbron asked, if the exile of the poor young Indian&#13;
tiger was to last long, Adrienne answered: "As I shall see most of the&#13;
persons, to whom you will introduce him, I shall be pleased to hear&#13;
different opinions about him. If certain men speak well of him, and&#13;
certain women ill, I shall have good hope of him. In a word, the opinion&#13;
that I come to, in sifting the true from the false (you may leave that&#13;
to my sagacity), will shorten or prolong the exile of my royal cousin."</p><p>Such were the formal intentions of Mdlle. de Cardoville with regard to&#13;
Djalma, even on the day she went with Florine to the house he occupied.&#13;
In a word, she had positively resolved not to be known to him for some&#13;
months to come.</p><p>After long reflecting that morning, on the chances that might yet offer&#13;
themselves to satisfy the wants of her heart, Adrienne fell into a new,&#13;
deep reverie. This charming creature, so full of life and youth, heaved&#13;
a low sigh, raised her arms above her head, turned her profile&#13;
towards the pillow, and remained for some moments as if powerless and&#13;
vanquished. Motionless beneath the white tissues that wrapped her round,&#13;
she looked like a fair, marble statue, visible beneath a light layer&#13;
of snow. Suddenly, Adrienne raised herself up, drew her hand across her&#13;
brow, and rang for her women. At the first silver tone of the bell,&#13;
the two ivory doors opened. Georgette appeared on the threshold of the&#13;
dressing-room, from which Frisky, a little black and-tan dog, with his&#13;
golden collar, escaped with a joyful barking. Hebe appeared at the&#13;
same time on the threshold of the bath-room. At the further end of this&#13;
apartment, lighted from above, might be seen upon a green mat of Spanish&#13;
leather, with golden ornaments, a crystal bath in the form of a long&#13;
shell. The three only divisions in this masterpiece of glass work, were&#13;
concealed by the elegant device of several large reeds in silver,&#13;
which rose from the wide base of the bath, also of wrought silver,&#13;
representing children and dolphins playing, among branches of natural&#13;
coral, and azure shells. Nothing could be more pleasing than the effect&#13;
of these purple reeds and ultramarine shells, upon a dull ground of&#13;
silver; the balsamic vapor, which rose from the warm, limpid, and&#13;
perfumed water, that filled the crystal shell, spread through the&#13;
bath-room, and floated like a light cloud into the sleeping-chamber.</p><p>Seeing Hebe in her fresh and pretty costume, bringing her a long bathing&#13;
gown, hanging upon a bare and dimpled arm, Adrienne said to her: "Where&#13;
is Florine, my child?"</p><p>"Madame, she went downstairs two hours ago; she was wanted for something&#13;
very pressing."</p><p>"Who wanted her?"</p><p>"The young person who serves Madame as secretary. She went out this&#13;
morning very early; and, as soon as she returned, she sent for Florine,&#13;
who has not come back since."</p><p>"This absence no doubt relates to some important affair of my angelic&#13;
minister of succor," said Adrienne, smiling, and thinking of the&#13;
hunchback. Then she made a sign to Hebe to approach her bed.</p><p>About two hours after rising, Adrienne, having had herself dressed,&#13;
as usual, with rare elegance, dismissed her women, and sent for Mother&#13;
Bunch, whom she treated with marked deference, always receiving her&#13;
alone. The young sempstress entered hastily, with a pale, agitated&#13;
countenance, and said, in a trembling voice: "Oh, madame! my&#13;
presentiments were justified. You are betrayed."</p><p>"Of what presentiments do you speak, my dear child!" said Adrienne, with&#13;
surprise. "Who betrays me?"</p><p>"M. Rodin!" answered the workgirl.</p><p>CHAPTER XLII. DOUBTS.</p><p>On hearing the accusation brought against Rodin, Mdlle. de Cardoville&#13;
looked at the denunciator with new astonishment. Before continuing this&#13;
scene, we may say that Mother Bunch was no longer clad in her poor, old&#13;
clothes, but was dressed in black, with as much simplicity as taste. The&#13;
sad color seemed to indicate her renunciation of all human vanity, the&#13;
eternal mourning of her heart, and the austere duties imposed upon her&#13;
by her devotion to misfortune. With her black gown, she wore a large&#13;
falling collar, white and neat as her little gauze cap, with its gray&#13;
ribbons, which, revealing her bands of fine brown hair, set off to&#13;
advantage her pale and melancholy countenance, with its soft blue eyes.&#13;
Her long, delicate hands, preserved from the cold by gloves, were no&#13;
longer, as formerly, of a violet hue, but of an almost transparent&#13;
whiteness.</p><p>Her agitated features expressed a lively uneasiness. Extremely&#13;
surprised, Mdlle. de Cardoville exclaimed: "What do you say?"</p><p>"M. Rodin betrays you, madame."</p><p>"M. Rodin? Impossible!"</p><p>"Oh, madame! my presentiments did not deceive me."</p><p>"Your presentiments?"</p><p>"The first time I saw M. Rodin, I was frightened in spite of myself. My&#13;
heart sank within me, and I trembled--for you, madame."</p><p>"For me?" said Adrienne. "Why did you not tremble for yourself, my poor&#13;
friend?"</p><p>"I do not know, madame; but such was my first impression. And this fear&#13;
was so invincible, that, notwithstanding the kindness that M. Rodin&#13;
showed my sister, he frightened me, none the less."</p><p>"That is strange. I can understand as well as any one the almost&#13;
irresistible influence of sympathies or aversions; but, in this&#13;
instance--However," resumed Adrienne, after a moment's reflection, "no&#13;
matter for that; how have these suspicions been changed to certainty?"</p><p>"Yesterday, I went to take to my sister Cephyse, the assistance that M.&#13;
Rodin had given me, in the name of a charitable person. I did not find&#13;
Cephyse at the friend's who had taken care of her; I therefore begged&#13;
the portress, to inform my sister that I would call again this morning.&#13;
That is what I did; but you must excuse me, madame, some necessary&#13;
details."</p><p>"Speak, speak, my dear."</p><p>"The young girl who had received my sister," said Mother Bunch, with&#13;
embarrassment, casting down her eyes and blushing, "does not lead a very&#13;
regular life. A person, with whom she has gone on several parties of&#13;
pleasure, one M. Dumoulin, had informed her of the real name of M.&#13;
Rodin, who has a kind of lodging in that house, and there goes by the&#13;
name of Charlemagne."</p><p>"That is just what he told us at Dr. Baleinier's; and, the day before&#13;
yesterday, when I again alluded to the circumstance, he explained to&#13;
me the necessity in which he was, for certain reasons, to have a humble&#13;
retreat in that remote quarter--and I could not but approve of his&#13;
motives."</p><p>"Well, then! yesterday, M. Rodin received a visit from the Abbe&#13;
d'Aigrigny."</p><p>"The Abbe d'Aigrigny!" exclaimed Mdlle. de Cardoville.</p><p>"Yes, madame; he remained for two hours shut up with M. Rodin."</p><p>"My child, you must have been deceived."</p><p>"I was told, madame, that the Abbe d'Aigrigny had called in the morning&#13;
to see M. Rodin; not finding him at home, he had left with the portress&#13;
his name written on a slip of paper, with the words, 'I shall return&#13;
in two hours.' The girl of whom I spoke, madame, had seen this slip of&#13;
paper. As all that concerns M. Rodin appears mysterious enough, she&#13;
had the curiosity to wait for M. d'Aigrigny in the porter's lodge, and,&#13;
about two hours afterwards, he indeed returned, and saw M. Rodin."</p><p>"No, no," said Adrienne, shuddering; "it is impossible. There must be&#13;
some mistake."</p><p>"I think not, madame; for, knowing how serious such a discovery would&#13;
be, I begged the young girl to describe to me the appearance of M.&#13;
d'Aigrigny."</p><p>"Well?"</p><p>"The Abbe d'Aigrigny, she told me, is about forty years of age. He is&#13;
tall and upright, dresses plainly, but with care; has gray eyes, very&#13;
large and piercing, thick eyebrows, chestnut-colored hair, a face&#13;
closely shaved, and a very decided aspect."</p><p>"It is true," said Adrienne, hardly able to believe what she heard. "The&#13;
description is exact."</p><p>"Wishing to have all possible details," resumed Mother Bunch, "I asked&#13;
the portress if M. Rodin and the Abbe d'Aigrigny appeared to be at&#13;
variance when they quitted the house? She replied no, but that the&#13;
Abbe said to M. Rodin, as they parted at the door: 'I will write to you&#13;
tomorrow, as agreed.'"</p><p>"Is it a dream? Good heaven!" said Adrienne, drawing her hands across&#13;
her forehead in a sort of stupor. "I cannot doubt your word, my poor&#13;
friend; and yet it is M. Rodin who himself sent you to that house, to&#13;
give assistance to your sister: would he have wilfully laid open to you&#13;
his secret interviews with the Abbe d'Aigrigny? It would have been bad&#13;
policy in a traitor."</p><p>"That is true, and the same reflection occurred to me. And yet the&#13;
meeting of these two men appeared so dangerous to you, madame, that I&#13;
returned home full of terror."</p><p>Characters of extreme honesty are very hard to convince of the treachery&#13;
of others: the more infamous the deception, the more they are inclined&#13;
to doubt it. Adrienne was one of these characters, rectitude being a&#13;
prime quality of her mind. Though deeply impressed by the communication,&#13;
she remarked: "Come, my dear, do not let us frighten ourselves too soon,&#13;
or be over-hasty in believing evil. Let us try to enlighten ourselves by&#13;
reasoning, and first of all remember facts. M. Rodin opened for me the&#13;
doors of Dr. Baleinier's asylum; in my presence, he brought, his charge&#13;
against the Abbe d'Aigrigny; he forced the superior of the convent&#13;
to restore Marshal Simon's daughters, he succeeded in discovering the&#13;
retreat of Prince Djalma--he faithfully executed my intentions with&#13;
regard to my young cousin; only yesterday, he gave me the most useful&#13;
advice. All this is true--is it not?"</p><p>"Certainly, madame."</p><p>"Now suppose that M. Rodin, putting things in their worst light,&#13;
had some after-thought--that he hopes to be liberally rewarded, for&#13;
instance; hitherto, at least, he has shown complete disinterestedness."</p><p>"That also is true, madame," said poor Mother Bunch, obliged, like&#13;
Adrienne, to admit the evidence of fixed facts.</p><p>"Now let us look to the possibility of treachery. Unite with the Abbe&#13;
d'Aigrigny to betray me! Betray me?--how? and for what purpose? What&#13;
have I to fear? Is it not the Abbe d'Aigrigny, on the contrary, is&#13;
it not Madame de Saint-Dizier, who have to render an account for the&#13;
injuries they have done me?"</p><p>"But, then, madame, how do you explain the meeting of these two men,&#13;
who have so many motives for mutual aversion? May there not be some dark&#13;
project still behind? Besides, madame, I am not the only one to think&#13;
so."</p><p>"How is that?"</p><p>"This morning, on my return, I was so much agitated, that Mdlle. Florine&#13;
asked me the cause of my trouble. I know, madame, how much she is&#13;
devoted to you."</p><p>"Nobody could be more so; only recently, you yourself informed me of the&#13;
signal service she rendered, during my confinement at Dr. Baleinier's."</p><p>"Well, madame, this morning, on my return, thinking it necessary to have&#13;
you informed as soon as possible, I told all to Mdlle. Florine. Like&#13;
me--even more, perhaps--she was terrified at the meeting of Rodin and M.&#13;
d'Aigrigny.</p><p>"After a moment's reflection, she said to me: 'It is, I think, useless&#13;
to disturb my mistress at present; it can be of no importance whether&#13;
she is informed of this treachery two or three hours sooner or later;&#13;
during that time I may be able to discover something more. I have an&#13;
idea, which I think a good one. Make my excuses to my mistress; I shall&#13;
soon be back.' Then Florine sent for a hackney-coach, and went out."</p><p>"Florine is an excellent girl," said Mdlle. de Cardoville, with a smile,&#13;
for further reflection had quite reassured her: "but, on this occasion,&#13;
I think that her zeal and good heart have deceived her, as they have&#13;
you, my poor friend. Do you know, that we are two madcaps, you and I,&#13;
not to have thought of one thing, which would have put us quite at our&#13;
ease?"</p><p>"How so, madame?"</p><p>"The Abbe d'Aigrigny fears M. Rodin; he may have sought him out,&#13;
to entreat his forbearance. Do you not find this explanation both&#13;
satisfactory and reasonable?"</p><p>"Perhaps so, madame," said Mother Bunch, after a moment's reflection;&#13;
"yes, it is probable." But after another silence, and as if yielding to&#13;
a conviction superior to every possible argument, she exclaimed:&#13;
"And yet, no; believe me, madame, you are deceived. I feel it. All&#13;
appearances may be against what I affirm; yet, believe me, these&#13;
presentiments are too strong not to be true. And have you not guessed&#13;
the most secret instincts of my heart? Why should I not be able to guess&#13;
the dangers with which you are menaced?"</p><p>"What do you say? what have I guessed?" replied Mdlle. de Cardoville,&#13;
involuntarily impressed by the other's tone of conviction and alarm.</p><p>"What have you guessed?" resumed the latter. "All the troublesome&#13;
susceptibility of an unfortunate creature, to whom destiny has decreed a&#13;
life apart. If I have hitherto been silent, it is not from ignorance&#13;
of what I owe you. Who told you, madame, that the only way to make me&#13;
accept your favors without blushing, was to give me some employment,&#13;
that would enable me to soothe the misfortunes I had so long shared? Who&#13;
told you, when you wished me to have a seat at your table, and to treat&#13;
as your friend the poor needlewoman, in whose person you sought to&#13;
honor, resignation and honest industry--who told you, when I answered&#13;
with tears of gratitude and regret, that it was not false modesty, but&#13;
a consciousness of my own ridiculous deformity, that made me refuse&#13;
your offer? Who told you that, but for this, I should have accepted it&#13;
proudly, in the name of all my low-born sisters? But you replied to me&#13;
with the touching words: 'I understand your refusal, my friend; it is&#13;
not occasioned by false modesty, but by a sentiment of dignity that&#13;
I love and respect.' Who told you," continued the workgirl, with&#13;
increasing animation, "that I should be so happy to find a little&#13;
solitary retreat in this magnificent house, which dazzles me with its&#13;
splendor? Who guided you in the choice of the apartment (still far&#13;
too good) that you have provided for me? Who taught you, that, without&#13;
envying the beauty of the charming creatures that surround you, and whom&#13;
I love because they love you, I should always feel, by an involuntary&#13;
comparison, embarrassed and ashamed before them? Who told you therefore&#13;
to send them away, whenever you wished to speak with me? Yes! who&#13;
has revealed to you all the painful and secret susceptibilities of a&#13;
position like mine! Who has revealed them to you? God, no doubt! who in&#13;
His infinite majesty creates worlds, and yet cares for the poor little&#13;
insect hidden beneath the grass. And you think, that the gratitude of&#13;
a heart you have understood so well, cannot rise in its turn to the&#13;
knowledge of what may be hurtful to you? No, no, lady; some people have&#13;
the instinct of self preservation; others have the still more precious&#13;
instinct that enables them to preserve those they love. God has given&#13;
me this instinct. I tell you that you are betrayed!" And with animated&#13;
look, and cheeks slightly colored with emotion, the speaker laid such&#13;
stress upon the last words, and accompanied them with such energetic&#13;
gesture, that Mdlle. de Cardoville already shaken by the girl's warmth,&#13;
began almost to share in her apprehensions. Then, although she had&#13;
before learned to appreciate the superior intelligence of this poor&#13;
child of the people, Mdlle. de Cardoville had never till now heard her&#13;
friend express herself with so much eloquence--an eloquence, too, that&#13;
was inspired by the noblest sentiments. This circumstance added to&#13;
the impression made upon Adrienne. But at the moment she was about to&#13;
answer, a knock was heard at the door of the room, and Florine entered.</p><p>On seeing the alarmed countenance of her waiting-maid, Mdlle. de&#13;
Cardoville said hastily: "Well, Florine! what news? Whence come you, my&#13;
child?"</p><p>"From Saint-Dizier House, madame."</p><p>"And why did you go there?" asked Mdlle. de Cardoville, with surprise.</p><p>"This morning," said Florine, glancing at the workgirl, "madame, there,&#13;
confided to me her suspicions and uneasiness. I shared in them. The&#13;
visit of the Abbe d'Aigrigny to M. Rodin appeared to me very serious.&#13;
I thought, if it should turn out that M. Rodin had been during the last&#13;
few days to Saint-Dizier House, there would be no longer any doubt of&#13;
his treachery."</p><p>"True," said Adrienne, more and more uneasy. "Well?"</p><p>"As I had been charged to superintend the removal from the lodge, I knew&#13;
that several things had remained there. To obtain admittance, I had to&#13;
apply to Mrs. Grivois. I had thus a pretext for returning to the hotel."</p><p>"What next, Florine, what next?"</p><p>"I endeavored to get Mrs. Grivois to talk of M. Rodin; but it was in&#13;
vain."</p><p>"She suspected you," said the workgirl. "It was to be anticipated."</p><p>"I asked her," continued Florine, "if they had seen M. Rodin at the&#13;
hotel lately. She answered evasively. Then despairing of getting&#13;
anything out of her," continued Florine, "I left Mrs. Grivois, and that&#13;
my visit might excite no suspicion, I went to the pavilion--when, as I&#13;
turn down the avenue--whom do I see? why, M. Rodin himself, hastening&#13;
towards the little garden-door, wishing no doubt to depart unnoticed by&#13;
that way."</p><p>"Madame, you hear," cried Mother Bunch, clasping her hands with a&#13;
supplicating air; "such evidence should convince you."</p><p>"M. Rodin at the Princess de Saint-Dizier's!" cried Mdlle. de&#13;
Cardoville, whose glance, generally so mild, now suddenly flashed with&#13;
vehement indignation. Then she added, in a tone of considerable emotion,&#13;
"Continue, Florine."</p><p>"At sight of M. Rodin, I stopped," proceeded Florine, "and keeping a&#13;
little on one side, I gained the pavilion without being seen. I looked&#13;
out into the street, through the closed blinds, and perceived a hackney&#13;
coach. It was waiting for M. Rodin, for, a minute after, he got into it,&#13;
saying to the coachman, 'No. 39, Rue Blanche.'</p><p>"The prince's!" exclaimed Mdlle. de Cardoville.</p><p>"Yes, madame."</p><p>"Yes, M. Rodin was to see him to-day," said Adrienne, reflecting.</p><p>"No doubt he betrays you, madame, and the prince also; the latter will&#13;
be made his victim more easily than you."</p><p>"Shame! shame!" cried Mdlle. de Cardoville, on a sudden, as she rose,&#13;
all her features contracted with painful anger. "After such a piece&#13;
of treachery, it is enough to make us doubt of everything--even of&#13;
ourselves."</p><p>"Oh, madame! is it not dreadful?" said Mother Bunch, shuddering.</p><p>"But, then, why did he rescue me and mine, and accuse the Abbe&#13;
d'Aigrigny?" wondered Mdlle. de Cardoville. "Of a truth, it is enough&#13;
to make one lose one's reason. It is an abyss--but, oh! how frightful is&#13;
doubt!"</p><p>"As I returned," said Florine, casting a look of affectionate devotion&#13;
on her mistress, "I thought of a way to make all clear; but there is not&#13;
a minute to lose."</p><p>"What do you mean?" said Adrienne, looking at Florine with surprise.</p><p>"M. Rodin will soon be alone with the prince," said Florine.</p><p>"No doubt," replied Adrienne.</p><p>"The prince always sits in a little room that opens upon a greenhouse.&#13;
It is there that he will receive M. Rodin."</p><p>"What then?" resumed Adrienne.</p><p>"This greenhouse, which I had arranged according to your orders, has&#13;
only one issue--by a door leading into a little lane. The gardener&#13;
gets in that way every morning, so as not to have to pass through the&#13;
apartments. Having finished his work, he does not return thither during&#13;
the day."</p><p>"What do you mean? what is your project?" said Adrienne, looking at&#13;
Florine with growing surprise.</p><p>"The plants are so disposed, that, I think, if even the shade were&#13;
not there, which screens the glass that separates the saloon from the&#13;
greenhouse, one might get near enough to hear what was passing in the&#13;
room, without being seen. When I was superintending the arrangements, I&#13;
always entered by this greenhouse door. The gardener had one key, and I&#13;
another. Luckily, I have not yet parted with mine. Within an hour, you&#13;
may know how far to trust M. Rodin. If he betrays the prince, he betrays&#13;
you also."</p><p>"What say you?" cried Mdlle. de Cardoville.</p><p>"Set out instantly with me; we reach the side door; I enter alone, for&#13;
precaution sake--if all is right, I return--"</p><p>"You would have me turn spy?" said Mdlle. de Cardoville, haughtily,&#13;
interrupting Florine. "You cannot think it.</p><p>"I beg your pardon, madame," said the girl, casting down her eyes, with&#13;
confused and sorrowful air; "you had suspicions, and me seems 'tis the&#13;
only way to confirm or destroy them."</p><p>"Stoop to listen to a conversation--never!" replied Adrienne.</p><p>"Madame," said Mother Bunch, suddenly, after same moments' thought,&#13;
"permit me to tell you that Mdlle. Florine is right. The plan proposed&#13;
is a painful one, but it is the only way in which you can clear up,&#13;
perhaps, for ever, your doubts as to M. Rodin. Notwithstanding the&#13;
evidence of facts, in spite of the almost certainty of my presentiments,&#13;
appearances may deceive us. I was the first who accused M. Rodin to you.&#13;
I should not forgive myself all the rest of my life, did I accuse him&#13;
wrongfully. Beyond doubt, it is painful, as you say, madame, to listen&#13;
to a conversation--" Then, with a violent effort to console herself, she&#13;
added, as she strove to repress her tears, "Yet, as your safety is&#13;
at stake, madame--for, if this be treachery, the future prospect is&#13;
dreadful--I will go in your place--to--"</p><p>"Not a word more, I entreat you," cried Mdlle. de Cardoville,&#13;
interrupting. "Let you, my poor friend, do for me what I thought&#13;
degrading to do myself? Never!"</p><p>Then, turning to Florine, she added, "Tell M. de Bonneville to have the&#13;
carriage got ready on the instant."</p><p>"You consent, then!" cried Florine, clasping her hands, and not seeking&#13;
to conceal her joy; and her eyes also became full of tears.</p><p>"Yes, I consent," answered Adrienne, with emotion. "If it is to be&#13;
war--war to the knife, that they would wage with me--I must be prepared&#13;
for it; and, come to think of it, it would only be weakness and folly&#13;
not to put myself on my guard. No doubt this step costs me much, and is&#13;
very repugnant to me, but it is the only way to put an end to suspicions&#13;
that would be a continual torment to me, and perhaps to prevent still&#13;
greater evils. Yes! for many important reasons, this interview of&#13;
M. Rodin with Prince Djalma may be doubly decisive to me--as to the&#13;
confidence, or the inexorable hate, that I must henceforth feel for M.&#13;
Rodin. So, Florine, quick!--my cloak and bonnet, and the carriage. You&#13;
will go with me. As for you, my dear, pray wait for me here," she added,&#13;
turning to the work girl.</p><p>Half an hour after this conversation, Adrienne's carriage stopped, as&#13;
we have before seen, at the little garden-gate of the house in the&#13;
Rue Blanche. Florine entered the greenhouse and soon returned to her&#13;
mistress. "The shade is down, madame. M. Rodin has just entered the&#13;
prince's room." Mdlle. de Cardoville was, therefore, present, though&#13;
invisible, at the following scene, which took place between Rodin and&#13;
Djalma.</p><p>CHAPTER XLIII. THE LETTER.</p><p>Some minutes before the entrance of Mdlle. de Cardoville into the&#13;
greenhouse, Rodin had been introduced by Faringhea into the presence&#13;
of the prince, who, still under the influence of the burning excitement&#13;
into which he had been plunged by the words of the half-caste, did not&#13;
appear to perceive the Jesuit. The latter, surprised at the animated&#13;
expression of Djalma's countenance, and his almost frantic air, made a&#13;
sign of interrogation to Faringhea, who answered him privately in the&#13;
following symbolical manner:--After laying his forefinger on his head&#13;
and heart, he pointed to the fire burning in the chimney, signifying&#13;
by his pantomimic action that the head and heart of Djalma were both&#13;
in flames. No doubt Rodin understood him, for an imperceptible smile of&#13;
satisfaction played upon his wan lips; then he said aloud to Faringhea,&#13;
"I wish to be alone with the prince. Let down the shade and see that we&#13;
are not interrupted." The half-caste bowed, and touched a spring&#13;
near the sheet of plate-glass, which slid into the wall as the blind&#13;
descended; then, again bowing, Faringhea left the room. It was shortly&#13;
after that Mdlle. de Cardoville and Florine entered the greenhouse,&#13;
which was now only separated from the room in which was Djalma, by the&#13;
transparent thickness of a shade of white silk, embroidered with large&#13;
colored birds. The noise of the door, which Faringhea closed as he went&#13;
out, seemed to recall the young Indian to himself; his features, though&#13;
still animated, recovered their habitual expression of mildness and&#13;
gentleness; he started, drew his hand across his brow, looked around&#13;
him, as if waking up from a deep reverie, and then, advancing towards&#13;
Rodin, with an air as respectful as confused, he said to him, using&#13;
the expression commonly applied to old men in his country, "Pardon me,&#13;
father." Still following the customs of his nation, so full of deference&#13;
towards age, he took Rodin's hand to raise it to his lips, but the&#13;
Jesuit drew back a step, and refused his homage.</p><p>"For what do you ask pardon, my dear prince?" said he to Djalma.</p><p>"When you entered, I was in a dream; I did not come to meet you. Once&#13;
more, pardon me, father!"</p><p>"Once more, I forgive you with all my heart, my dear prince. But let us&#13;
have some talk. Pray resume your place on the couch, and your pipe, too,&#13;
if you like it."</p><p>But Djalma, instead of adopting the suggestion, and throwing himself&#13;
on the divan, according to his custom, insisted on seating himself in a&#13;
chair, notwithstanding all the persuasions of "the Old Man with the Good&#13;
Heart," as he always called the Jesuit.</p><p>"Really, your politeness troubles me, my dear prince," said Rodin; "you&#13;
are here at home in India; at least, we wish you to think so."</p><p>"Many things remind me of my country," said Djalma, in a mild grave&#13;
tone. "Your goodness reminds me of my father, and of him who was a&#13;
father to me," added the Indian, as he thought of Marshal Simon, whose&#13;
arrival in Paris had been purposely concealed from him.</p><p>After a moment's silence, he resumed in a tone full of affectionate&#13;
warmth, as he stretched out his hand to Rodin, "You are come, and I am&#13;
happy!"</p><p>"I understand your joy, my dear prince, for I come to take you out of&#13;
prison--to open your cage for you. I had begged you to submit to a brief&#13;
seclusion, entirely for your own interest."</p><p>"Can I go out to-morrow?"</p><p>"To-day, my dear prince, if you please."</p><p>The young Indian reflected for a moment, and then resumed, "I must have&#13;
friends, since I am here in a palace that does not belong to me."</p><p>"Certainly you have friends--excellent friends," answered Rodin. At&#13;
these words, Djalma's countenance seemed to acquire fresh beauty. The&#13;
most noble sentiments were expressed in his fine features; his large&#13;
black eyes became slightly humid, and, after another interval of&#13;
silence, he rose and said to Rodin with emotion: "Come!"</p><p>"Whither, dear prince?" said the other, much surprised.</p><p>"To thank my friends. I have waited three days. It is long."</p><p>"Permit me dear prince--I have much to tell you on this subject--please&#13;
to be seated."</p><p>Djalma resumed his seat with docility. Rodin continued: "It is true that&#13;
you have friends; or rather, you have a friend. Friends are rare."</p><p>"What are you?"</p><p>"Well, then, you have two friends, my dear prince--myself, whom you&#13;
know, and one other, whom you do not know, and who desires to remain&#13;
unknown to you."</p><p>"Why?"</p><p>"Why?" answered Rodin, after a moment's embarrassment. "Because the&#13;
happiness he feels in giving you these proofs of his friendship and even&#13;
his own tranquillity, depend upon preserving this mystery."</p><p>"Why should there be concealment when we do good?"</p><p>"Sometimes, to conceal the good we do, my dear prince."</p><p>"I profit by this friendship; why should he conceal himself from one?"&#13;
These repeated questions of the young Indian appeared to puzzle Rodin,&#13;
who, however, replied: "I have told you, my dear prince, that your&#13;
secret friend would perhaps have his tranquillity compromised, if he&#13;
were known."</p><p>"If he were known--as my friend?"</p><p>"Exactly so, dear prince."</p><p>The countenance of Djalma immediately assumed an appearance of sorrowful&#13;
dignity; he raised his head proudly, and said in a stern and haughty&#13;
voice: "Since this friend hides himself from me, he must either be&#13;
ashamed of me, or there is reason for me to be ashamed of him. I only&#13;
accept hospitality from those who are worthy of me, and who think me&#13;
worthy of them. I leave this house." So saying, Djalma rose with such&#13;
an air of determination, that Rodin exclaimed: "Listen to me, my dear&#13;
prince. Allow me to tell you, that your petulance and touchiness are&#13;
almost incredible. Though we have endeavored to remind you of your&#13;
beautiful country, we are here in Europe, in France, in the centre of&#13;
Paris. This consideration may perhaps a little modify your views. Listen&#13;
to me, I conjure you."</p><p>Notwithstanding his complete ignorance of certain social&#13;
conventionalisms, Djalma had too much good sense and uprightness, not&#13;
to appreciate reason, when it appeared reasonable. The words of Rodin&#13;
calmed him. With that ingenuous modesty, with which natures full of&#13;
strength and generosity are almost always endowed, he answered mildly:&#13;
"You are right, father. I am no longer in my own country. Here the&#13;
customs are different. I will reflect upon it."</p><p>Notwithstanding his craft and suppleness, Rodin sometimes found himself&#13;
perplexed by the wild and unforseen ideas of the young Indian. Thus he&#13;
saw, to his great surprise, that Djalma now remained pensive for some&#13;
minutes, after which he resumed in a calm but firm tone: "I have obeyed&#13;
you, father: I have reflected."</p><p>"Well, my dear prince?"</p><p>"In no country in the world, under no pretext, should a man of honor&#13;
conceal his friendship for another man of honor."</p><p>"But suppose there should be danger in avowing this friendship?" said&#13;
Rodin, very uneasy at the turn the conversation was taking. Djalma eyed&#13;
the Jesuit with contemptuous astonishment, and made no reply.</p><p>"I understand your silence, my dear prince: a brave man ought to defy&#13;
danger. True; but if it should be you that the danger threatens, in&#13;
case this friendship were discovered, would not your man of honor be&#13;
excusable, even praiseworthy, to persist in remaining unknown?"</p><p>"I accept nothing from a friend, who thinks me capable of denying him&#13;
from cowardice."</p><p>"Dear prince--listen to me."</p><p>"Adieu, father."</p><p>"Yet reflect!"</p><p>"I have said it," replied Djalma, in an abrupt and almost sovereign&#13;
tone, as he walked towards the door.</p><p>"But suppose a woman were concerned," cried Rodin, driven to extremity,&#13;
and hastening after the young Indian, for he really feared that Djalma&#13;
might rush from the house, and thus overthrow all his projects.</p><p>At the last words of Rodin the Indian stopped abruptly. "A woman!" said&#13;
he, with a start, and turning red. "A woman is concerned?"</p><p>"Why, yes! suppose it were a woman," resumed Rodin, "would you not then&#13;
understand her reserve, and the secrecy with which she is obliged to&#13;
surround the marks of affection she wishes to give you?"</p><p>"A woman!" repeated Djalma, in a trembling voice, clasping his hands in&#13;
adoration; and his beautiful countenance was expressive of the deepest&#13;
emotion. "A woman!" said he again. "A Parisian?"</p><p>"Yes, my dear prince, as you force me to this indiscretion, I will&#13;
confess to you that your friend is a real Parisian--a noble matron,&#13;
endowed with the highest virtues--whose age alone merits all your&#13;
respect."</p><p>"She is very old, then?" cried poor Djalma, whose charming dream was&#13;
thus abruptly dispelled.</p><p>"She may be a few years older than I am," answered Rodin, with an&#13;
ironical smile, expecting to see the young man express a sort of comical&#13;
disappointment or angry regret.</p><p>But it was not so. To the passionate enthusiasm of love, which had for&#13;
a moment lighted up the prince's features, there now succeeded a&#13;
respectful and touching expression. He looked at Rodin with emotion, and&#13;
said to him in a broken voice: "This woman, is then, a mother to me?"</p><p>It is impossible to describe with what a pious, melancholy, and tender&#13;
charm the Indian uttered the word mother.</p><p>"You have it, my dear prince; this respectable lady wishes to be a&#13;
mother to you. But I may not reveal to you the cause of the affection&#13;
she feels for you. Only, believe me--this affection is sincere, and the&#13;
cause honorable. If I do not tell you her secret, it is that, with us,&#13;
the secrets of women, young or old, are equally sacred."</p><p>"That is right, and I will respect it. Without seeing her, I will love&#13;
her--as I love God, without seeing Him."</p><p>"And now, my dear prince, let me tell you what are the intentions of&#13;
your maternal friend. This house will remain at your disposal, as long&#13;
as you like it; French servants, a carriage, and horses, will be at your&#13;
orders; the charges of your housekeeping will be paid for you. Then, as&#13;
the son of a king should live royalty, I have left in the next room a&#13;
casket containing five hundred Louis; every month a similar sum will&#13;
be provided: if it should not be found sufficient for your little&#13;
amusements, you will tell me, and it shall be augmented."</p><p>At a movement of Djalma, Rodin hastened to add: "I must tell you at&#13;
once, my dear prince, that your delicacy may be quite at ease. First&#13;
of all, you may accept anything from a mother; next, as in about three&#13;
months you will come into possession of an immense inheritance, it will&#13;
be easy for you, if you feel the obligation a burden--and the sum&#13;
cannot exceed, at the most, four or five thousand Louis--to repay these&#13;
advances. Spare nothing, then, but satisfy all your fancies. You are&#13;
expected to appear in the great world of Paris, in a style becoming the&#13;
son of a king who was called the Father of the Generous. So once again I&#13;
conjure you not to be restrained by a false delicacy; if this sum should&#13;
not be sufficient--"</p><p>"I will ask for more. My mother is right; the son of a monarch ought to&#13;
live royally."</p><p>Such was the answer of the Indian, made with perfect simplicity, and&#13;
without any appearance of astonishment at these magnificent offers. This&#13;
was natural. Djalma would have done for others what they were doing&#13;
for him, for the traditions of the prodigal magnificence and splendid&#13;
hospitality of Indian princes are well known. Djalma had been as moved&#13;
as grateful, on hearing that a woman loved him with maternal affection.&#13;
As for the luxury with which she nought to surround him, he accepted&#13;
it without astonishment and without scruple. This resignation, again,&#13;
somewhat disconcerted Rodin, who had prepared many excellent arguments&#13;
to persuade the Indian to accept his offers.</p><p>"Well, then, it's all agreed, my dear prince," resumed the Jesuit. "Now,&#13;
as you must see the world, it's just as well to enter by the best door,&#13;
as we say. One of the friends of your maternal protectress, the Count de&#13;
Montbron, an old nobleman of the greatest experience, and belonging&#13;
to the first society, will introduce you in some of the best houses in&#13;
Paris."</p><p>"Will you not introduce me, father?"</p><p>"Alas! my dear prince, look at me. Tell me, if you think I am fitted&#13;
for such an office. No! no; I live alone and retired from the world.&#13;
And then," added Rodin, after a short silence, fixing a penetrating,&#13;
attentive, and curious look upon the prince, as if he would have&#13;
subjected him to a sort of experiment by what follows; "and then, you&#13;
see, M. de Montbron will be better able than I should, in the world you&#13;
are about to enter, to enlighten you as to the snares that will be&#13;
laid for you. For if you have friends, you have also enemies--cowardly&#13;
enemies, as you know, who have abused your confidence in an infamous&#13;
manner, and have made sport of you. And as, unfortunately, their power&#13;
is equal to their wickedness, it would perhaps be more prudent in you to&#13;
try to avoid them--to fly, instead of resisting them openly."</p><p>At the remembrance of his enemies, at the thought of flying from them,&#13;
Djalma trembled in every limb; his features became of a lurid paleness;&#13;
his eyes wide open, so that the pupil was encircled with white, sparkled&#13;
with lurid fire; never had scorn, hatred, and the desire of vengeance,&#13;
expressed themselves so terribly on a human face. His upper lip, blood&#13;
red, was curled convulsively, exposing a row of small, white, and close&#13;
set teeth, and giving to his countenance lately so charming, an air of&#13;
such animal ferocity, that Rodin started from his seat, and exclaimed:&#13;
"What is the matter, prince? You frighten me."</p><p>Djalma did not answer. Half leaning forward, with his hands clinched in&#13;
rage, he seemed to cling to one of the arms of the chair, for fear&#13;
of yielding to a burst of terrific fury. At this moment, the amber&#13;
mouthpiece of his pipe rolled, by chance, under one of his feet; the&#13;
violent tension, which contracted all the muscles of the young Indian,&#13;
was so powerful, and notwithstanding his youth and his light figure, he&#13;
was endowed with such vigor, that with one abrupt stamp he powdered to&#13;
dust the piece of amber, in spite of its extreme hardness.</p><p>"In the name of heaven, what is the matter, prince?" cried Rodin.</p><p>"Thus would I crush my cowardly enemies!" exclaimed Djalma, with&#13;
menacing and excited look. Then, as if these words had brought his rage&#13;
to a climax, he bounded from his seat, and, with haggard eyes, strode&#13;
about the room for some seconds in all directions, as if he sought&#13;
for some weapon, and uttered from time to time a hoarse cry, which he&#13;
endeavored to stifle by thrusting his clinched fist against his mouth,&#13;
whilst his jaws moved convulsively. It was the impotent rage of a wild&#13;
beast, thirsting for blood. Yet, in all this, the young Indian preserved&#13;
a great and savage beauty; it was evident that these instincts of&#13;
sanguinary ardor and blind intrepidity, now excited to this pitch by&#13;
horror of treachery and cowardice, when applied to war, or to those&#13;
gigantic Indian hunts, which are even more bloody than a battle, must&#13;
make of Djalma what he really was a hero.</p><p>Rodin admired, with deep and ominous joy, the fiery impetuosity&#13;
of passion in the young Indian, for, under various conceivable&#13;
circumstances, the effect must be terrible. Suddenly, to the Jesuit's&#13;
great surprise, the tempest was appeased. Djalma's fury was calmed thus&#13;
instantaneously, because refection showed him how vain it was: ashamed&#13;
of his childish violence, he cast down his eyes. His countenance&#13;
remained pale and gloomy; and, with a cold tranquillity, far more&#13;
formidable than the violence to which he had yielded, he said to Rodin:&#13;
"Father, you will this day lead me to meet my enemies."</p><p>"In what end, my dear prince? What would you do?"</p><p>"Kill the cowards!"</p><p>"Kill them! you must not think of it."</p><p>"Faringhea will aid me."</p><p>"Remember, you are not on the banks of the Ganges, and here one does not&#13;
kill an enemy like a hunted tiger."</p><p>"One fights with a loyal enemy, but one kills a traitor like an accursed&#13;
dog," replied Djalma, with as much conviction as tranquillity.</p><p>"Ah, prince, whose father was the Father of the Generous," said Rodin,&#13;
in a grave voice; "what pleasure can you find in striking down creatures&#13;
as cowardly as they are wicked?"</p><p>"To destroy what is dangerous, is a duty."</p><p>"So prince, you seek for revenge."</p><p>"I do not revenge myself on a serpent," said the Indian, with haughty&#13;
bitterness; "I crush it."</p><p>"But, my dear prince, here we cannot get rid of our enemies in that&#13;
manner. If we have cause of complaint--"</p><p>"Women and children complain," said Djalma, interrupting Rodin: "men&#13;
strike."</p><p>"Still on the banks of the Ganges, my dear prince. Here society takes&#13;
your cause into its own hands, examines, judges, and if there be good&#13;
reason, punishes."</p><p>"In my own quarrel, I am both judge and executioner."</p><p>"Pray listen to me; you have escaped the odious snares of your enemies,&#13;
have you not?--Well! suppose it were thanks to the devotion of the&#13;
venerable woman who has for you the tenderness of a mother, and that&#13;
she were to ask you to forgive them--she, who saved you from their&#13;
hands--what would you do then?"</p><p>The Indian hung his head, and was silent. Profiting by his hesitation,&#13;
Rodin continued: "I might say to you that I know your enemies, but that&#13;
in the dread of seeing you commit some terrible imprudence, I would&#13;
conceal their names from you forever. But no! I swear to you, that if&#13;
the respectable person, who loves you as her son, should find it either&#13;
right or useful that I should tell you their names, I will do so--until&#13;
she has pronounced, I must be silent."</p><p>Djalma looked at Rodin with a dark and wrathful air. At this moment,&#13;
Faringhea entered, and said to Rodin: "A man with a letter, not finding&#13;
you at home, has been sent on here. Am I to receive it? He says it comes&#13;
from the Abbe d'Aigrigny.</p><p>"Certainly," answered Rodin. "That is," he added, "with the prince's&#13;
permission."</p><p>Djalma nodded in reply; Faringhea went out.</p><p>"You will excuse what I have done, dear prince. I expected this morning&#13;
a very important letter. As it was late in coming to hand, I ordered it&#13;
to be sent on."</p><p>A few minutes after, Faringhea returned with the letter, which he&#13;
delivered to Rodin--and the half-caste again withdrew.</p><p>CHAPTER XLIV. ADRIENNE AND DJALMA.</p><p>When Faringhea had quitted the room, Rodin took the letter from Abbe&#13;
d'Aigrigny with one hand, and with the other appeared to be looking&#13;
for something, first in the side pocket of his great-coat, then in the&#13;
pocket behind, then in that of his trousers; and, not finding what he&#13;
sought, he laid the letter on his knee, and felt himself all over with&#13;
both hands, with an air of regret and uneasiness. The divers movements&#13;
of this pantomime, performed in the most natural manner, were crowned by&#13;
the exclamations.</p><p>"Oh! dear me! how vexatious!"</p><p>"What is the matter?" asked Djalma, starting from the gloomy silence in&#13;
which he had been plunged for some minutes.</p><p>"Alas! my dear prince!" replied Rodin, "the most vulgar and puerile&#13;
accident may sometimes cause the greatest inconvenience. I have&#13;
forgotten or lost my spectacles. Now, in this twilight, with the very&#13;
poor eyesight that years of labor have left me, it will be absolutely&#13;
impossible for me to read this most important letter--and an immediate&#13;
answer is expected--most simple and categorical--a yes or a no. Times&#13;
presses; it is really most annoying. If," added Rodin, laying great&#13;
stress on his words, without looking at Djalma, but so as the prince&#13;
might remark it; "if only some one would render me the service to read&#13;
it for me; but there is no one--no--one!"</p><p>"Father," said Djalma, obligingly, "shall I read it for you. When I have&#13;
finished it, I shall forget what I have read."</p><p>"You?" cried Rodin, as if the proposition of the Indian had appeared&#13;
to him extravagant and dangerous; "it is impossible, prince, for you to&#13;
read this letter."</p><p>"Then excuse my having offered," said Djalma mildly.</p><p>"And yet," resumed Rodin, after a moment's reflection, and as if&#13;
speaking to himself, "why not?"</p><p>And he added, addressing Djalma: "Would you really be so obliging, my&#13;
dear prince? I should not have ventured to ask you this service."</p><p>So saying, Rodin delivered the letter to Djalma, who read aloud as&#13;
follows: "'Your visit this morning to Saint-Dizier House can only be&#13;
considered, from what I hear, as a new act of aggression on your part.</p><p>"'Here is the last proposition I have to make. It may be as fruitless as&#13;
the step I took yesterday, when I called upon you in the Rue Clovis.</p><p>"'After that long and painful explanation, I told you that I would write&#13;
to you. I keep my promise, and here is my ultimatum.</p><p>"'First of all, a piece of advice. Beware! If you are determined to&#13;
maintain so unequal a struggle, you will be exposed even to the hatred&#13;
of those whom you so foolishly seek to protect. There are a thousand&#13;
ways to ruin you with them, by enlightening them as to your protects. It&#13;
will be proved to them, that you have shared in the plat, which you&#13;
now pretend to reveal, not from generosity, but from cupidity.'" Though&#13;
Djalma had the delicacy to feel that the least question on the subject&#13;
of this letter would be a serious indiscretion, he could not forbear&#13;
turning his head suddenly towards the Jesuit, as he read the last&#13;
passage.</p><p>"Oh, yes! it relates to me. Such as you see me, my dear prince," added&#13;
he, glancing at his shabby clothes, "I am accused of cupidity."</p><p>"And who are these people that you protect?"</p><p>"Those I protect?" said Rodin feigning some hesitation, as if he&#13;
had been embarrassed to find an answer; "who are those I protect?&#13;
Hem--hem--I will tell you. They are poor devils without resources; good&#13;
people without a penny, having only a just cause on their side, in a&#13;
lawsuit in which they are engaged. They are threatened with destruction&#13;
by powerful parties--very powerful parties; but, happily, these latter&#13;
are known to me, and I am able to unmask them. What else could have&#13;
been? Being myself poor and weak, I range myself naturally on the side&#13;
of the poor and weak. But continue, I beg of you."</p><p>Djalma resumed: "'You have therefore every-thing to fear if you persist&#13;
in your hostility, and nothing to gain by taking the side of those whom&#13;
you call your friends. They might more justly be termed your dupes, for&#13;
your disinterestedness would be inexplicable, were it sincere. It must&#13;
therefore conceal some after-thought of cupidity.</p><p>"'Well! in that view of the case, we can offer you ample&#13;
compensation--with this difference, that your hopes are now entirely&#13;
founded on the probable gratitude of your friends, a very doubtful&#13;
chance at the best, whereas our offers will be realized on the instant.&#13;
To speak clearly, this is what we ask, what we exact of you. This very&#13;
night, before twelve, you must have left Paris, and engage not to return&#13;
for six months.'" Djalma could not repress a movement of surprise, and&#13;
looked at Rodin.</p><p>"Quite natural," said the latter; "the cause of my poor friends would be&#13;
judged by that time, and I should be unable to watch over them. You see&#13;
how it is, my dear prince," added Rodin, with bitter indignation. "But&#13;
please continue, and excuse me for having interrupted you; though,&#13;
indeed, such impudence disgusts me."</p><p>Djalma continued: "'That we may be certain of your removal from Paris&#13;
for six months, you will go to the house of one of our friends in&#13;
Germany. You will there be received with generous hospitality, but&#13;
forcibly detained until the expiration of the term.'"</p><p>"Yes, yes! a voluntary prison," said Rodin.</p><p>"'On these conditions, you will receive a pension of one thousand francs&#13;
a month, to begin from your departure from Paris, ten thousand francs&#13;
down, and twenty thousand at the end of the six months--the whole to&#13;
be completely secured to you. Finally, at the end of the six months, we&#13;
will place you in a position both honorable and independent.'"</p><p>Djalma having stopped short, with involuntary indignation, Rodin said to&#13;
him: "Let me beg you to continue, my dear prince. Read to the end,&#13;
and it will give you some idea of what passes in the midst of our&#13;
civilization."</p><p>Djalma resumed: "'You know well enough the course of affairs, and what&#13;
we are, to feel that in providing for your absence, we only wish to get&#13;
rid of an enemy, not very dangerous, but rather troublesome. Do not be&#13;
blinded by your first success. The results of your denunciation will&#13;
be stifled, because they are calumnious. The judge who received your&#13;
evidence will soon repent his odious partiality. You may make what use&#13;
you please of this letter. We know what we write, to whom we write, and&#13;
how we write. You will receive this letter at three o'clock; if by four&#13;
o'clock we have not your full and complete acceptance, written with your&#13;
own hand at the bottom of this letter, war must commence between us--and&#13;
not from to-morrow, but on the instant.'"</p><p>Having finished reading the letter, Djalma looked at Rodin, who said to&#13;
him: "Permit me to summon Faringhea."</p><p>He rang the bell, and the half-caste appeared. Rodin took the letter&#13;
from the hands of Djalma, tore it into halves, rubbed it between his&#13;
palms, so as to make a sort of a ball, and said to the half-caste, as&#13;
he returned it to him: "Give this palter to the person who waits for&#13;
it, and tell him that is my only answer to his shameless and insolent&#13;
letter; you understand me--this shameless and insolent letter."</p><p>"I understand." said the half-caste; and he went out.</p><p>"This will perhaps be a dangerous war for you, father, said the Indian,&#13;
with interest.</p><p>"Yes, dear prince, it may be dangerous, but I am not like you; I have no&#13;
wish to kill my enemies, because they are cowardly and wicked. I fight&#13;
them under the shield of the law. Imitate me in this." Then, seeing that&#13;
the countenance of Djalma darkened, he added: "I am wrong. I will advise&#13;
you no more on this subject. Only, let us defer the decision to the&#13;
judgment of your noble and motherly protectress. I shall see her to&#13;
morrow; if she consents, I will tell you the names of your enemies. If&#13;
not--not."</p><p>"And this woman, this second mother," said Djalma, "is her character&#13;
such, that I can rely on her judgment?"</p><p>"She!" cried Rodin, clasping his hands, and speaking with increased&#13;
excitement. "Why, she is the most noble, the most generous, the most&#13;
valiant being upon earth!--why, if you were really her son, and she&#13;
loved you with all the strength of maternal affection, and a case arose&#13;
in which you had to choose between an act of baseness and death, she&#13;
would say to you: 'Die!' though she might herself die with you."</p><p>"Oh, noble woman! so was my mother!" cried Djalma, with enthusiasm.</p><p>"Yes," resumed Rodin, with growing energy, as he approached the window&#13;
concealed by the shade, towards which he threw an oblique and anxious&#13;
glance, "if you would imagine your protectress, think only of courage,&#13;
uprightness, and loyalty personified. Oh! she has the chivalrous&#13;
frankness of the brave man, joined with the high-souled dignity of the&#13;
woman, who not only never in her life told a falsehood, never concealed&#13;
a single thought, but who would rather die than give way to the least&#13;
of those sentiments of craft and dissimulation, which are almost forced&#13;
upon ordinary women by the situation in which they are placed."</p><p>It is difficult to express the admiration which shone upon the&#13;
countenance of Djalma, as he listened to this description. His eyes&#13;
sparkled, his cheeks glowed, his heart palpitated with enthusiasm.</p><p>"That is well, noble heart!" said Rodin to him, drawing still nearer&#13;
to the blind; "I love to see your soul sparkle through your eyes, on&#13;
hearing me speak thus of your unknown protectress. Oh! but she is worthy&#13;
of the pious adoration which noble hearts and great characters inspire!"</p><p>"Oh! I believe you," cried Djalma, with enthusiasm; "my heart is full of&#13;
admiration and also of astonishment, for my mother is no more, and yet&#13;
such a woman exists!"</p><p>"Yes, she exists. For the consolation of the afflicted, for the glory of&#13;
her sex, she exists. For the honor of truth, and the shame of falsehood,&#13;
she exists. No lie, no disguise, has ever tainted her loyalty, brilliant&#13;
and heroic as the sword of a knight. It is but a few days ago that this&#13;
noble woman spoke to me these admirable words, which, in all my life,&#13;
I shall not forget: 'Sir,' she said, 'if ever I suspect any one that I&#13;
love or esteem--'"</p><p>Rodin did not finish. The shade, so violently shaken that the spring&#13;
broke, was drawn up abruptly, and, to the great astonishment of Djalma,&#13;
Mdlle. de Cardoville appeared before him. Adrienne's cloak had fallen&#13;
from her shoulders, and in the violence of the movement with which she&#13;
had approached the blind, her bonnet, the strings of which were untied,&#13;
had also fallen. Having left home suddenly, with only just time to throw&#13;
a mantle over the picturesque and charming costume which she often chose&#13;
to wear when alone, she appeared so radiant with beauty to Djalma's&#13;
dazzled eyes, in the centre of those leaves and flowers, that the Indian&#13;
believed himself under the influence of a dream.</p><p>With clasped hands, eyes wide open, the body slightly bent forward, as&#13;
if in the act of prayer, he stood petrified with admiration, Mdlle. de&#13;
Cardoville, much agitated, and her countenance glowing with emotion,&#13;
remained on the threshold of the greenhouse, without entering the room.&#13;
All this had passed in less time than it takes to describe it. Hardly&#13;
had the blind been raised, than Rodin, feigning surprise, exclaimed:&#13;
"You here, madame?"</p><p>"Oh, sir!" said Adrienne, in an agitated voice, "I come to terminate&#13;
the phrase which you have commenced. I told you, that when a suspicion&#13;
crossed my mind, I uttered it aloud to the person by whom it was&#13;
inspired. Well! I confess it: I have failed in this honesty. I came here&#13;
as a spy upon you, when your answer to the Abbe d'Aigrigny was giving me&#13;
a new pledge of your devotion and sincerity. I doubted your uprightness&#13;
at the moment when you were bearing testimony to my frankness. For&#13;
the first time in my life, I stooped to deceit; this weakness merits&#13;
punishment, and I submit to it--demands reparation, and I make it--calls&#13;
for apologies, and I tender them to you." Then turning towards Djalma,&#13;
she added: "Now, prince, I am no longer mistress of my secret. I am your&#13;
relation, Mdlle. de Cardoville; and I hope you will accept from a sister&#13;
the hospitality that you did not refuse from a mother."</p><p>Djalma made no reply. Plunged in ecstatic contemplation of this sudden&#13;
apparition, which surpassed his wildest and most dazzling visions, he&#13;
felt a sort of intoxication, which, paralyzing the power of thought,&#13;
concentrated all his faculties in the one sense of sight; and just as we&#13;
sometimes seek in vain to satisfy unquenchable thirst, the burning look&#13;
of the Indian sought, as it were, with devouring avidity, to take in&#13;
all the rare perfections of the young lady. Verily, never had two more&#13;
divine types of beauty met face to face. Adrienne and Djalma were the&#13;
very ideal of a handsome youth and maiden. There seemed to be something&#13;
providential in the meeting of these two natures, so young and so&#13;
vivacious, so generous and so full of passion, so heroic and so proud,&#13;
who, before coming into contact, had, singularly enough, each learned&#13;
the moral worth of the other; for if, at the words of Rodin, Djalma had&#13;
felt arise in his heart an admiration, as lively as it was sudden, for&#13;
the valiant and generous qualities of that unknown benefactress, whom&#13;
he now discovered in Mdlle. de Cardoville, the latter had, in her turn,&#13;
been moved, affected, almost terrified, by the interview she had just&#13;
overheard, in which Djalma had displayed the nobleness of his soul,&#13;
the delicate goodness of his heart, and the terrible transports of&#13;
his temper. Then she had not been able to repress a movement of&#13;
astonishment, almost admiration, at sight of the surprising beauty of&#13;
the prince; and soon after, a strange, painful sentiment, a sort&#13;
of electric shock, seemed to penetrate all her being, as her eyes&#13;
encountered Djalma's.</p><p>Cruelly agitated, and suffering deeply from this agitation, she tried&#13;
to dissemble the impression she had received, by addressing Rodin, to&#13;
apologize for having suspected him. But the obstinate silence of the&#13;
Indian redoubled the lady's painful embarrassment. Again raising her&#13;
eyes towards the prince, to invite him to respond to her fraternal&#13;
offer, she met his ardent gaze wildly fixed upon her, and she looked&#13;
once more with a mixture of fear, sadness, and wounded pride; then she&#13;
congratulated herself on having foreseen the inexorable necessity of&#13;
keeping Djalma at a distance from her, such apprehension did this ardent&#13;
and impetuous nature already inspire. Wishing to put an end to her&#13;
present painful situation, she said to Rodin, in a low and trembling&#13;
voice, "Pray, sir, speak to the prince; repeat to him my offers. I&#13;
cannot remain longer." So saying, Adrienne turned, as if to rejoin&#13;
Florine. But, at the first step, Djalma sprang towards her with the&#13;
bound of a tiger, about to be deprived of his prey. Terrified by the&#13;
expression of wild excitement which inflamed the Indian's countenance,&#13;
the young lady drew back with a loud scream.</p><p>At this, Djalma remembered himself, and all that had passed. Pale with&#13;
regret and shame, trembling, dismayed, his eyes streaming with tears,&#13;
and all his features marked with an expression of the most touching&#13;
despair, he fell at Adrienne's feet, and lifting his clasped hands&#13;
towards her, said in a soft, supplicating, timid voice: "Oh, remain!&#13;
remain! do not leave me. I have waited for you so long!" To this prayer,&#13;
uttered with the timid simplicity of a child, and a resignation which&#13;
contrasted strangely with the savage violence that had so frightened&#13;
Adrienne, she replied, as she made a sign to Florine to prepare for&#13;
their departure: "Prince, it is impossible for me to remain longer&#13;
here."</p><p>"But you will return?" said Djalma, striving to restrain his tears. "I&#13;
shall see you again?"</p><p>"Oh, no! never--never!" said Mdlle. de Cardoville, in a failing voice.&#13;
Then, profiting by the stupor into which her answer had thrown Djalma,&#13;
Adrienne disappeared rapidly behind the plants in the greenhouse.</p><p>Florine was hastening to rejoin her mistress, when, just at the&#13;
moment she passed before Rodin, he said to her in a low, quick voice:&#13;
"To-morrow we must finish with the hunchback." Florine trembled in every&#13;
limb, and, without answering Rodin, disappeared, like her mistress,&#13;
behind the plants. Broken, overpowered, Djalma remained upon his knees,&#13;
with his head resting on his breast. His countenance expressed neither&#13;
rage nor excitement, but a painful stupor; he wept silently. Seeing&#13;
Rodin approach him, he rose, but with so tremulous a step, that he could&#13;
hardly reach the divan, on which he sank down, hiding his face in his&#13;
hands.</p><p>Then Rodin, advancing, said to him in a mild and insinuating tone:&#13;
"Alas! I feared what has happened. I did not wish you to see your&#13;
benefactress; and if I told you she was old, do you know why, dear&#13;
prince?"</p><p>Djalma, without answering, let his hands fall upon his knees, and turned&#13;
towards Rodin a countenance still bathed in tears.</p><p>"I knew that Mdlle. de Cardoville was charming, and at your age it is&#13;
so easy to fall in love," continued Rodin; "I wished to spare you that&#13;
misfortune, my dear prince, for your beautiful protectress passionately&#13;
loves a handsome young man of this town."</p><p>Upon these words, Djalma suddenly pressed both hands to his heart, as if&#13;
he felt a piercing stab, uttered a cry of savage grief, threw back his&#13;
head, and fell fainting upon the divan.</p><p>Rodin looked at him coldly for some seconds, and then said as he went&#13;
away, brushing his old hat with his elbow,</p><p>"Come! it works--it works!"</p><p>CHAPTER XLV. THE CONSULTATION.</p><p>It is night. It has just struck nine. It is the evening of that day&#13;
on which Mdlle. de Cardoville first found herself in the presence of&#13;
Djalma. Florine, pale, agitated, trembling, with a candle in her hand,&#13;
had just entered a bedroom, plainly but comfortably furnished. This room&#13;
was one of the apartments occupied by Mother Bunch, in Adrienne's house.&#13;
They were situated on the ground-floor, and had two entrances. One&#13;
opened on the garden, and the other on the court-yard. From this side&#13;
came the persons who applied to the workgirl for succor; an ante-chamber&#13;
in which they waited, a parlor in which they were received, constituted&#13;
Mother Bunch's apartments, along with the bedroom, which Florine&#13;
had just entered, looking about her with an anxious and alarmed air,&#13;
scarcely touching the carpet with the tips of her satin shoes, holding&#13;
her breath, and listening at the least noise.</p><p>Placing the candle upon the chimney-piece, she took a rapid survey&#13;
of the chamber, and approached the mahogany desk, surmounted by a&#13;
well-filled bookcase. The key had been left in the drawers of this&#13;
piece of furniture, and they were all three examined by Florine. They&#13;
contained different petitions from persons in distress, and various,&#13;
notes in the girl's handwriting. This was not what Florine wanted. Three&#13;
cardboard boxes were placed in pigeon-holes beneath the bookcase. These&#13;
also were vainly explored, and Florine, with a gesture of vexation,&#13;
looked and listened anxiously; then, seeing a chest of drawers, she&#13;
made therein a fresh and useless search. Near the foot of the bed was&#13;
a little door, leading to a dressing-room. Florine entered it, and&#13;
looked--at first without success--into a large wardrobe, in which were&#13;
suspended several black dresses, recently made for Mother Bunch,&#13;
by order of Mdlle. de Cardoville. Perceiving, at the bottom of this&#13;
wardrobe, half hidden beneath a cloak, a very shabby little trunk,&#13;
Florine opened it hastily, and found there, carefully folded up, the&#13;
poor old garments in which the work-girl had been clad when she first&#13;
entered this opulent mansion.</p><p>Florine started--an involuntary emotion contracted her features; but&#13;
considering that she had not liberty to indulge her feelings, but only&#13;
to obey Rodin's implacable orders, she hastily closed both trunk and&#13;
wardrobe, and leaving the dressing-room, returned into the bed-chamber.&#13;
After having again examined the writing-stand, a sudden idea occurred to&#13;
her. Not content with once more searching the cardboard boxes, she drew&#13;
out one of them from the pigeon-hole, hoping to find what she sought&#13;
behind the box: her first attempt failed, but the second was more&#13;
successful. She found behind the middle box a copy-book of considerable&#13;
thickness. She started in surprise, for she had expected something else;&#13;
yet she took the manuscript, opened it, and rapidly turned over&#13;
the leaves. After having perused several pages, she manifested her&#13;
satisfaction, and seemed as if about to put the book in her pocket; but&#13;
after a moment's reflection, she replaced it where she had found it,&#13;
arranged everything in order, took her candle, and quitted the apartment&#13;
without being discovered--of which, indeed, she had felt pretty sure,&#13;
knowing that Mother Bunch would be occupied with Mdlle. de Cardoville&#13;
for some hours.</p><p>The day after Florine's researches, Mother Bunch, alone in her bed&#13;
chamber, was seated in an arm-chair, close to a good fire. A thick&#13;
carpet covered the floor; through the window-curtains could be seen the&#13;
lawn of a large garden; the deep silence was only interrupted by the&#13;
regular ticking of a clock, and the crackling of the wood. Her&#13;
hands resting on the arms of the chair, she gave way to a feeling of&#13;
happiness, such as she had never so completely enjoyed since she took&#13;
up her residence at the hotel. For her, accustomed so long to cruel&#13;
privations, there was a kind of inexpressible charm in the calm silence&#13;
of this retreat--in the cheerful aspect of the garden, and above all, in&#13;
the consciousness that she was indebted for this comfortable position,&#13;
to the resignation and energy she had displayed, in the thick of the&#13;
many severe trials which now ended so happily. An old woman, with a mild&#13;
and friendly countenance, who had been, by express desire of Adrienne,&#13;
attached to the hunchback's service, entered the room and said to her:&#13;
"Mademoiselle, a young man wishes to speak to you on pressing business.&#13;
He gives his name as Agricola Baudoin."</p><p>At this name, Mother Bunch uttered an exclamation of surprise and joy,&#13;
blushed slightly, rose and ran to the door which led to the parlor in&#13;
which was Agricola.</p><p>"Good-morning, dear sister," said the smith, cordially embracing the&#13;
young girl, whose cheeks burned crimson beneath those fraternal kisses.</p><p>"Ah, me!" cried the sempstress on a sudden, as she looked anxiously&#13;
at Agricola; "what is that black band on your forehead? You have been&#13;
wounded!"</p><p>"A mere nothing," said the smith, "really nothing. Do not think of it.&#13;
I will tell you all about that presently. But first, I have things of&#13;
importance to communicate."</p><p>"Come into my room, then; we shall be alone," Mother Bunch, as she went&#13;
before Agricola.</p><p>Notwithstanding the expression of uneasiness which was visible on the&#13;
countenance of Agricola, he could not forbear smiling with pleasure as&#13;
he entered the room and looked around him.</p><p>"Excellent, my poor sister! this is how I would always have you lodged.&#13;
I recognize here the hand of Mdlle. de Cardoville. What a heart! what&#13;
a noble mind!--Dost know, she wrote to me the day before yesterday,&#13;
to thank me for what I had done for her, and sent me a gold pin (very&#13;
plain), which she said I need not hesitate to accept, as it had no other&#13;
value but that of having been worn by her mother! You can't tell how&#13;
much I was affected by the delicacy of this gift!"</p><p>"Nothing must astonish you from a heart like hers," answered the&#13;
hunchback. "But the wound--the wound?"</p><p>"Presently, my good sister; I have so many things to tell you. Let us&#13;
begin by what is most pressing, for I want you to give me some good&#13;
advice in a very serious case. You know how much confidence I have in&#13;
your excellent heart and judgment. And then, I have to ask of you a&#13;
service--oh! a great service," added the smith, in an earnest, and&#13;
almost solemn tone, which astonished his hearer. "Let us begin with what&#13;
is not personal to myself."</p><p>"Speak quickly."</p><p>"Since my mother went with Gabriel to the little country curacy he has&#13;
obtained, and since my father lodges with Marshal Simon and the young&#13;
ladies, I have resided, you know, with my mates, at M. Hardy's factory,&#13;
in the common dwelling-house. Now, this morning but first, I must tell&#13;
you that M. Hardy, who has lately returned from a journey, is again&#13;
absent for a few days on business. This morning, then, at the hour of&#13;
breakfast, I remained at work a little after the last stroke of the&#13;
bell; I was leaving the workshop to go to our eating-room, when I saw&#13;
entering the courtyard, a lady who had just got out of a hackney-coach.&#13;
I remarked that she was fair, though her veil was half down; she had&#13;
a mild and pretty countenance, and her dress was that of a fashionable&#13;
lady. Struck with her paleness, and her anxious, frightened air, I asked&#13;
her if she wanted anything. 'Sir,' said she to me, in a trembling voice,&#13;
and as if with a great effort, 'do you belong to this factory?'--'Yes,&#13;
madame.'--'M. Hardy is then in clanger?' she exclaimed.--'M. Hardy,&#13;
madame? He has not yet returned home.'--'What!' she went on, 'M. Hardy&#13;
did not come hither yesterday evening? Was he not dangerously wounded by&#13;
some of the machinery?' As she said these words, the poor young lady's&#13;
lips trembled, and I saw large tears standing in her eyes. 'Thank God,&#13;
madame! all this is entirely false,' said I, 'for M. Hardy has&#13;
not returned, and indeed is only expected by to-morrow or the day&#13;
after.'--'You are quite sure that he has not returned! quite sure that&#13;
he is not hurt?' resumed the pretty young lady, drying her eyes.--'Quite&#13;
sure, madame; if M. Hardy were in danger, I should not be so quiet in&#13;
talking to you about him.'--'Oh! thank God! thank God!' cried the young&#13;
lady. Then she expressed to me her gratitude, with so happy, so feeling&#13;
an air, that I was quite touched by it. But suddenly, as if then only&#13;
she felt ashamed of the step she had taken, she let down her veil, left&#13;
me precipitately, went out of the court-yard, and got once more into the&#13;
hackney-coach that had brought her. I said to myself: 'This is a lady&#13;
who takes great interest in M. Hardy, and has been alarmed by a false&#13;
report."'</p><p>"She loves him, doubtless," said Mother Bunch, much moved, "and, in&#13;
her anxiety, she perhaps committed an act of imprudence, in coming to&#13;
inquire after him."</p><p>"It is only too true. I saw her get into the coach with interests, for&#13;
her emotion had infected me. The coach started--and what did I see a few&#13;
seconds after? A cab, which the young lady could not have perceived, for&#13;
it had been hidden by an angle of the wall; and, as it turned round the&#13;
corner, I distinguished perfectly a man seated by the driver's side, and&#13;
making signs to him to take the same road as the hackney-coach."</p><p>"The poor young lady was followed," said Mother Bunch, anxiously.</p><p>"No doubt of it; so I instantly hastened after the coach, reached it,&#13;
and through the blinds that were let down, I said to the young lady,&#13;
whilst I kept running by the side of the coach door: 'Take care, madame;&#13;
you are followed by a cab.</p><p>"Well, Agricola! and what did she answer?"</p><p>"I heard her exclaim, 'Great Heaven!' with an accent of despair. The&#13;
coach continued its course. The cab soon came up with me; I saw, by&#13;
the side of the driver, a great, fat, ruddy man, who, having watched me&#13;
running after the coach, no doubt suspected something, for he looked at&#13;
me somewhat uneasily."</p><p>"And when does M. Hardy return?" asked the hunchback.</p><p>"To-morrow, or the day after. Now, my good sister, advise me. It is&#13;
evident that this young lady loves M. Hardy. She is probably married,&#13;
for she looked so embarrassed when she spoke to me, and she uttered&#13;
a cry of terror on learning that she was followed. What shall I do? I&#13;
wished to ask advice of Father Simon, but he is so very strict in such&#13;
matters--and then a love affair, at his age!--while you are so delicate&#13;
and sensible, my good sister, that you will understand it all."</p><p>The girl started, and smiled bitterly; Agricola did not perceive it, and&#13;
thus continued: "So I said to myself, 'There is only Mother Bunch, who&#13;
can give me good advice.' Suppose M. Hardy returns to-morrow, shall I&#13;
tell him what has passed or not?"</p><p>"Wait a moment," cried the other, suddenly interrupting Agricola, and&#13;
appearing to recollect something; "when I went to St. Mary's Convent, to&#13;
ask for work of the superior, she proposed that I should be employed by&#13;
the day, in a house in which I was to watch or, in other words, to act&#13;
as a spy--"</p><p>"What a wretch!"</p><p>"And do you know," said the girl, "with whom I was to begin this odious&#13;
trade? Why, with a Madame de-Fremont, or de Bremont, I do not remember&#13;
which, a very religious woman, whose daughter, a young married lady,&#13;
received visits a great deal too frequent (according to the superior)&#13;
from a certain manufacturer."</p><p>"What do you say?" cried Agricola. "This manufacturer must be--"</p><p>"M. Hardy. I had too many reasons to remember that name, when it was&#13;
pronounced by the superior. Since that day, so many other events have&#13;
taken place, that I had almost forgotten the circumstance. But it is&#13;
probable that this young lady is the one of whom I heard speak at the&#13;
convent."</p><p>"And what interest had the superior of the convent to set a spy upon&#13;
her?" asked the smith.</p><p>"I do not know; but it is clear that the same interest still exists,&#13;
since the young lady was followed, and perhaps, at this hour, is&#13;
discovered and dishonored. Oh! it is dreadful!" Then, seeing Agricola&#13;
start suddenly, Mother Bunch added: "What, then, is the matter?"</p><p>"Yes--why not?" said the smith, speaking to himself; "why may not all&#13;
this be the work of the same hand? The superior of a convent may have a&#13;
private understanding with an abbe--but, then, for what end?"</p><p>"Explain yourself, Agricola," said the girl. "And then,--where did you&#13;
get your wound? Tell me that, I conjure you."</p><p>"It is of my wound that I am just going to speak; for in truth, the&#13;
more I think of it, the more this adventure of the young lady seems to&#13;
connect itself with other facts."</p><p>"How so?"</p><p>"You must know that, for the last few days, singular things are passing&#13;
in the neighborhood of our factory. First, as we are in Lent, an abbe&#13;
from Paris (a tall, fine-looking man, they say) has come to preach in&#13;
the little village of Villiers, which is only a quarter of a league from&#13;
our works. The abbe has found occasion to slander and attack M. Hardy in&#13;
his sermons."</p><p>"How is that?"</p><p>"M. Hardy has printed certain rules with regard to our work, and the&#13;
rights and benefits he grants us. These rules are followed by various&#13;
maxims as noble as they are simple; with precepts of brotherly love such&#13;
as all the world can understand, extracted from different philosophies&#13;
and different religions. But because M. Hardy has chosen what is best in&#13;
all religions, the abbe concludes that M. Hardy has no religion at all,&#13;
and he has therefore not only attacked him for this in the pulpit,&#13;
but has denounced our factory as a centre of perdition and damnable&#13;
corruption, because, on Sundays, instead of going to listen to his&#13;
sermons, or to drink at a tavern, our comrades, with their wives and&#13;
children, pass their time in cultivating their little gardens, in&#13;
reading, singing in chorus, or dancing together in the common dwelling&#13;
house. The abbe has even gone so far as to say, that the neighborhood&#13;
of such an assemblage of atheists, as he calls us, might draw down the&#13;
anger of Heaven upon the country--that the hovering of Cholera was much&#13;
talked of, and that very possibly, thanks to our impious presence, the&#13;
plague might fall upon all our neighborhood."</p><p>"But to tell such things to ignorant people," exclaimed Mother Bunch,&#13;
"is likely to excite them to fatal actions."</p><p>"That is just what the abbe wants."</p><p>"What do you tell me?"</p><p>"The people of the environs, still more excited, no doubt by other&#13;
agitators, show themselves hostile to the workmen of our factory. Their&#13;
hatred, or at least their envy, has been turned to account. Seeing&#13;
us live all together, well lodged, well warmed, and comfortably clad,&#13;
active, gay, and laborious, their jealousy has been embittered by the&#13;
sermons, and by the secret manoeuvres of some depraved characters,&#13;
who are known to be bad workmen, in the employment of M. Tripeaud, our&#13;
opposition. All this excitement is beginning to bear fruit; there have&#13;
been already two or three fights between us and our neighbors. It was in&#13;
one of these skirmishes that I received a blow with a stone on my head."</p><p>"Is it not serious, Agricola?--are you quite sure?" said Mother Bunch,&#13;
anxiously.</p><p>"It is nothing at all, I tell you. But the enemies of M. Hardy have not&#13;
confined themselves to preaching. They have brought into play something&#13;
far more dangerous."</p><p>"What is that?"</p><p>"I, and nearly all my comrades, did our part in the three Revolutionary&#13;
days of July; but we are not eager at present, for good reasons, to take&#13;
up arms again. That is not everybody's opinion; well, we do not blame&#13;
others, but we have our own ideas; and Father Simon, who is as brave as&#13;
his son, and as good a patriot as any one, approves and directs us. Now,&#13;
for some days past, we find all about the factory, in the garden, in the&#13;
courts, printed papers to this effect: 'You are selfish cowards; because&#13;
chance has given you a good master, you remain indifferent to the&#13;
misfortunes of your brothers, and to the means of freeing them; material&#13;
comforts have enervated your hearts.'"</p><p>"Dear me, Agricola! what frightful perseverance in wickedness!"</p><p>"Yes! and unfortunately these devices have their effect on some of&#13;
our younger mates. As the appeal was, after all, to proud and generous&#13;
sentiments, it has had some influence. Already, seeds of division have&#13;
shown themselves in our workshops, where, before, all were united as&#13;
brothers. A secret agitation now reigns there. Cold suspicion takes the&#13;
place, with some, of our accustomed cordiality. Now, if I tell you that&#13;
I am nearly sure these printed papers, thrown over the walls of our&#13;
factory, to raise these little sparks of discord amongst us, have been&#13;
scattered about by the emissaries of this same preaching abbe--would&#13;
it not seem from all this, taken in conjunction with what happened this&#13;
morning to the young lady, that M. Hardy has of late numerous enemies?"</p><p>"Like you, I think it very fearful, Agricola," said the girl; "and it&#13;
is so serious, that M. Hardy alone can take a proper decision on the&#13;
subject. As for what happened this morning to the young lady, it appears&#13;
to me, that, immediately on M. Hardy's return, you should ask for an&#13;
interview with him, and, however delicate such a communication may be,&#13;
tell him all that passed."</p><p>"There is the difficulty. Shall I not seem as if wishing to pry into his&#13;
secrets?"</p><p>"If the young lady had not been followed, I should have shared your&#13;
scruples. But she was watched, and is evidently in danger. It is&#13;
therefore, in my opinion, your duty to warn M. Hardy. Suppose (which is&#13;
not improbable) that the lady is married; would it not be better, for a&#13;
thousand reasons, that M. Hardy should know all?"</p><p>"You are right, my good sister; I will follow your advice. M. Hardy&#13;
shall know everything. But now that we have spoken of others, I have to&#13;
speak of myself--yes, of myself--for it concerns a matter, on which may&#13;
depend the happiness of my whole life," added the smith, in a tone of&#13;
seriousness, which struck his hearer. "You know," proceeded Agricola,&#13;
after a moment's silence, "that, from my childhood, I have never&#13;
concealed anything from you--that I have told you everything--absolutely&#13;
everything?"</p><p>"I know it, Agricola, I know it," said the hunchback, stretching out her&#13;
white and slender hand to the smith, who grasped it cordially, and thus&#13;
continued: "When I say everything, I am not quite exact--for I have&#13;
always concealed from you my little love-affairs--because, though we may&#13;
tell almost anything to a sister, there are subjects of which we ought&#13;
not to speak to a good and virtuous girl, such as you are."</p><p>"I thank you, Agricola. I had remarked this reserve on your part,"&#13;
observed the other, casting down her eyes, and heroically repressing the&#13;
grief she felt; "I thank you."</p><p>"But for the very reason, that I made it a duty never to speak to you&#13;
of such love affairs, I said to myself, if ever it should happen that I&#13;
have a serious passion--such a love as makes one think of marriage--oh!&#13;
then, just as we tell our sister even before our father and mother, my&#13;
good sister shall be the first to be informed of it."</p><p>"You are very kind, Agricola."</p><p>"Well then! the serious passion has come at last. I am over head and&#13;
ears in love, and I think of marriage."</p><p>At these words of Agricola, poor Mother Bunch felt herself for an&#13;
instant paralyzed. It seemed as if all her blood was suddenly frozen in&#13;
her veins. For some seconds, she thought she was going to die. Her heart&#13;
ceased to beat; she felt it, not breaking, but melting away to nothing.&#13;
Then, the first blasting emotion over, like those martyrs who found, in&#13;
the very excitement of pain, the terrible power to smile in the midst&#13;
of tortures, the unfortunate girl found, in the fear of betraying the&#13;
secret of her fatal and ridiculous love, almost incredible energy. She&#13;
raised her head, looked at the smith calmly, almost serenely, and said&#13;
to him in a firm voice: "Ah! so, you truly love?"</p><p>"That is to say, my good sister, that, for the last four days, I&#13;
scarcely live at all--or live only upon this passion."</p><p>"It is only since four days that you have been in love?"</p><p>"Not more--but time has nothing to do with it."</p><p>"And is she very pretty?"</p><p>"Dark hair--the figure of a nymph--fair as a lily--blue eyes, as large&#13;
as that--and as mild, as good as your own."</p><p>"You flatter me, Agricola."</p><p>"No, no, it is Angela that I flatter--for that's her name. What a pretty&#13;
one! Is it not, my good Mother Bunch?"</p><p>"A charming name," said the poor girl, contrasting bitterly that&#13;
graceful appellation with her own nickname, which the thoughtless&#13;
Agricola applied to her without thinking of it. Then she resumed, with&#13;
fearful calmness: "Angela? yes, it is a charming name!"</p><p>"Well, then! imagine to yourself, that this name is not only suited to&#13;
her face, but to her heart. In a word, I believe her heart to be almost&#13;
equal to yours."</p><p>"She has my eyes--she has my heart," said Mother Bunch, smiling. "It is&#13;
singular, how like we are."</p><p>Agricola did not perceive the irony of despair contained in these words.&#13;
He resumed, with a tenderness as sincere as it was inexorable: "Do you&#13;
think, my good girl, that I could ever have fallen seriously in love&#13;
with any one, who had not in character, heart, and mind, much of you?"</p><p>"Come, brother," said the girl, smiling--yes, the unfortunate creature&#13;
had the strength to smile; "come, brother, you are in a gallant vein&#13;
to day. Where did you make the acquaintance of this beautiful young&#13;
person?"</p><p>"She is only the sister of one of my mates. Her mother is the head&#13;
laundress in our common dwelling, and as she was in want of assistance,&#13;
and we always take in preference the relations of members of the&#13;
association, Mrs. Bertin (that's the mother's name) sent for her&#13;
daughter from Lille, where she had been stopping with one of her aunts,&#13;
and, for the last five days, she has been in the laundry. The first&#13;
evening I saw her, I passed three hours, after work was over, in talking&#13;
with her, and her mother and brother; and the next day, I felt that my&#13;
heart was gone; the day after that, the feeling was only stronger--and&#13;
now I am quite mad about her, and resolved on marriage--according as you&#13;
shall decide. Do not be surprised at this; everything depends upon you.&#13;
I shall only ask my father and mother's leave, after I have yours."</p><p>"I do not understand you, Agricola."</p><p>"You know the utter confidence I have in the incredible instinct of your&#13;
heart. Many times, you have said to me: 'Agricola, love this person,&#13;
love that person, have confidence in that other'--and never yet were you&#13;
deceived. Well! you must now render me the same service. You will ask&#13;
permission of Mdlle. de Cardoville to absent yourself; I will take you&#13;
to the factory: I have spoken of you to Mrs. Benin and her daughter,&#13;
as of a beloved sister; and, according to your impression at sight&#13;
of Angela, I will declare myself or not. This may be childishness, or&#13;
superstition, on my part; but I am so made."</p><p>"Be it so," answered Mother Bunch, with heroic courage; "I will see&#13;
Mdlle. Angela; I will tell you what I think of her--and that, mind you,&#13;
sincerely."</p><p>"I know it. When will you come?"</p><p>"I must ask Mdlle. de Cardoville what day she can spare sue. I will let&#13;
you know."</p><p>"Thanks, my good sister!" said Agricola warmly; then he added, with a&#13;
smile: "Bring your best judgment with you--your full dress judgment."</p><p>"Do not make a jest of it, brother," said Mother Bunch, in a mild, sad&#13;
voice; "it is a serious matter, for it concerns the happiness of your&#13;
whole life."</p><p>At this moment, a modest knock was heard at the door. "Come in," said&#13;
Mother Bunch. Florine appeared.</p><p>"My mistress begs that you will come to her, if you are not engaged,"&#13;
said Florine to Mother Bunch.</p><p>The latter rose, and, addressing the smith, said to him: "Please wait a&#13;
moment, Agricola. I will ask Mdlle. de Cardoville what day I can dispose&#13;
of, and I will come and tell you." So saying, the girl went out, leaving&#13;
Agricola with Florine.</p><p>"I should have much wished to pay my respects to Mdlle. de Cardoville,"&#13;
said Agricola; "but I feared to intrude."</p><p>"My lady is not quite well, sir," said Florine, "and receives no one to&#13;
day. I am sure, that as soon as she is better, she will be quite pleased&#13;
to see you."</p><p>Here Mother Bunch returned, and said to Agricola: "If you can come for&#13;
me to-morrow, about three o'clock, so as not to lose the whole day, we&#13;
will go to the factory, and you can bring me back in the evening."</p><p>"Then, at three o'clock to-morrow, my good sister."</p><p>"At three to-morrow, Agricola."</p><p>The evening of that same day, when all was quiet in the hotel, Mother&#13;
Bunch, who had remained till ten o'clock with Mdlle. de Cardoville, re&#13;
entered her bedchamber, locked the door after her, and finding herself&#13;
at length free and unrestrained, threw herself on her knees before a&#13;
chair, and burst into tears. She wept long--very long. When her tears at&#13;
length ceased to flow, she dried her eyes, approached the writing-desk,&#13;
drew out one of the boxes from the pigeonhole, and, taking from this&#13;
hiding-place the manuscript which Florine had so rapidly glanced over&#13;
the evening before, she wrote in it during a portion of the night.</p><p>CHAPTER XLVI. MOTHER BUNCH'S DIARY.</p><p>We have said that the hunchback wrote during a portion of the night,&#13;
in the book discovered the previous evening by Florine, who had not&#13;
ventured to take it away, until she had informed the persons who&#13;
employed her of its contents, and until she had received their final&#13;
orders on the subject. Let us explain the existence of this manuscript,&#13;
before opening it to the reader. The day on which Mother Bunch first&#13;
became aware of her love for Agricola, the first word of this manuscript&#13;
had been written. Endowed with an essentially trusting character, yet&#13;
always feeling herself restrained by the dread of ridicule--a dread&#13;
which, in its painful exaggeration, was the workgirl's only weakness--to&#13;
whom could the unfortunate creature have confided the secret of that&#13;
fatal passion, if not to paper--that mute confidant of timid and&#13;
suffering souls, that patient friend, silent and cold, who, if it makes&#13;
no reply to heart rending complaints, at least always listens, and never&#13;
forgets?</p><p>When her heart was overflowing with emotion, sometimes mild and sad,&#13;
sometimes harsh and bitter, the poor workgirl, finding a melancholy&#13;
charm in these dumb and solitary outpourings of the soul, now clothed in&#13;
the form of simple and touching poetry, and now in unaffected prose,&#13;
had accustomed herself by degrees not to confine her confidences to what&#13;
immediately related to Agricola, for though he might be mixed up with&#13;
all her thoughts, for reflections, which the sight of beauty, of happy&#13;
love, of maternity, of wealth, of misfortune, called up within her, were&#13;
so impressed with the influence of her unfortunate personal position,&#13;
that she would not even have dared to communicate them to him. Such,&#13;
then, was this journal of a poor daughter of the people, weak, deformed,&#13;
and miserable, but endowed with an angelic soul, and a fine intellect,&#13;
improved by reading, meditation, and solitude; pages quite unknown,&#13;
which yet contained many deep and striking views, both as regard men and&#13;
things, taken from the peculiar standpoint in which fate had placed&#13;
this unfortunate creature. The following lines, here and there abruptly&#13;
interrupted or stained with tears, according to the current of her&#13;
various emotions, on hearing of Agricola's deep love for Angela, formed&#13;
the last pages of this journal:</p><p>"Friday, March 3d, 1832.</p><p>"I spent the night without any painful dreams. This morning, I rose with&#13;
no sorrowful presentiment. I was calm and tranquil when Agricola came.&#13;
He did not appear to me agitated. He was simple and affectionate as&#13;
he always is. He spoke to me of events relating to M. Hardy, and then,&#13;
without transition, without hesitation, he said to me: 'The last four&#13;
days I have been desperately in love. The sentiment is so serious, that&#13;
I think of marriage. I have come to consult you about it.' That was how&#13;
this overwhelming revelation was made to me--naturally and cordially--I&#13;
on one side of the hearth, and Agricola an the other, as if we had&#13;
talked of indifferent things. And yet no more is needed to break&#13;
one's heart. Some one enters, embraces you like a brother, sits down,&#13;
talks--and then--Oh! Merciful heaven! my head wanders.</p><p>"I feel calmer now. Courage, my poor heart, courage!--Should a day of&#13;
misfortune again overwhelm me, I will read these lines written under the&#13;
impression of the most cruel grief I can ever feel, and I will say to&#13;
myself: 'What is the present woe compared to that past?' My grief is&#13;
indeed cruel! it is illegitimate, ridiculous, shameful: I should not&#13;
dare to confess it, even to the most indulgent of mothers. Alas!&#13;
there are some fearful sorrows, which yet rightly make men shrug their&#13;
shoulders in pity or contempt. Alas! these are forbidden misfortunes.&#13;
Agricola has asked me to go to-morrow, to see this young girl to whom he&#13;
is so passionately attached, and whom he will marry, if the instinct of&#13;
my heart should approve the marriage. This thought is the most painful&#13;
of all those which have tortured me since he so pitilessly announced&#13;
this love. Pitilessly? No, Agricola--no, my brother--forgive me this&#13;
unjust cry of pain! Is it that you know, can even suspect, that I love&#13;
you better than you love, better than you can ever love, this charming&#13;
creature?</p><p>"'Dark-haired--the figure of a nymph--fair as a lily--with blue eyes--as&#13;
large as that--and almost as mild as your own.'</p><p>"That is the portrait he drew of her. Poor Agricola! how would he have&#13;
suffered, had he known that every one of his words was tearing my heart.&#13;
Never did I so strongly feel the deep commiseration and tender pity,&#13;
inspired by a good, affectionate being, who, in the sincerity of his&#13;
ignorance, gives you your death-wound with a smile. We do not blame&#13;
him--no--we pity him to the full extent of the grief that he would feel&#13;
on learning the pain he had caused me. It is strange! but never did&#13;
Agricola appear to me more handsome than this morning. His manly&#13;
countenance was slightly agitated, as he spoke of the uneasiness of that&#13;
pretty young lady. As I listened to him describing the agony of a woman&#13;
who runs the risk of ruin for the man she loves, I felt my heart&#13;
beat violently, my hands were burning, a soft languor floated over&#13;
me--Ridiculous folly! As if I had any right to feel thus!</p><p>"I remember that, while he spoke, I cast a rapid glance at the glass. I&#13;
felt proud that I was so well dressed; he had not even remarked it; but&#13;
no matter--it seemed to me that my cap became me, that my hair shone&#13;
finely, my gaze beamed mild--I found Agricola so handsome, that I almost&#13;
began to think myself less ugly--no doubt, to excuse myself in my own&#13;
eyes for daring to love him. After all, what happened to-day would have&#13;
happened one day or another! Yes, that is consoling--like the thoughts&#13;
that death is nothing, because it must come at last--to those who are&#13;
in love with life! I have been always preserved from suicide--the last&#13;
resource of the unfortunate, who prefer trusting in God to remaining&#13;
amongst his creatures--by the sense of duty. One must not only think&#13;
of self. And I reflected also'God is good--always good--since the most&#13;
wretched beings find opportunities for love and devotion.' How is it&#13;
that I, so weak and poor, have always found means to be helpful and&#13;
useful to some one?</p><p>"This very day I felt tempted to make an end with life--Agricola and&#13;
his mother had no longer need of me.--Yes, but the unfortunate creatures&#13;
whom Mdlle. de Cardoville has commissioned me to watch over?--but my&#13;
benefactress herself, though she has affectionately reproached me with&#13;
the tenacity of my suspicions in regard to that man? I am more than ever&#13;
alarmed for her--I feel that she is more than ever in danger--more than&#13;
ever--I have faith in the value of my presence near her. Hence, I must&#13;
live. Live--to go to-morrow to see this girl, whom Agricola passionately&#13;
loves? Good heaven! why have I always known grief, and never hate? There&#13;
must be a bitter pleasure in hating. So many people hate!--Perhaps I&#13;
may hate this girl--Angela, as he called her, when he said, with so much&#13;
simplicity: 'A charming name, is it not, Mother Bunch?' Compare this&#13;
name, which recalls an idea so full of grace, with the ironical symbol&#13;
of my witch's deformity! Poor Agricola! poor brother! goodness&#13;
is sometimes as blind as malice, I see. Should I hate this young&#13;
girl?--Why? Did she deprive me of the beauty which charms Agricola? Can&#13;
I find fault with her for being beautiful? When I was not yet accustomed&#13;
to the consequences of my ugliness, I asked myself, with bitter&#13;
curiosity, why the Creator had endowed his creatures so unequally. The&#13;
habit of pain has allowed me to reflect calmly, and I have finished by&#13;
persuading myself, that to beauty and ugliness are attached the two most&#13;
noble emotions of the soul--admiration and compassion. Those who are&#13;
like me admire beautiful persons--such as Angela, such as Agricola--and&#13;
these in their turn feel a couching pity for such as I am. Sometimes, in&#13;
spite of one's self, one has very foolish hopes. Because Agricola, from&#13;
a feeling of propriety had never spoken to me of his love affairs, I&#13;
sometimes persuaded myself that he had none--that he loved me, and that&#13;
the fear of ridicule alone was with him, as with me, an obstacle in the&#13;
way of confessing it. Yes, I have even made verses on that subject--and&#13;
those, I think, not the worst I have written.</p><p>"Mine is a singular position! If I love, I am ridiculous; if any love&#13;
me, he is still more ridiculous. How did I come so to forget that, as to&#13;
have suffered and to suffer what I do?--But blessed be that suffering,&#13;
since it has not engendered hate--no; for I will not hate this girl--I&#13;
will Perform a sister's part to the last; I will follow the guidance of&#13;
my heart; I have the instinct of preserving others--my heart will lead&#13;
and enlighten me. My only fear is, that I shall burst into tears when&#13;
I see her, and not be able to conquer my emotion. Oh, then! what&#13;
a revelation to Agricola--a discovery of the mad love he has&#13;
inspired!--Oh, never! the day in which he knew that would be the last of&#13;
my life. There would then be within me something stronger than duty--the&#13;
longing to escape from shame--that incurable shame, that burns me like a&#13;
hot iron. No, no; I will be calm. Besides, did I not just now, when&#13;
with him bear courageously a terrible trial? I will be calm. My personal&#13;
feelings must not darken the second sight, so clear for those I love.&#13;
Oh! painful--painful task! for the fear of yielding involuntarily to&#13;
evil sentiments must not render me too indulgent toward this girl. I&#13;
might compromise Agricola's happiness, since my decision is to guide his&#13;
choice. Poor creature that I am. How I deceive myself! Agricola asks my&#13;
advice, because he thinks that I shall have not the melancholy courage&#13;
to oppose his passion; or else he would say to me: 'No matter--I love;&#13;
and I brave the future!'</p><p>"But then, if my advice, if the instincts of my heart, are not to guide&#13;
him--if his resolution is taken beforehand--of what use will be&#13;
to morrow's painful mission? Of what use? To obey him. Did he not&#13;
say--'Come!' In thinking of my devotion for him, how many times, in the&#13;
secret depths of my heart, I have asked myself if the thought had ever&#13;
occurred to him to love me otherwise than as a sister; if it had ever&#13;
struck him, what a devoted wife he would have in me! And why should&#13;
it have occurred to him? As long as he wished, as long as he may still&#13;
wish, I have been, and I shall be, as devoted to him, as if I were his&#13;
wife, sister, or mother. Why should he desire what he already possesses?</p><p>"Married to him--oh, God!--the dream is mad as ineffable. Are not such&#13;
thoughts of celestial sweetness--which include all sentiments from&#13;
sisterly to maternal love--forbidden to me, on pain of ridicule as&#13;
distressing as if I wore dresses and ornaments, that my ugliness and&#13;
deformity would render absurd? I wonder, if I were now plunged into the&#13;
most cruel distress, whether I should suffer as much as I do, on hearing&#13;
of Agricola's intended marriage? Would hunger, cold, or misery diminish&#13;
this dreadful dolor?--or is it the dread pain that would make me forget&#13;
hunger, cold, and misery?</p><p>"No, no; this irony is bitter. It is not well in me to speak thus. Why&#13;
such deep grief? In what way have the affection, the esteem, the respect&#13;
of Agricola, changed towards me? I complain--but how would it be, kind&#13;
heaven! if, as, alas! too often happens, I were beautiful, loving,&#13;
devoted, and he had chosen another, less beautiful, less loving, less&#13;
devoted?--Should I not be a thousand times more unhappy? for then I&#13;
might, I would have to blame him--whilst now I can find no fault with&#13;
him, for never having thought of a union which was impossible, because&#13;
ridiculous. And had he wished it, could I ever have had the selfishness&#13;
to consent to it? I began to write the first pages of this diary as I&#13;
began these last, with my heart steeped in bitterness--and as I went on,&#13;
committing to paper what I could have intrusted to no one, my soul grew&#13;
calm, till resignation came--Resignation, my chosen saint, who, smiling&#13;
through her tears, suffers and loves, but hopes--never!"</p><p>These word's were the last in the journal. It was clear, from the blots&#13;
of abundant tears, that the unfortunate creature had often paused to&#13;
weep.</p><p>In truth, worn out by so many emotions, Mother Bunch late in the night,&#13;
had replaced the book behind the cardboard box, not that she thought it&#13;
safer there than elsewhere (she had no suspicion of the slightest need&#13;
for such precaution), but because it was more out of the way there than&#13;
in any of the drawers, which she frequently opened in presence of other&#13;
people. Determined to perform her courageous promise, and worthily&#13;
accomplish her task to the end, she waited the next day for Agricola,&#13;
and firm in her heroic resolution, went with the smith to M. Hardy's&#13;
factory. Florine, informed of her departure, but detained a portion&#13;
of the day in attendance on Mdlle. de Cardoville preferred waiting for&#13;
night to perform the new orders she had asked and received, since she&#13;
had communicated by letter the contents of Mother Bunch's journal.&#13;
Certain not to be surprised, she entered the workgirls' chamber, as soon&#13;
as the night was come.</p><p>Knowing the place where she should find the manuscript, she went&#13;
straight to the desk, took out the box, and then, drawing from her&#13;
pocket a sealed letter, prepared to leave it in the place of the&#13;
manuscript, which she was to carry away with her. So doing, she trembled&#13;
so much, that she was obliged to support herself an instant by the&#13;
table. Every good sentiment was not extinct in Florine's heart; she&#13;
obeyed passively the orders she received, but she felt painfully&#13;
how horrible and infamous was her conduct. If only herself had been&#13;
concerned, she would no doubt have had the courage to risk all, rather&#13;
than submit to this odious despotism; but unfortunately, it was not so,&#13;
and her ruin would have caused the mortal despair of another person whom&#13;
she loved better than life itself. She resigned herself, therefore, not&#13;
without cruel anguish, to abominable treachery.</p><p>Though she hardly ever knew for what end she acted, and this was&#13;
particularly the case with regard to the abstraction of the journal,&#13;
she foresaw vaguely, that the substitution of this sealed letter for&#13;
the manuscript would have fatal consequences for Mother Bunch, for she&#13;
remembered Rodin's declaration, that "it was time to finish with the&#13;
young sempstress."</p><p>What did he mean by those words? How would the letter that she was&#13;
charged to put in the place of the diary, contribute to bring about&#13;
this result? she did not know--but she understood that the clear-sighted&#13;
devotion of the hunchback justly alarmed the enemies of Mdlle. de&#13;
Cardoville, and that she (Florine) herself daily risked having her&#13;
perfidy detected by the young needlewoman. This last fear put an end to&#13;
the hesitations of Florine; she placed the letter behind the box, and,&#13;
hiding the manuscript under her apron, cautiously withdrew from the&#13;
chamber.</p><p>CHAPTER XLVII. THE DIARY CONTINUED.</p><p>Returned into her own room, some hours after she had concealed there the&#13;
manuscript abstracted from Mother Bunch's apartment, Florine yielded&#13;
to her curiosity, and determined to look through it. She soon felt a&#13;
growing interest, an involuntary emotion, as she read more of these&#13;
private thoughts of the young sempstress. Among many pieces of verse,&#13;
which all breathed a passionate love for Agricola--a love so deep,&#13;
simple, and sincere, that Florine was touched by it, and forgot the&#13;
author's deformity--among many pieces of verse, we say, were divers&#13;
other fragments, thoughts, and narratives, relating to a variety of&#13;
facts. We shall quote some of them, in order to explain the profound&#13;
impression that their perusal made upon Florine.</p><p>Fragments from the Diary.</p><p>"This is my birthday. Until this evening, I had cherished a foolish&#13;
hope. Yesterday, I went down to Mrs. Baudoin's, to dress a little wound&#13;
she had on her leg. When I entered the room, Agricola was there. No&#13;
doubt he was talking of me to his mother, for they stopped when I came&#13;
in, and exchanged a meaning smile. In passing by the drawers, I saw a&#13;
pasteboard box, with a pincushion-lid, and I felt myself blushing&#13;
with joy, as I thought this little present was destined for me, but&#13;
I pretended not to see it. While I was on my knees before his mother,&#13;
Agricola went out. I remarked that he took the little box with him.&#13;
Never has Mrs. Baudoin been more tender and motherly than she was that&#13;
morning. It appeared to me that she went to bed earlier than usual.&#13;
'It is to send me away sooner,' said I to myself, 'that I may enjoy&#13;
the surprise Agricola has prepared for me.' How my heart beat, as I ran&#13;
fast, very fast, up to my closet! I stopped a moment before opening the&#13;
door, that my happiness might last the longer. At last I entered the&#13;
room, my eyes swimming with tears of joy. I looked upon my table, my&#13;
chair, my bed--there was nothing. The little box was not to be found. My&#13;
heart sank within me. Then I said to myself: 'It will be to-morrow--this&#13;
is only the eve of my birthday.' The day is gone. Evening is come.&#13;
Nothing. The pretty box was not for me. It had a pincushion-cover. It&#13;
was only suited for a woman. To whom has Agricola given it?</p><p>"I suffer a good deal just now. It was a childish idea that I connected&#13;
with Agricola's wishing me many happy returns of the day. I am ashamed&#13;
to confess it; but it might have proved to me, that he has not forgotten&#13;
I have another name besides that of Mother Bunch, which they always&#13;
apply to me. My susceptibility on this head is unfortunately so&#13;
stubborn, that I cannot help feeling a momentary pang of mingled shame&#13;
and sorrow, every time that I am called by that fairy-tale name, and&#13;
yet I have had no other from infancy. It is for that very reason that I&#13;
should have been so happy if Agricola had taken this opportunity to call&#13;
me for once by my own humble name--Magdalen. Happily, he will never know&#13;
these wishes and regrets!"</p><p>Deeper and deeper touched by this page of simple grief, Florine turned&#13;
over several leaves, and continued:</p><p>"I have just been to the funeral of poor little Victorine Herbin, our&#13;
neighbor. Her father, a journeyman upholsterer, is gone to work by the&#13;
month, far from Paris. She died at nineteen, without a relation near&#13;
her. Her agony was not long. The good woman who attended her to the&#13;
last, told us that she only pronounced these words: 'At last, oh at&#13;
last!' and that with an air of satisfaction, added the nurse. Dear&#13;
child! she had become so pitiful. At fifteen, she was a rosebud--so&#13;
pretty, so fresh-looking, with her light hair as soft as silk; but she&#13;
wasted away by degrees--her trade of renovating mattresses killed her.&#13;
She was slowly poisoned by the emanations from the wool.(26) They were&#13;
all the worse, that she worked almost entirely for the poor, who have&#13;
cheap stuff to lie upon.</p><p>"She had the courage of a lion, and an angel's resignation, She always&#13;
said to me, in her low, faint voice, broken by a dry and frequent cough:&#13;
'I have not long to live, breathing, as I do, lime and vitriol all day&#13;
long. I spit blood, and have spasms that make me faint.'</p><p>"'Why not change your trade?' have I said to her.</p><p>"'Where will I find the time to make another apprenticeship?' she would&#13;
answer; 'and it is now too late. I feel that I am done for. It is not my&#13;
fault,' added the good creature, 'for I did not choose my employment.&#13;
My father would have it so; luckily he can do without me. And then, you&#13;
see, when one is dead, one cares for nothing, and has no fear of "slop&#13;
wages."'</p><p>"Victorine uttered that sad, common phrase very sincerely, and with a&#13;
sort of satisfaction. Therefore she died repeating: 'At last!'</p><p>"It is painful to think that the labor by which the poor man earns his&#13;
daily bread, often becomes a long suicide! I said this the other day to&#13;
Agricola; he answered me that there were many other fatal employments;&#13;
those who prepare aquafortis, white lead, or minium, for instance, are&#13;
sure to take incurable maladies of which they die.</p><p>"'Do you know,' added Agricola, 'what they say when they start for those&#13;
fatal works?'--Why, 'We are going to the slaughter-house.'</p><p>"That made me tremble with its terrible truth.</p><p>"'And all this takes place in our day,' said I to him, with an aching&#13;
heart; 'and it is well-known. And, out of so many of the rich and&#13;
powerful, no one thinks of the mortality which decimates his brothers,&#13;
thus forced to eat homicidal bread!'</p><p>"'What can you expect, my poor sister,' answered Agricola. 'When men are&#13;
to be incorporated, that they may get killed in war, all pains are taken&#13;
with them. But when they are to be organized, so as to live in peace,&#13;
no one cares about it, except M. Hardy, my master. People say, 'Pooh!&#13;
hunger, misery, and suffering of the laboring classes--what is that to&#13;
us? that is not politics.' 'They are wrong,' added Agricola; 'IT IS MORE&#13;
THAN POLITICS.'</p><p>"As Victorine had not left anything to pay for the church service, there&#13;
was only the presentation of the body under the porch; for there is not&#13;
even a plain mass for the poor. Besides, as they could not give eighteen&#13;
francs to the curate, no priest accompanied the pauper's coffin to the&#13;
common grave. If funerals, thus abridged and cut short, are sufficient&#13;
in a religious point of view, why invent other and longer forms? Is it&#13;
from cupidity?--If, on the other hand, they are not sufficient, why&#13;
make the poor man the only victim of this insufficiency? But why trouble&#13;
ourselves about the pomp, the incense, the chants, of which they are&#13;
either too sparing or too liberal? Of what use? and for what purpose?&#13;
They are vain, terrestrial things, for which the soul recks nothing,&#13;
when, radiant, it ascends towards its Creator. Yesterday, Agricola made&#13;
me read an article in a newspaper, in which violent blame and bitter&#13;
irony are by turns employed, to attack what they call the baneful&#13;
tendencies of some of the lower orders, to improve themselves, to write,&#13;
to read the poets, and sometimes to make verses. Material enjoyments&#13;
are forbidden us by poverty. Is it humane to reproach us for seeking the&#13;
enjoyments of the mind? What harm can it do any one if every evening,&#13;
after a day's toil, remote from all pleasure, I amuse myself, unknown to&#13;
all, in making a few verses, or in writing in this journal the good or&#13;
bad impressions I have received? Is Agricola the worse workman, because,&#13;
on returning home to his mother, he employs Sunday in composing some of&#13;
those popular songs, which glorify the fruitful labors of the artisan,&#13;
and say to all, Hope and brotherhood! Does he not make a more worthy use&#13;
of his time than if he spent it in a tavern? Ah! those who blame us for&#13;
these innocent and noble diversions, which relieve our painful toils and&#13;
sufferings, deceive themselves when they think, that, in proportion as&#13;
the intellect is raised and refined, it is more difficult to bear with&#13;
privations and misery, and that so the irritation increases against the&#13;
luckier few.</p><p>"Admitting even this to be the case--and it is not so--is it not better&#13;
to have an intelligent, enlightened enemy, to whose heart and reason you&#13;
may address yourself, than a stupid, ferocious, implacable foe? But no;&#13;
enmities disappear as the mind becomes enlightened, and the horizon&#13;
of compassion extends itself. We thus learn to understand moral&#13;
afflictions. We discover that the rich also have to suffer intense&#13;
pains, and that brotherhood in misfortune is already a link of sympathy.&#13;
Alas! they also have to mourn bitterly for idolized children, beloved&#13;
mistresses, reverend mothers; with them, also, especially amongst the&#13;
women, there are, in the height of luxury and grandeur, many broken&#13;
hearts, many suffering souls, many tears shed in secret. Let them not be&#13;
alarmed. By becoming their equals in intelligence, the people will learn&#13;
to pity the rich, if good and unhappy--and to pity them still more if&#13;
rejoicing in wickedness.</p><p>"What happiness! what a joyful day! I am giddy with delight. Oh, truly,&#13;
man is good, humane, charitable. Oh, yes! the Creator has implanted&#13;
within him every generous instinct--and, unless he be a monstrous&#13;
exception, he never does evil willingly. Here is what I saw just now. I&#13;
will not wait for the evening to write it down, for my heart would, as&#13;
it were, have time to cool. I had gone to carry home some work that was&#13;
wanted in a hurry. I was passing the Place du Temple. A few steps from&#13;
me I saw a child, about twelve years old at most, with bare head, and&#13;
feet, in spite of the severe weather, dressed in a shabby, ragged smock&#13;
frock and trousers, leading by the bridle a large cart-horse, with his&#13;
harness still on. From time to time the horse stopped short, and refused&#13;
to advance. The child, who had no whip, tugged in vain at the bridle.&#13;
The horse remained motionless. Then the poor little fellow cried out:&#13;
'O dear, O dear!' and began to weep bitterly, looking round him as if&#13;
to implore the assistance of the passers-by. His dear little face was&#13;
impressed with so heart piercing a sorrow, that, without reflecting, I&#13;
made an attempt at which I can now only smile, I must have presented so&#13;
grotesque a figure. I am horribly afraid of horses, and I am still more&#13;
afraid of exposing myself to public gaze. Nevertheless, I took courage,&#13;
and, having an umbrella in my hand, I approached the horse, and with the&#13;
impetuosity of an ant that strives to move a large stone with a little&#13;
piece of straw, I struck with all my strength on the croup of the&#13;
rebellious animal. 'Oh, thanks, my good lady!' exclaimed the child,&#13;
drying his eyes: 'hit him again, if you please. Perhaps he will get up.'</p><p>"I began again, heroically; but, alas! either from obstinacy or&#13;
laziness, the horse bent his knees, and stretched himself out upon the&#13;
ground; then, getting entangled with his harness, he tore it, and broke&#13;
his great wooden collar. I had drawn back quickly, for fear of receiving&#13;
a kick. Upon this new disaster, the child could only throw himself on&#13;
his knees in the middle of the street, clasping his hands and sobbing,&#13;
and exclaiming in a voice of despair: 'Help! help!'</p><p>"The call was heard; several of the passers-by gathered round, and a&#13;
more efficacious correction than mine was administered to the restive&#13;
horse, who rose in a vile state, and without harness.</p><p>"'My master will beat me,' cried the poor child, as his tears redoubled;&#13;
'I am already two hours after time, for the horse would not go, and now&#13;
he has broken his harness. My master will beat me, and turn me away. Oh&#13;
dear! what will become of me! I have no father nor mother.'</p><p>"At these words, uttered with a heart-rending accent, a worthy old&#13;
clothes-dealer of the Temple, who was amongst the spectators, exclaimed,&#13;
with a kindly air: 'No father nor mother! Do not grieve so, my poor&#13;
little fellow; the Temple can supply everything. We will mend the&#13;
harness, and, if my gossips are like me, you shall not go away&#13;
bareheaded or barefooted in such weather as this.'</p><p>"This proposition was greeted with acclamation; they led away both horse&#13;
and child; some were occupied in mending the harness, then one supplied&#13;
a cap, another a pair of stockings, another some shoes, and another&#13;
a good jacket; in a quarter of an hour the child was warmly clad, the&#13;
harness repaired, and a tall lad of eighteen, brandishing a whip, which&#13;
he cracked close to the horse's ears, by way of warning, said to the&#13;
little boy, who, gazing first at his new clothes, and then at the good&#13;
woman, believed himself the hero of a fairy-tale. 'Where does your&#13;
governor live, little 'un?'</p><p>"'On the Quai du Canal-Saint-Martin, sir,' answered he, in a voice&#13;
trembling with joy.</p><p>"'Very good,' said the young man, 'I will help you take home the horse,&#13;
who will go well enough with me, and I will tell the master that the&#13;
delay was no fault of your'n. A balky horse ought not to be trusted to a&#13;
child of your age.'</p><p>"At the moment of setting out, the poor little fellow said timidly to&#13;
the good dame, as he took off his cap to her: 'Will you let me kiss you,&#13;
ma'am?'</p><p>"His eyes were full of tears of gratitude. There was heart in that&#13;
child. This scene of popular charity gave me delightful emotions. As&#13;
long as I could, I followed with my eyes the tall young man and the&#13;
child, who now could hardly keep up with the pace of the horse, rendered&#13;
suddenly docile by fear of the whip.</p><p>"Yes! I repeat it with pride; man is naturally good and helpful.&#13;
Nothing could have been more spontaneous than this movement of pity and&#13;
tenderness in the crowd, when the poor little fellow exclaimed: 'What&#13;
will become of me? I have no father or mother!'</p><p>"'Unfortunate child!' said I to myself. 'No father nor mother. In the&#13;
hands of a brutal master, who hardly covers him with a few rags, and&#13;
ill treats him into the bargain. Sleeping, no doubt in the corner of&#13;
a stable. Poor little, fellow! and yet so mild and good, in spite of&#13;
misery and misfortune. I saw it--he was even more grateful than pleased&#13;
at the service done him. But perhaps this good natural disposition,&#13;
abandoned without support or counsel, or help, and exasperated by bad&#13;
treatment, may become changed and embittered--and then will come the age&#13;
of the passions--the bad temptations--'</p><p>"Oh! in the deserted poor, virtue is doubly saintly and respectable!</p><p>"This morning, after having (as usual) gently reproached me for not&#13;
going to mass, Agricola's mother said to me these words, so touching in&#13;
her simple and believing mouth, 'Luckily, I pray for you and myself too,&#13;
my poor girl; the good God will hear me, and you will only go, I hope,&#13;
to Purgatory.'</p><p>"Good mother; angelic soul! she spoke those words in so grave and mild&#13;
a tone, with so strong a faith in the happy result of her pious&#13;
intercession, that I felt my eyes become moist, and I threw myself on&#13;
her neck, as sincerely grateful as if I had believed in Purgatory. This&#13;
day has been a lucky one for me. I hope I have found work, which luck I&#13;
shall owe to a young person full of heart and goodness, she is to take&#13;
me to-morrow to St. Mary's Convent, where she thinks she can find me&#13;
employment."</p><p>Florine, already much moved by the reading, started at this passage in&#13;
which Mother Bunch alluded to her, ere she continued as follows:</p><p>"Never shall I forget with what touching interest, what delicate&#13;
benevolence, this handsome young girl received me, so poor, and so&#13;
unfortunate. It does not astonish me, for she is attached to the person&#13;
of Mdlle. de Cardoville. She must be worthy to reside with Agricola's&#13;
benefactress. It will always be dear and pleasant to me to remember&#13;
her name. It is graceful and pretty as her face; it is Florine. I am&#13;
nothing, I have nothing--but if the fervent prayers of a grateful heart&#13;
might be heard, Mdlle. Florine would be happy, very happy. Alas! I am&#13;
reduced to say prayers for her--only prayers--for I can do nothing but&#13;
remember and love her!"</p><p>These lines, expressing so simply the sincere gratitude of the&#13;
hunchback, gave the last blow to Florine's hesitations. She could no&#13;
longer resist the generous temptation she felt. As she read these last&#13;
fragments of the journal, her affection and respect for Mother Bunch&#13;
made new progress. More than ever she felt how infamous it was in her&#13;
to expose to sarcasms and contempt the most secret thoughts of this&#13;
unfortunate creature. Happily, good is often as contagious as evil.&#13;
Electrified by all that was warm, noble, and magnanimous in the pages&#13;
she had just read, Florine bathed her failing virtue in that pure and&#13;
vivifying source, and, yielding, at last to one of those good impulses&#13;
which sometimes carried her away, she left the room with the manuscript&#13;
in her hand, determined, if Mother Bunch had not yet returned, to&#13;
replace it--resolved to tell Rodin that, this second time, her search&#13;
for the journal had been vain, the sempstress having no doubt discovered&#13;
the first attempt.</p><p>(26) In the Ruche Populaire, a working man's organ, are the following&#13;
particulars:</p><p>"Carding Mattresses.--The dust which flies out of the wool makes carding&#13;
destructive to health in any case, but trade adulterations enhance the&#13;
danger. In sticking sheep, the skin gets blood-spotted; it has to be&#13;
bleached to make it salable. Lime is the main whitener, and some of it&#13;
clings to the wool after the process. The dresser (female, most often)&#13;
breathes in the fine dust, and, by lung and other complaints, is far&#13;
from seldom deplorably situated; the majority sicken of it and give up&#13;
the trade, while those who keep to it, at the very least, suffer with a&#13;
catarrh or asthma that torments them until death.</p><p>"As for horsehair, the very best is not pure. You can judge what the&#13;
inferior quality is, from the workgirls calling it vitriol hair, because&#13;
it is the refuse or clippings from goats and swine, washed in vitriol,&#13;
boiled in dyes, etc., to burn and disguise such foreign bodies as straw.&#13;
thorns, splinters, and even bits of skin, not worth picking out. The&#13;
dust rising when a mass of this is beaten, makes as many ravages as the&#13;
lime-wool."</p><p>CHAPTER XLVIII. THE DISCOVERY.</p><p>A little while before Florine made up her mind to atone for her shameful&#13;
breach of confidence, Mother Bunch had returned from the factory, after&#13;
accomplishing to the end her painful task. After a long interview with&#13;
Angela, struck, like Agricola, with the ingenuous grace, sense, and&#13;
goodness, with which the young girl was endowed, Mother Bunch had the&#13;
courageous frankness to advise the smith to enter into this marriage.&#13;
The following scene took place whilst Florine, still occupied in reading&#13;
the journal, had not yet taken the praiseworthy resolution of replacing&#13;
it. It was ten o'clock at night. The workgirl, returned to Cardoville&#13;
House, had just entered her chamber. Worn out by so many emotions, she&#13;
had thrown herself into a chair. The deepest silence reigned in the&#13;
house. It was now and then interrupted by the soughing of a high wind,&#13;
which raged without and shook the trees in the garden. A single candle&#13;
lighted the room, which was papered with dark green. That peculiar tint,&#13;
and the hunchback's black dress, increased her apparent paleness. Seated&#13;
in an arm-chair by the side of the fire, with her head resting upon her&#13;
bosom, her hands crossed upon her knees, the work-girl's countenance&#13;
was melancholy and resigned; on it was visible the austere satisfaction&#13;
which is felt by the consciousness of a duty well performed.</p><p>Like all those who, brought up in the merciless school of misfortune, no&#13;
longer exaggerate the sentiment of sorrow, too familiar and assiduous&#13;
a guest to be treated as a stranger, Mother Bunch was incapable of&#13;
long yielding to idle regrets and vain despair, with regard to what&#13;
was already past. Beyond doubt, the blow had been sudden, dreadful;&#13;
doubtless it must leave a long and painful remembrance in the sufferer's&#13;
soul; but it was soon to pass, as it were, into that chronic state of&#13;
pain-durance, which had become almost an integral part of her life.&#13;
And then this noble creature, so indulgent to fate, found still some&#13;
consolations in the intensity of her bitter pain. She had been deeply&#13;
touched by the marks of affection shown her by Angela, Agricola's&#13;
intended: and she had felt a species of pride of the heart, in&#13;
perceiving with what blind confidence, with what ineffable joy, the&#13;
smith accepted the favorable presentiments which seemed to consecrate&#13;
his happiness. Mother Bunch also said to herself: "At least, henceforth&#13;
I shall not be agitated by hopes, or rather by suppositions as&#13;
ridiculous as they were senseless. Agricola's marriage puts a term to&#13;
all the miserable reveries of my poor head."</p><p>Finally, she found a real and deep consolation in the certainty that&#13;
she had been able to go through this terrible trial, and conceal from&#13;
Agricola the love she felt for him. We know how formidable to this&#13;
unfortunate being were those ideas of ridicule and shame, which she&#13;
believed would attach to the discovery of her mad passion. After having&#13;
remained for some time absorbed in thought, Mother Bunch rose, and&#13;
advanced slowly towards the desk.</p><p>"My only recompense," said she, as she prepared the materials for&#13;
writing, "will be to entrust the mute witness of my pains with this new&#13;
grief. I shall at least have kept the promise that I made to myself.&#13;
Believing, from the bottom of my soul, that this girl is able to make&#13;
Agricola happy, I told him so with the utmost sincerity. One day, a long&#13;
time hence, when I shall read over these pages, I shall perhaps find in&#13;
that a compensation for all that I now suffer."</p><p>So saying, she drew the box from the pigeon-hole. Not finding her&#13;
manuscript, she uttered a cry of surprise; but, what was her alarm, when&#13;
she perceived a letter to her address in the place of the journal! She&#13;
became deadly pale; her knees trembled; she almost fainted away. But her&#13;
increasing terror gave her a fictitious energy, and she had the strength&#13;
to break the seal. A bank-note for five hundred francs fell from the&#13;
letter on the table, and Mother Bunch read as follows:</p><p>"Mademoiselle,--There is something so original and amusing in reading in&#13;
your memoirs the story of your love for Agricola, that it is impossible&#13;
to resist the pleasure of acquainting him with the extent of it, of&#13;
which he is doubtless ignorant, but to which he cannot fail to show&#13;
himself sensible. Advantage will be taken to forward it to a multitude&#13;
of other persons, who might, perhaps, otherwise be unfortunately&#13;
deprived of the amusing contents of your diary. Should copies and&#13;
extracts not be sufficient, we will have it printed, as one cannot&#13;
too much diffuse such things. Some will weep--others will laugh--what&#13;
appears superb to one set of people, will seem ridiculous to another,&#13;
such is life--but your journal will surely make a great sensation. As&#13;
you are capable of wishing to avoid your triumph, and as you were only&#13;
covered with rags when you were received, out of charity into this&#13;
house, where you wish to figure as the great lady, which does not suit&#13;
your shape for more reasons than one, we enclose in the present five&#13;
hundred francs to pay for your day-book, and prevent your being without&#13;
resources, in case you should be modest enough to shrink from the&#13;
congratulations which await you, certain to overwhelm you by to-morrow,&#13;
for, at this hour, your journal is already in circulation.</p><p>"One of your brethren,</p><p>"A REAL MOTHER BUNCH."</p><p>The vulgar, mocking, and insolent tone of this letter, which was&#13;
purposely written in the character of a jealous lackey, dissatisfied&#13;
with the admission of the unfortunate creature into the house, had&#13;
been calculated with infernal skill and was sure to produce the effect&#13;
intended.</p><p>"Oh, good heaven!" were the only words the unfortunate girl could&#13;
pronounce, in her stupor and alarm.</p><p>Now, if we remember in what passionate terms she had expressed her love&#13;
for her adopted brother, if we recall many passages of this manuscript,&#13;
in which she revealed the painful wounds often inflicted on her by&#13;
Agricola without knowing it, and if we consider how great was her&#13;
terror of ridicule, we shall understand her mad despair on reading this&#13;
infamous letter. Mother Bunch did not think for a moment of all the&#13;
noble words and touching narratives contained in her journal. The one&#13;
horrible idea which weighed down the troubled spirit of the unfortunate&#13;
creature, was, that on the morrow Agricola, Mdlle. de Cardoville, and an&#13;
insolent and mocking crowd, would be informed of this ridiculous love,&#13;
which would, she imagined, crush her with shame and confusion. This new&#13;
blow was so stunning, that the recipient staggered a moment beneath the&#13;
unexpected shock. For some minutes, she remained completely inert&#13;
and helpless; then, upon reflection, she suddenly felt conscious of a&#13;
terrible necessity.</p><p>This hospitable mansion, where she had found a sure refuge after so many&#13;
misfortunes, must be left for ever. The trembling timidity and sensitive&#13;
delicacy of the poor creature did not permit her to remain a minute more&#13;
in this dwelling, where the most secret recesses of her soul had been&#13;
laid open, profaned, and exposed no doubt to sarcasm and contempt.&#13;
She did not think of demanding justice and revenge from Mdlle. de&#13;
Cardoville. To cause a ferment of trouble and irritation in this house,&#13;
at the moment of quitting it, would have appeared to her ingratitude&#13;
towards her benefactress. She did not seek to discover the author or&#13;
the motive of this odious robbery and insulting letter. Why should she,&#13;
resolved, as she was, to fly from the humiliations with which she was&#13;
threatened? She had a vague notion (as indeed was intended), that&#13;
this infamy might be the work of some of the servants, jealous of the&#13;
affectionate deference shown her by Mdlle. de Cardoville--and this&#13;
thought filled her with despair. Those pages--so painfully confidential,&#13;
which she would not have ventured to impart to the most tender and&#13;
indulgent mother, because, written as it were with her heart's blood,&#13;
they painted with too cruel a fidelity the thousand secret wounds of her&#13;
soul--those pages were to serve, perhaps served even now, for the jest&#13;
and laughing-stock of the lackeys of the mansion.</p><p>The money which accompanied this letter, and the insulting way in which&#13;
it was offered, rather tended to confirm her suspicions. It was intended&#13;
that the fear of misery should not be the obstacle of her leaving the&#13;
house. The workgirl's resolution was soon taken, with that calm and firm&#13;
resignation which was familiar to her. She rose, with somewhat bright&#13;
and haggard eyes, but without a tear in them. Since the day before, she&#13;
had wept too much. With a trembling, icy hand, she wrote these words&#13;
on a paper, which she left by the side of the bank-note: "May Mdlle. de&#13;
Cardoville be blessed for all that she has done for me, and forgive me&#13;
for having left her house, where I can remain no longer."</p><p>Having written this, Mother Bunch threw into the fire the infamous&#13;
letter, which seemed to burn her hands. Then, taking a last look at her&#13;
chamber, furnished so comfortably, she shuddered involuntarily as she&#13;
thought of the misery that awaited her--a misery more frightful than&#13;
that of which she had already been the victim, for Agricola's mother&#13;
had departed with Gabriel, and the unfortunate girl could no longer, as&#13;
formerly, be consoled in her distress by the almost maternal affection&#13;
of Dagobert's wife. To live alone--quite alone--with the thought that&#13;
her fatal passion for Agricola was laughed at by everybody, perhaps even&#13;
by himself--such were the future prospects of the hunchback. This future&#13;
terrified her--a dark desire crossed her mind--she shuddered, and an&#13;
expression of bitter joy contracted her features. Resolved to go, she&#13;
made some steps towards the door, when, in passing before the fireplace,&#13;
she saw her own image in the glass, pale as death, and clothed in black;&#13;
then it struck her that she wore a dress which did not belong to her,&#13;
and she remembered a passage in the letter, which alluded to the rags&#13;
she had on before she entered that house. "True!" said she, with a heart&#13;
breaking smile, as she looked at her black garments; "they would call me&#13;
a thief."</p><p>And, taking her candle, she entered the little dressing room, and put on&#13;
again the poor, old clothes, which she had preserved as a sort of pious&#13;
remembrance of her misfortunes. Only at this instant did her tears flow&#13;
abundantly. She wept--not in sorrow at resuming the garb of misery, but&#13;
in gratitude; for all the comforts around her, to which she was about&#13;
to bid an eternal adieu, recalled to her mind at every step the delicacy&#13;
and goodness of Mdlle. de Cardoville: therefore, yielding to an almost&#13;
involuntary impulse, after she had put on her poor, old clothes, she&#13;
fell on her knees in the middle of the room, and, addressing herself&#13;
in thought to Mdlle. de Cardoville, she exclaimed, in a voice broken by&#13;
convulsive sobs: "Adieu! oh, for ever, adieu!--You, that deigned to call&#13;
me friend--and sister!"</p><p>Suddenly, she rose in alarm; she heard steps in the corridor, which led&#13;
from the garden to one of the doors of her apartment, the other door&#13;
opening into the parlor. It was Florine, who (alas! too late) was&#13;
bringing back the manuscript. Alarmed at this noise of footsteps, and&#13;
believing herself already the laughing-stock of the house. Mother Bunch&#13;
rushed from the room, hastened across the parlor, gained the court-yard,&#13;
and knocked at the window of the porter's lodge. The house-door opened,&#13;
and immediately closed upon her. And so the workgirl left Cardoville&#13;
House.</p><p>Adrienne was thus deprived of a devoted, faithful, and vigilant&#13;
guardian. Rodin was delivered from an active and sagacious antagonist,&#13;
whom he had always, with good reason, feared. Having, as we have seen,&#13;
guessed Mother Bunch's love for Agricola, and knowing her to be a&#13;
poet, the Jesuit supposed, logically enough that she must have written&#13;
secretly some verses inspired by this fatal and concealed passion. Hence&#13;
the order given to Florine, to try and discover some written evidence&#13;
of this love; hence this letter, so horribly effective in its coarse&#13;
ribaldry, of which, it must be observed, Florine did not know the&#13;
contents, having received it after communicating a summary of the&#13;
contents of the manuscript, which, the first time, she had only glanced&#13;
through without taking it away. We have said, that Florine, yielding&#13;
too late to a generous repentance, had reached Mother Bunch's apartment,&#13;
just as the latter quitted the house in consternation.</p><p>Perceiving a light in the dressing-room, the waiting-maid hastened&#13;
thither. She saw upon a chair the black dress that Mother Bunch had just&#13;
taken off, and, a few steps further, the shabby little trunk, open and&#13;
empty, in which she had hitherto preserved her poor garments. Florine's&#13;
heart sank within her; she ran to the secretary; the disorder of the&#13;
card-board boxes, the note for five hundred francs left by the side&#13;
of the two lines written to Mdlle. de Cardoville, all proved that her&#13;
obedience to Rodin's orders had borne fatal fruit, and that Mother Bunch&#13;
had quitted the house for ever. Finding the uselessness of her tardy&#13;
resolution, Florine resigned herself with a sigh to the necessity of&#13;
delivering the manuscript to Rodin. Then, forced by the fatality of her&#13;
miserable position to console herself for evil by evil, she considered&#13;
that the hunchback's departure would at least make her treachery less&#13;
dangerous.</p><p>Two days after these events, Adrienne received the following note from&#13;
Rodin, in answer to a letter she had written him, to inform him of the&#13;
work-girl's inexplicable departure:</p><p>"MY DEAR YOUNG LADY;--Obliged to set out this morning for the factory of&#13;
the excellent M. Hardy, whither I am called by an affair of importance,&#13;
it is impossible for me to pay you my humble respects. You ask me what I&#13;
think of the disappearance of this poor girl? I really do not know. The&#13;
future will, I doubt not, explain all to her advantage. Only, remember&#13;
what I told you at Dr. Baleinier's, with regard to a certain society and&#13;
its secret emissaries, with whom it has the art of surrounding those&#13;
it wishes to keep a watch on. I accuse no one; but let us only recall&#13;
facts. This poor girl accused me; and I am, as you know, the most&#13;
faithful of your servants. She possessed nothing; and yet five hundred&#13;
francs were found in her secretary. You loaded her with favors; and&#13;
she leaves your house without even explaining the cause of this&#13;
extraordinary flight. I draw no conclusion, my dear young lady; I am&#13;
always unwilling to condemn without evidence; but reflect upon all this,&#13;
and be on your guard, for you have perhaps escaped a great danger.&#13;
Be more circumspect and suspicious than ever; such at least is the&#13;
respectful advice of your most obedient, humble servant,</p><p>"Rodin."</p><p>CHAPTER XLIX. THE TRYSTING-PLACE OF THE WOLVES.</p><p>It was a Sunday morning the very day on which Mdlle. de Cardoville had&#13;
received Rodin's letter with regard to Mother Bunch's disappearance.&#13;
Two men were talking to together, seated at a table in one of the public&#13;
houses in the little village of Villiers, situated at no great distance&#13;
from Hardy's factory. The village was for the most part inhabited&#13;
by quarrymen and stonecutters, employed in working the neighboring&#13;
quarries. Nothing can be ruder and more laborious, and at the same time&#13;
less adequately paid, than the work of this class of people. Therefore,&#13;
as Agricola had told Mother Bunch, they drew painful comparisons&#13;
between their condition, almost always miserable, and the comfort and&#13;
comparative ease enjoyed by M. Hardy's workmen, thanks to his generous&#13;
and intelligent management, and to the principles of association&#13;
and community which he had put in practice amongst them. Misery and&#13;
ignorance are always the cause of great evils. Misery is easily excited&#13;
to anger, and ignorance soon yields to perfidious counsels. For a long&#13;
time, the happiness of M. Hardy's workmen had been naturally envied, but&#13;
not with a jealousy amounting to hatred. As soon, however, as the secret&#13;
enemies of the manufacturer, uniting with his rival Baron Tripeaud,&#13;
had an interest in changing this peaceful state of things--it changed&#13;
accordingly.</p><p>With diabolical skill and perseverance they succeeded in kindling the&#13;
most evil passions. By means of chosen emissaries, they applied to those&#13;
quarrymen and stonecutters of the neighborhood, whose bad conduct had&#13;
aggravated their misery. Notorious for their turbulence, audacity, and&#13;
energy, these men might exercise a dangerous influence on the majority&#13;
of their companions, who were peaceful, laborious, and honest, but&#13;
easily intimidated by violence. These turbulent leaders, previously&#13;
embittered by misfortune, were soon impressed with an exaggerated idea&#13;
of the happiness of M. Hardy's workmen, and excited to a jealous hatred&#13;
of them. They went still further; the incendiary sermons of an abbe,&#13;
a member of the Jesuits, who had come expressly from Paris to preach&#13;
during Lent against M. Hardy, acted powerfully on the minds of the&#13;
women, who filled the church, whilst their husbands were haunting&#13;
the taverns. Profiting by the growing fear, which the approach of the&#13;
Cholera then inspired, the preacher struck with terror these weak and&#13;
credulous imaginations by pointing to M. Hardy's factory as a centre&#13;
of corruption and damnation, capable of drawing down the vengeance of&#13;
Heaven, and bringing the fatal scourge upon the country. Thus the men,&#13;
already inflamed with envy, were still more excited by the incessant&#13;
urgency of their wives, who, maddened by the abbe's sermons, poured&#13;
their curses on that band of atheists, who might bring down so many&#13;
misfortunes upon them and their children. Some bad characters, belonging&#13;
to the factory of Baron Tripeaud, and paid by him (for it was a great&#13;
interest the honorable manufacturer had in the ruin of M. Hardy), came&#13;
to augment the general irritation, and to complete it by raising one&#13;
of those alarming union-questions, which in our day have unfortunately&#13;
caused so much bloodshed. Many of M. Hardy's workmen, before they&#13;
entered his employ, had belonged to a society or union, called the&#13;
Devourers; while many of the stonecutters in the neighboring quarries&#13;
belonged to a society called the Wolves. Now, for a long time, an&#13;
implacable rivalry had existed between the Wolves and Devourers, and&#13;
brought about many sanguinary struggles, which are the more to be&#13;
deplored, as, in some respects, the idea of these unions is excellent,&#13;
being founded on the fruitful and mighty principle of association.&#13;
But unfortunately, instead of embracing all trades in one fraternal&#13;
communion, these unions break up the working-class into distinct and&#13;
hostile societies, whose rivalry often leads to bloody collisions.(27)&#13;
For the last week, the Wolves, excited by so many different&#13;
importunities, burned to discover an occasion or a pretext to come&#13;
to blows with the Devourers; but the latter, not frequenting the&#13;
public-houses, and hardly leaving the factory during the week, had&#13;
hitherto rendered such a meeting impossible, and the Wolves had been&#13;
forced to wait for the Sunday with ferocious impatience.</p><p>Moreover, a great number of the quarrymen and stonecutters, being&#13;
peaceable and hard-working people, had refused, though Wolves themselves&#13;
to join this hostile manifestation against the Devourers of M. Hardy's&#13;
factory; the leaders had been obliged to recruit their forces from the&#13;
vagabonds and idlers of the barriers, whom the attraction of tumult and&#13;
disorder had easily enlisted under the flag of the warlike Wolves. Such&#13;
then was the dull fermentation, which agitated the little village of&#13;
Villiers, whilst the two men of whom we have spoken were at table in the&#13;
public-house.</p><p>These men had asked for a private room, that they might be alone. One of&#13;
them was still young, and pretty well dressed. But the disorder in his&#13;
clothes, his loose cravat, his shirt spotted with wine, his dishevelled&#13;
hair, his look of fatigue, his marble complexion, his bloodshot eyes,&#13;
announced that a night of debauch had preceded this morning; whilst&#13;
his abrupt and heavy gesture, his hoarse voice, his look, sometimes&#13;
brilliant, and sometimes stupid, proved that to the last fumes of the&#13;
intoxication of the night before, were joined the first attacks of a&#13;
new state of drunkenness. The companion of this man said to him, as he&#13;
touched his glass with his own: "Your health, my boy!"</p><p>"Yours!" answered the young man; "though you look to me like the devil."</p><p>"I!--the devil?"</p><p>"Yes."</p><p>"Why?"</p><p>"How did you come to know me?"</p><p>"Do you repent that you ever knew me?"</p><p>"Who told you that I was a prisoner at Sainte-Pelagie?"</p><p>"Didn't I take you out of prison?"</p><p>"Why did you take me out?"</p><p>"Because I have a good heart."</p><p>"You are very fond of me, perhaps--just as the butcher likes the ox that&#13;
he drives to the slaughter-house."</p><p>"Are you mad?"</p><p>"A man does not pay a hundred thousand francs for another without a&#13;
motive."</p><p>"I have a motive."</p><p>"What is it? what do you want to do with me?"</p><p>"A jolly companion that will spend his money like a man, and pass every&#13;
night like the last. Good wine, good cheer, pretty girls, and gay songs.&#13;
Is that such a bad trade?"</p><p>After he had remained a moment without answering, the young man replied&#13;
with a gloomy air: "Why, on the eve of my leaving prison, did you attach&#13;
this condition to my freedom, that I should write to my mistress to tell&#13;
her that I would never see her again! Why did you exact this letter from&#13;
me?"</p><p>"A sigh! what, are you still thinking of her?"</p><p>"Always."</p><p>"You are wrong. Your mistress is far from Paris by this time. I saw&#13;
her get into the stage-coach, before I came to take you out of Sainte&#13;
Pelagie."</p><p>"Yes, I was stifled in that prison. To get out, I would have given my&#13;
soul to the devil. You thought so, and therefore you came to me; only,&#13;
instead of my soul, you took Cephyse from me. Poor Bacchanal-Queen! And&#13;
why did you do it? Thousand thunders! Will you tell me!"</p><p>"A man as much attached to his mistress as you are is no longer a man.&#13;
He wants energy, when the occasion requires."</p><p>"What occasion?"</p><p>"Let us drink!"</p><p>"You make me drink too much brandy."</p><p>"Bah! look at me!"</p><p>"That's what frightens me. It seems something devilish. A bottle of&#13;
brandy does not even make you wink. You must have a stomach of iron and&#13;
a head of marble."</p><p>"I have long travelled in Russia. There we drink to roast ourselves."</p><p>"And here to only warm. So--let's drink--but wine."</p><p>"Nonsense! wine is fit for children. Brandy for men like us!"</p><p>"Well, then, brandy; but it burns, and sets the head on fire, and then&#13;
we see all the flames of hell!"</p><p>"That's how I like to see you, hang it!"</p><p>"But when you told me that I was too much attached to my mistress, and&#13;
that I should want energy when the occasion required, of what occasion&#13;
did you speak?"</p><p>"Let us drink!"</p><p>"Stop a moment, comrade. I am no more of a fool than others. Your half&#13;
words have taught me something.</p><p>"Well, what?"</p><p>"You know that I have been a workman, that I have many companions, and&#13;
that, being a good fellow, I am much liked amongst them. You want me for&#13;
a catspaw, to catch other chestnuts?"</p><p>"What then?"</p><p>"You must be some getter-up of riots--some speculator in revolts."</p><p>"What next?"</p><p>"You are travelling for some anonymous society, that trades in musket&#13;
shots."</p><p>"Are you a coward?"</p><p>"I burned powder in July, I can tell you--make no mistakes!"</p><p>"You would not mind burning some again?"</p><p>"Just as well that sort of fireworks as any other. Only I find&#13;
revolutions more agreeable than useful; all that I got from the&#13;
barricades of the three days was burnt breeches and a lost jacket. All&#13;
the cause won by me, with its 'Forward! March!' says."</p><p>"You know many of Hardy's workmen?"</p><p>"Oh! that's why you have brought me down here?"</p><p>"Yes--you will meet with many of the workmen from the factory."</p><p>"Men from Hardy's take part in a row? No, no; they are too well off for&#13;
that. You have been sold."</p><p>"You will see presently."</p><p>"I tell you they are well off. What have they to complain of?"</p><p>"What of their brethren--those who have not so good a master, and die&#13;
of hunger and misery, and call on them for assistance? Do you think they&#13;
will remain deaf to such a summons? Hardy is only an exception. Let the&#13;
people but give a good pull all together, and the exception will become&#13;
the rule, and all the world be happy."</p><p>"What you say there is true, but it would be a devil of a pull that&#13;
would make an honest man out of my old master, Baron Tripeaud, who made&#13;
me what I am--an out-and-out rip."</p><p>"Hardy's workmen are coming; you are their comrade, and have no interest&#13;
in deceiving them. They will believe you. Join with me in persuading&#13;
them--"</p><p>"To what?"</p><p>"To leave this factory, in which they grow effeminate and selfish, and&#13;
forget their brothers."</p><p>"But if they leave the factory, how are they to live?"</p><p>"We will provide for that--on the great day."</p><p>"And what's to be done till then?"</p><p>"What you have done last night--drink, laugh, sing, and, by way of work,&#13;
exercise themselves privately in the use of arms.'</p><p>"Who will bring these workmen here?"</p><p>"Some one has already spoken to them. They have had printed papers,&#13;
reproaching them with indifference to their brothers. Come, will you&#13;
support me?"</p><p>"I'll support you--the more readily as I cannot very well support&#13;
myself. I only cared for Cephyse in the world; I know that I am on a bad&#13;
road; you are pushing me on further; let the ball roll!--Whether we&#13;
go to the devil one way or the other is not of much consequence. Let's&#13;
drink."</p><p>"Drink to our next night's fun; the last was only apprenticeship."</p><p>"Of what then are you made? I looked at you, and never saw you either&#13;
blush or smile, or change countenance. You are like a man of iron."</p><p>"I am not a lad of fifteen. It would take something more to make me&#13;
laugh. I shall laugh to-night."</p><p>"I don't know if it's the brandy; but, devil take me, if you don't&#13;
frighten me when you say you shall laugh tonight!"</p><p>So saying, the young man rose, staggering; he began to be once more&#13;
intoxicated.</p><p>There was a knock at the door. "Come in!" The host made his appearance.</p><p>"What's the matter?"</p><p>"There's a young man below, who calls himself Olivier. He asks for M.&#13;
Morok."</p><p>"That's right. Let him came up." The host went out.</p><p>"It is one of our men, but he is alone," said Morok, whose savage&#13;
countenance expressed disappointment. "It astonishes me, for I expected&#13;
a good number. Do you know him?"</p><p>"Olivier? Yes--a fair chap, I think."</p><p>"We shall see him directly. Here he is." A young man, with an open,&#13;
bold, intelligent countenance, at this moment entered the room.</p><p>"What! old Sleepinbuff!" he exclaimed, at sight of Morok's companion.</p><p>"Myself. I have not seen you for an age, Olivier."</p><p>"Simple enough, my boy. We do not work at the same place."</p><p>"But you are alone!" cried Morok; and pointing to Sleepinbuff, he added:&#13;
"You may speak before him--he is one of us. But why are you alone?"</p><p>"I come alone, but in the name of my comrades."</p><p>"Oh!" said Morok, with a sigh of satisfaction, "they consent."</p><p>"They refuse--just as I do!"</p><p>"What, the devil! they refuse? Have they no more courage than women?"&#13;
cried Morok, grinding his teeth with rage.</p><p>"Hark ye," answered Olivier, coolly. "We have received your letters,&#13;
and seen your agent. We have had proof that he is really connected with&#13;
great societies, many members of which are known to us."</p><p>"Well! why do you hesitate?"</p><p>"First of all, nothing proves that these societies are ready to make a&#13;
movement."</p><p>"I tell you they are."</p><p>"He--tells you--they are," said Sleepinbuff, stammering "and I (hic!)&#13;
affirm it. Forward! March!"</p><p>"That's not enough," replied Olivier. "Besides, we have reflected upon&#13;
it. For a week the factory was divided. Even yesterday the discussion&#13;
was too warm to be pleasant. But this morning Father Simon called to&#13;
him; we explained ourselves fully before him, and he brought us all to&#13;
one mind. We mean to wait, and if any disturbance breaks out, we shall&#13;
see."</p><p>"Is that your final word?"</p><p>"It is our last word."</p><p>"Silence!" cried Sleepinbuff, suddenly, as he listened, balancing&#13;
himself on his tottering legs. "It is like the noise of a crowd not far&#13;
off." A dull sound was indeed audible, which became every moment more&#13;
and more distinct, and at length grew formidable.</p><p>"What is that?" said Olivier, in surprise.</p><p>"Now," replied Morok, smiling with a sinister air, "I remember the host&#13;
told me there was a great ferment in the village against the factory. If&#13;
you and your other comrades had separated from Hardy's other workmen, as&#13;
I hoped, these people who are beginning to howl would have been for you,&#13;
instead of against you."</p><p>"This was a trap, then, to set one half of M. Hardy's workmen against&#13;
the other!" cried Olivier; "you hoped that we should make common cause&#13;
with these people against the factory, and that--"</p><p>The young man had not time to finish. A terrible outburst of shouts,&#13;
howls, and hisses shook the tavern. At the same instant the door was&#13;
abruptly opened, and the host, pale and trembling, hurried into the&#13;
chamber, exclaiming: "Gentlemen! do any of you work at M. Hardy's&#13;
factory?"</p><p>"I do," said Olivier.</p><p>"Then you are lost. Here are the Wolves in a body, saying there are&#13;
Devourers here from M. Hardy's, and offering them battle--unless the&#13;
Devourers will give up the factory, and range themselves on their side."</p><p>"It was a trap, there can be no doubt of it!" cried Olivier, looking at&#13;
Morok and Sleepinbuff, with a threatening air; "if my mates had come, we&#13;
were all to be let in."</p><p>"I lay a trap, Olivier?" stammered Jacques Rennepont. "Never!"</p><p>"Battle to the Devourers! or let them join the Wolves!" cried the angry&#13;
crowd with one voice, as they appeared to invade the house.</p><p>"Come!" exclaimed the host. Without giving Olivier time to answer, he&#13;
seized him by the arm, and opening a window which led to a roof at no&#13;
very great height from the ground, he said to him: "Make your escape by&#13;
this window, let yourself slide down, and gain the fields; it is time."</p><p>As the young workman hesitated, the host added, with a look of terror:</p><p>"Alone, against a couple of hundred, what can you do? A minute more, and&#13;
you are lost. Do you not hear them? They have entered the yard; they are&#13;
coming up."</p><p>Indeed, at this moment, the groans, the hisses, and cheers redoubled&#13;
in violence; the wooden staircase which led to the first story shook&#13;
beneath the quick steps of many persons, and the shout arose, loud and&#13;
piercing: "Battle to the Devourers!"</p><p>"Fly, Olivier!" cried Sleepinbuff, almost sobered by the danger.</p><p>Hardly had he pronounced the words when the door of the large room,&#13;
which communicated with the small one in which they were, was burst open&#13;
with a frightful crash.</p><p>"Here they are!" cried the host, clasping his hands in alarm. Then,&#13;
running to Olivier, he pushed him, as it were, out of the window; for,&#13;
with one foot on the sill, the workman still hesitated.</p><p>The window once closed, the publican returned towards Morok the instant&#13;
the latter entered the large room, into which the leaders of the Wolves&#13;
had just forced an entry, whilst their companions were vociferating in&#13;
the yard and on the staircase. Eight or ten of these madmen, urged by&#13;
others to take part in these scenes of disorder, had rushed first into&#13;
the room, with countenances inflamed by wine and anger; most of them&#13;
were armed with long sticks. A blaster, of Herculean strength and&#13;
stature, with an old red handkerchief about his head, its ragged&#13;
ends streaming over his shoulders, miserably dressed in a half-worn&#13;
goat-skin, brandished an iron drilling-rod, and appeared to direct the&#13;
movements. With bloodshot eyes, threatening and ferocious countenance,&#13;
he advanced towards the small room, as if to drive back Morok, and&#13;
exclaimed, in a voice of thunder:</p><p>"Where are the Devourers?--the Wolves will eat 'em up!"</p><p>The host hastened to open the door of the small room, saying: "There is&#13;
no one here, my friends--no one. Look for yourselves."</p><p>"It is true," said the quarryman, surprised, after peeping into the&#13;
room; "where are they, then? We were told there were a dozen of them&#13;
here. They should have marched with us against the factory, or there'd&#13;
'a been a battle, and the Wolves would have tried their teeth!"</p><p>"If they have not come," said another, "they will come. Let's wait."</p><p>"Yes, yes; we will wait for them."</p><p>"We will look close at each other."</p><p>"If the Wolves want to see the Devourers," said Morok, "why not go and&#13;
howl round the factory of the miscreant atheists? At the first howl of&#13;
the Wolves they will come out, and give you battle."</p><p>"They will give you--battle," repeated Sleepinbuff, mechanically.</p><p>"Unless the Wolves are afraid of the Devourers," added Morok.</p><p>"Since you talk of fear, you shall go with us, and see who's afraid!"&#13;
cried the formidable blaster, and in a thundering voice, he advanced&#13;
towards Morok.</p><p>A number of voices joined in with, "Who says the Wolves are afraid of&#13;
the Devourers?"</p><p>"It would be the first time!"</p><p>"Battle! battle! and make an end of it!"</p><p>"We are tired of all this. Why should we be so miserable, and they so&#13;
well off?"</p><p>"They have said that quarrymen are brutes, only fit to torn wheels in a&#13;
shaft, like dogs to turn spits," cried an emissary of Baron Tripeaud's.</p><p>"And that the Devourers would make themselves caps with wolf-skin,"&#13;
added another.</p><p>"Neither they nor their wives ever go to mass. They are pagans and&#13;
dogs!" cried an emissary of the preaching abbe.</p><p>"The men might keep their Sunday as they pleased; but their wives not to&#13;
go to mass!--it is abominable.</p><p>"And, therefore, the curate has said that their factory, because of its&#13;
abominations, might bring down the cholera to the country."</p><p>"True? he said that in his sermon."</p><p>"Our wives heard it."</p><p>"Yes, yes; down with the Devourers, who want to bring the cholera on the&#13;
country!"</p><p>"Hooray, for a fight!" cried the crowd in chorus.</p><p>"To the factory, my brave Wolves!" cried Morok, with the voice of a&#13;
Stentor; "on to the factory!"</p><p>"Yes! to the factory! to the factory!" repeated the crowd, with furious&#13;
stamping; for, little by little, all who could force their way into the&#13;
room, or up the stairs, had there collected together.</p><p>These furious cries recalling Jacques for a moment to his senses, he&#13;
whispered to Morok: "It is slaughter you would provoke? I wash my hands&#13;
of it."</p><p>"We shall have time to let them know at the factory. We can give these&#13;
fellows the slip on the road," answered Morok. Then he cried aloud,&#13;
addressing the host, who was terrified at this disorder: "Brandy!--let&#13;
us drink to the health of the brave Wolves! I will stand treat." He&#13;
threw some money to the host, who disappeared, and soon returned with&#13;
several bottles of brandy, and some glasses.</p><p>"What! glasses?" cried Morok. "Do jolly companions, like we are, drink&#13;
out of glasses?" So saying, he forced out one of the corks, raised the&#13;
neck of the bottle to his lips, and, having drunk a deep draught, passed&#13;
it to the gigantic quarryman.</p><p>"That's the thing!" said the latter. "Here's in honor of the&#13;
treat!--None but a sneak will refuse, for this stuff will sharpen the&#13;
Wolves' teeth!"</p><p>"Here's to your health, mates!" said Morok, distributing the bottles.</p><p>"There will be blood at the end of all this," muttered Sleepinbuff, who,&#13;
in spite of his intoxication, perceived all the danger of these fatal&#13;
incitements. Indeed, a large portion of the crowd was already quitting&#13;
the yard of the public-house, and advancing rapidly towards M. Hardy's&#13;
factory.</p><p>Those of the workmen and inhabitants of the village, who had not chosen&#13;
to take any part in this movement of hostility (they were the majority),&#13;
did not make their appearance, as this threatening troop passed along&#13;
the principal street; but a good number of women, excited to fanaticism&#13;
by the sermons of the abbe, encouraged the warlike assemblage with&#13;
their cries. At the head of the troop advanced the gigantic blaster,&#13;
brandishing his formidable bar, followed by a motley mass, armed with&#13;
sticks and stones. Their heads still warmed by their recent libations&#13;
of brandy, they had now attained a frightful state of frenzy. Their&#13;
countenances were ferocious, inflamed, terrible. This unchaining of&#13;
the worst passions seemed to forbode the most deplorable consequences.&#13;
Holding each other arm-in-arm, and walking four or five together, the&#13;
Wolves gave vent to their excitement in war-songs, which closed with the&#13;
following verse:</p><p>"Forward! full of assurance! Let us try our vigorous arms! They have&#13;
wearied out our prudence; Let us show we've no alarms. Sprung from a&#13;
monarch glorious,(28) To-day we'll not grow pale, Whether we win the&#13;
fight, or fail, Whether we die, or are victorious! Children of Solomon,&#13;
mighty king, All your efforts together bring, Till in triumph we shall&#13;
sing!"</p><p>Morok and Jacques had disappeared whilst the tumultuous troop were&#13;
leaving the tavern to hasten to the factory.</p><p>(27) Let it be noted, to the working-man's credit, that such outrageous&#13;
scenes become more and more rare as he is enlightened to the full&#13;
consciousness of his worth. Such better tendencies are to be attributed&#13;
to the just influence of an excellent tract on trades' union written&#13;
by M. Agricole Perdignier, and published in 1841, Paris. This author, a&#13;
joiner, founded at his own expense an establishment in the Faubourg St.&#13;
Antoine, where some forty or fifty of his trade lodged, and were given,&#13;
after the day's work, a course of geometry, etc., applied to wood&#13;
carving. We went to one of the lectures, and found as much clearness&#13;
in the professor as attention and intelligence in the audience. At ten,&#13;
after reading selections, all the lodgers retire, forced by their scanty&#13;
wages to sleep, perhaps, four in a room. M. Perdignier informed us that&#13;
study and instruction were such powerful ameliorators, that, during&#13;
six years, he had only one of his lodgers to expel. "In a few days,"&#13;
he remarked, "the bad eggs find out, this is no place for them to addle&#13;
sound ones!" We are happy to hear, reader, public homage to a learned&#13;
and upright man, devoted to his fellow-workmen.</p><p>(28) The Wolves (among others) ascribe the institution of their company&#13;
to King Solomon. See the curious work by M. Agricole Perdignier, from&#13;
which the war-song is extracted.</p><p>CHAPTER L. THE COMMON DWELLING-HOUSE</p><p>Whilst the Wolves, as we have just seen, prepared a savage attack on&#13;
the Devourers, the factory of M. Hardy had that morning a festal air,&#13;
perfectly in accordance with the serenity of the sky; for the wind was&#13;
from the north, and pretty sharp for a fine day in March. The clock had&#13;
just struck nine in the Common Dwelling-house of the workmen, separated&#13;
from the workshops by a broad path planted with trees. The rising sun&#13;
bathed in light this imposing mass of buildings, situated a league from&#13;
Paris, in a gay and salubrious locality, from which were visible the&#13;
woody and picturesque hills, that on this side overlook the great city.&#13;
Nothing could be plainer, and yet more cheerful than the aspect of the&#13;
Common Dwelling-house of the workmen. Its slanting roof of red tiles&#13;
projected over white walls, divided here and there by broad rows of&#13;
bricks, which contrasted agreeably with the green color of the blinds on&#13;
the first and second stories.</p><p>These buildings, open to the south and east, were surrounded by a large&#13;
garden of about ten acres, partly planted with trees, and partly laid&#13;
out in fruit and kitchen-garden. Before continuing this description,&#13;
which perhaps will appear a little like a fairy-tale, let us begin by&#13;
saying, that the wonders, of which we are about to present the sketch,&#13;
must not to be considered Utopian dreams; nothing, on the contrary,&#13;
could be of a more positive character, and we are able to assert, and&#13;
even to prove (what in our time is of great weight and interest),&#13;
that these wonders were the result of an excellent speculation, and&#13;
represented an investment as lucrative as it was secure. To undertake&#13;
a vast, noble, and most useful enterprise; to bestow on a considerable&#13;
number of human creatures an ideal prosperity, compared with the&#13;
frightful, almost homicidal doom, to which they are generally condemned;&#13;
to instruct them, and elevate them in their own esteem; to make them&#13;
prefer to the coarse pleasures of the tavern, or rather to the fatal&#13;
oblivion which they find there, as an escape from the consciousness&#13;
of their deplorable destiny, the pleasures, of the intellect and the&#13;
enjoyments of art; in a word, to make men moral by making them happy,&#13;
and finally, thanks to this generous example, so easy of imitation, to&#13;
take a place amongst the benefactors of humanity--and yet, at the same&#13;
time to do, as it were, without knowing it, an excellent stroke of&#13;
business--may appear fabulous. And yet this was the secret of the&#13;
wonders of which we speak.</p><p>Let us enter the interior of the factory. Ignorant of Mother Bunch's&#13;
cruel disappearance, Agricola gave himself up to the most happy,&#13;
thoughts as he recalled Angela's image, and, having finished dressing&#13;
with unusual care, went in search of his betrothed.</p><p>Let us say two words on the subject of the lodging, which the smith&#13;
occupied in the Common Dwelling-house, at the incredibly low rate&#13;
of seventy-five francs per annum like the other bachelors on the&#13;
establishment. This lodging, situated on the second story, was comprised&#13;
of a capital chamber and bedroom, with a southern aspect, and looking&#13;
on the garden; the pine floor was perfectly white and clean; the iron&#13;
bedstead was supplied with a good mattress and warm coverings; a gas&#13;
burner and a warm-air pipe were also introduced into the rooms, to&#13;
furnish light and heat as required; the walls were hung with pretty&#13;
fancy papering, and had curtains to match; a chest of drawers, a walnut&#13;
table, a few chairs, a small library, comprised Agricola's furniture.&#13;
Finally, in the large and light closet, was a place for his clothes, a&#13;
dressing table, and large zinc basin, with an ample supply of water.&#13;
If we compare this agreeable, salubrious, comfortable lodging, with the&#13;
dark, icy, dilapidated garret, for which the worthy fellow paid ninety&#13;
francs at his mother's, and to get to which he had more than a league&#13;
and a half to go every evening, we shall understand the sacrifice he&#13;
made to his affection for that excellent woman.</p><p>Agricola, after casting a last glance of tolerable satisfaction at his&#13;
looking-glass, while he combed his moustache and imperial, quitted his&#13;
chamber, to go and join Angela in the women's workroom. The corridor,&#13;
along which he had to pass, was broad, well-lighted from above, floored&#13;
with pine, and extremely clean. Notwithstanding some seeds of discord&#13;
which had been lately sown by M. Hardy's enemies amongst his workmen,&#13;
until now so fraternally united, joyous songs were heard in almost&#13;
all the apartments which skirted the corridor, and, as Agricola passed&#13;
before several open doors, he exchanged a cordial good-morrow with many&#13;
of his comrades. The smith hastily descended the stairs, crossed&#13;
the court yard, in which was a grass-plot planted with trees, with a&#13;
fountain in the centre, and gained the other wing of the building. There&#13;
was the workroom, in which a portion of the wives and daughters of the&#13;
associated artisans, who happened not to be employed in the factory,&#13;
occupied themselves in making up the linen. This labor, joined to the&#13;
enormous saving effected by the purchase of the materials wholesale,&#13;
reduced to an incredible extent the price of each article. After&#13;
passing through this workroom, a vast apartment looking on the garden,&#13;
well-aired in summer,(29) and well-warmed in winter, Agricola knocked at&#13;
the door of the rooms occupied by Angela's mother.</p><p>If we say a few words with regard to this lodging, situated on the first&#13;
story, with an eastern aspect, and also looking on the garden, it is&#13;
that we may tape it as a specimen of the habitation of a family in this&#13;
association, supplied at the incredibly small price of one hundred and&#13;
twenty-five francs per annum.</p><p>A small entrance, opening on the corridor, led to a large room, on each&#13;
side of which was a smaller chamber, destined for the family, when the&#13;
boys and girls were too big to continue to sleep in the two dormitories,&#13;
arranged after the fashion of a large school, and reserved for the&#13;
children of both sexes. Every night the superintendence of these&#13;
dormitories was entrusted to a father and mother of a family, belonging&#13;
to the association. The lodging of which we speak, being, like all the&#13;
others, disencumbered of the paraphernalia of a kitchen--for the&#13;
cooking was done in common, and on a large scale, in another part of the&#13;
building--was kept extremely clean. A pretty large piece of carpet,&#13;
a comfortable arm-chair, some pretty-looking china on a stand of well&#13;
polished wood, some prints hung against the walls, a clock of gilt&#13;
bronze, a bed, a chest of drawers, and a mahogany secretary, announced&#13;
that the inhabitants of this apartment enjoyed not only the necessaries,&#13;
but some of the luxuries of life. Angela, who, from this time, might&#13;
be called Agricola's betrothed, justified in every point the flattering&#13;
portrait which the smith had drawn of her in his interview with poor&#13;
Mother Bunch. The charming girl, seventeen years of age at most, dressed&#13;
with as much simplicity as neatness, was seated by the side of her&#13;
mother. When Agricola entered, she blushed slightly at seeing him.</p><p>"Mademoiselle," said Agricola, "I have come to keep my promise, if your&#13;
mother has no objection."</p><p>"Certainly, M. Agricola," answered the mother of the young girl&#13;
cordially. "She would not go over the Common Dwelling-house with her&#13;
father, her brother, or me, because she wished to have that pleasure&#13;
with you today. It is quite right that you, who can talk so well, should&#13;
do the honors of the house to the new-comer. She has been waiting for&#13;
you an hour, and with such impatience!"</p><p>"Pray excuse me, mademoiselle," said Agricola, gayly; "in thinking of&#13;
the pleasure of seeing you, I forgot the hour. That is my only excuse."</p><p>"Oh, mother!" said the young girl, in a tone of mild reproach, and&#13;
becoming red as a cherry, "why did you say that?"</p><p>"Is it true, yes or no? I do not blame you for it; on the contrary. Go&#13;
with M. Agricola, child, and he will tell you, better than I can, what&#13;
all the workmen of the factory owe to M, Hardy."</p><p>"M. Agricola," said Angela, tying the ribbons of her pretty cap, "what a&#13;
pity that your good little adopted sister is not with us."</p><p>"Mother Bunch?--yes, you are right, mademoiselle; but that is only a&#13;
pleasure put off, and the visit she paid us yesterday will not be the&#13;
last."</p><p>Having embraced her mother, the girl took Agricola's arm, and they went&#13;
out together.</p><p>"Dear me, M. Agricola," said Angela; "if you knew how much I was&#13;
surprised on entering this fine house, after being accustomed to see so&#13;
much misery amongst the poor workmen in our country, and in which I too&#13;
have had my share, whilst here everybody seems happy and contented. It&#13;
is really like fairy-land; I think I am in a dream, and when I ask my&#13;
mother the explanation of these wonders, she tells me, 'M. Agricola will&#13;
explain it all to you.'"</p><p>"Do you know why I am so happy to undertake that delightful task,&#13;
mademoiselle?" said Agricola, with an accent at once grave and tender.&#13;
"Nothing could be more in season."</p><p>"Why so, M. Agricola?"</p><p>"Because, to show you this house, to make you acquainted with all the&#13;
resources of our association, is to be able to say to you: 'Here, the&#13;
workman, sure of the present, sure of the future, is not, like so many&#13;
of his poor brothers, obliged to renounce the sweetest want of the&#13;
heart--the desire of choosing a companion for life--in the fear of&#13;
uniting misery to misery."'</p><p>Angela cast down her eyes, and blushed.</p><p>"Here the workman may safely yield to the hope of knowing the sweet joys&#13;
of a family, sure of not having his heart torn hereafter by the sight&#13;
of the horrible privations of those who are dear to him; here, thanks to&#13;
order and industry, and the wise employment of the strength of all, men,&#13;
women, and children live happy and contented. In a ward, to explain all&#13;
this to you, mademoiselle," added Agricola, smiling with a still more&#13;
tender air, "is to prove, that here we can do nothing more reasonable&#13;
than love, nothing wiser than marry."</p><p>"M. Agricola," answered Angela, in a slightly agitated voice, and&#13;
blushing still more as she spoke, "suppose we were to begin our walk."</p><p>"Directly, mademoiselle," replied the smith, pleased at the trouble&#13;
he had excited in that ingenuous soul. "But, come; we are near the&#13;
dormitory of the little girls. The chirping birds have long left their&#13;
nests. Let us go there."</p><p>"Willingly, M. Agricola."</p><p>The young smith and Angela soon entered a spacious dormitory, resembling&#13;
that of a first-rate boarding school. The little iron bedsteads were&#13;
arranged in symmetrical order; at each end were the beds of the two&#13;
mothers of families, who took the superintendence by turns.</p><p>"Dear me! how well it is arranged, M. Agricola, and how neat and clean!&#13;
Who is it that takes such good care of it?"</p><p>"The children themselves; we have no servants here. There is an&#13;
extraordinary emulation between these urchins--as to who shall make her&#13;
bed most neatly, and it amuses them quite as much as making a bed for&#13;
their dolls. Little girls, you know, delight in playing at keeping&#13;
house. Well, here they play at it in good earnest, and the house is&#13;
admirably kept in consequence."</p><p>"Oh! I understand. They turn to account their natural taste for all such&#13;
kinds of amusement."</p><p>"That is the whole secret. You will see them everywhere usefully&#13;
occupied, and delighted at the importance of the employments given&#13;
them."</p><p>"Oh, M. Agricola!" said Angela, timidly, "only compare these fine&#13;
dormitories, so warm and healthy, with the horrible icy garrets, where&#13;
children are heaped pell-mell on a wretched straw-mattress, shivering&#13;
with cold, as in the case with almost all the workmen's families in our&#13;
country!"</p><p>"And in Paris, mademoiselle, it is even worse."</p><p>"Oh! how kind, generous, and rich must M. Hardy be, to spend so much&#13;
money in doing good!"</p><p>"I am going to astonish you, mademoiselle!" said Agricola, with a smile;&#13;
"to astonish you so much, that perhaps you will not believe me."</p><p>"Why so, M. Agricola?"</p><p>"There is not certainly in the world a man with a better and more&#13;
generous heart than M. Hardy; he does good for its own sake and without&#13;
thinking of his personal interest. And yet, Mdlle. Angela, were he the&#13;
most selfish and avaricious of men, he would still find it greatly to&#13;
his advantage to put us in a position to be as comfortable as we are."</p><p>"Is it possible, M. Agricola? You tell me so, and I believe it; but if&#13;
good can so easily be done, if there is even an advantage in doing it,&#13;
why is it not more commonly attempted?"</p><p>"Ah! mademoiselle, it requires three gifts very rarely met with in the&#13;
same person--knowledge, power and will."</p><p>"Alas! yes. Those who have the knowledge, have not the power."</p><p>"And those who have the power, have neither the knowledge nor the will."</p><p>"But how does M. Hardy find any advantage in the good he does for you?"</p><p>"I will explain that presently, mademoiselle."</p><p>"Oh, what a nice, sweet smell of fruit!" said Angela, suddenly.</p><p>"Our common fruit-store is close at hand. I wager we shall find there&#13;
some of the little birds from the dormitory--not occupied in picking and&#13;
stealing, but hard at work."</p><p>Opening a door, Agricola led Angela into a large room, furnished with&#13;
shelves, on which the winter fruits were arranged in order. A number&#13;
of children, from seven to eight years old, neatly and warmly clad,&#13;
and glowing with health, exerted themselves cheerfully, under the&#13;
superintendence of a woman, in separating and sorting the spoiled fruit.</p><p>"You see," said Agricola, "wherever it is possible, we make use of the&#13;
children. These occupations are amusements for them, answering to the&#13;
need of movement and activity natural to their age; and, in this way, we&#13;
can employ the grown girls and the women to much better advantage."</p><p>"True, M. Agricola; how well it is all arranged."</p><p>"And if you saw what services the urchins in the kitchen render!&#13;
Directed by one or two women, they do the work of eight or ten&#13;
servants."</p><p>"In fact," said Angela, smiling, "at their age, we like so much to play&#13;
at cooking dinner. They must be delighted."</p><p>"And, in the same way, under pretext of playing at gardening, they weed&#13;
the ground, gather the fruit and vegetables, water the flowers, roll the&#13;
paths, and so on. In a word, this army of infant-workers, who generally&#13;
remain till ten or twelve years of age without being of any service,&#13;
are here very useful. Except three hours of school, which is quite&#13;
sufficient for them, from the age of six or seven their recreations are&#13;
turned to good account, and the dear little creatures, by the saving of&#13;
full-grown arms which they effect, actually gain more than they cost;&#13;
and then, mademoiselle, do you not think there is something in the&#13;
presence of childhood thus mixed up with every labor--something mild,&#13;
pure, almost sacred, which has its influence on our words and actions,&#13;
and imposes a salutary reserve? The coarsest man will respect the&#13;
presence of children."</p><p>"The more one reflects, the more one sees that everything here is really&#13;
designed for the happiness of all!" said Angela, in admiration.</p><p>"It has not been done without trouble. It was necessary to conquer&#13;
prejudices, and break through customs. But see, Mdlle. Angela! here we&#13;
are at the kitchen," added the smith, smiling; "is it not as imposing as&#13;
that of a barrack or a public school?"</p><p>Indeed, the culinary department of the Common Dwelling-house was&#13;
immense. All its utensils were bright and clean; and thanks to the&#13;
marvellous and economical inventions of modern science (which are always&#13;
beyond the reach of the poorer classes, to whom they are most necessary,&#13;
because they can only be practised on a large scale), not only the fire&#13;
on the hearth, and in the stoves, was fed with half the quantity of&#13;
fuel that would have been consumed by each family individually, but the&#13;
excess of the caloric sufficed, with the aid of well-constructed tubes,&#13;
to spread a mild and equal warmth through all parts of the house. And&#13;
here also children, under the direction of two women, rendered numerous&#13;
services. Nothing could be more comic than the serious manner in which&#13;
they performed their culinary functions; it was the same with the&#13;
assistance they gave in the bakehouse, where, at an extraordinary saving&#13;
in the price (for they bought flour wholesale), they made an excellent&#13;
household bread, composed of pure wheat and rye, so preferable to&#13;
that whiter bread, which too often owes its apparent qualities to some&#13;
deleterious substance.</p><p>"Good-day, Dame Bertrand," said Agricola, gayly, to a worthy matron, who&#13;
was gravely contemplating the slow evolution of several spits, worthy&#13;
of Gamache's Wedding so heavily were they laden with pieces of beef,&#13;
mutton, and veal, which began to assume a fine golden brown color of the&#13;
most attractive kind; "good-day, Dame Bertrand. According to the rule,&#13;
I do not pass the threshold of the kitchen. I only wish it to be admired&#13;
by this young lady, who is a new-comer amongst us."</p><p>"Admire, my lad, pray admire--and above all take notice, how good these&#13;
brats are, and how well they work!" So saying, the matron pointed with&#13;
the long ladle, which served her as a sceptre, to some fifteen children&#13;
of both sexes, seated round a table, and deeply absorbed in the exercise&#13;
of their functions, which consisted in peeling potatoes and picking&#13;
herbs.</p><p>"We are, I see, to have a downright Belshazzar's feast, Dame Bertrand?"&#13;
said Agricola, laughing.</p><p>"Faith, a feast like we have always, my lad. Here is our bill of fare&#13;
for to-day. A good vegetable soup, roast beef with potatoes, salad,&#13;
fruit, cheese; and for extras, it being Sunday, some currant tarts made&#13;
by Mother Denis at the bakehouse, where the oven is heating now."</p><p>"What you tell me, Dame Bertrand, gives me a furious appetite," said&#13;
Agricola, gayly. "One soon knows when it is your turn in the kitchen,"&#13;
added he, with a flattering air.</p><p>"Get along, do!" said the female Soyer on service, merrily.</p><p>"What astonishes me, so much, M. Agricola," said Angela, as they&#13;
continued their walk, "is the comparison of the insufficient,&#13;
unwholesome food of the workmen in our country, with that which is&#13;
provided here."</p><p>"And yet we do not spend more than twenty-five sous a day, for much&#13;
better food than we should get for three francs in Paris."</p><p>"But really it is hard to believe, M. Agricola. How is it possible?"</p><p>"It is thanks to the magic wand of M. Hardy. I will explain it all&#13;
presently."</p><p>"Oh! how impatient I am to see M. Hardy!"</p><p>"You will soon see him--perhaps to-day; for he is expected every moment.&#13;
But here is the refectory, which you do not yet know, as your family,&#13;
like many others, prefer dining at home. See what a fine room, looking&#13;
out on the garden, just opposite the fountain!"</p><p>It was indeed a vast hall, built in the form of a gallery, with ten&#13;
windows opening on the garden. Tables, covered with shining oil-cloth,&#13;
were ranged along the walls, so that, in winter, this apartment&#13;
served in the evening, after work, as a place of meeting for those who&#13;
preferred to pass an hour together, instead of remaining alone or with&#13;
their families. Then, in this large hall, well warmed and brilliantly&#13;
lighted with gas, some read, some played cards, some talked, and some&#13;
occupied themselves with easy work.</p><p>"That is not all," said Agricola to the young girl; "I am sure you will&#13;
like this apartment still better when I tell you, that on Thursdays&#13;
and Sundays we make a ball-room of it, and on Tuesdays and Saturdays a&#13;
concert-room."</p><p>"Really!"</p><p>"Yes," continued the smith, proudly, "we have amongst us musicians,&#13;
quite capable of tempting us to dance. Moreover, twice a week, nearly&#13;
all of us sing in chorus--men, women, and children. Unfortunately, this&#13;
week, some disputes that have arisen in the factory have prevented our&#13;
concerts."</p><p>"So many voices! that must be superb."</p><p>"It is very fine, I assure you. M. Hardy has always encouraged this&#13;
amusement amongst us, which has, he says--and he is right--so powerful&#13;
an effect on the mind and the manners. One winter, he sent for two&#13;
pupils of the celebrated Wilhelm, and, since then, our school has made&#13;
great progress. I assure you, Mdlle. Angela, that, without flattering&#13;
ourselves, there is something truly exciting in the sound of two hundred&#13;
voices, singing in chorus some hymn to Labor or Freedom. You shall hear&#13;
it, and you will, I think, acknowledge that there is something great&#13;
and elevating in the heart of man, in this fraternal harmony of voices,&#13;
blending in one grave, sonorous, imposing sound."</p><p>"Oh! I believe it. But what happiness to inhabit here. It is a life of&#13;
joy; for labor, mixed with recreation, becomes itself a pleasure."</p><p>"Alas! here, as everywhere, there are tears and sorrows," replied&#13;
Agricola, sadly. "Do you see that isolated building, in a very exposed&#13;
situation?"</p><p>"Yes; what is it?"</p><p>"That is our hospital for the sick. Happily, thanks to our healthy mode&#13;
of life, it is not often full; an annual subscription enables us to have&#13;
a good doctor. Moreover, a mutual benefit society is arranged in such a&#13;
manner amongst us, that any one of us, in case of illness, receives two&#13;
thirds of what he would have gained in health."</p><p>"How well it is all managed! And there, M. Agricola, on the other side&#13;
of the grass-plot?"</p><p>"That is the wash-house, with water laid on, cold and hot; and under&#13;
yonder shed is the drying-place: further on, you see the stables, and&#13;
the lofts and granaries for the provender of the factory horses."</p><p>"But M. Agricola, will you tell me the secret of all these wonders?"</p><p>"In ten minutes you shall understand it all, mademoiselle."</p><p>Unfortunately, Angela's curiosity was for a while disappointed. The girl&#13;
was now standing with Agricola close to the iron gate, which shut in the&#13;
garden from the broad avenue that separated the factory from the Common&#13;
Dwelling-house. Suddenly, the wind brought from the distance the sound&#13;
of trumpets and military music; then was heard the gallop of two&#13;
horses, approaching rapidly, and soon after a general officer made his&#13;
appearance, mounted on a fine black charger, with a long flowing tail&#13;
and crimson housings; he wore cavalry boots and white breeches, after&#13;
the fashion of the empire; his uniform glittered with gold embroidery,&#13;
the red ribbon of the Legion of Honor was passed over his right epaulet,&#13;
with its four silver stars, and his hat had a broad gold border, and&#13;
was crowned with a white plume, the distinctive sign reserved for&#13;
the marshals of France. No warrior could have had a more martial and&#13;
chivalrous air, or have sat more proudly on his war-horse. At the moment&#13;
Marshal Simon (for it was he) arrived opposite the place where Angela&#13;
and Agricola were standing, he drew up his horse suddenly, sprang&#13;
lightly to the ground, and threw the golden reins to a servant in&#13;
livery, who followed also on horseback.</p><p>"Where shall I wait for your grace?" asked the groom.</p><p>"At the end of the avenue," said the marshal.</p><p>And, uncovering his head respectfully, he advanced hastily with his&#13;
hat in his hand, to meet a person whom Angela and Agricola had not&#13;
previously perceived. This person soon appeared at a turn of the avenue;&#13;
he was an old man, with an energetic, intelligent countenance. He wore&#13;
a very neat blouse, and a cloth cap over his long, white hair. With his&#13;
hands in his pocket, he was quietly smoking an old meerschaum pipe.</p><p>"Good-morning, father," said the marshal, respectfully, as he&#13;
affectionately embraced the old workman, who, having tenderly returned&#13;
the pressure, said to him: "Put on your hat, my boy. But how gay we&#13;
are!" added he, with a smile.</p><p>"I have just been to a review, father, close by; and I took the&#13;
opportunity to call on you as soon as possible."</p><p>"But shall I then not see my granddaughters to-day, as I do every&#13;
Sunday?"</p><p>"They are coming in a carriage, father, and Dagobert accompanies them."</p><p>"But what is the matter? you appear full of thought."</p><p>"Indeed, father," said the marshal, with a somewhat agitated air, "I&#13;
have serious things to talk about."</p><p>"Come in, then," said the old man, with some anxiety. The marshal and&#13;
his father disappeared at the turn of the avenue.</p><p>Angela had been struck with amazement at seeing this brilliant General,&#13;
who was entitled "your grace," salute an old workman in a blouse as his&#13;
father; and, looking at Agricola with a confused air she said to him:&#13;
"What, M. Agricola! this old workman--"</p><p>"Is the father of Marshal Duke de Ligny--the friend--yes, I may say the&#13;
friend," added Agricola, with emotion, "of my father, who for twenty&#13;
years served under him in war.'</p><p>"To be placed so high, and yet to be so respectful and tender to his&#13;
father!" said Angela. "The marshal must have a very noble heart; but why&#13;
does he let his father remain a workman?"</p><p>"Because Father Simon will not quit his trade and the factory for&#13;
anything in the world. He was born a workman, and he will die a workman,&#13;
though he is the father of a duke and marshal of France."</p><p>(29) See Adolphe Bobierre "On Air and Health," Paris, 1844.</p><p>CHAPTER LI. THE SECRET.</p><p>When the very natural astonishment which the arrival of Marshal Simon&#13;
had caused in Angela had passed away, Agricola said to her with a smile:&#13;
"I do not wish to take advantage of this circumstance, Mdlle. Angela,&#13;
to spare you the account of the secret, by which all the wonders of our&#13;
Common Dwelling-house are brought to pass."</p><p>"Oh! I should not have let you forget your promise, M. Agricola,"&#13;
answered Angela, "what you have already told me interests me too much&#13;
for that."</p><p>"Listen, then. M. Hardy, like a true magician, has pronounced three&#13;
cabalistic words: ASSOCIATION--COMMUNITY--FRATERNITY. We have understood&#13;
the sense of these words, and the wonders you have seen have sprung from&#13;
them, to our great advantage; and also, I repeat, to the great advantage&#13;
of M. Hardy."</p><p>"It is that which appears so extraordinary, M. Agricola."</p><p>"Suppose, mademoiselle, that M. Hardy, instead of being what he is, had&#13;
only been a cold-hearted speculator, looking merely to the profit, and&#13;
saying to himself: 'To make the most of my factory, what is needed?&#13;
Good work--great economy in the raw material--full employment of the&#13;
workman's time; in a word, cheapness of manufacture, in order to produce&#13;
cheaply--excellence of the thing produced, in order to sell dear.'"</p><p>"Truly, M. Agricola, no manufacturer could desire more."</p><p>"Well, mademoiselle, these conditions might have been fulfilled, as they&#13;
have been, but how? Had M. Hardy only been a speculator, he might have&#13;
said: 'At a distance from my factory, my workmen might have trouble to&#13;
get there: rising earlier, they will sleep less; it is a bad economy&#13;
to take from the sleep so necessary to those who toil. When they get&#13;
feeble, the work suffers for it; then the inclemency of the seasons&#13;
makes it worse; the workman arrives wet, trembling with cold, enervated&#13;
before he begins to work--and then, what work!'"</p><p>"It is unfortunately but too true, M. Agricola. At Lille, when I reached&#13;
the factory, wet through with a cold rain, I used sometimes to shiver&#13;
all day long at my work."</p><p>"Therefore, Mdlle. Angela, the speculator might say: 'To lodge&#13;
my workmen close to the door of my factory would obviate this&#13;
inconvenience. Let us make the calculation. In Paris the married workman&#13;
pays about two hundred and fifty francs a-year,(30) for one or two&#13;
wretched rooms and a closet, dark, small, unhealthy, in a narrow,&#13;
miserable street; there he lives pell-mell with his family. What ruined&#13;
constitutions are the consequence! and what sort of work can you expect&#13;
from a feverish and diseased creature? As for the single men, they pay&#13;
for a smaller, and quite as unwholesome lodging, about one hundred and&#13;
fifty francs a-year. Now, let us make the addition. I employ one hundred&#13;
and forty-six married workmen, who pay together, for their wretched&#13;
holes, thirty-six thousand five hundred francs; I employ also one&#13;
hundred and fifteen bachelors, who pay at the rate of seventeen thousand&#13;
two hundred and eighty francs; the total will amount to about fifty&#13;
thousand francs per annum, the interest on a million."'</p><p>"Dear me, M. Agricola! what a sum to be produced by uniting all these&#13;
little rents together!"</p><p>"You see, mademoiselle, that fifty thousand francs a-year is a&#13;
millionaire's rent. Now, what says our speculator: To induce our workmen&#13;
to leave Paris, I will offer them, enormous advantages. I will reduce&#13;
their rent one-half, and, instead of small, unwholesome rooms, they&#13;
shall have large, airy apartments, well-warmed and lighted, at a&#13;
trifling charge. Thus, one hundred and forty-six families, paying me&#13;
only one hundred and twenty-five francs a-year, and one hundred&#13;
and fifteen bachelors, seventy-five francs, I shall have a total of&#13;
twenty-six to twenty-seven thousand francs. Now, a building large enough&#13;
to hold all these people would cost me at most five hundred thousand&#13;
francs.(31) I shall then have invested my money at five per cent at the&#13;
least, and with perfect security, since the wages is a guarantee for the&#13;
payment of the rent.'"</p><p>"Ah, M. Agricola! I begin to understand how it may sometimes be&#13;
advantageous to do good, even in a pecuniary sense."</p><p>"And I am almost certain, mademoiselle, that, in the long run, affairs&#13;
conducted with uprightness and honesty turn out well. But to return to&#13;
our speculator. 'Here,' will he say, 'are my workmen, living close to&#13;
my factory, well lodged, well warmed, and arriving always fresh at&#13;
their work. That is not all; the English workman who eats good beef, and&#13;
drinks good beer, does twice as much, in the same time, as the French&#13;
workman,(32) reduced to a detestable kind of food, rather weakening than&#13;
the reverse, thanks to the poisonous adulteration of the articles he&#13;
consumes. My workmen will then labor much better, if they eat much&#13;
better. How shall I manage it without loss? Now I think of it, what&#13;
is the food in barracks, schools, even prisons? Is it not the union of&#13;
individual resources which procures an amount of comfort impossible to&#13;
realize without such an association? Now, if my two hundred and sixty&#13;
workmen, instead of cooking two hundred and sixty detestable dinners,&#13;
were to unite to prepare one good dinner for all of them, which might&#13;
be done, thanks to the savings of all sorts that would ensue, what an&#13;
advantage for me and them! Two or three women, aided by children, would&#13;
suffice to make ready the daily repasts; instead of buying wood and&#13;
charcoal in fractions,(33) and so paying for it double its value, the&#13;
association of my workmen would, upon my security (their wages would be&#13;
an efficient security for me in return), lay in their own stock of wood,&#13;
flour, butter, oil, wine, etc., all which they would procure directly&#13;
from the producers. Thus, they would pay three or four sous for a bottle&#13;
of pure wholesome wine, instead of paying twelve or fifteen sous for&#13;
poison. Every week the association would buy a whole ox, and some sheep,&#13;
and the women would make bread, as in the country. Finally, with these&#13;
resources, and order, and economy, my workmen may have wholesome,&#13;
agreeable, and sufficient food, for from twenty to twenty-five sous a&#13;
day.'"</p><p>"Ah! this explains it, M. Agricola."</p><p>"It is not all, mademoiselle. Our cool-headed speculator would continue:&#13;
'Here are my workmen well lodged, well warmed, well fed, with a saving&#13;
of at least half; why should they not also be warmly clad? Their health&#13;
will then have every chance of being good, and health is labor. The&#13;
association will buy wholesale, and at the manufacturing price (still&#13;
upon my security, secured to me by their wages), warm, good, strong&#13;
materials, which a portion of the workmen's wives will be able to make&#13;
into clothes as well as any tailor. Finally, the consumption of caps and&#13;
shoes being considerable, the association will obtain them at a great&#13;
reduction in price.' Well, Mdlle. Angela! what do you say to our&#13;
speculator?"</p><p>"I say, M. Agricola," answered the young girl; with ingenuous&#13;
admiration, "that it is almost incredible, and yet so simple!"</p><p>"No doubt, nothing is more simple than the good and beautiful, and yet&#13;
we think of it so seldom. Observe, that our man has only been speaking&#13;
with a view to his own interest--only considering the material side of&#13;
the question--reckoning for nothing the habit of fraternity and mutual&#13;
aid, which inevitably springs from living together in common--not&#13;
reflecting that a better mode of life improves and softens the character&#13;
of man--not thinking of the support and instruction which the strong owe&#13;
to the weak--not acknowledging, in fine, that the honest, active, and&#13;
industrious man has a positive right to demand employment from&#13;
society, and wages proportionate to the wants of his condition. No,&#13;
our speculator only thinks of the gross profits; and yet, you see, he&#13;
invests his money in buildings at five per cent., and finds the greatest&#13;
advantages in the material comfort of his workmen."</p><p>"It is true, M. Agricola."</p><p>"And what will you say, mademoiselle, when I prove to you that our&#13;
speculator finds also a great advantage in giving to his workmen, in&#13;
addition to their regular wages, a proportionate share of his profits?"</p><p>"That appears to me more difficult to prove, M. Agricola."</p><p>"Yet I will convince you of it in a few minutes."</p><p>Thus conversing, Angela and Agricola had reached the garden-gate of the&#13;
Common Dwelling-house. An elderly woman, dressed plainly, but with care&#13;
and neatness, approached Agricola, and asked him: "Has M. Hardy returned&#13;
to the factory, sir?"</p><p>"No, madame; but we expect him hourly."</p><p>"To-day, perhaps?"</p><p>"To-day or to-morrow, madame."</p><p>"You cannot tell me at what hour he will be here?"</p><p>"I do not think it is known, madame, but the porter of the factory,&#13;
who also belongs to M. Hardy's private house, may, perhaps, be able to&#13;
inform you."</p><p>"I thank you, sir."</p><p>"Quite welcome, madame."</p><p>"M. Agricola," said Angela, when the woman who had just questioned him&#13;
was gone, "did you remark that this lady was very pale and agitated?"</p><p>"I noticed it as you did, mademoiselle; I thought I saw tears standing&#13;
in her eyes."</p><p>"Yes, she seemed to have been crying. Poor woman! perhaps she came to&#13;
ask assistance of M. Hardy. But what ails you, M. Agricola? You appear&#13;
quite pensive."</p><p>Agricola had a vague presentiment that the visit of this elderly woman&#13;
with so sad a countenance, had some connection with the adventure of the&#13;
young and pretty lady, who, three days before had come all agitated and&#13;
in tears to inquire after M. Hardy, and who had learned--perhaps too&#13;
late--that she was watched and followed.</p><p>"Forgive me, mademoiselle," said Agricola to Angela; "but the presence&#13;
of this old lady reminded me of a circumstance, which, unfortunately, I&#13;
cannot tell you, for it is a secret that does not belong to me alone."</p><p>"Oh! do not trouble yourself, M. Agricola," answered the young girl,&#13;
with a smile; "I am not inquisitive, and what we were talking of before&#13;
interests me so much, that I do not wish to hear you speak of anything&#13;
else."</p><p>"Well, then mademoiselle, I will say a few words more, and you will be&#13;
as well informed as I am of the secrets of our association."</p><p>"I am listening, M. Agricola."</p><p>"Let us still keep in view the speculator from mere interest. 'Here are&#13;
my workmen, says he, 'in the best possible condition to do a great&#13;
deal of work. Now what is to be done to obtain large profits? Produce&#13;
cheaply, and sell dear. But there will be no cheapness, without economy&#13;
in the use of the raw material, perfection of the manufacturing process,&#13;
and celerity of labor. Now, in spite of all my vigilance, how am I to&#13;
prevent my workmen from wasting the materials? How am I to induce them,&#13;
each in his own province, to seek for the most simple and least irksome&#13;
processes?"</p><p>"True, M. Agricola; how is that to be done?"</p><p>"'And that is not all,' says our man; 'to sell my produce at high&#13;
prices, it should be irreproachable, excellent. My workmen do pretty&#13;
well; but that is not enough. I want them to produce masterpieces.'"</p><p>"But, M. Agricola, when they have once performed the task set them what&#13;
interest have workmen to give themselves a great deal of trouble to&#13;
produce masterpieces?"</p><p>"There it is, Mdlle. Angela; what interest have they? Therefore, our&#13;
speculator soon says to himself: 'That my workmen may have an interest&#13;
to be economical in the use of the materials, an interest to employ&#13;
their time well, an interest to invent new and better manufacturing&#13;
processes, an interest to send out of their hands nothing but&#13;
masterpieces--I must give them an interest in the profits earned by&#13;
their economy, activity, zeal and skill. The better they manufacture,&#13;
the better I shall sell, and the larger will be their gain and mine&#13;
also.'"</p><p>"Oh! now I understand, M. Agricola."</p><p>"And our speculator would make a good speculation. Before he was&#13;
interested, the workman said: 'What does it matter to me, that I do more&#13;
or do better in the course of the day? What shall I gain by it? Nothing.&#13;
Well, then, little work for little wages. But now, on the contrary&#13;
(he says), I have an interest in displaying zeal and economy. All is&#13;
changed. I redouble my activity, and strive to excel the others. If a&#13;
comrade is lazy, and likely to do harm to the factory, I have the right&#13;
to say to him: 'Mate, we all suffer more or less from your laziness, and&#13;
from the injury you are doing the common weal.'"</p><p>"And then, M. Agricola, with what ardor, courage, and hope, you must set&#13;
to work!"</p><p>"That is what our speculator counts on; and he may say to himself,&#13;
further: 'Treasures of experience and practical wisdom are often buried&#13;
in workshops, for want of goodwill, opportunity, or encouragement.&#13;
Excellent workmen, instead of making all the improvements in their&#13;
power, follow with indifference the old jog-trot. What a pity! for an&#13;
intelligent man, occupied all his life with some special employment,&#13;
must discover, in the long run, a thousand ways of doing his work better&#13;
and quicker. I will form, therefore, a sort of consulting committee; I&#13;
will summon to it my foremen and my most skillful workmen. Our interest&#13;
is now the same. Light will necessarily spring from this centre of&#13;
practical intelligence.' Now, the speculator is not deceived in this,&#13;
and soon struck with the incredible resources, the thousand new,&#13;
ingenious, perfect inventions suddenly revealed by his workmen, 'Why'&#13;
he exclaims, 'if you knew this, did you not tell it before? What for the&#13;
last ten years has cost me a hundred francs to make, would have cost&#13;
me only fifty, without reckoning an enormous saving of time.' 'Sir,'&#13;
answers the workman, who is not more stupid than others, 'what interest&#13;
had I, that you should effect a saving of fifty per cent? None. But now&#13;
it is different. You give me, besides my wages, a share in your&#13;
profits; you raise me in my own esteem, by consulting my experience and&#13;
knowledge. Instead of treating me as an inferior being, you enter into&#13;
communion with me. It is my interest, it is my duty, to tell you all I&#13;
know, and to try to acquire more.' And thus it is, Mdlle. Angela,&#13;
that the speculator can organize his establishment, so as to shame&#13;
his oppositionists, and provoke their envy. Now if, instead of a cold&#13;
hearted calculator, we tape a man who unites with the knowledge of these&#13;
facts the tender and generous sympathies of an evangelical heart, and&#13;
the elevation of a superior mind, he will extend his ardent solicitude;&#13;
not only to the material comfort, but to the moral emancipation, of&#13;
his workmen. Seeking everywhere every possible means to develop their&#13;
intelligence, to improve their hearts, and strong in the authority&#13;
acquired by his beneficence, feeling that he on whom depends the&#13;
happiness or the misery of three hundred human creatures has also the&#13;
care of souls, he will be the guide of those whom he no longer calls his&#13;
workmen, but his brothers, in a straightforward and noble path, and will&#13;
try to create in them the taste for knowledge and art, which will render&#13;
them happy and proud of a condition of life that is often accepted by&#13;
others with tears and curses of despair. Well, Mdlle. Angela, such a man&#13;
is--but, see! he could not arrive amongst us except in the middle of a&#13;
blessing. There he is--there is M. Hardy!"</p><p>"Oh, M. Agricola!" said Angela, deeply moved, and drying her tears; "we&#13;
should receive him with our hands clasped in gratitude."</p><p>"Look if that mild and noble countenance is not the image of his&#13;
admirable soul!"</p><p>A carriage with post horses, in which was M. Hardy, with M. de Blessac,&#13;
the unworthy friend who was betraying him in so infamous a manner,&#13;
entered at this moment the courtyard of the factory.</p><p>A little while after, a humble hackney-coach was seen advancing also&#13;
towards the factory, from the direction of Paris. In this coach was&#13;
Rodin.</p><p>(30) The average price of a workman's lodging, composed of two small&#13;
rooms and a closet at most, on the third or fourth story.</p><p>(31) This calculation is amply sufficient, if not excessive. A similar&#13;
building, at one league from Paris, on the side of Montrouge, with all&#13;
the necessary offices, kitchen, wash-houses, etc., with gas and water&#13;
laid on, apparatus for warming, etc., and a garden of ten acres, cost,&#13;
at the period of this narrative, hardly five hundred thousand francs.&#13;
An experienced builder less obliged us with an estimate, which confirms&#13;
what we advance. It is, therefore, evident, that, even at the same&#13;
price which workmen are in the habit of paying, it would be possible to&#13;
provide them with perfectly healthy lodgings, and yet invest one's money&#13;
at ten per cent.</p><p>(32) The fact was proved in the works connected with the Rouen Railway.&#13;
Those French workmen who, having no families, were able to live like the&#13;
English, did at least as much work as the latter, being strengthened by&#13;
wholesome and sufficient nourishment.</p><p>(33) Buying penny-worths, like all other purchases at minute retail, are&#13;
greatly to the poor man's disadvantage.</p><p>CHAPTER LII. REVELATIONS.</p><p>During the visit of Angela and Agricola to the Common Dwelling-house,&#13;
the band of Wolves, joined upon the road by many of the haunters&#13;
of taverns, continued to march towards the factory, which the&#13;
hackney-coach, that brought Rodin from Paris, was also fast approaching.&#13;
M. Hardy, on getting out of the carriage with his friend, M. de Blessac,&#13;
had entered the parlor of the house that he occupied next the factory.&#13;
M. Hardy was of middle size, with an elegant and slight figure, which&#13;
announced a nature essentially nervous and impressionable. His forehead&#13;
was broad and open, his complexion pale, his eyes black, full at once&#13;
of mildness and penetration, his countenance honest, intelligent, and&#13;
attractive.</p><p>One word will paint the character of M. Hardy. His mother had called him&#13;
her Sensitive Plant. His was indeed one of those fine and exquisitely&#13;
delicate organizations, which are trusting, loving, noble, generous, but&#13;
so susceptible, that the least touch makes them shrink into themselves.&#13;
If we join to this excessive sensibility a passionate love for art, a&#13;
first-rate intellect, tastes essentially refined, and then think of the&#13;
thousand deceptions, and numberless infamies of which M. Hardy must have&#13;
been the victim in his career as a manufacturer, we shall wonder how&#13;
this heart, so delicate and tender, had not been broken a thousand&#13;
times, in its incessant struggle with merciless self-interest. M. Hardy&#13;
had indeed suffered much. Forced to follow the career of productive&#13;
industry, to honor the engagements of his father, a model of uprightness&#13;
and probity, who had yet left his affairs somewhat embarrassed, in&#13;
consequence of the events of 1815, he had succeeded, by perseverance&#13;
and capacity, in attaining one of the most honorable positions in the&#13;
commercial world. But, to arrive at this point, what ignoble annoyances&#13;
had he to bear with, what perfidious opposition to combat, what hateful&#13;
rivalries to tire out!</p><p>Sensitive as he was, M. Hardy would a thousand times have fallen a&#13;
victim to his emotions of painful indignation against baseness, of&#13;
bitter disgust at dishonesty, but for the wise and firm support of his&#13;
mother. When he returned to her, after a day of painful struggles&#13;
with odious deceptions, he found himself suddenly transported into an&#13;
atmosphere of such beneficent purity, of such radiant serenity, that he&#13;
lost almost on the instant the remembrance of the base things by which&#13;
he had been so cruelly tortured during the day; the pangs of his heart&#13;
were appeased at the mere contact of her great and lofty soul; and&#13;
therefore his love for her resembled idolatry. When he lost her, he&#13;
experienced one of those calm, deep sorrows which have no end--which&#13;
become, as it were, part of life, and have even sometimes their days&#13;
of melancholy sweetness. A little while after this great misfortune, M.&#13;
Hardy became more closely connected with his workmen. He had always been&#13;
a just and good master; but, although the place that his mother left&#13;
in his heart would ever remain void, he felt as it were a redoubled&#13;
overflowing of the affections, and the more he suffered, the more he&#13;
craved to see happy faces around him. The wonderful ameliorations, which&#13;
he now produced in the physical and moral condition of all about him,&#13;
served, not to divert, but to occupy his grief. Little by little, he&#13;
withdrew from the world, and concentrated his life in three affections:&#13;
a tender and devoted friendship, which seemed to include all past&#13;
friendships--a love ardent and sincere, like a last passion--and a&#13;
paternal attachment to his workmen. His days therefore passed in the&#13;
heart of that little world, so full of respect and gratitude towards&#13;
him--a world, which he had, as it were, created after the image of his&#13;
mind, that he might find there a refuge from the painful realities he&#13;
dreaded, surrounded with good, intelligent, happy beings, capable&#13;
of responding to the noble thoughts which had become more and more&#13;
necessary to his existence. Thus, after many sorrows, M. Hardy, arrived&#13;
at the maturity of age, possessing a sincere friend, a mistress worthy&#13;
of his love, and knowing himself certain of the passionate devotion&#13;
of his workmen, had attained, at the period of this history, all the&#13;
happiness he could hope for since his mother's death.</p><p>M. de Blessac, his bosom friend, had long been worthy of his touching&#13;
and fraternal affection; but we have seen by what diabolical means&#13;
Father d'Aigrigny and Rodin had succeeded in making M. de Blessac, until&#13;
then upright and sincere, the instrument of their machinations. The two&#13;
friends, who had felt on their journey a little of the sharp influence&#13;
of the north wind, were warming themselves at a good fire lighted in M.&#13;
Hardy's parlor.</p><p>"Oh! my dear Marcel, I begin really to get old," said M. Hardy, with a&#13;
smile, addressing M. de Blessac; "I feel more and more the want of being&#13;
at home. To depart from my usual habits has become painful to me, and I&#13;
execrate whatever obliges me to leave this happy little spot of ground."</p><p>"And when I think," answered M. de Blessac, unable to forbear blushing,&#13;
"when I think, my friend, that you undertook this long journey only for&#13;
my sake!--"</p><p>"Well, my dear Marcel! have you not just accompanied me in your turn, in&#13;
an excursion which, without you, would have been as tiresome as it has&#13;
been charming?"</p><p>"What a difference, my friend! I have contracted towards you a debt that&#13;
I can never repay."</p><p>"Nonsense, my dear Marcel! Between us, there are no distinctions of meum&#13;
and tuum. Besides, in matters of friendship, it is as sweet to give as&#13;
to receive."</p><p>"Noble heart! noble heart!"</p><p>"Say, happy heart!--most happy, in the last affections for which it&#13;
beats."</p><p>"And who, gracious heaven! could deserve happiness on earth, if it be&#13;
not you, my friend?"</p><p>"And to what do I owe that happiness? To the affections which I found&#13;
here, ready to sustain me, when deprived of the support of my mother,&#13;
who was all my strength, I felt myself (I confess my weakness) almost&#13;
incapable of standing up against adversity."</p><p>"You, my friend--with so firm and resolute a character in doing&#13;
good--you, that I have seen struggle with so much energy and courage, to&#13;
secure the triumph of some great and noble idea?"</p><p>"Yes; but the farther I advance in my career, the more am I disgusted&#13;
with all base and shameful actions, and the less strength I feel to&#13;
encounter them--"</p><p>"Were it necessary, you would have the courage, my friend."</p><p>"My dear Marcel," replied M. Hardy, with mild and restrained emotion,&#13;
"I have often said to you: My courage was my mother. You see, my friend,&#13;
when I went to her, with my heart torn by some horrible ingratitude,&#13;
or disgusted by some base deceit, she, taking my hands between her own&#13;
venerable palms, would say to me in her grave and tender voice: 'My dear&#13;
child, it is for the ungrateful and dishonest to suffer; let us pity the&#13;
wicked, let us forget evil, and only think of good.'--Then, my friend,&#13;
this heart, painfully contracted, expanded beneath the sacred influence&#13;
of the maternal words, and every day I gathered strength from her, to&#13;
recommence on the morrow a cruel struggle with the sad necessities of my&#13;
condition. Happily, it has pleased God, that, after losing that beloved&#13;
mother, I have been able to bind up my life with affections, deprived&#13;
of which, I confess, I should find myself feeble and disarmed for you&#13;
cannot tell, Marcel, the support, the strength that I have found in your&#13;
friendship."</p><p>"Do not speak of me, my dear friend," replied M. de Blessac, dissembling&#13;
his embarrassment. "Let us talk of another affection, almost as sweet&#13;
and tender as that of a mother."</p><p>"I understand you, my good Marcel," replied M. Hardy: "I have concealed&#13;
nothing from you since, under such serious circumstances, I had recourse&#13;
to the counsels of your friendship. Well! yes; I think that every day I&#13;
live augment my adoration for this woman, the only one that I have ever&#13;
passionately loved, the only one that I shall now ever love. And then I&#13;
must tell you, that my mother, not knowing what Margaret was to me, as&#13;
often loud in her praise, and that circumstance renders this love almost&#13;
sacred in my eyes."</p><p>"And then there are such strange resemblances between Mme. de Noisy's&#13;
character and yours, my friend; above all, in her worship of her&#13;
mother."</p><p>"It is true, Marcel; that affection has often caused me both admiration&#13;
and torment. How often she has said to me, with her habitual frankness:&#13;
'I have sacrificed all for you, but I would sacrifice you for my&#13;
mother.'"</p><p>"Thank heaven, my friend, you will never see Mme. de Noisy exposed to&#13;
that cruel choice. Her mother, you say, has long renounced her intention&#13;
of returning to America, where M. de Noisy, perfectly careless of&#13;
his wife, appears to have settled himself permanently. Thanks to the&#13;
discreet devotion of the excellent woman by whom Margaret was brought&#13;
up, your love is concealed in the deepest mystery. What could disturb it&#13;
now?"</p><p>"Nothing--oh! nothing," cried M. Hardy. "I have almost security for its&#13;
duration."</p><p>"What do you mean, my friend?"</p><p>"I do not know if I ought to tell you."</p><p>"Have you ever found me indiscreet, my friend?"</p><p>"You, good Marcel! how can you suppose such a thing?" said M. Hardy, in&#13;
a tone of friendly reproach; "no! but I do not like to tell you of my&#13;
happiness, till it is complete; and I am not yet quite certain--"</p><p>A servant entered at this moment and said to M. Hardy: "Sir, there is an&#13;
old gentleman who wishes to speak to you on very pressing business."</p><p>"So soon!" said M. Hardy, with a slight movement of impatience. "With&#13;
your permission, my friend." Then, as M. de Blessac seemed about to&#13;
withdraw into the next room, M. Hardy added with a smile: "No, no; do&#13;
not stir. Your presence will shorten the interview."</p><p>"But if it be a matter of business, my friend?"</p><p>"I do everything openly, as you know." Then, addressing the servant, M.&#13;
Hardy bade him: "Ask the gentleman to walk in."</p><p>"The postilion wishes to know if he is to wait?"</p><p>"Certainly: he will take M. de Blessac back to Paris."</p><p>The servant withdrew, and presently returned, introducing Rodin, with&#13;
whom M. de Blessac was not acquainted, his treacherous bargain having&#13;
been negotiated through another agent.</p><p>"M. Hardy?" said Rodin, bowing respectfully to the two friends, and&#13;
looking from one to the other with an air of inquiry.</p><p>"That is my name, sir; what can I do to serve you?" answered the&#13;
manufacturer, kindly; for, at first sight of the humble and ill-dressed&#13;
old man, he expected an application for assistance.</p><p>"M. Francois Hardy," repeated Rodin, as if he wished to make sure of the&#13;
identity of the person.</p><p>"I have had the honor to tell you that I am he."</p><p>"I have a private communication to make to you, sir," said Rodin.</p><p>"You may speak, sir. This gentleman is my friend," said M. Hardy,&#13;
pointing to M. de Blessac.</p><p>"But I wish to speak to you alone, sir," resumed Rodin.</p><p>M. de Blessac was again about to withdraw, when M. Hardy retained him&#13;
with a glance, and said to Rodin kindly, for he thought his feelings&#13;
might be hurt by asking a favor in presence of a third party: "Permit&#13;
me to inquire if it is on your account or on mine, that you wish this&#13;
interview to be secret?"</p><p>"On your account entirely, sir," answered Rodin.</p><p>"Then, sir," said M. Hardy, with some surprise, "you may speak out. I&#13;
have no secrets from this gentleman."</p><p>After a moment's silence, Rodin resumed, addressing himself to M. Hardy:&#13;
"Sir, you deserve, I know, all the good that is said of you; and you&#13;
therefore command the sympathy of every honest man."</p><p>"I hope so, sir."</p><p>"Now, as an honest man, I come to render you a service."</p><p>"And this service, sir--"</p><p>"To reveal to you an infamous piece of treachery, of which you have been&#13;
the victim."</p><p>"I think, sir, you must be deceived."</p><p>"I have the proofs of what I assert."</p><p>"Proofs?"</p><p>"The written proofs of the treachery that I come to reveal: I have them&#13;
here," answered Rodin "In a word, a man whom you believed your friend,&#13;
has shamefully deceived you, sir."</p><p>"And the name of this man?"</p><p>"M. Marcel de Blessac," replied Rodin.</p><p>On these words, M. de Blessac started, and became pale as death. He&#13;
could hardly murmur: "Sir--"</p><p>But, without looking at his friend, or perceiving his agitation, M.&#13;
Hardy seized his hand, and exclaimed hastily: "Silence, my friend!"&#13;
Then, whilst his eye flashed with indignation, he turned towards Rodin,&#13;
who had not ceased to look him full in the face, and said to him, with&#13;
an air of lofty disdain: "What! do you accuse M. de Blessac?"</p><p>"Yes, I accuse him," replied Rodin, briefly.</p><p>"Do you know him?"</p><p>"I have never seen him."</p><p>"Of what do you accuse him? And how dare you say that he has betrayed&#13;
me?"</p><p>"Two words, if you please," said Rodin, with an emotion which he&#13;
appeared hardly able to restrain. "If one man of honor sees another&#13;
about to be slain by an assassin, ought he not give the alarm of&#13;
murder?"</p><p>"Yes, sir; but what has that to do--"</p><p>"In my eyes, sir, certain treasons are as criminal as murders: I have&#13;
come to place myself between the assassin and his victim."</p><p>"The assassin? the victim?" said M. Hardy more and more astonished.</p><p>"You doubtless know M. de Blessac's writing?" said Rodin.</p><p>"Yes, sir."</p><p>"Then read this," said Rodin, drawing from his pocket a letter, which he&#13;
handed to M. Hardy.</p><p>Casting now for the first time a glance at M. de Blessac, the&#13;
manufacturer drew back a step, terrified at the death-like paleness of&#13;
this man, who, struck dumb with shame, could not find a word to justify&#13;
himself; for he was far from possessing the audacious effrontery&#13;
necessary to carry him through his treachery.</p><p>"Marcel!" cried M. Hardy, in alarm, and deeply agitated by this&#13;
unexpected blow. "Marcel! how pale you are! you do not answer!"</p><p>"Marcel! this, then, is M. de Blessac?" cried Rodin, feigning the most&#13;
painful surprise. "Oh, sir, if I had known--"</p><p>"But don't you hear this man, Marcel?" cried M. Hardy. "He says that you&#13;
have betrayed me infamously." He seized the hand of M. de Blessac. That&#13;
hand was cold as ice. "Oh, God! Oh God!" said M. Hardy, drawing back in&#13;
horror: "he makes no answer!"</p><p>"Since I am in presence of M. de Blessac," resumed Rodin, "I am forced&#13;
to ask him, if he can deny having addressed many letters to the Rue du&#13;
Milieu des Ursins, at Paris under cover of M. Rodin."</p><p>M. de Blessac remained dumb. M. Hardy, still unwilling to believe what&#13;
he saw and heard, convulsively tore open the letter, which Rodin had&#13;
just delivered to him, and read the first few lines--interrupting the&#13;
perusal with exclamations of grief and amazement. He did not require to&#13;
finish the letter, to convince himself of the black treachery of M. de&#13;
Blessac. He staggered; for a moment his senses seemed to abandon him.&#13;
The horrible discovery made him giddy, and his head swam on his first&#13;
look down into that abyss of infamy. The loathsome letter dropped from&#13;
his trembling hands. But soon indignation, rage, and scorn succeeded&#13;
this moment of despair, and rushing, pale and terrible, upon M. de&#13;
Blessac: "Wretch!" he exclaimed, with a threatening gesture. But,&#13;
pausing as in the act to strike: "No!" he added, with fearful calmness.&#13;
"It would be to soil my hands."</p><p>He turned towards Rodin, who had approached hastily, as if to interpose.&#13;
"It is not worth while chastising a wretch," said M. Hardy; "But I will&#13;
press your honest hand, sir--for you have had the courage to unmask a&#13;
traitor and a coward."</p><p>"Sir!" cried M. de Blessac, overcome with shame; "I am at your&#13;
orders--and--"</p><p>He could not finish. The sound of voices was heard behind the door,&#13;
which opened violently, and an aged woman entered, in spite of the&#13;
efforts of the servant, exclaiming in an agitated voice: "I tell you, I&#13;
must speak instantly to your master."</p><p>On hearing this voice, and at sight of the pale, weeping woman, M.&#13;
Hardy, forgetting M. de Blessac, Rodin, the infamous treachery, and all,&#13;
fell back a step, and exclaimed: "Madame Duparc! you here! What is the&#13;
matter?"</p><p>"Oh, sir! a great misfortune--"</p><p>"Margaret!" cried M. Hardy, in a tone of despair.</p><p>"She is gone, sir!"</p><p>"Gone!" repeated M. Hardy, as horror-struck as if a thunderbolt had&#13;
fallen at his feet. "Margaret gone!"</p><p>"All is discovered. Her mother took her away--three days ago!" said the&#13;
unhappy woman, in a failing voice.</p><p>"Gone! Margaret! It is not true. You deceive me," cried M. Hardy.&#13;
Refusing to hear more, wild, despairing, he rushed out of the house,&#13;
threw himself into his carriage, to which the post-horses were still&#13;
harnessed, waiting for M. de Blessac, and said to the postilion: "To&#13;
Paris! as fast as you can go!"</p><p>As the carriage, rapid as lightning, started upon the road to Paris, the&#13;
wind brought nearer the distant sound of the war-song of the Wolves,&#13;
who were rushing towards the factory. In this impending destruction, see&#13;
Rodin's subtle hand, administering his fatal blows to clear his way up&#13;
to the chair of St. Peter to which he aspired. His tireless, wily course&#13;
can hardly be darker shadowed by aught save that dread coming horror&#13;
the Cholera, whose aid he evoked, and whose health the Bacchanal Queen&#13;
wildly drank.</p><p>That once gay girl, and her poor famished sister; the fair patrician and&#13;
her Oriental lover; Agricola, the workman, and his veteran father; the&#13;
smiling Rose-Pompon, and the prematurely withered Jacques Rennepont;&#13;
Father d'Aigrigny, the mock priest; and Gabriel, the true disciple;&#13;
with the rest that have been named and others yet to be pictured, in the&#13;
blaze of the bolts of their life's paths, will be seen in the third and&#13;
concluding part of this romance entitled,</p><p>"THE WANDERING JEW: REDEMPTION."</p><p>BOOK VIII.</p><p>PART THIRD.--THE REDEMPTION.</p><p>I. The Wandering Jew's Chastisement II. The Descendants of&#13;
     the Wandering Jew III. The Attack IV. The Wolves and the&#13;
     Devourers V. The Return VI. The Go-Between VII. Another&#13;
     Secret VIII. The Confession IX. Love X. The Execution XI.&#13;
     The Champs-Elysees XII. Behind the Scenes XIII. Up with the&#13;
     Curtain XIV. Death</p><p>PART THIRD.--THE REDEMPTION.</p><p>CHAPTER I. THE WANDERING JEW'S CHASTISEMENT.</p><p>'Tis night--the moon is brightly shining, the brilliant stars are&#13;
sparkling in a sky of melancholy calmness, the shrill whistlings of a&#13;
northerly wind--cold, bleak, and evil-bearing--are increasing: winding&#13;
about, and bursting into violent blasts, with their harsh and hissing&#13;
gusts, they are sweeping the heights of Montmartre. A man is standing&#13;
on the very summit of the hill; his lengthened shadow, thrown out by&#13;
the moon's pale beams, darkens the rocky ground in the distance. The&#13;
traveller is surveying the huge city lying at his feet--the City of&#13;
Paris--from whose profundities are cast up its towers, cupolas, domes,&#13;
and steeples, in the bluish moisture of the horizon; while from the very&#13;
centre of this sea of stones is rising a luminous vapor, reddening the&#13;
starry azure of the sky above. It is the distant light of a myriad&#13;
lamps which at night, the season for pleasure, is illuminating the noisy&#13;
capital.</p><p>"No!" said the traveller, "it will not be. The Lord surely will not&#13;
suffer it. Twice is quite enough. Five centuries ago, the avenging hand&#13;
of the Almighty drove me hither from the depths of Asia. A solitary&#13;
wanderer, I left in my track more mourning, despair, disaster, and&#13;
death, than the innumerable armies of a hundred devastating conquerors&#13;
could have produced. I then entered this city, and it was decimated. Two&#13;
centuries ago that inexorable hand which led me through the world again&#13;
conducted me here; and on that occasion, as on the previous one, that&#13;
scourge, which at intervals the Almighty binds to my footsteps, ravaged&#13;
this city, attacking first my brethren, already wearied by wretchedness&#13;
and toil. My brethren! through me--the laborer of Jerusalem, cursed by&#13;
the Lord, who in my person cursed the race of laborers--a race always&#13;
suffering, always disinherited, always slaves, who like me, go on, on,&#13;
on, without rest or intermission, without recompense, or hope; until at&#13;
length, women, men, children, and old men, die under their iron yoke of&#13;
self-murder, that others in their turn then take up, borne from age to&#13;
age on their willing but aching shoulders. And here again, for the third&#13;
time, in the course of five centuries, I have arrived at the summit of&#13;
one of the hills which overlooks the city; and perhaps I bring&#13;
again with me terror, desolation, and death. And this unhappy city,&#13;
intoxicated in a whirl of joys, and nocturnal revelries, knows nothing&#13;
about it--oh! it knows not that I am at its very gate. But no! no! my&#13;
presence will not be a source of fresh calamity to it. The Lord, in&#13;
His unsearchable wisdom, has brought me hither across France, making me&#13;
avoid on my route all but the humblest villages, so that no increase&#13;
of the funeral knell has, marked my journey. And then, moreover, the&#13;
spectre has left me--that spectre, livid and green, with its deep&#13;
bloodshot eyes. When I touched the soil of France, its moist and icy&#13;
hand abandoned mine--it disappeared. And yet I feel the atmosphere of&#13;
death surrounding me still. There is no cessation; the biting gusts&#13;
of this sinister wind, which envelop me in their breath, seem by their&#13;
envenomed breath to propagate the scourge. Doubtless the anger of the&#13;
Lord is appeased. Maybe, my presence here is meant only as a threat,&#13;
intending to bring those to their senses whom it ought to intimidate. It&#13;
must be so; for were it otherwise, it would, on the contrary, strike a&#13;
loud-sounding blow of greater terror, casting at once dread and death&#13;
into the very heart of the country, into the bosom of this immense city.&#13;
Oh, no! no! the Lord will have mercy; He will not condemn me to this new&#13;
affliction. Alas! in this city my brethren are more numerous and more&#13;
wretched than in any other. And must I bring death to them? No! the Lord&#13;
will have mercy; for, alas! the seven descendants of my sister are at&#13;
last all united in this city. And must I bring death to them? Death!&#13;
instead of that immediate assistance they stand so much in need of? For&#13;
that woman who, like myself, wanders from one end of the world into the&#13;
other, has gone now on her everlasting journey, after having confounded&#13;
their enemies' plots. In vain did she foretell that great evils still&#13;
threatened those who are akin to me through my sister's blood. The&#13;
unseen hand by which I am led, drives that woman away from me, even as&#13;
though it were a whirlwind that swept her on. In vain she entreated and&#13;
implored at the moment she was leaving those who are so dear to me.--At&#13;
least, 0 Lord, permit me to stay until I shall have finished my task!&#13;
Onward! A few days, for mercy's sake, only a few days! Onward! I leave&#13;
these whom I am protecting on the very brink of an abyss! Onward!&#13;
Onward!! And the wandering star is launched afresh on its perpetual&#13;
course. But her voice traversed through space, calling me to the&#13;
assistance of my own! When her voice reached me I felt that the&#13;
offspring of my sister were still exposed to fearful dangers: those&#13;
dangers are still increasing. Oh, say, say, Lord! shall the descendants&#13;
of my sister escape those woes which for so many centuries have&#13;
oppressed my race? Wilt Thou pardon me in them? Wilt Thou punish me&#13;
in them? Oh! lead them, that they may obey the last wishes of their&#13;
ancestor. Guide them, that they may join their charitable hearts, their&#13;
powerful strength, their best wisdom, and their immense wealth, and work&#13;
together for the future happiness of mankind, thereby, perhaps, enabled&#13;
to ransom me from my eternal penalties. Let those divine words of&#13;
the Son of Man, 'Love ye one another!' be their only aim; and by the&#13;
assistance of their all-powerful words, let them contend against and&#13;
vanquish those false priests who have trampled on the precepts of love,&#13;
of peace, and hope commanded by the Saviour, setting up in their stead&#13;
the precepts of hatred, violence, and despair. Those false shepherds,&#13;
supported ay the powerful and wealthy of the world, who in all times&#13;
have been their accomplices, instead of asking here below a little&#13;
happiness for my brethren, who have been suffering and groaning for&#13;
centuries, dare to utter, in Thy name, O Lord! that the poor must always&#13;
be doomed to the tortures of this world, and that it is criminal in&#13;
Thine eyes that they should either wish for or hope a mitigation of&#13;
their sufferings on earth, because the happiness of the few and the&#13;
wretchedness of nearly all mankind is Thine almighty will. Blasphemies!&#13;
is it not the contrary of these homicidal words that is more worthy of&#13;
the name of Divine will? Hear, me, O Lord! for mercy's sake. Snatch from&#13;
their enemies the descendants of my sister, from the artisan up to&#13;
the king's son. Do not permit them to crush the germ of a mighty and&#13;
fruitful association, which, perhaps, under Thy protection, may take its&#13;
place among the records of the happiness of mankind. Suffer me, O Lord!&#13;
to unite those whom they are endeavoring to divide--to defend those whom&#13;
they are attacking. Suffer me to bring hope to those from whom hope has&#13;
fled, to give courage to those who are weak, to uphold those whom evil&#13;
threatens, and to sustain those who would persevere in well-doing. And&#13;
then, perhaps, their struggles, their devotedness, their virtues, this&#13;
miseries might expiate my sin. Yes, mine--misfortune, misfortune alone,&#13;
made me unjust and wicked. O Lord! since Thine almighty hand hath&#13;
brought me hither, for some end unknown to me, disarm Thyself, I implore&#13;
Thee, of Thine anger, and let not me be the instrument of Thy vengeance!&#13;
There is enough of mourning in the earth these two years past--Thy&#13;
creatures have fallen by millions in my footsteps. The world is&#13;
decimated. A veil of mourning extends from one end of the globe to the&#13;
other. I have traveled from Asia even to the Frozen Pole, and death has&#13;
followed in my wake. Dost Thou not hear, O Lord! the universal wailings&#13;
that mount up to Thee? Have mercy upon all, and upon me. One day, grant&#13;
me but a single day, that I may collect the descendants of my sister&#13;
together, and save them!" And uttering these words, the wanderer fell&#13;
upon his knees, and raised his hands to heaven in a suppliant attitude.</p><p>Suddenly, the wind howled with redoubled violence; its sharp whistlings&#13;
changed to a tempest. The Wanderer trembled, and exclaimed in a voice of&#13;
terror, "O Lord! the blast of death is howling in its rage. It appears&#13;
as though a whirlwind were lifting me up. Lord, wilt Thou not, then,&#13;
hear my prayer? The spectre! O! do I behold the spectre? Yes, there it&#13;
is; its cadaverous countenance is agitated by convulsive throes, its red&#13;
eyes are rolling in their orbits. Begone! begone! Oh! its hand--its icy&#13;
hand has seized on mine! Mercy, Lord, have mercy! 'Onward!' Oh, Lord!&#13;
this scourge, this terrible avenging scourge! Must I, then, again carry&#13;
it into this city, must my poor wretched brethren be the first to fall&#13;
under it--though already so miserable? Mercy, mercy! 'Onward!' And the&#13;
descendants of my sister--oh, pray, have mercy, mercy! 'Onward!' O Lord,&#13;
have pity on me! I can no longer keep my footing on the ground, the&#13;
spectre is dragging me over the brow of the hill; my course is as rapid&#13;
as the death-bearing wind that whistles in my track; I already approach&#13;
the walls of the city. Oh, mercy, Lord, mercy on the descendants of my&#13;
sister--spare them! do not compel me to be their executioner, and let&#13;
them triumph over their enemies. Onward, onward! The ground is fleeing&#13;
from under me; I am already at the city gate; oh, yet, Lord, yet there&#13;
is time; oh, have mercy on this slumbering city, that it may not even&#13;
now awaken with the lamentations of terror, of despair and death! O&#13;
Lord, I touch the threshold of the gate; verily Thou willest it so&#13;
then. 'Tis done--Paris! the scourge is in thy bosom! oh, cursed, cursed&#13;
evermore am I. Onward! on! on!"(34)</p><p>(34) In 1346, the celebrated Black Death ravaged the earth, presenting&#13;
the same symptoms as the cholera, and the same inexplicable phenomena as&#13;
to its progress and the results in its route. In 1660 a similar epidemic&#13;
decimated the world. It is well known that when the cholera first broke&#13;
out in Paris, it had taken a wide and unaccountable leap; and, also&#13;
memorable, a north-east wind prevailed during its utmost fierceness.</p><p>CHAPTER II. THE DESCENDANTS OF THE WANDERING JEW.</p><p>That lonely wayfarer whom we have heard so plaintively urging to be&#13;
relieved of his gigantic burden of misery, spoke of "his sister's&#13;
descendants" being of all ranks, from the working man to the king's son.&#13;
They were seven in number, who had, in the year 1832, been led to Paris,&#13;
directly or indirectly, by a bronze medal which distinguished them from&#13;
others, bearing these words:-VICTIM of L. C. D. J. Pray for me!</p><p>-----PARIS, February the 13th, 1682.</p><p>IN PARIS, Rue St. Francois, No. 3, In a century and a half you will be.&#13;
February the 13th, 1832.</p><p>-----PRAY FOR ME!</p><p>The son of the King of Mundi had lost his father and his domains in&#13;
India by the irresistible march of the English, and was but in title&#13;
Prince Djalma. Spite of attempts to make his departure from the East&#13;
delayed until after the period when he could have obeyed his&#13;
medal's command, he had reached France by the second month of 1832.&#13;
Nevertheless, the results of shipwreck had detained him from Paris till&#13;
after that date. A second possessor of this token had remained unaware&#13;
of its existence, only discovered by accident. But an enemy who sought&#13;
to thwart the union of these seven members, had shut her up in a&#13;
mad-house, from which she was released only after that day. Not alone&#13;
was she in imprisonment. An old Bonapartist, General Simon, Marshal of&#13;
France, and Duke de Ligny, had left a wife in Russian exile, while he&#13;
(unable to follow Napoleon to St. Helena) continued to fight the English&#13;
in India by means of Prince Djalma's Sepoys, whom he drilled. On the&#13;
latter's defeat, he had meant to accompany his young friend to Europe,&#13;
induced the more by finding that the latter's mother, a Frenchwoman, had&#13;
left him such another bronze medal as he knew his wife to have had.</p><p>Unhappily, his wife had perished in Siberia, without his knowing it, any&#13;
more than he did, that she had left twin daughters, Rose and Blanche.&#13;
Fortunately for them, one who had served their father in the Grenadiers&#13;
of the Guard. Francis Baudoin, nicknamed Dagobert, undertook to fulfil&#13;
the dying mother's wishes, inspired by the medal. Saving a check at&#13;
Leipsic, where one Morok the lion-tamer's panther had escaped from its&#13;
cage and killed Dagobert's horse, and a subsequent imprisonment (which&#13;
the Wandering Jew's succoring hand had terminated) the soldier and his&#13;
orphan charges had reached Paris in safety and in time. But there, a&#13;
renewal of the foe's attempt had gained its end. By skillful devices,&#13;
Dagobert and his son Agricola were drawn out of the way while Rose and&#13;
Blanche Simon were decoyed into a nunnery, under the eyes of Dagobert's&#13;
wife. But she had been bound against interfering by the influence of the&#13;
Jesuit confessional. The fourth was M. Hardy, a manufacturer, and the&#13;
fifth, Jacques Rennepont, a drunken scamp of a workman, who were more&#13;
easily fended off, the latter in a sponging house, the former by&#13;
a friend's lure. Adrienne de Cardoville, daughter of the Count of&#13;
Rennepont, who had also been Duke of Cardoville, was the lady who had&#13;
been unwarrantably placed in the lunatic asylum. The fifth, unaware&#13;
of the medal, was Gabriel, a youth, who had been brought up, though&#13;
a foundling, in Dagobert's family, as a brother to Agricola. He had&#13;
entered holy orders, and more, was a Jesuit, in name though not in&#13;
heart. Unlike the others, his return from abroad had been smoothed. He&#13;
had signed away all his future prospects, for the benefit of the order&#13;
of Loyola, and, moreover, executed a more complete deed of transfer on&#13;
the day, the 13th of February, 1832, when he, alone of the heirs, stood&#13;
in the room of the house, No. 3, Rue St. Francois, claiming what was a&#13;
vast surprise for the Jesuits, who, a hundred and fifty years&#13;
before, had discovered that Count Marius de Rennepont had secreted a&#13;
considerable amount of his wealth, all of which had been confiscated to&#13;
them, in those painful days of dragoonings, and the revocation of the&#13;
Edict of Nantes. They had bargained for some thirty or forty millions of&#13;
francs to be theirs, by educating Gabriel into resigning his inheritance&#13;
to them, but it was two hundred and twelve millions which the Jesuit&#13;
representatives (Father d'Aigrigny and his secretary, Rodin) were amazed&#13;
to hear their nursling placed in possession of. They had the treasure&#13;
in their hands, in fact, when a woman of strangely sad beauty had&#13;
mysteriously entered the room where the will had been read, and laid&#13;
a paper before the notary. It was a codicil, duly drawn up and signed,&#13;
deferring the carrying out of the testament until the first day of June&#13;
the same year. The Jesuits fled from the house, in rage and intense&#13;
disappointment. Father d'Aigrigny was so stupor-stricken at the defeat,&#13;
that he bade his secretary at once write off to Rome that the Rennepont&#13;
inheritance had escaped them, and hopes to seize it again were utterly&#13;
at an end. Upon this, Rodin had revolted, and shown that he had&#13;
authority to command where he had, so far, most humbly obeyed. Many such&#13;
spies hang about their superior's heels, with full powers to become the&#13;
governor in turn, at a moment's notice. Thenceforward, he, Rodin, had&#13;
taken the business into his own hands. He had let Rose and Blanche Simon&#13;
out of the convent into their father's arms. He had gone in person to&#13;
release Adrienne de Cardoville from the asylum. More, having led her to&#13;
sigh for Prince Djalma, he prompted the latter to burn for her.</p><p>He let not M. Hardy escape. A friend whom the latter treated as a&#13;
brother, had been shown up to him as a mere spy of the Jesuits; the&#13;
woman whom he adored, a wedded woman, alas! who had loved him in spite&#13;
of her vows, had been betrayed. Her mother had compelled her to hide her&#13;
shame in America, and, as she had often said--"Much as you are endeared&#13;
to me, I cannot waver between you and my mother!" so she had obeyed,&#13;
without one farewell word to him. Confess, Rodin was a more dextrous&#13;
man than his late master! In the pages that ensue farther proofs of his&#13;
superiority in baseness and satanic heartlessness will not be wanting.</p><p>CHAPTER III. THE ATTACK.</p><p>On M. Hardy's learning from the confidential go-between of the lovers,&#13;
that his mistress had been taken away by her mother, he turned from&#13;
Rodin and dashed away in a post carriage. At the same moment, as loud&#13;
as the rattle of the wheels, there arose the shouts of a band of workmen&#13;
and rioters, hired by the Jesuit's emissaries, coming to attack Hardy's&#13;
operatives. An old grudge long existing between them and a rival&#13;
manufacturer's--Baron Tripeaud--laborers, fanned the flames. When M.&#13;
Hardy had left the factory, Rodin, who was not prepared for this&#13;
sudden departure, returned slowly to his hackney-coach; but he stopped&#13;
suddenly, and started with pleasure and surprise, when he saw, at some&#13;
distance, Marshall Simon and his father advancing towards one of the&#13;
wings of the Common Dwelling-house; for an accidental circumstance had&#13;
so far delayed the interview of the father and son.</p><p>"Very well!" said Rodin. "Better and better! Now, only let my man have&#13;
found out and persuaded little Rose-Pompon!"</p><p>And Rodin hastened towards his hackney-coach. At this moment, the wind,&#13;
which continued to rise, brought to the ear of the Jesuit the war song&#13;
of the approaching Wolves.</p><p>The workman was in the garden. The marshal said to him, in a voice of&#13;
such deep emotion that the old man started; "Father, I am very unhappy."</p><p>A painful expression, until then concealed, suddenly darkened the&#13;
countenance of the marshal.</p><p>"You unhappy?" cried father Simon, anxiously, as he pressed nearer to&#13;
the marshal.</p><p>"For some days, my daughters have appeared constrained in manner, and&#13;
lost in thought. During the first moments of our re-union, they were&#13;
mad with joy and happiness. Suddenly, all has changed; they are becoming&#13;
more and more sad. Yesterday, I detected tears in their eyes; then&#13;
deeply moved, I clasped them in my arms, and implored them to tell me&#13;
the cause of their sorrow. Without answering, they threw themselves on&#13;
my neck, and covered my face with their tears."</p><p>"It is strange. To what do you attribute this alteration?"</p><p>"Sometimes, I think I have not sufficiently concealed from them the&#13;
grief occasioned me by the loss of their mother, and they are&#13;
perhaps miserable that they do not suffice for my happiness. And yet&#13;
(inexplicable as it is) they seem not only to understand, but to share&#13;
my sorrow. Yesterday, Blanche said to me: 'How much happier still should&#13;
we be, if our mother were with us!--'"</p><p>"Sharing your sorrow, they cannot reproach you with it. There must be&#13;
some other cause for their grief."</p><p>"Yes," said the marshal, looking fixedly at his father; "yes--but to&#13;
penetrate this secret--it would be necessary not to leave them."</p><p>"What do you mean?"</p><p>"First learn, father, what are the duties which would keep me here; then&#13;
you shall know those which may take me away from you, from my daughters,&#13;
and from my other child."</p><p>"What other child?"</p><p>"The son of my old friend, the Indian Prince."</p><p>"Djalma? Is there anything the matter with him?"</p><p>"Father, he frightens me. I told you, father, of his mad and unhappy&#13;
passion for Mdlle. de Cardoville."</p><p>"Does that frighten you, my son?" said the old man, looking at the&#13;
marshal with surprise. "Djalma is only eighteen, and, at that age, one&#13;
love drives away another."</p><p>"You have no idea of the ravages which the passion has already made in&#13;
the ardent, indomitable boy; sometimes, fits of savage ferocity follow&#13;
the most painful dejection. Yesterday, I came suddenly upon him; his&#13;
eyes were bloodshot, his features contracted with rage; yielding to an&#13;
impulse of mad furry, he was piercing with his poinard a cushion of red&#13;
cloth, whilst he exclaimed, panting for breath, 'Ha blood!--I will have&#13;
blood!' 'Unhappy boy!' I said to him, 'what means this insane passion?'&#13;
'I'm killing the man!' replied he, in a hollow and savage voice: it is&#13;
thus he designates his supposed rival."</p><p>"There is indeed something terrible," said the old man, "in such a&#13;
passion, in such a heart."</p><p>"At other times," resumed the marshal, "it is against Mdlle. de&#13;
Cardoville that his rage bursts forth; and at others, against himself.&#13;
I have been obliged to remove his weapons, for a man who came with him&#13;
from Java, and who appears much attached to him, has informed me that he&#13;
suspected him of entertaining some thoughts of suicide."</p><p>"Unfortunate boy!"</p><p>"Well, father," said Marshal Simon, with profound bitterness; "it is&#13;
at the moment when my daughters and my adopted son require all my&#13;
solicitude, that I am perhaps on the eve of quitting them."</p><p>"Of quitting them?"</p><p>"Yes, to fulfil a still more sacred duty than that imposed by friendship&#13;
or family," said the marshal, in so grave and solemn a tone, that his&#13;
father exclaimed, with deep emotion: "What can this duty be?"</p><p>"Father," said the marshal, after remaining a moment in thoughtful&#13;
silence, "who made me what I am? Who gave me the ducal title, and the&#13;
marshal's baton?"</p><p>"Napoleon."</p><p>"For you, the stern republican, I know that he lost all his value, when&#13;
from the first citizen of a Republic he became an emperor.</p><p>"I cursed his weakness," said Father Simon, sadly; "the demi-god sank&#13;
into a man."</p><p>"But for me, father--for me, the soldier, who have always fought beside&#13;
him, or under his eye--for me, whom he raised from the lowest rank in&#13;
the army to the highest--for me, whom he loaded with benefits and marks&#13;
of affection--for me, he was more than a hero, he was a friend--and&#13;
there was as much gratitude as admiration in my idolatry for him. When&#13;
he was exiled, I would fain have shared his exile; they refused me that&#13;
favor; then I conspired, then I drew my sword against those who had&#13;
robbed his son of the crown which France had given him."</p><p>"And, in your position, you did well, Pierre; without sharing your&#13;
admiration, I understood your gratitude. The projects of exile, the&#13;
conspiracies--I approved them all--you know it."</p><p>"Well, then, that disinherited child, in whose name I conspired&#13;
seventeen years ago, is now of an age to wield his father's sword."</p><p>"Napoleon II!" exclaimed the old man, looking at his son with surprise&#13;
and extreme anxiety; "the king of Rome!"</p><p>"King? no; he is no longer king. Napoleon? no; he is no longer Napoleon.&#13;
They have given him some Austrian name, because the other frightened&#13;
them. Everything frightens them. Do you know what they are doing with&#13;
the son of the Emperor?" resumed the marshal, with painful excitement.&#13;
"They are torturing him--killing him by inches!"</p><p>"Who told you this?"</p><p>"Somebody who knows, whose words are but too true. Yes; the son of the&#13;
Emperor struggles with all his strength against a premature death. With&#13;
his eyes turned towards France, he waits--he waits--and no one comes--no&#13;
one--out of all the men that his father made as great as they once were&#13;
little, not one thinks of that crowned child, whom they are stifling,&#13;
till he dies."</p><p>"But you think of him?"</p><p>"Yes; but I had first to learn--oh! there is no doubt of it, for I have&#13;
not derived all my information from the same source--I had first to&#13;
learn the cruel fate of this youth, to whom I also swore allegiance; for&#13;
one day, as I have told you, the Emperor, proud and loving father as he&#13;
was, showed him to me in his cradle, and said: 'My old friend, you will&#13;
be to the son what you have been to the father; who loves us, loves our&#13;
France.'"</p><p>"Yes, I know it. Many times you have repeated those words to me, and,&#13;
like yourself, I have been moved by them."</p><p>"Well, father! suppose, informed of the sufferings of the son of&#13;
the Emperor, I had seen--with the positive certainty that I was not&#13;
deceived--a letter from a person of high rank in the court of Vienna,&#13;
offering to a man that was still faithful to the Emperor's memory, the&#13;
means of communicating with the king of Rome, and perhaps of saving him&#13;
from his tormentors--"</p><p>"What next?" said the workman, looking fixedly at his son. "Suppose&#13;
Napoleon II. once at liberty--"</p><p>"What next?" exclaimed the marshal. Then he added, in a suppressed&#13;
voice: "Do you think, father, that France is insensible to the&#13;
humiliations she endures? Do you think that the memory of the Emperor&#13;
is extinct? No, no; it is, above all, in the days of our country's&#13;
degredation, that she whispers that sacred name. How would it be, then,&#13;
were that name to rise glorious on the frontier, reviving in his son? Do&#13;
you not think that the heart of all France would beat for him?"</p><p>"This implies a conspiracy--against the present government--with&#13;
Napoleon II. for a watchword," said the workman. "This is very serious."</p><p>"I told you, father, that I was very unhappy; judge if it be not so,"&#13;
cried the marshal. "Not only I ask myself, if I ought to abandon my&#13;
children and you, to run the risk of so daring an enterprise, but I&#13;
ask myself if I am not bound to the present government, which, in&#13;
acknowledging my rank and title, if it bestowed no favor, at least did&#13;
me an act of justice. How shall I decide?--abandon all that I love, or&#13;
remain insensible to the tortures of Emperor--of that Emperor to the&#13;
son of the whom I owe everything--to whom I have sworn fidelity, both&#13;
to himself and child? Shall I lose this only opportunity, perhaps, of&#13;
saving him, or shall I conspire in his favor? Tell me, if I exaggerate&#13;
what I owe to the memory of the Emperor? Decide for me, father! During a&#13;
whole sleepless night, I strove to discover, in the midst of this chaos,&#13;
the line prescribed by honor; but I only wandered from indecision to&#13;
indecision. You alone, father--you alone, I repeat, can direct me."</p><p>After remaining for some moments in deep thought, the old man was about&#13;
to answer, when some person, running across the little garden, opened&#13;
the door hastily, and entered the room in which were the marshal and his&#13;
father. It was Olivier, the young workman, who had been able to effect&#13;
his escape from the village in which the Wolves had assembled.</p><p>"M. Simon! M. Simon!" cried he, pale, and panting for breath. "They are&#13;
here--close at hand. They have come to attack the factory."</p><p>"Who?" cried the old man, rising hastily.</p><p>"The Wolves, quarrymen, and stone-cutters, joined on the road by a crowd&#13;
of people from the neighborhood, and vagabonds from town. Do you not&#13;
hear them? They are shouting, 'Death to the Devourers!'"</p><p>The clamor was indeed approaching, and grew more and more distinct.</p><p>"It is the same noise that I heard just now," said the marshal, rising&#13;
in his turn.</p><p>"There are more than two hundred of them, M. Simon," said Olivier; "they&#13;
are armed with clubs and stones, and unfortunately the greater part of&#13;
our workmen are in Paris. We are not above forty here in all; the women&#13;
and children are already flying to their chambers, screaming for terror.&#13;
Do you not hear them?"</p><p>The ceiling shook beneath the tread of many hasty feet.</p><p>"Will this attack be a serious one?" said the marshal to his father, who&#13;
appeared more and more dejected.</p><p>"Very serious," said the old man; "there is nothing more fierce than&#13;
these combats between different unions; and everything has been done&#13;
lately to excite the people of the neighborhood against the factory."</p><p>"If you are so inferior in number," said the marshal, "you must begin by&#13;
barricading all the doors--and then--"</p><p>He was unable to conclude. A burst of ferocious cries shook the windows&#13;
of the room, and seemed so near and loud, that the marshal, his father,&#13;
and the young workman, rushed out into the little garden, which was&#13;
bounded on one side by a wall that separated it from the fields.&#13;
Suddenly whilst the shouts redoubled in violence, a shower of large&#13;
stones, intended to break the windows of the house, smashed some of the&#13;
panes on the first story, struck against the wall, and fell into the&#13;
garden, all around the marshal and his father. By a fatal chance, one&#13;
of these large stones struck the old man on the head. He staggered, bent&#13;
forward, and fell bleeding into the arms of Marshal Simon, just as arose&#13;
from without, with increased fury, the savage cries of, "Death to the&#13;
Devourers!"</p><p>CHAPTER IV. THE WOLVES AND THE DEVOURERS.</p><p>It was a frightful thing to view the approach of the lawless crowd,&#13;
whose first act of hostility had been so fatal to Marshal Simon's&#13;
father. One wing of the Common Dwelling-house, which joined the&#13;
garden-wall on that side, was next to the fields. It was there that the&#13;
Wolves began their attack. The precipitation of their march, the halt&#13;
they had made at two public-houses on the road, their ardent impatience&#13;
for the approaching struggle, had inflamed these men to a high pitch of&#13;
savage excitement. Having discharged their first shower of stones, most&#13;
of the assailants stooped down to look for more ammunition. Some of&#13;
them, to do so with greater ease, held their bludgeons between their&#13;
teeth; others had placed them against the wall; here and there, groups&#13;
had formed tumultuously round the principal leaders of the band; the&#13;
most neatly dressed of these men wore frocks, with caps, whilst&#13;
others were almost in rags, for, as we have already said, many of the&#13;
hangers-on at the barriers, and people without any profession, had&#13;
joined the troop of the Wolves, whether welcome or not. Some hideous&#13;
women, with tattered garments, who always seem to follow in the track of&#13;
such people, accompanied them on this occasion, and, by their cries and&#13;
fury, inflamed still more the general excitement. One of them, tall,&#13;
robust, with purple complexion, blood shot eyes, and toothless jaws,&#13;
had a handkerchief over her head, from beneath which escaped her yellow,&#13;
frowsy hair. Over her ragged gown, she wore an old plaid shawl, crossed&#13;
over her bosom, and tied behind her back. This hag seemed possessed&#13;
with a demon. She had tucked up her half-torn sleeves; in one hand&#13;
she brandished a stick, in the other she grasped a huge stone; her&#13;
companions called her Ciboule (scullion).</p><p>This horrible hag exclaimed, in a hoarse voice: "I'll bite the women of&#13;
the factory; I'll make them bleed."</p><p>The ferocious words were received with applause by her companions, and&#13;
with savage cries of "Ciboule forever!" which excited her to frenzy.</p><p>Amongst the other leaders, was a small, dry pale man, with the face of&#13;
a ferret, and a black beard all round the chin; he wore a scarlet Greek&#13;
cap, and beneath his long blouse, perfectly new, appeared a pair of neat&#13;
cloth trousers, strapped over thin boots. This man was evidently of a&#13;
different condition of life from that of the other persons in the troop;&#13;
it was he, in particular, who ascribed the most irritating and insulting&#13;
language to the workmen of the factory, with regard to the inhabitants&#13;
of the neighborhood. He howled a great deal, but he carried neither&#13;
stick nor stone. A full-faced, fresh-colored man, with a formidable bass&#13;
voice, like a chorister's, asked him: "Will you not have a shot at those&#13;
impious dogs, who might bring down the Cholera on the country, as the&#13;
curate told us?"</p><p>"I will have a better shot than you," said the little man, with a&#13;
singular, sinister smile.</p><p>"And with what, I'd like to see?"</p><p>"Probably, with this," said the little man, stooping to pick up a&#13;
large stone; but, as he bent, a well-filled though light bag, which he&#13;
appeared to carry under his blouse, fell to the ground.</p><p>"Look, you are losing both bag and baggage," said the other; "it does&#13;
not seem very heavy."</p><p>"They are samples of wool," answered the man with the ferret's face, as&#13;
he hastily picked up the bag, and replaced it under his blouse; then he&#13;
added: "Attention! the big blaster is going to speak."</p><p>And, in fact, he who exercised the most complete ascendency over this&#13;
irritated crowd was the terrible quarryman. His gigantic form towered&#13;
so much above the multitude, that his great head, bound in its ragged&#13;
handkerchief, and his Herculean shoulders, covered with a fallow goat&#13;
skin, were always visible above the level of that dark and swarming&#13;
crowd, only relieved here and there by a few women's caps, like so many&#13;
white points. Seeing to what a degree of exasperation the minds of the&#13;
crowd had reached, the small number of honest, but misguided workmen,&#13;
who had allowed themselves to be drawn into this dangerous enterprise,&#13;
under the pretext of a quarrel between rival unions, now fearing for the&#13;
consequences of the struggle, tried, but too late, to abandon the main&#13;
body. Pressed close, and as it were, girt in with the more hostile&#13;
groups, dreading to pass for cowards, or to expose themselves to the bad&#13;
treatment of the majority, they were forced to wait for a more&#13;
favorable moment to effect their escape. To the savage cheers, which&#13;
had accompanied the first discharge of stones, succeeded a deep silence&#13;
commanded by the stentorian voice of the quarryman.</p><p>"The Wolves have howled," he exclaimed; "let us wait and see how the&#13;
Devourers will answer, and when they will begin the fight."</p><p>"We must draw them out of their factory, and fight them on neutral&#13;
ground," said the little man with the ferret's face, who appeared to be&#13;
the thieves' advocate; "otherwise there would be trespass."</p><p>"What do we care about trespass?" cried the horrible hag, Ciboule; "in&#13;
or out, I will tear the chits of the factory."</p><p>"Yes, yes," cried other hideous creatures, as ragged as Ciboule herself;&#13;
"we must not leave all to the men."</p><p>"We must have our fun, too!"</p><p>"The women of the factory say that all the women of the neighborhood are&#13;
drunken drabs," cried the little man with the ferret's face.</p><p>"Good! we'll pay them for it."</p><p>"The women shall have their share."</p><p>"That's our business."</p><p>"They like to sing in their Common House," cried Ciboule; "we will make&#13;
them sing the wrong side of their mouths, in the key of 'Oh, dear me!'"</p><p>This pleasantry was received with shouts, hootings, and furious stamping&#13;
of feet, to which the stentorian voice of the quarryman put a term by&#13;
roaring: "Silence!"</p><p>"Silence! silence!" repeated the crowd. "Hear the blaster!"</p><p>"If the Devourers are cowards enough not to dare to show themselves,&#13;
after a second volley of stones, there is a door down there which we can&#13;
break open, and we will soon hunt them from their holes."</p><p>"It would be better to draw them out, so that none might remain in the&#13;
factory," said the little old man with the ferret's face, who appeared&#13;
to have some secret motive.</p><p>"A man fights where he can," cried the quarryman, in a voice of thunder;&#13;
"all, right, if we can but once catch hold. We could fight on a sloping&#13;
roof, or on the top of a wall--couldn't we, my Wolves?"</p><p>"Yes, yes!" cried the crowd, still more excited by those savage words;&#13;
"if they don't come out, we will break in."</p><p>"We will see their fine palace!"</p><p>"The pagans haven't even a chapel," said the bass voice. "The curate has&#13;
damned them all!"</p><p>"Why should they have a palace, and we nothing but dog-kennels?"</p><p>"Hardy's workmen say that kennels are good enough for such as you." said&#13;
the little man with the ferret's face.</p><p>"Yes, yes! they said so."</p><p>"We'll break all their traps."</p><p>"We'll pull down their bazaar."</p><p>"We'll throw the house out of the windows."</p><p>"When we have made the mealy-mouthed chits sing," cried Ciboule, "we&#13;
will make them dance to the clatter of stones on their heads."</p><p>"Come, my Wolves! attention!" cried the quarryman, still in the same&#13;
stentorian voice; "one more volley, and if the Devourers do not come&#13;
out, down with the door!"</p><p>This proposition was received with cheers of savage ardor, and the&#13;
quarryman, whose voice rose above the tumult, cried with all the&#13;
strength of his herculean lungs: "Attention, my Wolves. Make ready! all&#13;
together. Now, are you ready?"</p><p>"Yes, yes--all ready!"</p><p>"Then, present!--fire!" And, for the second time, a shower of enormous&#13;
stones poured upon that side of the Common Dwelling-house which was&#13;
turned towards the fields. A part of these projectiles broke such of the&#13;
windows as had been spared by the first volley. To the sharp smashing&#13;
and cracking of glass were joined the ferocious cries uttered in chorus&#13;
by this formidable mob, drunk with its own excesses: "Death to the&#13;
Devourers!"</p><p>Soon these outcries became perfectly frantic, when, through the broken&#13;
windows, the assailants perceived women running in terror, some with&#13;
children in their arms, and others raising their hands to heaven,&#13;
calling aloud for help; whilst a few, bolder than the rest, leaned out&#13;
of the windows, and tried to fasten the outside blinds.</p><p>"There come the ants out of their holes!" cried Ciboule, stooping to&#13;
pick up a stone. "We must have a fling at them for luck!" The stone,&#13;
hurled by the steady, masculine hand of the virago, went straight to its&#13;
mark, and struck an unfortunate woman who was trying to close one of the&#13;
shutters.</p><p>"Hit in the white!" cried the hideous creature.</p><p>"Well done, Ciboule!--you've rapped her coker-nut!" cried a voice.</p><p>"Ciboule forever!"</p><p>"Come out, you Devourers, if you dare!"</p><p>"They have said a hundred times, that the neighbors were too cowardly&#13;
even to come and look at their house," squealed the little man with the&#13;
ferret's face.</p><p>"And now they show the white feather!"</p><p>"If they will not come out," cried the quarryman, in voice of thunder,&#13;
"let us smoke them out!"</p><p>"Yes, yes!"</p><p>"Let's break open the door!"</p><p>"We are sure to find them!"</p><p>"Come on! come on!"</p><p>The crowd, with the quarryman at their head, and Ciboule not far from&#13;
him, brandishing a stick, advanced tumultously towards one of the great&#13;
doors. The ground shook beneath the rapid tread of the mob, which had&#13;
now ceased shouting; but the confused, and, as it were, subterraneous&#13;
noise, sounded even more ominous than those savage outcries. The Wolves&#13;
soon arrived opposite the massive oaken door. At the moment the blaster&#13;
raised a sledgehammer, the door opened suddenly. Some of the most&#13;
determined of the assailants were about to rush in at this entrance; but&#13;
the quarryman stepped back, extending his arm as if to moderate their&#13;
ardor and impose silence. Then his followers gathered round him.</p><p>The half-open door discovered a party of workmen, unfortunately by no&#13;
means numerous, but with countenances full of resolution. They had armed&#13;
themselves hastily with forks, iron bars, and clubs. Agricola, who was&#13;
their leader, held in his hand a heavy sledge-hammer. The young workman&#13;
was very pale; but the fire of his eye, his menacing look, and the&#13;
intrepid assurance of his bearing, showed that his father's blood&#13;
boiled in his veins, and that in such a struggle he might become&#13;
fear-inspiring. Yet he succeeded in restraining himself, and challenged&#13;
the quarryman, in a firm voice: "What do you want?"</p><p>"A fight!" thundered the blaster.</p><p>"Yes, yes! a fight!" repeated the crowd.</p><p>"Silence, my Wolves!" cried the quarryman, as he turned round, and&#13;
stretched forth his large hand towards the multitude. Then addressing&#13;
Agricola, he said: "The Wolves have come to ask for a fight."</p><p>"With whom?"</p><p>"With the Devourers."</p><p>"There are no Devourers here," replied Agricola; "we are only peaceable&#13;
workmen. So begone."</p><p>"Well! here are the Wolves, that will eat your quiet workmen."</p><p>"The Wolves will eat no one here," said Agricola, looking full at the&#13;
quarryman, who approached him with a threatening air; "they can only&#13;
frighten little children."</p><p>"Oh! you think so," said the quarryman, with a savage sneer. Then&#13;
raising his weapon, he shook it in Agricola's face, exclaiming: "Is that&#13;
any laughing matter?</p><p>"Is that?" answered Agricola, with a rapid movement, parrying the stone&#13;
sledge with his own hammer.</p><p>"Iron against iron--hammer against hammer--that suits me," said the&#13;
quarryman.</p><p>"It does not matter what suits you," answered Agricola, hardly able to&#13;
restrain himself. "You have broken our windows, frightened our women,&#13;
and wounded--perhaps killed--the oldest workman in the factory, who at&#13;
this moment lies bleeding in the arms of his son." Here Agricola's voice&#13;
trembled in spite of himself. "It is, I think, enough."</p><p>"No; the Wolves are hungry for more," answered the blaster; "you must&#13;
come out (cowards that you are!), and fight us on the plain."</p><p>"Yes! yes! battle!--let them come out!" cried the crowd, howling,&#13;
hissing, waving their sticks and pushing further into the small space&#13;
which separated them from the door.</p><p>"We will have no battle," answered Agricola: "we will not leave our&#13;
home; but if you have the misfortune to pass this," said Agricola,&#13;
throwing his cap upon the threshold, and setting his foot on it with an&#13;
intrepid air, "if you pass this, you attack us in our own house, and you&#13;
will be answerable for all that may happen."</p><p>"There or elsewhere we will have the fight! the Wolves must eat the&#13;
Devourers. Now for the attack!" cried the fierce quarryman, raising his&#13;
hammer to strike Agricola.</p><p>But the latter, throwing himself on one side by a sudden leap, avoided&#13;
the blow, and struck with his hammer full at the chest of the quarryman,&#13;
who staggered for a moment, but instantly recovering his legs, rushed&#13;
furiously on Agricola, crying: "Follow me, Wolves!"</p><p>CHAPTER V. THE RETURN.</p><p>As soon as the combat had begun between Agricola and the blaster,&#13;
the general fight became terrible, ardent, implacable. A flood of&#13;
assailants, following the quarryman's steps, rushed into the house&#13;
with irresistible fury; others, unable to force their way through this&#13;
dreadful crowd, where the more impetuous squeezed, stifled, and crushed&#13;
these who were less so, went round in another direction, broke through&#13;
some lattice work, and thus placed the people of the factory, as it&#13;
were, between two fires. Some resisted courageously; others, seeing&#13;
Ciboule, followed by some of her horrible companions, and by several&#13;
of the most ill-looking ruffians, hastily enter that part of the&#13;
Common-Dwelling house in which the women had taken refuge, hurried in&#13;
pursuit of this band; but some of the hag's companions, having faced&#13;
about, and vigorously defended the entrance of the staircase against the&#13;
workmen, Ciboule, with three or four like herself, and about the same&#13;
number of no less ignoble men, rushed through the rooms, with the&#13;
intention of robbing or destroying all that came in their way. A door,&#13;
which at first resisted their efforts, was soon broken through;&#13;
Ciboule rushed into the apartment with a stick in her hand, her hair&#13;
dishevelled, furious, and, as it were, maddened with the noise and&#13;
tumult. A beautiful young girl (it was Angela), who appeared anxious&#13;
to defend the entrance to a second chamber, threw herself on her knees,&#13;
pale and supplicating, and raising her clasped hands, exclaimed: "Do not&#13;
hurt my mother!"</p><p>"I'll serve you out first, and your mother afterwards," replied the&#13;
horrible woman, throwing herself on the poor girl, and endeavoring to&#13;
tear her face with her nails, whilst the rest of the ruffianly&#13;
band broke the glass and the clock with their sticks, and possessed&#13;
themselves of some articles of wearing apparel.</p><p>Angela, struggling with Ciboule, uttered loud cries of distress, and&#13;
still attempted to guard the room in which her mother had taken refuge;&#13;
whilst the latter, leaning from the window, called Agricola to their&#13;
assistance. The smith was now engaged with the huge blaster. In a close&#13;
struggle, their hammers had become useless, and with bloodshot eyes&#13;
and clinched teeth, chest to chest, and limbs twined together like two&#13;
serpents, they made the most violent efforts to overthrow each other.&#13;
Agricola, bent forward, held under his right arm the left leg of the&#13;
quarryman, which he had seized in parrying a violent kick; but such was&#13;
the Herculean strength of the leader of the Wolves, that he remained&#13;
firm as a tower, though resting only on one leg. With the hand that&#13;
was still free (for the other was gripped by Agricola as in a vise),&#13;
he endeavored with violent blows to break the jaws of the smith, who,&#13;
leaning his head forward, pressed his forehead hard against the breast&#13;
of his adversary.</p><p>"The Wolf will break the Devourer's teeth, and he shall devour no more,"&#13;
said the quarryman.</p><p>"You are no true Wolf," answered the smith, redoubling his efforts; "the&#13;
true Wolves are honest fellows, and do not come ten against one."</p><p>"True or false, I will break your teeth."</p><p>"And I your paw," said the smith, giving so violent a wrench to the leg&#13;
of the quarryman, that the latter uttered a cry of acute pain, and,&#13;
with the rage of a wild beast, butting suddenly forward with his head,&#13;
succeeded in biting Agricola in the side of the neck.</p><p>The pang of this bite forced Agricola to make a movement, which enabled&#13;
the quarryman to disengage his leg. Then, with a superhuman effort, he&#13;
threw himself with his whole weight on Agricola, and brought him to the&#13;
ground, falling himself upon him.</p><p>At this juncture, Angela's mother, leaning from one of the windows of&#13;
the Common Dwelling-house, exclaimed in a heart-rending voice: "Help,&#13;
Agricola!--they are killing my child!"</p><p>"Let me go--and on, my honor--I will fight you tomorrow, or when you&#13;
will," said Agricola, panting for breath.</p><p>"No warmed-up food for me; I eat all hot," answered the quarryman,&#13;
seizing the smith by the throat, whilst he tried to place one of his&#13;
knees upon his chest.</p><p>"Help!--they are killing my child!" cried Angela's mother, in a voice of&#13;
despair.</p><p>"Mercy! I ask mercy! Let me go!"' said Agricola, making the most violent&#13;
efforts to escape.</p><p>"I am too hungry," answered the quarryman.</p><p>Exasperated by the terror which Angela's danger occasioned him, Agricola&#13;
redoubled his efforts, when the quarryman suddenly felt his thigh seized&#13;
by the sharp teeth of a dog, and at the same instant received from a&#13;
vigorous hand three or four heavy blows with a stick upon his head. He&#13;
relaxed his grasp, and fell stunned upon his hand and knee, whilst he&#13;
mechanically raised his other arm to parry the blows, which ceased as&#13;
soon as Agricola was delivered.</p><p>"Father, you have saved me!" cried the smith, springing up. "If only I&#13;
am in time to rescue Angela!"</p><p>"Run!--never mind me!" answered Dagobert; and Agricola rushed into the&#13;
house.</p><p>Dogabert, accompanied by Spoil-sport, had come, as we have already said,&#13;
to bring Marshal Simon's daughters to their grandfather. Arriving in the&#13;
midst of the tumult, the soldier had collected a few workmen to defend&#13;
the entrance of the chamber, to which the marshal's father had been&#13;
carried in a dying state. It was from this post that the soldier had&#13;
seen Agricola's danger. Soon after, the rush of the conflict separated&#13;
Dagobert from the quarryman, who remained for some moments insensible.&#13;
Arrived in two bounds at the Common Dwelling-house, Agricola succeeded&#13;
in forcing his way through the men who defended the staircase, and&#13;
rushed into the corridor that led to Angela's chamber. At the moment he&#13;
reached it, the unfortunate girl was mechanically guarding her face with&#13;
both hands against Ciboule, who, furious as the hyena over its prey, was&#13;
trying to scratch and disfigure her.</p><p>To spring upon the horrible hag, seize her by her yellow hair with&#13;
irresistible hand, drag her backwards, and then with one cuff, stretch&#13;
her full length upon the ground, was for Agricola an achievement&#13;
as rapid as thought. Furious with rage, Ciboule rose again almost&#13;
instantly; but at this moment, several workmen, who had followed close&#13;
upon Agricola, were able to attack with advantage, and whilst the smith&#13;
lifted the fainting form of Angela, and carried her into the next room,&#13;
Ciboule and her band were driven from that part of the house.</p><p>After the first fire of the assault, the small number of real Wolves,&#13;
who, as Agricola said, were in the main honest fellows, but had the&#13;
weakness to let themselves be drawn into this enterprise, under the&#13;
pretext of a quarrel between rival unions, seeing the excesses committed&#13;
by the rabble who accompanied them, turned suddenly round, and ranged&#13;
themselves on the side of the Devourers.</p><p>"There are no longer here either Wolves or Devourers," said one of&#13;
the most determined Wolves to Olivier, with whom he had been fighting&#13;
roughly and fairly; "there are none here but honest workmen, who must&#13;
unite to drive out a set of scoundrels, that have come only to break and&#13;
pillage."</p><p>"Yes," added another; "it was against our will that they began by&#13;
breaking your windows."</p><p>"The big blaster did it all," said another; "the true Wolves wash their&#13;
hands of him. We shall soon settle his account."</p><p>"We may fight every day--but we ought to esteem each other."(35)</p><p>This defection of a portion of the assailants (unfortunately but a&#13;
small portion) gave new spirit to the workmen of the factory, and all&#13;
together, Wolves and Devourers, though very inferior in number,&#13;
opposed themselves to the band of vagabonds, who were proceeding to new&#13;
excesses. Some of these wretches, still further excited by the little&#13;
man with the ferret's face, a secret emissary of Baron Tripeaud,&#13;
now rushed in a mass towards the workshops of M. Hardy. Then began&#13;
a lamentable devastation. These people, seized with the mania of&#13;
destruction, broke without remorse machines of the greatest value, and&#13;
most delicate construction; half manufactured articles were pitilessly&#13;
destroyed; a savage emulation seemed to inspire these barbarians,&#13;
and those workshops, so lately the model of order and well-regulated&#13;
economy, were soon nothing but a wreck; the courts were strewed with&#13;
fragments of all kinds of wares, which were thrown from the windows with&#13;
ferocious outcries, or savage bursts of laughter. Then, still thanks to&#13;
the incitements of the little man with the ferret's face, the books&#13;
of M. Hardy, archives of commercial industry, so indispensable to the&#13;
trader, were scattered to the wind, torn, trampled under foot, in a sort&#13;
of infernal dance, composed of all that was most impure in this assembly&#13;
of low, filthy, and ragged men and women, who held each other by the&#13;
hand, and whirled round and round with horrible clamor. Strange and&#13;
painful contrasts! At the height of the stunning noise of these horrid&#13;
deeds of tumult and devastation, a scene of imposing and mournful calm&#13;
was taking place in the chamber of Marshal Simon's father, the door of&#13;
which was guarded by a few devoted men. The old workman was stretched&#13;
on his bed, with a bandage across his blood stained white hair. His&#13;
countenance was livid, his breathing oppressed, his look fixed and&#13;
glazed.</p><p>Marshal Simon, standing at the head of the bed, bending over his father,&#13;
watched in despairing anguish the least sign of consciousness on the&#13;
part of the dying man, near whom was a physician, with his finger on&#13;
the failing pulse. Rose and Blanche, brought hither by Dagobert, were&#13;
kneeling beside the bed, their hands clasped, and their eyes bathed in&#13;
tears; a little further, half hidden in the shadows of the room, for&#13;
the hours had passed quickly, and the night was at hand, stood Dagobert&#13;
himself, with his arms crossed upon his breast, and his features&#13;
painfully contracted. A profound and solemn silence reigned in this&#13;
chamber, only interrupted by the broken sobs of Rose and Blanche, or by&#13;
Father Simon's hard breathing. The eyes of the marshal were dry, gloomy,&#13;
and full of fire. He only withdrew them from his father's face, to&#13;
interrogate the physician by a look. There are strange coincidences in&#13;
life. That physician was Dr. Baleinier. The asylum of the doctor being&#13;
close to the barrier that was nearest to the factory, and his fame being&#13;
widely spread in the neighborhood, they had run to fetch him on the&#13;
first call for medical assistance.</p><p>Suddenly, Dr. Baleinier made a movement; the marshal, who had not taken&#13;
his eyes off him, exclaimed: "Is there any hope?"</p><p>"At least, my lord duke, the pulse revives a little."</p><p>"He is saved!" said the marshal.</p><p>"Do not cherish false hopes, my lord duke," answered the doctor,&#13;
gravely: "the pulse revives, owing to the powerful applications to the&#13;
feet, but I know not what will be the issue of the crisis."</p><p>"Father! father! do you hear me?" cried the marshal, seeing the old man&#13;
slightly move his head, and feebly raise his eyelids. He soon opened his&#13;
eyes, and this time their intelligence had returned.</p><p>"Father! you live--you know me!" cried the marshal, giddy with joy and&#13;
hope.</p><p>"Pierre! are you there?" said the old man, in a weak voice. "Your&#13;
hand--give--it--" and he made a feeble movement.</p><p>"Here, father!" cried the marshal, as he pressed the hands of the old&#13;
man in his own.</p><p>Then, yielding to an impulse of delight, he bent over his father,&#13;
covered his hands, face, and hair with kisses, and repeated: "He lives!&#13;
kind heaven, he lives! he is saved!"</p><p>At this instant, the noise of the struggle which had recommenced between&#13;
the rabble, the Wolves, and the Devourers, reached the ears of the dying&#13;
man.</p><p>"That noise! that noise!" said he: "they are fighting."</p><p>"It is growing less, I think," said the marshal, in order not to agitate&#13;
his father.</p><p>"Pierre," said the old man, in a weak and broken voice, "I have not long&#13;
to live."</p><p>"Father--"</p><p>"Let me speak, child; if I can but tell you all."</p><p>"Sir," said Baleinier piously to the old workman, "heaven may perhaps&#13;
work a miracle in your favor; show yourself grateful, and allow a&#13;
priest--"</p><p>"A priest! Thank you, sir--I have my son," said the old man; "in his&#13;
arms, I will render up my soul--which has always been true and honest."</p><p>"You die?" exclaimed the marshal; "no! no!"</p><p>"Pierre," said the old man, in a voice which, firm at first, gradually&#13;
grew fainter, "just now--you ask my advice in a very serious matter. I&#13;
think, that the wish to tell you of your duty--has recalled me--for a&#13;
moment--to life--for I should die miserable--if I thought you in a road&#13;
unworthy of yourself and me. Listen to me, my son--my noble son--at this&#13;
last hour, a father cannot deceive himself. You have a great duty to&#13;
perform---under pain--of not acting like a man of honor--under pain of&#13;
neglecting my last will. You ought, without hesitation--"</p><p>Here the voice failed the old man. When he had pronounced the last&#13;
sentence, he became quite unintelligible. The only words that Marshal&#13;
Simon could distinguish, were these: "Napoleon II.--oath--dishonor--my&#13;
son!"</p><p>Then the old workman again moved his lips mechanically--and all was&#13;
over. At the moment he expired, the night was quite come, and terrible&#13;
shouts were heard from without, of "Fire! Fire!" The conflagration had&#13;
broken out in one of the workshops, filled with inflammable stuff, into&#13;
which had glided the little man with the ferret's face. At the same&#13;
time, the roll of drums was heard in the distance, announcing the&#13;
arrival of a detachment of troops from town.</p><p>During an hour, in spite of every effort, the fire had been spreading&#13;
through the factory. The night is clear, cold, starlight; the wind blows&#13;
keenly from the north, with a moaning sound. A man, walking across the&#13;
fields, where the rising ground conceals the fire from him, advances&#13;
with slow and unsteady steps. It is M. Hardy. He had chosen to return&#13;
home on foot, across the country, hoping that a walk would calm the&#13;
fever in his blood--an icy fever, more like the chill of death. He had&#13;
not been deceived. His adored mistress--the noble woman, with whom he&#13;
might have found refuge from the consequences of the fearful deception&#13;
which had just been revealed to him--had quitted France. He could have&#13;
no doubt of it. Margaret was gone to America. Her mother had exacted&#13;
from her, in expiation of her fault, that she should not even write to&#13;
him one word of farewell--to him, for whom she had sacrificed her duty&#13;
as a wife. Margaret had obeyed.</p><p>Besides, she had often said to him: "Between my mother and you, I should&#13;
not hesitate."</p><p>She had not hesitated. There was therefore no hope, not the slightest;&#13;
even if an ocean had not separated him from Margaret, he knew enough&#13;
of her blind submission to her mother, to be certain that all relations&#13;
between them were broken off forever. It is well. He will no longer&#13;
reckon upon this heart--his last refuge. The two roots of his life have&#13;
been torn up and broken, with the same blow, the same day, almost at the&#13;
same moment. What then remains for thee, poor sensitive plant, as thy&#13;
tender mother used to call thee? What remains to console thee for the&#13;
loss of this last love--this last friendship, so infamously crushed? Oh!&#13;
there remains for thee that one corner of the earth, created after&#13;
the image of thy mind that little colony, so peaceful and flourishing,&#13;
where, thanks to thee, labor brings with it joy and recompense. These&#13;
worthy artisans, whom thou hast made happy, good, and grateful, will&#13;
not fail thee. That also is a great and holy affection; let it be thy&#13;
shelter in the midst of this frightful wreck of all thy most sacred&#13;
convictions! The calm of that cheerful and pleasant retreat, the sight&#13;
of the unequalled happiness of thy dependents, will soothe thy poor,&#13;
suffering soul, which now seems to live only for suffering. Come! you&#13;
will soon reach the top of the hill, from which you can see afar, in the&#13;
plain below, that paradise of workmen, of which you are the presiding&#13;
divinity.</p><p>M. Hardy had reached the summit of the hill. At that moment the&#13;
conflagration, repressed for a short time, burst forth with redoubled&#13;
fury from the Common Dwelling-house, which it had now reached. A bright&#13;
streak, at first white, then red, then copper-colored, illuminated&#13;
the distant horizon. M. Hardy looked at it with a sort of incredulous,&#13;
almost idiotic stupor. Suddenly, an immense column of flame shot up in&#13;
the thick of a cloud of smoke, accompanied by a shower of sparks, and&#13;
streamed towards the sky, casting a bright reflection over all the&#13;
country, even to M. Hardy's feet. The violence of the north wind,&#13;
driving the flames in waves before it, soon brought to the ears of M.&#13;
Hardy the hurried clanging of the alarm-bell of the burning factory.</p><p>(35) We wish it to be understood, that the necessities of our story&#13;
alone have made the Wolves the assailants. While endeavoring to paint&#13;
the evils arising the abuse of the spirit of association, we do not wish&#13;
to ascribe a character of savage hostility to one sect rather than to&#13;
the other to the Wolves more than to the Devourers. The Wolves, a club&#13;
of united stone-cutters, are generally industrious, intelligent workmen,&#13;
whose situation is the more worthy of interest, as not only their&#13;
labors, conducted with mathematical precision, are of the rudest and&#13;
most wearisome kind, but they are likewise out of work during three or&#13;
four months of the year, their profession being, unfortunately, one of&#13;
those which winter condemns to a forced cessation. A number of Wolves,&#13;
in order to perfect themselves in their trade, attend every evening a&#13;
course of linear geometry, applied to the cutting of stone, analogous&#13;
to that given by M. Agricole Perdignier, for the benefit of carpenters.&#13;
Several working stone-cutters sent an architectural model in plaster to&#13;
the last exhibition.</p><p>CHAPTER VI. THE GO-BETWEEN.</p><p>A few days have elapsed since the conflagration of M. Hardy's factory.&#13;
The following scene takes place in the Rue Clovis, in the house where&#13;
Rodin had lodged, and which was still inhabited by Rose-Pompon, who,&#13;
without the least scruple, availed herself of the household arrangements&#13;
of her friend Philemon. It was about noon, and Rose-Pompon, alone in&#13;
the chamber of the student, who was still absent, was breakfasting very&#13;
gayly by the fireside; but how singular a breakfast! what a queer fire!&#13;
how strange an apartment!</p><p>Imagine a large room, lighted by two windows without curtains--for as&#13;
they looked on empty space, the lodger had fear of being overlooked.&#13;
One side of this apartment served as a wardrobe, for there was suspended&#13;
Rose-Pompon's flashy costume of debardeur, not far from the boat-man's&#13;
jacket of Philemon, with his large trousers of coarse, gray stuff,&#13;
covered with pitch (shiver my timbers!), just as if this intrepid&#13;
mariner had bunked in the forecastle of a frigate, during a voyage&#13;
round the globe. A gown of Rose Pompon's hung gracefully over a pair of&#13;
pantaloons, the legs of which seemed to come from beneath the petticoat.&#13;
On the lowest of several book-shelves, very dusty and neglected, by the&#13;
side of three old boots (wherefore three boots?) and a number of empty&#13;
bottles, stood a skull, a scientific and friendly souvenir, left to&#13;
Philemon by one of his comrades, a medical student. With a species of&#13;
pleasantry, very much to the taste of the student-world, a clay pipe&#13;
with a very black bowl was placed between the magnificently white teeth&#13;
of this skull; moreover, its shining top was half hidden beneath an&#13;
old hat, set knowingly on one side, and adorned with faded flowers&#13;
and ribbons. When Philemon was drunk, he used to contemplate this bony&#13;
emblem of mortality, and break out into the most poetical monologues,&#13;
with regard to this philosophical contrast between death and the mad&#13;
pleasures of life. Two or three plaster casts, with their noses and&#13;
chins more or less injured, were fastened to the wall, and bore witness&#13;
to the temporary curiosity which Philemon had felt with regard to&#13;
phrenological science, from the patient and serious study of which he&#13;
had drawn the following logical conclusion:--That, having to an alarming&#13;
extent the bump of getting into debt, he ought to resign himself to the&#13;
fatality of this organization, and accept the inconvenience of creditors&#13;
as a vital necessity. On the chimney-piece, stood uninjured, in all&#13;
its majesty, the magnificent rowing-club drinking-glass, a china teapot&#13;
without a spout, and an inkstand of black wood, the glass mouth of which&#13;
was covered by a coat of greenish and mossy mould. From time to time,&#13;
the silence of this retreat was interrupted by the cooing of pigeons,&#13;
which Rose-Pompon had established with cordial hospitality in the little&#13;
study. Chilly as a quail, Rose-Pompon crept close to the fire, and at&#13;
the same time seemed to enjoy the warmth of a bright ray of sunshine,&#13;
which enveloped her in its golden light. This droll little creature was&#13;
dressed in the oddest costume, which, however, displayed to advantage&#13;
the freshness of her piquant and pretty countenance, crowned with its&#13;
fine, fair hair, always neatly combed and arranged the first thing in&#13;
the morning. By way of dressing-gown, Rose-Pompon had ingeniously&#13;
drawn over her linen, the ample scarlet flannel shirt which belonged to&#13;
Philemon's official garb in the rowing-club; the collar, open and turned&#13;
down, displayed the whiteness of the young girl's under garment, as&#13;
also of her neck and shoulders, on whose firm and polished surface the&#13;
scarlet shirt seemed to cast a rosy light. The grisette's fresh and&#13;
dimpled arms half protruded from the large, turned-up sleeves; and her&#13;
charming legs were also half visible, crossed one over the other, and&#13;
clothed in neat white stockings, and boots. A black silk cravat formed&#13;
the girdle which fastened the shirt round the wasp-like waist of&#13;
Rose-Pompon, just above those hips, worthy of the enthusiasm of a modern&#13;
Phidias, and which gave to this style of dress a grace very original.</p><p>We have said, that the breakfast of Rose-Pompon was singular. You shall&#13;
judge. On a little table placed before her, was a wash-hand-basin, into&#13;
which she had recently plunged her fresh face, bathing it in pure water.&#13;
From the bottom of this basin, now transformed into a salad-bowl, Rose&#13;
Pompon took with the tips of her fingers large green leaves, dripping&#13;
with vinegar, and crunched them between her tiny white teeth, whose&#13;
enamel was too hard to allow them to be set on edge. Her drink was&#13;
a glass of water and syrup of gooseberries, which she stirred with a&#13;
wooden mustard-spoon. Finally, as an extra dish, she had a dozen olives&#13;
in one of those blue glass trinket-dishes sold for twenty-five sous. Her&#13;
dessert was composed of nuts, which she prepared to roast on a red-hot&#13;
shovel. That Rose-Pompon, with such an unaccountable savage choice of&#13;
food, should retain a freshness of complexion worthy of her name, is one&#13;
of those miracles, which reveal the mighty power of youth and health.&#13;
When she had eaten her salad, Rose-Pompon was about to begin upon her&#13;
olives, when a low knock was heard at the door, which was modestly&#13;
bolted on the inside.</p><p>"Who is there?" said Rose-Pompon.</p><p>"A friend--the oldest of the old," replied a sonorous, jovial voice.&#13;
"Why do you lock yourself in?"</p><p>"What! is it you, Ninny Moulin?"</p><p>"Yes, my beloved pupil. Open quickly. Time presses."</p><p>"Open to you? Oh, I dare say!--that would be pretty, the figure I am!"</p><p>"I believe you! what does it matter what figure you are? It would be&#13;
very pretty, thou rosiest of all the roses with which Cupid ever adorned&#13;
his quiver!"</p><p>"Go and preach fasting and morality in your journal, fat apostle!"&#13;
said Rose--Pompon, as she restored the scarlet shirt to its place, with&#13;
Philemon's other garments.</p><p>"I say! are we to talk much longer through the door, for the greater&#13;
edification of our neighbors?" cried Ninny Moulin. "I have something of&#13;
importance to tell you--something that will astonish you--"</p><p>"Give me time to put on my gown, great plague that you are!"</p><p>"If it is because of my modesty, do not think of it. I am not over nice.&#13;
I should like you very well as you are!"</p><p>"Only to think that such a monster is the favorite of all the&#13;
churchgoers!" said Rose-Pompon, opening the door as she finished&#13;
fastening her dress.</p><p>"So! you have at last returned to the dovecot, you stray girl!" said&#13;
Ninny Moulin, folding his arms, and looking at Rose-Pompon with comic&#13;
seriousness. "And where may you have been, I pray? For three days the&#13;
naughty little bird has left its nest."</p><p>"True; I only returned home last night. You must have called during my&#13;
absence?"</p><p>"I came, every day, and even twice a day, young lady, for I have very&#13;
serious matters to communicate."</p><p>"Very serious matters? Then we shall have a good laugh at them."</p><p>"Not at all--they are really serious," said Ninny Moulin, seating&#13;
himself. "But, first of all, what did you do during the three days that&#13;
you left your conjugal and Philemonic home? I must know all about it,&#13;
before I tell you more."</p><p>"Will you have some olives?" said Rose-Pompon, as she nibbled one of&#13;
them herself.</p><p>"Is that your answer?--I understand!--Unfortunate Philemon!"</p><p>"There is no unfortunate Philemon in the case, slanderer. Clara had a&#13;
death in her house, and, for the first few days after the funeral she&#13;
was afraid to sleep alone."</p><p>"I thought Clara sufficiently provided against such fears."</p><p>"There you are deceived, you great viper! I was obliged to go and keep&#13;
the poor girl company."</p><p>At this assertion, the religious pamphleteer hummed a tune, with an&#13;
incredulous and mocking air.</p><p>"You think I have played Philemon tricks?" cried Rose-Pompon, cracking a&#13;
nut with the indignation of injured innocence.</p><p>"I do not say tricks; but one little rose-colored trick."</p><p>"I tell you, that it was not for my pleasure I went out. On the&#13;
contrary--for, during my absence, poor Cephyse disappeared."</p><p>"Yes, Mother Arsene told me that the Bacchanal-Queen was gone on a&#13;
journey. But when I talk of Philemon, you talk of Cephyse; we don't&#13;
progress."</p><p>"May I be eaten by the black panther that they are showing at the Porte&#13;
Saint-Martin if I do not tell you the truth. And, talking of that,&#13;
you must get tickets to take me to see those animals, my little Ninny&#13;
Moulin! They tell me there never were such darling wild beasts."</p><p>"Now really, are you mad?"</p><p>"Why so?"</p><p>"That I should guide your youth, like a venerable patriarch, through the&#13;
dangers of the Storm-blown Tulip, all well and good--I ran no risk&#13;
of meeting my pastors and masters; but were I to take you to a Lent&#13;
Spectacle (since there are only beasts to be seen), I might just run&#13;
against my sacristans--and how pretty I should look with you on my arm!"</p><p>"You can put on a false nose, and straps to your trousers, my big Ninny;&#13;
they will never know you."</p><p>"We must not think of false noses, but of what I have to tell you, since&#13;
you assure me that you have no intrigue in hand."</p><p>"I swear it!" said Rose-Pompon, solemnly, extending her left hand&#13;
horizontally, whilst with her right she put a nut into her mouth. Then&#13;
she added, with surprise, as she looked at the outside coat of Ninny&#13;
Moulin, "Goodness gracious! what full pockets you have got! What is&#13;
there in them?"</p><p>"Something that concerns you, Rose-Pompon," said Dumoulin, gravely.</p><p>"Me?"</p><p>"Rose-Pompon!" said Ninny Moulin, suddenly, with a majestic air; "will&#13;
you have a carriage? Will you inhabit a charming apartment, instead of&#13;
living in this dreadful hole? Will you be dressed like a duchess?"</p><p>"Now for some more nonsense! Come, will you eat the olives? If not, I&#13;
shall eat them all up. There is only one left."</p><p>Without answering this gastronomic offer, Ninny Moulin felt in one of&#13;
his pockets, and drew from it a case containing a very pretty bracelet,&#13;
which he held up sparkling before the eyes of the young girl.</p><p>"Oh! what a sumptuous bracelet!" cried she, clapping her hands. "A&#13;
green-eyed serpent biting his tail--the emblem of my love for Philemon."</p><p>"Do not talk of Philemon; it annoys me," said Ninny Moulin, as he&#13;
clasped the bracelet round the wrist of Rose-Pompon, who allowed him to&#13;
do it, laughing all the while like mad, and saying to him, "So you've&#13;
been employed to make a purchase, big apostle, and wish to see the&#13;
effect of it. Well! it is charming!"</p><p>"Rose-Pompon," resumed Ninny Moulin, "would you like to have a servant,&#13;
a box at the Opera, and a thousand francs a month for your pin-money?"</p><p>"Always the same nonsense. Get along!" said the young girl, as she held&#13;
up the bracelet to the light, still continuing to eat her nuts. "Why&#13;
always the same farce, and no change of bills?"</p><p>Ninny Moulin again plunged his hand into his pocket, and this time drew&#13;
forth an elegant chain, which he hung round Rose-Pompon's neck.</p><p>"Oh! what a beautiful chain!" cried the young girl, as she looked by&#13;
turns at the sparkling ornament and the religious writer. "If you chose&#13;
that also, you have a very good taste. But am I not a good natured girl&#13;
to be your dummy, just to show off your jewels?"</p><p>"Rose-Pompon," returned Ninny Moulin, with a still more majestic air,&#13;
"these trifles are nothing to what you may obtain, if you will but&#13;
follow the advice of your old friend."</p><p>Rose began to look at Dumoulin with surprise, and said to him, "What&#13;
does all this mean, Ninny Moulin? Explain yourself; what advice have you&#13;
to give?"</p><p>Dumoulin did not answer, but replunging his hand into his inexhaustible&#13;
pocket, he fished up a parcel, which he carefully unfolded, and in which&#13;
was a magnificent mantilla of black lace. Rose-Pompon started up, full&#13;
of new admiration, and Dumoulin threw the rich mantilla over the young&#13;
girl's shoulders.</p><p>"It is superb! I have never seen anything like it! What patterns! what&#13;
work!" said Rose-Pompon, as she examined all with simple and perfectly&#13;
disinterested curiosity. Then she added, "Your pocket is like a shop;&#13;
where did you get all these pretty things?" Then, bursting into a fit of&#13;
laughter, which brought the blood to her cheeks, she exclaimed, "Oh, I&#13;
have it! These are the wedding-presents for Madame de la Sainte-Colombe.&#13;
I congratulate you; they are very choice."</p><p>"And where do you suppose I should find money to buy these wonders?"&#13;
said Ninny Moulin. "I repeat to you, all this is yours if you will but&#13;
listen to me!"</p><p>"How is this?" said Rose-Pompon, with the utmost amazement; "is what you&#13;
tell me in downright earnest?"</p><p>"In downright earnest."</p><p>"This offer to make me a great lady?"</p><p>"The jewels might convince you of the reality of my offers."</p><p>"And you propose all this to me for some one else, my poor Ninny&#13;
Moulin?"</p><p>"One moment," said the religious writer, with a comical air of modesty,&#13;
"you must know me well enough, my beloved pupil, to feel certain that&#13;
I should be incapable of inducing you to commit an improper action. I&#13;
respect myself too much for that--leaving out the consideration that it&#13;
would be unfair to Philemon, who confided to me the guardianship of your&#13;
virtue."</p><p>"Then, Ninny Moulin," said Rose-Pompon, more and more astonished, "on my&#13;
word of honor, I can make nothing of it.</p><p>"Yet, 'tis all very simple, and I--"</p><p>"Oh! I've found it," cried Rose-Pompon, interrupting Ninny Moulin; "it&#13;
is some gentleman who offers me his hand, his heart, and all the rest of&#13;
it. Could you not tell me that directly?"</p><p>"A marriage? oh, laws, yes!" said Dumoulin, shrugging his shoulders.</p><p>"What! is it not a marriage?" said Rose-Pompon, again much surprised.</p><p>"No."</p><p>"And the offers you make me are honest ones, my big apostle?"</p><p>"They could not be more so." Here Dumoulin spoke the truth.</p><p>"I shall not have to be unfaithful to Philemon?"</p><p>"No."</p><p>"Or faithful to any one else?"</p><p>"No."</p><p>Rose-Pompon looked confounded. Then she rattled on: "Come, do not let&#13;
us have any joking! I am not foolish enough to imagine that I am to live&#13;
just like a duchess, just for nothing. What, therefore, must I give in&#13;
return?"</p><p>"Nothing at all."</p><p>"Nothing?"</p><p>"Not even that," said Ninny Moulin, biting his nail-tip.</p><p>"But what am I to do, then?"</p><p>"Dress yourself as handsomely as possible, take your ease, amuse&#13;
yourself, ride about in a carriage. You see, it is not very&#13;
fatiguing--and you will, moreover, help to do a good action."</p><p>"What! by living like a duchess?"</p><p>"Yes! so make up your mind. Do not ask me for any more details, for I&#13;
cannot give them to you. For the rest, you will not be detained against&#13;
your will. Just try the life I propose to you. If it suits you, go on&#13;
with it; if not, return to your Philemonic household."</p><p>"In fact--"</p><p>"Only try it. What can you risk?"</p><p>"Nothing; but I can hardly believe that all you say is true. And then,"&#13;
added she, with hesitation, "I do not know if I ought--"</p><p>Ninny Moulin went to the window, opened it, and said to Rose-Pompon, who&#13;
ran up to it, "Look there! before the door of the house."</p><p>"What a pretty carriage! How comfortable a body'd be inside of it!"</p><p>"That carriage is yours. It is waiting for you."</p><p>"Waiting for me!" exclaimed Rose-Pompon; "am I to decide as short as&#13;
that?"</p><p>"Or not at all."</p><p>"To-day?"</p><p>"On the instant."</p><p>"But where will they take me?"</p><p>"How should I know?"</p><p>"You do not know where they will take me?"</p><p>"Not I,"--and Dumoulin still spoke the truth--"the coachman has his&#13;
orders."</p><p>"Do you know all this is very funny, Ninny Moulin?"</p><p>"I believe you. If it were not funny, where would be the pleasure?"</p><p>"You are right."</p><p>"Then you accept the offer? That is well. I am delighted both for you&#13;
and myself."</p><p>"For yourself?"</p><p>"Yes; because, in accepting, you render me a great service."</p><p>"You? How so?"</p><p>"It matters little, as long as I feel obliged to you."</p><p>"True."</p><p>"Come, then; let us set out!"</p><p>"Bah! after all, they cannot eat me," said Rose-Pompon, resolutely.</p><p>With a skip and a jump, she went to fetch a rose-colored cap, and, going&#13;
up to a broken looking-glass, placed the cap very much cocked on one&#13;
side on her bands of light hair. This left uncovered her snowy neck,&#13;
with the silky roots of the hair behind, and gave to her pretty face a&#13;
very mischievous, not to say licentious expression.</p><p>"My cloak!" said she to Ninny Moulin, who seemed to be relieved from a&#13;
considerable amount of uneasiness, since she had accepted his offer.</p><p>"Fie! a cloak will not do," answered her companion, feeling once more&#13;
in his pocket and drawing out a fine Cashmere shawl, which he threw over&#13;
Rose-Pompon's shoulders.</p><p>"A Cashmere!" cried the young girl, trembling with pleasure and joyous&#13;
surprise. Then she added, with an air of heroism: "It is settled! I&#13;
will run the gauntlet." And with a light step she descended the stairs,&#13;
followed by Ninny Moulin.</p><p>The worthy greengrocer was at her post. "Good-morning, mademoiselle; you&#13;
are early to-day," said she to the young girl.</p><p>"Yes, Mother Arsene; there is my key."</p><p>"Thank you, mademoiselle."</p><p>"Oh! now I think of it," said Rose Pompon, suddenly, in a whisper, as&#13;
she turned towards Ninny Moulin, and withdrew further from the portress,&#13;
"what is to became of Philemon?"</p><p>"Philemon?"</p><p>"If he should arrive--"</p><p>"Oh! the devil!" said Ninny Moulin, scratching his ear.</p><p>"Yes; if Philemon should arrive, what will they say to him? for I may be&#13;
a long time absent."</p><p>"Three or four months, I suppose."</p><p>"Not more?"</p><p>"I should think not."</p><p>"Oh! very good!" said Rose-Pompon. Then, turning towards the&#13;
greengrocer, she said to her, after a moment's reflection: "Mother&#13;
Arsene, if Philemon should come home, you will tell him I have gone&#13;
out--on business."</p><p>"Yes, mademoiselle."</p><p>"And that he must not forget to feed my pigeons, which are in his&#13;
study."</p><p>"Yes, mademoiselle."</p><p>"Good-bye, Mother Arsene."</p><p>"Good-bye, mademoiselle." And Rose-Pompon entered the carriage in&#13;
triumph, along with Ninny Moulin.</p><p>"The devil take me if I know what is to come of all this," said Jacques&#13;
Dumoulin to himself, as the carriage drove rapidly down the Rue Clovis.&#13;
"I have repaired my error--and now I laugh at the rest."</p><p>CHAPTER VII. ANOTHER SECRET.</p><p>The following scene took place a few days after the abduction of Rose&#13;
Pompon by Ninny Moulin. Mdlle. de Cardoville was seated in a dreamy&#13;
mood, in her cabinet, which was hung with green silk, and furnished&#13;
with an ebony library, ornamented with large bronze caryatides. By some&#13;
significant signs, one could perceive that Mdlle. de Cardoville had&#13;
sought in the fine airs some relief from sad and serious thoughts.&#13;
Near an open piano, was a harp, placed before a music-stand. A little&#13;
further, on a table covered with boxes of oil and water-color, were&#13;
several brilliant sketches. Most of them represented Asiatic scenes,&#13;
lighted by the fires of an oriental sun. Faithful to her fancy of&#13;
dressing herself at home in a picturesque style, Mademoiselle de&#13;
Cardoville resembled that day one of those proud portraits of Velasquez,&#13;
with stern and noble aspect. Her gown was of black moire, with wide&#13;
swelling petticoat, long waist, and sleeve slashed with rose-colored&#13;
satin, fastened together with jet bugles. A very stiff, Spanish ruff&#13;
reached almost to her chin, and was secured round her neck by a broad&#13;
rose-colored ribbon. This frill, slightly heaving, sloped down as far as&#13;
the graceful swell of the rose-colored stomacher, laced with strings of&#13;
jet beads, and terminating in a point at the waist. It is impossible to&#13;
express how well this black garment, with its ample and shining folds,&#13;
relieved with rose-color and brilliant jet, skin, harmonized with the&#13;
shining whiteness of Adrienne's and the golden flood of her beautiful&#13;
hair, whose long, silky ringlets descended to her bosom.</p><p>The young lady was in a half-recumbent posture, with her elbow resting&#13;
on a couch covered with green silk. The back of this piece of furniture,&#13;
which was pretty high towards the fireplace, sloped down insensibly&#13;
towards the foot. A sort of light, semicircular trellis-work, in gilded&#13;
bronze, raised about five feet from the ground, covered with flowering&#13;
plants (the admirable passiflores quadrangulatoe, planted in a deep&#13;
ebony box, from the centre of which rose the trellis-work), surrounded&#13;
this couch with a sort of screen of foliage enamelled with large&#13;
flowers, green without, purple within, and as brilliant as those flowers&#13;
of porcelain, which we receive from Saxony. A sweet, faint perfume,&#13;
like a faint mixture of jasmine with violet, rose from the cup of these&#13;
admirable passiflores. Strange enough, a large quantity of new books&#13;
(Adrienne having bought them since the last two or three days) and&#13;
quite fresh-cut, were scattered around her on the couch, and on a little&#13;
table; whilst other larger volumes, amongst which were several atlases&#13;
full of engravings, were piled on the sumptuous fur, which formed&#13;
the carpet beneath the divan. Stranger still, these books, though of&#13;
different forms, and by different authors, alt treated of the same&#13;
subject. The posture of Adrienne revealed a sort of melancholy&#13;
dejection. Her cheeks were pale; a light blue circle surrounded her&#13;
large, black eyes, now half-closed, and gave to them an expression of&#13;
profound grief. Many causes contributed to this sorrow--amongst others,&#13;
the disappearance of Mother Bunch. Without absolutely believing the&#13;
perfidious insinuations of Rodin, who gave her to understand that, in&#13;
the fear of being unmasked by him, the hunchback had not dared to remain&#13;
in the house, Adrienne felt a cruel sinking of the heart, when she&#13;
thought how this young girl, in whom she had had so much confidence, had&#13;
fled from her almost sisterly hospitality, without even uttering a word&#13;
of gratitude; for care had been taken not to show her the few lines&#13;
written by the poor needlewoman to her benefactress, just before her&#13;
departure.</p><p>She had only been told of the note of five hundred francs found on her&#13;
desk; and this last inexplicable circumstance had contributed to awaken&#13;
cruel suspicions in the breast of Mdlle. de Cardoville. She already felt&#13;
the fatal effects of that mistrust of everything and everybody, which&#13;
Rodin had recommended to her; and this sentiment of suspicion and&#13;
reserve had the more tendency to become powerful, that, for the first&#13;
time in her life, Mdlle. de Cardoville, until then a stranger to all&#13;
deception, had a secret to conceal--a secret, which was equally her&#13;
happiness, her shame, and her torment. Half-recumbent on her divan,&#13;
pensive and depressed, Adrienne pursued, with a mind often absent, one&#13;
of her newly purchased books. Suddenly, she uttered an exclamation of&#13;
surprise; the hand which held the book trembled like a leaf, and from&#13;
that moment she appeared to read with passionate attention and devouring&#13;
curiosity. Soon, her eyes sparkled with enthusiasm, her smile&#13;
assumed ineffable sweetness, and she seemed at once proud, happy,&#13;
delighted--but, as she turned over the last page, her countenance&#13;
expressed disappointment and chagrin. Then she recommenced this reading,&#13;
which had occasioned her such sweet emotion, and this time she read with&#13;
the most deliberate slowness, going over each page twice, and spelling,&#13;
as it were, every line, every word. From time to time, she paused,&#13;
and in a pensive mood, with her forehead leaning on her fair hand, she&#13;
seemed to reflect, in a deep reverie, on the passages she had read with&#13;
such tender and religious love. Arriving at a passage which so affected&#13;
her, that a tear started in her eye, she suddenly turned the volume,&#13;
to see on the cover the name of the author. For a few seconds, she&#13;
contemplated this name with a singular expression of gratitude, and&#13;
could not forbear raising to her rosy lips the page on which it was&#13;
printed. After reading many times over the lines with which she had&#13;
been so much struck, forgetting, no doubt, the letter in the spirit, she&#13;
began to reflect so deeply, that the book glided from her hand, and&#13;
fell upon the carpet. During the course of this reverie, the eyes of the&#13;
young girl rested, at first mechanically, upon an admirable bas-relief,&#13;
placed on an ebony stand, near one of the windows. This magnificent&#13;
bronze, recently cast after a plaster copy from the antique, represented&#13;
the triumph of the Indian Bacchus. Never, perhaps, had Grecian art&#13;
attained such rare perfection. The youthful conqueror, half clad in a&#13;
lion's skin, which displayed his juvenile grace and charming purity&#13;
of form shone with divine beauty. Standing up in a car, drawn by two&#13;
tigers, with an air at once gentle and proud, he leaned with one hand&#13;
upon a thyrsus, and with the other guided his savage steeds in tranquil&#13;
majesty. By this rare mixture of grace, vigor, and serenity, it was easy&#13;
to recognize the hero who had waged such desperate combats with men and&#13;
with monsters of the forest. Thanks to the brownish tone of the figure,&#13;
the light, falling from one side of the sculpture, admirably displayed&#13;
the form of the youthful god, which, carved in relievo, and thus&#13;
illumined, shone like a magnificent statue of pale gold upon the dark&#13;
fretted background of the bronze.</p><p>When Adrienne's look first rested on this rare assemblage of divine&#13;
perfections, her countenance was calm and thoughtful. But this&#13;
contemplation, at first mechanical, became gradually more and more&#13;
attentive and conscious, and the young lady, rising suddenly from her&#13;
seat, slowly approached the bas-relief, as if yielding to the invincible&#13;
attraction of an extraordinary resemblance. Then a slight blush appeared&#13;
on the cheeks of Mdlle. de Cardoville, stole across her face, and spread&#13;
rapidly to her neck and forehead. She approached still closer, threw&#13;
round a hasty glance, as if half-ashamed, or as if she had feared to&#13;
be surprised in a blamable action, and twice stretched forth her hand,&#13;
trembling with emotion, to touch with the tips of her charming fingers&#13;
the bronze forehead of the Indian Bacchus. And twice she stopped short,&#13;
with a kind of modest hesitation. At last, the temptation became too&#13;
strong for her. She yielded to it; and her alabaster finger, after&#13;
delicately caressing the features of pale gold, was pressed more boldly&#13;
for an instant on the pure and noble brow of the youthful god. At this&#13;
pressure, though so slight, Adrienne seemed to feel a sort of electric&#13;
shock; she trembled in every limb, her eyes languished, and, after&#13;
swimming for an instant in their humid and brilliant crystal, were&#13;
raised, half-closed, to heaven. Then her head was thrown a little way&#13;
back, her knees bent insensibly, her rosy lips were half opened, as if&#13;
to give a passage to her heated breath, for her bosom heaved violently,&#13;
as thought youth and life had accelerated the pulsations of her heart,&#13;
and made her blood boil in her veins. Finally, the burning cheeks of&#13;
Adrienne betrayed a species of ecstasy, timid and passionate, chaste and&#13;
sensual, the expression of which was ineffably touching.</p><p>An affecting spectacle indeed is that of a young maiden, whose modest&#13;
brow flushes with the first fires of a secret passion. Does not the&#13;
Creator of all things animate the body as well as the soul, with a&#13;
spark of divine energy? Should He not be religiously glorified in the&#13;
intellect as in the senses, with which He has so paternally endowed His&#13;
creatures? They are impious blasphemers who seek to stifle the celestial&#13;
senses, instead of guiding and harmonizing them in their divine flight.&#13;
Suddenly, Mdlle. de Cardoville started, raised her head, opened her eyes&#13;
as if awakening from a dream, withdrew abruptly from the sculptures,&#13;
and walked several times up and down the room in an agitated manner,&#13;
pressing her burning hands to her forehead. Then, falling, as it were,&#13;
exhausted on her seat, her tears flowed in abundance. The most bitter&#13;
grief was visible in her features, which revealed the fatal struggle&#13;
that was passing within her. By degrees, her tears ceased. To this&#13;
crisis of painful dejection succeeded a species of violent scorn and&#13;
indignation against herself, which were expressed by these words that&#13;
escaped her: "For the first time in my life, I feel weak and cowardly.&#13;
Oh yes! cowardly--very cowardly!"</p><p>The sound of a door opening and closing, roused Mdlle. de Cardoville&#13;
from her bitter reflections. Georgette entered the room, and said to her&#13;
mistress: "Madame, can you receive the Count de Montbron?"</p><p>Adrienne, too well-bred to exhibit before her women the sort of&#13;
impatience occasioned by this unseasonable visit, said to Georgette:&#13;
"You told M. de Montbron that I was at home?"</p><p>"Yes, Madame."</p><p>"Then beg him to walk in." Though Mdlle. de Cardoville felt at that&#13;
moment much vexed at the arrival of Montbron, let us hasten to say,&#13;
that she entertained for him an almost filial affection, and a profound&#13;
esteem, though, by a not unfrequent contrast, she almost always differed&#13;
from him in opinion. Hence arose, when Mdlle. de Cardoville had nothing&#13;
to disturb her mind, the most gay and animated discussions, in which M.&#13;
de Montbron, notwithstanding his mocking and sceptical humor, his&#13;
long experience, his rare knowledge of men and things, his fashionable&#13;
training, in a word, had not always the advantage, and even acknowledged&#13;
his defeat gayly enough. Thus, to give an idea of the differences of&#13;
the count and Adrienne, before, as he would say laughingly, he had made&#13;
himself her accomplice, he had always opposed (from other motives than&#13;
those alleged by Madame de Saint-Dizier) Adrienne's wish to live alone&#13;
and in her own way; whilst Rodin, on the contrary, by investing&#13;
the young girl's resolve on this subject with an ideal grandeur of&#13;
intention, had acquired a species of influence over her. M. de Montbron,&#13;
now upwards of sixty years of age, had been a most prominent character&#13;
during the Directory, Consulate, and the Empire. His prodigal style of&#13;
living, his wit, his gayety, his duels, his amours, and his losses at&#13;
play, had given him a leading influence in the best society of his day;&#13;
while his character, his kind-heartedness, and liberality, secured him&#13;
the lasting friendship of nearly all his female friends. At the time&#13;
we now present him to the reader, he was still a great gambler; and,&#13;
moreover, a very lucky gambler. He had, as we have stated, a very lordly&#13;
style; his manners were decided, but polished and lively; his habits&#13;
were such as belong to the higher classes of society, though he could be&#13;
excessively sharp towards people whom he did not like. He was tall and&#13;
thin, and his slim figure gave him an almost youthful appearance; his&#13;
forehead was high, and a little bald; his hair was gray and short, his&#13;
countenance long, his nose aquiline, his eyes blue and piercing, and his&#13;
teeth white, and still very good.</p><p>"The Count de Montbron," said Georgette, opening the door. The count&#13;
entered, and hastened to kiss Adrienne's hand, with a sort of paternal&#13;
familiarity.</p><p>"Come!" said M. de Montbron to himself; "let us try to discover the&#13;
truth I am in search of, that we may escape a great misfortune."</p><p>CHAPTER VIII. THE CONFESSION.</p><p>Mdlle. de Cardoville, not wishing to betray the cause of the violent&#13;
feelings which agitated her, received M. de Montbron with a feigned and&#13;
forced gayety. On the other hand, notwithstanding his tact and knowledge&#13;
of the world, the count was much embarrassed how to enter upon the&#13;
subject on which he wished to confer with Adrienne, and he resolved&#13;
to feel his way, before seriously commencing the conversation. After&#13;
looking at the young lady for some seconds, M. de Montbron shook&#13;
his head, and said, with a sigh of regret: "My dear child, I am not&#13;
pleased."</p><p>"Some affair of the heart, or of hearts, my dear count?" returned&#13;
Adrienne, smiling.</p><p>"Of the heart," said M. de Montbron.</p><p>"What! you, so great a player, think more of a woman's whim than a throw&#13;
of the dice?"</p><p>"I have a heavy heart, and you are the cause of it, my dear child."</p><p>"M. de Montbron, you will make me very proud," said Adrienne, with a&#13;
smile.</p><p>"You would be wrong, for I tell you plainly, my trouble is caused by&#13;
your neglect of your beauty. Yes, your countenance is pale, dejected,&#13;
sorrowful; you have been low-spirited for the last few days; you have&#13;
something on your mind, I am sure of it."</p><p>"My dear M. de Montbron, you have so much penetration, that you may be&#13;
allowed to fall for once, as now. I am not sad, I have nothing on my&#13;
mind, and--I am about to utter a very silly piece of impertinence--I&#13;
have never thought myself so pretty."</p><p>"On the contrary, nothing could be more modest than such an assertion.&#13;
Who told you that falsehood? a woman?"</p><p>"No; it was my heart, and it spoke the truth," answered Adrienne, with a&#13;
slight degree of emotion. "Understand it, if you can," she added.</p><p>"Do you mean that you are proud of the alteration in your features,&#13;
because you are proud of the sufferings of your heart?" said M. de&#13;
Montbron, looking at Adrienne with attention. "Be it so; I am then&#13;
right. You have some sorrow. I persist in it," added the count, speaking&#13;
with a tone of real feeling, "because it is painful to me."</p><p>"Be satisfied; I am as happy as possible--for every instant I take&#13;
delight in repeating, how, at my age, I am free--absolutely free!"</p><p>"Yes; free to torment yourself, free to be miserable."</p><p>"Come, come, my dear count!" said Adrienne, "you are recommencing&#13;
our old quarrel. I still find in you the ally of my aunt and the Abbe&#13;
d'Aigrigny."</p><p>"Yes; as the republicans are the allies of the legitimists--to destroy&#13;
each other in their turn. Talking of your abominable aunt, they say that&#13;
she holds a sort of council at her house these last few days, a regular&#13;
mitred conspiracy. She is certainly in a good way."</p><p>"Why not? Formerly, she would have wished to be Goddess of Reason, now,&#13;
we shall perhaps see her canonized. She has already performed the first&#13;
part of the life of Mary Magdalen."</p><p>"You can never speak worse of her than she deserves, my dear child.&#13;
Still, though for quite opposite reasons, I agreed with her on the&#13;
subject of your wish to reside alone."</p><p>"I know it."</p><p>"Yes; and because I wished to see you a thousand times freer than you&#13;
really are, I advised you--"</p><p>"To marry."</p><p>"No doubt; you would have had your dear liberty, with its consequences,&#13;
only, instead of Mdlle. de Cardoville, we should have called you Madame&#13;
Somebody, having found an excellent husband to be responsible for your&#13;
independence."</p><p>"And who would have been responsible for this ridiculous husband? And&#13;
who would bear a mocked and degraded name? I, perhaps?" said Adrienne,&#13;
with animation. "No, no, my dear count, good or ill, I will answer for&#13;
my own actions; to my name shall attach the reputation, which I alone&#13;
have formed. I am as incapable of basely dishonoring a name which is&#13;
not mine, as of continually bearing it myself, if it were not held in,&#13;
esteem. And, as one can only answer for one's own actions, I prefer to&#13;
keep my name."</p><p>"You are the only person in the world that has such ideas."</p><p>"Why?" said Adrienne, laughing. "Because it appears to me horrible,&#13;
to see a poor girl lost and buried in some ugly and selfish man, and&#13;
become, as they say seriously, the better half of the monster--yes! a&#13;
fresh and blooming rose to become part of a frightful thistle!--Come,&#13;
my dear count; confess there is something odious in this conjugal&#13;
metempsychosis," added Adrienne, with a burst of laughter.</p><p>The forced and somewhat feverish gayety of Adrienne contrasted painfully&#13;
with her pale and suffering countenance; it was so easy to see that she&#13;
strove to stifle with laughter some deep sorrow, that M. de Montbron&#13;
was much affected by it; but, dissembling his emotion, he appeared to&#13;
reflect a moment, and took up mechanically one of the new, fresh-cut&#13;
books, by which Adrienne was surrounded. After casting a careless glance&#13;
at this volume, he continued, still dissembling his feelings: "Come, my&#13;
dear madcap: this is another folly. Suppose I were twenty years old,&#13;
and that you did me the honor to marry me--you would be called Lady de&#13;
Montbron, I imagine?"</p><p>"Perhaps."</p><p>"How perhaps? Would you not bear my name, if you married me?"</p><p>"My dear count," said Adrienne, with a smile, "do not let us pursue this&#13;
hypothesis, which can only leave us--regrets."</p><p>Suddenly, M. de Montbron started, and looked at Mdlle, de Cardoville&#13;
with an expression of surprise. For some moments, whilst talking to&#13;
Adrienne, he had mechanically--taken up two or three of the volumes&#13;
scattered over the couch, and had glanced at their titles in the same&#13;
careless manner. The first was the "Modern History of India." The&#13;
second, "Travels in India." The third, "Letters on India." Much&#13;
surprised, M. de Montbron had continued his investigation, and found&#13;
that the fourth volume continued this Indian nomenclature, being&#13;
"Rambles in India." The fifth was, "Recollections of Hindostan." The&#13;
sixth, "Notes of a Traveller in the East Indies."</p><p>Hence the astonishment, which, for many serious reasons, M. de Montbron&#13;
had no longer been able to conceal, and which his looks betrayed to&#13;
Adrienne. The latter, having completely forgotten the presence of the&#13;
accusing volumes by which she was surrounded, yielded to a movement of&#13;
involuntary confusion, and blushed slightly; but, her firm and resolute&#13;
character again coming to her aid, she looked full at M. de Montbron,&#13;
and said to him: "Well, my dear count! what surprises you?"</p><p>Instead of answering, M. de Montbron appeared still more absorbed in&#13;
thought, and contemplating the young girl, he could not forbear saying&#13;
to himself: "No, no--it is impossible--and yet--"</p><p>"It would, perhaps, be indiscreet in me to listen to your soliloquy, my&#13;
dear count," said Adrienne.</p><p>"Excuse me, my dear child; but what I see surprises me so much--"</p><p>"And pray what do you see?"</p><p>"The traces of so great and novel an interest in all that relates to&#13;
India," said M. de Montbron, laying a slight stress on his words, and&#13;
fixing a piercing look upon the young girl.</p><p>"Well!" said Adrienne, stoutly.</p><p>"Well! I seek the cause of this sudden passion--"</p><p>"Geographical?" said Mdlle. de Cardoville, interrupting M. de Montbron:&#13;
"you may find this taste somewhat serious for my age my dear count--but&#13;
one must find occupation for leisure hours--and then, having a cousin,&#13;
who is both an Indian and a prince, I should like to know something of&#13;
the fortunate country from which I derive this savage relationship."</p><p>These last words were pronounced with a bitterness that was not lost on&#13;
M. de Montbron: watching Adrienne attentively, he observed: "Meseems,&#13;
you speak of the prince with some harshness."</p><p>"No; I speak of him with indifference."</p><p>"Yet he deserves a very different feeling."</p><p>"On the part of some other person, perhaps," replied Adrienne, dryly.</p><p>"He is so unhappy!" said M, de Montbron, in a tone of sincere pity.&#13;
"When I saw him the other day, he made my heart ache."</p><p>"What have I to do with it?" exclaimed Adrienne, with an accent of&#13;
painful and almost angry impatience.</p><p>"I should have thought that his cruel torments at least deserved your&#13;
pity," answered the count gravely.</p><p>"Pity--from me!" cried Adrienne, with an air of offended pride. Then&#13;
restraining herself, she added coldly: "You are jesting, M. de Montbron.&#13;
It is not in sober seriousness that you ask me to take interest in the&#13;
amorous torments of your prince."</p><p>There was so much cold disdain in these last words of Adrienne, her pale&#13;
and agitated countenance betrayed such haughty bitterness, that M. de&#13;
Montbron said, sorrowfully: "It is then true; I have not been deceived.&#13;
I, who thought, from our old and constant friendship, that I had some&#13;
claim to your confidence have known nothing of it--while you told all to&#13;
another. It is painful, very painful to me."</p><p>"I do not understand you, M. de Montbron."</p><p>"Well then, since I must speak plainly," cried the count, "there is, I&#13;
see, no hope for this unhappy boy--you love another."</p><p>As Adrienne started--"Oh! you cannot deny it," resumed the count;&#13;
"your paleness and melancholy for the last few days, your implacable&#13;
indifference to the prince--all prove to me that you are in love."</p><p>Hurt by the manner in which the count spoke of the sentiment he&#13;
attributed to her, Mdlle. de Cardoville answered with dignified&#13;
stateliness: "You must know, M. de Montbron, that a secret discovered is&#13;
not a confidence. Your language surprises me.</p><p>"Oh, my dear friend, if I use the poor privilege of experience--if I&#13;
guess that you are in love--if I tell you so, and even go so far as&#13;
to reproach you with it--it is because the life or death of this poor&#13;
prince is concerned; and I feel for him as if he were my son, for it is&#13;
impossible to know him without taking the warmest interest in him."</p><p>"It would be singular," returned Adrienne, with redoubled coldness, and&#13;
still more bitter irony, "if my love--admitting I were in love--could&#13;
have any such strange influence on Prince Djalma. What can it matter to&#13;
him?" added she, with almost agonizing disdain.</p><p>"What can it matter to him? Now really, my dear friend, permit me to&#13;
tell you, that it is you who are jesting cruelly. What! this unfortunate&#13;
youth loves you with all the blind ardor of a first love--twice&#13;
has attempted to terminate by suicide the horrible tortures of his&#13;
passion--and you think it strange that your love for another should be&#13;
with him a question of life or death!"</p><p>"He loves me then?" cried the young girl, with an accent impossible to&#13;
describe.</p><p>"He loves you to madness, I tell you; I have seen it."</p><p>Adrienne seemed overcome with amazement. From pale, she became crimson;&#13;
as the redness disappeared, her lips grew white, and trembled. Her&#13;
emotion was so strong, that she remained for some moments unable&#13;
to speak, and pressed her hand to her heart, as if to moderate its&#13;
pulsations.</p><p>M. de Montbron, almost frightened at the sudden change in Adrienne's&#13;
countenance, hastily approached her, exclaiming: "Good heaven, my poor&#13;
child! what is the matter?"</p><p>Instead of answering, Adrienne waved her hand to him, in sign that&#13;
he should not be alarmed; and, in fact, the count was speedily&#13;
tranquillized, for the beautiful face, which had so lately been&#13;
contracted with pain, irony, and scorn, seemed now expressive of the&#13;
sweetest and most ineffable emotions; Adrienne appeared to luxuriate&#13;
in delight, and to fear losing the least particle of it; then, as&#13;
reflection told her, that she was, perhaps, the dupe of illusion or&#13;
falsehood, she exclaimed suddenly, with anguish, addressing herself to&#13;
M. de Montbron: "But is what you tell me true?"</p><p>"What I tell you!"</p><p>"Yes--that Prince Djalma--"</p><p>"Loves you to madness?--Alas! it is only too true."</p><p>"No, no," cried Adrienne, with a charming expression of simplicity;&#13;
"that could never be too true."</p><p>"What do you say?" cried the count.</p><p>"But that woman?" asked Adrienne, as if the word scorched her lips.</p><p>"What woman?"</p><p>"She who has been the cause of all these painful struggles."</p><p>"That woman--why, who should it be but you?"</p><p>"What, I? Oh! tell me, was it I?"</p><p>"On my word of honor. I trust my experience. I have never seen so ardent&#13;
and sincere a passion."</p><p>"Oh! is it really so? Has he never had any other love?"</p><p>"Never."</p><p>"Yet I was told so."</p><p>"By whom?"</p><p>"M. Rodin."</p><p>"That Djalma--"</p><p>"Had fallen violently in love, two days after I saw him."</p><p>"M. Rodin told you that!" cried M. de Montbron, as if struck with a&#13;
sudden idea. "Why, it is he who told Djalma that you were in love with&#13;
some one else."</p><p>"I!"</p><p>"And this it was which occasioned the poor youth's dreadful despair."</p><p>"It was this which occasioned my despair."</p><p>"You love him, then, just as he loves you!" exclaimed M. de Montbron,&#13;
transported with joy.</p><p>"Love him!" said Mdlle. de Cardoville. A discreet knock at the door&#13;
interrupted Adrienne.</p><p>"One of your servants, no doubt. Be calm," said the count.</p><p>"Come in," said Adrienne, in an agitated voice.</p><p>"What is it?" said Mdlle. de Cardoville. Florine entered the room.</p><p>"M. Rodin has just been here. Fearing to disturb mademoiselle, he would&#13;
not come in; but he will return in half an hour. Will mademoiselle&#13;
receive him?"</p><p>"Yes, yes," said the count to Florine; "even if I am still here, show&#13;
him in by all means. Is not that your opinion?" asked M. de Montbron of&#13;
Adrienne.</p><p>"Quite so," answered the young girl; and a flash of indignation darted&#13;
from her eyes, as she thought of Rodin's perfidy.</p><p>"Oho! the old knave!" said M. de Montbron, "I always had my doubts&#13;
of that crooked neck!" Florine withdrew, leaving the count with her&#13;
mistress.</p><p>CHAPTER IX. LOVE.</p><p>Mdlle. de Cardoville was transfigured. For the first time her beauty&#13;
shone forth in all its lustre. Until now overshadowed by indifference,&#13;
or darkened by grief, she appeared suddenly illumined by a brilliant ray&#13;
of sunshine. The slight irritation caused by Rodin's perfidy passed like&#13;
an imperceptible shade from her brow. What cared she now for falsehood&#13;
and perfidy? Had they not failed? And, for the future, what human power&#13;
could interpose between her and Djalma, so sure of each other? Who would&#13;
dare to cross the path of those two things, resolute and strong with the&#13;
irresistible power of youth, love, and liberty? Who would dare to follow&#13;
them into that blazing sphere, whither they went, so beautiful and&#13;
happy, to blend together in their inextinguishable love, protected by&#13;
the proof armor of their own happiness? Hardly had Florine left the&#13;
room, when Adrienne approached M. de Montbron with a rapid step.&#13;
She seemed to have become taller; and to watch her advancing, light,&#13;
radiant, and triumphant, one might have fancied her a goddess walking&#13;
upon clouds.</p><p>"When shall I see him?" was her first word to M. de Montbron.</p><p>"Well--say to-morrow; he must be prepared for so much happiness; in so&#13;
ardent a nature, such sudden, unexpected joy might be terrible."</p><p>Adrienne remained pensive for a moment, and then said rapidly: "To&#13;
morrow--yes--not before to-morrow. I have a superstition of the heart."</p><p>"What is it?"</p><p>"You shall know. HE LOVES ME--that word says all, contains all,&#13;
comprehends all, is all--and yet I have a thousand questions to ask&#13;
with regard to him--but I will ask none before to-morrow, because, by a&#13;
mysterious fatality, to-morrow is with me a sacred anniversary. It will&#13;
be an age till then; but happily, I can wait. Look here!"</p><p>Beckoning M. de Montbron, she led him to the Indian Bacchus. "How much&#13;
it is like him!" said she to the count.</p><p>"Indeed," exclaimed the latter, "it is strange!"</p><p>"Strange?" returned Adrienne, with a smile of gentle pride; "strange,&#13;
that a hero, a demi-god, an ideal of beauty, should resemble Djalma?"</p><p>"How you love him!" said M. de Montbron, deeply touched, and almost&#13;
dazzled by the felicity which beamed from the countenance of Adrienne.</p><p>"I must have suffered a good deal, do you not think so?" said she, after&#13;
a moment's silence.</p><p>"If I had not made up my mind to come here to-day, almost in despair,&#13;
what would have happened?"</p><p>"I cannot tell; I should perhaps have died, for I am wounded mortally&#13;
here"--she pressed her hand to her heart. "But what might have been&#13;
death to me, will now be life."</p><p>"It was horrible," said the count, shuddering. "Such a passion, buried&#13;
in your own breast, proud as you are--"</p><p>"Yes, proud--but not self-conceited. When I learned his love for&#13;
another, and that the impression which I fancied I had made on him at&#13;
our first interview had been immediately effaced, I renounced all hope,&#13;
without being able to renounce my love. Instead of shunning his image,&#13;
I surrounded myself with all that could remind me of him. In default&#13;
of happiness, there is a bitter pleasure in suffering through what we&#13;
love."</p><p>"I can now understand your Indian library."</p><p>Instead of answering the count, Adrienne took from the stand one of the&#13;
freshly-cut volumes, and, bringing it to M. de Montbron, said to him,&#13;
with a smile and a celestial expression of joy and happiness: "I was&#13;
wrong--I am vain. Just read this--aloud, if you please. I tell you that&#13;
I can wait for to-morrow." Presenting the book to the count, she pointed&#13;
out one passage with the tip of her charming finger. Then she sank down&#13;
upon the couch, and, in an attitude of deep attention, with her body&#13;
bent forward, her hands crossed upon the cushion, her chin resting upon&#13;
her hands, her large eyes fixed with a sort of adoration on the Indian&#13;
Bacchus, that was just opposite to her, she appeared by this impassioned&#13;
contemplation to prepare herself to listen to M. de Montbron.</p><p>The latter, much astonished, began to read, after again looking at&#13;
Adrienne, who said to him, in her most coaxing voice, "Very slowly, I&#13;
beg of you."</p><p>M. de Montbron then read the following passage from the journal of a&#13;
traveller in India: "'When I was at Bombay, in 1829, I constantly heard&#13;
amongst the English there, of a young hero, the son of--'"</p><p>The count having paused a second, by reason of the barbarous spelling&#13;
of the name of Djalma's father, Adrienne immediately said to him, in her&#13;
soft voice: "The son of Kadja-sing."</p><p>"What a memory!" said the count, with a smile. And he resumed: "'A young&#13;
hero, the son of Kadja-sing, king of Mundi. On his return from a distant&#13;
and sanguinary expedition amongst the mountains against this Indian&#13;
king, Colonel Drake was filled with enthusiasm for this son of&#13;
Kadja-sing, known as Djalma. Hardly beyond the age of childhood, this&#13;
young prince has in the course of this implacable war given proofs&#13;
of such chivalrous intrepidity, and of so noble a character, that his&#13;
father has been surnamed the Father of the Generous.'"</p><p>"That is a touching custom," said the count. "To recompense the father,&#13;
as it were, by giving him a surname in honor of his son, is a great&#13;
idea. But how strange you should have met with this book!" added the&#13;
count, in surprise. "I can understand; there is matter here to inflame&#13;
the coolest head."</p><p>"Oh! you will see, you will see," said Adrienne.</p><p>The count continued to read: "'Colonel Drake, one of the bravest and&#13;
best officers of the English army, said yesterday, in my presence, that&#13;
having been dangerously wounded, and taken prisoner by Prince Djalma,&#13;
after an energetic resistance, he had been conveyed to the camp&#13;
established in the village of--"</p><p>Here there was the same hesitation on the part of the count, on seeing&#13;
a still more barbarous name than the first; so, not wishing to try the&#13;
adventure, he paused, and said to Adrienne, "Now really, I give this&#13;
up."</p><p>"And yet it is so easy!" replied Adrienne; and she pronounced with&#13;
inexpressible softness, a name in itself soft, "The village of&#13;
Shumshabad."</p><p>"You appear to have an infallible process for remembering geographical&#13;
names," said the count, continuing: "'Once arrived at the camp, Colonel&#13;
Drake received the kindest hospitality, and Prince Djalma treated&#13;
him with the respect of a son. It was there that the colonel became&#13;
acquainted with some facts, which carried to the highest pitch his&#13;
enthusiasm for prince Djalma. I heard him relate the two following.</p><p>"'In one of the battles, the prince was accompanied by a young Indian of&#13;
about twelve years of age, whom he loved tenderly, and who served him&#13;
as a page, following him on horseback to carry his spare weapons.&#13;
This child was idolized by its mother; just as they set out on the&#13;
expedition, she had entrusted her son to Prince Djalma's care, saying,&#13;
with a stoicism worthy of antiquity, "Let him be your brother." "He&#13;
shall be my brother," had replied the prince. In the height of a&#13;
disastrous defeat, the child is severely wounded, and his horse killed;&#13;
the prince, at peril of his life, notwithstanding the perception of a&#13;
forced retreat, disengages him, and places him on the croup of his own&#13;
horse; they are pursued; a musket-ball strikes their steed, who is just&#13;
able to reach a jungle, in the midst of which, after some vain efforts,&#13;
he falls exhausted. The child is unable to walk, but the prince carries&#13;
him in his arms, and hides with him in the thickest part of the jungle.&#13;
The English arrive, and begin their search; but the two victims escape.&#13;
After a night and a day of marches, counter-marches, stratagems,&#13;
fatigues, unheard-of perils, the prince, still, carrying the child, one&#13;
of whose legs is broken, arrives at his father's camp, and says, with&#13;
the utmost simplicity, "I had promised his mother that I would act a&#13;
brother's part by him--and I have done so."'</p><p>"That is admirable!" cried the count.</p><p>"Go on--pray go on!" said Adrienne, drying a tear, without removing&#13;
her eyes from the bas-relief, which she continued to contemplate with&#13;
growing adoration.</p><p>The count continued: "'Another time, Prince Djalma, followed by two&#13;
black slaves, went, before sunrise, to a very wild spot, to seize a&#13;
couple of tiger cubs only a few days old. The den had been previously&#13;
discovered. The two old tigers were still abroad. One of the blacks&#13;
entered the den by a narrow aperture; the other, aided by Djalma,&#13;
cut down a tolerably large tree, to prepare a trap for one of the old&#13;
tigers. On the side of the aperture, the cavern was exceedingly steep.&#13;
The prince mounted to the top of it with agility, to set his trap, with&#13;
the aid of the other black. Suddenly, a dreadful roar was heard; and, in&#13;
a few bounds, the tigress, returning from the chase, reached the opening&#13;
of the den. The black who was laying the trap with the prince had his&#13;
skull fractured by her bite; the tree, falling across the entrance,&#13;
prevented the female from penetrating the cavern, and at the same time&#13;
stopped the exit of the black who had seized the cubs.</p><p>"'About twenty feet higher, upon a ledge of rock, the prince lay flat&#13;
on the ground, looking down upon this frightful spectacle. The tigress,&#13;
rendered furious by the cries of her little ones, gnawed the hands of&#13;
the black, who, from the interior of the den, strove to support&#13;
the trunk of the tree, his only rampart, whilst he uttered the most&#13;
lamentable outcries.'</p><p>"It is horrible!" said the count.</p><p>"Oh! go on! pray go on!" exclaimed Adrienne, with excitement; "you will&#13;
see what can be achieved by the heroism of goodness."</p><p>The count pursued: "'Suddenly the prince seized his dagger between his&#13;
teeth, fastened his sash to a block of stone, took his axe in one hand,&#13;
and with the other slid down this substitute for a rope; falling a few&#13;
steps from the wild beast, he sprang upon her, and, swift as lightning,&#13;
dealt her two mortal strokes, just as the black, losing his strength,&#13;
was about to drop the trunk of the tree, sure to have been torn to&#13;
pieces.'"</p><p>"And you are astonished at his resemblance with the demi-god, to whom&#13;
fable itself ascribes no more generous devotion!" cried the young lady,&#13;
with still increasing excitement.</p><p>"I am astonished no longer, I only admire," said the count, in a voice&#13;
of emotion; "and, at these two noble instances of heroism, my heart&#13;
beats with enthusiasm, as if I were still twenty."</p><p>"And the noble heart of this traveller beat like yours at the recital,"&#13;
said Adrienne; "you will see."</p><p>"'What renders so admirable the intrepidity of the prince, is, that,&#13;
according to the principle of Indian castes, the life of a slave is of&#13;
no importance; thus a king's son, risking his life for the safety of&#13;
a poor creature, so generally despised, obeyed an heroic and truly&#13;
Christian instinct of charity, until then unheard of in this country."</p><p>"'Two such actions,' said Colonel Drake, with good reason, 'are&#13;
sufficient to paint the man; it is with a feeling of profound respect&#13;
and admiration, therefore, that I, an obscure traveller, have written&#13;
the name of Prince Djalma in my book; and at the same time, I have&#13;
experienced a kind of sorrow, when I have asked myself what would be the&#13;
future fate of this prince, buried in the depths of a savage country,&#13;
always devastated by war. However humble may be the homage that I pay&#13;
to this character, worthy of the heroic age, his name will at least be&#13;
repeated with generous enthusiasm by all those who have hearts that beat&#13;
in sympathy with what is great and noble.'"</p><p>"And just now, when I read those simple and touching lines," resumed&#13;
Adrienne, "I could not forbear pressing my lips to the name of the&#13;
traveller."</p><p>"Yes; he is such as I thought him," cried the count, with still more&#13;
emotion, as he returned the book to Adrienne, who rose, with a grave and&#13;
touching air, and said to him: "It was thus I wished you to know him,&#13;
that you might understand my adoration; for this courage, this heroic&#13;
goodness, I had guessed beforehand, when I was an involuntary listener&#13;
to his conversation. From that moment, I knew him to be generous as&#13;
intrepid, tender and sensitive as energetic and resolute; and when I saw&#13;
him so marvellously beautiful--so different, in the noble character of&#13;
his countenance, and even in the style of his garments, from all I had&#13;
hitherto met with--when I saw the impression that I made upon him, and&#13;
which I perhaps felt still more violently--I knew that my whole life was&#13;
bound up with his love."</p><p>"And now, what are your plans?"</p><p>"Divine, radiant as my heart. When he learns his happiness, I wish that&#13;
Djalma should feel dazzled as I do, so as to prevent my gazing on my&#13;
sun; for I repeat, that until tomorrow will be a century to me. Yes, it&#13;
is strange! I should have thought that after such a discovery, I should&#13;
feel the want of being left alone, plunged in an ocean of delicious&#13;
dreams. But no! from this time till to-morrow--I dread solitude--I&#13;
feel a kind of feverish impatience--uneasy--ardent--Oh! where is the&#13;
beneficent fairy, that, touching me with her wand, will lull me into&#13;
slumber till to-morrow!"</p><p>"I will be that beneficent fairy," said the count, smiling.</p><p>"You?"</p><p>"Yes, I."</p><p>"And how so?"</p><p>"The power of my wand is this: I will relieve you from a portion of your&#13;
thoughts by making them materially visible."</p><p>"Pray explain yourself."</p><p>"And my plan will have another advantage for you. Listen to me; you&#13;
are so happy now that you can hear anything. Your odious aunt, and her&#13;
equally odious friends, are spreading the report that your residence&#13;
with Dr. Baleinier--"</p><p>"Was rendered necessary by the derangement of my mind," said Adrienne,&#13;
with a smile; "I expected that."</p><p>"It is stupid enough; but, as your resolution to live alone makes many&#13;
envious of you, and many hostile, you must feel that there will be no&#13;
want of persons ready to believe the most absurd calumny possible."</p><p>"I hope as much. To pass for mad in the eyes of fools is very&#13;
flattering."</p><p>"Yes; but to prove to fools that they are fools, and that in the face&#13;
of all Paris, is much more amusing. Now, people begin to talk of your&#13;
absence; you have given up your daily rides; for some time my niece has&#13;
appeared alone in our box at the Opera; you wish to kill the time till&#13;
to-morrow--well! here is an excellent opportunity. It is two o'clock;&#13;
at halfpast three, my niece will come in the carriage; the weather is&#13;
splendid; there is sure to be a crowd in the Bois de Boulogne. You can&#13;
take a delightful ride, and be seen by everybody. Then, as the air and&#13;
movement will have calmed your fever of happiness, I will commence my&#13;
magic this evening, and take you to India."</p><p>"To India?"</p><p>"Into the midst of one of those wild forests, in which roar the lion,&#13;
the panther, and the tiger. We will have this heroic combat, which so&#13;
moved you just now, under our own eyes, in all its terrible reality."</p><p>"Really, my dear count, you must be joking."</p><p>"Not at all; I promise to show you real wild beasts, formidable tenants&#13;
of the country of our demigod--growling tigers--roaring lions--do you&#13;
not think that will be better than books?"</p><p>"But how?"</p><p>"Come! I must give you the secret of my supernatural power. On returning&#13;
from your ride, you shall dine with my niece, and we will go together&#13;
to a very curious spectacle now exhibiting at the Porte-Saint-Martin&#13;
Theatre. A most extraordinary lion-tamer there shows you a number of&#13;
wild beasts, in a state of nature, in the midst of a forest (here only&#13;
commences the illusion), and has fierce combats with them all--tigers,&#13;
lions, and panthers. All Paris is crowding to these representations, and&#13;
all Paris will see you there, more charming than ever."</p><p>"I accept your offer," said Adrienne, with childish delight. "Yes,&#13;
you are right. I feel a strange pleasure in beholding these ferocious&#13;
monsters, who will remind me of those that my demi-god so heroically&#13;
overcame. I accept also, because, for the first time in my life, I am&#13;
anxious to be admired--even by everybody. I accept finally because--"&#13;
Here Mdlle. de Cardoville was interrupted by a low knock at the door,&#13;
and by the entrance of Florine, who announced M. Rodin.</p><p>CHAPTER X. THE EXECUTION.</p><p>Rodin entered. A rapid glance at Mdlle. de Cardoville and M. de Montbron&#13;
told him at once that he was in a dilemma. In fact, nothing could be&#13;
less encouraging than the faces of Adrienne and the count. The latter,&#13;
when he disliked people, exhibited his antipathy, as we have already&#13;
said, by an impertinently aggressive manner, which had before now&#13;
occasioned a good number of duels. At sight of Rodin, his countenance at&#13;
once assumed a harsh and insolent expression; resting his elbow on the&#13;
chimney-piece, and conversing with Adrienne, he looked disdainfully over&#13;
his shoulder, without taking the least notice of the Jesuit's low bow.&#13;
On the other hand, at sight of this man, Mdlle. de Cardoville almost&#13;
felt surprise, that she should experience no movement of anger or&#13;
hatred. The brilliant flame which burned in her heart, purified it from&#13;
every vindictive sentiment. She smiled, on the contrary; for, glancing&#13;
with gentle pride at the Indian Bacchus, and then at herself, she asked&#13;
herself what two beings, so young, and fair, and free, and loving,&#13;
could have to fear from this old, sordid man, with his ignoble and base&#13;
countenance, now advancing towards her with the writhing of a reptile.&#13;
In a word, far from feeling anger or aversion with regard to Rodin, the&#13;
young lady seemed full of the spirit of mocking gayety, and her large&#13;
eyes, already lighted up with happiness, now sparkled with irony and&#13;
mischief. Rodin felt himself ill at ease. People of his stamp greatly&#13;
prefer violent to mocking enemies. They can encounter bursts of&#13;
rage--sometimes by falling on their knees, weeping, groaning, and&#13;
beating their breasts--sometimes by turning on their adversary, armed&#13;
and implacable. But they are easily disconcerted by biting raillery; and&#13;
thus it was with Rodin. He saw that between Adrienne de Cardoville and&#13;
M. de Montbron, he was about to be placed in what is vulgarly termed a&#13;
"regular fix."</p><p>The count opened the fire; still glancing over his shoulder, he said to&#13;
Rodin: "Ah! you are here, my benevolent gentleman!"</p><p>"Pray, sir, draw a little nearer," said Adrienne, with a mocking smile.&#13;
"Best of friends and model of philosophers--as well as declared enemy of&#13;
all fraud and falsehood--I have to pay you a thousand compliments."</p><p>"I accent anything from you, my dear young lady, even though&#13;
undeserved," said the Jesuit, trying to smile, and thus exposing his&#13;
vile yellow teeth; "but may I be informed how I have earned these&#13;
compliments?"</p><p>"Your penetration, sir, which is rare--" replied Adrienne.</p><p>"And your veracity, sir," said the count, "which is perhaps no less&#13;
rare--"</p><p>"In what have I exhibited my penetration, my dear young lady?" said&#13;
Rodin, coldly. "In what my veracity?" added he, turning towards M. de&#13;
Montbron.</p><p>"In what, sir?" said Adrienne. "Why, you have guessed a secret&#13;
surrounded by difficulties and mystery. In a word, you have known how to&#13;
read the depths of a woman's heart."</p><p>"I, my dear young lady?"</p><p>"You, sir! rejoice at it, for your penetration has had the most&#13;
fortunate results."</p><p>"And your veracity has worked wonders," added the count.</p><p>"It is pleasant to do good, even without knowing it," said Rodin, still&#13;
acting on the defensive, and throwing side glances by turns on the count&#13;
and Adrienne; "but will you inform me what it is that deserves this&#13;
praise--"</p><p>"Gratitude obliges me to inform you of it," said Adrienne, maliciously;&#13;
"you have discovered, and told Prince Djalma, that I was passionately in&#13;
love. Well! I admire your penetration; it was true."</p><p>"You have also discovered, and told this lady, that Prince Djalma&#13;
was passionately in love," resumed the count. "Well! I admire your&#13;
penetration, my dear sir; it was true."</p><p>Rodin looked confused, and at a loss for a reply.</p><p>"The person that I loved so passionately," said Adrienne, "was the&#13;
prince."</p><p>"The person that the prince loved so passionately," resumed the count,&#13;
"was this lady."</p><p>These revelations, so sudden and alarming, almost stunned Rodin; he&#13;
remained mute and terrified, thinking of the future.</p><p>"Do you understand now, sir, the extent of our gratitude towards&#13;
you?" resumed Adrienne, in a still more mocking tone. "Thanks to your&#13;
sagacity, thanks to the touching interest you take in us, the prince and&#13;
I are indebted to you for the knowledge of our mutual sentiments."</p><p>The Jesuit had now gradually recovered his presence of mind, and&#13;
his apparent calmness greatly irritated M. de Montbron, who, but for&#13;
Adrienne's presence, would have assumed another tone than jests.</p><p>"There is some mistake," said Rodin, "in what you have done me the honor&#13;
to tell me, my dear young lady. I have never in my life spoken of the&#13;
sentiments, however worthy and respectable, that you may entertain for&#13;
Prince Djalma--"</p><p>"That is true," replied Adrienne; "with scrupulous and exquisite&#13;
discretion, whenever you spoke to me of the deep love felt by Prince&#13;
Djalma, you carried your reserve and delicacy so far as to inform me&#13;
that it was not I whom he loved."</p><p>"And the same scruple induced you to tell the prince that Mdlle. de&#13;
Cardoville loved some one passionately--but that he was not the person,"&#13;
added the count.</p><p>"Sir," answered Rodin, dryly, "I need hardly tell you that I have no&#13;
desire to mix myself up with amorous intrigues."</p><p>"Come! this is either pride or modesty," said the count, insolently.&#13;
"For your own interest, pray do not advance such things; for, if we took&#13;
you at your word, and it became known, it might injure some of the nice&#13;
little trades that you carry on."</p><p>"There is one at least," said Rodin, drawing himself up as proudly as&#13;
M. de Montbron, "whose rude apprenticeship I shall owe to you. It is the&#13;
wearisome one of listening to your discourse."</p><p>"I tell you what, my good sir!" replied the count, disdainfully: "you&#13;
force me to remind you that there are more ways than one of chastising&#13;
impudent rogues."</p><p>"My dear count!" said Adrienne to M. de Montbron, with an air of&#13;
reproach.</p><p>With perfect coolness, Rodin replied: "I do not exactly see, sir, first,&#13;
what courage is shown by threatening a poor old man like myself, and,&#13;
secondly--"</p><p>"M. Rodin," said the count, interrupting the Jesuit, "first, a poor old&#13;
man like you, who does evil under the shelter of the age he dishonors,&#13;
is both cowardly and wicked, and deserves a double chastisement;&#13;
secondly, with regard to this question of age, I am not aware that&#13;
gamekeepers and policemen bow down respectfully to the gray coats of old&#13;
wolves, and the gray hairs of old thieves. What do you think, my good&#13;
sir?"</p><p>Still impassible, Rodin raised his flabby eyelids, fixed for hardly a&#13;
second his little reptile eye upon the count, and darted at him one of&#13;
his rapid, cold, and piercing glances--and then the livid eyelid again&#13;
covered the dull eye of that corpse-like face.</p><p>"Not having the disadvantage of being an old wolf, and still less an&#13;
old thief," said Rodin, quietly, "you will permit me, sir, to take no&#13;
account of the pursuit of hunters and police. As for the reproaches made&#13;
me, I have a very simple method of answering--I do not say of justifying&#13;
myself--I never justify myself--"</p><p>"You don't say!" said the count.</p><p>"Never," resumed Rodin coolly; "my acts are sufficient for that. I&#13;
will then simply answer that seeing the deep, violent, almost fearful&#13;
impression made by this lady on the prince--"</p><p>"Let this assurance which you give me of the prince's love," said&#13;
Adrienne interrupting Rodin with an enchanting smile, "absolve you of&#13;
all the evil you wished to do me. The sight of our happiness be your&#13;
only punishment!"</p><p>"It may be that I need neither absolution nor punishment, for, as I have&#13;
already had the honor to observe to the count, my dear young lady, the&#13;
future will justify my acts. Yes; it was my duty to tell the prince that&#13;
you loved another than himself, and to tell you that he loved another&#13;
than yourself--all in your mutual interest. That my attachment for you&#13;
may have misled me, is possible--I am not infallible; but, after my past&#13;
conduct towards you, my dear young lady, I have, perhaps, some right to&#13;
be astonished at seeing myself thus treated. This is not a complaint. If&#13;
I never justify myself, I never complain either."</p><p>"Now really, there is something heroic in all this, my good sir," said&#13;
the count. "You do not condescend to complain or justify yourself, with&#13;
regard to the evil you have done."</p><p>"The evil I have done?" said Rodin, looking fixedly at the count. "Are&#13;
we playing at enigmas?"</p><p>"What, sir!" cried the count, with indignation: "is it nothing, by your&#13;
falsehoods, to have plunged the prince into so frightful a state of&#13;
despair, that he has twice attempted his life? Is it nothing, by similar&#13;
falsehoods, to have induced this lady to believe so cruel and complete&#13;
an error, that but for the resolution I have to-day taken, it might have&#13;
led to the most fatal consequences?"</p><p>"And will you do me the honor to tell me, sir, what interest I could&#13;
have in all this despair and error, admitting even that I had wished to&#13;
produce them?"</p><p>"Some great interest no doubt," said the count, bluntly; "the more&#13;
dangerous that it is concealed. You are one of those, I see, to whom the&#13;
woes of others are pleasure and profit."</p><p>"That is really too much, sir," said Rodin, bowing; "I should be quite&#13;
contented with the profit."</p><p>"Your impudent coolness will not deceive me; this is a serious matter,"&#13;
said the count. "It is impossible that so perfidious a piece of roguery&#13;
can be an isolated act. Who knows but this may still be one of the&#13;
fruits of Madame de Saint-Dizier's hatred for Mdlle. de Cardoville?"</p><p>Adrienne had listened to the preceding discussion with deep attention.&#13;
Suddenly she started, as if struck by a sudden revelation.</p><p>After a moment's silence, she said to Rodin, without anger, without&#13;
bitterness, but with an expression of gentle and serene calmness: "We&#13;
are told, sir, that happy love works miracles. I should be tempted&#13;
to believe it; for, after some minutes' reflection, and when I recall&#13;
certain circumstances, your conduct appears to me in quite a new light."</p><p>"And what may this new perspective be, my dear young lady?"</p><p>"That you may see it from my point of view, sir, allow me to remind you&#13;
of a few facts. That sewing-girl was generously devoted to me; she had&#13;
given me unquestionable proofs of her attachment. Her mind was equal&#13;
to her noble heart; but she had an invincible dislike to you. All on a&#13;
sudden she disappears mysteriously from my house, and you do your&#13;
best to cast upon her odious suspicions. M. de Montbron has a paternal&#13;
affection for me; but, as I must confess, little sympathy for you; and&#13;
you have always tried to produce a coldness between us. Finally, Prince&#13;
Djalma has a deep affection for me, and you employ the most perfidious&#13;
treachery to kill that sentiment within him. For what end do you act&#13;
thus? I do not know; but certainly with some hostile design."</p><p>"It appears to me, madame," said Rodin, severely, "that you have&#13;
forgotten services performed."</p><p>"I do not deny, sir, that you took me from the house of Dr. Baleinier;&#13;
but, a few days sooner or later, I must infallibly have been released by&#13;
M. de Montbron."</p><p>"You are right, my dear child," said the count; "it may be that your&#13;
enemies wished to claim the merit of what must necessarily have happened&#13;
through the exertions of your friends."</p><p>"You are drowning, and I save you--it is all a mistake to feel&#13;
grateful," said Rodin, bitterly; "some one else would no doubt have&#13;
saved you a little later."</p><p>"The comparison is wanting in exactness," said Adrienne, with a smile;&#13;
"a lunatic asylum is not a river, and though, from what I see, I think&#13;
you quite capable of diving, you have had no occasion to swim on this&#13;
occasion. You merely opened a door for me, which would have opened of&#13;
itself a little later."</p><p>"Very good, my dear child!" said the count, laughing heartily at&#13;
Adrienne's reply.</p><p>"I know, sir, that your care did not extend to me only. The daughters&#13;
of Marshal Simon were brought back by you; but we may imagine that the&#13;
claim of the Duke de Ligny to the possession of his daughters would not&#13;
have been in vain. You returned to an old soldier his imperial cross,&#13;
which he held to be a sacred relic; it is a very touching incident.&#13;
Finally, you unmasked the Abbe d'Aigrigny and Dr. Baleinier: but I had&#13;
already made up my mind to unmask then. However, all this proves that&#13;
you are a very clever man--"</p><p>"Oh, madame!" said Rodin, humbly.</p><p>"Full of resources and invention--"</p><p>"Oh, madame!"</p><p>"It is not my fault if, in our long interview at Dr. Baleinier's, you&#13;
betrayed that superiority of mind which struck me so forcibly, and&#13;
which seems to embarrass you so much at present. What would you have,&#13;
sir?--great minds like yours find it difficult to maintain their&#13;
incognito. Yet, as by different ways--oh! very different," added the&#13;
young lady, maliciously, "we are tending to the same end (still keeping&#13;
in view our conversation at Dr. Baleinier's), I wish, for the sake of&#13;
our future communion, as you call it, to give you a piece of advice, and&#13;
speak frankly to you."</p><p>Rodin had listened to Mdlle. de Cardoville with apparent impassibility,&#13;
holding his hat under his arm, and twirling his thumbs, whilst his hands&#13;
were crossed upon his waistcoat. The only external mark of the intense&#13;
agitation into which he was thrown by the calm words of Adrienne, was&#13;
that the livid eyelids of the Jesuit, which had been hypocritically&#13;
closed, became gradually red, as the blood flowed into them.&#13;
Nevertheless, he answered Mdlle. de Cardoville in a firm voice, and with&#13;
a low bow: "Good advice and frankness are always excellent things."</p><p>"You see, sir," resumed Adrienne, with some excitement, "happy love&#13;
bestows such penetration, such energy, such courage, as enables one to&#13;
laugh at perils, to detect stratagems, and to defy hatred. Believe me,&#13;
the divine light which surrounds two loving hearts will be sufficient to&#13;
disperse all darkness, and reveal every snare. You see, in India--excuse&#13;
my weakness, but I like to talk of India," added the young girl, with&#13;
a smile of indescribable grace and meaning--"in India, when travellers&#13;
sleep at night, they kindle great fires round their ajoupa (excuse this&#13;
touch of local coloring), and far as extends the luminous circle, it&#13;
puts to flight by its mere brilliancy, all the impure and venomous&#13;
reptiles that shun the day and live only in darkness."</p><p>"The meaning of this comparison has quite escaped me," said Rodin,&#13;
continuing to twirl his thumbs, and half raising his eyelids, which were&#13;
getting redder and redder.</p><p>"I will speak more plainly," said Adrienne, with a smile. "Suppose,&#13;
sir, that the last is a service which you have rendered me and the&#13;
prince--for you only proceed by way of services--that, I acknowledge, is&#13;
novel and ingenious."</p><p>"Bravo, my dear child!" said the count, joyfully. "The execution will be&#13;
complete."</p><p>"Oh! this is meant for an execution?" said Rodin, still impassible.</p><p>"No, sir," answered Adrienne, with a smile; "it is a simple conversation&#13;
between a poor young girl and an old philosopher, the friend of&#13;
humanity. Suppose, then, that these frequent services that you have&#13;
rendered to me and mine have suddenly opened my eyes; or, rather," added&#13;
the young girl, in a serious tone, "suppose that heaven, who gives to&#13;
the mother the instinct to defend her child, has given me, along with&#13;
happiness, the instinct to preserve my happiness, and that a vague&#13;
presentiment, by throwing light on a thousand circumstances until now&#13;
obscure, has suddenly revealed to me that, instead of being the friend,&#13;
you are perhaps, the most dangerous enemy of myself and family."</p><p>"So we pass from the execution to suppositions," said Rodin, still&#13;
immovable.</p><p>"And from suppositions, sir, if you must have it, to certainty," resumed&#13;
Adrienne, with dignified firmness; "yes, now I believe that I was for&#13;
awhile your dupe, and I tell you, without hate, without anger, but with&#13;
regret--that it is painful to see a man of your sense and intelligence&#13;
stoop to such machinations, and, after having recourse to so many&#13;
diabolical manoeuvres, finish at last by being ridiculous; for, believe&#13;
me, there is nothing more ridiculous for a man like you, than to&#13;
be vanquished by a young girl, who has no weapon, no defence, no&#13;
instructor, but her love. In a word, sir, I look upon you from to-day as&#13;
an implacable and dangerous enemy; for I half perceive your aim, without&#13;
guessing by what means you will seek to accomplish it, No doubt your&#13;
future means will be worthy of the past. Well! in spite of all this,&#13;
I do not fear you. From tomorrow, my family will be informed of&#13;
everything, and an active, intelligent, resolute union will keep us all&#13;
upon our guard, for it doubtless concerns this enormous inheritance, of&#13;
which they wish to deprive us. Now, what connection can there be between&#13;
the wrongs I reproach you with and the pecuniary end proposed? I do&#13;
not at all know--but you have told me yourself that our enemies are&#13;
so dangerously skillful, and their craft so far-reaching, that we must&#13;
expect all, be prepared for all. I will remember the lesson. I have&#13;
promised you frankness, sir, and now I suppose you have it."</p><p>"It would be an imprudent frankness if I were your enemy," said Rodin,&#13;
still impassible; "but you also promised me some advice, my dear young&#13;
lady."</p><p>"My advice will be short; do not attempt to continue the struggle,&#13;
because, you see, there is something stronger than you and yours--it is&#13;
a woman's resolve, defending her happiness."</p><p>Adrienne pronounced these last words with so sovereign a confidence; her&#13;
beautiful countenance shone, as is it were, with such intrepid joy,&#13;
that Rodin, notwithstanding his phlegmatic audacity, was for a moment&#13;
frightened. Yet he did not appear in the least disconcerted; and, after&#13;
a moment's silence, he resumed, with an air of almost contemptuous&#13;
compassion: "My dear young lady, we may perhaps never meet again; it is&#13;
probable. Only remember one thing, which I now repeat to you: I never&#13;
justify myself. The future will provide for that. Notwithstanding which,&#13;
my dear young lady, I am your humble servant;" and he made her a low&#13;
bow.</p><p>"Count, I beg to salute you most respectfully," he added, bowing still&#13;
more humbly to M. de Montbron; and he went out.</p><p>Hardly had Rodin left the room than Adrienne ran to her desk, and&#13;
writing a few hasty lines, sealed the note, and said to M. de Montbron:&#13;
"I shall not see the prince before to-morrow--as much from superstition&#13;
of the heart as because it is necessary for my plans that this interview&#13;
should be attended with some little solemnity. You shall know all; but I&#13;
write to him on the instant, for, with an enemy like M. Rodin, one must&#13;
be prepared for all."</p><p>"You are right, my dear child; quick! the letter." Adrienne gave it to&#13;
him.</p><p>"I tell him enough," said she, "to calm his grief; and not enough to&#13;
deprive me of the delicious happiness of the surprise I reserve for to&#13;
morrow."</p><p>"All this has as much sense as heart in it: I will hasten to the&#13;
prince's abode, to deliver your letter. I shall not see him, for I&#13;
could not answer for myself. But come! our proposed drive, our evening's&#13;
amusement, are still to hold good."</p><p>"Certainly. I have more need than ever to divert my thoughts till&#13;
to morrow. I feel, too, that the fresh air will do me good, for this&#13;
interview with M. Rodin has warmed me a little."</p><p>"The old wretch! but we will talk further of him. I will hasten to the&#13;
prince's and return with Madame de Morinval, to fetch you to the Champs&#13;
Elysees."</p><p>The Count de Montbron withdrew precipitately, as joyful at his departure&#13;
as he had been sad on his arrival.</p><p>CHAPTER XI. THE CHAMPS-ELYSEES</p><p>It was about two hours after the interview of Rodin with Mdlle. de&#13;
Cardoville. Numerous loungers, attracted to the Champs-Elysees by the&#13;
serenity of a fine spring day (it was towards the end of the month of&#13;
March) stopped to admire a very handsome equipage. A bright-blue open&#13;
carriage, with white-and-blue wheels, drawn by four superb horses,&#13;
of cream color, with black manes, and harness glittering with silver&#13;
ornaments, mounted by two boy postilions of equal size, with black&#13;
velvet caps, light-blue cassimere jackets with white collars, buckskin&#13;
breeches, and top-boots; two tall, powdered footmen, also in light-blue&#13;
livery, with white collars and facings, being seated in the rumble&#13;
behind.</p><p>No equipage could have been turned out in better style. The horses, full&#13;
of blood, spirit, and vigor, were skillfully managed by the postilions,&#13;
and stepped with singular regularity, gracefully keeping time in their&#13;
movements, champing their bits covered with foam, and ever and anon&#13;
shaking their cockades of blue and white silk, with long floating ends,&#13;
and a bright rose blooming in the midst.</p><p>A man on horseback, dressed with elegant simplicity, keeping at the&#13;
other side of the avenue, contemplated with proud satisfaction&#13;
this equipage which he had, as it were, created. It was M. de&#13;
Bonneville--Adrienne's equerry, as M. de Montbron called him--for the&#13;
carriage belonged to that young lady. A change had taken place in the&#13;
plan for this magic day's amusement. M. de Montbron had not been able to&#13;
deliver Mdlle. de Cardoville's note to Prince Djalma. Faringhea had told&#13;
him that the prince had gone that morning into the country with Marshal&#13;
Simon, and would not be back before evening. The letter should be given&#13;
him on his arrival. Completely satisfied as to Djalma, knowing that&#13;
he could find these few lines, which, without informing him of the&#13;
happiness that awaited him, would at least give him some idea of it,&#13;
Adrienne had followed the advice of M. de Montbron, and gone to the&#13;
drive in her own carriage, to show all the world that she had quite&#13;
made up her mind, in spite of the perfidious reports circulated by the&#13;
Princess de Saint Dizier, to keep to her resolution of living by herself&#13;
in her own way. Adrienne wore a small white bonnet, with a fall of&#13;
blonde, which well became her rosy face and golden hair; her high&#13;
dress of garnet-colored velvet was almost hidden beneath a large green&#13;
cashmere shawl. The young Marchioness de Morinval, who was also very&#13;
pretty and elegant, was seated at her right. M. de Montbron occupied the&#13;
front seat of the carriage.</p><p>Those who know the Parisian world, or rather, that imperceptible&#13;
fraction of the world of Paris which goes every fine, sunny day to the&#13;
Champs Elysees, to see and be seen, will understand that the presence&#13;
of Mdlle. de Cardoville on that brilliant promenade was an extraordinary&#13;
and interesting event.</p><p>The world (as it is called) could hardly believe its eyes, on seeing&#13;
this lady of eighteen, possessed of princely wealth, and belonging to&#13;
the highest nobility, thus prove to every one, by this appearance in&#13;
public, that she was living completely free and independent, contrary to&#13;
all custom and received notions of propriety. This kind of emancipation&#13;
appeared something monstrous, and people were almost astonished that&#13;
the graceful and dignified bearing of the young lady should belie so&#13;
completely the calumnies circulated by Madame de Saint-Dizier and her&#13;
friends, with regard to the pretended madness of her niece. Many beaux,&#13;
profiting by their acquaintance with the Marchioness de Morinval or M.&#13;
de Montbron, came by turns to pay their respects, and rode for a few&#13;
minutes by the side of the carriage, so as to have an opportunity&#13;
of seeing, admiring, and perhaps hearing, Mdlle. de Cardoville; she&#13;
surpassed their expectations, by talking with her usual grace and&#13;
spirit. Then surprise and enthusiasm knew no bounds. What had at first&#13;
been blamed as an almost insane caprice, was now voted a charming&#13;
originality, and it only depended on Mdlle. de Cardoville herself, to be&#13;
declared from that day the queen of elegance and fashion. The young lady&#13;
understood very well the impression she had made; she felt proud and&#13;
happy, for she thought of Djalma; when she compared him to all these&#13;
men of fashion, her happiness was the more increased. And, verily, these&#13;
young men, most of whom had never quitted Paris, or had ventured at most&#13;
as far as Naples or Baden, looked insignificant enough by the side of&#13;
Djalma, who, at his age, had so many times commanded and combated in&#13;
bloody wars, and whose reputation far courage and generosity, mentioned&#13;
by travellers with admiration, had already reached from India to Paris.&#13;
And then, how could these charming exquisites, with their small hats,&#13;
their scanty frock-coats, and their huge cravats, compare with the&#13;
Indian prince, whose graceful and manly beauty was still heightened by&#13;
the splendor of a costume, at once so rich and so picturesque?</p><p>On this happy day, all was joy and love for Adrienne. The sun, setting&#13;
in a splendidly serene sky, flooded the promenade with its golden light.&#13;
The air was warm. Carriages and horsemen passed and repassed in rapid&#13;
succession; a light breeze played with the scarfs of the women, and&#13;
the plumes in their bonnets; all around was noise, movement, sunshine.&#13;
Adrienne, leaning back in her carriage, amused herself with watching&#13;
this busy scene, sparkling with Parisian luxury; but, in the vortex&#13;
of this brilliant chaos, she saw in thought the mild, melancholy&#13;
countenance of Djalma--when suddenly something fell into her lap, and&#13;
she started. It was a bunch of half-faded violets. At the same instant&#13;
she heard a child's voice following the carriage, and saying: "For the&#13;
love of heaven, my good lady, one little sou!" Adrienne turned her head,&#13;
and saw a poor little girl, pale and wan, with mild, sorrowful features,&#13;
scarcely covered with rags, holding out her hand, and raising her eyes&#13;
in supplication. Though the striking contrast of extreme misery, side&#13;
by side with extreme luxury, is so common, that it no longer excites&#13;
attention, Adrienne was deeply affected by it. She thought of Mother&#13;
Bunch, now, perhaps, the victim of frightful destitution.</p><p>"Ah! at least," thought the young lady, "let not this day be one of&#13;
happiness for me alone!"</p><p>She leaned from the carriage-window, and said to the poor child: "Have&#13;
you a mother, my dear?"</p><p>"No, my lady, I have neither father nor mother."</p><p>"Who takes care of you?"</p><p>"No one, my lady. They give me nosegays to sell, and I must bring home&#13;
money--or they beat me."</p><p>"Poor little thing!"</p><p>"A sou, my good lady--a sou, for the love of heaven!" said the child,&#13;
continuing to follow the carriage, which was then moving slowly.</p><p>"My dear count," said Adrienne, smiling, and addressing M. de Montbron,&#13;
"you are, unfortunately, no novice at an elopement. Please to stretch&#13;
forth your arms, take up that child with both hands, and lift her into&#13;
the carriage. We can hide her between Lady de Morinval and myself; and&#13;
we can drive away before any one perceives this audacious abduction."</p><p>"What!" said the count, in surprise. "You wish--"</p><p>"Yes; I beg you to do it."</p><p>"What a folly!"</p><p>"Yesterday, you might, perhaps, have treated this caprice as a folly;&#13;
but to-day," said Adrienne, laying great stress upon the word, and&#13;
glancing at M. de Montbron with a significant air, "to-day, you should&#13;
understand that it is almost a duty."</p><p>"Yes, I understand you, good and noble heart!" said the count,&#13;
with emotion; while Lady de Morinval, who knew nothing of Mdlle. de&#13;
Cardoville's love for Djalma, looked with as much surprise as curiosity&#13;
at the count and the young lady.</p><p>M. de Montbron, leaning from the carriage, stretched out his arms&#13;
towards the child, and said to her: "Give me your hands, little girl."</p><p>Though much astonished, the child obeyed mechanically, and held out both&#13;
her little arms; then the count took her by the wrists, and lifted her&#13;
lightly from the ground, which he did the more easily, as the carnage&#13;
was very low, and its progress by no means rapid. More stupefied than&#13;
frightened, the child said not a word. Adrienne and Lady de Morinval&#13;
made room for her to crouch down between them, and the little girl was&#13;
soon hidden beneath the shawls of the two young women. All this was&#13;
executed so quickly, that it was hardly perceived by a few persons&#13;
passing in the side-avenues.</p><p>"Now, my dear count," said Adrienne, radiant with pleasure, "let us make&#13;
off at once with our prey."</p><p>M. de Montbron half rose, and called to the postilions. "Home!" and the&#13;
four horses started at once into a rapid and regular trot.</p><p>"This day of happiness now seems consecrated, and my luxury is excused,"&#13;
thought Adrienne; "till I can again meet with that poor Mother Bunch,&#13;
and from this day I will make every exertion to find her out, her place&#13;
will at least not be quite empty."</p><p>There are often strange coincidences in life. At the moment when this&#13;
thought of the hunchback crossed the mind of Adrienne, a crowd had&#13;
collected in one of the side-avenues, and other persons soon ran to join&#13;
the group.</p><p>"Look, uncle!" said Lady de Morinval; "how many people are assembled&#13;
yonder. What can it be? Shall we stop, and send to inquire?"</p><p>"I am sorry, my dear, but your curiosity cannot be satisfied," said&#13;
the count, drawing out his watch; "it will soon be six o'clock, and the&#13;
exhibition of the wild beasts begin at eight. We shall only just have&#13;
time to go home and dine. Is not that your opinion, my dear child?" said&#13;
he to Adrienne.</p><p>"And yours, Julia?" said Mdlle. de Cardoville to the marchioness.</p><p>"Oh, certainly!" answered her friend.</p><p>"I am the less inclined to delay," resumed the count, "as when I have&#13;
taken you to the Porte-Saint-Martin, I shall be obliged to go for half&#13;
an-hour to my club, to ballot for Lord Campbell, whom I propose."</p><p>"Then, Adrienne and I will be left alone at the play, uncle?"</p><p>"Your husband will go with you, I suppose."</p><p>"True, dear uncle; but do not quite leave us, because of that."</p><p>"Be sure I shall not: for I am curious as you are to see these terrible&#13;
animals, and the famous Morok, the incomparable lion-tamer."</p><p>A few minutes after, Mdlle. de Cardoville's carriage had left the Champs&#13;
Elysees, carrying with it the little girl, and directing its course&#13;
towards the Rue d'Anjou. As the brilliant equipage disappeared from&#13;
the scene, the crowd, of which we before have spoken, greatly increased&#13;
about one of the large trees in the Champs-Elysees, and expressions of&#13;
pity were heard here and there amongst the groups. A lounger approached&#13;
a young man on the skirts of the crowd, and said to him: "What is the&#13;
matter, sir?"</p><p>"I hear it is a poor young girl, a hunchback, that has fallen from&#13;
exhaustion."</p><p>"A hunchback! is that all? There will always be enough hunchbacks," said&#13;
the lounger, brutally, with a coarse laugh.</p><p>"Hunchback or not, if she dies of hunger," answered the young man,&#13;
scarcely able to restrain his indignation, "it will be no less sad--and&#13;
there is really nothing to laugh at, sir."</p><p>"Die of hunger! pooh!" said the lounger, shrugging his shoulders. "It&#13;
is only lazy scoundrels, that will not work, who die of hunger. And it&#13;
serves them right."</p><p>"I wager, sir, there is one death you will never die of," cried the&#13;
young man, incensed at the cruel insolence of the lounger.</p><p>"What do you mean?" answered the other, haughtily.</p><p>"I mean, sir, that your heart is not likely to kill you."</p><p>"Sir!" cried the lounger in an angry tone.</p><p>"Well! what, sir?" replied the young man, looking full in his face.</p><p>"Nothing," said the lounger, turning abruptly on his heel, and grumbling&#13;
as he sauntered towards an orange-colored cabriolet, on which was&#13;
emblazoned an enormous coat-of-arms, surmounted by a baron's crest.&#13;
A servant in green livery, ridiculously laced with gold, was standing&#13;
beside the horse, and did not perceive his master.</p><p>"Are you catching flies, fool?" said the latter, pushing him with his&#13;
cane. The servant turned round in confusion. "Sir," said he.</p><p>"Will you never learn to call me Monsieur le Baron, rascal?" cried his&#13;
master, in a rage--"Open the door directly!"</p><p>The lounger was Baron Tripeaud, the manufacturing baron the&#13;
stock-jobber. The poor hunchback was Mother Bunch, who had, indeed&#13;
fallen with hunger and fatigue, whilst on her way to Mdlle. de&#13;
Cardoville's. The unfortunate creature had found courage to brave the&#13;
shame of the ridicule she so much feared, by returning to that house&#13;
from which she was a voluntary exile; but this time, it was not for&#13;
herself, but for her sister Cephyse--the Bacchanal Queen, who had&#13;
returned to Paris the previous day, and whom Mother Bunch now sought,&#13;
through the means of Adrienne, to rescue from a most dreadful fate.</p><p>Two hours after these different scenes, an enormous crowd pressed round&#13;
the doors of the Porte-Saint-Martin, to witness the exercises of Morok,&#13;
who was about to perform a mock combat with the famous black panther of&#13;
Java, named Death. Adrienne, accompanied by Lord and Lady de Morinval,&#13;
now stepped from a carriage at the entrance of the theatre. They were to&#13;
be joined in the course of the evening by M. de Montbron, whom they had&#13;
dropped, in passing, at his club.</p><p>CHAPTER XII. BEHIND THE SCENES.</p><p>The large theatre of the Porte-Saint-Martin was crowded by an impatient&#13;
multitude. All Paris had hurried with eager and burning curiosity to&#13;
Morok's exhibition. It is quite unnecessary to say that the lion-tamer&#13;
had completely abandoned his small taste in religious baubles, which he&#13;
had so successfully carried on at the White Falcon Inn at Leipsic.&#13;
There were, moreover, numerous tokens by which the surprising effects&#13;
of Morok's sudden conversion had been blazoned in the most extraordinary&#13;
pictures: the antiquated baubles in which he had formerly dealt would&#13;
have found no sale in Paris. Morok had nearly finished dressing himself,&#13;
in one of the actor's rooms, which had been lent to him. Over a coat of&#13;
mail, with cuishes and brassarts, he wore an ample pair of red trousers,&#13;
fastened round his ankles by broad rings of gilt brass. His long caftan&#13;
of black cloth, embroidered with scarlet and gold, was bound round his&#13;
waist and wrist by other large rings of gilt metal. This sombre costume&#13;
imparted to him an aspect still more ferocious. His thick and red-haired&#13;
beard fell in large quantities down to his chest, and a long piece&#13;
of white muslin was folded round his red head. A devout missionary in&#13;
Germany and an actor in Paris, Morok knew as well as his employers, the&#13;
Jesuits, how to accommodate himself to circumstances.</p><p>Seated in one corner of the room, and contemplating with a sort of&#13;
stupid admiration, was Jacques Rennepont, better known as "Sleepinbuff"&#13;
(from the likelihood that he would end his days in rags, or his present&#13;
antipathy to great care in dress). Since the day Hardy's factory had&#13;
been destroyed by fire, Jacques had not quitted Morok, passing&#13;
the nights in excesses, which had no baneful effects on the iron&#13;
constitution of the lion-tamer. On the other's features, on the&#13;
contrary, a great alteration was perceptible; his hollow cheeks, marble&#13;
pallor, his eyes, by turns dull and heavy, or gleaming with lurid&#13;
fire, betrayed the ravages of debauchery, his parched lips were almost&#13;
constantly curled by a bitter and sardonic smile. His spirit, once&#13;
gay and sanguine, still struggled against the besotting influence of&#13;
habitual intoxication. Unfitted for labor, no longer able to forego&#13;
gross pleasures, Jacques sought to drown in wine a few virtuous impulses&#13;
which he still possessed, and had sunk so low as to accept without shame&#13;
the large dole of sensual gratification proffered him by Morok, who paid&#13;
all the expenses of their orgies, but never gave him money, in order&#13;
that he might be completely dependent on him. After gazing at Morok for&#13;
some time in amazement, Jacques said to him, in a familiar tone: "Well,&#13;
yours is a famous trade; you may boast that, at this moment, there are&#13;
not two men like you in the whole world That's flattering. It's a pity&#13;
you don't stick to this fine trade."</p><p>"What do you mean?"</p><p>"Why, how is the conspiracy going on, in whose honor you make me keep it&#13;
up all day and all night?"</p><p>"It is working, but the time is not yet come; that is why I wish to have&#13;
you always at hand, till the great day. Do you complain?"</p><p>"Hang it, no!" said Jacques. "What could I do? Burnt up with brandy as&#13;
I am, if I wanted to work, I've no longer the strength to do so. I have&#13;
not, like you, a head of marble, and a body of iron; but as for fuddling&#13;
myself with gunpowder, instead of anything else, that'll do for me; I'm&#13;
only fit for that work now--and then, it will drive away thought."</p><p>"Oh what kind?"</p><p>"You know that when I do think, I think only of one thing," said&#13;
Jacques, gloomily.</p><p>"The Bacchanal queen?--still?" said Morok, in a disdainful tone.</p><p>"Still! rather: when I shall think of her no longer, I shall be dead--or&#13;
stupefied. Fiend!"</p><p>"You were never better or more intelligent, you fool!" replied Morok,&#13;
fastening his turban. The conversation was here interrupted. Morok's&#13;
aider entered hastily.</p><p>The gigantic form of this Hercules had increased in width. He was&#13;
habited like Alcides; his enormous limbs, furrowed with veins as thick&#13;
as whipcord, were covered with a close-fitting flesh-colored garment, to&#13;
which a pair of red drawers formed a strong contrast.</p><p>"Why do you rush in like a storm, Goliath?" said Morok.</p><p>"There's a pretty storm in the house; they are beginning to get&#13;
impatient, and are calling out like madmen. But if that were all!"</p><p>"Well, what else?"</p><p>"Death will not be able to play this evening."</p><p>Morok turned quickly around. He seemed uneasy. "Why so?" he exclaimed.</p><p>"I have just seen her! she's crouching at the bottom of her cage; her&#13;
ears lie so close to her head, she looks as if they had been cut off.&#13;
You know what that means."</p><p>"Is that all?" said Morok, turning to the glass to complete his head&#13;
dress.</p><p>"It's quite enough; she's in one of her tearing fits. Since that night&#13;
in Germany, when she ripped up that old hack of a white horse, I've not&#13;
seen her look so savage! her eyes shine like burning candles."</p><p>"Then she must have her fine collar on," said Morok, quietly.</p><p>"Her fine collar?"</p><p>"Yes; her spring-collar."</p><p>"And I must be lady's-maid," said the giant. "A nice toilet to attend&#13;
to!"</p><p>"Hold your tongue!"</p><p>"That's not all--" continued Goliath, hesitating.</p><p>"What more?"</p><p>"I might as well tell you at once."</p><p>"Will you speak?"</p><p>"Well! he is here."</p><p>"Who, you stupid brute?"</p><p>"The Englishman!"</p><p>Morok started; his arms fell powerless by his side. Jacques was struck&#13;
with the lion-tamer's paleness and troubled countenance.</p><p>"The Englishman!--you have seen him?" cried Morok, addressing Goliath.&#13;
"You are quite sure?"</p><p>"Quite sure. I was looking through the peep-hole in the curtain; I saw&#13;
him in one of the stage-boxes--he wishes to see things close; he's easy&#13;
to recognize, with his pointed forehead, big nose, and goggle eyes."</p><p>Morok shuddered again; usually fierce and unmoved, he appeared to be&#13;
more and more agitated, and so alarmed, that Jacques said to him: "Who&#13;
is this Englishman?"</p><p>"He has followed me from Strasburg, where he fell in with me," said&#13;
Morok, with visible dejection. "He travelled with his own horses, by&#13;
short stages, as I did; stopping where I stopped, so as never to miss&#13;
one of my exhibitions. But two days before I arrived at Paris, he left&#13;
me--I thought I was rid of him," said Morok, with a sigh.</p><p>"Rid of him!--how you talk!" replied Jacques, surprised; "such a good&#13;
customer, such an admirer!"</p><p>"Aye!" said Morok, becoming more and more agitated; "this wretch has&#13;
wagered an enormous sum, that I will be devoured in his presence,&#13;
during one of my performances: he hopes to win his wager--that is why he&#13;
follows me about."</p><p>Sleepinbuff found the John Bull's idea so amusingly eccentric, that, for&#13;
the first time since a very long period, he burst into a peal of hearty&#13;
laughter. Morok, pale with rage, rushed towards him with so menacing an&#13;
air, that Goliath was obliged to interpose.</p><p>"Come, come," said Jacques, "don't be angry; if it is serious, I will&#13;
not laugh any more."</p><p>Morok was appeased, and said to Sleepinbuff in a hoarse voice: "Do you&#13;
think me a coward?"</p><p>"No, by heaven!"</p><p>"Well! And yet this Englishman, with his grotesque face, frightens me&#13;
more than any tiger or my panther!"</p><p>"You say so, and I believe it," replied Jacques; "but I cannot&#13;
understand why the presence of this man should alarm you."</p><p>"But consider, you dull knave!" cried Morok, "that, obliged to watch&#13;
incessantly the least movement of the ferocious beast, whom I keep in&#13;
subjection by my action and my looks, there is something terrible in&#13;
knowing that two eyes are there--always there--fixed--waiting till&#13;
the least absence of mind shall expose me to be torn in pieces by the&#13;
animals."</p><p>"Now, I understand," said Jacques, shuddering in his turn. "It is&#13;
terrible."</p><p>"Yes; for once there, though I may not see this cursed Englishman, I&#13;
fancy I have his two round eyes, fixed and wide open, always before me.&#13;
My tiger Cain once nearly mutilated my arm, when my attention was drawn&#13;
away by this Englishman, whom the devil take! Blood and thunder!" cried&#13;
Morok: "this man will be fatal to me." And Morok paced the room in great&#13;
agitation.</p><p>"Besides, Death lays her ears close to her skull," said Goliath,&#13;
brutally. "If you persist--mind, I tell you--the Englishman will win his&#13;
wager this evening."</p><p>"Go away, you brute!--don't vex my head with your confounded&#13;
predictions," cried Morok: "go and prepare Death's collar."</p><p>"Well, every one to his taste; you wish the panther to taste you," said&#13;
the giant, stalking heavily away, after this joke.</p><p>"But if you feel these fears," said Jacques, "why do you not say that&#13;
the panther is ill?"</p><p>Morok shrugged his shoulders, and replied with a sort of feverish&#13;
ferocity, "Have you ever heard of the fierce pleasure of the gamester,&#13;
who stakes his honor, his life, upon a card? Well! I too--in these daily&#13;
exhibitions where my life is at stake--find a wild, fierce pleasure in&#13;
braving death, before a crowded assembly, shuddering and terrified at my&#13;
audacity. Yes, even in the fear with which this Englishman inspires me,&#13;
I find, in spite of myself, a terrible excitement, which I abhor, and&#13;
which yet subjugates me."</p><p>At this moment, the stage-manager entered the room, and interrupted the&#13;
beast-tamer. "May we give the signal, M. Morok?" said the stage-manager.&#13;
"The overture will not last above ten minutes."</p><p>"I am ready," said Morok.</p><p>"The police-inspector has just now given orders, that the double chain&#13;
of the panther, and the iron ring riveted to the floor of the stage, at&#13;
the end of the cavern in the foreground, shall be again examined; and&#13;
everything has been reported quite secure."</p><p>"Yes--secure--except for me," murmured the beast-tamer.</p><p>"So, M. Morok, the signal may be given?"</p><p>"The signal may--be given," replied Morok. And the manager went out.</p><p>CHAPTER XIII. UP WITH THE CURTAIN.</p><p>The usual bell sounded with solemnity behind the scenes the overture&#13;
began, and, to say the truth, but little attention was paid to it. The&#13;
interior of the theatre offered a very animated view. With the exception&#13;
of two stage-boxes even with the dress circle, one to the left, the&#13;
other to the right of the audience, every seat was occupied. A great&#13;
number of very fashionable ladies, attracted, as is always the case, by&#13;
the strange wildness of the spectacle, filled the boxes. The stalls were&#13;
crowded by most of the young men who; in the morning, had walked their&#13;
horses on the Champs-Elysees. The observations which passed from one&#13;
stall to another, will give some idea of their conversation.</p><p>"Do you know, my dear boy, there would not be so crowded or fashionable&#13;
an audience to witness Racine's Athalia?"</p><p>"Undoubtedly. What is the beggarly howling of an actor, compared to the&#13;
roaring of the lion?"</p><p>"I cannot understand how the authorities permit this Morok to fasten his&#13;
panther with a chain to an iron ring in the corner of the stage. If the&#13;
chain were to break?"</p><p>"Talking of broken chains--there's little Mme. de Blinville, who is no&#13;
tigress. Do you see her in the second tier, opposite?"</p><p>"It becomes her very well to have broken, as you say, the marriage&#13;
chain; she looks very well this season."</p><p>"Oh! there is the beautiful Duchess de Saint-Prix; all the world is here&#13;
to-night--I don't speak of ourselves."</p><p>"It is a regular opera night--what a festive scene!"</p><p>"Well, after all, people do well to amuse themselves, perhaps it will&#13;
not be for long."</p><p>"Why so?"</p><p>"Suppose the cholera were to come to Paris?"</p><p>"Oh! nonsense!"</p><p>"Do you believe in the cholera?"</p><p>"To be sure I do! He's coming from the North, with his walking-stick&#13;
under his arm."</p><p>"The devil take him on the road! don't let us see his green visage&#13;
here."</p><p>"They say he's at London."</p><p>"A pleasant journey to him."</p><p>"Come, let us talk of something else; it may be a weakness, if you&#13;
please, but I call this a dull subject."</p><p>"I believe you."</p><p>"Oh! gentlemen--I am not mistaken--no--it is she!"</p><p>"Who, then?"</p><p>"Mdlle. de Cardoville! She is coming into the stage-box with Morinval&#13;
and his wife. It is a complete resuscitation: this morning on the&#13;
Champs-Elysees; in the evening here."</p><p>"Faith, you are right! It is Mdlle. de Cardoville."</p><p>"Good heaven! how lovely she is!"</p><p>"Lend me your eyeglass."</p><p>"Well, what do you think of her?"</p><p>"Exquisite--dazzling."</p><p>"And in addition to her beauty, an inexhaustible flow of wit, three&#13;
hundred thousand francs a year, high birth, eighteen years of age,&#13;
and--free as air."</p><p>"Yes, that is to say, that, provided it pleased her, I might be to&#13;
morrow--or even to-day--the happiest of men."</p><p>"It is enough to turn one's brain."</p><p>"I am told that her mansion, Rue d'Anjou, is like an enchanted palace; a&#13;
great deal is said about a bath-room and bedroom, worthy of the Arabian&#13;
Nights."</p><p>"And free as air--I come back to that."</p><p>"Ah! if I were in her place!"</p><p>"My levity would be quite shocking."</p><p>"Oh! gentlemen, what a happy man will he be who is loved first!"</p><p>"You think, then, that she will have many lovers?"</p><p>"Being as free as air--"</p><p>"All the boxes are full, except the stage-box opposite to that in which&#13;
Mdlle. de Cardoville is seated. Happy the occupiers of that box!"</p><p>"Did you see the English ambassador's lady in the dress circle?"</p><p>"And the Princess d'Alvimar--what an enormous bouquet!"</p><p>"I should like to know the name--of that nosegay."</p><p>"Oh!--it's Germigny."</p><p>"How flattering for the lions and tigers, to attract so fashionable an&#13;
audience."</p><p>"Do you notice, gentlemen, how all the women are eye-glassing Mdlle. de&#13;
Cardoville?"</p><p>"She makes a sensation."</p><p>"She is right to show herself; they gave her out as mad."</p><p>"Oh! gentlemen, what a capital phiz!"</p><p>"Where--where?"</p><p>"There--in the omnibus-box beneath Mdlle. de Cardoville's."</p><p>"It's a Nuremburg nutcracker."</p><p>"An ourang-outang!"</p><p>"Did you ever see such round, staring eyes?"</p><p>"And the nose!"</p><p>"And the forehead!"</p><p>"It's a caricature."</p><p>"Order, order! the curtain rises."</p><p>And, in fact, the curtain rose. Some explanation is necessary for the&#13;
clear understanding of what follows. In the lower stage-box, to the left&#13;
of the audience, were several persons, who had been referred to by the&#13;
young men in the stalls. The omnibus-box was occupied by the Englishman,&#13;
the eccentric and portentous bettor, whose presence inspired Morok with&#13;
so much dread.</p><p>It would require Hoffman's rare and fantastic genius to describe&#13;
worthily that countenance, at once grotesque and frightful, as it stood&#13;
out from the dark background of the box. This Englishman was about fifty&#13;
years old; his forehead was quite bald, and of a conical shape; beneath&#13;
this forehead, surmounted by eyebrows like parenthesis marks, glittered&#13;
large, green eyes, remarkably round and staring, and set very close to a&#13;
hooked nose, extremely sharp and prominent; a chin like that on the old&#13;
fashioned nutcrackers was half-hidden in a broad and ample white cravat,&#13;
as stiffly-starched as the round-cornered shirt-collar, which nearly&#13;
touched his ears. The face was exceedingly thin and bony, and yet the&#13;
complexion was high-colored, approaching to purple, which made the&#13;
bright green of the pupils, and the white of the other part of the&#13;
eyes, still more conspicuous. The mouth, which was very wide, sometimes&#13;
whistled inaudibly the tune of a Scotch jig (always the same tune),&#13;
sometimes was slightly curled with a sardonic smite. The Englishman was&#13;
dressed with extreme care; his blue coat, with brass buttons, displayed&#13;
his spotless waistcoat, snowy, white as his ample cravat; his shirt was&#13;
fastened with two magnificent ruby studs, and his patrician hands were&#13;
carefully kid gloved.</p><p>To any one who knew the eccentric and cruel desire which attracted this&#13;
man to every representation, his grotesque face became almost terrific,&#13;
instead of exciting ridicule; and it was easy to understand the dread&#13;
experience by Morok at sight of those great, staring round eyes, which&#13;
appeared to watch for the death of the lion-tamer (what a horrible&#13;
death!) with unshaken confidence. Above the dark box of the Englishman,&#13;
affording a graceful contrast, were seated the Morinvals and Mdlle.&#13;
de Cardoville. The latter was placed nearest the stage. Her head was&#13;
uncovered, and she wore a dress of sky-blue China crepe, ornamented at&#13;
the bosom with a brooch of the finest Oriental pearls--nothing more; yet&#13;
Adrienne, thus attired, was charming. She held in her hand an enormous&#13;
bouquet, composed of the rarest flowers of India: the stephanotis and&#13;
the gardenia mingled the dead white of their blossoms with the purple&#13;
hibiscus and Java amaryllis.</p><p>Madame de Morinval, seated on the opposite side of the box, was dressed&#13;
with equal taste and simplicity; Morinval, a fair and very handsome&#13;
young man, of elegant appearance, was behind the two ladies. M. de&#13;
Montbron was expected to arrive every moment. The reader will please&#13;
to recollect that the stage-box to the right of the audience, opposite&#13;
Adrienne's, had remained till then quite empty. The stage represented&#13;
one of the gigantic forests of India. In the background, tall exotic&#13;
trees rose in spiral or spreading forms, among rugged masses of&#13;
perpendicular rocks, with here and there glimpses of a tropical sky. The&#13;
side-scenes formed tufts of trees, interspersed with rocks; and at the&#13;
side which was immediately beneath Adrienne's box appeared the irregular&#13;
opening of a deep and gloomy cavern, round which were heaped huge blocks&#13;
of granite, as if thrown together by some convulsion of nature. This&#13;
scenery, full of a wild and savage grandeur, was wonderfully "built up,"&#13;
so as to make the illusion as complete as possible; the footlights&#13;
were lowered, and being covered with a purple shade, threw over this&#13;
landscape a subdued reddish light, which increased the gloomy and&#13;
startling effect of the whole. Adrienne, leaning forward from the box,&#13;
with cheeks slightly flushed, sparkling eyes, and throbbing heart,&#13;
sought to trace in this scene the solitary forest described by the&#13;
traveller who had eulogized Djalma's generosity and courage, when he&#13;
threw himself upon a ferocious tigress to save the life of a poor black&#13;
slave. Chance coincided wonderfully indeed with her recollections.&#13;
Absorbed in the contemplation of the scenery and the thoughts it&#13;
awakened in her heart, she paid no attention to what was passing in the&#13;
house. And yet something calculated to excite curiosity was taking place&#13;
in the opposite stage-box.</p><p>The door of this box opened. A man about forty years of age, of a yellow&#13;
complexion, entered; he was clothed after the East Indian fashion, in a&#13;
long robe of orange silk, bound round the waist with a green sash, and&#13;
he wore a small white turban. He placed two chairs at the front of the&#13;
box; and, having glanced round the house for a moment, he started, his&#13;
black eyes sparkled, and he went out quickly. That man was Faringhea.&#13;
His apparition caused surprise and curiosity in the theatre; the&#13;
majority of the spectators not having, like Adrienne, a thousand reasons&#13;
for being absorbed in the contemplation of a picturesque set scene.&#13;
The public attention was still more excited when they saw the box which&#13;
Faringhea had just left, entered by a youth of rare beauty, also dressed&#13;
Oriental fashion, in a long robe of white Cashmere with flowing sleeves,&#13;
with a scarlet turban striped with gold on his head, and a sash to&#13;
correspond, in which was stuck a long dagger, glittering with precious&#13;
stones. This young man was Prince Djalma. For an instant he remained&#13;
standing at the door, and cast a look of indifference upon the immense&#13;
theatre, crowded with people; then, stepping forward with a majestic&#13;
and tranquil air, the prince seated himself negligently on one of the&#13;
chairs, and, turning his head in a few moments towards the entrance,&#13;
appeared surprised at not seeing some person whom he doubtless expected.&#13;
This person appeared at length; the boxkeeper had been assisting her to&#13;
take off her cloak. She was a charming, fair-haired girl, attired&#13;
with more show than taste, in a dress of white silk, with broad&#13;
cherry-colored stripes, made ultra fashionably low, and with short&#13;
sleeves; a large bow of cherry-colored ribbon was placed on each side&#13;
of her light hair, and set off the prettiest, sprightliest, most wilful&#13;
little face in the world.</p><p>It was Rose-Pompon. Her pretty arms were partly covered by long white&#13;
gloves, and ridiculously loaded with bracelets: in her hand she carried&#13;
an enormous bouquet of roses.</p><p>Far from imitating the calm demeanor of Djalma, Rose-Pompon skipped into&#13;
the box, moved the chairs about noisily, and fidgeted on her seat for&#13;
some time, to display her fine dress; then, without being in the least&#13;
intimidated by the presence of the brilliant assembly, she, with a&#13;
little coquettish air, held her bouquet towards Djalma, that he might&#13;
smell it, and appeared finally to establish herself on her seat.&#13;
Faringhea came in, shut the door of the box, and seated himself behind&#13;
the prince. Adrienne, still completely absorbed in the contemplation of&#13;
the Indian forest, and in her own sweet thoughts, had not observed the&#13;
newcomers. As she was turning her head completely towards the stage, and&#13;
Djalma could not, for the moment, see even her profile, he, on his side,&#13;
had not recognized Mdlle. de Cardoville.</p><p>CHAPTER XIV. DEATH.</p><p>The pantomime opening, by which was introduced the combat of Morok with&#13;
the black panther, was so unmeaning, that the majority of the audience&#13;
paid no attention to it, reserving all their interest for the scene in&#13;
which the lion-tamer was to make his appearance.</p><p>This indifference of the public explains the curiosity excited in&#13;
the theatre by the arrival of Faringhea and Djalma--a curiosity which&#13;
expressed itself (as at this day, when uncommon foreigners appear in&#13;
public) by a slight murmur and general movement amongst the crowd. The&#13;
sprightly, pretty face of Rose-Pompon, always charming, in spite of her&#13;
singularly staring dress, in style so ridiculous for such a theatre,&#13;
and her light and familiar manner towards the handsome Indian who&#13;
accompanied her, increased and animated the general surprise; for, at&#13;
this moment, Rose-Pompon, yielding without reserve to a movement of&#13;
teasing coquetry, had held up, as we have already stated, her large&#13;
bunch of roses to Djalma. But the prince, at sight of the landscape&#13;
which reminded him of his country, instead of appearing sensible to this&#13;
pretty, provocation, remained for some minutes as in a dream, with his&#13;
eyes fixed upon the stage. Then Rose-Pompon began to beat time on the&#13;
front of the box with her bouquet, whilst the somewhat too visible&#13;
movement of her pretty shoulders showed that this devoted dancer was&#13;
thinking of fast-life dances, as the orchestra struck up a more lively&#13;
strain.</p><p>Placed directly opposite the box in which Faringhea, Djalma, and Rose&#13;
Pompon had just taken their seats, Lady Morinval soon perceived&#13;
the arrival of these two personages, and particularly the eccentric&#13;
coquetries of Rose-Pompon. Immediately, the young marchioness, leaning&#13;
over towards Mdlle. de Cardoville, who was still absorbed in memories&#13;
ineffable, said to her, laughing: "My dear, the most amusing part of the&#13;
performance is not upon the stage. Look just opposite."</p><p>"Just opposite?" repeated Adrienne, mechanically: and, turning towards&#13;
Lady Morinval with an air of surprise, she glanced in the direction&#13;
pointed out.</p><p>She looked--what did she see?--Djalma seated by the side of a young&#13;
woman, who was familiarly offering to his sense of smell the perfume&#13;
of her bouquet. Amazed, struck almost literally to the heart, as by an&#13;
electric shock, swift, sharp, and painful, Adrienne became deadly pale.&#13;
From instinct, she shut her eyes for a second, in order not to see--as&#13;
men try to ward off the dagger, which, having once dealt the blow,&#13;
threatens to strike again. Then suddenly, to this feeling of grief&#13;
succeeded a reflection, terrible both to her love and to her wounded&#13;
pride.</p><p>"Djalma is present with this woman, though he must have received my&#13;
letter," she said to herself,--"wherein he was informed of the happiness&#13;
that awaited him."</p><p>At the idea of so cruel an insult, a blush of shame and indignation&#13;
displaced Adrienne's paleness, who overwhelmed by this sad reality, said&#13;
to herself: "Rodin did not deceive me."</p><p>We abandon all idea of picturing the lightning-like rapidity of certain&#13;
emotions which in a moment may torture--may kill you in the space of a&#13;
minute. Thus Adrienne was precipitated from the most radiant happiness&#13;
to the lowest depths of an abyss of the most heart-rending grief, in&#13;
less than a second; for a second had hardly elapsed before she replied&#13;
to Lady Morinval: "What is there, then, so curious, opposite to us, my&#13;
dear Julia?"</p><p>This evasive question gave Adrienne time to recover her self-possession.&#13;
Fortunately, thanks to the thick folds of hair which almost entirely&#13;
concealed her cheeks, the rapid and sudden changes from pallor to blush&#13;
escaped the notice of Lady Morinval, who gayly replied: "What, my dear,&#13;
do you not perceive those East Indians, who have just entered the box&#13;
immediately opposite to ours? There, just before us!"</p><p>"Yes, I see them; but what then?" replied Adrienne, in a firm tone.</p><p>"And don't you observe anything remarkable?" said the marchioness.</p><p>"Don't be too hard, ladies," laughingly interposed the marquis; "we&#13;
ought to allow the poor foreigners some little indulgence. They are&#13;
ignorant of our manners and customs; were it not for that, they would&#13;
never appear in the face of all Paris in such dubious company."</p><p>"Indeed," said Adrienne, with a bitter smile, "their simplicity is&#13;
touching; we must pity them."</p><p>"And, unfortunately, the girl is charming, spite of her low dress and&#13;
bare arms," said the marchioness; "she cannot be more than sixteen or&#13;
seventeen at most. Look at her, my dear Adrienne; what a pity!"</p><p>"It is one of your charitable days, my dear Julia," answered Adrienne;&#13;
"we are to pity the Indians, to pity this creature, and--pray, whom else&#13;
are we to pity?"</p><p>"We will not pity that handsome Indian, in his red-and-gold turban,"&#13;
said the marquis, laughing, "for, if this goes on, the girl with the&#13;
cherry colored ribbons will be giving him a kiss. See how she leans&#13;
towards her sultan."</p><p>"They are very amusing," said the marchioness, sharing the hilarity&#13;
of her husband, and looking at Rose-Pompom through her glass; then she&#13;
resumed, in about a minute, addressing herself to Adrienne: "I am quite&#13;
certain of one thing. Notwithstanding her giddy airs, that girl is very&#13;
fond of her Indian. I just saw a look that expresses a great deal."</p><p>"Why so much penetration, my dear Julia?" said Adrienne, mildly; "what&#13;
interest have we to read the heart of that girl?"</p><p>"Why, if she loves her sultan, she is quite in the right," said the&#13;
marquis, looking through his opera-glass in turn; "for, in my whole&#13;
life, I never saw a more handsome fellow than that Indian. I can only&#13;
catch his side-face, but the profile is pure and fine as an antique&#13;
cameo. Do you not think so?" added the marquis, leaning towards&#13;
Adrienne. "Of course, it is only as a matter of art, that I permit&#13;
myself to ask you the question."</p><p>"As a work of art," answered Adrienne, "it is certainly very fine."</p><p>"But see!" said the marchioness; "how impertinent the little creature&#13;
is!--She is actually staring at us."</p><p>"Well!" said the marquis; "and she is actually laying her hand quite&#13;
unceremoniously on her sultan's shoulder, to make him share, no doubt,&#13;
in her admiration of you ladies."</p><p>In fact, Djalma, until now occupied with the contemplation of the&#13;
scene which reminded him of his country, had remained insensible to the&#13;
enticements of Rose-Pompon, and had not yet perceived Adrienne.</p><p>"Well, now!" said Rose-Pompon, bustling herself about in front of the&#13;
box, and continuing to stare at Mdlle. de Cardoville, for it was she,&#13;
and not the marchioness, who now drew her attention; "that is something&#13;
quite out of the common way--a pretty woman, with red hair; but such&#13;
sweet red, it must be owned. Look, Prince Charming!"</p><p>And so saying, she tapped Djalma lightly on the shoulder; he started at&#13;
these words, turned round, and for the first time perceived Mdlle. de&#13;
Cardoville.</p><p>Though he had been almost prepared for this meeting, the prince was so&#13;
violently affected by it, that he was about involuntarily to rise, in&#13;
a state of the utmost confusion; but he felt the iron hand of Faringhea&#13;
laid heavily on his shoulder, and heard him whisper in Hindostanee:&#13;
"Courage! and by to-morrow she will be at your feet."</p><p>As Djalma still struggled to rise, the half-caste added to restrain him:&#13;
"Just now, she grew pale and red with jealousy. No weakness, or all is&#13;
lost!"</p><p>"So! there you are again, talking your dreadful gibberish," said Rose&#13;
Pompon, turning round towards Faringhea. "First of all, it is not&#13;
polite; and then the language is so odd, that one might suppose you were&#13;
cracking nuts."</p><p>"I spoke of you to my master," said the half-caste; "he is preparing a&#13;
surprise for you."</p><p>"A surprise? oh! that is different. Only make haste--do you hear, Prince&#13;
Charming!" added she, looking tenderly at Djalma.</p><p>"My heart is breaking," said Djalma, in a hollow voice to Faringhea,&#13;
still using the language of India.</p><p>"But to-morrow it will bound with joy and love," answered the&#13;
half-caste. "It is only by disdain that you can conquer a proud woman.&#13;
To-morrow, I tell you, she will be trembling, confused, supplicating, at&#13;
your feet!"</p><p>"To-morrow, she will hate me like death!" replied the prince,&#13;
mournfully.</p><p>"Yes, were she now to see you weak and cowardly. It is now too late to&#13;
draw back; look full at her, take the nosegay from this girl, and raise&#13;
it to your lips. Instantly, you will see yonder woman, proud as she is,&#13;
grow pale and red, as just now. Then will you believe me?"</p><p>Reduced by despair to make almost any attempt, and fascinated, in spite&#13;
of himself, by the diabolical hints of Faringhea, Djalma looked for a&#13;
second full at Mdlle. de Cardoville; then, with a trembling hand he took&#13;
the bouquet from Rose-Pompon, and, again looking at Adrienne, pressed it&#13;
to his lips.</p><p>Upon this insolent bravado, Mdlle. de Cardoville could not restrain so&#13;
sudden and visible a pang, that the prince was struck by it.</p><p>"She is yours," said the half-caste, to him. "Did you see, my lord, how&#13;
she trembled with jealousy?--Only have courage! and she is yours. She&#13;
will soon prefer you to that handsome young man behind her--for it is he&#13;
whom she has hitherto fancied herself in love with."</p><p>As if the half-caste had guessed the movement of rage and hatred, which&#13;
this revelation would excite in the heart of the prince, he hastily&#13;
added: "Calmness and disdain! Is it not his turn now to hate you?"</p><p>The prince restrained himself, and drew his hand across his forehead&#13;
which glowed with anger.</p><p>"There now! what are you telling him, that vexes him so?" said Rose&#13;
Pompon to Faringhea, with pouting lip. Then, addressing Djalma, she&#13;
continued: "Come, Prince Charming, as they say in the fairy-tale, give&#13;
me back my flowers."</p><p>As she took it again, she added: "You have kissed it, and I could almost&#13;
eat it." Then, with a sigh, and a passionate glance at Djalma, she said&#13;
softly to herself: "That monster Ninny Moulin did not deceive me. All&#13;
this is quite proper; I have not even that to reproach myself with." And&#13;
with her little white teeth, she bit at a rosy nail of her right hand,&#13;
from which she had just drawn the glove.</p><p>It is hardly necessary to say, that Adrienne's letter had not been&#13;
delivered to the prince, and that he had not gone to pass the day in the&#13;
country with Marshal Simon. During the three days in which Montbron had&#13;
not seen Djalma, Faringhea had persuaded him, that, by affecting another&#13;
passion, he would bring Mdlle. de Cardoville to terms. With regard&#13;
to Djalma's presence at the theatre, Rodin had learned from her maid,&#13;
Florine, that her mistress was to go in the evening to the Porte-Saint&#13;
Martin. Before Djalma had recognized her, Adrienne, who felt her&#13;
strength failing her, was on the point of quitting the theatre; the man,&#13;
whom she had hitherto placed so high, whom she had regarded as a hero&#13;
and a demi-god and whom she had imagined plunged in such dreadful&#13;
despair, that, led by the most tender pity, she had written to him with&#13;
simple frankness, that a sweet hope might calm his grief--replied to&#13;
a generous mark of sincerity and love, by making himself a ridiculous&#13;
spectacle with a creature unworthy of him. What incurable wounds for&#13;
Adrienne's pride! It mattered little, whether Djalma knew or not, that&#13;
she would be a spectator of the indignity. But when she saw herself&#13;
recognized by the prince, when he carried the insult so far as to look&#13;
full at her, and, at the same time, raise to his lips the creature's&#13;
bouquet who accompanied him, Adrienne was seized with noble indignation,&#13;
and felt sufficient courage to remain: instead of closing her eyes to&#13;
evidence, she found a sort of barbarous pleasure in assisting at the&#13;
agony and death of her pure and divine love. With head erect, proud and&#13;
flashing eye, flushed cheek, and curling lip, she looked in her turn at&#13;
the prince with disdainful steadiness. It was with a sardonic smile that&#13;
she said to the marchioness, who, like many others of the spectators&#13;
was occupied with what was passing in the stage-box: "This revolting&#13;
exhibition of savage manners is at least in accordance with the rest of&#13;
the performance."</p><p>"Certainly," said the marchioness; "and my dear uncle will have lost,&#13;
perhaps, the most amusing part."</p><p>"Montbron?" said Adrienne, hastily, with hardly repressed bitterness;&#13;
"yes, he will regret not having seen all. I am impatient for his&#13;
arrival. Is it not to him that I am indebted for his charming evening?"</p><p>Perhaps Madame de Morinval would have remarked the expression of bitter&#13;
irony, that Adrienne could not altogether dissemble, if suddenly a&#13;
hoarse and prolonged roar had net attracted her attention, as well&#13;
as that of the rest of the audience, who had hitherto been quite&#13;
indifferent to the scenes intended for an introduction to the appearance&#13;
of Morok. Every eye was now turned instinctively towards the cavern&#13;
situated to the left of the stage, just below Mdlle. de Cardoville's&#13;
box; a thrill of curiosity ran through the house. A second roar, deeper&#13;
and more sonorous, and apparently expressive of more irritation than&#13;
the first, now rose from the cave, the mouth of which was half-hidden&#13;
by artificial brambles, made so as to be easily put on one side. At this&#13;
sound, the Englishman stood up in his little box, leaned half over the&#13;
front, and began to rub his hands with great energy; then, remaining&#13;
perfectly motionless, he fixed his large, green, glittering eyes on the&#13;
mouth of the cavern.</p><p>At these ferocious howlings, Djalma also had started, notwithstanding&#13;
the frenzy of love, hate, and jealousy, to which he was a prey. The&#13;
sight of this forest, and the roarings of the panther, filled him with&#13;
deep emotion, for they recalled the remembrance of his country, and of&#13;
those great hunts which, like war, have their own terrible excitement.&#13;
Had he suddenly heard the horns and gongs of his father's army sounding&#13;
to the charge, he could not have been transported with more savage&#13;
ardor. And now deep growls, like distant thunder, almost drowned the&#13;
roar of the panther. The lion and tiger, Judas and Cain answered her&#13;
from their dens at the back of the stage. On this frightful concert,&#13;
with which his ears had been familiar in the midst of the solitudes of&#13;
India, when he lay encamped, for the purposes of the chase or of war,&#13;
Djalma's blood boiled in his veins. His eyes sparkled with a wild ardor.&#13;
Leaning a little forward, with both hands pressed on the front of the&#13;
box, his whole body trembled with a convulsive shudder. The audience,&#13;
the theatre, Adrienne herself no longer existed for him; he was in a&#13;
forest of his own lands, tracking the tiger.</p><p>Then there mingled with his beauty so intrepid and ferocious an&#13;
expression, that Rose-Pompon looked at him with a sort of terror and&#13;
passionate admiration. For the first time in her life, perhaps, her&#13;
pretty blue eyes, generally so gay and mischievous; expressed a serious&#13;
emotion. She could not explain what she felt; but her heart seemed&#13;
frightened, and beat violently, as though some calamity were at hand.</p><p>Yielding to a movement of involuntary fear, she seized Djalma by the&#13;
arm, and said to him: "Do not stare so into that cavern; you frighten&#13;
me."</p><p>Djalma did not hear what she said.</p><p>"Here he is! here he is!" murmured the crowd, almost with one voice, as&#13;
Morok appeared at the back of the stage.</p><p>Dressed as we have described, Morok now carried in addition a bow and&#13;
a long quiver full of arrows. He slowly descended the line of painted&#13;
rocks, which came sloping down towards the centre of the stage. From&#13;
time to time, he stopped as if to listen, and appeared to advance with&#13;
caution. Looking from one side to the other, his eyes involuntarily&#13;
encountered the large, green eyes of the Englishman, whose box was close&#13;
to the cavern. Instantly the lion-tamer's countenance was contracted in&#13;
so frightful a manner, that Lady Morinval, who was examining him closely&#13;
with the aid of an excellent glass, said hastily to Adrienne: "My dear,&#13;
the man is afraid. Some misfortune will happen."</p><p>"How can accidents happen," said Adrienne, with a sardonic smile,&#13;
"in the midst of this brilliant crowd, so well dressed and full of&#13;
animation! Misfortunes here, this evening! why, dear Julia, you do not&#13;
think it. It is in darkness and solitude that misfortunes come--never in&#13;
the midst of a joyous crowd, and in all this blaze of light."</p><p>"Good gracious, Adrienne! take care!" cried the marchioness, unable to&#13;
repress an exclamation of alarm, and seizing her arm, as if to draw her&#13;
closer; "do you not see it?" And with a trembling hand, she pointed to&#13;
the cavern's mouth. Adrienne hastily bent forward, and looked in that&#13;
direction. "Take care, do not lean so forward!" exclaimed Lady Morinval.</p><p>"Your terrors are nonsensical, my dear," said the marquis to his wife.&#13;
"The panther is securely chained; and even were it to break its chains&#13;
(which is impossible), we are here beyond its reach."</p><p>A long murmur of trembling curiosity here ran through the house, and&#13;
every eye was intently fixed on the cavern. From amongst the artificial&#13;
brambles, which she abruptly pushed aside with her broad chest, the&#13;
black panther suddenly appeared. Twice she stretched forth her flat&#13;
head, illumined by yellow, flaming eyes; then, half-opening her&#13;
blood-red jaws, she uttered another roar, and exhibited two rows of&#13;
formidable fangs. A double iron chain, and a collar also of iron,&#13;
painted black, blended with the ebon shades of her hide, and with the&#13;
darkness of the cavern. The illusion was complete, and the terrible&#13;
animal seemed to be at liberty in her den.</p><p>"Ladies," said the marquis, suddenly, "look at those Indians. Their&#13;
emotion makes them superb!"</p><p>In fact, the sight of the panther had raised the wild ardor of Djalma&#13;
to its utmost pitch. His eyes sparkled in their pearly orbits like two&#13;
black diamonds; his upper lip was curled convulsively with an expression&#13;
of animal ferocity, as if he were in a violent paroxysm of rage.</p><p>Faringhea, now leaning on the front of the box, was also greatly&#13;
excited, by reason of a strange coincidence. "That black panther of so&#13;
rare a breed," thought he, "which I see here at Paris, upon the stage,&#13;
must be the very one that the Malay"--the Thug who had tatooed Djalma&#13;
at Java during his sleep--"took quite young from his den, and sold to a&#13;
European captain. Bowanee's power is everywhere!" added the Thug, in his&#13;
sanguinary superstition.</p><p>"Do you not think," resumed the marquis, addressing Adrienne, "that&#13;
those Indians are really splendid in their present attitude?"</p><p>"Perhaps they may have seen such a hunt in their own country," said&#13;
Adrienne, as if she would recall and brave the most cruel remembrances.</p><p>"Adrienne," said the marchioness, suddenly, in an agitated voice, "the&#13;
lion-tamer has now come nearer--is not his countenance fearful to look&#13;
at?--I tell you he is afraid."</p><p>"In truth," observed the marquis, this time very seriously, "he is&#13;
dreadfully pale, and seems to grow worse every minute, the nearer he&#13;
approaches this side. It is said that, were he to lose his presence of&#13;
mind for a single moment, he would run the greatest danger."</p><p>"O! it would be horrible!" cried the marchioness, addressing Adrienne,&#13;
"if he were wounded--there--under our eyes!"</p><p>"Every wound does not kill," replied her friend, with an accent of such&#13;
cold indifference, that the marchioness looked at her with surprise, and&#13;
said to her: "My dear girl, what you say there is cruel!"</p><p>"It is the air of the place that acts on me," answered Adrienne, with an&#13;
icy smile.</p><p>"Look! look! the lion-tamer is about to shoot his arrow at the panther,"&#13;
said the marquis, suddenly. "No doubt, he will next perform the hand to&#13;
hand grapple."</p><p>Morok was at this moment in front of the stage, but he had yet to&#13;
traverse its entire breadth to reach the cavern's mouth. He stopped an&#13;
instant, adjusted an arrow to the string, knelt down behind a mass of&#13;
rock, took deliberate aim--and then the arrow hissed across the stage,&#13;
and was lost in the depths of the cavern, into which the panther&#13;
had retired, after showing for a moment her threatening head to the&#13;
audience. Hardly had the arrow disappeared, than Death, purposely&#13;
irritated by Goliath (who was invisible) sent forth a howl of rage, as&#13;
if she had been really wounded. Morok's actions became so expressive,&#13;
he evinced so naturally his joy at having hit the wild beast, that&#13;
a tempest of applause burst from every quarter of the house. Then,&#13;
throwing away his bow, he drew a dagger from his girdle, took it between&#13;
his teeth, and began to crawl forward on hands and knees, as though he&#13;
meant to surprise the wounded panther in his den. To render the illusion&#13;
perfect, Death, again excited by Goliath, who struck him with an iron&#13;
bar, sent forth frightful howlings from the depths of the cavern.</p><p>The gloomy aspect of the forest, only half-lighted with a reddish glare,&#13;
was so effective--the howlings of the panther were so furious--the&#13;
gestures, attitude, and countenance of Morok were so expressive of&#13;
terror, that the audience, attentive and trembling, now maintained a&#13;
profound silence. Every one held his breath, and a kind of shudder came&#13;
over the spectators, as though they expected some horrible event. What&#13;
gave such a fearful air of truth to the pantomime of Morok, was that,&#13;
as he approached the cavern step by step, he approached also the&#13;
Englishman's box. In spite of himself, the lion-tamer, fascinated by&#13;
terror, could not take his eyes from the large green eyes of this man,&#13;
and it seemed as if every one of the abrupt movements which he made in&#13;
crawling along, was produced by a species of magnetic attraction, caused&#13;
by the fixed gaze of the fatal wagerer. Therefore, the nearer Morok&#13;
approached, the more ghastly and livid he became. At sight of this&#13;
pantomime, which was no longer acting, but the real expression of&#13;
intense fear, the deep and trembling silence which had reigned in the&#13;
theatre was once more interrupted by acclamations, with which were&#13;
mingled the roarings of the panther, and the distant growls of the lion&#13;
and tiger.</p><p>The Englishman leaned almost out of his box, with a frightful sardonic&#13;
smile on his lip, and with his large eyes still fixed, panted for&#13;
breath. The perspiration ran down his bald red forehead, as if he had&#13;
really expended an incredible amount of magnetic power in attracting&#13;
Morok, whom he now saw close to the cavern entrance. The moment was&#13;
decisive. Crouching down with his dagger in his hand, following with eye&#13;
and gesture Death's every movement, who, roaring furiously, and opening&#13;
wide her enormous jaws, seemed determined to guard the entrance of&#13;
her den, Morok waited for the moment to rush upon her. There is such&#13;
fascination in danger, that Adrienne shared, in spite of herself, the&#13;
feeling of painful curiosity, mixed with terror, that thrilled through&#13;
all the spectators. Leaning forward like the marchioness, and gazing&#13;
upon this scene of fearful interest, the lady still held mechanically in&#13;
her hand the Indian bouquet preserved since the morning. Suddenly,&#13;
Morok raised a wild shout, as he rushed towards Death, who answered this&#13;
exclamation by a dreadful roar, and threw herself upon her master with&#13;
so much fury, that Adrienne, in alarm, believing the man lost, drew&#13;
herself back, and covered her fact with her hands. Her flowers slipped&#13;
from her grasp, and, falling upon the stage, rolled into the cavern in&#13;
which Morok was struggling with the panther.</p><p>Quick as lightning, supple and agile as a tiger, yielding to the&#13;
intoxication of his love, and to the wild ardor excited in him by the&#13;
roaring of the panther, Djalma sprang at one bound upon the stage, drew&#13;
his dagger, and rushed into the cavern to recover Adrienne's nosegay. At&#13;
that instant, Morok, being wounded, uttered a dreadful cry for help; the&#13;
panther, rendered still more furious at sight of Djalma, make the most&#13;
desperate efforts to break her chain. Unable to succeed in doing so, she&#13;
rose upon her hind legs, in order to seize Djalma, then within reach of&#13;
her sharp claws. It was only by bending down his head, throwing himself&#13;
on his knees, and twice plunging his dagger into her belly with the&#13;
rapidity of lightning, that Djalma escaped certain death. The panther&#13;
gave a howl, and fell with her whole weight upon the prince. For a&#13;
second, during which lasted her terrible agony, nothing was seen but a&#13;
confused and convulsive mass of black limbs, and white garments&#13;
stained with blood--and then Djalma rose, pale, bleeding, for he was&#13;
wounded--and standing erect, his eye flashing with savage pride, his&#13;
foot on the body of the panther, he held in his hand Adrienne's bouquet,&#13;
and cast towards her a glance which told the intensity of his love.&#13;
Then only did Adrienne feel her strength fail her--for only superhuman&#13;
courage had enabled her to watch all the terrible incidents of the&#13;
struggle.</p><p>BOOK IX.</p><p>XV. The Constant Wanderer XVI. The Luncheon XVII. Rendering&#13;
     the Account XVIII. The Square of Notre Dame XIX. The Cholera&#13;
     Masquerade XX. The Defiance XXI. Brandy to the Rescue XXII.&#13;
     Memories XXIII. The Poisoner XXIV. In the Cathedral XXV. The&#13;
     Murderers XXVI. The Patient XXVII. The Lure XXVIII. Good&#13;
     News XXIX. The Operation XXX. The Torture XXXI. Vice and&#13;
     Virtue XXXII. Suicide</p><p>CHAPTER XV. THE CONSTANT WANDERER.</p><p>It is night. The moon shines and the stars glimmer in the midst of a&#13;
serene but cheerless sky; the sharp whistlings of the north wind, that&#13;
fatal, dry, and icy breeze, ever and anon burst forth in violent gusts.&#13;
With its harsh and cutting breath, it sweeps Montmartre's Heights. On&#13;
the highest point of the hills, a man is standing. His long shadow is&#13;
cast upon the stony, moon-lit ground. He gazes on the immense city,&#13;
which lies outspread beneath his feet. PARIS--with the dark outline of&#13;
its towers, cupolas, domes, and steeples, standing out from the limpid&#13;
blue of the horizon, while from the midst of the ocean of masonry, rises&#13;
a luminous vapor, that reddens the starry azure of the sky. It is the&#13;
distant reflection of the thousand fires, which at night, the hour of&#13;
pleasures, light up so joyously the noisy capital.</p><p>"No," said the wayfarer; "it is not to be. The Lord will not exact it.&#13;
Is not twice enough?</p><p>"Five centuries ago, the avenging hand of the Almighty drove me hither&#13;
from the uttermost confines of Asia. A solitary traveller, I had left&#13;
behind me more grief, despair, disaster, and death, than the innumerable&#13;
armies of a hundred devastating conquerors. I entered this town, and it&#13;
too was decimated.</p><p>"Again, two centuries ago, the inexorable hand, which leads me through&#13;
the world, brought me once more hither; and then, as the time before,&#13;
the plague, which the Almighty attaches to my steps, again ravaged this&#13;
city, and fell first on my brethren, already worn out with labor and&#13;
misery.</p><p>"My brethren--mine?--the cobbler of Jerusalem, the artisan accursed by&#13;
the Lord, who, in my person, condemned the whole race of workmen,&#13;
ever suffering, ever disinherited, ever in slavery, toiling on like me&#13;
without rest or pause, without recompense or hope, till men, women,&#13;
and children, young and old, all die beneath the same iron yoke--that&#13;
murderous yoke, which others take in their turn, thus to be borne from&#13;
age to age on the submissive and bruised shoulders of the masses.</p><p>"And now, for the third time in five centuries, I reach the summit of&#13;
one of the hills that overlook the city. And perhaps I again bring with&#13;
me fear, desolation, and death.</p><p>"Yet this city, intoxicated with the sounds of its joys and its&#13;
nocturnal revelries, does not know--oh! does not know that I am at its&#13;
gates.</p><p>"But no, no! my presence will not be a new calamity. The Lord, in his&#13;
impenetrable views, has hitherto led me through France, so as to&#13;
avoid the humblest hamlet; and the sound of the funeral knell has not&#13;
accompanied my passage.</p><p>"And, moreover, the spectre has left me--the green, livid spectre, with&#13;
its hollow, bloodshot eyes. When I touched the soil of France, its damp&#13;
and icy hands was no longer clasped in mine--and it disappeared.</p><p>"And yet--I feel that the atmosphere of death is around me.</p><p>"The sharp whistlings of that fatal wind cease not, which, catching me&#13;
in their whirl, seem to propagate blasting and mildew as they blow.</p><p>"But perhaps the wrath of the Lord is appeased, and my presence here is&#13;
only a threat--to be communicated in some way to those whom it should&#13;
intimidate.</p><p>"Yes; for otherwise he would smite with a fearful blow, by first&#13;
scattering terror and death here in the heart of the country, in the&#13;
bosom of this immense city!</p><p>"Oh! no, no! the Lord will be merciful. No! he will not condemn me to&#13;
this new torture.</p><p>"Alas! in this city, my brethren are more numerous and miserable than&#13;
elsewhere. And should I be their messenger of death?"</p><p>"No! the Lord will have pity. For, alas! the seven descendants of my&#13;
sister have at length met in this town. And to them likewise should I be&#13;
the messenger of death, instead of the help they so much need?</p><p>"For that woman, who like me wanders from one border of the earth to the&#13;
other, after having once more rent asunder the nets of their enemies,&#13;
has gone forth upon her endless journey.</p><p>"In vain she foresaw that new misfortunes threatened my sister's family.&#13;
The invisible hand, that drives me on, drives her on also.</p><p>"Carried away, as of old, by the irresistible whirlwind, at the moment&#13;
of leaving my kindred to their fate, she in vain cried with supplicating&#13;
tone: 'Let me at least, O Lord, complete my task!'--'GO ON!--'A few&#13;
days, in mercy, only a few poor days!'--'GO ON'--'I leave those I love&#13;
on the brink of the abyss!'--'GO ON! GO ON!'</p><p>"And the wandering star--again started on its eternal round. And her&#13;
voice, passing through space, called me to the assistance of mine own.</p><p>"When that voice readied me, I knew that the descendants of my sister&#13;
were still exposed to frightful perils. Those perils are even now on the&#13;
increase.</p><p>"Tell me, O Lord! will they escape the scourge, which for so many&#13;
centuries has weighed down our race?</p><p>"Wilt thou pardon me in them? wilt thou punish me in them? Oh, that they&#13;
might obey the last will of their ancestor!</p><p>"Oh, that they might join together their charitable hearts, their valor&#13;
and their strength, their noble intelligence, and their great riches!</p><p>"They would then labor for the future happiness of humanity--they would&#13;
thus, perhaps, redeem me from my eternal punishment!</p><p>"The words of the Son of Man, LOVE YE ONE ANOTHER, will be their only&#13;
end, their only means.</p><p>"By the help of those all-powerful words, they will fight and conquer&#13;
the false priests, who have renounced the precepts of love, peace, and&#13;
hope, for lessons of hatred, violence, and despair.</p><p>"Those false priests, who, kept in pay by the powerful and happy of this&#13;
world, their accomplices in every age, instead of asking here below for&#13;
some slight share of well-being for my unfortunate brethren, dare in&#13;
thy name, O Lord God, to assert that the poor are condemned to endless&#13;
suffering in this world--and that the desire or the hope to suffer less&#13;
is a crime in thine eyes--because the happiness of the few, and the&#13;
misery of nearly the whole human race, is (O blasphemy!) according to&#13;
thy will. Is not the very contrary of those murderous words alone worthy&#13;
of divinity!</p><p>"In mercy, hear me, Lord! Rescue from their enemies the descendants of&#13;
my sister--the artisan as the king's son. Do not let them destroy the&#13;
germ of so mighty and fruitful an association, which, with thy blessing,&#13;
would make an epoch in the annals of human happiness!</p><p>"Let me unite them, O Lord, since others would divide them--defend them,&#13;
since others attack; let me give hope to those who have ceased to hope,&#13;
courage to those who are brought low with fear--let me raise up the&#13;
falling, and sustain those who persevere in the way of the righteous!</p><p>"And, peradventure, their struggles, devotion, virtue, and grief, may&#13;
expiate my fault--that of a man, whom misfortune alone rendered unjust&#13;
and wicked.</p><p>"Oh! since Thy Almighty hand hath led me hither--to what end I know&#13;
not--lay aside Thy wrath, I beseech Thee--let me be no longer the&#13;
instrument of Thy vengeance!</p><p>"Enough of woe upon the earth! for the last two years, Thy creatures&#13;
have fallen by thousands upon my track. The world is decimated. A veil&#13;
of mourning extends over all the globe.</p><p>"From Asia to the icy Pole, they died upon the path of the wanderer.&#13;
Dost Thou not hear the long-drawn sigh that rises from the earth unto&#13;
Thee, O Lord?</p><p>"Mercy for all! mercy for me!--Let me but unite the descendants of my&#13;
sister for a single day, and they will be saved!"</p><p>As he pronounced these words, the wayfarer sank upon his knees, and&#13;
raised to heaven, his supplicating hands. Suddenly, the wind blew with&#13;
redoubled violence; its sharp whistlings were changed into the roar of a&#13;
tempest.</p><p>The traveller shuddered; in a voice of terror he exclaimed: "The blast&#13;
of death rises in its fury--the whirlwind carries me on--Lord! Thou art&#13;
then deaf to my prayer?"</p><p>"The spectre! oh, the spectre! it is again here! its green face&#13;
twitching with convulsive spasms--its red eyes rolling in their orbits.&#13;
Begone! begone!--its hand, oh! its icy hand has again laid hold of mine.&#13;
Have mercy, heaven!"</p><p>"GO ON!"</p><p>"Oh, Lord! the pestilence--the terrible plague--must I carry it into&#13;
this city?--And my brethren will perish the first--they, who are so&#13;
sorely smitten even now! Mercy!"</p><p>"GO ON!"</p><p>"And the descendants of my sister. Mercy! Mercy!"</p><p>"GO ON!"</p><p>"Oh, Lord, have pity!--I can no longer keep my ground; the spectre drags&#13;
me to the slope of the hill; my walk is rapid as the deadly blast that&#13;
rages behind me; already do I behold the city gates. Have mercy, Lord,&#13;
on the descendants of my sister! Spare them; do not make me their&#13;
executioner; let them triumph over their enemies!"</p><p>"GO ON! GO ON!"</p><p>"The ground flies beneath my feet; there is the city gate. Lord, it is&#13;
yet time! Oh, mercy for that sleeping town! Let it not waken to cries&#13;
of terror, despair, and death! Lord, I am on the threshold. Must it&#13;
be?--Yes, it is done. Paris, the plague is in thy bosom. The curse--oh,&#13;
the eternal curse!"</p><p>"GO ON! GO ON! GO ON!"</p><p>CHAPTER XVI. THE LUNCHEON.</p><p>The morning after the doomed traveller, descending the heights of&#13;
Montmartre, had entered the walls of Paris, great activity reigned in&#13;
St. Dizier House. Though it was hardly noon, the Princess de St. Dizier,&#13;
without being exactly in full dress (she had too much taste for that),&#13;
was yet arrayed with more care than usual. Her light hair, instead of&#13;
being merely banded, was arranged in two bunches of curls, which suited&#13;
very well with her full and florid cheeks. Her cap was trimmed with&#13;
bright rose-colored ribbon, and whoever had seen the lady in her tight&#13;
fitting dress of gray-watered silk would have easily guessed that&#13;
Mrs. Grivois, her tirewoman, must have required the assistance and the&#13;
efforts of another of the princess's women to achieve so remarkable a&#13;
reduction in the ample figure of their mistress.</p><p>We shall explain the edifying cause of this partial return to the&#13;
vanities of the world. The princess, attended by Mrs. Grivois, who&#13;
acted as housekeeper, was giving her final orders with regard to some&#13;
preparations that were going on in a vast parlor. In the midst of this&#13;
room was a large round table, covered with crimson velvet, and near it&#13;
stood several chairs, amongst which, in the place of honor, was an arm&#13;
chair of gilded wood. In one corner, not far from the chimney, in which&#13;
burned an excellent fire, was a buffet. On it were the divers materials&#13;
for a most dainty and exquisite collation. Upon silver dishes were piled&#13;
pyramids of sandwiches composed of the roes of carp and anchovy paste,&#13;
with slices of pickled tunny-fish and Lenigord truffles (it was in&#13;
Lent); on silver dishes, placed over burning spirits of wine, so as to&#13;
keep them very hot, tails of Meuse crawfish boiled in cream, smoked in&#13;
golden colored pastry, and seemed to challenge comparison with delicious&#13;
little Marennes oyster-patties, stewed in Madeira, and flavored with a&#13;
seasoning of spiced sturgeon. By the side of these substantial&#13;
dishes were some of a lighter character, such as pineapple tarts,&#13;
strawberry-creams (it was early for such fruit), and orange-jelly served&#13;
in the peel, which had been artistically emptied for that purpose.&#13;
Bordeaux, Madeira, and Alicant sparkled like rubies and topazes in large&#13;
glass decanters, while two Sevres ewers were filled, one with coffee&#13;
a la creme, the other with vanilla chocolate, almost in the state of&#13;
sherbet, from being plunged in a large cooler of chiselled silver,&#13;
containing ice.</p><p>But what gave to this dainty collation a singularly apostolic and&#13;
papal character were sundry symbols of religious worship carefully&#13;
represented. Thus there were charming little Calvaries in apricot paste,&#13;
sacerdotal mitres in burnt almonds, episcopal croziers in sweet cake,&#13;
to which the princess added, as a mark of delicate attention, a little&#13;
cardinal's hat in cherry sweetmeat, ornamented with bands in burnt&#13;
sugar. The most important, however, of these Catholic delicacies, the&#13;
masterpiece of the cook, was a superb crucifix in angelica, with a crown&#13;
of candied berries. These are strange profanations, which scandalize&#13;
even the least devout. But, from the impudent juggle of the coat of&#13;
Triers, down to the shameless jest of the shrine at Argenteuil, people,&#13;
who are pious after the fashion of the princess, seem to take delight in&#13;
bringing ridicule upon the most respectable traditions.</p><p>After glancing with an air of satisfaction at these preparations for the&#13;
collation, the lady said to Mrs. Grivois, as she pointed to the gilded&#13;
arm-chair, which seemed destined for the president of the meeting: "Is&#13;
there a cushion under the table, for his Eminence to rest his feet on?&#13;
He always complains of cold."</p><p>"Yes, your highness," said Mrs. Grivois, when she had looked under the&#13;
table; "the cushion is there."</p><p>"Let also a pewter bottle be filled with boiling water, in case his&#13;
Eminence should not find the cushion enough to keep his feet warm."</p><p>"Yes, my lady."</p><p>"And put some more wood on the fire."</p><p>"But, my lady, it is already a very furnace. And if his Eminence is&#13;
always too cold, my lord the Bishop of Halfagen is always too hot. He&#13;
perspires dreadfully."</p><p>The princess shrugged her shoulders, and said to Mrs. Grivois: "Is not&#13;
his Eminence Cardinal Malipieri the superior of his Lordship the Bishop&#13;
of Halfagen?"</p><p>"Yes, your highness."</p><p>"Then, according to the rules of the hierarchy, it is for his Lordship&#13;
to suffer from the heat, rather than his Eminence from the cold.&#13;
Therefore, do as I tell you, and put more wood on the fire. Nothing is&#13;
more natural; his Eminence being an Italian, and his Lordship&#13;
coming from the north of Belgium, they are accustomed to different&#13;
temperatures."</p><p>"Just as your highness pleases," said Mrs. Grivois, as she placed two&#13;
enormous logs on the fire; "but in such a heat as there is here his&#13;
Lordship might really be suffocated."</p><p>"I also find it too warm; but does not our holy religion teach us&#13;
lessons of self-sacrifice and mortification?" said the princess, with a&#13;
touching expression of devotion.</p><p>We have now explained the cause of the rather gay attire of the&#13;
princess. She was preparing for a reception of prelates, who, along with&#13;
Father d'Aigrigny and other dignitaries of the Church, had already held&#13;
at the princely house a sort of council on a small scale. A young bride&#13;
who gives her first ball, an emancipated minor who gives his first&#13;
bachelor's dinner, a woman of talent who reads aloud for the first time&#13;
her first unpublished work, are not more joyous and proud, and, at the&#13;
same time, more attentive to their guests, than was this lady with her&#13;
prelates. To behold great interests discussed in her house, and in&#13;
her presence, to hear men of acknowledged ability ask her advice&#13;
upon certain practical matters relating to the influence of female&#13;
congregations, filled the princess with pride, as her claims to&#13;
consideration were thus sanctioned by Lordships and Eminences, and she&#13;
took the position, as it were, of a mother of the Church. Therefore, to&#13;
win these prelates, whether native or foreign, she had recourse to no&#13;
end of saintly flatteries and sanctified coaxing. Nor could anything be&#13;
more logical than these successive transfigurations of this heartless&#13;
woman, who only loved sincerely and passionately the pursuit of intrigue&#13;
and domination. With the progress of age, she passed naturally from the&#13;
intrigues of love to those of politics, and from the latter to those of&#13;
religion.</p><p>At the moment she finished inspecting her preparations, the sound of&#13;
coaches was heard in the courtyard, apprising her of the arrival of the&#13;
persons she had been expecting. Doubtless, these persons were of the&#13;
highest rank, for contrary to all custom, she went to receive them at&#13;
the door of her outer saloon. It was, indeed, Cardinal Malipieri, who&#13;
was always cold, with the Belgian Bishop of Halfagen, who was always&#13;
hot. They were accompanied by Father d'Aigrigny. The Roman cardinal was&#13;
a tall man, rather bony than thin, with a yellowish puffy countenance,&#13;
haughty and full of craft; he squinted a good deal, and his black eyes&#13;
were surrounded by a deep brown circle. The Belgian Bishop was short,&#13;
thick, and fat, with a prominent abdomen, an apoplectic complexion, a&#13;
slow, deliberate look, and a soft, dimpled, delicate hand.</p><p>The company soon assembled in the great saloon. The cardinal instantly&#13;
crept close to the fire, whilst the bishop, beginning to sweat and blow,&#13;
cast longing glances at the iced chocolate and coffee, which were to aid&#13;
him in sustaining the oppressive heat of the artificial dog-day. Father&#13;
d'Aigrigny, approaching the princess, said to her in a low voice: "Will&#13;
you give orders for the admittance of Abbe Gabriel de Rennepont, when he&#13;
arrives?"</p><p>"Is that young priest then here?" asked the princess, with extreme&#13;
surprise.</p><p>"Since the day before yesterday. We had him sent for to Paris, by his&#13;
superiors. You shall know all. As for Father Rodin, let Mrs. Grivois&#13;
admit him, as the other day, by the little door of the back stairs."</p><p>"He will come to-day?"</p><p>"He has very important matters to communicate. He desires that both the&#13;
cardinal and the bishop should be present for they have been informed&#13;
of everything at Rome by the Superior General, in their quality of&#13;
associates."</p><p>The princess rang the bell, gave the necessary orders, and, returning&#13;
towards the cardinal, said to him, in a tone of the most earnest&#13;
solicitude: "Does your Eminence begin to feel a little warmer? Would&#13;
your Eminence like a bottle of hot water to your feet? Shall we make a&#13;
larger fire for your Eminence?"</p><p>At this proposition, the Belgian bishop, who was wiping the perspiration&#13;
from his forehead, heaved a despairing sigh.</p><p>"A thousand thanks, princess," answered the cardinal to her, in very&#13;
good French, but with an intolerable Italian accent; "I am really&#13;
overcome with so much kindness."</p><p>"Will not your Lordship take some refreshment?" said the princess to the&#13;
bishop, as she turned towards the sideboard.</p><p>"With your permission, madame, I will take a little iced coffee," said&#13;
the prelate, making a prudent circuit to approach the dishes without&#13;
passing before the fire.</p><p>"And will not your Eminence try one of these little oyster-patties? They&#13;
are quite hot," said the princess.</p><p>"I know them already, princess," said the cardinal, with the air&#13;
and look of an epicure; "they are delicious, and I cannot resist the&#13;
temptation."</p><p>"What wine shall I have the honor to offer your Eminence?" resumed the&#13;
princess, graciously.</p><p>"A little claret, if you please, madame;" and as Father d'Aigrigny&#13;
prepared to fill the cardinal's glass, the princess disputed with him&#13;
that pleasure.</p><p>"Your Eminence will doubtless approve what I have done," said Father&#13;
d'Aigrigny to the cardinal, whilst the latter was gravely despatching&#13;
the oyster-patties, "in not summoning for to-day the Bishop of&#13;
Mogador, the Archbishop of Nanterre, and our holy Mother Perpetue, the&#13;
lady-superior of St. Mary Convent, the interview we are about to have&#13;
with his Reverence Father Rodin and Abbe Gabriel being altogether&#13;
private and confidential."</p><p>"Our good father was perfectly right," said the cardinal; "for, though&#13;
the possible consequences of this Rennepont affair may interest the&#13;
whole Church, there are some things that are as well kept secret."</p><p>"Then I must seize this opportunity to thank your Eminence for having&#13;
deigned to make an exception in favor of a very obscure and humble&#13;
servant of the Church," said the princess to the cardinal, with a very&#13;
deep and respectful curtsey.</p><p>"It is only just and right, madame," replied the cardinal, bowing as he&#13;
replaced his empty glass upon the table; "we know how much the Church&#13;
is indebted to you for the salutary direction you give to the religious&#13;
institutions of which you are the patroness."</p><p>"With regard to that, your Eminence may be assured that I always refuse&#13;
assistance to any poor person who cannot produce a certificate from the&#13;
confessional."</p><p>"And it is only thus, madame," resumed the cardinal, this time allowing&#13;
himself to be tempted by the attractions of the crawfish's tails, "it&#13;
is only thus that charity has any meaning. I care little that the&#13;
irreligious should feel hunger, but with the pious it is different;" and&#13;
the prelate gayly swallowed a mouthful. "Moreover," resumed he, "it is&#13;
well known with what ardent zeal you pursue the impious, and those who&#13;
are rebels against the authority of our Holy Father."</p><p>"Your Eminence may feel convinced that I am Roman in heart and soul;&#13;
I see no difference between a Gallican and a Turk," said the princess,&#13;
bravely.</p><p>"The princess is right," said the Belgian bishop: "I will go further,&#13;
and assert that a Gallican should be more odious to the church than a&#13;
pagan. In this respect I am of the opinion of Louis XIV. They asked him&#13;
a favor for a man about the court. 'Never,' said the great king; 'this&#13;
person is a Jansenist.'--'No, sire; he is an atheist.'--'Oh! that is&#13;
different; I will grant what he asks,' said the King."</p><p>This little episcopal jest made them all laugh. After which Father&#13;
d'Aigrigny resumed seriously, addressing the cardinal: "Unfortunately,&#13;
as I was about to observe to your Eminence with regard to the Abbe&#13;
Gabriel, unless they are very narrowly watched, the lower clergy have&#13;
a tendency to become infected with dissenting views, and with ideas of&#13;
rebellion against what they call the despotism of the bishops."</p><p>"This young man must be a Catholic Luther!" said the bishop. And,&#13;
walking on tip-toe, he went to pour himself out a glorious glass of&#13;
Madeira, in which he soaked some sweet cake, made in the form of a&#13;
crozier.</p><p>Led by his example, the Cardinal, under pretence of warming his feet by&#13;
drawing still closer to the fire, helped himself to an excellent glass&#13;
of old Malaga, which he swallowed by mouthfuls, with an air of profound&#13;
meditation; after which he resumed: "So this Abbe Gabriel starts as a&#13;
reformer. He must be an ambitious man. Is he dangerous?"</p><p>"By our advice his superiors have judged him to be so. They have ordered&#13;
him to come hither. He will soon be here, and I will tell your Eminence&#13;
why I have sent for him. But first, I have a note on the dangerous&#13;
tendencies of the Abbe Gabriel. Certain questions were addressed to&#13;
him, with regard to some of his acts, and it was in consequence of his&#13;
answers that his superiors recalled him."</p><p>So saying, Father d'Aigrigny, took from his pocket-book a paper, which&#13;
he read as follows:</p><p>"'Question.--Is it true that you performed religious rites for an&#13;
inhabitant of your parish who died in final impenitence of the most&#13;
detestable kind, since he had committed suicide?</p><p>"'Answer of Abbe Gabriel.--I paid him the last duties, because, more&#13;
than any one else, because of his guilty end, he required the prayers of&#13;
the church. During the night which followed his interment I continually&#13;
implored for him the divine mercy.</p><p>"'Q.--Is it true that you refused a set of silver-gilt sacramental&#13;
vessels, and other ornaments, with which one of the faithful, in pious&#13;
zeal, wished to endow your parish?</p><p>"'A.--I refused the vessels and embellishments, because the house of the&#13;
Lord should be plain and without ornament, so as to remind the faithful&#13;
that the divine Saviour was born in a stable. I advised the person who&#13;
wished to make these useless presents to my parish to employ the money&#13;
in judicious almsgiving, assuring him it would be more agreeable to the&#13;
Lord.'"</p><p>"What a bitter and violent declamation against the adorning of our&#13;
temples!" cried the cardinal. "This young priest is most dangerous.&#13;
Continue, my good father."</p><p>And, in his indignation, his Eminence swallowed several mouthfuls of&#13;
strawberry-cream. Father d'Aigrigny continued.</p><p>"'Q.--Is it true that you received in your parsonage, and kept there for&#13;
some days, an inhabitant of the village, by birth a Swiss, belonging to&#13;
the Protestant communion? Is it true that not only you did not attempt&#13;
to convert him to the one Catholic and Apostolic faith, but that you&#13;
carried so far the neglect of your sacred duties as to inter this&#13;
heretic in the ground consecrated for the repose of true believers?</p><p>"'A.--One of my brethren was houseless. His life had been honest and&#13;
laborious. In his old age his strength had failed him, and sickness had&#13;
come at the back of it; almost in a dying state, he had been driven from&#13;
his humble dwelling by a pitiless landlord, to whom he owed a year's&#13;
rent. I received the old man in my house, and soothed his last days. The&#13;
poor creature had toiled and suffered all his life; dying, he uttered no&#13;
word of bitterness at his hard fate; he recommended his soul to God and&#13;
piously kissed the crucifix. His pure and simple spirit returned to the&#13;
bosom of its Creator. I closed his eyes with respect, I buried him, I&#13;
prayed for him; and, though he died in the Protestant faith, I thought&#13;
him worthy of a place in consecrated ground.'"</p><p>"Worse and worse!" said the cardinal. "This tolerance is monstrous. It&#13;
is a horrible attack on that maxim of Catholicism: 'Out of the pale of&#13;
the Church there is no salvation.'"</p><p>"And all this is the more serious, my lord," resumed Father d'Aigrigny,&#13;
"because the mildness, charity, and Christian devotion of Abbe Gabriel&#13;
have excited, not only in his parish, but in all the surrounding&#13;
districts, the greatest enthusiasm. The priests of the neighboring&#13;
parishes have yielded to the general impulse, and it must be confessed&#13;
that but for his moderation a wide-spread schism would have commenced."</p><p>"But what do you hope will result from bringing him here?" said the&#13;
prelate.</p><p>"The position of Abbe Gabriel is complicated; first of all, he is the&#13;
heir of the Rennepont family."</p><p>"But has he not ceded his rights?" asked the cardinal.</p><p>"Yes, my lord; and this cession, which was at first informal, has&#13;
lately, with his free consent, been made perfectly regular in law; for&#13;
he had sworn, happen what might, to renounce his part of the inheritance&#13;
in favor of the Society of Jesus. Nevertheless, his Reverence Father&#13;
Rodin thinks, that if your Eminence, after explaining to Abbe Gabriel&#13;
that he was about to be recalled by his superiors, were to propose to&#13;
him some eminent position at Rome, he might be induced to leave France,&#13;
and we might succeed in arousing within him those sentiments of ambition&#13;
which are doubtless only sleeping for the present; your Eminence, having&#13;
observed, very judiciously, that every reformer must be ambitious."</p><p>"I approve of this idea," said the cardinal, after a moment's&#13;
reflection; "with his merit and power of acting on other men, Abbe&#13;
Gabriel may rise very high, if he is docile; and if he should not be so,&#13;
it is better for the safety of the Church that he should be at Rome&#13;
than here--for you know, my good father, we have securities that are&#13;
unfortunately wanting in France."(36)</p><p>After some moments of silence, the cardinal said suddenly to Father&#13;
d'Aigrigny: "As we were talking of Father Rodin, tell me frankly what&#13;
you think of him."</p><p>"Your Eminence knows his capacity," said Father d'Aigrigny, with a&#13;
constrained and suspicious air; "our reverend Father-General--"</p><p>"Commissioned him to take your place," said the cardinal; "I know that.&#13;
He told me so at Rome. But what do you think of the character of Father&#13;
Rodin? Can one have full confidence in him?"</p><p>"He has so complete, so original, so secret, and so impenetrable a&#13;
mind," said Father d'Aigrigny, with hesitation, "that it is difficult to&#13;
form any certain judgment with respect to him."</p><p>"Do you think him ambitious?" said the cardinal, after another moment's&#13;
pause. "Do you not suppose him capable of having other views than those&#13;
of the greater glory of his Order?--Come, I have reasons for speaking&#13;
thus," added the prelate, with emphasis.</p><p>"Why," resumed Father d'Aigrigny, not without suspicion, for the game&#13;
is played cautiously between people of the same craft, "what should your&#13;
Eminence think of him, either from your own observation, or from the&#13;
report of the Father-General?"</p><p>"I think--that if his apparent devotion to his Order really concealed&#13;
some after-thought--it would be well to discover it--for, with the&#13;
influence that he has obtained at Rome (as I have found out), he might&#13;
one day, and that shortly, become very formidable."</p><p>"Well!" cried Father d'Aigrigny, impelled by his jealousy of Rodin; "I&#13;
am, in this respect, of the same opinion as your Eminence; for I have&#13;
sometimes perceived in him flashes of ambition, that were as alarming as&#13;
they were extraordinary--and since I must tell all to your Eminence--"</p><p>Father d'Aigrigny was unable to continue; at this moment Mrs. Grivois,&#13;
who had been knocking at the door, half-opened it, and made a sign to&#13;
her mistress. The princess answered by bowing her head, and Mrs. Grivois&#13;
again withdrew. A second afterwards Rodin entered the room.</p><p>(36) It is known that, in 1845, the Inquisition, solitary confinement,&#13;
etc., still existed at Rome.</p><p>CHAPTER XVII. RENDERING THE ACCOUNT.</p><p>At sight of Rodin, the two prelates and Father d'Aigrigny rose&#13;
spontaneously, so much were they overawed by the real superiority&#13;
of this man; their faces, just before contracted with suspicion and&#13;
jealousy, suddenly brightened up, and seemed to smile on the reverend&#13;
father with affectionate deference. The princess advanced some steps to&#13;
meet him.</p><p>Rodin, badly dressed as ever, leaving on the soft carpet the muddy track&#13;
of his clumsy shoes, put his umbrella into one corner, and advanced&#13;
towards the table--not with his accustomed humility, but with slow step,&#13;
uplifted head, and steady glance; not only did he feel himself in the&#13;
midst of his partisans, but he knew that he could rule them all by the&#13;
power of his intellect.</p><p>"We were speaking of your reverence, my dear, good father," said the&#13;
cardinal, with charming affability.</p><p>"Ah!" said Rodin, looking fixedly at the prelate; "and what were you&#13;
saying?"</p><p>"Why," replied the Belgian bishop, wiping his forehead, "all the good&#13;
that can be said of your reverence."</p><p>"Will you not take something, my good father?" said the princess to&#13;
Rodin, as she pointed to the splendid sideboard.</p><p>"Thank you, madame, I have eaten my radish already this morning."</p><p>"My secretary, Abbe Berlini, who was present at your repast, was,&#13;
indeed, much astonished at your reverence's frugality," said the&#13;
prelate: "it is worthy of an anchorite."</p><p>"Suppose we talk of business," said Rodin, abruptly, like a man&#13;
accustomed to lead and control the discussion.</p><p>"We shall always be most happy to hear you," said the prelate. "Your&#13;
reverence yourself fixed to-day to talk over this great Rennepont&#13;
affair. It is of such importance, that it was partly the cause of my&#13;
journey to France; for to support the interests of the glorious Company&#13;
of Jesus, with which I have the honor of being associated, is to support&#13;
the interests of Rome itself, and I promised the reverend Father-General&#13;
that I would place myself entirely at your orders."</p><p>"I can only repeat what his Eminence has just said," added the bishop.&#13;
"We set out from Rome together, and our ideas are just the same."</p><p>"Certainly," said Rodin, addressing the cardinal, "your Eminence may&#13;
serve our cause, and that materially. I will tell you how presently."</p><p>Then, addressing the princess, he continued: "I have desired Dr.&#13;
Baleinier to come here, madame, for it will be well to inform him of&#13;
certain things."</p><p>"He will be admitted as usual," said the princess.</p><p>Since Rodin's arrival Father d'Aigrigny had remained silent; he seemed&#13;
occupied with bitter thoughts, and with some violent internal struggle.&#13;
At last, half rising, he said to the prelate, in a forced tone of voice:&#13;
"I will not ask your Eminence to judge between the reverend Father Rodin&#13;
and myself. Our General has pronounced, and I have obeyed. But, as your&#13;
Eminence will soon see our superior, I should wish that you would grant&#13;
me the favor to report faithfully the answers of Father Rodin to one or&#13;
two questions I am about to put to him."</p><p>The prelate bowed. Rodin looked at Father d'Aigrigny with an air of&#13;
surprise, and said to him, dryly: "The thing is decided. What is the use&#13;
of questions?"</p><p>"Not to justify myself," answered Father d'Aigrigny, "but to place&#13;
matters in their true light before his Eminence."</p><p>"Speak, then; but let us have no useless speeches," said Rodin, drawing&#13;
out his large silver watch, and looking at it. "By two o'clock I must be&#13;
at Saint-Sulpice."</p><p>"I will be as brief as possible," said Father d'Aigrigny, with repressed&#13;
resentment. Then, addressing Rodin, he resumed: "When your reverence&#13;
thought fit to take my place, and to blame, very severely perhaps,&#13;
the manner in which I had managed the interests confided to my care, I&#13;
confess honestly that these interests were gravely compromised."</p><p>"Compromised?" said Rodin, ironically; "you mean lost. Did you not order&#13;
me to write to Rome, to bid them renounce all hope?"</p><p>"That is true," said Father d'Aigrigny.</p><p>"It was then a desperate case, given up by the best doctors," continued&#13;
Rodin, with irony, "and yet I have undertaken to restore it to life. Go&#13;
on."</p><p>And, plunging both hands into the pockets of his trousers, he looked&#13;
Father d'Aigrigny full in the face.</p><p>"Your reverence blamed me harshly," resumed Father d'Aigrigny, "not for&#13;
having sought, by every possible means, to recover the property odiously&#13;
diverted from our society--"</p><p>"All your casuists authorize you to do so," said the cardinal; "the&#13;
texts are clear and positive; you have a right to recover; per fas aut&#13;
nefas what has been treacherously taken from you."</p><p>"And therefore," resumed Father d'Aigrigny, "Father Rodin only&#13;
reproached me with the military roughness of my means. 'Their violence,'&#13;
he said, 'was in dangerous opposition to the manners of the age.' Be it&#13;
so; but first of all, I could not be exposed to any legal proceedings,&#13;
and, but for one fatal circumstance, success would have crowned the&#13;
course I had taken, however rough and brutal it may appear. Now, may I&#13;
ask your reverence what--"</p><p>"What I have done more than you?" said Rodin to Father d'Aigrigny,&#13;
giving way to his impertinent habit of interrupting people; "what I have&#13;
done better than you?--what step I have taken in the Rennepont affair,&#13;
since I received it from you in a desperate condition? Is that what you&#13;
wish to know?"</p><p>"Precisely," said Father d'Aigrigny, dryly.</p><p>"Well, I confess," resumed Rodin, in a sardonic tone, "just as you did&#13;
great things, coarse things, turbulent things, I have been doing little,&#13;
puerile, secret things. Oh, heaven! you cannot imagine what a foolish&#13;
part I, who passed for a man of enlarged views, have been acting for the&#13;
last six weeks."</p><p>"I should never have allowed myself to address such a reproach to your&#13;
reverence, however deserved it may appear," said Father d'Aigrigny, with&#13;
a bitter smile.</p><p>"A reproach?" said Rodin, shrugging his shoulders; "a reproach? You&#13;
shall be the judge. Do you know what I wrote about you, some six weeks&#13;
ago? Here it is: 'Father d'Aigrigny has excellent qualities. He will&#13;
be of much service to me'--and from to-morrow I shall employ you very&#13;
actively, added Rodin, by way of parenthesis--'but he is not great&#13;
enough to know how to make himself little on occasion.' Do you&#13;
understand?"</p><p>"Not very well," said Father d'Aigrigny, blushing.</p><p>"So much the worse for you," answered Rodin; "it only proves that I was&#13;
right. Well, since I must tell you, I have been wise enough to play the&#13;
most foolish part for six whole weeks. Yes, I have chatted nonsense with&#13;
a grisette--have talked of liberty, progress, humanity, emancipation of&#13;
women, with a young, excited girl; of Napoleon the Great, and all sorts&#13;
of Bonapartist idolatry, with an old, imbecile soldier; of imperial&#13;
glory, humiliation of France, hopes in the King of Rome, with a certain&#13;
marshal of France, who, with a heart full of adoration for the robber of&#13;
thrones, that was transported to Saint-Helena, has a head as hollow and&#13;
sonorous as a trumpet, into which you have only to blow some warlike or&#13;
patriotic notes, and it will flourish away of itself, without knowing&#13;
why or how. More than all this, I have talked of love affairs with&#13;
a young tiger. When I told you it was lamentable to see a man of&#13;
any intelligence descend, as I have done, to all such petty ways of&#13;
connecting the thousand threads of this dark web, was I not right? Is it&#13;
not a fine spectacle to see the spider obstinately weaving its net?--to&#13;
see the ugly little black animal crossing thread upon thread, fastening&#13;
it here, strengthening it there, and again lengthening it in some&#13;
other place? You shrug your shoulders in pity; but return two hours&#13;
after--what will you find? The little black animal eating its fill, and&#13;
in its web a dozen of the foolish flies, bound so securely, that the&#13;
little black animal has only to choose the moment of its repast."</p><p>As he uttered those words, Rodin smiled strangely; his eyes, gradually&#13;
half closed, opened to their full width, and seemed to shine more&#13;
than usual. The Jesuit felt a sort of feverish excitement, which he&#13;
attributed to the contest in which he had engaged before these eminent&#13;
personages, who already felt the influence of his original and cutting&#13;
speech.</p><p>Father d'Aigrigny began to regret having entered on the contest. He&#13;
resumed, however, with ill-repressed irony: "I do not dispute the&#13;
smallness of your means. I agree with you, they are very puerile--they&#13;
are even very vulgar. But that is not quite sufficient to give an&#13;
exalted notion of your merit. May I be allowed to ask--"</p><p>"What these means have produced?" resumed Rodin, with an excitement that&#13;
was not usual with him. "Look into my spider's web, and you will see&#13;
there the beautiful and insolent young girl, so proud, six weeks ago, of&#13;
her grace, mind, and audacity--now pale, trembling, mortally wounded at&#13;
the heart."</p><p>"But the act of chivalrous intrepidity of the Indian prince, with which&#13;
all Paris is ringing," said the princess, "must surely have touched&#13;
Mdlle. de Cardoville."</p><p>"Yes; but I have paralyzed the effect of that stupid and savage&#13;
devotion, by demonstrating to the young lady that it is not sufficient&#13;
to kill black panthers to prove one's self a susceptible, delicate, and&#13;
faithful lover."</p><p>"Be it so," said Father d'Aigrigny; "we will admit the fact that Mdlle.&#13;
de Cardoville is wounded to the heart."</p><p>"But what does this prove with regard to the Rennepont affair?" asked&#13;
the cardinal, with curiosity, as he leaned his elbows on the table.</p><p>"There results from it," said Rodin, "that when our most dangerous enemy&#13;
is mortally wounded, she abandons the battlefield. That is something, I&#13;
should imagine."</p><p>"Indeed," said the princess, "the talents and audacity of Mdlle. de&#13;
Cardoville would make her the soul of the coalition formed against us."</p><p>"Be it so," replied Father d'Aigrigny, obstinately; "she may be no&#13;
longer formidable in that respect. But the wound in her heart will not&#13;
prevent her from inheriting."</p><p>"Who tells you so?" asked Rodin, coldly, and with assurance. "Do you&#13;
know why I have taken such pains, first to bring her in contact with&#13;
Djalma, and then to separate her from him?"</p><p>"That is what I ask you," said Father D'Aigrigny; "how can this storm of&#13;
passion prevent Mdlle. de Cardoville and the prince from inheriting?"</p><p>"Is it from the serene, or from the stormy sky, that darts the&#13;
destroying thunderbolt?" said Rodin, disdainfully. "Be satisfied; I&#13;
shall know where to place the conductor. As for M. Hardy, the man lived&#13;
for three things: his workmen, his friend, his mistress. He has been&#13;
thrice wounded in the heart. I always take aim at the heart; it is legal&#13;
and sure."</p><p>"It is legal, and sure, and praiseworthy," said the bishop; "for, if&#13;
I understand you rightly, this manufacturer had a concubine; now it is&#13;
well to make use of an evil passion for the punishment of the wicked."</p><p>"True, quite true," added the cardinal; "if they have evil passion for&#13;
us to make use of it, it is their own fault."</p><p>"Our holy Mother Perpetue," said the princess, "took every means to&#13;
discover this abominable adultery."</p><p>"Well, then, M. Hardy is wounded in his dearest affections, I admit,"&#13;
said Father d'Aigrigny, still disputing every inch of ground; "ruined&#13;
too in his fortune, which will only make him the more eager after this&#13;
inheritance."</p><p>The argument appeared of weight to the two prelates and the princess;&#13;
all looked at Rodin with anxious curiosity. Instead of answering he&#13;
walked up to the sideboard, and, contrary to his habits of stoical&#13;
sobriety, and in spite of his repugnance for wine, he examined the&#13;
decanters, and said: "What is there in them?"</p><p>"Claret and sherry," said the hostess, much astonished at the sudden&#13;
taste of Rodin, "and--"</p><p>The latter took a decanter at hazard, and poured out a glass of Madeira,&#13;
which he drank off at a draught. Just be fore he had felt a strange kind&#13;
of shivering; to this had succeeded a sort of weakness. He hoped the&#13;
wine would revive him.</p><p>After wiping his mouth with the back of his dirty hand, he returned to&#13;
the table, and said to Father d'Aigrigny: "What did you tell me about M.&#13;
Hardy?"</p><p>"That being ruined in fortune, he would be the more eager to obtain this&#13;
immense inheritance," answered Father d'Aigrigny, inwardly much offended&#13;
at the imperious tone.</p><p>"M. Hardy think of money?" said Rodin, shrugging his shoulders. "He is&#13;
indifferent to life, plunged in a stupor from which he only starts to&#13;
burst into tears. Then he speaks with mechanical kindness to those about&#13;
him. I have placed him in good hands. He begins, however, to be sensible&#13;
to the attentions shown him, for he is good, excellent, weak; and ii is&#13;
to this excellence, Father d'Aigrigny, that you must appeal to finish&#13;
the work in hand."</p><p>"I?" said Father d'Aigrigny, much surprised.</p><p>"Yes; and then you will find that the result I have obtained is&#13;
considerable, and--"</p><p>Rodin paused, and, pressing his hand to his forehead, said to himself:&#13;
"It is strange!"</p><p>"What is the matter?" said the princess, with interest.</p><p>"Nothing, madame," answered Rodin, with a shiver; "it is doubtless the&#13;
wine I drank; I am not accustomed to it. I feel a slight headache; but&#13;
it will pass."</p><p>"Your eyes are very bloodshot, my good father, said the princess.</p><p>"I have looked too closely into my web," answered the Jesuit, with a&#13;
sinister smile; "and I must look again, to make Father d'Aigrigny,&#13;
who pretends to be blind, catch a glimpse of my other flies. The two&#13;
daughters of Marshal Simon, for instance, growing sadder and more&#13;
dejected every day, at the icy barrier raised between them and their&#13;
father; and the latter thinking himself one day dishonored if he does&#13;
this, another if he does that; so that the hero of the Empire has become&#13;
weaker and more irresolute than a child. What more remains of this&#13;
impious family? Jacques Rennepont? Ask Morok, to what a state of&#13;
debasement intemperance has reduced him, and towards what an abyss he is&#13;
rushing!--There is my occurrence-sheet; you see to what are reduced all&#13;
the members of this family, who, six weeks ago, had each elements of&#13;
strength and union! Behold these Renneponts, who, by the will of their&#13;
heretical ancestor, were to unite their forces to combat and crush our&#13;
Society!--There was good reason to fear them; but what did I say? That I&#13;
would act upon their passions. What have I done? I have acted upon their&#13;
passions. At this hour they are vainly struggling in my web--they are&#13;
mine--they are mine--"</p><p>As he was speaking, Rodin's countenance and voice had undergone a&#13;
singular alteration; his complexion, generally so cadaverous, had become&#13;
flushed, but unequally, and in patches; then, strange phenomenon! his&#13;
eyes grew both more brilliant and more sunken, and his voice sharper&#13;
and louder. The change in the countenance of Rodin, of which he did not&#13;
appear to be conscious, was so remarkable, that the other actors in this&#13;
scene looked at him with a sort of terror.</p><p>Deceived as to the cause of this impression, Rodin exclaimed with&#13;
indignation, in a voice interrupted by deep gaspings for breath: "It is&#13;
pity for this impious race, that I read upon your faces? Pity for the&#13;
young girl, who never enters a church, and erects pagan altars in&#13;
her habitation? Pity for Hardy, the sentimental blasphemer, the&#13;
philanthropic atheist, who had no chapel in his factory, and dared&#13;
to blend the names of Socrates, Marcus, Aurelius, and Plato, with our&#13;
Savior's? Pity for the Indian worshipper of Brahma? Pity for the two&#13;
sisters, who have never even been baptized? Pity for that brute, Jacques&#13;
Rennepont? Pity for the stupid imperial soldier, who has Napoleon for&#13;
his god, and the bulletins of the Grand Army for his gospel? Pity&#13;
for this family of renegades, whose ancestor, a relapsed heretic, not&#13;
content with robbing us of our property, excites from his tomb, at the&#13;
end of a century and a half, his cursed race to lift their heads against&#13;
us? What! to defend ourselves from these vipers, we shall not have the&#13;
right to crush them in their own venom?--I tell you, that it is to&#13;
serve heaven, and to give a salutary example to the world, to devote, by&#13;
unchaining their own passions, this impious family to grief and despair&#13;
and death!"</p><p>As he spoke thus, Rodin was dreadful in his ferocity; the fire of his&#13;
eyes became still more brilliant; his lips were dry and burning, a cold&#13;
sweat bathed his temples, which could be seen throbbing; an icy shudder&#13;
ran through his frame. Attributing these symptoms to fatigue from&#13;
writing through a portion of the night, and wishing to avoid fainting,&#13;
he went to the sideboard, filled another glass with wine, which he drank&#13;
off at a draught, and returned as the cardinal said to him: "If your&#13;
course with regard to this family needed justification, my good father,&#13;
your last word would have victoriously justified it. Not only are you&#13;
right, according to your own casuists, but there is nothing in your&#13;
proceedings contrary to human laws. As for the divine law, it is&#13;
pleasing to the Lord to destroy impiety with its own weapons."</p><p>Conquered, as well as the others, by Rodin's diabolical assurance, and&#13;
brought back to a kind of fearful admiration, Father d'Aigrigny said to&#13;
him: "I confess I was wrong in doubting the judgment of your reverence.&#13;
Deceived by the appearance of the means employed, I could not judge&#13;
of their connection, and above all, of their results. I now see, that,&#13;
thanks to you, success is no longer doubtful."</p><p>"This is an exaggeration," replied Rodin, with feverish impatience; "all&#13;
these passions are at work, but the moment is critical. As the alchemist&#13;
bends over the crucible, which may give him either treasures or sudden&#13;
death--I alone at this moment--"</p><p>Rodin did not finish the sentence. He pressed both his hands to his&#13;
forehead, with a stifled cry of pain.</p><p>"What is the matter?" said Father d'Aigrigny. "For some moments you have&#13;
been growing fearfully pale."</p><p>"I do not know 'what is the matter," said Rodin, in an altered voice;&#13;
"my headache increases--I am seized with a sort of giddiness."</p><p>"Sit down," said the princess, with interest.</p><p>"Take something," said the bishop.</p><p>"It will be nothing," said Rodin, with an effort; "I am no milksop,&#13;
thank heaven!--I had little sleep last night; it is fatigue--nothing&#13;
more. I was saying, that I alone could now direct this affair: but I&#13;
cannot execute the plan myself. I must keep out of the way, and watch&#13;
in the shade: I must hold the threads, which I alone can manage," added&#13;
Rodin, in a faint voice.</p><p>"My good father," said the cardinal uneasily, "I assure you that you are&#13;
very unwell. Your paleness is becoming livid."</p><p>"It is possible," answered Rodin, courageously; "but I am not to be so&#13;
soon conquered. To return to our affair--this is the time, in which your&#13;
qualities, Father d'Aigrigny, will turn to good account. I have never&#13;
denied them, and they may now be of the greatest use. You have the power&#13;
of charming--grace--eloquence--you must--"</p><p>Rodin paused again. A cold sweat poured from his forehead. He felt his&#13;
legs give way under him, notwithstanding his obstinate energy.</p><p>"I confess, I am not well," he said; "yet, this morning, I was as well&#13;
as ever. I shiver. I am icy cold."</p><p>"Draw near the fire--it is a sudden indisposition," said the bishop,&#13;
offering his arm with heroic devotion; "it will not be anything of&#13;
consequence."</p><p>"If you were to take something warm, a cup of tea," said the princess;&#13;
"Dr. Baleinier will be here directly--he will reassure us as to&#13;
this--indisposition."</p><p>"It is really inexplicable," said the prelate.</p><p>At these words of the cardinal, Rodin, who had advanced with difficulty&#13;
towards the fire, turned his eyes upon the prelate, and looked at him&#13;
fixedly in a strange manner, for about a second; then, strong in his&#13;
unconquerable energy, notwithstanding the change in his features, which&#13;
were now visibly disfigured, Rodin said, in a broken voice, which he&#13;
tried to make firm: "The fire has warmed me; it will be nothing. I have&#13;
no time to coddle myself. It would be a pretty thing to fall ill just as&#13;
the Rennepont affair can only succeed by my exertions! Let us return to&#13;
business. I told you, Father d'Aigrigny, that you might serve us a good&#13;
deal; and you also, princess, who have espoused this cause as if it were&#13;
your own--"</p><p>Rodin again paused. This time he uttered a piercing cry, sank upon&#13;
a chair placed near him, and throwing himself back convulsively, he&#13;
pressed his hands to his chest, and exclaimed: "Oh! what pain!"</p><p>Then (dreadful sight!) a cadaverous decomposition, rapid as thought,&#13;
took place in Rodin's features. His hollow eyes were filled with blood,&#13;
and seemed to shrink back in their orbits, which formed, as it were,&#13;
two dark holes, in the centre of which blazed points of fire; nervous&#13;
convulsions drew the flabby, damp, and icy skin tight over the bony&#13;
prominences of the face, which was becoming rapidly green. From the&#13;
lips, writhing with pain, issued the struggling breath, mingled with the&#13;
words: "Oh! I suffer! I burn!"</p><p>Then, yielding to a transport of fury. Rodin tore with his nails his&#13;
naked chest, for he had twisted off the buttons of his waistcoat, and&#13;
rent his black and filthy shirt-front, as if the pressure of those&#13;
garments augmented the violence of the pain under which he was writhing.&#13;
The bishop, the cardinal, and Father d'Aigrigny, hastily approached&#13;
Rodin, to try and hold him; he was seized with horrible convulsions;&#13;
but, suddenly, collecting all his strength, he rose upon his feet stiff&#13;
as a corpse. Then, with his garments in disorder, his thin, gray hair&#13;
standing up all around his greenish face, fixing his red and flaming&#13;
eyes upon the cardinal, he seized him with convulsive grasp, and&#13;
exclaimed in a terrible voice, half stifled in his throat: "Cardinal&#13;
Malipieri--this illness is too sudden--they suspect me at Rome--you&#13;
are of the race of the Borgias--and your secretary was with me this&#13;
morning!"</p><p>"Unhappy man! what does he dare insinuate?" cried the prelate, as amazed&#13;
as he was indignant at the accusation. So saying, the cardinal strove to&#13;
free himself from the grasp of Rodin, whose fingers were now as stiff as&#13;
iron.</p><p>"I am poisoned!" muttered Rodin, and sinking back, he fell into the arms&#13;
of Father d'Aigrigny.</p><p>Notwithstanding his alarm, the cardinal had time to whisper to the&#13;
latter: "He thinks himself poisoned. He must therefore be plotting&#13;
something very dangerous."</p><p>The door of the room opened. It was Dr. Baleinier.</p><p>"Oh, doctor!" cried the princess, as she ran pale and frightened towards&#13;
him; "Father Rodin has been suddenly attacked with terrible convulsions.&#13;
Quick! quick!"</p><p>"Convulsions? oh! it will be nothing, madame," said the doctor, throwing&#13;
down his hat upon a chair, and hastily approaching the group which&#13;
surrounded the sick man.</p><p>"Here is the doctor!" cried the princess. All stepped aside, except&#13;
Father d'Aigrigny, who continued to support Rodin, leaning against a&#13;
chair.</p><p>"Heavens! what symptoms!" cried Dr. Baleinier, examining with growing&#13;
terror the countenance of Rodin, which from green was turning blue.</p><p>"What is it?" asked all the spectators, with one voice.</p><p>"What is it?" repeated the doctor, drawing back as if he had trodden&#13;
upon a serpent. "It is the cholera! and contagious!"</p><p>On this frightful, magic word, Father d'Aigrigny abandoned his hold of&#13;
Rodin, who rolled upon the floor.</p><p>"He is lost!" cried Dr. Baleinier. "But I will run to fetch the means&#13;
for a last effort." And he rushed towards the door.</p><p>The Princess de Saint-Dizier, Father d'Aigrigny, the bishop, and the&#13;
cardinal followed in terror the flight of Dr. Baleinier. They all&#13;
pressed to the door, which, in their consternation, they could not&#13;
open. It opened at last but from without--and Gabriel appeared upon&#13;
the threshold. Gabriel, the type of the true priest, the holy, the&#13;
evangelical minister, to whom we can never pay enough of respect and&#13;
ardent sympathy, and tender admiration. His angelic countenance, in its&#13;
mild serenity, offered a striking contrast of these faces, all disturbed&#13;
and contracted with terror.</p><p>The young priest was nearly thrown down by the fugitives, who rushed&#13;
through the now open doorway, exclaiming: "Do not go in! he is dying of&#13;
the cholera. Fly!"</p><p>On these words, pushing back the bishop, who, being the last, was&#13;
trying to force a passage, Gabriel ran towards Rodin, while the prelate&#13;
succeeded in making his escape. Rodin, stretched upon the carpet, his&#13;
limbs twisted with fearful cramps, was writhing in the extremity&#13;
of pain. The violence of his fall had, no doubt, roused him to&#13;
consciousness, for he moaned, in a sepulchral voice: "They leave me to&#13;
die--like a dog--the cowards!--Help!--no one--"</p><p>And the dying man, rolling on his back with a convulsive movement,&#13;
turned towards the ceiling a face on which was branded the infernal&#13;
despair of the damned, as he once more repeated: "No one!--not one!"</p><p>His eyes, which suddenly flamed with fury, just then met the large blue&#13;
eyes of the angelic and mild countenance of Gabriel who, kneeling beside&#13;
him, said to him, in his soft, grave tones: "I am here, father--to help&#13;
you, if help be possible--to pray for you, if God calls you to him."</p><p>"Gabriel!" murmured Rodin, with failing voice; "forgive me for the evil&#13;
I have done you--do not leave me--do not--"</p><p>Rodin could not finish; he had succeeded in raising himself into a&#13;
sitting posture; he now uttered a loud cry, and fell back without sense&#13;
or motion.</p><p>The same day it was announced in the evening papers: "The cholera has&#13;
broken out in Paris. The first case declared itself this day, at half&#13;
past three, P.M. in the Rue de Babylone, at Saint-Dizier House."</p><p>CHAPTER XVIII. THE SQUARE OF NOTRE DAME.</p><p>A week had passed since Rodin was seized with the cholera, and its&#13;
ravages had continually increased. That was an awful time! A funeral&#13;
pall was spread over Paris, once so gay. And yet, never had the sky been&#13;
of a more settled, purer blue; never had the sun shone more brilliantly.&#13;
The inexorable serenity of nature, during the ravages of the deadly&#13;
scourge, offered a strange and mysterious contrast. The flaunting light&#13;
of the dazzling sunshine fell full upon the features, contracted by a&#13;
thousand agonizing fears. Each trembled for himself, or for those dear&#13;
to him; every countenance was stamped with an expression of feverish&#13;
astonishment and dread. People walked with rapid steps, as if they would&#13;
escape from the fate which threatened them; besides, they were in haste&#13;
to return to their homes, for often they left life, health, happiness,&#13;
and, two hours later, they found agony, death, and despair.</p><p>At every moment, new dismal objects met the view. Sometimes carts passed&#13;
along, filled with coffins, symmetrically piled; they stopped before&#13;
every house. Men in black and gray garments were in waiting before the&#13;
door; they held out their hands, and to some, one coffin was thrown, to&#13;
some two, frequently three or four, from the same house. It sometimes&#13;
happened that the store was quickly exhausted, and the cart, which had&#13;
arrived full, went away empty, whilst many of the dead in the street&#13;
were still unserved. In nearly every dwelling, upstairs and down, from&#13;
the roof to the cellar, there was a stunning tapping of hammers: coffins&#13;
were being nailed down, and so many, so very many were nailed, that&#13;
sometimes those who worked stopped from sheer fatigue. Then broke forth&#13;
laments, heart-rending moans, despairing imprecations. They were uttered&#13;
by those from whom the men in black and gray had taken some one to fill&#13;
the coffins.</p><p>Unceasingly were the coffins filled, and day and night did those men&#13;
work, but by day more than by night, for, as soon as it was dusk, came&#13;
a gloomy file of vehicles of all kinds--the usual hearses were not&#13;
sufficient; but cars, carts, drays, hackney-coaches, and such like,&#13;
swelled the funeral procession; different to the other conveyances,&#13;
which entered the streets full and went away empty--these came empty but&#13;
soon returned full. During that period, the windows of many houses were&#13;
illuminated, and often the lights remained burning till the morning. It&#13;
was "the season." These illuminations resembled the gleaming rays which&#13;
shine in the gay haunts of pleasure; but there were tapers instead&#13;
of wax candles, and the chanting of prayers for the dead replaced&#13;
the murmur of the ball-room. In the streets, instead of the facetious&#13;
transparencies which indicate the costumers, there swung at intervals&#13;
huge lanterns of a blood-red color, with these words in black letters:&#13;
"Assistance for those attacked with the cholera." The true places for&#13;
revelry, during the night, were the churchyards; they ran riot--they,&#13;
usually so desolate and silent, during the dark, quiet hours, when the&#13;
cypress trees rustle in the breeze, so lonely, that no human step dared&#13;
to disturb the solemn silence which reigned there at night, became on&#13;
a sudden, animated, noisy, riotous, and resplendent with light. By&#13;
the smoky flames of torches, which threw a red glare upon the dark&#13;
fir-trees, and the white tombstones, many grave-diggers worked merrily,&#13;
humming snatches of some favorite tune. Their laborious and hazardous&#13;
industry then commanded a very high price; they were in such request&#13;
that it was necessary to humor them. They drank often and much; they&#13;
sang long and loud; and this to keep up their strength and spirits good,&#13;
absolute requisites in such an employment. If, by chance, any did not&#13;
finish the grave they had begun, some obliging comrade finished it for&#13;
them (fitting expression!), and placed them in it with friendly care.</p><p>Other distant sounds responded to the joyous strains of the grave&#13;
diggers; public-houses had sprung up in the neighborhood of the&#13;
churchyards, and the drivers of the dead, when they had "set down their&#13;
customers," as they jocosely expressed themselves, enriched with their&#13;
unusual gratuities, feasted and made merry like lords; dawn often found&#13;
them with a glass in their hands, and a jest on their lips; and, strange&#13;
to say, among these funeral satellites, who breathed the very atmosphere&#13;
of the disease, the mortality was scarcely perceptible. In the&#13;
dark, squalid quarters of the town, where, surrounded by infectious&#13;
exhalations, the indigent population was crowded together, and miserable&#13;
beings, exhausted by severe privation, were "bespoke" by the cholera, as&#13;
it was energetically said at the time, not only individuals, but whole&#13;
families, were carried off in a few hours; and yet, sometimes, oh,&#13;
merciful Providence! one or two little children were left in the cold&#13;
and empty room, after the father and mother, brother and sister, had&#13;
been taken away in their shells.</p><p>Frequently, houses which had swarmed with hard working laborers, were&#13;
obliged to be shut up for want of tenants; in one day, they had been&#13;
completely cleared by this terrible visitation, from the cellars, where&#13;
little chimney-sweepers slept upon straw, to the garret, on whose cold&#13;
brick floor lay stretched some wan and half-naked being, without work&#13;
and without bread. But, of all the wards of Paris, that which perhaps&#13;
presented the most frightful spectacle during the progress of the&#13;
cholera, was the City; and in the City, the square before the cathedral&#13;
of Notre-Dame was almost every day the theatre of dreadful scenes: for&#13;
this locality was frequently thronged with those who conveyed the sick&#13;
from the neighboring streets to the Great Hospital. The cholera had&#13;
not one aspect, but a thousand. So that one week after Rodin had&#13;
been suddenly attacked, several events combining the horrible and the&#13;
grotesque occurred in the square of Notre Dame.</p><p>Instead of the Rue d'Arcole, which now leads directly to the square, it&#13;
was then approached on one side, by a mean, narrow lane, like all the&#13;
other streets of the City, and terminating in a dark, low archway. Upon&#13;
entering the square the principal door of the huge Cathedral was to the&#13;
left of the spectator, and facing him were the Hospital buildings.&#13;
A little beyond, was an opening which gave to view a portion of the&#13;
parapet of the Quay Notre-Dame. A placard had been recently stuck on&#13;
the discolored and sunken wail of the archway; it contained these words,&#13;
traced in large characters.(37)</p><p>"VENGEANCE! VENGEANCE!</p><p>"The Working-men carried to the hospitals are poisoned, because the&#13;
number of patients is too great; every night, Boats filled with corpses,&#13;
drop down the Seine.</p><p>"Vengeance and Death to the murderers of the People!"</p><p>Two men, enveloped in cloaks, and half-hidden in the deep shadow of the&#13;
vault, were listening with anxious curiosity to the threatening murmur,&#13;
which rose with increasing force from among a tumultuous assembly,&#13;
grouped around the Hospital. Soon, cries of "Death to the&#13;
doctors!--Vengeance!" reached the ears of the persons who were in ambush&#13;
under the arch.</p><p>"The posters are working," said one; "the train is on fire. When once&#13;
the populace is roused, we can set them on whom we please."</p><p>"I say," replied the other man, "look over there. That Hercules, whose&#13;
athletic form towers above the mob, was cue of the most frantic leaders&#13;
when M. Hardy's factory was destroyed."</p><p>"To be sure he was; I know him again. Wherever mischief is to be done,&#13;
you are sure to find those vagabonds.</p><p>"Now, take my advice, do not let us remain under this archway," said&#13;
the other man; "the wind is as cold as ice, and though I am cased in&#13;
flannel--"</p><p>"You are right, the cholera is confoundedly impolite. Besides,&#13;
everything is going on well here; I am likewise assured that the whole&#13;
of the Faubourg Saint-Antoine is ready to rise in the republican cause;&#13;
that will serve our ends, and our holy religion will triumph over&#13;
revolutionary impiety. Let us rejoin Father d'Aigrigny."</p><p>"Where shall we find him?"</p><p>"Near here, come--come."</p><p>The two hastily disappeared.</p><p>The sun, beginning to decline, shed its golden rays upon the blackened&#13;
sculptures of the porch of Notre-Dame, and upon its two massy towers,&#13;
rising in imposing majesty against a perfectly blue sky, for during&#13;
the fast few days, a north-east wind, dry and cold, had driven away&#13;
the lightest cloud. A considerable number of people, as we have already&#13;
stated, obstructed the approach to the Hospital; they crowded round the&#13;
iron railings that protect the front of the building, behind which was&#13;
stationed a detachment of infantry, the cries of "Death to the doctors!"&#13;
becoming every moment more threatening. The people who thus vociferated.&#13;
belonged to an idle, vagabond, and depraved populace--the dregs of the&#13;
Paris mob; and (terrible spectacle!) the unfortunate beings who were&#13;
forcibly carried through the midst of these hideous groups entered the&#13;
Hospital, whilst the air resounded with hoarse clamors, and cries of&#13;
"Death." Every moment, fresh victims were brought along in litters,&#13;
and on stretchers; the litters were frequently furnished with coarse&#13;
curtains, and thus the sick occupants were concealed from the public&#13;
gaze; but the stretchers, having no covering, the convulsive movements&#13;
of the dying patients often thrust aside the sheet, and exposed to&#13;
view their faces, livid as corpses. Far from inspiring with terror the&#13;
wretches assembled round the Hospital, such spectacles became to them&#13;
the signal for savage jests, and atrocious predictions upon the fate of&#13;
these poor creatures, when once in the power of the doctors.</p><p>The big blaster and Ciboule, with a good many of their adherents, were&#13;
among the mob. After the destruction of Hardy's factory, the quarryman&#13;
was formally expelled from the union of the Wolves, who would have&#13;
nothing more to do with this wretch; since then, he had plunged into&#13;
the grossest debauchery, and speculating on his herculean strength, had&#13;
hired himself as the officious champion of Ciboule and her compeers.&#13;
With the exception therefore of some chance passengers, the square of&#13;
Notre-Dame was filled with a ragged crowd, composed of the refuse of&#13;
the Parisian populace--wretches who call for pity as well as blame;&#13;
for misery, ignorance, and destitution, beget but too fatally vice and&#13;
crime. These savages of civilization felt neither pity, improvement, nor&#13;
terror, at the shocking sights with which they were surrounded; careless&#13;
of a life which was a daily struggle against hunger, or the allurements&#13;
of guilt, they braved the pestilence with infernal audacity, or sank&#13;
under it with blasphemy on their lips.</p><p>The tall form of the quarryman was conspicuous amongst the rest; with&#13;
inflamed eyes and swollen features, he yelled at the top of his voice:&#13;
"Death to the body-snatchers! they poison the people."</p><p>"That is easier than to feed them," added Ciboule. Then, addressing&#13;
herself to an old man, who was being carried with great difficulty&#13;
through the dense crowd, upon a chair, by two men, the hag continued:&#13;
"Hey? don't go in there, old croaker; die here in the open air instead&#13;
of dying in that den, where you'll be doctored like an old rat."</p><p>"Yes," added the quarryman; "and then they'll throw you into the water&#13;
to feast the fishes, which you won't swallow any more."</p><p>At these atrocious cries, the old man looked wildly around, and uttered&#13;
faint groans. Ciboule wished to stop the persons who were carrying him,&#13;
and they had much difficulty in getting rid of the hag. The number&#13;
of cholera-patients arriving increased every moment, and soon neither&#13;
litters nor stretchers could be obtained, so that they were borne along&#13;
in the arms of the attendants. Several awful episodes bore witness&#13;
to the startling rapidity of the infection. Two men were carrying a&#13;
stretcher covered with a blood-stained sheet; one of them suddenly felt&#13;
himself attacked with the complaint; he stopped short, his powerless&#13;
arms let go the stretcher; he turned pale, staggered, fell upon the&#13;
patient, becoming as livid as him; the other man, struck with terror,&#13;
fled precipitately, leaving his companion and the dying man in the&#13;
midst of the crowd. Some drew back in horror, others burst into a savage&#13;
laugh.</p><p>"The horses have taken fright," said the quarryman, "and have left the&#13;
turn-out in the lurch."</p><p>"Help!" cried the dying man, with a despairing accent; "for pity's sake&#13;
take me in."</p><p>"There's no more room in the pit," said one, in a jeering tone.</p><p>"And you've no legs left to reach the gallery," added another.</p><p>The sick man made an effort to rise; but his strength failed him; he&#13;
fell back exhausted on the mattress. A sudden movement took place among&#13;
the crowd, the stretcher was overturned, the old man and his companion&#13;
were trodden underfoot, and their groans were drowned in the cries of&#13;
"Death to the body-snatchers!" The yells were renewed with fresh fury,&#13;
but the ferocious band, who respected nothing in their savage fury,&#13;
were soon after obliged to open their ranks to several workmen, who&#13;
vigorously cleared the way for two of their friends carrying in their&#13;
arms a poor artisan. He was still young, but his heavy and already&#13;
livid head hung down upon the shoulder of one of them. A little child&#13;
followed, sobbing, and holding by one of the workmen's coats. The&#13;
measured and sonorous sound of several drums was now heard at a distance&#13;
in the winding streets of the city: they were beating the call to&#13;
arms, for sedition was rife in the Faubourg Saint-Antoine. The drummers&#13;
emerged from under the archway, and were traversing the square, when one&#13;
of them, a gray-haired veteran, suddenly slackened the rolling of his&#13;
drum, and stood still: his companions turned round in surprise--he had&#13;
turned green; his legs gave way, he stammered some unintelligible words,&#13;
and had fallen upon the pavement before those in the front rank had time&#13;
to pause. The overwhelming rapidity of this attack startled for a moment&#13;
the most hardened among the surrounding spectators; for, wondering at&#13;
the interruption, a part of the crowd had rushed towards the soldiers.</p><p>At sight of the dying man, supported in the arms of two of his comrades,&#13;
one of the individuals, who, concealed under the arch, had watched the&#13;
beginning of the popular excitement, said to the drummers: "Your comrade&#13;
drank, perhaps, at some fountain on the road?"</p><p>"Yes, sir," replied one; "he was very thirsty; he drank two mouthfuls of&#13;
water on the Place du Chatelet."</p><p>"Then he is poisoned," said the man.</p><p>"Poisoned?" cried several voices.</p><p>"It is not surprising," replied the man, in a mysterious tone; "poison&#13;
is thrown into the public fountains; and this very morning a man was&#13;
massacred in the Rue Beaubourg who was discovered emptying a paper of&#13;
arsenic into a pot of wine at a public-house."(38)</p><p>Having said these words, the man disappeared in the crowd. This report,&#13;
no less absurd than the tales about the poisoning of the Hospital&#13;
patients, was received with a general burst of indignation. Five or&#13;
six ragged beings, regular ruffians, seized the body of the expiring&#13;
drummer, hoisted it upon their shoulders, in spite of all the efforts&#13;
of his comrades to prevent them, and paraded the square exhibiting the&#13;
dismal trophy. Ciboule and the quarryman went before, crying: "Wake way&#13;
for the corpse! This is how they poison the people!"</p><p>A fresh incident now attracted the attention of the crowd. A travelling&#13;
carriage, which had not been able to pass along the Quai-Napoleon, the&#13;
pavement of which was up, had ventured among the intricate streets of&#13;
the city, and now arrived in the square of Notre-Dame on its way to the&#13;
other side of the Seine. Like many others, its owners were flying from&#13;
Paris, to escape the pestilence which decimated it. A man-servant and a&#13;
lady's maid were in the rumble, and they exchanged a glance of alarm as&#13;
they passed the Hospital, whilst a young man seated in the front part&#13;
of the carriage let down the glass, and called to the postilions to go&#13;
slowly, for fear of accident, as the crowd was very dense at that part&#13;
of the square. This young man was Lord Morinval, and on the back seat&#13;
were Lord Montbron and his niece, Lady Morinval. The pale and anxious&#13;
countenance of the young lady showed the alarm which she felt; and&#13;
Montbron, notwithstanding his firmness of mind, appeared to be&#13;
very uneasy; he, as well as his niece, frequently had recourse to a&#13;
smelling-bottle filled with camphor.</p><p>During the last few minutes, the carriage had advanced very slowly,&#13;
the postilions managing their horses with great caution, when a sudden&#13;
hubbub, at first distant and undefined, but soon more distinct, arose&#13;
among the throng, as it drew near, the ringing sound of chains and&#13;
metal, peculiar to the artillery-wagons, was plainly audible, and&#13;
presently one of these vehicles came towards the travelling-carriage,&#13;
from the direction of the Quai Notre-Dame. It seemed strange, that&#13;
though the crowd was so compact, yet at the rapid approach of this&#13;
wagon, the close ranks of human beings opened as if by enchantment, but&#13;
the following words which were passed from mouth to mouth soon accounted&#13;
for the prodigy: "A wagon full of dead! the wagon of the dead!" As&#13;
we have already stated, the usual funeral conveyances were no longer&#13;
sufficient for the removal of the corpses; a number of artillery wagons&#13;
had been put into requisition, and the coffins were hastily piled in&#13;
these novel hearses.</p><p>Many of the spectators regarded this gloomy vehicle with dismay, but the&#13;
quarryman and his band redoubled their horrible jokes.</p><p>"Make way for the omnibus of the departed!" cried Ciboule.</p><p>"No danger of having one's toes crushed in that omnibus," said the&#13;
quarryman.</p><p>"Doubtless they're easy to please, the stiff-uns in there."</p><p>"They never want to be set down, at all events."</p><p>"I say, there's only one reg'lar on duty as postilion!"</p><p>"That's true, the leaders are driven by a man in a smock-frock."</p><p>"Oh! I daresay the other soldier was tired, lazy fellow! and got into&#13;
the omnibus with the others--they'll all get out at the same big hole."</p><p>"Head foremost, you know."</p><p>"Yes, they pitch them head first into a bed of lime."</p><p>"Why, one might follow the dead-cart blind-fold, and no mistake. It's&#13;
worse than Montfaucon knacker-yards!"</p><p>"Ha! ha! ha!--it's rather gamey!" said the quarryman, alluding to the&#13;
infectious and cadaverous odor which this funeral conveyance left behind&#13;
it.</p><p>"Here's sport!" exclaimed Ciboule: "the omnibus of the dead will run&#13;
against the fine coach. Hurrah! the rich folks will smell death."</p><p>Indeed, the wagon was now directly in front of the carriage, and at a&#13;
very little distance from it. A man in a smock-frock and wooden shoes&#13;
drove the two leaders, and an artilleryman the other horses. The coffins&#13;
were so piled up within this wagon, that its semicircular top did&#13;
not shut down closely, so that, as it jolted heavily over the uneven&#13;
pavement, the biers could be seen chafing against each other. The fiery&#13;
eyes and inflamed countenance of the man in the smock-frock showed that&#13;
he was half intoxicated; urging on the horses with his voice, his heels,&#13;
and his whip, he paid no attention to the remonstrances of the soldier,&#13;
who had great difficulty in restraining his own animals, and was obliged&#13;
to follow the irregular movements of the carman. Advancing in this&#13;
disorderly manner, the wagon deviated from its course just as it should&#13;
have passed the travelling-carriage, and ran against it. The shock&#13;
forced open the top, one of the coffins was thrown out, and, after&#13;
damaging the panels of the carriage, fell upon the pavement with a dull&#13;
and heavy sound. The deal planks had been hastily nailed together, and&#13;
were shivered in the fall, and from the wreck of the coffin rolled a&#13;
livid corpse, half enveloped in a shroud.</p><p>At this horrible spectacle, Lady Morinval, who had mechanically leaned&#13;
forward, gave a loud scream, and fainted. The crowd fell back in dismay;&#13;
the postilions, no less alarmed, took advantage of the space left open&#13;
to them by the retreat of the multitude; they whipped their horses, and&#13;
the carriage dashed on towards the quay. As it disappeared behind&#13;
the furthermost buildings of the Hospital, the shrill joyous notes&#13;
of distant trumpets were heard, and repeated shouts proclaimed: "The&#13;
Cholera Masquerade!" The words announced one of those episodes combining&#13;
buffoonery with terror, which marked the period when the pestilence was&#13;
on the increase, though now they can with difficulty be credited. If&#13;
the evidence of eyewitnesses did not agree in every particular with the&#13;
accounts given in the public papers of this masquerade, they might be&#13;
regarded as the ravings of some diseased brain, and not as the notice of&#13;
a fact which really occurred.</p><p>"The Masquerade of the Cholera" appeared, we say, in the square of Notre&#13;
Dame, just as Morinval's carriage gained the quay, after disengaging&#13;
itself from the death-wagon.</p><p>(37) It is well-known that at the time of the cholera, such placards&#13;
were numerous in Paris, and were alternately attributed to opposite&#13;
parties. Among others, to the priests, many of the bishops having&#13;
published mandatory letters, or stated openly in the churches of their&#13;
diocese, that the Almighty had sent the cholera as a punishment to&#13;
France for having driven away its lawful sovereign, and assimilated the&#13;
Catholic to other forms of worship.</p><p>(38) It is notorious, that at this unhappy period several persons were&#13;
massacred, under a false accusation of poisoning the fountains, etc.</p><p>CHAPTER XIX. THE CHOLERA MASQUERADE.(39)</p><p>A stream of people, who preceded the masquerade, made a sudden irruption&#13;
through the arch into the square, uttering loud cheers as they advanced.&#13;
Children were also there, blowing horns, whilst some hooted and others&#13;
hissed.</p><p>The quarryman, Ciboule, and their band, attracted by this new spectacle,&#13;
rushed tumultuously towards the arch. Instead of the two eating-houses,&#13;
which now (1845) stand on either side of the Rue d'Arcole, there was&#13;
then only one, situated to the left of the vaulted passage, and much&#13;
celebrated amongst the joyous community of students, for the excellence&#13;
both of its cookery and its wines. At the first blare of the trumpets,&#13;
sounded by the outriders in livery who preceded the masquerade, the&#13;
windows of the great room of the eating-house were thrown open, and&#13;
several waiters, with their napkins under their arms, leaned forward,&#13;
impatient to witness the arrival of the singular guests they were&#13;
expecting.</p><p>At length, the grotesque procession made its appearance in the thick of&#13;
an immense uproar. The train comprised a chariot, escorted by men and&#13;
women on horseback, clad in rich and elegant fancy dresses. Most of&#13;
these maskers belonged to the middle and easy classes of society. The&#13;
report had spread that masquerade was in preparation, for the purpose&#13;
of daring the cholera, and, by this joyous demonstration, to revive&#13;
the courage of the affrighted populace. Immediately, artists, young men&#13;
about town, students, and so on, responded to the appeal, and though&#13;
till now unknown one to the other, they easily fraternized together.&#13;
Many brought their mistresses, to complete the show. A subscription had&#13;
been opened to defray the expenses, and, that morning, after a splendid&#13;
breakfast at the other end of Paris, the joyous troop had started&#13;
bravely on their march, to finish the day by a dinner in the square of&#13;
Notre Dame.</p><p>We say bravely, for it required a singular turn of mind, a rare firmness&#13;
of character, in young women, to traverse, in this fashion, a great&#13;
city plunged in consternation and terror--to fall in at every step with&#13;
litters loaded with the dying, and carriages filled with the dead--to&#13;
defy, as it were, in a spirit of strange pleasantry, the plague that was&#13;
detonating the Parisians. It is certain that, in Paris alone, and&#13;
there only amongst a peculiar class, could such an idea have ever been&#13;
conceived or realized. Two men, grotesquely disguised as postilions at&#13;
a funeral, with formidable false noses, rose-colored crape hat-bands and&#13;
large favors of roses and crape bows at their buttonholes, rode before&#13;
the vehicle. Upon the platform of the car were groups of allegorical&#13;
personages, representing WINE, PLEASURE, LOVE, PLAY. The mission of&#13;
these symbolical beings was, by means of jokes, sarcasms, and mockeries,&#13;
to plague the life out of Goodman Cholera, a sort of funeral and&#13;
burlesque Cassander, whom they ridiculed and made game of in a hundred&#13;
ways. The moral of the play was this: "To brave Cholera in security, let&#13;
us drink, laugh, game, and make love!"</p><p>WINE was represented by a huge, lusty Silenus, thick-set, and with&#13;
swollen paunch, a crown of ivy on his brow, a panther's skin across his&#13;
shoulder, and in his hand a large gilt goblet, wreathed with flowers.&#13;
None other than Ninny Moulin, the famous moral and religious writer,&#13;
could have exhibited to the astonished and delighted spectators an&#13;
ear of so deep a scarlet, so majestic an abdomen, and a face of such&#13;
triumphant and majestic fulness. Every moment, Ninny Moulin appeared to&#13;
empty his cup--after which he burst out laughing in the face of Goodman&#13;
Cholera. Goodman Cholera, a cadaverous pantaloon, was half-enveloped in&#13;
a shroud; his mask of greenish cardboard, with red, hollow eyes, seemed&#13;
every moment to grin as in mockery of death; from beneath his powdered&#13;
peruke, surmounted by a pyramidical cotton night-cap, appeared his neck&#13;
and arm, dyed of a bright green color; his lean hand, which shook almost&#13;
always with a feverish trembling (not feigned, but natural), rested upon&#13;
a crutch-handled cane; finally, as was becoming in a pantaloon, he wore&#13;
red stockings, with buckles at the knees, and high slippers of black&#13;
beaver. This grotesque representative of the cholera was Sleepinbuff.</p><p>Notwithstanding a slow and dangerous fever, caused by the excessive use&#13;
of brandy, and by constant debauchery, that was silently undermining his&#13;
constitution, Jacques Rennepont had been induced by Morok to join the&#13;
masquerade. The brute-tamer himself, dressed as the King of Diamonds,&#13;
represented PLAY. His forehead was adorned with a diadem of gilded&#13;
paper, his face was pale and impassible, and as his long, yellow beard&#13;
fell down the front of his parti-colored robe, Morok looked exactly&#13;
the character he personated. From time to time, with an air of grave&#13;
mockery, he shook close to the eyes of Goodman Cholera a large bag full&#13;
of sounding counters, and on this bag were painted all sorts of playing&#13;
cards. A certain stiffness in the right arm showed that the lion-tamer&#13;
had not yet quite recovered from the effects of the wound which the&#13;
panther had inflicted before being stabbed by Djalma.</p><p>PLEASURE, who also represented Laughter, classically shook her rattle,&#13;
with its sonorous gilded bells, close to the ears of Goodman Cholera.&#13;
She was a quick, lively young girl, and her fine black hair was crowned&#13;
with a scarlet cap of liberty. For Sleepinbuff's sake, she had taken the&#13;
place of the poor Bacchanal queen, who would not have failed to attend&#13;
on such an occasion--she, who had been so valiant and gay, when she&#13;
bore her part in a less philosophical, but not less amusing masquerade.&#13;
Another pretty creature, Modeste Bornichoux, who served as a model to&#13;
a painter of renown (one of the cavaliers of the procession), was&#13;
eminently successful in her representation of LOVE. He could not have&#13;
had a more charming face, and more graceful form. Clad in a light blue&#13;
spangled tunic, with a blue and silver band across her chestnut hair,&#13;
and little transparent wings affixed to her white shoulders, she&#13;
placed one forefinger upon the other, and pointed with the prettiest&#13;
impertinence at Goodman Cholera. Around the principal group, other&#13;
maskers, more or less grotesque in appearance, waved each a banner, an&#13;
which were inscriptions of a very anacreontic character, considering the&#13;
circumstances:</p><p>"Down with the Cholera!" "Short and sweet!" "Laugh away, laugh always!"&#13;
"We'll collar the Cholera!" "Love forever!" "Wine forever!" "Come if you&#13;
dare, old terror!"</p><p>There was really such audacious gayety in this masquerade, that the&#13;
greater number of the spectators, at the moment when it crossed the&#13;
square, in the direction of the eating-house, where dinner was waiting,&#13;
applauded it loudly and repeatedly. This sort of admiration, which&#13;
courage, however mad and blind, almost always inspires, appeared to&#13;
others (a small number, it must be confessed) a kind of defiance to the&#13;
wrath of heaven; and these received the procession with angry murmurs.&#13;
This extraordinary spectacle, and the different impressions it&#13;
produced, were too remote from all customary facts to admit of a just&#13;
appreciation. We hardly know if this daring bravado was deserving of&#13;
praise or blame.</p><p>Besides, the appearance of those plagues, which from age to age decimate&#13;
the population of whole countries, has almost always been accompanied by&#13;
a sort of mental excitement, which none of those who have been spared&#13;
by the contagion can hope to escape. It is a strange fever of the mind,&#13;
which sometimes rouses the most stupid prejudices and the most ferocious&#13;
passions, and sometimes inspires, on the contrary, the most magnificent&#13;
devotion, the most courageous actions--with some, driving the fear&#13;
of death to a point of the wildest terror--with others, exciting the&#13;
contempt of life to express itself in the most audacious bravadoes.&#13;
Caring little for the praise or blame it might deserve, the masquerade&#13;
arrived before the eating-house, and made its entry in the midst of&#13;
universal acclamations. Everything seemed to combine to give full effect&#13;
to this strange scene, by the opposition of the most singular contrasts.&#13;
Thus the tavern, in which was to be held this extraordinary feast, being&#13;
situated at no great distance from the antique cathedral, and the gloomy&#13;
hospital, the religious anthems of the ancient temple, the cries of the&#13;
dying, and the bacchanalian songs of the banqueteers, must needs mingle,&#13;
and by turns drown one another. The maskers now got down from their&#13;
chariot, and from their horses, and went to take their places at the&#13;
repast, which was waiting for them. The actors in the masquerade are&#13;
at table in the great room of the tavern. They are joyous, noisy, even&#13;
riotous. Yet their gayety has a strange tone, peculiar to itself.</p><p>Sometimes, the most resolute involuntarily remember that their life is&#13;
at stake in this mad and audacious game with destiny. That fatal thought&#13;
is rapid as the icy fever-shudder, which chills you in an instant;&#13;
therefore, from time to time, an abrupt silence, lasting indeed only for&#13;
a second, betrays these passing emotions which are almost immediately&#13;
effaced by new bursts of joyful acclamation, for each one says to&#13;
himself: "No weakness! my chum and my girl are looking at me!"</p><p>And all laugh, and knock glasses together, and challenge the next man,&#13;
and drink out of the glass of the nearest woman. Jacques had taken off&#13;
the mask and peruke of Goodman Cholera. His thin, leaden features, his&#13;
deadly paleness, the lurid brilliancy of his hollow eyes, showed&#13;
the incessant progress of the slow malady which was consuming this&#13;
unfortunate man, brought by excesses to the last extremity of weakness.&#13;
Though he felt the slow fire devouring his entrails, he concealed his&#13;
pain beneath a forced and nervous smile.</p><p>To the left of Jacques was Morok, whose fatal influence was ever on the&#13;
increase, and to his right the girl disguised as PLEASURE. She was named&#13;
Mariette. By her side sat Ninny Moulin, in all his majestic bulk, who&#13;
often pretended to be looking for his napkin under the table, in order&#13;
to have the opportunity of pressing the knees of his other neighbor,&#13;
Modeste, the representative of LOVE. Most of the guests were grouped&#13;
according to their several tastes, each tender pair together, and the&#13;
bachelors where they could. They had reached the second course, and the&#13;
excellence of the wine, the good cheer, the gay speeches, and even the&#13;
singularity of the occasion, had raised their spirits to a high degree&#13;
of excitement, as may be gathered from the extraordinary incidents of&#13;
the following scene.</p><p>(39) We read in the Constitutionnel, Saturday March 31st, 1832: "The&#13;
Parisians readily conform to that part of the official instructions&#13;
with regard to the cholera, which prescribes, as a preservation from the&#13;
disease, not to be afraid, to amuse one's self, etc. The pleasures of&#13;
Mid-Lent have been as brilliant and as mad as those of the carnival&#13;
itself. For a long time past there had not been so many balls at this&#13;
period of the year. Even the cholera has been made the subject of an&#13;
itinerant caricature."</p><p>CHAPTER XX. THE DEFIANCE.</p><p>Two or three times, without being remarked by the guests, one of the&#13;
waiters had come to whisper to his fellows, and point with expressive&#13;
gesture to the ceiling. But his comrades had taken small account of his&#13;
observations or fears, not wishing, doubtless, to disturb the guests,&#13;
whose mad gayety seemed ever on the increase.</p><p>"Who can doubt now of the superiority of our manner of treating this&#13;
impertinent Cholera? Has he dared even to touch our sacred battalion?"&#13;
said a magnificent mountebank-Turk, one of the standard-bearers of the&#13;
masquerade.</p><p>"Here is all the mystery," answered another. "It is very simple. Only&#13;
laugh in the face of the plague, and it will run away from you."</p><p>"And right enough too, for very stupid work it does," added a pretty&#13;
little Columbine, emptying her glass.</p><p>"You are right, my darling; it is intolerably stupid work," answered&#13;
the Clown belonging to the Columbine; "here you are very quiet, enjoying&#13;
life, and all on a sudden you die with an atrocious grimace. Well! what&#13;
then? Clever, isn't it? I ask you, what does it prove?"</p><p>"It proves," replied an illustrious painter of the romantic school,&#13;
disguised like a Roman out of one of David's pictures, "it proves that&#13;
the Cholera is a wretched colorist, for he has nothing but a dirty&#13;
green on his pallet. Evidently he is a pupil of Jacobus, that king of&#13;
classical painters, who are another species of plagues."</p><p>"And yet, master," added respectfully a pupil of the great painter, "I&#13;
have seen some cholera patients whose convulsions were rather fine, and&#13;
their dying looks first-rate!"</p><p>"Gentlemen," cried a sculptor of no less celebrity, "the question&#13;
lies in a nutshell. The Cholera is a detestable colorist, but a good&#13;
draughtsman. He shows you the skeleton in no time. By heaven! how he&#13;
strips off the flesh!--Michael Angelo would be nothing to him."</p><p>"True," cried they all, with one voice; "the Cholera is a bad colorist,&#13;
but a good draughtsman."</p><p>"Moreover, gentlemen," added Ninny Moulin, with comic gravity, "this&#13;
plague brings with it a providential lesson, as the great Bossuet would&#13;
have said."</p><p>"The lesson! the lesson!"</p><p>"Yes, gentlemen; I seem to hear a voice from above, proclaiming: 'Drink&#13;
of the best, empty your purse, and kiss your neighbor's wife; for your&#13;
hours are perhaps numbered, unhappy wretch!'"</p><p>So saying, the orthodox Silenus took advantage of a momentary absence&#13;
of mind on the part of Modeste, his neighbor, to imprint on the blooming&#13;
cheek of LOVE a long, loud kiss. The example was contagious, and a storm&#13;
of kisses was mingled with bursts of laughter.</p><p>"Ha! blood and thunder!" cried the great painter as he gayly threatened&#13;
Ninny Moulin; "you are very lucky that to-morrow will perhaps be the end&#13;
of the world, or else I should pick a quarrel with you for having kissed&#13;
my lovely LOVE."</p><p>"Which proves to you, O Rubens! O Raphael! the thousand advantages of&#13;
the Cholera, whom I declare to be essentially sociable and caressing."</p><p>"And philanthropic," said one of the guests; "thanks to him, creditors&#13;
take care of the health of their debtors. This morning a usurer, who&#13;
feels a particular interest in my existence, brought me all sorts of&#13;
anti-choleraic drugs, and begged me to make use of them."</p><p>"And I!" said the pupil of the great painter. "My tailor wished to force&#13;
me to wear a flannel band next to the skin, because I owe him a thousand&#13;
crowns. But I answered 'Oh, tailor, give me a receipt in full, and I&#13;
will wrap myself up in flannel, to preserve you my custom!'"</p><p>"O Cholera, I drink to thee!" said Ninny Moulin, by way of grotesque&#13;
invocation. "You are not Despair; on the contrary, you are the emblem&#13;
of Hope--yes, of hope. How many husbands, how many wives, longed for&#13;
a number (alas! too uncertain chance) in the lottery of widowhood! You&#13;
appear, and their hearts are gladdened. Thanks to you, benevolent pest!&#13;
their chances of liberty are increased a hundredfold."</p><p>"And how grateful heirs ought to be! A cold--a heat--a trifle--and&#13;
there, in an hour, some old uncle becomes a revered benefactor!"</p><p>"And those who are always looking out for other people's places--what an&#13;
ally they must find in the Cholera!"</p><p>"And how true it will make many vows of constancy!" said Modeste,&#13;
sentimentally. "How many villains have sworn to a poor, weak woman, to&#13;
love her all their lives, who never meant (the wretches!) to keep their&#13;
word so well!"</p><p>"Gentlemen," cried Ninny Moulin, "since we are now, perhaps, at the eve&#13;
of the end of the world, as yonder celebrated painter has expressed&#13;
it, I propose to play the world topsy-turvy: I beg these ladies to make&#13;
advances to us, to tease us, to excite us, to steal kisses from us, to&#13;
take all sorts of liberties with us, and (we shall not die of it) even&#13;
to insult us. Yes, I declare that I will allow myself to be insulted.&#13;
So, LOVE, you may offer me the greatest insult that can be offered to a&#13;
virtuous and modest bachelor," added the religious writer, leaning over&#13;
towards his neighbor, who repulsed him with peals of laughter; and the&#13;
proposal of Ninny Moulin being received with general hilarity, a new&#13;
impulse was given to the mirth and riot.</p><p>In the midst of the uproar, the waiter, who had before entered the room&#13;
several times, to whisper uneasily to his comrades, whilst he pointed&#13;
to the ceiling, again appeared with a pale and agitated countenance;&#13;
approaching the man who performed the office of butler, he said to him,&#13;
in a low voice, tremulous with emotion: "They are come!"</p><p>"Who?"</p><p>"You know--up there"; and he pointed to the ceiling.</p><p>"Oh!" said the butler, becoming thoughtful; "where are they?"</p><p>"They have just gone upstairs; they are there now," answered the waiter,&#13;
shaking his head with an air of alarm; "yes, they are there!"</p><p>"What does master say?"</p><p>"He is very vexed, because--" and the waiter glanced round at the&#13;
guests. "He does not know what to do; he has sent me to you."</p><p>"What the devil have I to do with it?" said the other; wiping his&#13;
forehead. "It was to be expected, and cannot be helped."</p><p>"I will not remain here till they begin."</p><p>"You may as well go, for your long face already attracts attention. Tell&#13;
master we must wait for the upshot."</p><p>The above incident was scarcely perceived in the midst of the growing&#13;
tumult of the joyous feast. But, among the guests, one alone laughed&#13;
not, drank not. This was Jacques. With fixed and lurid eye, he gazed&#13;
upon vacancy. A stranger to what was passing around him, the unhappy man&#13;
thought of the Bacchanal Queen, who had been so gay and brilliant in the&#13;
midst of similar saturnalia. The remembrance of that one being, whom&#13;
he still loved with an extravagant love, was the only thought that from&#13;
time to time roused him from his besotted state.</p><p>It is strange, but Jacques had only consented to join this masquerade&#13;
because the mad scene reminded him of the merry day he had spent with&#13;
Cephyse--that famous breakfast, after a night of dancing, in which the&#13;
Bacchanal Queen, from some extraordinary presentiment, had proposed a&#13;
lugubrious toast with regard to this very pestilence, which was then&#13;
reported to be approaching France. "To the Cholera!" had she said. "Let&#13;
him spare those who wish to live, and kill at the same moment those who&#13;
dread to part!"</p><p>And now, at this time, remembering those mournful words, Jacques was&#13;
absorbed in painful thought. Morok perceived his absence of mind, and&#13;
said aloud to him, "You have given over drinking, Jacques. Have you had&#13;
enough wine? Then you will want brandy. I will send for some."</p><p>"I want neither wine nor brandy," answered Jacques, abruptly, and he&#13;
fell back into a sombre reverie.</p><p>"Well, you may be right," resumed Morok, in a sardonic tone, and raising&#13;
his voice still higher. "You do well to take care of yourself. I was&#13;
wrong to name brandy in these times. There would be as much temerity in&#13;
facing a bottle of brandy as the barrel of a loaded pistol."</p><p>On hearing his courage as a toper called in question, Sleepinbuff looked&#13;
angrily at Morok. "You think it is from cowardice that I will not drink&#13;
brandy!" cried the unfortunate man, whose half-extinguished intellect&#13;
was roused to defend what he called his dignity. "Is it from cowardice&#13;
that I refuse, d'ye think, Morok? Answer me!"</p><p>"Come, my good fellow, we have all shown our pluck today," said one of&#13;
the guests to Jacques; "you, above all, who, being rather indisposed,&#13;
yet had the courage to take the part of Goodman Cholera."</p><p>"Gentlemen," resumed Morok, seeing the general attention fixed upon&#13;
himself and Sleepinbuff, "I was only joking; for if my comrade (pointing&#13;
to Jacques) had the imprudence to accept my offer, it would be an act,&#13;
not of courage, but of foolhardiness. Luckily, he has sense enough to&#13;
renounce a piece of boasting so dangerous at this time, and I--"</p><p>"Waiter!" cried Jacques, interrupting Morok with angry impatience, "two&#13;
bottles of brandy, and two glasses!"</p><p>"What are you going to do?" said Morok, with pretended uneasiness. "Why&#13;
do you order two bottles of brandy?"</p><p>"For a duel," said Jacques, in a cool, resolute tone.</p><p>"A duel!" cried the spectators, in surprise.</p><p>"Yes," resumed Jacques, "a duel with brandy. You pretend there is as&#13;
much danger in facing a bottle of brandy as a loaded pistol; let us each&#13;
take a full bottle, and see who will be the first to cry quarter."</p><p>This strange proposition was received by some with shouts of joy, and by&#13;
others with genuine uneasiness.</p><p>"Bravo! the champions of the bottle!" cried the first.</p><p>"No, no; there would be too much danger in such a contest," said the&#13;
others.</p><p>"Just now," added one of the guests; "this challenge is as serious as an&#13;
invitation to fight to the death."</p><p>"You hear," said Morok, with a diabolical smile, "you hear, Jacques?&#13;
Will you now retreat before the danger?"</p><p>At these words, which reminded him of the peril to which he was about&#13;
to expose himself, Jacques started, as if a sudden idea had occurred to&#13;
him. He raised his head proudly, his cheeks were slightly flushed, his&#13;
eye shone with a kind of gloomy satisfaction, and he exclaimed in a firm&#13;
voice: "Hang it, waiter! are you deaf? I asked you for two bottles of&#13;
brandy."</p><p>"Yes, sir," said the waiter, going to fetch them, although himself&#13;
frightened at what might be the result of this bacchanalian struggle.&#13;
But the mad and perilous resolution of Jacques was applauded by the&#13;
majority.</p><p>Ninny Moulin moved about on his chair, stamped his feet, and shouted&#13;
with all his might: "Bacchus and drink! bottles and glasses! the throats&#13;
are dry! brandy to the rescue! Largess! largess!"</p><p>And, like a true champion of the tournament, he embraced Modeste,&#13;
adding, to excuse the liberty: "Love, you shall be the Queen of Beauty,&#13;
and I am only anticipating the victor's happiness!"</p><p>"Brandy to the rescue!" repeated they all, in chorus. "Largess!"</p><p>"Gentlemen," added Ninny Moulin, with enthusiasm, "shall we remain&#13;
indifferent to the noble example set us by Goodman Cholera? He said in&#13;
his pride, 'brandy!' Let us gloriously answer, 'punch!'"</p><p>"Yes, yes! punch!"</p><p>"Punch to the rescue!"</p><p>"Waiter!" shouted the religious writer, with the voice of a Stentor,&#13;
"waiter! have you a pan, a caldron, a hogshead, or any other immensity,&#13;
in which we can brew a monster punch?"</p><p>"A Babylonian punch!"</p><p>"A lake of punch!"</p><p>"An ocean of punch!"</p><p>Such was the ambitious crescendo that followed the proposition of Ninny&#13;
Moulin.</p><p>"Sir," answered the waiter, with an air of triumph, "we just happen to&#13;
have a large copper caldron, quite new. It has been used, and would hold&#13;
at least thirty bottles."</p><p>"Bring the caldron!" said Ninny Moulin, majestically.</p><p>"The caldron forever!" shouted the chorus.</p><p>"Put in twenty bottles of brandy, six loaves of sugar, a dozen lemons, a&#13;
pound of cinnamon, and then--fire! fire!" shouted the religious writer,&#13;
with the most vociferous exclamations.</p><p>"Yes, yes! fire!" repeated the chorus!</p><p>The proposition of Ninny Moulin gave a new impetus to the general&#13;
gayety; the most extravagant remarks were mingled with the sound of&#13;
kisses, taken or given under the pretext that perhaps there would be&#13;
no to-morrow, that one must make the most of the present, etc., etc.&#13;
Suddenly, in one of the moments of silence which sometimes occur in the&#13;
midst of the greatest tumult, a succession of slow and measured taps&#13;
sounded above the ceiling of the banqueting-room. All remained silent,&#13;
and listened.</p><p>CHAPTER XXI. BRANDY TO THE RESCUE.</p><p>After the lapse of some seconds, the singular rapping which had so much&#13;
surprised the guests, was again heard, but this time louder and longer.</p><p>"Waiter!" cried one of the party, "what in the devil's name is&#13;
knocking?"</p><p>The waiter, exchanging with his comrades a look of uneasiness and alarm,&#13;
stammered Out in reply: "Sir--it is--it is--"</p><p>"Well! I suppose it is some crabbed, cross-grained lodger, some animal,&#13;
the enemy of joy, who is pounding on the floor of his room to warn us to&#13;
sing less loud," said Ninny Moulin.</p><p>"Then, by a general rule," answered sententiously the pupil of the great&#13;
painter, "if lodger or landlord ask for silence, tradition bids us reply&#13;
by an infernal uproar, destined to drown all his remonstrances. Such, at&#13;
least," added the scapegrace, modestly, "are the foreign relations that&#13;
I have always seen observed between neighboring powers."</p><p>This remark was received with general laughter and applause. During the&#13;
tumult, Morok questioned one of the waiters, and then exclaimed in a&#13;
shrill tone, which rose above the clamor: "I demand a hearing!"</p><p>"Granted!" cried the others, gayly. During the silence which followed&#13;
the exclamation of Morok, the noise was again heard; it was this time&#13;
quicker than before.</p><p>"The lodger is innocent," said Morok, with a strange smile, "and would&#13;
be quite incapable of interfering with your enjoyment."</p><p>"Then why does he keep up that knocking?" said Ninny Moulin, emptying&#13;
his glass.</p><p>"Like a deaf man who has lost his ear-horn?" added the young artist.</p><p>"It is not the lodger who is knocking" said Morok, in a sharp, quick&#13;
tone; "for they are nailing him down in his coffin." A sudden and&#13;
mournful silence followed these words.</p><p>"His coffin no, I am wrong," resumed Morok; "her coffin, I should say,&#13;
or more properly their coffin; for, in these pressing times, they put&#13;
mother and child together."</p><p>"A woman!" cried PLEASURE, addressing the writer; "is it a woman that is&#13;
dead?"</p><p>"Yes, ma'am; a poor young woman about twenty years of age," answered the&#13;
waiter in a sorrowful tone. "Her little girl, that she was nursing, died&#13;
soon after--all in less than two hours. My master is very sorry that&#13;
you ladies and gents should be disturbed in this way; but he could not&#13;
foresee this misfortune, as yesterday morning the young woman was quite&#13;
well, and singing with all her might--no one could have been gayer than&#13;
she was."</p><p>Upon these words, it was as if a funeral pall had been suddenly thrown&#13;
over a scene lately so full of joy; all the rubicund and jovial faces&#13;
took an expression of sadness; no one had the hardihood to make a&#13;
jest of mother and child, nailed down together in the same coffin. The&#13;
silence became so profound, that one could hear each breath oppressed by&#13;
terror: the last blows of the hammer seemed to strike painfully on every&#13;
heart; it appeared as if each sad feeling, until now repressed,&#13;
was about to replace that animation and gayety, which had been more&#13;
factitious than sincere. The moment was decisive. It was necessary to&#13;
strike an immediate blow, and to raise the spirits of the guests, for&#13;
many pretty rosy faces began to grow pale, many scarlet ears became&#13;
suddenly white; Ninny Moulin's were of the number.</p><p>On the contrary, Sleepinbuff exhibited an increase of audacity; he drew&#13;
up his figure, bent down from the effects of exhaustion, and, with a&#13;
cheek slightly flushed, he exclaimed: "Well, waiter? are those bottles&#13;
of brandy coming? And the punch? Devil and all! are the dead to frighten&#13;
the living?"</p><p>"He's right! Down with sorrow, and let's have the punch!" cried several&#13;
of the guests, who felt the necessity of reviving their courage.</p><p>"Forward, punch!"</p><p>"Begone, dull care!"</p><p>"Jollity forever!"</p><p>"Gentlemen, here is the punch," said a waiter, opening the door. At&#13;
sight of the flaming beverage, which was to reanimate their enfeebled&#13;
spirits, the room rang with the loudest applause.</p><p>The sun had just set. The room was large, being capable of dining a&#13;
hundred guests; and the windows were few, narrow, and half veiled by red&#13;
cotton curtains. Though it was not yet night, some portions of this vast&#13;
saloon were almost entirely dark. Two waiters brought the monster-punch,&#13;
in an immense brass kettle, brilliant as gold, suspended from an iron&#13;
bar, and crowned with flames of changing color. The burning beverage was&#13;
then placed upon the table, to the great joy of the guests, who began to&#13;
forget their past alarms.</p><p>"Now," said Jacques to Morok, in a taunting tone, "while the punch is&#13;
burning, we will have our duel. The company shall judge." Then, pointing&#13;
to the two bottles of brandy, which the waiter had brought, Jacques&#13;
added: "Choose your weapon!"</p><p>"Do you choose," answered Morok.</p><p>"Well! here's your bottle--and here's your glass. Ninny Moulin shall be&#13;
umpire."</p><p>"I do not refuse to be judge of the field," answered the religious&#13;
writer, "only I must warn you, comrade, that you are playing a desperate&#13;
game, and that just now, as one of these gentlemen has said, the neck&#13;
of a bottle of brandy in one's mouth, is perhaps more dangerous than the&#13;
barrel of a loaded pistol."</p><p>"Give the word, old fellow!" said Jacques, interrupting Ninny Moulin,&#13;
"or I will give it myself."</p><p>"Since you will have it so--so be it!"</p><p>"The first who gives in is conquered," said Jacques.</p><p>"Agreed!" answered Morok.</p><p>"Come, gentlemen, attention! we must follow every movement," resumed&#13;
Ninny Moulin. "Let us first see if the bottles are of the same&#13;
size--equality of weapons being the foremost condition."</p><p>During these preparations, profound silence reigned in the room. The&#13;
courage of the majority of those present, animated for a moment by the&#13;
arrival of the punch, was soon again depressed by gloomy thoughts,&#13;
as they vaguely foresaw the danger of the contest between Morok and&#13;
Jacques. This impression joined to the sad thoughts occasioned by the&#13;
incident of the coffin, darkened by degrees many a countenance. Some&#13;
of the guests, indeed, continued to make a show of rejoicing, but their&#13;
gayety appeared forced. Under certain circumstances, the smallest things&#13;
will have the most powerful effect. We have said that, after sunset,&#13;
a portion of this large room was plunged in obscurity; therefore, the&#13;
guests who sat in the remote corners of the apartment, had no other&#13;
light than the reflection of the flaming punch. Now it is well known,&#13;
that the flame of burning spirit throws a livid, bluish tint over the&#13;
countenance; it was therefore a strange, almost frightful spectacle, to&#13;
see a number of the guests, who happened to be at a distance from the&#13;
windows, in this ghastly and fantastic light.</p><p>The painter, more struck than all the rest by this effect of color,&#13;
exclaimed: "Look! at this end of the table, we might fancy ourselves&#13;
feasting with cholera-patients, we are such fine blues and greens."</p><p>This jest was not much relished. Fortunately, the loud voice of Ninny&#13;
Moulin demanded attention, and for a moment turned the thoughts of the&#13;
company.</p><p>"The lists are open," cried the religious writer, really more frightened&#13;
than he chose to appear. "Are you ready, brave champions?" he added.</p><p>"We are ready," said Morok and Jacques.</p><p>"Present! fire!" cried Ninny Moulin, clapping his hands. And the two&#13;
drinkers each emptied a tumbler full of brandy at a draught.</p><p>Morok did not even knit his brow; his marble face remained impassible;&#13;
with a steady hand he replaced his glass upon the table. But Jacques, as&#13;
he put down his glass, could not conceal a slight convulsive trembling,&#13;
caused by internal suffering.</p><p>"Bravely done!" cried Ninny Moulin. "The quarter of a bottle of brandy&#13;
at a draught--it is glorious! No one else here would be capable of such&#13;
prowess. And now, worthy champions, if you believe me, you will stop&#13;
where you are."</p><p>"Give the word!" answered Jacques, intrepidly. And, with feverish and&#13;
shaking hand, he seized the bottle; then suddenly, instead of filling&#13;
his glass, he said to Morok: "Bah! we want no glasses. It is braver to&#13;
drink from the bottle. I dare you to it!"</p><p>Morok's only answer was to shrug his shoulders, and raise the neck&#13;
of the bottle to his lips. Jacques hastened to imitate him. The thin,&#13;
yellowish, transparent glass gave a perfect view of the progressive&#13;
diminution of the liquor. The stony countenance of Morok, and the pale&#13;
thin face of Jacques, on which already stood large drops of cold sweat,&#13;
were now, as well as the features of the other guests, illuminated&#13;
by the bluish light of the punch; every eye was fixed upon Morok and&#13;
Jacques, with that barbarous curiosity which cruel spectacles seem&#13;
involuntarily to inspire.</p><p>Jacques continued to drink, holding the bottle in his left hand;&#13;
suddenly, he closed and tightened the fingers of his right hand with&#13;
a convulsive movement; his hair clung to his icy forehead, and his&#13;
countenance revealed an agony of pain. Yet he continued to drink; only,&#13;
without removing his lips from the neck of the bottle, he lowered it for&#13;
an instant, as if to recover breath. Just then, Jacques met the sardonic&#13;
look of Morok, who continued to drink with his accustomed impassibility.&#13;
Thinking that he saw the expression of insulting triumph in Morok's&#13;
glance, Jacques raised his elbow abruptly, and drank with avidity a few&#13;
drops more. But his strength was exhausted. A quenchless fire devoured&#13;
his vitals. His sufferings were too intense, and he could no longer bear&#13;
up against them. His head fell backwards, his jaws closed convulsively,&#13;
he crushed the neck of the bottle between his teeth, his neck grew&#13;
rigid, his limbs writhed with spasmodic action, and he became almost&#13;
senseless.</p><p>"Jacques, my good fellow! it is nothing," cried Morok, whose ferocious&#13;
glance now sparkled with diabolical joy. Then, replacing his bottle&#13;
on the table, he rose to go to the aid of Ninny Moulin, who was vainly&#13;
endeavoring to hold Sleepinbuff.</p><p>This sudden attack had none of the symptoms of cholera. Yet terror&#13;
seized upon all present; one of the women was taken with hysterics, and&#13;
another uttered piercing cries and fainted away. Ninny Moulin, leaving&#13;
Jacques in the hands of Morok, ran towards the door to seek for&#13;
help,--when that door was suddenly opened, and the religious writer drew&#13;
back in alarm, at the sight of the unexpected personage who appeared on&#13;
the threshold.</p><p>CHAPTER XXII. MEMORIES.</p><p>The person before whom Ninny Moulin stopped in such extreme astonishment&#13;
was the Bacchanal Queen.</p><p>Pale and wan, with, hair in disorder, hollow cheeks, sunken eyes, and&#13;
clothed almost in rags, this brilliant and joyous heroine of so many mad&#13;
orgies was now only the shadow of her former self. Misery and grief were&#13;
impressed on that countenance, once so charming. Hardly had she entered&#13;
the room, when Cephyse paused; her mournful and unquiet gaze strove&#13;
to penetrate the half-obscurity of the apartment, in search of him she&#13;
longed to see. Suddenly the girl started, and uttered a loud scream.&#13;
She had just perceived, at the other side of a long table, by the bluish&#13;
light of the punch, Jacques struggling with Morok and one of the guests,&#13;
who were hardly able to restrain his convulsive movements.</p><p>At this sight Cephyse, in her first alarm, carried away by her&#13;
affection, did what she had so often done in the intoxication of joy and&#13;
pleasure. Light and agile, instead of losing precious time in making a&#13;
long circuit, she sprang at once upon the table, passed nimbly through&#13;
the array of plates and bottles, and with one spring was by the side of&#13;
the sufferer.</p><p>"Jacques!" she exclaimed, without yet remarking the lion-tamer, and&#13;
throwing herself on the neck of her lover. "Jacques! it is I--Cephyse!"</p><p>That well-known voice, that heart-piercing cry, which came from the&#13;
bottom of the soul, seemed not unheard by Sleepinbuff. He turned his&#13;
head mechanically towards the Bacchanal Queen, without opening his eyes,&#13;
and heaved a deep sigh; his stiffened limbs relaxed, a slight trembling&#13;
succeeded to the convulsions, and in a few seconds his heavy eyelids&#13;
were raised with an effort, so as to uncover his dull and wandering&#13;
gaze. Mute with astonishment, the spectators of this scene felt an&#13;
uneasy curiosity. Cephyse, kneeling beside her lover, bathed his hands&#13;
in her tears, covered them with kisses, and exclaimed, in a voice broken&#13;
by sobs, "It is I--Cephyse--I have found you again--it was not my fault&#13;
that I abandoned you! Forgive me, forgive--"</p><p>"Wretched woman!" cried Morok, irritated at this meeting, which might,&#13;
perhaps, be fatal to his projects; "do you wish to kill him? In his&#13;
present state, this agitation is death. Begone!" So saying, he seized&#13;
Cephyse suddenly by the arm, just as Jacques, waking, as it were, from a&#13;
painful dream, began to distinguish what was passing around him.</p><p>"You! It is you!" cried the Bacchanal Queen, in amazement, as she&#13;
recognized Morok, "who separated me from Jacques!"</p><p>She paused; for the dim eye of the victim, as it rested upon her, grew&#13;
suddenly bright.</p><p>"Cephyse!" murmured Jacques; "is it you?"</p><p>"Yes, it is I," answered she, in a voice of deep emotion; "who have&#13;
come--I will tell you--"</p><p>She was unable to continue, and, as she clasped her hands together,&#13;
her pale, agitated, tearful countenance expressed her astonishment and&#13;
despair at the mortal change which had taken place in the features&#13;
of Jacques. He understood the cause of her surprise, and as he&#13;
contemplated, in his turn, the suffering and emaciated countenance of&#13;
Cephyse, he said to her, "Poor girl! you also have had to bear much&#13;
grief, much misery--I should hardly have known you."</p><p>"Yes," replied Cephyse, "much grief--much misery--and worse than&#13;
misery," she added, trembling, whilst a deep blush overspread her pale&#13;
features.</p><p>"Worse than misery?" said Jacques, astonished.</p><p>"But it is you who have suffered," hastily resumed Cephyse, without&#13;
answering her lover.</p><p>"Just now, I was going to make an end of it--your voice has recalled me&#13;
for an instant--but I feel something here," and he laid his hand upon&#13;
his breast, "which never gives quarter. It is all the same now--I have&#13;
seen you--I shall die happy."</p><p>"You shall not die, Jacques; I am here--"</p><p>"Listen to one, my girl. If I had a bushel of live coal in my stomach,&#13;
it could hardly burn me more. For more than a month, I have been&#13;
consuming my body by a slow fire. This gentleman," he added, glancing at&#13;
Morok, "this dear friend, always undertook to feed the flame. I do not&#13;
regret life; I have lost the habit of work, and taken to drink and riot;&#13;
I should have finished by becoming a thorough blackguard: I preferred&#13;
that my friend here should amuse himself with lighting a furnace in my&#13;
inside. Since what I drank just now, I am certain that it fumes like&#13;
yonder punch."</p><p>"You are both foolish and ungrateful," said Morok, shrugging his&#13;
shoulders; "you held out your glass, and I filled it--and, faith, we&#13;
shall drink long and often together yet."</p><p>For some moments, Cephyse had not withdrawn her eyes from Morok. "I tell&#13;
you, that you have long blown the fire, in which I have burnt my skin,"&#13;
resumed Jacques, addressing Morok in a feeble voice, "so that they may&#13;
not think I die of cholera. It would look as if I had been frightened&#13;
by the part I played. I do not therefore reproach you, my affectionate&#13;
friend," added he, with a sardonic smile; "you dug my grave gayly--and&#13;
sometimes, when, seeing the great dark hole, into which I was about to&#13;
fall, I drew back a step--but you, my excellent friend, still pushed&#13;
me forward, saying, 'Go on, my boy, go on!'--and I went on--and here I&#13;
am--"</p><p>So saying, Sleepinbuff burst into a bitter laugh, which sent an icy&#13;
shudder through the spectators of this scene.</p><p>"My good fellow," said Morok, coolly, "listen to me, and follow my&#13;
advice."</p><p>"Thank you! I know your advice--and, instead of listening to you, I&#13;
prefer speaking to my poor Cephyse. Before I go down to the moles, I&#13;
should like to tell her what weighs on my heart."</p><p>"Jacques," replied Cephyse, "do not talk so. I tell you, you shall not&#13;
die."</p><p>"Why, then, my brave Cephyse, I shall owe my life to you," returned&#13;
Jacques, in a tone of serious feeling, which surprised the spectators.&#13;
"Yes," resumed he, "when I came to myself, and saw you so poorly clad,&#13;
I felt something good about my heart--do you know why?--it was because&#13;
I said to myself, 'Poor girl! she has kept her word bravely; she has&#13;
chosen to toil, and want, and suffer--rather than take another love--who&#13;
would have given her what I gave her as long as I could'--and that&#13;
thought, Cephyse, refreshed my soul. I needed it, for I was burning--and&#13;
I burn still," added he, clinching his fists with pain; "but that made&#13;
me happy--it did me good--thanks, my good, brave Cephyse--yes, you are&#13;
good and brave--and you were right; for I never loved any but you in the&#13;
wide world; and if, in my degradation, I had one thought that raised me&#13;
a little above the filth, and made me regret that I was not better--the&#13;
thought was of you! Thanks then, my poor, dear love," said Jacques,&#13;
whose hot and shining eyes were becoming moist; "thanks once again," and&#13;
he reached his cold hand to Cephyse; "if I die, I shall die happy--if I&#13;
live, I shall live happy also. Give me your hand, my brave Cephyse!--you&#13;
have acted like a good and honest creature."</p><p>Instead of taking the hand which Jacques offered her, Cephyse, still&#13;
kneeling, bowed her head, and dared not raise her eyes to her lover.</p><p>"You don't answer," said he, leaning over towards the young girl; "you&#13;
don't take my hand--why is this?"</p><p>The unfortunate creature only answered by stifled sobs. Borne down with&#13;
shame, she held herself in so humble, so supplicating an attitude, that&#13;
her forehead almost touched the feet of her lover.</p><p>Amazed at the silence and conduct of the Bacchanal Queen, Jacques&#13;
looked at her with increasing agitation; suddenly he stammered out with&#13;
trembling lips, "Cephyse, I know you. If you do not take my hand, it is&#13;
because--"</p><p>Then, his voice failing, he added, in a dull tone, after a moment's&#13;
silence, "When, six weeks ago, I was taken to prison, did you not say to&#13;
me, 'Jacques, I swear that I will work--and if need be, live in horrible&#13;
misery--but I will live true!' That was your promise. Now, I know you&#13;
never speak false; tell me you have kept your word, and I shall believe&#13;
you."</p><p>Cephyse only answered by a heart-rending sob, as she pressed the knees&#13;
of Jacques against her heaving bosom. By a strange contradiction, more&#13;
common than is generally thought--this man, degraded by intoxication&#13;
and debauchery, who, since he came out of prison, had plunged in every&#13;
excess, and tamely yielded to all the fatal incitements of Morok, yet&#13;
received a fearful blow, when he learned, by the mute avowal of&#13;
Cephyse, the infidelity, of this creature, whom he had loved in spite of&#13;
degradation. The first impulse of Jacques was terrible. Notwithstanding&#13;
his weakness and exhaustion, he succeeded in rising from his seat, and,&#13;
with a countenance contracted by rage and despair, he seized a knife,&#13;
before they had time to prevent him, and turned it upon Cephyse. But at&#13;
the moment he was about to strike, shrinking from an act of murder, he&#13;
hurled the knife far away from him, and falling back into the chair,&#13;
covered his face with his hands.</p><p>At the cry of Ninny Moulin, who had, though late, thrown himself upon&#13;
Jacques to take away the knife, Cephyse raised her head: Jacques's&#13;
woeful dejection wrung her heart; she rose, and fell upon his neck,&#13;
notwithstanding his resistance, exclaiming in a voice broken by sobs,&#13;
"Jacques, if you knew! if you only knew--listen--do not condemn me&#13;
without hearing me--I will tell you all, I swear to you--without&#13;
falsehood--this man," and she pointed to Morok, "will not dare deny what&#13;
I say; he came, and told me to have the courage to--"</p><p>"I do not reproach you. I have no right to reproach you. Let me die&#13;
in peace. I ask nothing but that now," said Jacques, in a still weaker&#13;
voice, as he repulsed Cephyse. Then he added, with a grievous and&#13;
bitter smile, "Luckily, I have my dose. I knew--what I was doing--when I&#13;
accepted the duel with brandy."</p><p>"No, you shall not die, and you shall hear me," cried Cephyse, with a&#13;
bewildered air; "you shall hear me, and everybody else shall hear me.&#13;
They shall see that it is not my fault. Is it not so, gentlemen? Do I&#13;
not deserve pity? You will entreat Jacques to forgive me; for if driven&#13;
by misery--finding no work--I was forced to this--not for the sake of&#13;
any luxury--you see the rags I wear--but to get bread and shelter for my&#13;
poor, sick sister--dying, and even more miserable than myself--would you&#13;
not have pity upon me? Do you think one finds pleasure in one's infamy?"&#13;
cried the unfortunate, with a burst of frightful laughter; then she&#13;
added, in a low voice, and with a shudder, "Oh, if you knew, Jacques! it&#13;
is so infamous, so horrible, that I preferred death to falling so low&#13;
a second time. I should have killed myself, had I not heard you were&#13;
here." Then, seeing that Jacques did not answer her, but shook his&#13;
head mournfully as he sank down though still supported by Ninny&#13;
Moulin, Cephyse exclaimed, as she lifted her clasped hands towards him,&#13;
"Jacques! one word--for pity's sake--forgive me!"</p><p>"Gentlemen, pray remove this woman," cried Morok; "the sight of her&#13;
causes my friend too painful emotions."</p><p>"Come, my dear child, be reasonable," said several of the guests, who,&#13;
deeply moved by this scene, were endeavoring to withdraw Cephyse from&#13;
it; "leave him, and come with us; he is not in any danger."</p><p>"Gentlemen! oh, gentlemen!" cried the unfortunate creature, bursting&#13;
into tears, and raising her hands in supplication; "listen to me--I&#13;
will do all that you wish me--I will go--but, in heaven's name, send&#13;
for help, and do not let him die thus. Look, what pain he suffers! what&#13;
horrible convulsions!"</p><p>"She is right," said one of the guests, hastening towards the door; "we&#13;
must send for a doctor."</p><p>"There is no doctor to be found," said another; "they are all too busy."</p><p>"We will do better than that," cried a third; "the Hospital is just&#13;
opposite, and we can carry the poor fellow thither. They will give him&#13;
instant help. A leaf of the table will make a litter, and the table&#13;
cloth a covering."</p><p>"Yes, yes, that is it," said several voices; "let us carry him over at&#13;
once."</p><p>Jacques, burnt up with brandy, and overcome by his interview with&#13;
Cephyse, had again fallen into violent convulsions. It was the dying&#13;
paroxysm of the unfortunate man. They were obliged to tie him with the&#13;
ends of the cloth, so as to secure him to the leaf which was to serve&#13;
for a litter, which two of the guests hastened to carry away. They&#13;
yielded to the supplication of Cephyse, who asked, as a last favor, to&#13;
accompany Jacques to the Hospital. When the mournful procession quitted&#13;
the great room of the eating-house, there was a general flight among the&#13;
guests. Men and women made haste to wrap themselves in their cloaks, in&#13;
order to conceal their costumes. The coaches, which had been ordered in&#13;
tolerable number for the return of the masquerade, had luckily&#13;
arrived. The defiance had been fully carried out, the audacious bravado&#13;
accomplished, and they could now retire with the honors of war. Whilst a&#13;
part of the guests were still in the room, an uproar, at first distant,&#13;
but which soon drew nearer, broke out with incredible fury in the square&#13;
of Notre Dame.</p><p>Jacques had been carried to the outer door of the tavern. Morok and&#13;
Ninny Moulin, striving to open a passage through the crowd in the&#13;
direction of the Hospital, preceded the litter. A violent reflux of&#13;
the multitude soon forced them to stop, whilst a new storm of savage&#13;
outcries burst from the other extremity of the square, near the angle of&#13;
the church.</p><p>"What is it then?" asked Ninny Moulin of one of those ignoble figures&#13;
that was leaping up before him. "What are those cries?"</p><p>"They are making mince-meat of a poisoner, like him they have thrown&#13;
into the river," replied the man. "If you want to see the fun, follow me&#13;
close," added he, "and peg away with your elbows, for fear you should be&#13;
too late."</p><p>Hardly had the wretch pronounced these words than a dreadful shriek&#13;
sounded above the roar of the crowd, through which the bearers of the&#13;
litter, preceded by Morok, were with difficulty making their way. It&#13;
was Cephyse who uttered that cry. Jacques (one of the seven heirs of the&#13;
Rennepont family) had just expired in her arms! By a strange fatality,&#13;
at the very moment that the despairing exclamation of Cephyse announced&#13;
that death, another cry rose from that part of the square where they&#13;
were attacking the poisoner. That distant, supplicating cry, tremulous&#13;
with horrible alarm, like the last appeal of a man staggering beneath&#13;
the blows of his murderers, chilled the soul of Morok in the midst of&#13;
his execrable triumph.</p><p>"Damnation!" cried the skillful assassin, who had selected drunkenness&#13;
and debauchery for his murderous but legal weapons; "it is the voice of&#13;
the Abbe d'Aigrigny, whom they have in their clutches!"</p><p>CHAPTER XXIII. THE POISONER.</p><p>It is necessary to go back a little before relating the adventure of&#13;
Father d'Aigrigny, whose cry of distress made so deep an impression upon&#13;
Morok just at the moment of Jacques Rennepont's death. We have said that&#13;
the most absurd and alarming reports were circulating in Paris; not only&#13;
did people talk of poison given to the sick or thrown into the public&#13;
fountains, but it was also said that wretches had been surprised in the&#13;
act of putting arsenic into the pots which are usually kept all ready&#13;
on the counters of wine-shops. Goliath was on his way to rejoin Morok,&#13;
after delivering a message to Father d'Aigrigny, who was waiting in a&#13;
house on the Place de l'Archeveche. He entered a wine-shop in the Rue&#13;
de la Calandre, to get some refreshment, and having drunk two glasses&#13;
of wine, he proceeded to pay for them. Whilst the woman of the house was&#13;
looking for change, Goliath, mechanically and very innocently, rested&#13;
his hand on the mouth of one of the pots that happened to be within his&#13;
reach.</p><p>The tall stature of this man and his repulsive and savage countenance&#13;
had already alarmed the good woman, whose fears and prejudices had&#13;
previously been roused by the public rumors on the subject of poisoning;&#13;
but when she saw Goliath place his hand over the mouth of one of her&#13;
pots, she cried out in dismay: "Oh! my gracious! what are you throwing&#13;
into that pot?" At these words, spoken in a loud voice, and with the&#13;
accent of terror, two or three of the drinkers at one of the tables&#13;
rose precipitately, and ran to the counter, while one of them rashly&#13;
exclaimed: "It is a poisoner!"</p><p>Goliath, not aware of the reports circulated in the neighborhood, did&#13;
not at first understand of what he was accused. The men raised their&#13;
voices as they called on him to answer the charge; but he, trusting to&#13;
his strength, shrugged his shoulders in disdain, and roughly demanded&#13;
the change, which the pale and frightened hostess no longer thought of&#13;
giving him.</p><p>"Rascal!" cried one of the men, with so much violence that several of&#13;
the passers-by stopped to listen; "you shall have your change when you&#13;
tell us what you threw in the pot!"</p><p>"Ha! did he throw anything into the wine-pot?" said one of the passers&#13;
by.</p><p>"It is, perhaps, a poisoner," said another.</p><p>"He ought to be taken up," added a third.</p><p>"Yes, yes," cried those in the house--honest people perhaps, but under&#13;
the influence of the general panic; "he must be taken up, for he has&#13;
been throwing poison into the wine-pots."</p><p>The words "He is a poisoner" soon spread through the group, which, at&#13;
first composed of three or four persons, increased every instant around&#13;
the door of the wine-shop. A dull, menacing clamor began to rise from&#13;
the crowd; the first accuser, seeing his fears thus shared and almost&#13;
justified, thought he was acting like a good and courageous citizen&#13;
in taking Goliath by the collar, and saying to him: "Come and explain&#13;
yourself at the guard-house, villain!"</p><p>The giant, already provoked at insults of which he did not perceive the&#13;
real meaning, was exasperated at this sudden attack; yielding to his&#13;
natural brutality, he knocked his adversary down upon the counter,&#13;
and began to hammer him with his fists. During this collision, several&#13;
bottles and two or three panes of glass were broken with much noise,&#13;
whilst the woman of the house, more and more frightened, cried out with&#13;
all her might; "Help! a poisoner! Help! murder!"</p><p>At the sound of the breaking windows and these cries of distress, the&#13;
passers-by, of whom the greater number believed in the stories about&#13;
the poisoners, rushed into the shop to aid in securing Goliath. But&#13;
the latter, thanks to his herculean strength, after struggling for&#13;
some moments with seven or eight persons, knocked down two of his most&#13;
furious assailants, disengaged himself from the others, drew near the&#13;
counter, and, taking a vigorous spring, rushed head-foremost, like&#13;
a bull about to butt, upon the crowd that blocked up the door; then,&#13;
forcing a passage, by the help of his enormous shoulders and athletic&#13;
arms, he made his way into the street, and ran with all speed in the&#13;
direction of the square of Notre-Dame, his garments torn, his head bare,&#13;
and his countenance pale and full of rage. Immediately, a number of&#13;
persons from amongst the crowd started in pursuit of Goliath, and a&#13;
hundred voices exclaimed: "Stop--stop the poisoner!"</p><p>Hearing these cries, and seeing a man draw near with a wild and troubled&#13;
look, a butcher, who happened to be passing with his large, empty tray&#13;
on his head, threw it against Goliath's shins, and taken by surprise, he&#13;
stumbled and fell. The butcher, thinking he had performed as heroic an&#13;
action as if he had encountered a mad dog, flung himself on Goliath,&#13;
and rolled over with him on the pavement, exclaiming: "Help! it is a&#13;
poisoner! Help! help!" This scene took place not far from the Cathedral,&#13;
but at some distance from the crowd which was pressing round the&#13;
hospital gate, as well as from the eating-house in which the masquerade&#13;
of the cholera then was. The day was now drawing to a close. On the&#13;
piercing call of the butcher, several groups, at the head of which were&#13;
Ciboule and the quarryman, flew towards the scene of the struggle,&#13;
while those who had pursued the pretended poisoner from the Rue de la&#13;
Calandre, reached the square on their side.</p><p>At sight of this threatening crowd advancing towards him, Goliath,&#13;
whilst he continued to defend himself against the butcher, who held him&#13;
with the tenacity of a bull-dog, felt that he was lost unless he could&#13;
rid himself of this adversary before the arrival of the rest; with a&#13;
furious blow of the fist, therefore, he broke the jaw of the butcher,&#13;
who just then was above him, and disengaging himself from his hold, he&#13;
rose, and staggered a few steps forward. Suddenly he stopped. He saw&#13;
that he was surrounded. Behind him rose the walls of the cathedral; to&#13;
the right and left, and in front of him, advanced a hostile multitude.&#13;
The groans uttered by the butcher, who had just been lifted from the&#13;
ground covered with blood, augmented the fury of the populace.</p><p>This was a terrible moment for Goliath: still standing alone in the&#13;
centre of a ring that grew smaller every second, he saw on all sides&#13;
angry enemies rushing towards him, and uttering cries of death. As the&#13;
wild boar turns round once or twice, before resolving to stand at bay&#13;
and face the devouring pack, Goliath, struck with terror, made one or&#13;
two abrupt and wavering movements. Then, as he abandoned the possibility&#13;
of flight, instinct told him that he had no mercy to expect from a crowd&#13;
given up to blind and savage fury--a fury the more pitiless as it was&#13;
believed to be legitimate. Goliath determined, therefore, at least to&#13;
sell his life dearly; he sought for a knife in his pocket, but, not&#13;
finding it, he threw out his left leg in an athletic posture, and&#13;
holding up his muscular arms, hard and stiff as bars of iron, waited&#13;
with intrepidity for the shock.</p><p>The first who approached Goliath was Ciboule. The hag, heated and out&#13;
of breath, instead of rushing upon him, paused, stooped down, and&#13;
taking off one of the large wooden shoes that she wore, hurled it at the&#13;
giant's head with so much force and with so true an aim that it struck&#13;
him right in the eye, which hung half out of its socket. Goliath pressed&#13;
his hands to his face, and uttered a cry of excruciating pain.</p><p>"I've made him squint!" said Ciboule, with a burst of laughter.</p><p>Goliath, maddened by the pain, instead of waiting for the attack, which&#13;
the mob still hesitated to begin, so greatly were they awed by his&#13;
appearance of herculean strength--the only adversary worthy to cope with&#13;
him being the quarryman, who had been borne to a distance by the surging&#13;
of the crowd--Goliath, in his rage, rushed headlong upon the nearest.&#13;
Such a struggle was too unequal to last long; but despair redoubled&#13;
the Colossus's strength, and the combat was for a moment terrible. The&#13;
unfortunate man did not fall at once. For some seconds, almost buried&#13;
amid a swarm of furious assailants, one saw now his mighty arm rise and&#13;
fall like a sledge hammer, beating upon skulls and faces, and now his&#13;
enormous head, livid and bloody, drawn back by some of the combatants&#13;
hanging to his tangled hair. Here and there sudden openings and violent&#13;
oscillations of the crowd bore witness to the incredible energy of&#13;
Goliath's defence. But when the quarryman succeeded in reaching him,&#13;
Goliath was overpowered and thrown down. A long, savage cheer in triumph&#13;
announced this fall; for, under such circumstances, to "go under" is "to&#13;
die." Instantly a thousand breathless and angry voices repeated the cry&#13;
of "Death to the poisoner!"</p><p>Then began one of those scenes of massacre and torture, worthy of&#13;
cannibals, horrible to relate, and the more incredible, that they happen&#13;
almost always in the presence, and often with the aid, of honest and&#13;
humane people, who, blinded by false notions and stupid prejudices,&#13;
allow themselves to be led into all sorts of barbarity, under the idea&#13;
of performing an act of inexorable justice. As it frequently happens,&#13;
the sight of the blood which flowed in torrents from Goliath's wounds&#13;
inflamed to madness the rage of his assailants. A hundred fists struck&#13;
at the unhappy man; he was stamped under foot, his face and chest were&#13;
beaten in. Ever and anon, in the midst of furious cries of "Death to the&#13;
poisoner!" heavy blows were audible, followed by stifled groans. It was&#13;
a frightful butchery. Each individual, yielding to a sanguinary frenzy,&#13;
came in turn to strike his blow; or to tear off his morsel of flesh.&#13;
Women--yes, women--mothers!--came to spend their rage on this mutilated&#13;
form.</p><p>There was one moment of frightful terror. With his face all bruised and&#13;
covered with mud, his garments in rags, his chest bare, red, gaping with&#13;
wounds--Goliath, availing himself of a moment's weariness on the part of&#13;
his assassins, who believed him already, finished, succeeded, by one of&#13;
those convulsive starts frequent in the last agony, in raising himself&#13;
to his feet for a few seconds; then, blind with wounds and loss of&#13;
blood, striking about his arms in the air as if to parry blows that were&#13;
no longer struck, he muttered these words, which came from his mouth,&#13;
accompanied by a crimson torrent: "Mercy! I am no poisoner. Mercy!" This&#13;
sort of resurrection produced so great an effect on the crowd, that for&#13;
an instant they fell hack affrighted. The clamor ceased, and a small&#13;
space was left around the victim. Some hearts began even to feel pity;&#13;
when the quarryman, seeing Goliath blinded with blood, groping before&#13;
him with his hands, exclaimed in ferocious allusion to a well-known&#13;
game: "Now for blind-man's-bluff."</p><p>Then, with a violent kick, he again threw down the victim, whose head&#13;
struck twice heavily on the pavement.</p><p>Just as the giant fell a voice from amongst the crowd exclaimed: "It is&#13;
Goliath! stop! he is innocent."</p><p>It was Father d'Aigrigny, who, yielding to a generous impulse, was&#13;
making violent efforts to reach the foremost rank of the actors in this&#13;
scene, and who cried out, as he came nearer, pale, indignant, menacing:&#13;
"You are cowards and murderers! This man is innocent. I know him. You&#13;
shall answer for his life."</p><p>These vehement words were received with loud murmurs.</p><p>"You know that poisoner," cried the quarryman, seizing the Jesuit by the&#13;
collar; "then perhaps you are a poisoner too.</p><p>"Wretch," exclaimed Father d'Aigrigny, endeavoring to shake himself&#13;
loose from the grasp, "do you dare to lay hand upon me?"</p><p>"Yes, I dare do anything," answered the quarryman.</p><p>"He knows him: he's a poisoner like the other," cried the crowd,&#13;
pressing round the two adversaries; whilst Goliath, who had fractured&#13;
his skull in the fall, uttered a long death-rattle.</p><p>At a sudden movement of Father d'Aigrigny, who disengaged himself from&#13;
the quarryman, a large glass phial of peculiar form, very thick, and&#13;
filled with a greenish liquor, fell from his pocket, and rolled close&#13;
to the dying Goliath. At sight of this phial, many voices exclaimed&#13;
together: "It is poison! Only see! He had poison upon him."</p><p>The clamor redoubled at this accusation, and they pressed so close to&#13;
Abbe d'Aigrigny, that he exclaimed: "Do not touch me! do not approach&#13;
me!"</p><p>"If he is a poisoner," said a voice, "no more mercy for him than for the&#13;
other."</p><p>"I a poisoner?" said the abbe, struck with horror.</p><p>Ciboule had darted upon the phial; the quarryman seized it from her,&#13;
uncorked it and presenting it to Father d'Aigrigny, said to him: "Now&#13;
tell us what is that?"</p><p>"It is not poison," cried Father d'Aigrigny.</p><p>"Then drink it!" returned the quarryman.</p><p>"Yes, yes! let him drink it!" cried the mob.</p><p>"Never," answered Father d'Aigrigny, in extreme alarm. And he drew back&#13;
as he spoke, pushing away the phial with his hand.</p><p>"Do you see? It is poison. He dares not drink it," they exclaimed.&#13;
Hemmed in on every side, Father d'Aigrigny stumbled against the body of&#13;
Goliath.</p><p>"My friends," cried the Jesuit, who, without being a poisoner, found&#13;
himself exposed to a terrible alternative, for his phial contained&#13;
aromatic salts of extraordinary strength, designed for a preservative&#13;
against the cholera, and as dangerous to swallow as any poison, "my good&#13;
friends, you are in error. I conjure you, in the name of heaven--"</p><p>"If that is not poison, drink it!" interrupted the quarryman, as he&#13;
again offered the bottle to the Jesuit.</p><p>"If he does not drink it, death to the poisoner of the poor!"</p><p>"Yes!--death to him! death to him!"</p><p>"Unhappy men!" cried Father d'Aigrigny, whilst his hair stood on end&#13;
with terror; "do you mean to murder me?"</p><p>"What about all those, that you and your mate have killed, you wretch?"</p><p>"But it is not true--and--"</p><p>"Drink, then!" repeated the inflexible quarryman; "I ask you for the&#13;
last time."</p><p>"To drink that would be death," cried Father d'Aigrigny.</p><p>"Oh! only hear the wretch!" cried the mob, pressing closer to him; "he&#13;
has confessed--he has confessed!"</p><p>"He has betrayed himself!"(40)</p><p>"He said, 'to drink that would be death!'"</p><p>"But listen to me," cried the abbe, clasping his hands together; "this&#13;
phial is--"</p><p>Furious cries interrupted Father d'Aigrigny. "Ciboule, make an end of&#13;
that one!" cried the quarryman, spurning Goliath with his foot. "I will&#13;
begin this one!" And he seized Father d'Aigrigny by the throat.</p><p>At these words, two different groups formed themselves. One, led by&#13;
Ciboule, "made an end" of Goliath, with kicks and blows, stones and&#13;
wooden shoes; his body was soon reduced to a horrible thing, mutilated,&#13;
nameless, formless--a mere inert mass of filth and mangled flesh.&#13;
Ciboule gave her cloak, which they tied to one of the dislocated ankles&#13;
of the body, and thus dragged it to the parapet of the quay. There, with&#13;
shouts of ferocious joy, they precipitated the bloody remains into&#13;
the river. Now who does not shudder at the thought that, in a time of&#13;
popular commotion, a word, a single word, spoken imprudently, even by&#13;
an honest man, and without hatred, will suffice to provoke so horrible a&#13;
murder.</p><p>"Perhaps it is a poisoner!" said one of the drinkers in the tavern of&#13;
the Rue de la Calandre--nothing more--and Goliath had been pitilessly&#13;
murdered.</p><p>What imperious reasons for penetrating the lowest depths of the masses&#13;
with instruction and with light--to enable unfortunate creatures&#13;
to defend themselves from so many stupid prejudices, so many fatal&#13;
superstitions, so much implacable fanaticism!--How can we ask for&#13;
calmness, reflection, self-control, or the sentiment of justice from&#13;
abandoned beings, whom ignorance has brutalized, and misery depraved,&#13;
and suffering made ferocious, and of whom society takes no thought,&#13;
except when it chains them to the galleys, or binds them ready for the&#13;
executioner! The terrible cry which had so startled Morok was uttered&#13;
by Father d'Aigrigny as the quarryman laid his formidable hand upon him,&#13;
saying to Ciboule: "Make an end of that one--I will begin this one!"</p><p>(40) This fact is historical. A man was murdered because a phial full&#13;
of ammonia was found upon him. On his refusal to drink it, the populace,&#13;
persuaded that the bottle contained poison, tore him to pieces.</p><p>CHAPTER XXIV. IN THE CATHEDRAL.</p><p>Night was almost come, as the mutilated body of Goliath was thrown into&#13;
the river. The oscillations of the mob had carried into the street,&#13;
which runs along the left side of the cathedral, the group into whose&#13;
power Father d'Aigrigny had fallen. Having succeeded in freeing himself&#13;
from the grasp of the quarryman, but still closely pressed by the&#13;
multitude that surrounded him, crying, "Death to the poisoner!" he&#13;
retreated step by step, trying to parry the blows that were dealt him.&#13;
By presence of mind, address, and courage, recovering at that critical&#13;
moment his old military energy, he had hitherto been able to resist and&#13;
to remain firm on his feet--knowing, by the example of Goliath, that&#13;
to fall was to die. Though he had little hope of being heard to any&#13;
purpose, the abbe continued to call for help with all his might.&#13;
Disputing the ground inch by inch, he manoeuvred so as to draw near&#13;
one of the lateral walls of the church, and at length succeeded in&#13;
ensconcing himself in a corner formed by the projection of a buttress,&#13;
and close by a little door.</p><p>This position was rather favorable. Leaning with his back against the&#13;
wall, Father d'Aigrigny was sheltered from the attacks of a portion of&#13;
his assailants. But the quarryman, wishing to deprive him of this last&#13;
chance of safety, rushed upon him, with the intention of dragging him&#13;
out into the circle where he would have been trampled under foot. The&#13;
fear of death gave Father d'Aigrigny extraordinary strength, and he was&#13;
able once more to repulse the quarryman, and remain entrenched in the&#13;
corner where he had taken refuge. The resistance of the victim redoubled&#13;
the rage of the assailants. Cries of murderous import resounded with&#13;
new violence. The quarryman again rushed upon Father d'Aigrigny, saying,&#13;
"Follow me, friends! this lasts too long. Let us make an end of it."</p><p>Father d'Aigrigny saw that he was lost. His strength was exhausted,&#13;
and he felt himself sinking; his legs trembled under him, and a cloud&#13;
obscured his sight; the howling of the furious mob began to sound dull&#13;
upon his ear. The effects of violent contusions, received during the&#13;
struggle, both on the head and chest, were now very perceptible. Two or&#13;
three times, a mixture of blood and foam rose to the lips of the abbe;&#13;
his position was a desperate one.</p><p>"To be slaughtered by these brutes, after escaping death so often in&#13;
war!" Such was the thought of Father d'Aigrigny, as the quarryman rushed&#13;
upon him.</p><p>Suddenly, at the very moment when the abbe, yielding to the instinct of&#13;
self-preservation, uttered one last call for help, in a heart-piercing&#13;
voice, the door against which he leaned opened behind him, and a firm&#13;
hand caught hold of him, and pulled him into the church. Thanks to&#13;
this movement, performed with the rapidity of lightning, the quarryman,&#13;
thrown forward in his attempt to seize Father d'Aigrigny, could not&#13;
check his progress, and found himself just opposite to the person who&#13;
had come, as it were, to take the place of the victim.</p><p>The quarryman stopped short, and then fell back a couple of paces, so&#13;
much was he amazed at this sudden apparition, and impressed, like the&#13;
rest of the crowd, with a vague feeling of admiration and respect&#13;
at sight of him who had come so miraculously to the aid of Father&#13;
d'Aigrigny. It was Gabriel. The young missionary remained standing on&#13;
the threshold of the door. His long black cassock was half lost in&#13;
the shadows of the cathedral; whilst his angelic countenance, with its&#13;
border of long light hair, now pale and agitated by pity and grief, was&#13;
illumined by the last faint rays of twilight. This countenance shone&#13;
with so divine a beauty, and expressed such touching and tender&#13;
compassion, that the crowd felt awed as, with his large blue eyes full&#13;
of tears, and his hands clasped together, he exclaimed, in a sonorous&#13;
voice: "Have mercy, my brethren! Be humane--be just!"</p><p>Recovering from his first feeling of surprise and involuntary emotion,&#13;
the quarryman advanced a step towards Gabriel, and said to him: "No&#13;
mercy for the poisoner! we must have him! Give him up to us, or we go&#13;
and take him!"</p><p>"You cannot think of it, my brethren," answered Gabriel; "the church is&#13;
a sacred place--a place of refuge for the persecuted."</p><p>"We would drag our prisoner from the altar!" answered the quarryman,&#13;
roughly; "so give him up to us."</p><p>"Listen to me, my brethren," said Gabriel, extending his arms towards&#13;
them.</p><p>"Down with the shaveling!" cried the quarryman; "let us go in and hunt&#13;
him up in the church!"</p><p>"Yes, yes!" cried the mob, again led away by the violence of this&#13;
wretch, "down with the black gown!"</p><p>"They are all of a piece!"</p><p>"Down with them!"</p><p>"Let us do as we did at the archbishop's!"</p><p>"Or at Saint-Germain-l'Auxerrois!"</p><p>"What do our likes care for a church?"</p><p>"If the priests defend the poisoners, we'll pitch them into the water&#13;
too!"</p><p>"Yes, yes!"</p><p>"I'll show you the lead!" cried the quarryman; and followed by Ciboule,&#13;
and a good number of determined men, he rushed towards Gabriel.</p><p>The missionary, who for some moments had watched the increasing fury&#13;
of the crowd, had foreseen this movement; hastily retreating into the&#13;
church, he succeeded, in spite of the efforts of the assailants, in&#13;
nearly closing the door, and in barricading it by the help of a wooden&#13;
bar, which he held in such a manner as would enable the door to resist&#13;
for a few minutes.</p><p>Whilst he thus defended the entrance, Gabriel shouted to Father&#13;
d'Aigrigny: "Fly, father! fly through the vestry! the other doors are&#13;
fastened."</p><p>The Jesuit, overpowered by fatigue, covered with contusions, bathed in&#13;
cold sweat, feeling his strength altogether fail, and too soon fancying&#13;
himself in safety, had sunk, half fainting, into a chair. At the&#13;
voice of Gabriel, he rose with difficulty, and, with a trembling step,&#13;
endeavored to reach the choir, separated from the rest of the church by&#13;
an iron railing.</p><p>"Quick, father!" added Gabriel, in alarm, using every effort to maintain&#13;
the door, which was now vigorously assailed. "Make haste! In a few&#13;
minutes it will be too late. All alone!" continued the missionary, in&#13;
despair, "alone, to arrest the progress of these madmen!"</p><p>He was indeed alone. At the first outbreak of the attack, three or four&#13;
sacristans and other members of the establishment were in the church;&#13;
but, struck with terror, and remembering the sack of the archbishop's&#13;
palace, and of Saint-Germain-l'Auxerrois, they had immediately taken&#13;
flight. Some of them had concealed themselves in the organ-loft and&#13;
others fled into the vestry, the doors of which they locked after them,&#13;
thus cutting off the retreat of Gabriel and Father d'Aigrigny. The&#13;
latter, bent double by pain, yet roused by the missionary's portentive&#13;
warning, helping himself on by means of the chairs he met with on his&#13;
passage, made vain efforts to reach the choir railing. After advancing&#13;
a few steps, vanquished by his suffering, he staggered and fell upon the&#13;
pavement, deprived of sense and motion. At the same moment, Gabriel,&#13;
in spite of the incredible energy with which the desire to save Father&#13;
d'Aigrigny had inspired him, felt the door giving way beneath the&#13;
formidable pressure from without.</p><p>Turning his head, to see if the Jesuit had at least quitted the church,&#13;
Gabriel, to his great alarm, perceived that he was lying motionless at&#13;
a few steps from the choir. To abandon the half-broken door, to run&#13;
to Father d'Aigrigny, to lift him in his arms, and drag him within&#13;
the railing of the choir, was for the young priest an action rapid as&#13;
thought; for he closed the gate of the choir just at the instant that&#13;
the quarryman and his band, having finished breaking down the door,&#13;
rushed in a body into the church.</p><p>Standing in front of the choir, with his arms crossed upon his&#13;
breast, Gabriel waited calmly and intrepidly for this mob, still more&#13;
exasperated by such unexpected resistance.</p><p>The door once forced, the assailants rushed in with great violence. But&#13;
hardly had they entered the church, than a strange scene took place. It&#13;
was nearly dark; only a few silver lamps shed their pale light round&#13;
the sanctuary, whose far outlines disappeared in the shadow. On suddenly&#13;
entering the immense cathedral, dark, silent, and deserted, the most&#13;
audacious were struck with awe, almost with fear in presence of the&#13;
imposing grandeur of that stony solitude. Outcries and threats died away&#13;
on the lips of the most furious. They seemed to dread awaking the&#13;
echoes of those enormous arches, those black vaults, from which oozed a&#13;
sepulchral dampness, which chilled their brows, inflamed with anger, and&#13;
fell upon their shoulders like a mantle of ice.</p><p>Religious tradition, routine, habit, the memories of childhood, have so&#13;
much influence upon men, that hardly had they entered the church, than&#13;
several of the quarryman's followers respectfully took off their hats,&#13;
bowed their bare heads, and walked along cautiously, as if to check the&#13;
noise of their footsteps on the sounding stones. Then they exchanged a&#13;
few words in a low and fearful whisper. Others timidly raised their eyes&#13;
to the far heights of the topmost arches of that gigantic building,&#13;
now lost in obscurity, and felt almost frightened to see themselves so&#13;
little in the midst of that immensity of darkness. But at the first joke&#13;
of the quarryman, who broke this respectful silence, the emotion soon&#13;
passed away.</p><p>"Blood and thunder!" cried he; "are you fetching breath to sing vespers?&#13;
If they had wine in the font, well and good!"</p><p>These words were received with a burst of savage laughter. "All this&#13;
time the villain will escape!" said one.</p><p>"And we shall be done," added Ciboule.</p><p>"One would think we had cowards here, who are afraid of the sacristans!"&#13;
cried the quarryman.</p><p>"Never!" replied the others in chorus; "we fear nobody."</p><p>"Forward!"</p><p>"Yes, yes--forward!" was repeated on all sides. And the animation, which&#13;
had been calmed down for a moment, was redoubled in the midst of&#13;
renewed tumult. Some moments after, the eyes of the assailants, becoming&#13;
accustomed to the twilight, were able to distinguish in the midst of&#13;
the faint halo shed around by a silver lamp, the imposing countenance of&#13;
Gabriel, as he stood before the iron railing of the choir.</p><p>"The poisoner is here, hid in some corner," cried the quarryman. "We&#13;
must force this parson to give us back the villain."</p><p>"He shall answer for him!"</p><p>"He took him into the church."</p><p>"He shall pay for both, if we do not find the other!"</p><p>As the first impression of involuntary respect was effaced from the&#13;
minds of the crowd, their voices rose the louder, and their faces became&#13;
the more savage and threatening, because they all felt ashamed of their&#13;
momentary hesitation and weakness.</p><p>"Yes, yes!" cried many voices, trembling with rage, "we must have the&#13;
life of one or the other!"</p><p>"Or of both!"</p><p>"So much the worse for this priest, if he wants to prevent us from&#13;
serving out our poisoner!"</p><p>"Death to him! death to him!"</p><p>With this burst of ferocious yells, which were fearfully re-echoed from&#13;
the groined arches of the cathedral, the mob, maddened by rage, rushed&#13;
towards the choir, at the door of which Gabriel was standing. The young&#13;
missionary, who, when placed on the cross by the savages of the Rocky&#13;
Mountains, yet entreated heaven to spare his executioners, had too much&#13;
courage in his heart, too much charity in his soul, not to risk his life&#13;
a thousand times over to save Father d'Aigrigny's--the very man who had&#13;
betrayed hire by such cowardly and cruel hypocrisy.</p><p>CHAPTER XXV. THE MURDERERS.</p><p>The quarryman, followed by his gang, ran towards Gabriel, who had&#13;
advanced a few paces from the choir-railing, and exclaimed, his eyes&#13;
sparkling with rage: "Where is the poisoner? We will have him!"</p><p>"Who has told you, my brethren, that he is a poisoner?" replied&#13;
Gabriel, with his deep, sonorous voice. "A poisoner! Where are the&#13;
proofs--witnesses or victims?"</p><p>"Enough of that stuff! we are not here for confession," brutally&#13;
answered the quarryman, advancing towards him in a threatening manner.&#13;
"Give up the man to us; he shall be forthcoming, unless you choose to&#13;
stand in his shoes?"</p><p>"Yes, yes!" exclaimed several voices; "they are 'in' with one another!&#13;
One or the other we will have!"</p><p>"Very well, then; since it is so," said Gabriel, raising his head, and&#13;
advancing with calmness, resignation; and fearlessness; "he or me,"&#13;
added he;--"it seems to make no difference to you--you are determined&#13;
to have blood--take mine, and I will pardon you, my friends; for a fatal&#13;
delusion has unsettled your reason."</p><p>These words of Gabriel, his courage, the nobleness of his attitude,&#13;
the beauty of his countenance, had made an impression on some of&#13;
the assailants, when suddenly a voice exclaimed: "Look! there is the&#13;
poisoner, behind the railing!"</p><p>"Where--where?" cried they.</p><p>"There--don't you see?--stretched on the floor."</p><p>On hearing this, the mob, which had hitherto formed a compact mass, in&#13;
the sort of passage separating the two sides of the nave, between the&#13;
rows of chairs, dispersed in every direction, to reach the railing&#13;
of the choir, the last and only barrier that now sheltered Father&#13;
d'Aigrigny. During this manoeuvre the quarryman, Ciboule, and others,&#13;
advanced towards Gabriel, exclaiming, with ferocious joy: "This time we&#13;
have him. Death to the poisoner!"</p><p>To save Father d'Aigrigny, Gabriel would have allowed himself to be&#13;
massacred at the entrance of the choir; but, a little further on, the&#13;
railing, not above four feet in height, would in another instant be&#13;
scaled or broken through. The Missionary lost all hope of saving the&#13;
Jesuit from a frightful death. Yet he exclaimed: "Stop, poor deluded&#13;
people!"--and, extending his arms, he threw himself in front of the&#13;
crowd.</p><p>His words, gesture, and countenance, were expressive of an authority&#13;
at once so affectionate and so fraternal, that there was a momentary&#13;
hesitation amongst the mob. But to this hesitation soon succeeded the&#13;
most furious cries of "Death; death!"</p><p>"You cry for his death?" cried Gabriel, growing still paler.</p><p>"Yes! yes!"</p><p>"Well, let him die," cried the missionary, inspired with a sudden&#13;
thought; "let him die on the instant!"</p><p>These words of the young priest struck the crowd with amazement. For a&#13;
few moments, they all stood mute, motionless, and as it were, paralyzed,&#13;
looking at Gabriel in stupid astonishment.</p><p>"This man is guilty, you say," resumed the young missionary, in a voice&#13;
trembling with emotion. "You have condemned him without proof, without&#13;
witnesses--no matter, he must die. You reproach him with being a&#13;
poisoner; where are his victims? You cannot tell--but no matter; he is&#13;
condemned. You refuse to hear his defense, the sacred right of every&#13;
accused person--no matter; the sentence is pronounced. You are at once&#13;
his accusers, judges, and executioners. Be it so!--You have never seen&#13;
till now this unfortunate man, he has done you no harm, he has perhaps&#13;
not done harm to any one--yet you take upon yourselves the terrible&#13;
responsibility of his death--understand me well--of his death. Be it so&#13;
then! your conscience will absolve you--I will believe it. He must die;&#13;
the sacredness of God's house will not save him--"</p><p>"No, no!" cried many furious voices.</p><p>"No," resumed Gabriel, with increasing warmth; "no you have determined&#13;
to shed his blood, and you will shed it, even in the Lord's temple. It&#13;
is, you say, your right. You are doing an act of terrible justice. But&#13;
why then, so many vigorous arms to make an end of one dying man? Why&#13;
these outcries? this fury? this violence? Is it thus that the people,&#13;
the strong and equitable people, are wont to execute their judgments?&#13;
No, no; when sure of their right, they strike their enemies, it is&#13;
with the calmness of the judge, who, in freedom of soul and conscience,&#13;
passes sentence. No, the strong and equitable people do not deal their&#13;
blows like men blind or mad, uttering cries of rage, as if to drown the&#13;
sense of some cowardly and horrible murder. No, it is not thus that they&#13;
exercise the formidable right, to which you now lay claim--for you will&#13;
have it--"</p><p>"Yes, we will have it!" shouted the quarryman, Ciboule, and others of&#13;
the more pitiless portion of the mob; whilst a great number remained&#13;
silent, struck with the words of Gabriel, who had just painted to them,&#13;
in such lively colors, the frightful act they were about to commit.</p><p>"Yes," resumed the quarryman, "it is our right; we have determined to&#13;
kill the poisoner!"</p><p>So saying, and with bloodshot eyes, and flushed cheek, the wretch&#13;
advanced at the head of a resolute group, making a gesture as though he&#13;
would have pushed aside Gabriel, who was still standing in front of the&#13;
railing. But instead of resisting the bandit, the missionary advanced&#13;
a couple of steps to meet him, took him by the arm, and said in a firm&#13;
voice: "Come!"</p><p>And dragging, as it were, with him the stupefied quarryman, whose&#13;
companions did not venture to follow at the moment, struck dumb as they&#13;
were by this new incident, Gabriel rapidly traversed the space which&#13;
separated him from the choir, opened the iron gate, and, still holding&#13;
the quarryman by the arm, led him up to the prostrate form of Father&#13;
d'Aigrigny, and said to him: "There is the victim. He is condemned.&#13;
Strike!"</p><p>"I" cried the quarryman, hesitating; "I--all alone!"</p><p>"Oh!" replied Gabriel, with bitterness, "there is no danger. You can&#13;
easily finish him. Look! he is broken down with suffering; he has hardly&#13;
a breath of life left; he will make no resistance. Do not be afraid!"</p><p>The quarryman remained motionless, whilst the crowd, strangely impressed&#13;
with this incident, approached a little nearer the railing, without&#13;
daring to come within the gate.</p><p>"Strike then!" resumed Gabriel, addressing the quarryman, whilst he&#13;
pointed to the crowd with a solemn gesture; "there are the judges; you&#13;
are the executioner."</p><p>"No!" cried the quarryman, drawing back, and turning away his eyes; "I'm&#13;
not the executioner--not I!"</p><p>The crowd remained silent. For a few moments, not a word, not a cry,&#13;
disturbed the stillness of the solemn cathedral. In a desperate case,&#13;
Gabriel had acted with a profound knowledge of the human heart. When the&#13;
multitude, inflamed with blind rage, rushes with ferocious clamor upon&#13;
a single victim, and each man strikes his blow, this dreadful species of&#13;
combined murder appears less horrible to each, because they all share in&#13;
the common crime; and then the shouts, the sight of blood, the desperate&#13;
defence of the man they massacre, finish by producing a sort of&#13;
ferocious intoxication; but, amongst all those furious madmen, who take&#13;
part in the homicide, select one, and place him face to face with the&#13;
victim, no longer capable of resistance, and say to him, "Strike!"--he&#13;
will hardly ever dare to do so.</p><p>It was thus with the quarryman; the wretch trembled at the idea of&#13;
committing a murder in cold blood, "all alone." The preceding scene had&#13;
passed very rapidly; amongst the companions of the quarryman, nearest&#13;
to the railing, some did not understand an impression, which they would&#13;
themselves have felt as strongly as this bold man, if it had been said&#13;
to them: "Do the office of executioner!" These, therefore, began to&#13;
murmur aloud at his weakness. "He dares not finish the poisoner," said&#13;
one.</p><p>"The coward!"</p><p>"He is afraid."</p><p>"He draws back." Hearing these words, the quarryman ran to the gate,&#13;
threw it wide open, and, pointing to Father d'Aigrigny, exclaimed: "If&#13;
there is one here braver than I am, let him go and finish the job--let&#13;
him be, the executioner--come!"</p><p>On this proposal the murmurs ceased. A deep silence reigned once more in&#13;
the cathedral. All those countenances, but now so furious, became sad,&#13;
confused, almost frightened.</p><p>The deluded mob began to appreciate the ferocious cowardice of the&#13;
action it had been about to commit. Not one durst go alone to strike the&#13;
half expiring man. Suddenly, Father d'Aigrigny uttered a dying rattle,&#13;
his head and one of his arms stirred with a convulsive movement, and&#13;
then fell back upon the stones as if he had just expired.</p><p>Gabriel uttered a cry of anguish, and threw himself on his knees close&#13;
to Father d'Aigrigny, exclaiming: "Great Heaven! he is dead!"</p><p>There is a singular variableness in the mind of a crowd, susceptible&#13;
alike to good or evil impressions. At the heart-piercing cry of Gabriel,&#13;
all these people, who, a moment before, had demanded, with loud uproar,&#13;
the massacre of this man, felt touched with a sudden pity. The words:&#13;
"He is dead!" circulated in low whispers through the crowd accompanied&#13;
by a slight shudder, whilst Gabriel raised with one hand the victim's&#13;
heavy head, and with the other sought to feel if the pulse still beat&#13;
beneath the ice-cold skin.</p><p>"Mr. Curate," said the quarryman, bending towards Gabriel, "is there&#13;
really no hope?"</p><p>The answer was waited for with anxiety, in the midst of deep silence.&#13;
The people hardly ventured to exchange a few words in whispers.</p><p>"Blessed be God!" exclaimed Gabriel, suddenly. "His heart beats."</p><p>"His heart beats," repeated the quarryman, turning his head towards the&#13;
crowd, to inform them of the good news.</p><p>"Oh! his heart beats!" repeated the others, in whispers.</p><p>"There is hope. We may yet save him," added Gabriel with an expression&#13;
of indescribable happiness.</p><p>"We may yet save him," repeated the quarryman, mechanically.</p><p>"We may yet save him," muttered the crowd.</p><p>"Quick, quick," resumed Gabriel, addressing the quarryman; "help me,&#13;
brother. Let us carry him to a neighboring house, where he can have&#13;
immediate aid."</p><p>The quarryman obeyed with readiness. Whilst the missionary lifted Father&#13;
d'Aigrigny by holding him under the arms, the quarryman took the legs&#13;
of the almost inanimate body. Together, they carried him outside of the&#13;
choir. At sight of the formidable quarryman, aiding the young priest&#13;
to render assistance to the man whom he had just before pursued with&#13;
menaces of death, the multitude felt a sudden thrill of compassion.&#13;
Yielding to the powerful influence of the words and example of Gabriel,&#13;
they felt themselves deeply moved, and each became anxious to offer&#13;
services.</p><p>"Mr. Curate, he would perhaps be better on a chair, that one could carry&#13;
upright," said Ciboule.</p><p>"Shall I go and fetch a stretcher from the hospital?" asked another.</p><p>"Mr. Curate, let me take your place; the body is too heavy for you."</p><p>"Don't trouble yourself," said a powerful man, approaching the&#13;
missionary respectfully; "I can carry him alone."</p><p>"Shall I run and fetch a coach, Mr. Curate?" said a young vagabond,&#13;
taking off his red cap.</p><p>"Right," said the quarryman; "run away, my buck!"</p><p>"But first, ask Mr. Curate if you are to go for a coach," said Ciboule,&#13;
stopping the impatient messenger.</p><p>"True," added one of the bystanders; "we are here in a church, and Mr.&#13;
Curate has the command. He is at home."</p><p>"Yes, yes; go at once, my child," said Gabriel to the obliging young&#13;
vagabond.</p><p>Whilst the latter was making his way through the crowd, a voice said:&#13;
"I've a little wicker-bottle of brandy; will that be of any use?"</p><p>"No doubt," answered Gabriel, hastily; "pray give it here. We can rub&#13;
his temples with the spirit, and make him inhale a little."</p><p>"Pass the bottle," cried Ciboule; "but don't put your noses in it!"&#13;
And, passed with caution from hand to hand, the flask reached Gabriel in&#13;
safety.</p><p>Whilst waiting for the coming of the coach, Father d'Aigrigny had&#13;
been seated on a chair. Whilst several good-natured people carefully&#13;
supported the abbe, the missionary made him inhale a little brandy. In a&#13;
few minutes, the spirit had a powerful influence on the Jesuit; he made&#13;
some slight movements, and his oppressed bosom heaved with a deep sigh.</p><p>"He is saved--he will live," cried Gabriel, in a triumphant voice; "he&#13;
will live, my brothers!"</p><p>"Oh! glad to hear it!" exclaimed many voices.</p><p>"Oh, yes! be glad, my brothers!" repeated Gabriel; "for, instead of&#13;
being weighed down with the remorse of crime, you will have a just and&#13;
charitable action to remember. Let us thank God, that he has changed&#13;
your blind fury into a sentiment of compassion! Let us pray to Him, that&#13;
neither you, nor those you love, may ever be exposed to such frightful&#13;
danger as this unfortunate man has just escaped. Oh, my brothers!" added&#13;
Gabriel, as he pointed to the image of Christ with touching emotion,&#13;
which communicated itself the more easily to others from the expression&#13;
of his angelic countenance; "oh, my brothers! let us never forget, that&#13;
HE, who died upon that cross for the defence of the oppressed, for&#13;
the obscure children of the people like to ourselves, pronounced those&#13;
affectionate words so sweet to the heart; 'Love ye one another!'--Let&#13;
us never forget it; let us love and help one another, and we poor&#13;
people shall then become better, happier, just. Love--yes, love ye one&#13;
another--and fall prostrate before that Saviour, who is the God of all&#13;
that are weak, oppressed, and suffering in this world!"</p><p>So saying, Gabriel knelt down. All present respectfully followed his&#13;
example, such power was there in his simple and persuasive words. At&#13;
this moment, a singular incident added to the grandeur of the scene. We&#13;
have said that a few seconds before the quarryman and his band entered&#13;
the body of the church, several persons had fled from it. Two of these&#13;
had taken refuge in the organ-loft, from which retreat they had viewed&#13;
the preceding scene, themselves remaining invisible. One of these&#13;
persons was a young man charged with the care of the organ, and quite&#13;
musician enough to play on it. Deeply moved by the unexpected turn of an&#13;
event which at first appeared so tragical, and yielding to an artistical&#13;
inspiration, this young man, at the moment when he saw the people&#13;
kneeling with Gabriel, could not forbear striking the notes. Then a sort&#13;
of harmonious sigh, at first almost insensible, seemed to rise from the&#13;
midst of this immense cathedral, like a divine aspiration. As soft and&#13;
aerial as the balmy vapor of incense, it mounted and spread through the&#13;
lofty arches. Little by little the faint, sweet sounds, though still as&#13;
it were covered, changed to an exquisite melody, religious, melancholy,&#13;
and affectionate, which rose to heaven like a song of ineffable&#13;
gratitude and love. And the notes were at first so faint, so covered,&#13;
that the kneeling multitude had scarcely felt surprise, and had yielded&#13;
insensibly to the irresistible influence of that enchanting harmony.</p><p>Then many an eye, until now dry and ferocious, became wet with&#13;
tears--many hard hearts beat gently, as they remembered the words&#13;
pronounced by Gabriel with so tender an accent: "Love ye one another!"&#13;
It was at this moment that Father d'Aigrigny came to himself--and opened&#13;
his eyes. He thought himself under the influence of a dream. He had&#13;
lost his senses in sight of a furious populace, who, with insult and&#13;
blasphemy on their lips, pursued him with cries of death even to the&#13;
sanctuary of the temple. He opened his eyes--and, by the pale light of&#13;
the sacred lamps, to the solemn music of the organ, he saw that crowd,&#13;
just now so menacing and implacable, kneeling in mute and reverential&#13;
emotion, and humbly bowing their heads before the majesty of the shrine.</p><p>Some minutes after, Gabriel, carried almost in triumph on the shoulders&#13;
of the crowd, entered the coach, in which Father d'Aigrigny, who by&#13;
degrees had completely recovered his senses, was already reclining. By&#13;
the order of the Jesuit, the coach stopped before the door of a house&#13;
in the Rue de Vaugirard; he had the strength and courage to enter this&#13;
dwelling alone; Gabriel was not admitted, but we shall conduct the&#13;
reader thither.</p><p>CHAPTER XXVI. THE PATIENT.</p><p>At the end of the Rue de Vaugirard, there was then a very high wall,&#13;
with only one small doorway in all its length. On opening this door,&#13;
you entered a yard surrounded by a railing, with screens like Venetian&#13;
blinds, to prevent your seeing between the rails. Crossing this&#13;
courtyard, you come to a fine large garden, symmetrically planted, at&#13;
the end of which stood a building two stories high, looking perfectly&#13;
comfortable, without luxury, but with all that cozy simplicity which&#13;
betokens discreet opulence. A few days had elapsed since Father&#13;
d'Aigrigny had been so courageously rescued by Gabriel from the popular&#13;
fury. Three ecclesiastics, wearing black gowns, white bands, and square&#13;
caps, were walking in the garden with a slow and measured step. The&#13;
youngest seemed to be about thirty years of age; his countenance was&#13;
pale, hollow, and impressed with a certain ascetic austerity. His two&#13;
companions, aged between fifty or sixty, had, on the contrary, faces at&#13;
once hypocritical and cunning; their round, rosy cheeks shone brightly&#13;
in the sunshine, whilst their triple chins, buried in fat, descended in&#13;
soft folds over the fine cambric of their bands. According to the rules&#13;
of their order (they belonged to the Society of Jesus), which forbade&#13;
their walking only two together, these three members of the brotherhood&#13;
never quitted each other a moment.</p><p>"I fear," said one of the two, continuing a conversation already begun,&#13;
and speaking of an absent person, "I fear, that the continual agitation&#13;
to which the reverend father has been a prey, ever since he was attacked&#13;
with the cholera, has exhausted his strength, and caused the dangerous&#13;
relapse which now makes us fear for his life."</p><p>"They say," resumed the other, "that never was there seen anxiety like&#13;
to his."</p><p>"And moreover," remarked the young priest, bitterly, "it is painful to&#13;
think, that his reverence Father Rodin has given cause for scandal,&#13;
by obstinately refusing to make a public confession, the day before&#13;
yesterday when his situation appeared so desperate, that, between two&#13;
fits of a delirium, it was thought right to propose to him to receive&#13;
the last sacraments."</p><p>"His reverence declared that he was not so ill as they supposed,"&#13;
answered one of the fathers, "and that he would have the last duties&#13;
performed when he thought necessary."</p><p>"The fact is, that for the last ten days, ever since he was brought here&#13;
dying, his life has been, as it were, only a long and painful agony; and&#13;
yet he continues to live."</p><p>"I watched by him during the first three days of his malady, with M.&#13;
Rousselet, the pupil of Dr. Baleinier," resumed the youngest father; "he&#13;
had hardly a moment's consciousness, and when the Lord did grant him&#13;
a lucid interval, he employed it in detestable execrations against the&#13;
fate which had confined him to his bed."</p><p>"It is said," resumed the other, "that Father Rodin made answer to&#13;
his Eminence Cardinal Malipieri, who came to persuade him to die in an&#13;
exemplary manner, worthy of a son of Loyola, our blessed founder"--at&#13;
these words, the three Jesuits bowed their heads together, as if they&#13;
had been all moved by the same spring--"it is said, that Father Rodin&#13;
made answer to his eminence: 'I do not need to confess publicly; I WANT&#13;
TO LIVE, AND I WILL LIVE.'"</p><p>"I did not hear that," said the young priest, with an indignant air;&#13;
"but if Father Rodin really made use of such expressions, it is--"</p><p>Here, no doubt, reflection came to him just in time, for he stole a&#13;
sidelong glance at his two silent, impassible companions, and added: "It&#13;
is a great misfortune for his soul; but I am certain, his reverence has&#13;
been slandered."</p><p>"It was only as a calumnious report, that I mentioned those words," said&#13;
the other priest, exchanging a glance with his companion.</p><p>One of the garden gates opened, and one of the three reverend fathers&#13;
exclaimed, at the sight of the personage who now entered: "Oh! here is&#13;
his Eminence Cardinal Malipieri, coming to pay a visit to Father Rodin."</p><p>"May this visit of his eminence," said the young priest, calmly, "be&#13;
more profitable to Father Rodin than the last!"</p><p>Cardinal Malipieri was crossing the garden, on his way to the apartment&#13;
occupied by Rodin.</p><p>Cardinal Malipieri, whom we saw assisting at the sort of council held at&#13;
the Princess de Saint-Dizier's, now on his way to Rodin's apartment, was&#13;
dressed as a layman, but enveloped in an ample pelisse of puce-colored&#13;
satin, which exhaled a strong odor of camphor, for the prelate had&#13;
taken care to surround himself with all sorts of anti-cholera specifics.&#13;
Having reached the second story of the house, the cardinal knocked at&#13;
a little gray door. Nobody answering, he opened it, and, like a man to&#13;
whom the locality was well known, passed through a sort of antechamber,&#13;
and entered a room in which was a turn-up bed. On a black wood table&#13;
were many phials, which had contained different medicines. The prelate's&#13;
countenance seemed uneasy and morose; his complexion was still yellow&#13;
and bilious; the brown circle which surrounded his black, squinting eyes&#13;
appeared still darker than usual.</p><p>Pausing a moment, he looked round him almost in fear, and several times&#13;
stopped to smell at his anti-cholera bottle. Then, seeing he was alone,&#13;
he approached a glass over the chimney-piece, and examined with much&#13;
attention the color of his tongue; after some minutes spent in this&#13;
careful investigation, with the result of which he appeared tolerably&#13;
satisfied, he took some preservative lozenges out of a golden box, and&#13;
allowed them to melt in his mouth, whilst he closed his eyes with a&#13;
sanctified air. Having taken these sanitary precautions, and again&#13;
pressed his bottle to his nose, the prelate prepared to enter the third&#13;
room, when he heard a tolerably loud noise through the thin partition&#13;
which separated him from it, and, stopping to listen, all that was said&#13;
in the next apartment easily reached his ear.</p><p>"Now that my wounds are dressed, I will get up," said weak, but sharp&#13;
and imperious voice.</p><p>"Do not think of it, reverend father," was answered in a stronger tone;&#13;
"it is impossible."</p><p>"You shall see if it is impossible," replied the other voice.</p><p>"But, reverend father, you will kill yourself. You are not in a state to&#13;
get up. You will expose yourself to a mortal relapse. I cannot consent&#13;
to it."</p><p>To these words succeeded the noise of a faint struggle, mingled with&#13;
groans more angry than plaintive, and the voice resumed: "No, no,&#13;
father; for your own safety, I will not leave your clothes within your&#13;
reach. It is almost time for your medicine; I will go and prepare it for&#13;
you."</p><p>Almost immediately after, the door opened, and the prelate saw enter a&#13;
man of about twenty-five years of age, carrying on his arm an old olive&#13;
great-coat and threadbare black trousers, which he threw down upon a&#13;
chair.</p><p>This personage was Ange Modeste Rousselet, chief pupil of Dr. Baleinier;&#13;
the countenance of the young practitioner was mild, humble, and&#13;
reserved; his hair, very short in front, flowed down upon his neck&#13;
behind. He made a slight start in surprise on perceiving the cardinal,&#13;
and bowed twice very low, without raising his eyes.</p><p>"Before anything else," said the prelate, with his marked Italian&#13;
accent, still holding to his nose his bottle of camphor, "have any&#13;
choleraic symptoms returned?"</p><p>"No, my lord; the pernicious fever, which succeeded the attack of&#13;
cholera, still continues."</p><p>"Very good. But will not the reverend father be reasonable? What was the&#13;
noise that I just heard?"</p><p>"His reverence wished absolutely to get up and dress himself; but his&#13;
weakness is so great, that he could not have taken two steps from the&#13;
bed. He is devoured by impatience, and we fear that this agitation will&#13;
cause a mortal relapse."</p><p>"Has Dr. Baleinier been here this morning?"</p><p>"He has just left, my lord."</p><p>"What does he think of the patient?"</p><p>"He finds him in the most alarming state, my lord. The night was so bad,&#13;
that he was extremely uneasy this morning. Father Rodin is at one of&#13;
those critical junctures, when a few hours may decide the life or death&#13;
of the patient. Dr. Baleinier is now gone to fetch what is necessary for&#13;
a very painful operation, which he is about to perform on the reverend&#13;
father."</p><p>"Has Father d'Aigrigny been told of this?"</p><p>"Father d'Aigrigny is himself very unwell, as your eminence knows; he&#13;
has not been able to leave his bed for the last three days."</p><p>"I inquired about him as I came up," answered the prelate, "and I shall&#13;
see him directly. But, to return to Father Rodin, have you sent for&#13;
his confessor, since he is in a desperate state, and about to undergo a&#13;
serious operation?"</p><p>"Dr. Baleinier spoke a word to him about it, as well as about the last&#13;
sacraments; but Father Rodin exclaimed, with great irritation, that they&#13;
did not leave him a moment's peace, that he had as much care as any one&#13;
for his salvation, and that--"</p><p>"Per Bacco! I am not thinking of him," cried the cardinal, interrupting&#13;
Ange Modeste Rousselet with his pagan oath, and raising his sharp voice&#13;
to a still higher key; "I am not thinking of him, but of the interests&#13;
of the Company. It is indispensable that the reverend father should&#13;
receive the sacraments with the most splendid solemnity, and that his&#13;
end should not only be Christian, but exemplary. All the people in the&#13;
house, and even strangers, should be invited to the spectacle, so that&#13;
his edifying death may produce an excellent sensation."</p><p>"That is what Fathers Grison and Brunet have already endeavored to&#13;
persuade his reverence, my lord; but your Eminence knows with what&#13;
impatience Father Rodin received this advice, and Dr. Baleinier did not&#13;
venture to persist, for fear of advancing a fatal crisis."</p><p>"Well, I will venture to do it; for in these times of revolutionary&#13;
impiety, a solemnly Christian death would produce a very salutary&#13;
effect on the public. It would indeed be proper to make the necessary&#13;
preparations to embalm the reverend father: he might then lie in state&#13;
for some days, with lighted tapers, according to Romish custom. My&#13;
secretary would furnish the design for the bier; it would be very&#13;
splendid and imposing; from his position in the Order, Father Rodin is&#13;
entitled to have everything in the most sumptuous style. He must have at&#13;
least six hundred tapers, and a dozen funeral lamps, burning spirits of&#13;
wine, to hang just over the body, and light it from above: the effect&#13;
would be excellent. We must also distribute little tracts to the people,&#13;
concerning the pious and ascetic life of his reverence--"</p><p>Here a sudden noise, like that of some piece of metal thrown angrily on&#13;
the floor, was heard from the next room, in which was the sick man, and&#13;
interrupted the prelate in his description.</p><p>"I hope Father Rodin has not heard you talk of embalming him, my lord,"&#13;
said Rousselet, in a whisper: "his bed touches the partition, and almost&#13;
everything is audible through it."</p><p>"If Father Rodin has heard me," answered the cardinal, sinking his&#13;
voice, and retiring to the other end of the room, "this circumstance&#13;
will enable me to enter at once on the business; but, in any case,&#13;
I persist in believing that the embalming and the lying in state are&#13;
required to make a good effect upon the public. The people are already&#13;
frightened at the cholera, and such funeral pomp would have no small&#13;
influence on the imagination."</p><p>"I would venture to observe to your Eminence, that here the laws are&#13;
opposed to such exhibitions."</p><p>"The laws--already the laws!" said the cardinal, angrily; "has not Rome&#13;
also her laws? And is not every priest a subject of Rome? Is it not&#13;
time--"</p><p>But, not choosing, doubtless, to begin a more explicit conversation with&#13;
the young doctor, the prelate resumed, "We will talk of this hereafter.&#13;
But, tell me, since my last visit, has the reverend father had any fresh&#13;
attacks of delirium?"</p><p>"Yes, my lord; here is the note, as your Eminence commanded." So saying&#13;
Rousselet delivered a paper to the prelate. We will inform the reader&#13;
that this part of the conversation between Rousselet and the cardinal&#13;
was carried on at a distance from the partition, so that Rodin could&#13;
hear nothing of it, whilst that which related to the embalming had been&#13;
perfectly audible to him.</p><p>The cardinal, having received the note from Rousselet, perused it with&#13;
an expression of lively curiosity. When he had finished, he crumpled&#13;
it in his hand, and said, without attempting to dissemble his vexation,&#13;
"Always nothing but incoherent expression. Not two words together, from&#13;
which you can draw any reasonable conclusion. One would really think&#13;
this man had the power to control himself even in his delirium, and to&#13;
rave about insignificant matters only."</p><p>Then, addressing Rousselet, "You are sure that you have reported&#13;
everything that escaped from him during his delirium?"</p><p>"With the exception of the same phrases, that he repeated over and over&#13;
again, your Eminence may be assured that I have not omitted a single&#13;
word, however unmeaning."</p><p>"Show me into Father Rodin's room," said the prelate, after a moment's&#13;
silence.</p><p>"But, my lord," answered the young doctor, with some hesitation, "the&#13;
fit has only left him about an hour, and the reverend father is still&#13;
very weak."</p><p>"The more the reason," replied the prelate, somewhat indiscreetly.&#13;
Then, recollecting himself, he added, "He will the better appreciate&#13;
the consolations I have to offer. Should he be asleep, awake him, and&#13;
announce my visit."</p><p>"I have only orders to receive from your Eminence," said Rousselet,&#13;
bowing, and entering the next room.</p><p>Left alone, the cardinal said to himself, with a pensive air, "I always&#13;
come back to that. When he was suddenly attacked by the cholera, Father&#13;
Rodin believed himself poisoned by order of the Holy See. He must then&#13;
have been plotting something very formidable against Rome, to entertain&#13;
so abominable a fear. Can our suspicions be well founded? Is he acting&#13;
secretly and powerfully on the Sacred College? But then for what end?&#13;
This it has been impossible to penetrate, so faithfully has the secret&#13;
been kept by his accomplices. I had hoped that, during his delirium, he&#13;
would let slip some word that would put us on the trace of what we are&#13;
so much interested to discover. With so restless and active a mind,&#13;
delirium is often the exaggeration of some dominant idea; yet here I&#13;
have the report of five different fits--and nothing--no, nothing but&#13;
vague, unconnected phrases."</p><p>The return of Rousselet put an end to these reflections. "I am sorry to&#13;
inform my lord that the reverend father obstinately refuses to see any&#13;
one. He says that he requires absolute repose. Though very weak, he has&#13;
a savage and angry look, and I should not be surprised if he overheard&#13;
your Eminence talk about embalming him."</p><p>The cardinal, interrupting Rousselet, said to him, "Did Father Rodin&#13;
have his last fit of delirium in the night?"</p><p>"Between three and half-past five this morning, my lord."</p><p>"Between three and half-past five," repeated the prelate, as if he&#13;
wished to impress this circumstance on his memory, "the attack presented&#13;
no particular symptoms?"</p><p>"No, my lord; it consisted of rambling, incoherent talk, as your&#13;
Eminence may see by this note."</p><p>Then, as he perceived the prelate approaching Father Rodin's door,&#13;
Rousselet added, "The reverend father will positively see no one,&#13;
my lord; he requires rest, to prepare for the operation; it might be&#13;
dangerous--"</p><p>Without attending to these observations, the cardinal entered Rodin's&#13;
chamber. It was a tolerably large room, lighted by two windows, and&#13;
simply but commodiously furnished. Two logs were burning slowly in the&#13;
fireplace, in which stood a coffee-pot, a vessel containing mustard&#13;
poultice, etc. On the chimney-piece were several pieces of rag, and some&#13;
linen bandages. The room was full of that faint chemical odor peculiar&#13;
to the chambers of the sick, mingled with so putrid a stench, that the&#13;
cardinal stopped at the door a moment, before he ventured to advance&#13;
further. As the three reverend fathers had mentioned in their walk,&#13;
Rodin lived because he had said to himself, "I want to live, and I will&#13;
live."</p><p>For, as men of timid imaginations and cowardly minds often die from the&#13;
mere dread of dying, so a thousand facts prove that vigor of character&#13;
and moral energy may often struggle successfully against disease, and&#13;
triumph over the most desperate symptoms.</p><p>It was thus with the Jesuit. The unshaken firmness of his character, the&#13;
formidable tenacity of his will (for the will has sometimes a mysterious&#13;
and almost terrific power), aiding the skillful treatment of Dr.&#13;
Baleinier, had saved him from the pestilence with which he had been so&#13;
suddenly attacked. But the shock had been succeeded by a violent fever,&#13;
which placed Rodin's life in the utmost peril. This increased danger had&#13;
caused the greatest alarm to Father d'Aigrigny, who felt, in spite of&#13;
his rivalry and jealousy, that Rodin was the master-spirit of the plot&#13;
in which they were engaged, and could alone conduct it to a successful&#13;
issue.</p><p>The curtains of the room was half closed, and admitted only a doubtful&#13;
light to the bed on which Rodin was lying. The Jesuit's features&#13;
had lost the greenish hue peculiar to cholera patients, but remained&#13;
perfectly livid and cadaverous, and so thin, that the dry, rugged skin&#13;
appeared to cling to the smallest prominence of bone. The muscles and&#13;
veins of the long, lean, vulture-like neck resembled a bundle of cords.&#13;
The head, covered with an old, black, filthy nightcap, from beneath&#13;
which strayed a few thin, gray hairs, rested upon a dirty pillow; for&#13;
Rodin would not allow them to change his linen. His iron-gray beard had&#13;
not been shaved for some time, and stood out like the hairs of a brush.&#13;
Under his shirt he wore an old flannel waistcoat full of holes. He had&#13;
one of his arms out of bed, and his bony hairy hand, with its bluish&#13;
nails, held fast a cotton handkerchief of indescribable color.</p><p>You might have taken him for a corpse, had it not been for the two&#13;
brilliant sparks which still burned in the depths of his eyes. In that&#13;
look, in which seemed concentrated all the remaining life and energy&#13;
of the man, you might read the most restless anxiety. Sometimes his&#13;
features revealed the sharpest pangs; sometimes the twisting of his&#13;
hands, and his sudden starts, proclaimed his despair at being thus&#13;
fettered to a bed of pain, whilst the serious interests which he had&#13;
in charge required all the activity of his mind. Thus, with thoughts&#13;
continually on the stretch, his mind often wandered, and he had fits&#13;
of delirium, from which he woke as from a painful dream. By the prudent&#13;
advice of Dr. Baleinier, who considered him not in a state to attend to&#13;
matters of--importance, Father d'Aigrigny had hitherto evaded Rodin's&#13;
questions with regard to the Rennepont affair, which he dreaded to see&#13;
lost and ruined in consequence of his forced inaction. The silence of&#13;
Father d'Aigrigny on this head, and the ignorance in which they kept&#13;
him, only augmented the sick man's exasperation. Such was the moral and&#13;
physical state of Rodin, when Cardinal Malipieri entered his chamber&#13;
against his will.</p><p>CHAPTER XXVII. THE LURE.</p><p>To understand fully the tortures of Rodin, reduced to inactivity by&#13;
sickness, and to explain the importance of Cardinal Malipieri's visit,&#13;
we must remember the audacious views of the ambitious Jesuit, who&#13;
believed himself following in the steps of Sixtus V., and expected to&#13;
become his equal. By the success of the Rennepont affair, to attain to&#13;
the generalship of his Order, by the corruption of the Sacred College&#13;
to ascend the pontifical throne, and then, by means of a change in the&#13;
statutes of the Company, to incorporate the Society of Jesus with the&#13;
Holy See, instead of leaving it independent, to equal and almost always&#13;
rule the Papacy--such were the secret projects of Rodin.</p><p>Their possibility was sanctioned by numerous precedents, for many mere&#13;
monks and priests had been suddenly raised to the pontifical dignity.&#13;
And as for their morality, the accession of the Borgias, of Julius&#13;
II., and other dubious Vicars of Christ, might excuse and authorize the&#13;
pretensions of the Jesuits.</p><p>Though the object of his secret intrigues at Rome had hitherto been&#13;
enveloped in the greatest mystery, suspicions had been excited in regard&#13;
to his private communications with many members of the Sacred College.&#13;
A portion of that college, Cardinal Malipieri at the head of them, had&#13;
become very uneasy on the subject, and, profiting by his journey&#13;
to France, the cardinal had resolved to penetrate the Jesuit's dark&#13;
designs. If, in the scene we have just painted, the cardinal showed&#13;
himself so obstinately bent on having a conference with Rodin, in spite&#13;
of the refusal of the latter, it was because the prelate hoped, as we&#13;
shall soon see, to get by cunning at the secret, which had hitherto&#13;
been so well concealed. It was, therefore, in the midst of all these&#13;
extraordinary circumstances, that Rodin saw himself the victim of a&#13;
malady, which paralyzed his strength, at the moment when he had need of&#13;
all his activity, and of all the resources of his mind. After remaining&#13;
for some seconds motionless near the door, the cardinal, still holding&#13;
his bottle under his nose, slowly approached the bed where Rodin lay.</p><p>The latter, enraged at this perseverance, and wishing to avoid an&#13;
interview which for many reasons was singularly odious to him, turned&#13;
his face towards the wall, and pretended to be asleep. Caring little for&#13;
this feint, and determined to profit by Rodin's state of weakness, the&#13;
prelate took a chair, and, conquering his repugnance, sat down close to&#13;
the Jesuit's bed.</p><p>"My reverend and very dear father, how do you find yourself?" said he to&#13;
him, in a honeyed tone, which his Italian accent seemed to render still&#13;
more hypocritical. Rodin pretended not to hear, breathed hard, and made&#13;
no answer. But the cardinal, not without disgust, shook with his gloved&#13;
hand the arm of the Jesuit, and repeated in a louder voice: "My reverend&#13;
and very dear father, answer me, I conjure you!"</p><p>Rodin could not restrain a movement of angry impatience, but he&#13;
continued silent. The cardinal was not a man to be discouraged by so&#13;
little; he again shook the arm of the Jesuit, somewhat more roughly,&#13;
repeating, with a passionless tenacity that would have incensed the most&#13;
patient person in the world: "My reverend and very dear father, since&#13;
you are not asleep, listen to me, I entreat of you."</p><p>Irritable with pain, exasperated by the obstinacy of the prelate, Rodin&#13;
abruptly turned his head, fixed on the Roman his hollow eyes, shining&#13;
with lurid fire, and, with lips contracted by a sardonic smile, said to&#13;
him, bitterly: "You must be very anxious, my lord, to see me embalmed,&#13;
and lie in state with tapers, as you were saying just now, for you thus&#13;
to come to torment me in my last moments, and hasten my end!"</p><p>"Oh, my good father! how can you talk so?" cried the cardinal, raising&#13;
his hands as if to call heaven to witness to the sincerity of the tender&#13;
interest he felt for the Jesuit.</p><p>"I tell you that I heard all just now, my lord; for the partition is&#13;
thin," added Rodin, with redoubled bitterness.</p><p>"If you mean that, from the bottom of my soul, I desired that you should&#13;
make an exemplary and Christian end, you are perfectly right, my dear&#13;
father. I did say so; for, after a life so well employed, it would be&#13;
sweet to see you an object of adoration for the faithful!"</p><p>"I tell you, my lord," cried Rodin, in a weak and broken voice, "that&#13;
it is ferocious to express such wishes in the presence of a dying man.&#13;
Yes," he added, with growing animation, that contrasted strongly with&#13;
his weakness, "take care what you do; for if I am too much plagued and&#13;
pestered--if I am not allowed to breathe my last breath quietly--I give&#13;
you notice that you will force me to die in anything but a Christian&#13;
manner, and if you mean to profit by an edifying spectacle, you will be&#13;
deceived."</p><p>This burst of anger having greatly fatigued Rodin, his head fell back&#13;
upon the pillow, and he wiped his cracked and bleeding lips with his old&#13;
cotton handkerchief.</p><p>"Come, come, be calm, my very dear father," resumed the cardinal, with&#13;
a patronizing air; "do not give way to such gloomy ideas. Doubtless,&#13;
Providence reserves you for great designs, since you have been already&#13;
delivered from so much peril. Let us hope that you will be likewise&#13;
saved from your present danger."</p><p>Rodin answered by a hoarse growl, and turned his face towards the wall.</p><p>The imperturbable prelate continued: "The views of Providence are not&#13;
confined to your salvation, my very dear father. Its power has been&#13;
manifested in another way. What I am about to tell you is of the highest&#13;
importance. Listen attentively."</p><p>Without turning his head, Rodin muttered in a tone of angry bitterness,&#13;
which betrayed his intense sufferings: "They desire my death. My chest&#13;
is on fire, my head racked with pain, and they have no pity. Oh, I&#13;
suffer the tortures of the damned!"</p><p>"What! already" thought the Roman, with a smile of sarcastic malice;&#13;
then he said aloud: "Let me persuade you, my very dear father--make an&#13;
effort to listen to me; you will not regret it."</p><p>Still stretched upon the bed, Rodin lifted his hands clasped upon his&#13;
cotton handkerchief with a gesture of despair, and then let them fall&#13;
again by his side.</p><p>The cardinal slightly shrugged his shoulders, and laid great stress&#13;
on what follows, so that Rodin might not lose a word of it: "My dear&#13;
father, it has pleased Providence that, during your fit of raving, you&#13;
have made, without knowing it, the most important revelations."</p><p>The prelate waited with anxious curiosity for the effect of the pious&#13;
trap he had laid for the Jesuit's weakened faculties. But the latter,&#13;
still turned towards the wall, did not appear to have heard him and&#13;
remained silent.</p><p>"You are, no doubt, reflecting on my words, my dear father," resumed&#13;
the cardinal; "you are right, for it concerns a very serious affair. I&#13;
repeat to you that Providence has allowed you, during your delirium, to&#13;
betray your most secret thoughts--happily, to me alone. They are such&#13;
as would compromise you in the highest degree. In short, during your&#13;
delirium of last night, which lasted nearly two hours, you unveiled the&#13;
secret objects of your intrigues at Rome with many of the members of the&#13;
Sacred College."</p><p>The cardinal, rising softly, stooped over the bed to watch the&#13;
expression of Rodin's countenance. But the latter did not give him time.&#13;
As a galvanized corpse starts into strange and sudden motion, Rodin&#13;
sprang into a sitting posture at the last words of the prelate.</p><p>"He has betrayed himself," said the cardinal, in a low voice, in&#13;
Italian. Then, resuming his seat, he fixed on the Jesuit his eyes, that&#13;
sparkled with triumphant joy.</p><p>Though he did not hear the exclamation of Malipieri, nor remark the&#13;
expression of his countenance, Rodin, notwithstanding his state of&#13;
weakness, instantly felt the imprudence of his start. He pressed his&#13;
hand to his forehead, as though he had been seized with a giddiness;&#13;
then, looking wildly round him, he pressed to his trembling lips his old&#13;
cotton handkerchief, and gnawed it mechanically for some seconds.</p><p>"Your emotion and alarm confirm the sad discoveries I have made,"&#13;
resumed the cardinal, still more rejoicing at the success of his trick;&#13;
"and now, my dear father," added he, "you will understand that it is&#13;
for your best interest to enter into the most minute detail as to your&#13;
projects and accomplices at Rome. You may then hope, my dear father,&#13;
for the indulgence of the Holy See--that is, if your avowals are&#13;
sufficiently explicit to fill up the chasms necessarily left in a&#13;
confession made during delirium."</p><p>Rodin, recovered from his first surprise, perceived, but too late, that&#13;
he had fallen into a snare, not by any words he had spoken, but by his&#13;
too significant movements. In fact, the Jesuit had feared for a moment&#13;
that he might have betrayed himself during his delirium, when he heard&#13;
himself accused of dark intrigues with Rome; but, after some minutes of&#13;
reflection, his common sense suggested: "If this crafty Roman knew my&#13;
secret, he would take care not to tell me so. He has only suspicions,&#13;
confirmed by my involuntary start just now."</p><p>Rodin wiped the cold sweat from his burning forehead. The emotion of&#13;
this scene augmented his sufferings, and aggravated the danger of his&#13;
condition. Worn out with fatigue, he could not remain long in a sitting&#13;
posture, and soon fell back upon the bed.</p><p>"Per Bacco!" said the cardinal to himself, alarmed at the expression&#13;
of the Jesuit's face; "if he were to die before he had spoken, and so&#13;
escape the snare!"</p><p>Then, leaning over the bed, the prelate asked: "What is the matter, my&#13;
very dear father?"</p><p>"I am weak, my lord--I am in pain--I cannot express what I suffer."</p><p>"Let us hope, my very dear father, that this crisis will have no fatal&#13;
results; but the contrary may happen, and it behooves the salvation&#13;
of your soul to make instantly the fullest confession. Were it even to&#13;
exhaust your strength, what is this perishable body compared to eternal&#13;
life?"</p><p>"Of what confession do you speak, my lord?" said Rodin, in a feeble and&#13;
yet sarcastic tone.</p><p>"What confession!" cried the amazed cardinal; "why, with regard to your&#13;
dangerous intrigues at Rome."</p><p>"What intrigues?" asked Rodin.</p><p>"The intrigues you revealed during your delirium," replied the prelate,&#13;
with still more angry impatience. "Were not your avowals sufficiently&#13;
explicit? Why, then, this culpable hesitation to complete them?"</p><p>"My avowals--were explicit--you assure me?" said Rodin, pausing after&#13;
each word for want of breath, but without losing his energy and presence&#13;
of mind.</p><p>"Yes, I repeat it," resumed the cardinal; "with the exception of a few&#13;
chasms, they were most explicit."</p><p>"Then why repeat them?" said Rodin, with the same sardonic smile on his&#13;
violet lips.</p><p>"Why repeat them?" cried the angry prelate. "In order to gain pardon;&#13;
for if there is indulgence and mercy for the repentant sinner, there&#13;
must be condemnation and curses for the hardened criminal!"</p><p>"Oh, what torture! I am dying by slow fire!" murmured Rodin. "Since I&#13;
have told all," he resumed, "I have nothing more to tell. You know it&#13;
already."</p><p>"I know all--doubtless, I know all," replied the prelate, in a voice of&#13;
thunder; "but how have I learned it? By confessions made in a state&#13;
of unconsciousness. Do you think they will avail you anything? No; the&#13;
moment is solemn--death is at hand, tremble to die with a sacrilegious&#13;
falsehood on your lips," cried the prelate, shaking Rodin violently by&#13;
the arm; "dread the eternal flames, if you dare deny what you know to be&#13;
the truth. Do you deny it?"</p><p>"I deny nothing," murmured Rodin, with difficulty. "Only leave me&#13;
alone!"</p><p>"Then heaven inspires you," said the cardinal, with a sigh of&#13;
satisfaction; and, thinking he had nearly attained his object, he&#13;
resumed, "Listen to the divine word, that will guide you, father. You&#13;
deny nothing?"</p><p>"I was--delirious--and cannot--(oh! how I suffer!)" added Rodin, by way&#13;
of parenthesis; "and cannot therefore--deny--the nonsense--I may have&#13;
uttered!"</p><p>"But when this nonsense agrees with the truth," cried the prelate,&#13;
furious at being again deceived in his expectation; "but when raving is&#13;
an involuntary, providential revelation--"</p><p>"Cardinal Malipieri--your craft is no match--for my agony," answered&#13;
Rodin, in a failing voice. "The proof--that I have not told my&#13;
secret--if I have a secret--is--that you want to make me tell it!" In&#13;
spite of his pain and weakness, the Jesuit had courage to raise himself&#13;
in the bed, and look the cardinal full in the face, with a smile of&#13;
bitter irony. After which he fell back on the pillow, and pressed his&#13;
hands to his chest, with a long sigh of anguish.</p><p>"Damnation! the infernal Jesuit has found me out!" said the cardinal&#13;
to himself, as he stamped his foot with rage. "He sees that he was&#13;
compromised by his first movement; he is now upon his guard; I shall get&#13;
nothing more from him--unless indeed, profiting by the state of weakness&#13;
in which he is, I can, by entreaties, by threats, by terror--"</p><p>The prelate was unable to finish. The door opened abruptly, and Father&#13;
d'Aigrigny entered the room, exclaiming with an explosion of joy:&#13;
"Excellent news!"</p><p>CHAPTER XXVIII. GOOD NEWS.</p><p>By the alteration in the countenance of Father d'Aigrigny, his pale&#13;
cheek, and the feebleness of his walk, one might see that the terrible&#13;
scene in the square of Notre-Dame, had violently reacted upon his&#13;
health. Yet his face was radiant and triumphant, as he entered Rodin's&#13;
chamber, exclaiming: "Excellent news!"</p><p>On these words, Rodin started. In spite of his weakness, he raised his&#13;
head, and his eyes shone with a curious, uneasy, piercing expression.&#13;
With his lean hand, he beckoned Father d'Aigrigny to approach the&#13;
bed, and said to him, in a broken voice, so weak that it was scarcely&#13;
audible: "I am very ill--the cardinal has nearly finished me--but if&#13;
this excellent news--relates to the Rennepont affair--of which I hear&#13;
nothing--it might save me yet!"</p><p>"Be saved then!" cried Father d'Aigrigny, forgetting the recommendations&#13;
of Dr. Baleinier; "read, rejoice! What you foretold is beginning to be&#13;
realized!"</p><p>So saying, he drew a paper from his pocket, and delivered it to Rodin,&#13;
who seized it with an eager and trembling hand. Some minutes before,&#13;
Rodin would have been really incapable of continuing his conversation&#13;
with the cardinal, even if prudence had allowed him to do so; nor could&#13;
he have read a single line, so dim had his sight become. But, at the&#13;
words of Father d'Aigrigny, he felt such a renewal of hope and vigor,&#13;
that, by a mighty effort of energy and will, he rose to a sitting&#13;
posture, and, with clear head, and look of intelligent animation, he&#13;
read rapidly the paper that Father d'Aigrigny had just delivered to him.</p><p>The cardinal, amazed at this sudden transfiguration, asked himself if he&#13;
beheld the same man, who, a few minutes before, had fallen back on&#13;
his bed, almost insensible. Hardly had Rodin finished reading, than&#13;
he uttered a cry of stifled joy, saying, with an accent impossible to&#13;
describe: "ONE gone! it works--'tis well!" And, closing his eyes in&#13;
a kind of ecstatic transport, a smile of proud triumph overspread his&#13;
face, and rendered him still more hideous, by discovering his yellow and&#13;
gumless teeth. His emotion was so violent, that the paper fell from his&#13;
trembling hand.</p><p>"He has fainted," cried Father d'Aigrigny, with uneasiness, as he leaned&#13;
over Rodin. "It is my fault, I forgot that the doctor cautioned me not&#13;
to talk to him of serious matters."</p><p>"No; do not reproach yourself," said Rodin, in a low voice, half-raising&#13;
himself in the bed. "This unexpected joy may perhaps cure me. Yes--I&#13;
scarce know what I feel--but look at my cheeks--it seems to me, that,&#13;
for the first time since I have been stretched on this bed of pain, they&#13;
are a little warm."</p><p>Rodin spoke the truth. A slight color appeared suddenly on his livid and&#13;
icy cheeks; his voice though still very weak, became less tremulous, and&#13;
he exclaimed, in a tone of conviction that startled Father d'Aigrigny&#13;
and the prelate, "This first success answers for the others. I read the&#13;
future. Yes, yes; our cause will triumph. Every member of the execrable&#13;
Rennepont family will be crushed--and that soon you will see--"</p><p>Then, pausing, Rodin threw himself back on the pillow, exclaiming: "Oh!&#13;
I am choked with joy. My voice fails me."</p><p>"But what is it?" asked the cardinal of Father d'Aigrigny.</p><p>The latter replied, in a tone of hypocritical sanctity: "One of the&#13;
heirs of the Rennepont family, a poor fellow, worn out with excesses and&#13;
debauchery, died three days ago, at the close of some abominable&#13;
orgies, in which he had braved the cholera with sacrilegious impiety.&#13;
In consequence of the indisposition that kept me at home, and of another&#13;
circumstance, I only received to-day the certificate of the death of&#13;
this victim of intemperance and irreligion. I must proclaim it to the&#13;
praise of his reverence"--pointing to Rodin--"that he told me, the worst&#13;
enemies of the descendants of that infamous renegade would be their own&#13;
bad passions, and that the might look to them as our allies against the&#13;
whole impious race. And so it has happened with Jacques Rennepont."</p><p>"You see," said Rodin, in so faint a voice that it was almost&#13;
unintelligible, "the punishment begins already. One of the Renneponts&#13;
is dead--and believe me--this certificate," and he pointed to the paper&#13;
that Father d'Aigrigny held in his hand, "will one day be worth forty&#13;
millions to the Society of Jesus--and that--because--"</p><p>The lips alone finished the sentence. During some seconds, Rodin's&#13;
voice had become so faint, that it was at last quite imperceptible. His&#13;
larynx, contracted by violent emotion, no longer emitted any sound.&#13;
The Jesuit, far from being disconcerted by this incident, finished his&#13;
phrase, as it were, by expressive pantomime. Raising his head proudly he&#13;
tapped his forehead with his forefinger, as if to express that it was to&#13;
his ability this first success was owing. But he soon fell back again&#13;
on the bed, exhausted, breathless, sinking, with his cotton handkerchief&#13;
pressed once more to his parched lips. The good news, as Father&#13;
d'Aigrigny called it, had not cured Rodin. For a moment only, he had had&#13;
the courage to forget his pain. But the slight color on his cheek soon&#13;
disappeared; his face became once more livid. His sufferings, suspended&#13;
for a moment, were so much increased in violence, that he writhed&#13;
beneath the coverlet, and buried his face in the pillow, extending his&#13;
arms above his head, and holding them stiff as bars of iron. After this&#13;
crisis, intense as it was rapid: during which Father d'Aigrigny and the&#13;
prelate bent anxiously over him, Rodin, whose face was bathed in cold&#13;
sweat, made a sign that he suffered less, and that he wished to drink of&#13;
a potion to which he pointed. Father d'Aigrigny fetched it for him,&#13;
and while the cardinal held him up with marked disgust, the abbe&#13;
administered a few spoonfuls of the potion, which almost immediately&#13;
produced a soothing effect.</p><p>"Shall I call M. Rousselet?" said Father d'Aigrigny, when Rodin was once&#13;
more laid down in bed.</p><p>Rodin shook his head; then, with a fresh effort, he raised his right&#13;
hand, opened it, and pointed with his forefinger to a desk in a corner&#13;
of the room, to signify that, being no longer able to speak, he wished&#13;
to write.</p><p>"I understand your reverence," said Father d'Aigrigny; "but first&#13;
calm yourself. Presently, if you require it. I will give you writing&#13;
materials."</p><p>Two knocks at the outer door of the next room interrupted this scene.&#13;
From motives of prudence, Father d'Aigrigny had begged Rousselet to&#13;
remain in the first of the three rooms. He now went to open the door,&#13;
and Rousselet handed him a voluminous packet, saying: "I beg pardon&#13;
for disturbing you, father, but I was told to let you have these papers&#13;
instantly."</p><p>"Thank you, M. Rousselet," said Father d'Aigrigny; "do you know at what&#13;
hour Dr. Baleinier will return?"</p><p>"He will not be long, father, for he wishes to perform before night the&#13;
painful operation, that will have a decisive effect on the condition of&#13;
Father Rodin. I am preparing what is necessary for it," added Rousselet,&#13;
as he pointed to a singular and formidable apparatus, which Father&#13;
d'Aigrigny examined with a kind of terror.</p><p>"I do not know if the symptom is a serious one," said the Jesuit; "but&#13;
the reverend father has suddenly lost his voice."</p><p>"It is the third time this has happened within the last week," said&#13;
Rousselet; "the operation of Dr. Baleiner will act both on the larynx&#13;
and on the lungs."</p><p>"Is the operation a very painful one?" asked Father d'Aigrigny.</p><p>"There is, perhaps, none more cruel in surgery," answered the young&#13;
doctor; "and Dr. Baleinier has partly concealed its nature from Father&#13;
Rodin."</p><p>"Please to wait here for Dr. Baleinier, and send him to us as soon as he&#13;
arrives," resumed Father d'Aigrigny: and, returning to the sick chamber,&#13;
he sat down by the bedside, and said to Rodin, as he showed him the&#13;
letter: "Here are different reports with regard to different members&#13;
of the Rennepont family, whom I have had looked after by others, my&#13;
indisposition having kept me at home for the last few days. I do not&#13;
know, father, if the state of your health will permit you to hear--"</p><p>Rodin made a gesture, at once so supplicating and peremptory, that&#13;
Father d'Aigrigny felt there would be at least as much danger in&#13;
refusing as in granting his request; so, turning towards the cardinal,&#13;
still inconsolable at not having discovered the Jesuit's secret, he&#13;
said to him with respectful deference, pointing at the same time to the&#13;
letter: "Have I the permission of your Eminence?"</p><p>The prelate bowed, and replied: "Your affairs are ours, my dear father.&#13;
The Church must always rejoice in what rejoices your glorious Company."</p><p>Father d'Aigrigny unsealed the packet, and found in it different notes&#13;
in different handwritings. When he had read the first, his countenance&#13;
darkened, and he said, in a grave tone: "A misfortune--a great&#13;
misfortune."</p><p>Rodin turned his head abruptly, and looked at him with an air of uneasy&#13;
questioning.</p><p>"Florine is dead of the cholera," answered Father d'Aigrigny; "and what&#13;
is the worst," added he, crumpling the note between his hands, "before&#13;
dying, the miserable creature confessed to Mdlle. de Cardoville that she&#13;
long acted as a spy under the orders of your reverence."</p><p>No doubt the death of Florine, and the confession she had made, crossed&#13;
some of the plans of Rodin, for he uttered an inarticulate murmur, and&#13;
his countenance expressed great vexation.</p><p>Passing to another note, Father d'Aigrigny continued: "This relates&#13;
to Marshal Simon, and is not absolutely bad, but still far from&#13;
satisfactory, as it announces some amelioration in his position. We&#13;
shall see if it merits belief, by information from another source."</p><p>Rodin made a sign of impatience, to hasten Father d'Aigrigny to read the&#13;
note, which he did as follows. "'For some days, the mind of the marshal&#13;
has appeared to be less sorrowful, anxious and agitated. He lately&#13;
passed two hours with his daughters, which had not been the case for&#13;
some time before. The harsh countenance of the soldier Dagobert is&#13;
becoming smoother--a sure sign of some amelioration in the condition of&#13;
the marshal. Detected by their handwriting, the last anonymous letters&#13;
were returned by Dagobert to the postman, without having been opened by&#13;
the marshal. Some other method must be found to get them delivered.'"</p><p>Looking at Rodin, Father d'Aigrigny said to him: "Your reverence thinks&#13;
with me that this note is not very satisfactory?"</p><p>Rodin held down his head. One saw by the expression of his countenance&#13;
how much he suffered by not being able to speak. Twice he put his hand&#13;
to his throat, and looked at Father d'Aigrigny with anguish.</p><p>"Oh!" cried Father d'Aigrigny, angrily, when he had perused another&#13;
note, "for one lucky chance, to-day brings some very black ones."</p><p>At these words turning hastily to Father d'Aigrigny, and extending&#13;
his trembling hands, Rodin questioned him with look and gesture. The&#13;
cardinal, sharing his uneasiness, exclaimed: "What do you learn by this&#13;
note, my dear father?"</p><p>"We thought the residence of M. Hardy in our house completely unknown,"&#13;
replied Father d'Aigrigny, "but we now fear that Agricola Baudoin&#13;
has discovered the retreat of his old master, and that he has even&#13;
communicated with him by letter, through a servant of the house. So,"&#13;
added the reverend father, angrily, "during the three days that I have&#13;
not been able to visit the pavilion, one of my servants must have been&#13;
bought over. There is one of them, a man blind of one eye, whom I&#13;
have always suspected--the wretch! But no: I will not yet believe this&#13;
treachery. The consequences would be too deplorable; for I know how&#13;
matters stand, and that such a correspondence might ruin everything.&#13;
By awaking in M. Hardy memories with difficulty laid asleep, they might&#13;
destroy in a single day all that has been done since he inhabits our&#13;
house. Luckily, this note contains only doubts and fears; my other&#13;
information will be more positive, and will not, I hope, confirm them."</p><p>"My dear father," said the cardinal, "do not despair. The Lord will not&#13;
abandon the good cause!"</p><p>Father d'Aigrigny seemed very little consoled by this assurance. He&#13;
remained still and thoughtful, whilst Rodin writhed his head in a&#13;
paroxysm of mute rage, as he reflected on this new check.</p><p>"Let us turn to the last note," said Father d'Aigrigny, after a moment&#13;
of thoughtful silence. "I have so much confidence in the person who&#13;
sends it, that I cannot doubt the correctness of the information it&#13;
contains. May it contradict the others!"</p><p>In order not to break the chain of facts contained in this last note,&#13;
which was to have so startling an effect on the actors in this scene, we&#13;
shall leave it to the reader's imagination to supply the exclamations&#13;
of surprise, hate, rage and fear of Father d'Aigrigny, and the terrific&#13;
pantomime of Rodin, during the perusal of this formidable document,&#13;
the result of the observations of a faithful and secret agent of&#13;
the reverend fathers. Comparing this note with the other information&#13;
received, the results appeared more distressing to the reverend fathers.&#13;
Thus Gabriel had long and frequent conferences with Adrienne, who before&#13;
was unknown to him. Agricola Baudoin had opened a communication with&#13;
Francis Hardy, and the officers of justice were on the track of the&#13;
authors and instigators of the riot which had led to the burning of the&#13;
factory of Baron Tripeaud's rival. It seemed almost certain that Mdlle.&#13;
de Cardoville had had an interview with Prince Djalma.</p><p>This combination of facts showed that, faithful to the threats she&#13;
had uttered to Rodin, when she had unmasked the double perfidy of the&#13;
reverend father, Mdlle. de Cardoville was actively engaged in uniting&#13;
the scattered members of her family, to form a league against those&#13;
dangerous enemies, whose detestable projects, once unveiled and boldly&#13;
encountered, could hardly have a chance of success. The reader will now&#13;
understand the tremendous effect of this note on Father d'Aigrigny and&#13;
Rodin--on Rodin, stretched powerless on a bed of pain at the moment when&#13;
the scaffolding, raised with so much labor, seemed to be tumbling around&#13;
him.</p><p>CHAPTER XXIX. THE OPERATION.</p><p>We have given up the attempt to paint the countenance, attitude, and&#13;
gesticulation of Rodin during the reading of this note, which seemed to&#13;
ruin all his most cherished hopes. Everything was failing at once, at&#13;
the moment when only superhuman trust in the success of his plans could&#13;
give him sufficient energy to strive against mortal sickness. A single,&#13;
absorbing thought had agitated him even to delirium: What progress,&#13;
during his illness, had been made in this immense affair? He had first&#13;
heard a good piece of news, the death of Jacques Rennepont; but now the&#13;
advantages of this decease, which reduced the number of the heirs from&#13;
seven to six, were entirely lost. To what purpose would be this death,&#13;
if the other members of the family, dispersed and persecuted with such&#13;
infernal perseverance, were to unite and discover the enemies who had&#13;
so long aimed at them in darkness? If all those wounded hearts were to&#13;
console, enlighten, support each other, their cause would be gained, and&#13;
the inheritance rescued from the reverend fathers. What was to be done?</p><p>Strange power of the human will!--Rodin had one foot in the grave, he&#13;
was almost at the last gasp; his voice had failed him. And yet that&#13;
obstinate nature, so full of energy and resources, did not despair.&#13;
Let but a miracle restore his health, and that firm confidence in the&#13;
success of his projects which has given him power to struggle against&#13;
disease, tells him that he could yet save all--but then he must have&#13;
health and life! Health! life! His physician does not know if he will&#13;
survive the shock--if he can bear the pain--of a terrible operation.&#13;
Health! life! and just now Rodin heard talk of the solemn funeral they&#13;
had prepared for him. And yet--health, life, he will have them. Yes; he&#13;
has willed to live--and he has lived--why should he not live longer? He&#13;
will live--because he has willed it.</p><p>All that we have just written passed though Rodin's mind in a second.&#13;
His features, convulsed by the mental torment he endured, must have&#13;
assumed a very strange expression, for Father d'Aigrigny and the&#13;
cardinal looked at him in silent consternation. Once resolved to live,&#13;
and to sustain a desperate struggle with the Rennepont family, Rodin&#13;
acted in consequence. For a few moments Father d'Aigrigny and the&#13;
prelate believed themselves under the influence of a dream. By an effort&#13;
of unparalleled energy, and as if moved by hidden mechanism, Rodin&#13;
sprang from the bed, dragging the sheet with him, and trailing it, like&#13;
a shroud, behind his livid and fleshless body. The room was cold; the&#13;
face of the Jesuit was bathed in sweat; his naked and bony feet left&#13;
their moist print upon the stones.</p><p>"What are you doing? It is death!" cried Father d'Aigrigny, rushing&#13;
towards Rodin, to force him to lie down again.</p><p>But the latter, extending one of his skeleton arms, as hard as iron,&#13;
pushed aside Father d'Aigrigny with inconceivable vigor, considering the&#13;
state of exhaustion in which he had so long been.</p><p>"He has the strength of a man in a fit of epilepsy," said Father&#13;
d'Aigrigny, recovering his balance.</p><p>With a steady step Rodin advanced to the desk on which Dr. Baleinier&#13;
daily wrote his prescriptions. Seating himself before it, the Jesuit&#13;
took pen and paper, and began to write in a firm hand. His calm, slow,&#13;
and sure movements had in them something of the deliberateness remarked&#13;
in somnambulists. Mute and motionless, hardly knowing whether they&#13;
dreamed or not, the cardinal and Father d'Aigrigny remained staring at&#13;
the incredible coolness of Rodin, who, half-naked, continued to write&#13;
with perfect tranquillity.</p><p>"But, father," said the Abbe d'Aigrigny, advancing towards him, "this is&#13;
madness!"</p><p>Rodin shrugged his shoulders, stopped him with a gesture and made him a&#13;
sign to read what he had just written.</p><p>The reverend father expected to see the ravings of a diseased brain; but&#13;
he took the note, whilst Rodin commenced another.</p><p>"My lord," exclaimed Father d'Aigrigny, "read this!"</p><p>The cardinal read the paper, and returning it to the reverend father&#13;
with equal amazement, added: "It is full of reason, ability, and&#13;
resources. We shall thus be able to neutralize the dangerous combination&#13;
of Abbe Gabriel and Mdlle. de Cardoville, who appear to be the most&#13;
formidable leaders of the coalition."</p><p>"It is really miraculous," said Father d'Aigrigny.</p><p>"Oh, my dear father!" whispered the cardinal, shaking his head; "what&#13;
a pity that we are the only witnesses of this scene! What an excellent&#13;
MIRACLE we could have made of it! In one sense, it is another Raising of&#13;
Lazarus!"</p><p>"What an idea, my lord!" answered Father d'Aigrigny, in a low voice. "It&#13;
is perfect--and we must not give it up--"</p><p>This innocent little plot was interrupted by Rodin, who, turning his&#13;
head, made a sign to Father d'Aigrigny to approach, and delivered to him&#13;
another sheet, with this note attached: "To be executed within an hour."</p><p>Having rapidly perused the paper, Father d'Aigrigny exclaimed: "Right!&#13;
I had not thought of that. Instead of being fatal, the correspondence&#13;
between Agricola and M. Hardy may thus have the best results. Really,"&#13;
added the reverend father in a low voice to the prelate, while Rodin&#13;
continued to write, "I am quite confounded. I read--I see--and yet I can&#13;
hardly believe my eyes. Just before, exhausted and dying--and now&#13;
with his mind as clear and penetrating as ever. Can this be one of the&#13;
phenomena of somnambulism, in which the mind alone governs and sustains&#13;
the body?"</p><p>Suddenly the door opened, and Dr. Baleinier entered the room. At sight&#13;
of Rodin, seated half-naked at the desk, with his feet upon the cold&#13;
stones, the doctor exclaimed, in a tone of reproach and alarm: "But, my&#13;
lord--but, father--it is murder to let the unhappy man do this!--If he&#13;
is delirious from fever, he must have the strait-waistcoat, and be tied&#13;
down in bed."</p><p>So saying. Dr. Baleinier hastily approached Rodin, and took him by the&#13;
arm. Instead of finding the skin dry and chilly, as he expected, he&#13;
found it flexible, almost damp. Struck with surprise, the doctor sought&#13;
to feel the pulse of the left hand, which Rodin resigned, to him, whilst&#13;
he continued working with the right.</p><p>"What a prodigy!" cried the doctor, as he counted Rodin's pulse; "for&#13;
a week past, and even this morning, the pulse has been abrupt,&#13;
intermittent, almost insensible, and now it is firm, regular--I am&#13;
really puzzled--what then has happened? I can hardly believe what&#13;
I see," added the doctor, turning towards Father d'Aigrigny and the&#13;
cardinal.</p><p>"The reverend father, who had first lost his voice, was next seized with&#13;
such furious and violent despair caused by the receipt of bad news,"&#13;
answered Father d'Aigrigny, "that we feared a moment for his life; while&#13;
now, on the contrary, the reverend father has gained sufficient strength&#13;
to go to his desk, and write for some minutes, with a clearness of&#13;
argument and expression, which has confounded both the cardinal and&#13;
myself."</p><p>"There is no longer any doubt of it," cried the doctor. "The violent&#13;
despair has caused a degree of emotion, which will admirably prepare&#13;
the reactive crisis, that I am now almost certain of producing by the&#13;
operation."</p><p>"You persist in the operation?" whispered Father d'Aigrigny, whilst&#13;
Rodin continued to write.</p><p>"I might have hesitated this morning; but, disposed as he now is for&#13;
it, I must profit by the moment of excitement, which will be followed by&#13;
greater depression."</p><p>"Then, without the operation--" said the cardinal.</p><p>"This fortunate and unexpected crisis will soon be over, and the&#13;
reaction may kill him, my lord."</p><p>"Have you informed him of the serious nature of the operation?"</p><p>"Pretty nearly, my lord."</p><p>"But it is time to bring him to the point."</p><p>"That is what I will do, my lord," said Dr. Baleinier; and approaching&#13;
Rodin, who continued to write, he thus addressed him, in a firm voice:&#13;
"My reverend father, do you wish to be up and well in a week?"</p><p>Rodin nodded, full of confidence, as much as to say: "I am up already."</p><p>"Do not deceive yourself," replied the doctor. "This crisis is&#13;
excellent, but it will not last, and if we would profit by it, we must&#13;
proceed with the operation of which I have spoken to you--or, I tell you&#13;
plainly, I answer for nothing after such a shock."</p><p>Rodin was the more struck with these words, as, half an hour ago, he had&#13;
experienced the short duration of the improvement occasioned by Father&#13;
d'Aigrigny's good news, and as already he felt increased oppression on&#13;
the chest.</p><p>Dr. Baleinier, wishing to decide him, added: "In a word, father, will&#13;
you live or die?"</p><p>Rodin wrote rapidly this answer, which he gave to the doctor: "To live,&#13;
I would let you cut me limb from limb. I am ready for anything." And he&#13;
made a movement to rise.</p><p>"I must tell you, reverend father, so as not to take you by surprise,"&#13;
added Dr. Baleinier, "that this operation is cruelly painful."</p><p>Rodin shrugged his shoulders and wrote with a firm hand: "Leave me my&#13;
head; you may take all the rest."</p><p>The doctor read these words aloud, and the cardinal and Father&#13;
d'Aigrigny looked at each other in admiration of this dauntless courage.</p><p>"Reverend father," said Dr. Baleinier, "you must lie down."</p><p>Rodin wrote: "Get everything ready. I have still some orders to write.&#13;
Let me know when it is time."</p><p>Then folding up a paper, which he had sealed with a wafer, Rodin gave&#13;
these words to Father d'Aigrigny: "Send this note instantly to the agent&#13;
who addressed the anonymous letters to Marshal Simon."</p><p>"Instantly, reverend father," replied the abbe; "I will employ a sure&#13;
messenger."</p><p>"Reverend father," said Baleinier to Rodin, "since you must write, lie&#13;
down in bed, and write there, during our little preparations."</p><p>Rodin made an affirmative gesture, and rose. But already the prognostics&#13;
of the doctor were realized. The Jesuit could hardly remain standing for&#13;
a second; he fell back into a chair, and looked at Dr. Baleinier with&#13;
anguish, whilst his breathing became more and more difficult.</p><p>The doctor said to him: "Do not be uneasy. But we must make haste. Lean&#13;
upon me and Father d'Aigrigny."</p><p>Aided by these two supporters, Rodin was able to regain the bed. Once&#13;
there, he made signs that they should bring him pen, ink, and paper.&#13;
Then he continued to write upon his knees, pausing from time to time, to&#13;
breathe with great difficulty.</p><p>"Reverend father," said Baleinier to d'Aigrigny, "are you capable of&#13;
acting as one of my assistants in the operation? Have you that sort of&#13;
courage?"</p><p>"No," said the reverend father; "in the army I could never assist at an&#13;
amputation. The sight of blood is too much for me."</p><p>"There will be no blood," said the doctor, "but it will be worse. Please&#13;
send me three of our reverend fathers to assist me, and ask M. Rousselet&#13;
to bring in the apparatus."</p><p>Father d'Aigrigny went out. The prelate approached the doctor, and&#13;
whispered, pointing to Rodin: "Is he out of danger?"</p><p>"If he stands the operation--yes, my lord."</p><p>"Are you sure that he can stand it?"</p><p>"To him I should say 'yes,' to you 'I hope so.'"</p><p>"And were he to die, would there be time to administer the sacraments in&#13;
public, with a certain pomp, which always causes some little delay?"</p><p>"His dying may continue, my lord--a quarter of an hour."</p><p>"It is short, but we must be satisfied with that," said the prelate.</p><p>And, going to one of the windows, he began to tap with his fingers on&#13;
the glass, while he thought of the illumination effects, in the event of&#13;
Rodin's lying in state. At this moment, Rousselet entered, with a large&#13;
square box under his arm. He placed it on the drawers, and began to&#13;
arrange his apparatus.</p><p>"How many have you prepared?" said the doctor.</p><p>"Six, sir."</p><p>"Four will do, but it is well to be fully provided. The cotton is not&#13;
too thick?"</p><p>"Look, sir."</p><p>"Very good."</p><p>"And how is the reverend father?" asked the pupil.</p><p>"Humph!" answered the doctor, in a whisper. "The chest is terribly&#13;
clogged, the respiration hissing, the voice gone--still there is a&#13;
change."</p><p>"All my fear is, sir, that the reverend father will not be able to stand&#13;
the dreadful pain."</p><p>"It is another chance; but, under the circumstances, we must risk all.&#13;
Come, my dear boy, light the--taper; I hear our assistants."</p><p>Just then Father d'Aigrigny entered the room, accompanied by the three&#13;
Jesuits, who, in the morning, had walked in the garden. The two old men,&#13;
with their rosy cheeks, and the young one, with the ascetic countenance,&#13;
all three dressed in black, with their square caps and white bands,&#13;
appeared perfectly ready to assist Dr. Baleinier in his formidable&#13;
operation.</p><p>CHAPTER XXX. THE TORTURE.</p><p>"Reverend fathers," said Dr. Baleinier, graciously, to the three, "I&#13;
thank you for your kind aid. What you have to do is very simple, and,&#13;
by the blessing of heaven, this operation will save the life of our dear&#13;
Father Rodin."</p><p>The three black-gowns cast up their eyes piously, and then bowed&#13;
altogether, like one man. Rodin, indifferent to what was passing around&#13;
him, never ceased an instant to write or reflect. Nevertheless, in spite&#13;
of his apparent calmness, he felt such difficulty in breathing, that&#13;
more than once Dr. Baleinier had turned round uneasily, as he heard the&#13;
stifled rattling in the throat of the sick man. Making a sign to his&#13;
pupil, the doctor approached Rodin and said to him: "Come, reverend&#13;
father; this is the important moment. Courage!"</p><p>No sign of alarm was expressed in the Jesuit's countenance. His features&#13;
remained impassible as those of a corpse. Only, his little reptile eyes&#13;
sparkled still more brightly in their dark cavities. For a moment,&#13;
he looked round at the spectators of this scene; then, taking his pen&#13;
between his teeth, he folded and wafered another letter, placed it on&#13;
the table beside the bed, and nodded to Dr. Baleinier, as if to say: "I&#13;
am ready."</p><p>"You must take off your flannel waistcoat, and your shirt, father."&#13;
Rodin hesitated an instant, and the doctor resumed: "It is absolutely&#13;
necessary, father."</p><p>Aided by Baleinier, Rodin obeyed, whilst the doctor added, no doubt to&#13;
spare his modesty: "We shall only require the chest, right and left, my&#13;
dear father."</p><p>And now, Rodin, stretched upon his back, with his dirty night-cap still&#13;
on his head, exposed the upper part of a livid trunk, or rather, the&#13;
bony cage of a skeleton, for the shadows of the ribs and cartilages&#13;
encircled the skin with deep, black lines. As for the arms, they&#13;
resembled bones twisted with cord and covered with tanned parchment.</p><p>"Come, M. Rousselet, the apparatus!" said Baleinier.</p><p>Then addressing the three Jesuits, he added: "Please draw near,&#13;
gentlemen; what you have to do is very simple, as you will see."</p><p>It was indeed very simple. The doctor gave to each of his four&#13;
assistants a sort of little steel tripod about two inches in diameter&#13;
and three in height; the circular centre of this tripod was filled with&#13;
cotton; the instrument was held in the left hand by means of a wooden&#13;
handle. In the right hand each assistant held a small tin tube about&#13;
eighteen inches long; at one end was a mouthpiece to receive the lips&#13;
of the operator, and the other spread out so as to form a cover to the&#13;
little tripod. These preparations had nothing alarming in them. Father&#13;
d'Aigrigny and the prelate, who looked on from a little distance,&#13;
could not understand how this operation should be so painful. They soon&#13;
understood it.</p><p>Dr. Baleinier, having thus provided his four assistants, made them&#13;
approach Rodin, whose bed had been rolled into the middle of the room.&#13;
Two of them were placed on one side, two on the other.</p><p>"Now, gentlemen," said Dr. Baleinier, "set light to the cotton; place&#13;
the lighted part on the skin of his reverence, by means of the tripod&#13;
which contains the wick; cover the tripod with the broad part of the&#13;
tube, and then blow through the other end to keep up the fire. It is&#13;
very simple, as you see."</p><p>It was, in fact, full of the most patriarchal and primitive ingenuity.&#13;
Four lighted cotton rocks, so disposed as to burn very slowly, were&#13;
applied to the two sides of Rodin's chest. This is vulgarly called the&#13;
moxa. The trick is done, when the whole thickness of the skin has been&#13;
burnt slowly through. It lasts seven or eight minutes. They say that&#13;
an amputation is nothing to it. Rodin had watched the preparations&#13;
with intrepid curiosity. But, at the first touch of the four fires,&#13;
he writhed like a serpent, without being able to utter a cry. Even the&#13;
expression of pain was denied him. The four assistants being disturbed&#13;
by, the sudden start of Rodin, it was necessary to begin again.</p><p>"Courage, my dear father! offer these sufferings to the Lord!" said Dr.&#13;
Baleinier, in a sanctified tone. "I told you the operation would be&#13;
very painful; but then it is salutary in proportion. Come; you that have&#13;
shown such decisive resolution, do not fail at the last movement!"</p><p>Rodin had closed his eyes, conquered by the first agony of pain. He now&#13;
opened them, and looked at the doctor as if ashamed of such weakness.&#13;
And yet on the sides of his chest were four large, bleeding wounds--so&#13;
violent had been the first singe. As he again extended himself on the&#13;
bed of torture, Rodin made a sign that he wished to write. The doctor&#13;
gave him the pen, and he wrote as follows, by way of memorandum; "It is&#13;
better not to lose any time. Inform Baron Tripeaud of the warrant issued&#13;
against Leonard, so that he may be on his guard."</p><p>Having written this note, the Jesuit gave it to Dr. Baleinier, to hand&#13;
it to Father d'Aigrigny, who was as much amazed as the doctor and the&#13;
cardinal, at such extraordinary presence of mind in the midst of such&#13;
horrible pain. Rodin, with his eyes fixed on the reverend father, seemed&#13;
to wait with impatience for him to leave the room to execute his orders.&#13;
Guessing the thought of Rodin, the doctor whispered Father d'Aigrigny,&#13;
who went out.</p><p>"Come, reverend father," said the doctor, "we must begin again. This&#13;
time do not move."</p><p>Rodin did not answer, but clasped his hands over his head, closed his&#13;
eyes, and presented his chest. It was a strange, lugubrious, almost&#13;
fantastic spectacle. The three priests, in their long black gowns,&#13;
leaned over this body, which almost resembled a corpse, and blowing&#13;
through their tubes into the chest of the patient, seemed as if pumping&#13;
up his blood by some magic charm. A sickening odor of burnt flesh began&#13;
to spread through the silent chamber, and each assistant heard a slight&#13;
crackling beneath the smoking trivet; it was the skin of Rodin giving&#13;
way to the action of fire, and splitting open in four different parts of&#13;
his chest. The sweat poured from his livid face, which it made to shine;&#13;
a few locks of his gray hair stood up stiff and moist from his temples.&#13;
Sometimes the spasms were so violent, that the veins swelled on his&#13;
stiffened arms, and were stretched like cords ready to break.</p><p>Enduring this frightful torture with as much intrepid resignation as&#13;
the savage whose glory consists in despising pain, Rodin gathered his&#13;
strength and courage from the hope--we had almost said the certainty--of&#13;
life. Such was the make of this dauntless character, such the energy of&#13;
this powerful mind, that, in the midst of indescribable torments,&#13;
his one fixed idea never left him. During the rare intervals of&#13;
suffering--for pain is equal even at this degree of intensity--Rodin&#13;
still thought of the Rennepont inheritance, and calculated his chances,&#13;
and combined his measures, feeling that he had not a minute to lose. Dr.&#13;
Baleinier watched him with extreme attention, waiting for the effects&#13;
of the reaction of pain upon the patient, who seemed already to breathe&#13;
with less difficulty.</p><p>Suddenly Rodin placed his hand on his forehead, as if struck with some&#13;
new idea, and turning his head towards Dr. Baleinier, made a sign to him&#13;
to suspend the operation.</p><p>"I must tell you, reverend father," answered the doctor, "that it is not&#13;
half finished, and, if we leave off, the renewal will be more painful--"</p><p>Rodin made a sign that he did not care, and that he wanted to write.</p><p>"Gentlemen, stop a moment," said Dr. Baleinier; "keep down your moxas,&#13;
but do not blow the fire."</p><p>So the fire was to burn slowly, instead of fiercely, but still upon&#13;
the skin of the patient. In spite of this pain, less intense, but still&#13;
sharp and keen, Rodin, stretched upon his back, began to write, holding&#13;
the paper above his head. On the first sheet he traced some alphabetic&#13;
signs, part of a cipher known to himself alone. In the midst of the&#13;
torture, a luminous idea had crossed his mind; fearful of forgetting it&#13;
amidst his sufferings, he now took note of it. On another paper he wrote&#13;
the following, which was instantly delivered to Father d'Aigrigny: "Send&#13;
B. immediately to Faringhea, for the report of the last few days with&#13;
regard to Djalma, and let B. bring it hither on the instant." Father&#13;
d'Aigrigny went out to execute this new order. The cardinal approached&#13;
a little nearer to the scene of the operation, for, in spite of the bad&#13;
odor of the room, he took delight in seeing the Jesuit half roasted,&#13;
having long cherished against him the rancor of an Italian and a priest.</p><p>"Come, reverend father," said the doctor to Rodin, "continue to be&#13;
admirably courageous, and your chest will free itself. You have still a&#13;
bitter moment to go through--and then I have good hope."</p><p>The patient resumed his former position. The moment Father d'Aigrigny&#13;
returned, Rodin questioned him with a look, to which the reverend father&#13;
replied by a nod. At a sign from the doctor, the four assistants began&#13;
to blow through the tubes with all their might. This increase of torture&#13;
was so horrible, that, in spite of his self-control, Rodin gnashed his&#13;
teeth, started convulsively, and so expanded his palpitating chest,&#13;
that, after a violent spasm, there rose from his throat and lungs a&#13;
scream of terrific pain--but it was free, loud, sonorous.</p><p>"The chest is free!" cried the doctor, in triumph. "The lungs have&#13;
play--the voice returns--he is saved!--Blow, gentlemen, blow; and,&#13;
reverend father, cry out as much as you please: I shall be delighted to&#13;
hear you, for it will give you relief. Courage! I answer for the result.&#13;
It is a wonderful cure. I will publish it by sound of trumpet."</p><p>"Allow me, doctor," whispered Father d'Aigrigny, as he approached Dr.&#13;
Baleinier; "the cardinal can witness, that I claimed beforehand the&#13;
publication of this affair--as a miraculous fact."</p><p>"Let it be miraculous then," answered Dr. Baleinier, disappointed--for&#13;
he set some value on his own work.</p><p>On hearing he was saved, Rodin though his sufferings were perhaps worse&#13;
than ever, for the fire had now pierced the scarf-skin, assumed almost&#13;
an infernal beauty. Through the painful contraction of his features&#13;
shone the pride of savage triumph; the monster felt that he was becoming&#13;
once more strong and powerful, and he seemed conscious the evils that&#13;
his fatal resurrection was to cause. And so, of still writhing beneath&#13;
the flames, he pronounced these words, the first that struggled from his&#13;
chest: "I told you I should live!"</p><p>"You told us true," cried the doctor, feeling his pulse; "the&#13;
circulation is now full and regular, the lungs are free. The reaction is&#13;
complete. You are saved."</p><p>At this moment, the last shreds of cotton had burnt out. The trivets&#13;
were withdrawn, and on the skeleton trunk of Rodin were seen four large&#13;
round blisters. The skin still smoked, and the raw flesh was visible&#13;
beneath. In one of his sudden movements, a lamp had been misplaced, and&#13;
one of these burns was larger than the other, presenting as it were to&#13;
the eye a double circle. Rodin looked down upon his wounds. After&#13;
some seconds of silent contemplation, a strange smile curled his lips.&#13;
Without changing his position, he glanced at Father d'Aigrigny with an&#13;
expression impossible to describe, and said to him, as he slowly&#13;
counted the wounds touching them with his flat and dirty nail:&#13;
"Father d'Aigrigny, what an omen!--Look here! one Rennepont--two&#13;
Renneponts--three Renneponts--four Renneponts--where is then the&#13;
fifth!--Ah! here--this wound will count for two. They are twins."(41)&#13;
And he emitted a little dry, bitter laugh. Father d'Aigrigny, the&#13;
cardinal, and Dr. Baleinier, alone understood the sense of these&#13;
mysterious and fatal words, which Rodin soon completed by a terrible&#13;
allusion, as he exclaimed, with prophetic voice, and almost inspired&#13;
air: "Yes, I say it. The impious race will be reduced to ashes, like&#13;
the fragments of this poor flesh. I say it, and it will be so. I said I&#13;
would live--and I do live!"</p><p>(41) Jacques Rennepont being dead, and Gabriel out of the field, in&#13;
consequence of his donation, there remained only five persons of the&#13;
family--Rose and Blanche, Djalma, Adrienne, and Hardy.</p><p>CHAPTER XXXI. VICE AND VIRTUE.</p><p>Two days have elapsed since Rodin was miraculously restored to life. The&#13;
reader will not have forgotten the house in the Rue Clovis, where the&#13;
reverend father had an apartment, and where also was the lodging of&#13;
Philemon, inhabited by Rose-Pompon. It is about three o'clock in the&#13;
afternoon. A bright ray of light, penetrating through a round hole in&#13;
the door Mother Arsene's subterraneous shop, forms a striking contrast&#13;
with the darkness of this cavern. The ray streams full upon a melancholy&#13;
object. In the midst of fagots and faded vegetables, and close to a&#13;
great heap of charcoal, stands a wretched bed; beneath the sheet, which&#13;
covers it, can be traced the stiff and angular proportions of a corpse.&#13;
It is the body of Mother Arsene herself, who died two days before, of&#13;
the cholera. The burials have been so numerous, that there has been&#13;
no time to remove her remains. The Rue Clovis is almost deserted. A&#13;
mournful silence reigns without, often broken by the sharp whistling of&#13;
the north wind. Between the squalls, one hears a sort of pattering. It&#13;
is the noise of the large rats, running to and fro across the heap of&#13;
charcoal.</p><p>Suddenly, another sound is heard, and these unclean animals fly to hide&#13;
themselves in their holes. Some one is trying to force open the door,&#13;
which communicates between the shop and the passage. It offers but&#13;
little resistance, and, in a few seconds, the worn-out lock gives&#13;
way, and a woman enters. For a short time she stands motionless in the&#13;
obscurity of the damp and icy cave. After a minute's hesitation, the&#13;
woman advances and the ray of light illumines the features of the&#13;
Bacchanal Queen. Slowly, she approached the funeral couch. Since the&#13;
death of Jacques, the alteration in the countenance of Cephyse had gone&#13;
on increasing. Fearfully pale, with her fine black hair in disorder,&#13;
her legs and feet naked, she was barely covered with an old patched&#13;
petticoat and a very ragged handkerchief.</p><p>When she came near the bed, she cast a glance of almost savage assurance&#13;
at the shroud. Suddenly she drew back, with a low cry of involuntary&#13;
terror. The sheet moved with a rapid undulation, extending from the feet&#13;
to the head of the corpse. But soon the sight of a rat, flying along the&#13;
side of the worm-eaten bedstead, explained the movement of the shroud.&#13;
Recovering from her fright, Cephyse began to look for several things,&#13;
and collected them in haste, as though she dreaded being surprised&#13;
in the miserable shop. First, she seized a basket, and filled it with&#13;
charcoal; then, looking from side to side, she discovered in a corner an&#13;
earthen pot, which she took with a burst of ominous joy.</p><p>"It is not all, it is not all," said Cephyse, as she continued to search&#13;
with an unquiet air.</p><p>At last she perceived near the stove a little tin box, containing flint,&#13;
steel and matches. She placed these articles on the top of the basket,&#13;
and took it in one hand, and the earthen pot in the other. As she&#13;
passed near the corpse of the poor charcoal-dealer, Cephyse said, with a&#13;
strange smile: "I rob you, poor Mother Arsene, but my theft will not do&#13;
me much good."</p><p>Cephyse left the shop, reclosed the door as well as she could, went up&#13;
the passage, and crossed the little court-yard which separated the&#13;
front of the building from that part in which Rodin had lodged. With the&#13;
exception of the windows of Philemon's apartment, where Rose-Pompon had&#13;
so often sat perched like a bird, warbling Beranger, the other windows&#13;
of the house were open. There had been deaths on the first and second&#13;
floors, and, like many others, they were waiting for the cart piled up&#13;
with coffins.</p><p>The Bacchanal Queen gained the stairs, which led to the chambers&#13;
formerly occupied by Rodin. Arrived at the landing-place she ascended&#13;
another ruinous staircase, steep as a ladder, and with nothing but an&#13;
old rope for a rail. She at length reached the half-rotten door of&#13;
a garret, situated in the roof. The house was in such a state of&#13;
dilapidation, that, in many places the roof gave admission to the rain,&#13;
and allowed it to penetrate into this cell, which was not above ten feet&#13;
square, and lighted by an attic window. All the furniture consisted of&#13;
an old straw mattress, laid upon the ground, with the straw peeping out&#13;
from a rent in its ticking; a small earthenware pitcher, with the spout&#13;
broken, and containing a little water, stood by the side of this couch.&#13;
Dressed in rags, Mother Bunch was seated on the side of the mattress,&#13;
with her elbows on her knees, and her face concealed in her thin, white&#13;
hands. When Cephyse entered the room, the adopted sister of Agricola&#13;
raised her head; her pale, mild face seemed thinner than ever, hollow&#13;
with suffering, grief, misery; her eyes, red with weeping, were fixed on&#13;
her sister with an expression of mournful tenderness.</p><p>"I have what we want, sister," said Cephyse, in a low, deep voice; "in&#13;
this basket there is wherewith to finish our misery."</p><p>Then, showing to Mother Bunch the articles she had just placed on the&#13;
floor, she added: "For the first time in my life, I have been a thief.&#13;
It made me ashamed and frightened; I was never intended for that or&#13;
worse. It is a pity." added she, with a sardonic smile.</p><p>After a moment's silence, the hunchback said to her sister, in a heart&#13;
rending tone: "Cephyse--my dear Cephyse--are you quite determined to&#13;
die?"</p><p>"How should I hesitate?" answered Cephyse, in a firm voice. "Come,&#13;
sister, let us once more make our reckoning. If even I could forget my&#13;
shame, and Jacques' contempt in his last moments, what would remain to&#13;
me? Two courses only: first, to be honest, and work for my living. But&#13;
you know that, in spite of the best will in the world, work will often&#13;
fail, as it has failed for the last few days, and, even when I got it, I&#13;
would have to live on four to five francs a week. Live? that is to say,&#13;
die by inches. I know that already, and I prefer dying at once. The&#13;
other course would be to live a life of infamy--and that I will not do.&#13;
Frankly, sister, between frightful misery, infamy, or death, can the&#13;
choice be doubtful? Answer me!"</p><p>Then, without giving Mother Bunch time to speak, Cephyse added, in an&#13;
abrupt tone: "Besides, what is the good of discussing it? I have made up&#13;
my mind, and nothing shall prevent my purpose, since all that you, dear&#13;
sister, could obtain from me, was a delay of a few days, to see if the&#13;
cholera would not save us the trouble. To please you I consented; the&#13;
cholera has come, killed every one else in the house, but left us. You&#13;
see, it is better to do one's own business," added she, again smiling&#13;
bitterly. Then she resumed: "Besides, dear sister, you also wish to&#13;
finish with life."</p><p>"It is true, Cephyse," answered the sempstress, who seemed very much&#13;
depressed; "but alone--one has only to answer for one's self--and to die&#13;
with you," added she, shuddering, "appears like being an accomplice in&#13;
your death."</p><p>"Do you wish, then, to make an end of it, I in one place, you in&#13;
another?--that would be agreeable!" said Cephyse, displaying in that&#13;
terrible moment the sort of bitter and despairing irony which is more&#13;
frequent than may be imagined in the midst of mortal anguish.</p><p>"Oh, no, no!" said the other in alarm, "not alone--I will not die&#13;
alone!"</p><p>"Do you not see, dear sister, we are right not to part? And yet," added&#13;
Cephyse, in a voice of emotion, "my heart almost breaks sometimes, to&#13;
think that you will die like me."</p><p>"How selfish!" said the hunchback, with a faint smile. "What reasons&#13;
have I to love life? What void shall I leave behind me?"</p><p>"But you are a martyr, sister," resumed Cephyse. "The priests talk of&#13;
saints! Is there one of them so good as you? And yet you are about to&#13;
die like me, who have always been idle, careless, sinful--while you were&#13;
so hardworking, so devoted to all who suffered. What should I say?&#13;
You were an angel on the earth; and yet you will die like me, who have&#13;
fallen as low as a woman can fall," added the unfortunate, casting down&#13;
her eyes.</p><p>"It is strange," answered Mother Bunch, thoughtfully. "Starting from the&#13;
same point, we have followed different roads, and yet we have reached&#13;
the same goal--disgust of life. For you, my poor sister, but a few days&#13;
ago, life was so fair, so full of pleasure and of youth; and now it is&#13;
equally heavy with us both. After all, I have followed to the end what&#13;
was my duty," added she, mildly. "Agricola no longer needs me. He is&#13;
married; he loves, and is beloved; his happiness is secured. Mdlle. de&#13;
Cardoville wants for nothing. Fair, rich, prosperous--what could a poor&#13;
creature like myself do for her? Those who have been kind to me are&#13;
happy. What prevents my going now to my rest? I am so weary!"</p><p>"Poor sister!" said Cephyse, with touching emotion, which seemed to&#13;
expand her contracted features; "when I think that, without informing&#13;
me, and in spite of your resolution never to see that generous young&#13;
lady, who protected you, you yet had the courage to drag yourself to&#13;
her house, dying with fatigue and want, to try to interest her in my&#13;
fate--yes, dying, for your strength failed on the Champs-Elysees."</p><p>"And when I was able to reach the mansion, Mdlle. de Cardoville was&#13;
unfortunately absent--very unfortunately!" repeated the hunchback, as&#13;
she looked at Cephyse with anguish; "for the next day, seeing that our&#13;
last resource had failed us, thinking more of me than of yourself, and&#13;
determined at any price to procure us bread--"</p><p>She could not finish. She buried her face in her hands, and shuddered.</p><p>"Well, I did as so many other hapless women have done when work fails or&#13;
wages do not suffice, and hunger becomes too pressing," replied Cephyse,&#13;
in a broken voice; "only that, unlike so many others, instead of living&#13;
on my shame, I shall die of it."</p><p>"Alas! this terrible shame which kills you, my poor Cephyse, because you&#13;
have a heart, would have been averted, had I seen Mdlle. de Cardoville,&#13;
or had she but answered the letter which I asked leave to write to her&#13;
at the porter's lodge. But her silence proves to me that she is justly&#13;
hurt at my abrupt departure from her house. I can understand it; she&#13;
believes me guilty of the blackest ingratitude--for she must have been&#13;
greatly offended not to have deigned to answer me--and therefore I had&#13;
not the courage to write a second time. It would have been useless, I am&#13;
sure; for, good and just as she is, her refusals are inexorable when she&#13;
believes them deserved. And besides, for what good? It was too late; you&#13;
had resolved to die!"</p><p>"Oh, yes, quite resolved: for my infamy was gnawing at my heart. Jacques&#13;
had died in my arms despising me; and I loved him--mark me, sister,"&#13;
added Cephyse, with passionate enthusiasm, "I loved him as we love only&#13;
once in life!"</p><p>"Let our fate be accomplished, then!" said Mother Bunch with a pensive&#13;
air.</p><p>"But you have never told me, sister, the cause of your departure from&#13;
Mdlle. de Cardoville's," resumed Cephyse, after a moment's silence.</p><p>"It will be the only secret that I shall take with me, dear Cephyse,"&#13;
said the other, casting down her eyes. And she thought, with bitter joy,&#13;
that she would soon be delivered from the fear which had poisoned the&#13;
last days of her sad life--the fear of meeting Agricola, informed of the&#13;
fatal and ridiculous love she felt for him.</p><p>For, it must be said, this fatal and despairing love was one of&#13;
the causes of the suicide of the unfortunate creature. Since the&#13;
disappearance of her journal, she believed that the blacksmith knew&#13;
the melancholy secret contained in its sad pages. She doubted not&#13;
the generosity and good heart of Agricola; but she had such doubts of&#13;
herself, she was so ashamed of this passion, however pure and&#13;
noble, that, even in the extremity to which Cephyse and herself were&#13;
reduced--wanting work, wanting bread--no power on earth could have&#13;
induced her to meet Agricola, in an attempt to ask him for assistance.&#13;
Doubtless, she would have taken another view of the subject if her mind&#13;
had not been obscured by that sort of dizziness to which the firmest&#13;
characters are exposed when their misfortunes surpass all bounds.&#13;
Misery, hunger, the influence, almost contagious in such a moment, of&#13;
the suicidal ideas of Cephyse, and weariness of a life so long devoted&#13;
to pain and mortification, gave the last blow to the sewing-girl's&#13;
reason. After long struggling against the fatal design of her sister,&#13;
the poor, dejected, broken-hearted creature finished by determining to&#13;
share Cephyse's fate, and seek in death the end of so many evils.</p><p>"Of what are you thinking, sister?" said Cephyse, astonished at the long&#13;
silence. The other replied, trembling: "I think of that which made me&#13;
leave Mdlle. de Cardoville so abruptly, and appear so ungrateful in her&#13;
eyes. May the fatality which drove me from her house have made no other&#13;
victims! may my devoted service, however obscure and powerless, never be&#13;
missed by her, who extended her noble hand to the poor sempstress,&#13;
and deigned to call me sister! May she be happy--oh, ever happy!" said&#13;
Mother Bunch, clasping her hands with the ardor of a sincere invocation.</p><p>"That is noble, sister--such a wish in such a moment!" said Cephyse.</p><p>"Oh," said her sister, with energy, "I loved, I admired that marvel&#13;
of genius, and heart, and ideal beauty--I viewed her with pious&#13;
respect--for never was the power of the Divinity revealed in a more&#13;
adorable and purer creation. At least one of my last thoughts will have&#13;
been of her."</p><p>"Yes, you will have loved and respected your generous patroness to the&#13;
last."</p><p>"To the last!" said the poor girl, after a moment's silence. "It is&#13;
true--you are right--it will soon be the last!--in a few moments, all&#13;
will be finished. See how calmly we can talk of that which frightens so&#13;
many others!"</p><p>"Sister, we are calm because we are resolved."</p><p>"Quite resolved, Cephyse," said the hunchback, casting once more a deep&#13;
and penetrating glance upon her sister.</p><p>"Oh, yes, if you are only as determined as I am."</p><p>"Be satisfied; if I put off from day to day the final moment," answered&#13;
the sempstress, "it was because I wished to give you time to reflect. As&#13;
for me--"</p><p>She did not finish, but she shook her head with an air of the utmost&#13;
despondency.</p><p>"Well, sister, let us kiss each other," said Cephyse; "and, courage!"</p><p>The hunchback rose, and threw herself into her sister's arms. They held&#13;
one another fast in a long embrace. There followed a few seconds of deep&#13;
and solemn silence, only interrupted by the sobs of the sisters, for now&#13;
they had begun to weep.</p><p>"Oh, heaven! to love each other so, and to part forever!" said Cephyse.&#13;
"It is a cruel fate."</p><p>"To part?" cried Mother Bunch, and her pale, mild countenance, bathed&#13;
in tears, was suddenly illumined with a ray of divine hope; "to&#13;
part, sister? oh, no! What makes me so calm is the deep and certain&#13;
expectation, which I feel here at my heart, of that better world where a&#13;
better life awaits us. God, so great, so merciful, so prodigal of good,&#13;
cannot destine His creatures to be forever miserable. Selfish men may&#13;
pervert His benevolent designs, and reduce their brethren to a state of&#13;
suffering and despair. Let us pity the wicked and leave them! Come up on&#13;
high, sister; men are nothing there, where God is all. We shall do well&#13;
there. Let us depart, for it is late."</p><p>So saying, she pointed to the ruddy beams of the setting sun, which&#13;
began to shine upon the window.</p><p>Carried away by the religious enthusiasm of her sister, whose&#13;
countenance, transfigured, as it were, by the hope of an approaching&#13;
deliverance, gleamed brightly in the reflected sunset, Cephyse took her&#13;
hands, and, looking at her with deep emotion, exclaimed, "Oh, sister!&#13;
how beautiful you look now!"</p><p>"Then my beauty comes rather late in the day," said Mother Bunch, with a&#13;
sad smile.</p><p>"No, sister; for you appear so happy, that the last scruples I had upon&#13;
your account are quite gone."</p><p>"Then let us make haste," said the hunchback, as she pointed to the&#13;
chafing-dish.</p><p>"Be satisfied, sister--it will not be long," said Cephyse. And she took&#13;
the chafing-dish full of charcoal, which she had placed in a corner of&#13;
the garret, and brought it out into the middle of the room.</p><p>"Do you know how to manage it?" asked the sewing-girl approaching.</p><p>"Oh! it is very simple," answered Cephyse; "we have only to close the&#13;
door and window, and light the charcoal."</p><p>"Yes, sister; but I think I have heard that every opening must be well&#13;
stopped, so as to admit no current of air."</p><p>"You are right, and the door shuts so badly."</p><p>"And look at the holes in the roof."</p><p>"What is to be done, sister?"</p><p>"I will tell you," said Mother Bunch. "The straw of our mattress, well&#13;
twisted, will answer every purpose."</p><p>"Certainly," replied Cephyse. "We will keep a little to light our fire,&#13;
and with the rest we will stop up all the crevices in the roof, and make&#13;
filling for our doors and windows."</p><p>Then, smiling with that bitter irony, so frequent, we repeat, in the&#13;
most gloomy moments, Cephyse added, "I say, sister, weather-boards&#13;
at our doors and windows, to prevent the air from getting in--what a&#13;
luxury! we are as delicate as rich people."</p><p>"At such a time, we may as well try to make ourselves a little&#13;
comfortable," said Mother Bunch, trying to jest like the Bacchanal&#13;
Queen.</p><p>And with incredible coolness, the two began to twist the straw into&#13;
lengths of braid, small enough to be stuffed into the cracks of the&#13;
door, and also constructed large plugs, destined to stop up the crevices&#13;
in the roof. While this mournful occupation lasted, there was no&#13;
departure from the calm and sad resignation of the two unfortunate&#13;
creatures.</p><p>CHAPTER XXXII. SUICIDE.</p><p>Cephyse and her sister continued with calmness the preparations for&#13;
their death.</p><p>Alas! how many poor young girls, like these sisters, have been, and&#13;
still will be, fatally driven to seek in suicide a refuge from despair,&#13;
from infamy, or from a too miserable existence! And upon society&#13;
will rest the terrible responsibility of these sad deaths, so long as&#13;
thousands of human creatures, unable to live upon the mockery of wages&#13;
granted to their labor, have to choose between these three gulfs of&#13;
shame and woe; a life of enervating toil and mortal privations, causes&#13;
of premature death; prostitution, which kills also, but slowly--by&#13;
contempt, brutality, and uncleanness; suicide--which kills at once.</p><p>In a few minutes, the two sisters had constructed, with the straw of&#13;
their couch, the calkings necessary to intercept the air, and to render&#13;
suffocation more expeditious and certain.</p><p>The hunchback said to her sister, "You are the taller, Cephyse, and must&#13;
look to the ceiling; I will take care of the window and door."</p><p>"Be satisfied, sister; I shall have finished before you," answered&#13;
Cephyse.</p><p>And the two began carefully to stop up every crevice through which a&#13;
current of air could penetrate into the ruined garret. Thanks to her&#13;
tall stature, Cephyse was able to reach the holes in the roof, and&#13;
to close them up entirely. When they had finished this sad work, the&#13;
sisters again approached, and looked at each other in silence.</p><p>The fatal moment drew near; their faces, though still calm, seemed&#13;
slightly agitated by that strange excitement which always accompanies a&#13;
double suicide.</p><p>"Now," said Mother Bunch, "now for the fire!"</p><p>She knelt down before the little chafing-dish, filled with charcoal. But&#13;
Cephyse took hold of her under the arm, and obliged her to rise again,&#13;
saying to her, "Let me light the fire--that is my business."</p><p>"But, Cephyse--"</p><p>"You know, poor sister, that the smell of charcoal gives you the&#13;
headache!"</p><p>At the simplicity of this speech, for the Bacchanal Queen had spoken&#13;
seriously, the sisters could not forbear smiling sadly.</p><p>"Never mind," resumed Cephyse; "why suffer more and sooner than is&#13;
necessary?"</p><p>Then, pointing to the mattress, which still contained a little straw,&#13;
Cephyse added, "Lie down there, good little sister; when our fire is&#13;
alight, I will come and sit down by you."</p><p>"Do not be long, Cephyse."</p><p>"In five minutes it will be done."</p><p>The tall building, which faced the street, was separated by a narrow&#13;
court from that which contained the retreat of the two sisters, and was&#13;
so much higher, that when the sun had once disappeared behind its lofty&#13;
roof, the garret soon became dark. The light, passing through the dirty&#13;
panes of the small window, fell faintly on the blue and white patchwork&#13;
of the old mattress, on which Mother Bunch was now stretched, covered&#13;
with rags. Leaning on her left arm, with her chin resting in the palm&#13;
of her hand, she looked after her sister with an expression of&#13;
heart-rending grief. Cephyse, kneeling over the chafing-dish, with her&#13;
face close to the black charcoal, above which already played a little&#13;
bluish flame, exerted herself to blow the newly-kindled fire, which was&#13;
reflected on the pale countenance of the unhappy girl.</p><p>The silence was deep. No sound was heard but the panting breath of&#13;
Cephyse, and, at intervals, the slight crackling of the charcoal, which&#13;
began to burn, and already sent forth a faint sickening vapor. Cephyse,&#13;
seeing the fire completely lighted, and feeling already a little dizzy,&#13;
rose from the ground, and said to her sister, as she approached her, "It&#13;
is done!"</p><p>"Sister," answered Mother Bunch, kneeling on the mattress, whilst&#13;
Cephyse remained standing, "how shall we place ourselves? I should like&#13;
to be near you to the last."</p><p>"Stop!" said Cephyse, half executing the measures of which she spoke,&#13;
"I will sit on the mattress with my back against the wall. Now, little&#13;
sister, you lie there. Lean your head upon my knees, and give me your&#13;
hand. Are you comfortable so?"</p><p>"Yes--but I cannot see you."</p><p>"That is better. It seems there is a moment--very short, it is true--in&#13;
which one suffers a good deal. And," added Cephyse, in a voice of&#13;
emotion, "it will be as well not to see each other suffer."</p><p>"You are right, Cephyse."</p><p>"Let me kiss that beautiful hair for the last time," said Cephyse, as&#13;
she pressed her lips to the silky locks which crowned the hunchback's&#13;
pale and melancholy countenance, "and then--we will remain very quiet."</p><p>"Sister, your hand," said the sewing-girl; "for the last time, your&#13;
hand--and then, as you say, we will move no more. We shall not have to&#13;
wait long, I think, for I begin to feel dizzy. And you, sister?"</p><p>"Not yet," replied Cephyse; "I only perceive the smell of the charcoal."</p><p>"Do you know where they will bury us?" said Mother Bunch, after a&#13;
moment's silence.</p><p>"No. Why do you ask?"</p><p>"Because I should like it to be in Pere-la-Chaise. I went there once&#13;
with Agricola and his mother. What a fine view there is!--and then&#13;
the trees, the flowers, the marble--do you know the dead are better&#13;
lodged--than the living--and--"</p><p>"What is the matter, sister?" said Cephyse to her companion, who had&#13;
stopped short, after speaking in a slow voice.</p><p>"I am giddy--my temples throb," was the answer. "How do you feel?"</p><p>"I only begin to be a little faint; it is strange--the effect is slower&#13;
with me than you."</p><p>"Oh! you see," said Mother Bunch, trying to smile, "I was always so&#13;
forward. At school, do you remember, they said I was before the others.&#13;
And, now it happens again."</p><p>"I hope soon to overtake you this time," said Cephyse.</p><p>What astonished the sisters was quite natural. Though weakened by sorrow&#13;
and misery, the Bacchanal Queen, with a constitution as robust as the&#13;
other was frail and delicate, was necessarily longer than her sister in&#13;
feeling the effects of the deleterious vapor. After a moment's silence,&#13;
Cephyse resumed, as she laid her hand on the head she still held upon&#13;
her knees, "You say nothing, sister! You suffer, is it not so?"</p><p>"No," said Mother Bunch, in a weak voice; "my eyelids are heavy as&#13;
lead--I am getting benumbed--I feel that I speak more slowly--but I have&#13;
no acute pain. And you, sister?"</p><p>"Whilst you were speaking, I felt giddy--and now my temples throb&#13;
violently."</p><p>"As it was with me just now. One would think it was more painful and&#13;
difficult to die."</p><p>Then after a moment's silence, the hunchback said suddenly to her&#13;
sister, "Do you think that Agricola will much regret me, and think of me&#13;
for some time?"</p><p>"How can you ask?" said Cephyse, in a tone of reproach.</p><p>"You are right," answered Mother Bunch, mildly; "there is a bad feeling&#13;
in such a doubt--but if you knew--"</p><p>"What, sister?"</p><p>The other hesitated for an instant, and then said, dejectedly,&#13;
"Nothing." Afterwards, she added, "Fortunately, I die convinced that&#13;
he will never miss me. He married a charming girl, who loves him, I am&#13;
sure, and will make him perfectly happy."</p><p>As she pronounced these last words, the speaker's voice grew fainter&#13;
and fainter. Suddenly she started and said to Cephyse, in a&#13;
trembling, almost frightened tone, "Sister! Hold me in your arms--I am&#13;
afraid--everything looks dark--everything is turning round." And the&#13;
unfortunate girl, raising herself a little, hid her face in her sister's&#13;
bosom, and threw his weak arms around her.</p><p>"Courage, sister!" said Cephyse, in a voice which was also growing&#13;
faint, as she pressed her closer to her bosom; "it will soon be over."</p><p>And Cephyse added, with a kind of envy, "Oh! why does my sister's&#13;
strength fail so much sooner than mine? I have still my perfect&#13;
senses and I suffer less than she does. Oh! if I thought she would&#13;
die first!--But, no--I will go and hold my face over the chafing-dish&#13;
rather."</p><p>At the movement Cephyse made to rise, a feeble pressure from her sister&#13;
held her back. "You suffer, my poor child!" said Cephyse, trembling.</p><p>"Oh yes! a good deal now--do not leave me!"</p><p>"And I scarcely at all," said Cephyse, gazing wildly at the&#13;
chafing-dish. "Ah!" added she, with a kind of fatal! joy; "now I begin&#13;
to feel it--I choke--my head is ready to split."</p><p>And indeed the destructive gas now filled the little chamber, from which&#13;
it had, by degrees, driven all the air fit for respiration. The day was&#13;
closing in, and the gloomy garret was only lighted by the reflection of&#13;
the burning charcoal, which threw a red glare on the sisters, locked&#13;
in each other's arms. Suddenly Mother Bunch made some slight&#13;
convulsive movements, and pronounced these words in a failing voice:&#13;
"Agricola--Mademoiselle de Cardoville--Oh! farewell!--Agricola--I--"</p><p>Then she murmured some unintelligible words; the convulsive moments&#13;
ceased, and her arms, which had been clasped round Cephyse, fell inert&#13;
upon the mattress.</p><p>"Sister!" cried Cephyse, in alarm, as she raised Mother Bunch's head, to&#13;
look at her face. "Not already, sister!--And I?--and I?"</p><p>The sewing-girl's mild countenance was not paler than usual. Only her&#13;
eyes, half-closed, seemed no longer to see anything, and a half-smile&#13;
of mingled grief and goodness lingered an instant about her violet lips,&#13;
from which stole the almost imperceptible breath--and then the mouth&#13;
became motionless, and the face assumed a great serenity of expression.</p><p>"But you must not die before me!" cried Cephyse, in a heart-rending&#13;
tone, as she covered with kisses the cold cheek. "Wait for me, sister!&#13;
wait for me!"</p><p>Mother Bunch did not answer. The head, which Cephyse let slip from her&#13;
hands, fell back gently on the mattress.</p><p>"My God. It is not my fault, if we do not die together!" cried Cephyse&#13;
in despair, as she knelt beside the couch, on which the other lay&#13;
motionless.</p><p>"Dead!" she murmured in terror. "Dead before me!--Perhaps it is that I&#13;
am the strongest. Ah! it begins--fortunately--like her, I see everything&#13;
dark-blue--I suffer--what happiness!--I can scarcely breathe. Sister!"&#13;
she added, as she threw her arms round her loved one's neck; "I am&#13;
coming--I am here!"</p><p>At the same instant the sound of footsteps and voices was heard from the&#13;
staircase. Cephyse had still presence of mind enough to distinguish&#13;
the sound. Stretched beside the body of her sister, she raised her head&#13;
hastily.</p><p>The noise approached, and a voice was heard exclaiming, not far from the&#13;
doer: "Good heavens! what a smell of fire!"</p><p>And, at the same instant, the door was violently shaken, and another&#13;
voice exclaimed: "Open! open!"</p><p>"They will come in--they will save me--and my sister is dead--Oh, no! I&#13;
will not have the baseness to survive her!"</p><p>Such was the last thought of Cephyse. Using what little strength she had&#13;
left, she ran to the window and opened it--and, at the same instant&#13;
that the half-broken door yielded to a vigorous effort from without, the&#13;
unfortunate creature precipitated herself from that third story into the&#13;
court below. Just then, Adrienne and Agricola appeared on the threshold&#13;
of the chamber. In spite of the stifling odor of the charcoal, Mdlle. de&#13;
Cardoville rushed into the garret, and, seeing the stove, she exclaimed,&#13;
"The unhappy girl has killed herself!"</p><p>"No, she has thrown herself from the window," cried Agricola: for, at&#13;
the moment of breaking open the door, he had seen a human form disappear&#13;
in that direction, and he now ran to the window.</p><p>"Oh! this is frightful!" he exclaimed, with a cry of horror, as he put&#13;
his hand before his eyes, and returned pale and terrified to Mdlle. de&#13;
Cardoville.</p><p>But, misunderstanding the cause of his terror, Adrienne, who had just&#13;
perceived Mother Bunch through the darkness, hastened to answer: "No!&#13;
she is here."</p><p>And she pointed to the pale form stretched on the mattress, beside which&#13;
Adrienne now threw herself on her knees. Grasping the hands of the poor&#13;
sempstress, she found them as cold as ice. Laying her hand on her heart,&#13;
she could not feel it beat. Yet, in a few seconds, as the fresh air&#13;
rushed into the room from the door and window, Adrienne thought she&#13;
remarked an almost imperceptible pulsation, and she exclaimed: "Her&#13;
heart beats! Run quickly for help! Luckily, I have my smelling bottle."</p><p>"Yes, yes! help for her--and for the other too, if it is yet time!"&#13;
cried the smith in despair, as he rushed down the stairs, leaving Mdlle.&#13;
de Cardoville still kneeling by the side of the mattress.</p><p>BOOK X.</p><p>XXXIII. Confessions XXXIV. More Confessions XXXV. The Rivals&#13;
     XXXVI. The Interview XXXVII. Soothing Words XXXVIII. The Two&#13;
     Carriages XXXIX. The Appointment XL. Anxiety XLI. Adrienne&#13;
     and Djalma XLII. "The Imitation" XLIII. Prayer XLIV.&#13;
     Remembrances XLV. The Blockhead XLVI. The Anonymous Letters&#13;
     XLVII. The Golden City XLVIII. The Stung Lion XLIX. The Test</p><p>CHAPTER XXXIII. CONFESSIONS.</p><p>During the painful scene that we have just described, a lively emotion&#13;
glowed in the countenance of Mdlle. de Cardoville, grown pale and thin&#13;
with sorrow. Her cheeks, once so full, were now slightly hollowed,&#13;
whilst a faint line of transparent azure encircled those large black&#13;
eyes, no longer so bright as formerly. But the charming lips, though&#13;
contracted by painful anxiety, had retained their rich and velvet&#13;
moisture. To attend more easily to Mother Bunch, Adrienne had thrown&#13;
aside her bonnet, and the silky waves of her beautiful golden hair&#13;
almost concealed her face as she bent over the mattress, rubbing the&#13;
thin, ivory hands of the poor sempstress, completely called to life by&#13;
the salubrious freshness of the air, and by the strong action of the&#13;
salts which Adrienne carried in her smelling-bottle. Luckily, Mother&#13;
Bunch had fainted, rather from emotion and weakness than from the&#13;
effects of suffocation, the senses of the unfortunate girl having&#13;
failed her before the deleterious gas had attained its highest degree of&#13;
intensity.</p><p>Before continuing the recital of the scene between the sempstress and&#13;
the patrician, a few retrospective words will be necessary. Since&#13;
the strange adventure at the theatre of the Porte-Saint-Martin, where&#13;
Djalma, at peril of his life, rushed upon the black panther in sight of&#13;
Mdlle. de Cardoville, the young lady had been deeply affected in various&#13;
ways. Forgetting her jealousy, and the humiliation she had suffered in&#13;
presence of Djalma--of Djalma exhibiting himself before every one with a&#13;
woman so little worthy of him--Adrienne was for a moment dazzled by the&#13;
chivalrous and heroic action of the prince, and said to herself: "In&#13;
spite of odious appearances, Djalma loves me enough to brave death in&#13;
order to pick up my nosegay."</p><p>But with a soul so delicate as that of this young lady, a character so&#13;
generous, and a mind so true, reflection was certain soon to demonstrate&#13;
the vanity of such consolations, powerless to cure the cruel wounds of&#13;
offended dignity an love.</p><p>"How many times," said Adrienne to herself, and with reason, "has the&#13;
prince encountered, in hunting, from pure caprice and with no gain, such&#13;
danger as he braved in picking up my bouquet! and then, who tells me he&#13;
did not mean to offer it to the woman who accompanied him?"</p><p>Singular (it may be) in the eyes of the world, but just and great in&#13;
those of heaven, the ideas which Adrienne cherished with regard to love,&#13;
joined to her natural pride, presented an invincible obstacle to the&#13;
thought of her succeeding this woman (whoever she might be), thus&#13;
publicly displayed by the prince as his mistress. And yet Adrienne&#13;
hardly dared avow to herself, that she experienced a feeling of&#13;
jealousy, only the more painful and humiliating, the less her rival&#13;
appeared worthy to be compared to her.</p><p>At other times, on the contrary, in spite of a conscious sense of her&#13;
own value, Mdlle. de Cardoville, remembering the charming countenance of&#13;
Rose-Pompon, asked herself if the bad taste and improper manners of this&#13;
pretty creature resulted from precocious and depraved effrontery, or&#13;
from a complete ignorance of the usages of society. In the latter case,&#13;
such ignorance, arising from a simple and ingenuous nature, might in&#13;
itself have a great charm; and if to this attraction, combined with that&#13;
of incontestable beauty, were added sincere love and a pure soul, the&#13;
obscure birth, or neglected education of the girl might be of little&#13;
consequence, and she might be capable of inspiring Djalma with a&#13;
profound passion. If Adrienne hesitated to see a lost creature in&#13;
Rose-Pompon, notwithstanding unfavorable appearances, it was because,&#13;
remembering what so many travellers had related of Djalma's greatness of&#13;
soul, and recalling the conversation she had overheard between him&#13;
and Rodin, she could not bring herself to believe that a man of&#13;
such remarkable intelligence, with so tender a heart, so poetical,&#13;
imaginative and enthusiastic a mind could be capable of loving a&#13;
depraved and vulgar creature, and of openly exhibiting himself in public&#13;
along with her. There was a mystery in the transaction, which Adrienne&#13;
sought in vain to penetrate. These trying doubts, this cruel curiosity,&#13;
only served to nourish Adrienne's fatal love; and we may imagine her&#13;
incurable despair, when she found that the indifference, or even disdain&#13;
of Djalma, was unable to stifle a passion that now burned more fiercely&#13;
than ever. Sometimes, having recourse to notions of fatality, she&#13;
fancied that she was destined to feel this love; that Djalma must&#13;
therefore deserve it, and that one day whatever was incomprehensible in&#13;
the conduct of the prince would be explained to his advantage. At other&#13;
times, on the contrary, she felt ashamed of excusing Djalma, and the&#13;
consciousness of this weakness was for Adrienne a constant occasion&#13;
for remorse and torture. The victim of all these agonies, she lived in&#13;
perfect solitude.</p><p>The cholera soon broke out, startling as a clap of thunder. Too unhappy&#13;
to fear the pestilence on her own account, Adrienne was only moved by&#13;
the sorrows of others. She was amongst the first to contribute to those&#13;
charitable donations, which were now flowing in from all sides in the&#13;
admirable spirit of benevolence. Florine was suddenly attacked by the&#13;
epidemic. In spite of the danger, her mistress insisted on seeing her,&#13;
and endeavored to revive her failing courage. Conquered by this new mark&#13;
of kindness, Florine could no longer conceal the treachery in which she&#13;
had borne a part. Death was about to deliver her from the odious tyranny&#13;
of the people whose yoke weighed upon her, and she was at length in a&#13;
position to reveal everything to Adrienne. The latter thus learned how&#13;
she had been continually betrayed by Florine, and also the cause of the&#13;
sewing-girl's abrupt departure. At these revelations, Adrienne felt her&#13;
affection and tender pity for the poor sempstress greatly increase. By&#13;
her command, the most active steps were taken to discover traces of the&#13;
hunchback; but Florine's confession had a still more important result.&#13;
Justly alarmed at this new evidence of Rodin's machinations, Adrienne&#13;
remembered the projects formed, when, believing herself beloved, the&#13;
instinct of affection had revealed to her the perils to which Djalma and&#13;
other members of the Rennepont family were exposed. To assemble the&#13;
race around her, and bid them rally against the common enemy, such was&#13;
Adrienne's first thought, when she heard the confession of Florine. She&#13;
regarded it as a duty to accomplish this project. In a struggle with&#13;
such dangerous and powerful adversaries as Rodin, Father d'Aigrigny, and&#13;
the Princess de Saint-Dizier, and their allies, Adrienne saw not only&#13;
the praiseworthy and perilous task of unmasking hypocrisy and cupidity,&#13;
but also, if not a consolation, at least a generous diversion in the&#13;
midst of terrible sorrows.</p><p>From this moment, a restless, feverish activity took the place of the&#13;
mournful apathy in which the young lady had languished. She called round&#13;
her all the members of her family capable of answering the appeal, and,&#13;
as had been mentioned in the secret note delivered to Father d'Aigrigny,&#13;
Cardoville House soon became the centre of the most active and unceasing&#13;
operations, and also a place of meeting, in which the modes of attack&#13;
and defence were fully discussed. Perfectly correct in all points, the&#13;
secret note of which we have spoken stated, as a mere conjecture, that&#13;
Mdlle. de Cardoville had granted an interview to Djalma. This fact was&#13;
untrue, but the cause which led to the supposition will be explained&#13;
hereafter. Far from such being the case, Mdlle. de Cardoville scarcely&#13;
found, in attending to the great family interests now at stake, a&#13;
momentary diversion from the fatal love, which was slowly undermining&#13;
her health, and with which she so bitterly reproached herself.</p><p>The morning of the day on which Adrienne, at length discovering Mother&#13;
Bunch's residence, came so miraculously to rescue her from death,&#13;
Agricola Baudoin had been to Cardoville House to confer on the subject&#13;
of Francis Hardy, and had begged Adrienne to permit him to accompany her&#13;
to the Rue Clovis, whither they repaired in haste.</p><p>Thus, once again, there was a noble spectacle, a touching symbol! Mdlle.&#13;
de Cardoville and Mother Bunch, the two extremities of the social chain,&#13;
were united on equal terms--for the sempstress and the fair patrician&#13;
were equal in intelligence and heart--and equal also, because the one&#13;
was the ideal of riches, grace, and beauty, and the other the ideal&#13;
of resignation and unmerited misfortune--and does not a halo rest on&#13;
misfortune borne with courage and dignity? Stretched on her mattress,&#13;
the hunchback appeared so weak, that even if Agricola had not been&#13;
detained on the ground floor with Cephyse, now dying a dreadful death,&#13;
Mdlle. de Cardoville would have waited some time, before inducing Mother&#13;
Bunch to rise and accompany her to her carriage. Thanks to the presence&#13;
of mind and pious fraud of Adrienne, the sewing-girl was persuaded&#13;
that Cephyse had been carried to a neighboring hospital, to receive&#13;
the necessary succors, which promised to be crowned with success. The&#13;
hunchback's faculties recovering slowly from their stupor, she at first&#13;
received this fable without the least suspicion--for she did not even&#13;
know that Agricola had accompanied Mdlle. de Cardoville.</p><p>"And it is to you, lady, that Cephyse and I owe our lives," said she,&#13;
turning her mild and melancholy face towards Adrienne, "you, kneeling in&#13;
this garret, near this couch of misery, where I and my sister meant to&#13;
die--for you assure me, lady, that Cephyse was succored in time."</p><p>"Be satisfied! I was told just now that she was recovering her senses."</p><p>"And they told her I was living, did they not, lady? Otherwise, she&#13;
would perhaps regret having survived me."</p><p>"Be quite easy, my dear girl!" said Adrienne, pressing the poor hands in&#13;
her own, and gazing on her with eyes full of tears; "they have told her&#13;
all that was proper. Do not trouble yourself about anything; only think&#13;
of recovering--and I hope you will yet enjoy that happiness of which you&#13;
have known so little, my poor child."</p><p>"How kind you are, lady! After flying from your house--and when you must&#13;
think me so ungrateful!"</p><p>"Presently, when you are not so weak, I have a great deal to tell you.&#13;
Just now, it would fatigue you too much. But how do you feel?"</p><p>"Better, lady. This fresh air--and then the thought, that, since you are&#13;
come--my poor sister will no more be reduced to despair; for I will&#13;
tell you all, and I am sure you will have pity on Cephyse--will you not,&#13;
lady?"</p><p>"Rely upon me, my child," answered Adrienne, forced to dissemble her&#13;
painful embarrassment; "you know I am interested in all that interests&#13;
you. But tell me," added Mdlle. de Cardoville, in a voice of emotion,&#13;
"before taking this desperate resolution, did you not write to me?"</p><p>"Yes, lady."</p><p>"Alas!" resumed Adrienne, sorrowfully; "and when you received no&#13;
answer--how cruel, how ungrateful you must have thought me!"</p><p>"Oh! never, lady, did I accuse you of such feelings; my poor sister will&#13;
tell you so. You had my gratitude to the last."</p><p>"I believe you--for I knew your heart. But how then did you explain my&#13;
silence?"</p><p>"I had justly offended you by my sudden departure, lady."</p><p>"Offended!--Alas! I never received your letter."</p><p>"And yet you know that I wrote to you, lady."</p><p>"Yes, my poor girl; I know, also, that you wrote to me at my porter's&#13;
lodge. Unfortunately, he delivered your letter to one of my women, named&#13;
Florine, telling her it came from you."</p><p>"Florine! the young woman that was so kind to me!"</p><p>"Florine deceived me shamefully; she was sold to my enemies, and acted&#13;
as a spy on my actions."</p><p>"She!--Good Heavens!" cried Mother Bunch. "Is it possible?"</p><p>"She herself," answered Adrienne, bitterly; "but, after all, we&#13;
must pity as well as blame her. She was forced to obey by a terrible&#13;
necessity, and her confession and repentance secured my pardon before&#13;
her death."</p><p>"Then she is dead--so young! so fair!"</p><p>"In spite of her faults, I was greatly moved by her end. She confessed&#13;
what she had done, with such heart-rending regrets. Amongst her avowals,&#13;
she told me she had intercepted a letter, in which you asked for an&#13;
interview that might save your sister's life."</p><p>"It is true, lady; such were the terms of my letter. What interest had&#13;
they to keep it from you?"</p><p>"They feared to see you return to me, my good guardian angel. You loved&#13;
me so tenderly, and my enemies dreaded your faithful affection, so&#13;
wonderfully aided by the admirable instinct of your heart. Ah! I shall&#13;
never forget how well-deserved was the horror with which you were&#13;
inspired by a wretch whom I defended against your suspicions."</p><p>"M. Rodin?" said Mother Bunch, with a shudder.</p><p>"Yes," replied Adrienne; "but we will not talk of these people now.&#13;
Their odious remembrance would spoil the joy I feel in seeing you&#13;
restored to life--for your voice is less feeble, your cheeks are&#13;
beginning to regain a little color. Thank God! I am so happy to have&#13;
found you once more;--if you knew all that I hope, all that I expect&#13;
from our reunion--for we will not part again--promise me that, in the&#13;
name of our friendship."</p><p>"I--your friend!" said Mother Bunch, timidly casting down her eyes.</p><p>"A few days before your departure from my house, did I not call you&#13;
my friend, my sister? What is there changed? Nothing, nothing,"&#13;
added Mdlle. de Cardoville, with deep emotion. "One might say, on&#13;
the contrary, that a fatal resemblance in our positions renders your&#13;
friendship even dearer to me. And I shall have it, shall I not. Oh, do&#13;
not refuse it me--I am so much in want of a friend!"</p><p>"You, lady? you in want of the friendship of a poor creature like me?"</p><p>"Yes," answered Adrienne, as she gazed on the other with an expression&#13;
of intense grief; "nay, more, you are perhaps the only person, to whom&#13;
I could venture to confide my bitter sorrows." So saying, Mdlle. de&#13;
Cardoville colored deeply.</p><p>"And how do I deserve such marks of confidence?" asked Mother Bunch,&#13;
more and more surprised.</p><p>"You deserve it by the delicacy of your heart, by the steadiness of your&#13;
character," answered Adrienne, with some hesitation; "then--you are a&#13;
woman--and I am certain you will understand what I suffer, and pity me."</p><p>"Pity you, lady?" said the other, whose astonishment continued to&#13;
increase. "You, a great lady, and so much envied--I, so humble and&#13;
despised, pity you?"</p><p>"Tell me, my poor friend," resumed Adrienne, after some moments of&#13;
silence, "are not the worst griefs those which we dare not avow to&#13;
any one, for fear of raillery and contempt? How can we venture to ask&#13;
interest or pity, for sufferings that we hardly dare avow to ourselves,&#13;
because they make us blush?"</p><p>The sewing-girl could hardly believe what she heard. Had her&#13;
benefactress felt, like her, the effects of an unfortunate passion, she&#13;
could not have held any other language. But the sempstress could not&#13;
admit such a supposition; so, attributing to some other cause the&#13;
sorrows of Adrienne, she answered mournfully, whilst she thought of her&#13;
own fatal love for Agricola, "Oh! yes, lady. A secret grief, of which we&#13;
are ashamed, must be frightful--very frightful!"</p><p>"But then what happiness to meet, not only a heart noble enough to&#13;
inspire complete confidence, but one which has itself been tried by&#13;
a thousand sorrows, and is capable of affording you pity, support and&#13;
counsel!--Tell me, my dear child," added Mdlle. de Cardoville, as she&#13;
looked attentively at Mother Bunch, "if you were weighed down by one of&#13;
those sorrows, at which one blushes, would you not be happy, very happy,&#13;
to find a kindred soul, to whom you might entrust your griefs, and half&#13;
relieve them by entire and merited confidence?"</p><p>For the first time in her life, Mother Bunch regarded Mdlle. de&#13;
Cardoville with a feeling of suspicion and sadness.</p><p>The last words of the young lady seemed to her full of meaning&#13;
"Doubtless, she knows my secret," said Mother Bunch to herself;&#13;
"doubtless, my journal has fallen into her hands.--She knows my love&#13;
for Agricola, or at least suspects it. What she has been saying to me is&#13;
intended to provoke my confidence, and to assure herself if she has been&#13;
rightly informed."</p><p>These thoughts excited in the workgirl's mind no bitter or ungrateful&#13;
feeling towards her benefactress; but the heart of the unfortunate girl&#13;
was so delicately susceptible on the subject of her fatal passion, that,&#13;
in spite of her deep and tender affection for Mdlle. de Cardoville,&#13;
she suffered cruelly at the thought of Adrienne's being mistress of her&#13;
secret.</p><p>CHAPTER XXXIV. MORE CONFESSIONS.</p><p>The fancy, at first so painful, that Mdlle. de Cardoville was informed&#13;
of her love for Agricola was soon exchanged in the hunchbacks heart,&#13;
thanks to the generous instincts of that rare and excellent creature,&#13;
for a touching regret, which showed all her attachment and veneration&#13;
for Adrienne.</p><p>"Perhaps," said Mother Bunch to herself, "conquered by the influence&#13;
of the adorable kindness of my protectress, I might have made to her a&#13;
confession which I could make to none other, and revealed a secret which&#13;
I thought to carry with me to my grave. It would, at least, have been a&#13;
mark of gratitude to Mdlle. de Cardoville; but, unfortunately, I am&#13;
now deprived of the sad comfort of confiding my only secret to my&#13;
benefactress. And then--however generous may be her pity for me, however&#13;
intelligent her affection, she cannot--she, that is so fair and so&#13;
much admired--she cannot understand how frightful is the position of a&#13;
creature like myself, hiding in the depth of a wounded heart, a love at&#13;
once hopeless and ridiculous. No, no--in spite of the delicacy of her&#13;
attachment, my benefactress must unconsciously hurt my feelings, even&#13;
whilst she pities me--for only sympathetic sorrows can console each&#13;
other. Alas! why did she not leave me to die?"</p><p>These reflections presented themselves to the thinker's mind as rapidly&#13;
as thought could travel. Adrienne observed her attentively; she remarked&#13;
that the sewing-girl's countenance, which had lately brightened up, was&#13;
again clouded, and expressed a feeling of painful humiliation. Terrified&#13;
at this relapse into gloomy dejection, the consequences of which might&#13;
be serious, for Mother Bunch was still very weak, and, as it were,&#13;
hovering on the brink of the grave, Mdlle. de Cardoville resumed&#13;
hastily: "My friend, do not you think with me, that the most cruel and&#13;
humiliating grief admits of consolation, when it can be entrusted to a&#13;
faithful and devoted heart?"</p><p>"Yes, lady," said the young sempstress, bitterly; "but the heart which&#13;
suffers in silence, should be the only judge of the moment for making&#13;
so painful a confession. Until then, it would perhaps be more humane to&#13;
respect its fatal secret, even if one had by chance discovered it."</p><p>"You are right, my child," said Adrienne, sorrowfully, "if I choose this&#13;
solemn moment to entrust you with a very painful secret, it is that,&#13;
when you have heard me, I am sure you will set more value on your life,&#13;
as knowing how much I need your tenderness, consolation, and pity."</p><p>At these words, the other half raised herself on the mattress, and&#13;
looked at Mdlle. de Cardoville in amazement. She could scarcely believe&#13;
what she heard; far from designing to intrude upon her confidence, it&#13;
was her protectress who was to make the painful confession, and who came&#13;
to implore pity and consolation from her!</p><p>"What!" stammered she; "you, lady!"</p><p>"I come to tell you that I suffer, and am ashamed of my sufferings.&#13;
Yes," added the young lady, with a touching expression, "yes--of all&#13;
confessions, I am about to make the most painful--I love--and I blush&#13;
for my love."</p><p>"Like myself!" cried Mother Bunch, involuntarily, clasping her hands&#13;
together.</p><p>"I love," resumed Adrienne, with a long-pent-up grief; "I love, and am&#13;
not beloved--and my love is miserable, is impossible--it consumes me--it&#13;
kills me--and I dare not confide to any one the fatal secret!"</p><p>"Like me," repeated the other, with a fixed look. "She--a queen in&#13;
beauty, rank, wealth, intelligence--suffers like me. Like me, poor&#13;
unfortunate creature! she loves, and is not loved again."</p><p>"Well, yes! like you, I love and am not loved again," cried Mdlle. de&#13;
Cardoville; "was I wrong in saying, that to you alone I could confide&#13;
my secret--because, having suffered the same pangs, you alone can pity&#13;
them?"</p><p>"Then, lady," said Mother Bunch, casting down her eyes, and recovering&#13;
from her first amazement, "you knew--"</p><p>"I knew all, my poor child--but never should I have mentioned your&#13;
secret, had I not had one to entrust you with, of a still more painful&#13;
nature. Yours is cruel, but mine is humiliating. Oh, my sister!" added&#13;
Mdlle. de Cardoville, in a tone impossible to describe, "misfortune,&#13;
you, see, blends and confounds together what are called distinctions of&#13;
rank and fortune--and often those whom the world envies are reduced by&#13;
suffering far below the poorest and most humble, and have to seek from&#13;
the latter pity and consolation."</p><p>Then, drying her tears, which nosy flowed abundantly, Mdlle. de&#13;
Cardoville resumed, in a voice of emotion: "Come, sister! courage,&#13;
courage! let us love and sustain each other. Let this sad and mysterious&#13;
bond unite us forever."</p><p>"Oh, lady! forgive me. But now that you know the secret of my life,"&#13;
said the workgirl, casting down her eyes, and unable to vanquish&#13;
her confusion, "it seems to me, that I can never look at you without&#13;
blushing."</p><p>"And why? because you love Agricola?" said Adrienne. "Then I must die&#13;
of shame before you, since, less courageous than you, I had not the&#13;
strength to suffer and be resigned, and so conceal my love in the depths&#13;
of my heart. He that I love, with a love henceforth deprived of hope,&#13;
knew of that love and despised it--preferring to me a woman, the very&#13;
choice of whom was a new and grievous insult, if I am not much deceived&#13;
by appearances. I sometimes hope that I am deceived on this point. Now&#13;
tell me--is it for you to blush?"</p><p>"Alas, lady! who could tell you all this?"</p><p>"Which you only entrusted to your journal? Well, then--it was the dying&#13;
Florine who confessed her misdeeds. She had been base enough to steal&#13;
your papers, forced to this odious act, by the people who had dominion&#13;
over her. But she had read your journal--and as every good feeling was&#13;
not dead within her, your admirable resignation, your melancholy and&#13;
pious love, had left such an impression on her mind, that she was able&#13;
to repeat whole passages to me on her death bed, and thus to explain the&#13;
cause of your sudden disappearance--for she had no doubt that the fear&#13;
of seeing your love for Agricola divulged had been the cause of your&#13;
flight."</p><p>"Alas! it is but too true, lady."</p><p>"Oh, yes!" answered Adrienne, bitterly; "those who employed the wretched&#13;
girl to act as she did, well knew the effect of the blow. It was not&#13;
their first attempt. They reduced you to despair, they would have killed&#13;
you, because you were devoted to me, and because you had guessed their&#13;
intentions. Oh! these black-gowns are implacable, and their power is&#13;
great!" said Adrienne, shuddering.</p><p>"It is fearful, lady."</p><p>"But do not be alarmed, dear child; you see, that the arms of the wicked&#13;
have turned against themselves; for the moment I knew the cause of your&#13;
flight, you became dearer to me than ever. From that time I made every&#13;
exertion to find out where you were; after long efforts, it was only&#13;
this morning that the person I had employed succeeded in discovering&#13;
that you inhabited this house. Agricola was with me when I heard it, and&#13;
instantly asked to accompany me."</p><p>"Agricola!" said Mother Bunch, clasping her hands; "he came--"</p><p>"Yes, my child--be calm. Whilst I attended to you, he was busy with your&#13;
poor sister. You will soon see him."</p><p>"Alas, lady!" resumed the hunchback, in alarm. "He doubtless knows--"</p><p>"Your love! No, no; be satisfied. Only think of the happiness of again&#13;
seeing your good and worthy brother."</p><p>"Ah, lady! may he never know what caused me so much shame, that I was&#13;
like to die of it. Thank God, he is not aware of it!"</p><p>"Then let us have no more sad thoughts, my child. Only remember, that&#13;
this worthy brother came here in time to save us from everlasting&#13;
regrets--and you from a great fault. Oh! I do not speak of the&#13;
prejudices of the world, with regard to the right of every creature to&#13;
return to heaven a life that has become too burdensome!--I only say that&#13;
you ought not to have died, because those who love you, and whom you&#13;
love, were still in need of your assistance."</p><p>"I thought you happy; Agricola was married to the girl of his choice,&#13;
who will, I am sure, make him happy. To whom could I be useful?"</p><p>"First, to myself, as you see--and then, who tells you that Agricola&#13;
will never have need of you? Who tells you, that his happiness, or that&#13;
of his family, will last forever, and will not be tried by cruel shocks?&#13;
And even if those you love had been destined to be always happy, could&#13;
their happiness be complete without you? And would not your death, with&#13;
which they would perhaps have reproached themselves, have left behind it&#13;
endless regrets?"</p><p>"It is true, lady," answered the other, "I was wrong--the dizziness of&#13;
despair had seized me--frightful misery weighed upon us--we had not&#13;
been able to find work for some days--we lived on the charity of a poor&#13;
woman, and her the cholera carried off. To-morrow or next day, we must&#13;
have died of hunger."</p><p>"Die of hunger!--and you knew where I lived!"</p><p>"I had written to you, lady, and receiving no answer, I thought you&#13;
offended at my abrupt departure."</p><p>"Poor, dear child! you must have been, as you say, seized with dizziness&#13;
in that terrible moment; so that I have not the courage to reproach you&#13;
for doubting me a single instant. How can I blame you? Did I not myself&#13;
think of terminating my life?"</p><p>"You, lady!" cried the hunchback.</p><p>"Yes, I thought of it--when they came to tell me, that Florine, dying,&#13;
wished to speak to me. I heard what she had to say; her revelations&#13;
changed my projects. This dark and mournful life which had become&#13;
insupportable to me, was suddenly lighted up. The sense of duty woke&#13;
within me. You were no doubt a prey to horrible misery; it was my duty&#13;
to seek and save you. Florine's confessions unveiled to me the new plots&#13;
of the enemies of my scattered family, dispersed by sorrows and cruel&#13;
losses; it was my duty to warn them of their danger, and to unite them&#13;
against the common enemy. I had been the victim of odious manoeuvres:&#13;
it was my duty to punish their authors, for fear that, encouraged by&#13;
impunity, these black-gowns should make other victims. Then the sense of&#13;
duty gave me strength, and I was able to rouse myself from my lethargy.&#13;
With the help of Abbe Gabriel, a sublime, oh! a sublime priest--the&#13;
ideal of a true Christian--the worthy brother of Agricola--I&#13;
courageously entered on the struggle. What shall I say to you, my child?&#13;
The performance of these duties, the hope of finding you again, have&#13;
been some relief to me in my trouble. If I was not consoled, I was at&#13;
least occupied. Your tender friendship, the example of your resignation,&#13;
will do the rest--I think so--I am sure so--and I shall forget this&#13;
fatal love."</p><p>At the moment Adrienne pronounced these words, rapid footsteps were&#13;
heard upon the stairs, and a young, clear voice exclaimed: "Oh! dear me,&#13;
poor Mother Bunch! How lucky I have come just now! If only I could be of&#13;
some use to her!"</p><p>Almost immediately, Rose-Pompon entered the garret with precipitation.&#13;
Agricola soon followed the grisette, and pointing to the open window,&#13;
tried to make Adrienne understand by signs, that she was not to mention&#13;
to the girl the deplorable end of the Bacchanal Queen. This pantomime&#13;
was lost on Mdlle. de Cardoville. Adrienne's heart swelled with grief,&#13;
indignation, pride, as she recognized the girl she had seen at the Porte&#13;
Saint-Martin in company with Djalma, and who alone was the cause of the&#13;
dreadful sufferings she endured since that fatal evening. And, strange&#13;
irony of fate! it was at the very moment when Adrienne had just made the&#13;
humiliating and cruel confession of her despised love, that the woman,&#13;
to whom she believed herself sacrificed, appeared before her.</p><p>If the surprise of Mdlle. de Cardoville was great, Rose-Pompon's was not&#13;
less so. Not only did she recognize in Adrienne the fair young lady with&#13;
the golden locks, who had sat opposite to her at the theatre, on the&#13;
night of the adventure of the black panther, but she had serious reasons&#13;
for desiring most ardently this unexpected interview. It is impossible&#13;
to paint the look of malignant joy and triumph, that she affected to&#13;
cast upon Adrienne. The first impulse of Mdlle. de Cardoville was to&#13;
quit the room. But she could not bear to leave Mother Bunch at this&#13;
moment, or to give, in the presence of Agricola, her reasons for such an&#13;
abrupt departure, and moreover, an inexplicable and fatal curiosity held&#13;
her back, in spite of her offended pride. She remained, therefore, and&#13;
was about to examine closely, to hear and to judge, this rival, who&#13;
had nearly occasioned her death, to whom, in her jealous agony, she had&#13;
ascribed so many different aspects, in order to explain Djalma's love&#13;
for such a creature.</p><p>CHAPTER XXXV. THE RIVALS.</p><p>Rose-Pompon, whose presence caused such deep emotion in Mdlle. de&#13;
Cardoville, was dressed in the most showy and extravagant bad taste. Her&#13;
very small, narrow, rose-colored satin bonnet, placed so forward over&#13;
her face as almost to touch the tip of her little nose, left uncovered&#13;
behind half of her light, silky hair; her plaid dress, of an excessively&#13;
broad pattern, was open in front, and the almost transparent gauze,&#13;
rather too honest in its revelations, hardly covered the charms of the&#13;
form beneath.</p><p>The grisette having run all the way upstairs, held in her hands the ends&#13;
of her large blue shawl, which, falling from her shoulders, had slid&#13;
down to her wasp-like waist, and there been stopped by the swell of the&#13;
figure. If we enter into these details, it is to explain how, at the&#13;
sight of this pretty creature, dressed in so impertinent and almost&#13;
indecent, a fashion, Mdlle. de Cardoville, who thought she saw in her a&#13;
successful rival, felt her indignation, grief, and shame redoubled.</p><p>But judge of the surprise and confusion of Adrienne, when Mdlle.&#13;
Rose Pompon said to her, with the utmost freedom and pertness, "I am&#13;
delighted to see you, madame. You and I must have a long talk together.&#13;
Only I must begin by kissing poor Mother Bunch--with your permission,&#13;
madame!"</p><p>To understand the tone and manner with which this word, "madame" was&#13;
pronounced, you must have been present at some stormy discussion between&#13;
two Rose-Pompons, jealous of each other; then you would be able to judge&#13;
how much provoking hostility may be compressed into the word "madame,"&#13;
under certain circumstances. Amazed at the impudence of Rose-Pompon,&#13;
Mdlle. de Cardoville remained mute; whilst Agricola, entirely occupied&#13;
with the interest he took in the workgirl, who had never withdrawn her&#13;
eyes from him since he entered the room, and with the remembrance of&#13;
the painful scene he had just quitted, whispered to Adrienne, without&#13;
remarking the grisette's effrontery, "Alas, lady! it is all over.&#13;
Cephyse has just breathed her last sigh, without recovering her senses."</p><p>"Unfortunate girl!" said Adrienne, with emotion; and for the moment she&#13;
forgot Rose-Pompon.</p><p>"We must keep this sad news from Mother Bunch, and only let her know it&#13;
hereafter, with great caution," resumed Agricola. "Luckily, little Rose&#13;
Pompon knows nothing about it."</p><p>And he pointed to the grisette, who was now stooping down by the side&#13;
of the workgirl. On hearing Agricola speak so familiarly of Rose-Pompon,&#13;
Adrienne's amazement increased. It is impossible to describe what she&#13;
felt; yet, strangely enough, her sufferings grew less and less, and her&#13;
anxiety diminished, as she listened to the chatter of the grisette.</p><p>"Oh, my good dear!" said the latter, with as much volubility as emotion,&#13;
while her pretty blue eyes were filled with tears; "is it possible that&#13;
you did so stupid a thing? Do not poor people help one another? Could&#13;
you not apply to me? You knew that others are welcome to whatever is&#13;
mine, and I would have made a raffle of Philemon's bazaar," added this&#13;
singular girl, with a burst of feeling, at once sincere, touching, and&#13;
grotesque; "I would have sold his three boots, pipes, boating-costume,&#13;
bed, and even his great drinking-glass, and at all events you should not&#13;
have been brought to such an ugly pass. Philemon would not have minded,&#13;
for he is a good fellow; and if he had minded, it would have been all&#13;
the same. Thank heaven! we are not married. I am only wishing to remind&#13;
you that you should have thought of little Rose-Pompon."</p><p>"I know you are obliging and kind, miss," said Mother Bunch: for she had&#13;
heard from her sister that Rose-Pompon, like so many of her class, had a&#13;
warm and generous heart.</p><p>"After all," resumed the grisette, wiping with the back of her hand the&#13;
tip of her little nose, down which a tear was trickling, "you may tell&#13;
me that you did not know where I had taken up my quarters. It's a queer&#13;
story, I can tell you. When I say queer," added Rose-Pompon, with a deep&#13;
sigh, "it is quite the contrary--but no matter: I need not trouble you&#13;
with that. One thing is certain; you are getting better--and you and&#13;
Cephyse will not do such a thing again. She is said to be very weak. Can&#13;
I not see her yet, M. Agricola?</p><p>"No," said the smith, with embarrassment, for Mother Bunch kept her eyes&#13;
fixed upon him; "you must have patience."</p><p>"But I may see her to-day, Agricola?" exclaimed the hunchback.</p><p>"We will talk about that. Only be calm, I entreat."</p><p>"Agricola is right; you must be reasonable, my good dear," resumed Rose&#13;
Pompon; "we will wait patiently. I can wait too, for I have to talk&#13;
presently to this lady;" and Rose-Pompon glanced at Adrienne with the&#13;
expression of an angry cat. "Yes, yes; I can wait; for I long to tell&#13;
Cephyse also that she may reckon upon me." Here Rose-Pompon bridled up&#13;
very prettily, and thus continued, "Do not be uneasy! It is the least&#13;
one can do, when one is in a good position, to share the advantages with&#13;
one's friends, who are not so well off. It would be a fine thing to keep&#13;
one's happiness to one's self! to stuff it with straw, and put it under&#13;
a glass, and let no one touch it! When I talk of happiness, it's only&#13;
to make talk; it is true in one sense; but to another, you see, my good&#13;
dear--Bah! I am only seventeen--but no matter--I might go on talking&#13;
till tomorrow, and you would not be any the wiser. So let me kiss you&#13;
once more, and don't be down-hearted--nor Cephyse either, do you hear?&#13;
for I shall be close at hand."</p><p>And, stooping still lower, Rose-Pompon cordially embraced Mother Bunch.&#13;
It is impossible to express what Mdlle. de Cardoville felt during this&#13;
conversation, or rather during this monologue of the grisette on the&#13;
subject of the attempted suicide. The eccentric jargon of Mdlle. Rose&#13;
Pompon, her liberal facility in disposing of Philemon's bazaar, to the&#13;
owner of which (as she said) she was luckily not married--the goodness&#13;
of her heart, which revealed itself in her offers of service--her&#13;
contrasts, her impertinence, her drollery--all this was so new and&#13;
inexplicable to Mdlle. de Cardoville, that she remained for some time&#13;
mute and motionless with surprise. Such, then, was the creature to whom&#13;
Djalma had sacrificed her!</p><p>If Adrienne's first impression at sight of Rose-Pompon had been horribly&#13;
painful, reflection soon awakened doubts, which were to become shortly&#13;
ineffable hopes. Remembering the interview she had overheard between&#13;
Rodin and Djalma, when, concealed in the conservatory, she had wished&#13;
to prove the Jesuit's fidelity, Adrienne, asked herself if it was&#13;
reasonable, if it was possible to believe, that the prince, whose ideas&#13;
of love seemed to be so poetical, so elevated, so pure, could find any&#13;
charm in the disjointed and silly chat of this young girl? Adrienne&#13;
could not hesitate; she pronounced the thing impossible, from the moment&#13;
she had seen her rival near, and witnessed her style both of manners&#13;
and conversation, which, without detracting from the prettiness of&#13;
her features, gave them a trivial and not very attractive character.&#13;
Adrienne's doubts with regard to the deep love of the prince for Rose&#13;
Pompon were hence soon changed to complete incredulity. Endowed with&#13;
too much sense and penetration, not to perceive that this apparent&#13;
connection, so inconceivable on the part of Djalma, must conceal some&#13;
mystery, Mdlle. de Cardoville felt her hopes revive. As this consoling&#13;
thought arose in her mind, her heart, until now so painfully oppressed,&#13;
began once more to dilate; she felt vague aspirations towards a better&#13;
future; and yet, cruelly warned by the past, she feared to yield too&#13;
readily to a mere illusion, for she remembered the notorious fact that&#13;
the prince had really appeared in public with this girl. But now that&#13;
Mdlle. de Cardoville could fully appreciate what she was, she found the&#13;
conduct of the prince only the more incomprehensible. And how can we&#13;
judge soundly and surely of that which is enveloped in mystery? And then&#13;
a secret presentiment told her, that it would, perhaps, be beside the&#13;
couch of the poor sempstress, whom she had just saved from death, that,&#13;
by a providential coincidence, she would learn the secret on which&#13;
depended the happiness of her life.</p><p>The emotions which agitated she heart of Adrienne, became so violent,&#13;
that her fine face was flushed with a bright red, her bosom heaved, and&#13;
her large, black eyes, lately dimmed by sadness, once more shone with a&#13;
mild radiance. She waited with inexpressible impatience for what was to&#13;
follow. In the interview, with which Rose-Pompon had threatened her,&#13;
and which a few minutes before Adrienne would have declined with all the&#13;
dignity of legitimate indignation, she now hoped to find the explanation&#13;
of a mystery, which it was of such importance for her to clear up. After&#13;
once more tenderly embracing Mother Bunch, Rose-Pompon got up from the&#13;
ground, and, turning towards Adrienne, eyed her from head to foot, with&#13;
the utmost coolness, and said to her, in a somewhat impertinent tone:&#13;
"It is now our turn, madame"--the word "madame" still pronounced&#13;
with the accent before described--"we have a little matter to settle&#13;
together."</p><p>"I am at your order," answered Adrienne, with much mildness and&#13;
simplicity.</p><p>At sight of the triumphant and decisive air of Rose-Pompon, and on&#13;
hearing her challenge to Mdlle. de Cardoville, the worthy Agricola,&#13;
after exchanging a few words with Mother Bunch, opened his eyes and ears&#13;
very wide, and remained staring in amazement at the effrontery of the&#13;
grisette; then, advancing towards her, he whispered, as he plucked her&#13;
by the sleeve: "I say, are you mad? Do you know to whom you speak?"</p><p>"Well! what then? Is not one pretty woman worth another! I say that for&#13;
the lady. She will not eat me, I suppose," replied Rose-Pompon, aloud,&#13;
and with an air of defiance. "I have to talk with madame, here. I am&#13;
sure, she knows why and wherefore. If not, I will tell her; it will not&#13;
take me long."</p><p>Adrienne, who feared some ridiculous exposure on the subject of Djalma,&#13;
in the presence of Agricola, made a sign to the latter, and thus&#13;
answered the grisette: "I am ready to hear you, miss, but not in this&#13;
place. You will understand why."</p><p>"Very well, madame, I have my key. You can come to any apartments"--the&#13;
last word pronounced with an air of ostentatious importance.</p><p>"Let us go then to your apartments, miss since you to me the honor to&#13;
receive me there," answered Mdlle. de Cardoville, in her mild, sweet&#13;
voice, and with a slight inclination of the head, so full of exquisite&#13;
politeness, that Rose-Pompon was daunted, notwithstanding all her&#13;
effrontery.</p><p>"What, lady!" said Agricola to Adrienne; "you are good enough--"</p><p>"M. Agricola," said Mdlle. de Cardoville, interrupting him, "please to&#13;
remain with our poor friend: I shall soon be back."</p><p>Then, approaching Mother Bunch, who shared in Agricola's astonishment&#13;
she said to her: "Excuse me for leaving you a few seconds. Only regain a&#13;
little strength, and, when I return, I will take you home with me, dear&#13;
sister."</p><p>Then, turning towards Rose-Pompon, who was more and more surprised at&#13;
hearing so fine a lady call the workgirl her sister, she added: "I am&#13;
ready whenever you please, mademoiselle."</p><p>"Beg pardon, madame, if I go first to show you the way, but it's a&#13;
regular break-neck sort of a place," answered Rose-Pompon, pressing her&#13;
elbows to her sides, and screwing up her lips to prove that she was no&#13;
stranger to polite manners and fine language. And the two rivals quitted&#13;
the garret together, leaving Agricola alone with Mother Bunch.</p><p>Luckily, the disfigured remains of the Bacchanal Queen had been&#13;
carried into Mother Arsene's subterraneous shop, so that the crowd of&#13;
spectators, always attracted by any fatal event, had assembled in front&#13;
of the house; and Rose-Pompon, meeting no one in the little court she&#13;
had to traverse with Adrienne, continued in ignorance of the tragical&#13;
death of her old friend Cephyse. In a few moments the grisette and&#13;
Mdlle. de Cardoville had reached Philemon's apartment. This singular&#13;
abode remained in the same state of picturesque disorder in which&#13;
Rose-Pompon had left it, when Ninny Moulin came to fetch her to act the&#13;
heroine of a mysterious adventure.</p><p>Adrienne, completely ignorant of the eccentric modes of life of students&#13;
and their companions, could not, in spite of the thoughts which occupied&#13;
her mind, forebear examining, with a mixture of surprise and curiosity,&#13;
this strange and grotesque chaos, composed of the most dissimilar&#13;
objects--disguises for masked balls, skulls with pipes in their mouths,&#13;
odd boots standing on book shelves, monstrous bottles, women's clothes,&#13;
ends of tobacco pipes, etc., etc. To the first astonishment of Adrienne&#13;
succeeded an impression of painful repugnance. The young lady felt&#13;
herself uneasy and out of place in this abode, not of poverty, but&#13;
disorder; whilst, on the contrary, the sewing-girl's miserable garret&#13;
had caused her no such feeling.</p><p>Rose-Pompon, notwithstanding all her airs, was considerably troubled&#13;
when she found herself alone with Mdlle, de Cardoville; the rare beauty&#13;
of the young patrician, her fashionable look, the elegance of her&#13;
manners, the style, both dignified and affable, with which she had&#13;
answered the impertinent address of the grisette, began to have their&#13;
effect upon the latter, who, being moreover a good-natured girl, had&#13;
been touched at hearing Mdlle. de Cardoville call the hunchback "friend&#13;
and sister." Without knowing exactly who Adrienne was, Rose-Pompon&#13;
was not ignorant that she belonged to the richest and highest class&#13;
of society; she felt already some remorse at having attacked her so&#13;
cavalierly; and her intentions, at first very hostile with regard to&#13;
Mdlle. de Cardoville, were gradually much modified. Yet, being very&#13;
obstinate, and not wishing to appear to submit to an influence that&#13;
offended her pride, Rose-Pompon endeavored to recover her assurance;&#13;
and, having bolted the door, she said to Adrienne: "Pray do me the favor&#13;
to sit down, madame"--still with the intention of showing that she was&#13;
no stranger to refined manners and conversation.</p><p>Mdlle. de Cardoville was about mechanically to take a chair, when Rose&#13;
Pompon, worthy to practise those ancient virtues of hospitality, which&#13;
regarded even an enemy as sacred in the person of a guest, cried out&#13;
hastily: "Don't take that chair, madame; it wants a leg."</p><p>Adrienne laid her hand on another chair.</p><p>"Nor that either; the back is quite loose," again exclaimed Rose-Pompon.&#13;
And she spoke the truth; for the chair-back, which was made in the form&#13;
of a lyre, remained in the hands of Mdlle. de Cardoville, who said, as&#13;
she replaced it discreetly in its former position: "I think, miss, that&#13;
we can very well talk standing."</p><p>"As you please, madame," replied Rose-Pompon, steadying herself the more&#13;
bravely the more uneasy she felt. And the interview of the lady and the&#13;
grisette began in this fashion.</p><p>CHAPTER XXXVI. THE INTERVIEW.</p><p>After a minute's hesitation, Rose-Pompon said to Adrienne, whose heart&#13;
was beating violently: "I will tell you directly, madame, what I have&#13;
on my mind. I should not have gone out of my way to seek you, but, as I&#13;
happen to fall in with you, it is very natural I should take advantage&#13;
of it."</p><p>"But, miss," said Adrienne, mildly, "may I at least know the subject of&#13;
the conversation we are to have together?"</p><p>"Yes, madame," replied Rose-Pompon, affecting an air of still more&#13;
decided confidence; "first of all, you must not suppose I am unhappy, or&#13;
going to make a scene of jealousy, or cry like a forsaken damsel. Do not&#13;
flatter yourself! Thank heaven, I have no reason to complain of Prince&#13;
Charming--that is the pet name I gave him--on the contrary, he has made&#13;
me very happy. If I left him, it was against his will, and because I&#13;
chose."</p><p>So saying, Rose-Pompon, whose heart was swelling in spite of her fine&#13;
airs, could not repress a sigh.</p><p>"Yes, madame," she resumed, "I left him because I chose--for he quite&#13;
doted on me. If I had liked, he would have married me--yes, madame,&#13;
married me--so much the worse, if that gives you pain. Though, when I&#13;
say 'so much the worse,' it is true that I meant to pain you. To be sure&#13;
I did--but then, just now when I saw you so kind to poor Mother Bunch,&#13;
though I was certainly in the right, still I felt something. However, to&#13;
cut matters short, it is clear that I detest you, and that you deserve&#13;
it," added Rose-Pompon, stamping her foot.</p><p>From all this it resulted, even for a person much less sagacious than&#13;
Adrienne, and much less interested in discovering the truth, that Rose&#13;
Pompon, notwithstanding her triumphant airs in speaking of him whom she&#13;
represented as so much attached to her, and even anxious to wed her,&#13;
was in reality completely disappointed, and was now taking refuge in a&#13;
deliberate falsehood. It was evident that she was not loved, and that&#13;
nothing but violent jealousy had induced her to desire this interview&#13;
with Mdlle. de Cardoville, in order to make what is vulgarly called a&#13;
scene, considering Adrienne (the reason will be explained presently) as&#13;
her successful rival. But Rose-Pompon, having recovered her good-nature,&#13;
found it very difficult to continue the scene in question, particularly&#13;
as, for many reasons, she felt overawed by Adrienne.</p><p>Though she had expected, if not the singular speech of the grisette, at&#13;
least something of the same result--for she felt it was impossible that&#13;
the prince could entertain a serious attachment for this girl--Mdlle. de&#13;
Cardoville was at first delighted to hear the confirmation of her hopes&#13;
from the lips of her rival; but suddenly these hopes were succeeded by a&#13;
cruel apprehension, which we will endeavor to explain. What Adrienne had&#13;
just heard ought to have satisfied her completely. Sure that the heart&#13;
of Djalma had never ceased to belong to her, she ought, according to&#13;
the customs and opinions of the world, to have cared little if, in&#13;
the effervescence of an ardent youth, he had chanced to yield to some&#13;
ephemeral caprice for this creature, who was, after all, very pretty&#13;
and desirable--the more especially as he had now repaired his error by&#13;
separating from her.</p><p>Notwithstanding these good reasons, such an error of the senses would&#13;
not have been pardoned by Adrienne. She did not understand that complete&#13;
separation of the body and soul that would make the one exempt from the&#13;
stains of the other. She did not think it a matter of indifference&#13;
to toy with one woman whilst you were thinking of another. Her young,&#13;
chaste, passionate love demanded an absolute fealty--a fealty as just in&#13;
the eyes of heaven and nature as it may be ridiculous and foolish in the&#13;
eyes of man. For the very reason that she cherished a refined religion&#13;
of the senses, and revered them as an adorable and divine manifestation,&#13;
Adrienne had all sorts of delicate scruples and nice repugnances,&#13;
unknown to the austere spirituality of those ascetic prudes who despise&#13;
vile matter too much to take notice of its errors, and allow it to&#13;
grovel in filth, to show the contempt in which they hold it. Mdlle. de&#13;
Cardoville was not one of those wonderfully modest creatures who would&#13;
die of confusion rather than say plainly that they wished for a young&#13;
and handsome husband, at once ardent and pure. It is true that they&#13;
generally marry old, ugly, and corrupted men, and make up for it&#13;
by taking two or three lovers six months after. But Adrienne felt&#13;
instinctively how much of virginal and celestial freshness there is in&#13;
the equal innocence of two loving and passionate beings--what guarantees&#13;
for the future in the remembrance which a man preserves of his first&#13;
love!</p><p>We say, then, that Adrienne was only half-satisfied, though convinced by&#13;
the vexation of Rose-Pompon that Djalma had never entertained a serious&#13;
attachment for the grisette.</p><p>"And why do you detest me, miss?" said Adrienne mildly, when Rose-Pompon&#13;
had finished her speech.</p><p>"Oh! bless me, madame!" replied the latter, forgetting altogether her&#13;
assumption of triumph, and yielding to the natural sincerity of her&#13;
character; "pretend that you don't know why I detest you!--Oh, yes!&#13;
people go and pick bouquets from the jaws of a panther for people that&#13;
they care nothing about, don't they? And if it was only that!" added&#13;
Rose-Pompon, who was gradually getting animated, and whose pretty face,&#13;
at first contracted into a sullen pout, now assumed an expression of&#13;
real and yet half-comic sorrow.</p><p>"And if it was only the nosegay!" resumed she. "Though it gave me a&#13;
dreadful turn to see Prince Charming leap like a kid upon the stage, I&#13;
might have said to myself: 'Pooh! these Indians have their own way of&#13;
showing politeness. Here, a lady drops her nosegay, and a gentleman&#13;
picks it up and gives it to her; but in India it is quite another thing;&#13;
the man picks up the nosegay, and does not return it to the woman--he&#13;
only kills a panther before her eyes.' Those are good manners in that&#13;
country, I suppose; but what cannot be good manners anywhere is to treat&#13;
a woman as I have been treated. And all thanks to you, madame!"</p><p>These complaints of Rose-Pompon, at once bitter and laughable, did&#13;
not at all agree with what she had previously stated as to Djalma's&#13;
passionate love for her; but Adrienne took care not to point out this&#13;
contradiction, and said to her, mildly: "You must be mistaken, miss,&#13;
when you suppose that I had anything to do with your troubles. But, in&#13;
any case, I regret sincerely that you should have been ill-treated by&#13;
any one."</p><p>"If you think I have been beaten, you are quite wrong," exclaimed Rose&#13;
Pompon. "Ah! well, I am sure! No, it is not that. But I am certain that,&#13;
had it not been for you, Prince Charming would have got to love me&#13;
a little. I am worthy of the trouble, after all--and then there are&#13;
different sorts of love--I am not so very particular--not even so much&#13;
as that," added Rose-Pompon, snapping her fingers.</p><p>"Ah!" she continued, "when Ninny Moulin came to fetch me, and brought&#13;
me jewels and laces to persuade me to go with him, he was quite right in&#13;
saying there was no harm in his offers."</p><p>"Ninny Moulin?" asked Mdlle. de Cardoville, becoming more and more&#13;
interested; "who is this Ninny Moulin, miss?"</p><p>"A religious writer," answered Rose-Pompon, pouting; "the right-hand man&#13;
of a lot of old sacristans, whose money he takes on pretense of writing&#13;
about morality and religion. A fine morality it is!"</p><p>At these words--"a religious writer"--"sacristans" Adrienne instantly&#13;
divined some new plot of Rodin or Father d'Aigrigny, of which she and&#13;
Djalma were to have been the victims. She began vaguely to perceive the&#13;
real state of the case, as she resumed: "But, miss, under what pretence&#13;
could this man take you away with him?"</p><p>"He came to fetch me, and said I need not fear for my virtue, and was&#13;
only to make myself look pretty. So I said to myself: 'Philemon's out of&#13;
town, and it's very dull here all alone: This seems a droll affair;&#13;
what can I risk by it?'--Alas! I didn't know what I risked," added&#13;
Rose Pompon, with a sigh. "Well! Ninny Moulin takes me away in a fine&#13;
carriage. We stop in the Place du Palais-Royal. A sullen-looking man,&#13;
with a yellow face, gets up in the room of Ninny Moulin, and takes me to&#13;
the house of Prince Charming. When I saw him--la! he was so handsome,&#13;
so very handsome, that I was quite dizzy-like; and he had such a kind,&#13;
noble air, that I said to myself, 'Well! there will be some credit if&#13;
I remain a good girl now!'--I did not know what a true word I was&#13;
speaking. I have been good--oh! worse than good."</p><p>"What, miss! do you regret having been so virtuous?"</p><p>"Why, you see, I regret, at least, that I have not had the pleasure of&#13;
refusing. But how can you refuse, when nothing is asked--when you are&#13;
not even thought worth one little loving word?"</p><p>"But, miss, allow me to observe to you that the indifference of which&#13;
you complain does not see to have prevented your making a long stay in&#13;
the house in question."</p><p>"How should I know why the prince kept me there, or took me out riding&#13;
with him, or to the play? Perhaps it is the fashion in his savage&#13;
country to have a pretty girl by your side, and to pay no attention to&#13;
her at all!"</p><p>"But why, then, did you remain, miss?"</p><p>"Why did I remain?" said Rose-Pompon, stamping her loot with vexation.&#13;
"I remained because, without knowing how it happened, I began to get&#13;
very fond of Prince Charming; and what is queer enough, I, who am as gay&#13;
as a lark, loved him because he was so sorrowful, which shows that it&#13;
was a serious matter. At last, one day, I could hold out no longer. I&#13;
said: 'Never mind; I don't care for the consequences. Philemon, I am&#13;
sure, is having his fun in the country.' That set my mind at ease. So&#13;
one morning, I dress myself in my best, all very pretty, look in my&#13;
glass, and say: 'Well, that will do--he can't stand that! and, going to&#13;
his room, I tell him all that passes through my head; I laugh, I cry--at&#13;
last I tell him that I adore him. What do you think he answers, in his&#13;
mild voice, and as cold as a piece of marble? Why, 'Poor child--poor&#13;
child--poor child!'" added Rose-Pompon, with indignation; "neither more&#13;
nor less than if I had come to complain to him of the toothache. But&#13;
the worst of it is that I am sure, if he were not in love elsewhere, he&#13;
would be all fire and gunpowder. Only now he is so sad, so dejected!"</p><p>Then, pausing a moment, Rose-Pompon added: "No, I will not tell&#13;
you that; you would be too pleased." But, after another pause, she&#13;
continued: "Well, never mind; I will tell you, though"; and this&#13;
singular girl looked at Mdlle. de Cardoville with a mixture of sympathy&#13;
and deference. "Why should I keep it from you? I began by riding&#13;
the high horse, and saying that the prince wished to marry me; and I&#13;
finished by confessing that he almost turned me out. Well, it's not my&#13;
fault; when I try to fib, I am sure to get confused. So, madame, this is&#13;
the plain truth:--When I met you at poor Mother Bunch's, I was at first&#13;
as angry as a little turkey-cock; but when I heard you, that are such a&#13;
fine great lady, speak so kindly to the poor girl, and treat her as your&#13;
sister, do what I would, my anger began to go away. Since we have&#13;
been here, I have done my utmost to get it up again; but I find it&#13;
impossible, and the more I see the difference between us, the more I&#13;
perceive that Prince Charming was right in thinking so much of you. For&#13;
you must know, madame, that he is over head and ears in love with you.&#13;
I don't say so merely because he killed the panther for you at the&#13;
Porte-Saint-Martin; but if you knew all the tricks he played with your&#13;
bouquet, and how he will sit up all night weeping in that room where he&#13;
saw you for the first time--and then your portrait, that he has&#13;
drawn upon glass, after the fashion of his country, and so many other&#13;
things--the fact is, that I, who was fond of him, and saw all this was&#13;
at first in a great rage; but afterwards it was so touching that it&#13;
brought the tears into my eyes. Yes, madame, just as it does now, when&#13;
I merely think of the poor prince. Oh, madame!" added Rose-Pompon, her&#13;
eyes swimming in tears, and with such an expression of sincere interest,&#13;
that Adrienne was much moved by it; "oh, madame, you look so mild and&#13;
good, that you will not make this poor prince miserable. Pray love him a&#13;
little bit; what can it matter to you?"</p><p>So saying, Rose-Pompon, with a perfectly simple, though too familiar,&#13;
gesture, took hold of Adrienne's hand, as if to enforce her request. It&#13;
had required great self-command in Mdlle. de Cardoville to repress the&#13;
rush of joy that was mounting from her heart to her lips, to check the&#13;
torrent of questions which she burned to address to Rose-Pompon, and to&#13;
restrain the sweet tears of happiness that for some seconds had trembled&#13;
in her eyes; and, strangely enough, when Rose-Pompon took her hand,&#13;
Adrienne, instead of withdrawing it, pressed the offered hand almost&#13;
affectionately, and led her towards the window, as if to examine her&#13;
sweet face more attentively.</p><p>On entering the room, the grisette had thrown her bonnet and shawl down&#13;
upon the bed, so that Adrienne could admire the thick and silky masses&#13;
of light hair that crowned the fresh face of the charming girl, with&#13;
its firm, rosy cheeks, its mouth as red as a cherry, and its large blue&#13;
laughing eyes; and, thanks to the somewhat scanty dress of Rose-Pompon,&#13;
Adrienne could fully appreciate the various graces of her nymph-like&#13;
figure. Strange as it may appear, Adrienne was delighted at finding&#13;
the girl still prettier than she had at first imagined. The stoical&#13;
indifference of Djalma to so attractive a creature was the best proof of&#13;
the sincerity of the passion by which he was actuated.</p><p>Having taken the hand of Adrienne, Rose-Pompon was herself confused and&#13;
surprised at the kindness with which Mdlle. de Cardoville permitted&#13;
this familiarity. Emboldened by this indulgence, and by the silence of&#13;
Adrienne, who for some moments had been contemplating her with almost&#13;
grateful benevolence, the grisette resumed: "Oh, you will not refuse,&#13;
madame? You will take pity on this poor prince?"</p><p>We cannot tell how Adrienne would have answered this indiscreet question&#13;
of Rose-Pompon, for suddenly a loud, wild, shrill, piercing sound,&#13;
evidently intended to imitate the crowing of a cock, was heard close to&#13;
the door of the room.</p><p>Adrienne started in alarm; but the countenance of Rose Pompon, just now&#13;
so sad, brightened up joyously at this signal, and, clapping her hands&#13;
she exclaimed, "It is Philemon!"</p><p>"What--who?" said Adrienne, hastily.</p><p>"My lover; oh, the monster! he must have come upstairs on tiptoe, to&#13;
take me by surprise with his crowing. Just like him!"</p><p>A second cock-a-doodle-doo, still louder than the first, was heard close&#13;
to the door. "What a stupid, droll creature it is! Always the same joke,&#13;
and yet it always amuses me," said Rose-Pompon.</p><p>And drying her tears with the back of her hand, she began to laugh&#13;
like one bewitched at Philemon's jest, which, though well known to her,&#13;
always seemed new and agreeable.</p><p>"Do not open the door," whispered Adrienne, much embarrassed; "do not&#13;
answer, I beg of you."</p><p>"Though the door is bolted, the key is on the outside; Philemon can see&#13;
that there is some one at home."</p><p>"No matter--do not let him in."</p><p>"But, madame, he lives here; the room belongs to him."</p><p>In fact, Philemon, probably growing tired of the little effect produced&#13;
by his two ornithological imitations, turned the key in the lock, and&#13;
finding himself unable to open the door, said in a deep bass voice:&#13;
"What, dearest puss, have you shut yourself in? Are you praying Saint&#13;
Flambard for the return of Philly?" (short for Philemon.)</p><p>Adrienne, not coshing to increase, by prolonging it, the awkwardness of&#13;
this ridiculous situation, went straight to the door and opened it,&#13;
to the great surprise of Philemon, who recoiled two or three steps.&#13;
Notwithstanding the annoyance of this incident, Mdlle. de Cardoville&#13;
could not help smiling at sight of Rose-Pompon's lover, and of the&#13;
articles he carried in his hand or under his arm.</p><p>Philemon was a tall fellow, with dark hair and a very fresh color, and,&#13;
being just arrived from a journey, he wore a white cap; his thick, black&#13;
beard flowed down on his sky-blue waistcoat; and a short olive-colored&#13;
velvet shooting-coat, with extravagantly large plaid trousers, completed&#13;
his costume. As for the accessories which had provoked a smile from&#13;
Adrienne, they consisted: first, of a portmanteau tucked under his arm,&#13;
with the head and neck of a goose protruding from it; secondly, of a&#13;
cage held in his hand, with an enormous white rabbit all alive within&#13;
it.</p><p>"Oh! the darling white rabbit! what pretty red eyes!" Such, it must be&#13;
confessed, was the first exclamation of Rose-Pompon, though Philemon,&#13;
to whom it was not addressed, had returned after a long absence; but the&#13;
student far from being shocked at seeing himself thus sacrificed to his&#13;
long-earned companion, smiled complacently, rejoicing at the success of&#13;
his attempt to please his mistress.</p><p>All this passed very rapidly. While Rose-Pompon, kneeling before the&#13;
cage, was still occupied with her admiration of the rabbit, Philemon,&#13;
struck with the lofty air of Mdlle. de Cardoville, raised his hand to&#13;
his cap, and bowed respectfully as he made way for her to pass. Adrienne&#13;
returned his salutation with politeness, full of grace and dignity, and,&#13;
lightly descending the stairs, soon disappeared. Dazzled by her beauty,&#13;
as well as impressed with her noble and lofty bearing, and curious&#13;
to know how in the world Rose-Pompon had fallen in with such an&#13;
acquaintance, Philemon said to her, in his amorous jargon: "Dearest&#13;
puss! tell her Philly who is that fine lady?"</p><p>"One of my school-fellows, you great satyr!" said Rose-Pompon, still&#13;
playing with the rabbit.</p><p>Then, glancing at a box, which Philemon deposited close to the cage and&#13;
the portmanteau, she added: "I'll wager anything you have brought me&#13;
some more preserves!"</p><p>"Philly has brought something better to his dear puss," said the&#13;
student, imprinting two vigorous kisses on the rosy cheeks of&#13;
Rose-Pompon, who had at length, consented to stand up; "Philly has&#13;
brought her his heart."</p><p>"Fudge!" said the grisette, delicately placing the thumb of her left&#13;
hand on the tip of her nose, and opening the fingers, which she slightly&#13;
moved to and fro. Philemon answered this provocation by putting his arm&#13;
around her waist; and then the happy pair shut their door.</p><p>CHAPTER XXXVII. SOOTHING WORDS.</p><p>During the interview of Adrienne with Rose-Pompon a touching scene took&#13;
place between Agricola and Mother Bunch, who had been much surprised&#13;
at Mdlle. de Cardoville's condescension with regard to the grisette.&#13;
Immediately after the departure of Adrienne, Agricola had knelt down&#13;
beside Mother Bunch, and said to her, with profound emotion: "We are&#13;
alone, and I can at length tell you what weighs upon my heart. This act&#13;
is too cruel--to die of misery and despair, and not to send to me for&#13;
assistance."</p><p>"Listen to me, Agricola--"</p><p>"No, there is no excuse for this. What! we called each other by the&#13;
names of brother and sister, and for fifteen years gave every proof of&#13;
sincere affection--and, when the day of misfortune comes, you quit life&#13;
without caring for those you must leave behind--without considering that&#13;
to kill yourself is to tell them they are indifferent to you!"</p><p>"Forgive me, Agricola! it is true. I had never thought of that," said&#13;
the workgirl, casting down her eyes; "but poverty--want of work--"</p><p>"Misery! want of work! and was I not here?"</p><p>"And despair!"</p><p>"But why despair? This generous young lady had received you in her&#13;
house; she knew your worth, and treated you as her friend--and just at&#13;
the moment when you had every chance of happiness, you leave the house&#13;
abruptly, and we remain in the most horrible anxiety on your account."</p><p>"I feared--to be--to be a burden to my benefactress," stammered she.</p><p>"You a burden to Mdlle. de Cardoville, that is so rich and good!"</p><p>"I feared to be indiscreet," said the sewing-girl, more and more&#13;
embarrassed.</p><p>Instead of answering his adopted sister, Agricola remained silent, and&#13;
contemplated her for some moments with an undefinable expression; then&#13;
he exclaimed suddenly, as if replying to a question put by himself: "She&#13;
will forgive me for disobeying her.--I am sure of it."</p><p>He next turned towards Mother Bunch, who was looking at him in&#13;
astonishment, and said to her in a voice of emotion: "I am too frank&#13;
to keep up this deception. I am reproaching you--blaming you--and my&#13;
thoughts are quite different."</p><p>"How so, Agricola?"</p><p>"My heart aches, when I think of the evil I have done you."</p><p>"I do not understand you, my friend; you have never done me any evil."</p><p>"What! never? even in little things? when, for instance, yielding to a&#13;
detestable habit, I, who loved and respected you as my sister, insulted&#13;
you a hundred times a day?"</p><p>"Insulted me!"</p><p>"Yes--when I gave you an odious and ridiculous nickname, instead of&#13;
calling you properly."</p><p>At these words, Mother Bunch looked at the smith in the utmost alarm,&#13;
trembling lest he had discovered her painful secret, notwithstanding&#13;
the assurance she had received from Mdlle. de Cardoville. Yet she calmed&#13;
herself a little when she reflected, that Agricola might of himself have&#13;
thought of the humiliation inflicted on her by calling her Mother Bunch,&#13;
and she answered him with a forced smile. "Can you be grieved at so&#13;
small a thing? It was a habit, Agricola, from childhood. When did your&#13;
good and affectionate mother, who nevertheless loved me as her daughter,&#13;
ever call me anything else?"</p><p>"And did my mother consult you about my marriage, speak to you of the&#13;
rare beauty of my bride, beg you to come and see her, and study her&#13;
character, in the hope that the instinct of your affection for me would&#13;
warn you--if I made a bad choice? Did my mother have this cruelty?--No;&#13;
it was I, who thus pierced your heart!"</p><p>The fears of the hearer were again aroused; there could be but little&#13;
doubt that Agricola knew her secret. She felt herself sinking with&#13;
confusion; yet, making a last effort not to believe the discovery, she&#13;
murmured in a feeble voice: "True, Agricola! It was not your mother, but&#13;
yourself, who made me that request--and I was grateful to you for such a&#13;
mark of confidence."</p><p>"Grateful, my poor girl!" cried the smith, whilst his eyes filled&#13;
with tears; "no, it is not true. I pained you fearfully--I was&#13;
merciless--heaven knows, without being aware of it!"</p><p>"But," said the other, in a voice now almost unintelligible, "what makes&#13;
you think so?"</p><p>"Your love for me!" cried the smith, trembling with emotion, as he&#13;
clasped Mother Bunch in a brotherly embrace.</p><p>"Oh heaven!" murmured the unfortunate creature, as she covered her face&#13;
with her hands, "he knows all."</p><p>"Yes, I know all," resumed Agricola, with an expression of ineffable&#13;
tenderness and respect: "yes, I know all, and I will not have you blush&#13;
for a sentiment, which honors me, and of which I feel so justly proud.&#13;
Yes, I know all; and I say to myself with joy and pride, that the best,&#13;
the most noble heart in the world is mine--will be mine always. Come,&#13;
Magdalen; let us leave shame to evil passions. Raise your eyes, and look&#13;
at me! You know, if my countenance was ever false--if it ever reflected&#13;
a feigned emotion. Then look and tell me, if you cannot read in my&#13;
features, how proud I am, Magdalen, how justly proud of your love!"</p><p>Overwhelmed with grief and confusion, Mother Bunch had not dared to look&#13;
on Agricola; but his words expressed so deep a conviction, the tones of&#13;
his voice revealed so tender an emotion, that the poor creature felt her&#13;
shame gradually diminish, particularly when Agricola added, with rising&#13;
animation: "Be satisfied, my sweet, my noble Magdalen; I will be worthy&#13;
of this love. Believe me, it shall yet cause you as much happiness as it&#13;
has occasioned tears. Why should this love be a motive for estrangement,&#13;
confusion, fear? For what is love, in the sense in which it is held&#13;
by your generous heart? Is it not a continual exchange of devotion,&#13;
tenderness, esteem, of mutual and blind confidence?--Why, Magdalen!&#13;
we may have all this for one another--devotion, tenderness,&#13;
confidence--even more than in times past; for, on a thousand occasions,&#13;
your secret inspired you with fear and suspicion--while, for the future,&#13;
on the contrary, you will see me take such delight in the place I fill&#13;
in your good and valiant heart, that you will be happy in the happiness&#13;
you bestow. What I have just said may seem very selfish and conceited;&#13;
so much the worse! I do not know how to lie."</p><p>The longer the smith spoke, the less troubled became Mother Bunch. What&#13;
she had above all feared in the discovery of her secret was to see it&#13;
received with raillery, contempt, or humiliating compassion; far from&#13;
this, joy and happiness were distinctly visible on the manly and&#13;
honest face of Agricola. The hunchback knew him incapable of deception;&#13;
therefore she exclaimed, this time without shame or confusion, but&#13;
rather with a sort of pride.</p><p>"Every sincere and pure passion is so far good and con soling as to end&#13;
by deserving interest and sympathy, when it has triumphed over its first&#13;
excess! It is alike honorable to the heart which feels and that which&#13;
inspires it!--Thanks to you, Agricola--thanks to the kind words, which&#13;
have raised me in my own esteem--I feel that, instead of blushing, I&#13;
ought to be proud of this love. My benefactress is right--you are right:&#13;
why should I be ashamed of it? Is it not a true and sacred love? To be&#13;
near you, to love you, to tell you so, to prove it by constant devotion,&#13;
what did I ever desire more? And yet shame and fear, joined with that&#13;
dizziness of the brain which extreme misery produces, drove me to&#13;
suicide!--But then some allowance must be made for the suspicions of a&#13;
poor creature, who has been the subject of ridicule from her cradle.&#13;
So my secret was to die with me, unless some unforeseen accident should&#13;
reveal it to you; and, in that case, you are right--sure of myself, sure&#13;
of you, I ought to have feared nothing. But I may claim some indulgence;&#13;
mistrust, cruel mistrust of one's self makes one doubt others also. Let&#13;
us forget all that. Agricola, my generous brother, I will say to you,&#13;
as you said to me just now, 'Look at me; you know my countenance cannot&#13;
lie. Look at me: see if I shun your gaze; see if, ever in my life, I&#13;
looked so happy'--and yet, even now, I was about to die!"</p><p>She spoke the truth. Agricola himself could not have hoped so prompt an&#13;
effect from his words. In spite of the deep traces which misery, grief,&#13;
and sickness had imprinted on the girl's features, they now shone with&#13;
radiant happiness and serenity, whilst her blue eyes, gentle and pure as&#13;
her soul, were fixed, without embarrassment, on those of Agricola.</p><p>"Oh! thanks, thanks!" cried the smith, in a rapture of delight: "when I&#13;
see you so calm, and so happy, Magdalen, I am indeed grateful."</p><p>"Yes, I am calm, I am happy," replied she; "and happy I shall be, for&#13;
I can now tell you my most secret thoughts. Yes, happy; for this day,&#13;
which began so fatally, ends like a divine dream. Far from being afraid,&#13;
I now look at you with hope and joy. I have again found my generous&#13;
benefactress, and I am tranquil as to the fate of my poor sister.&#13;
Oh! shall we not soon see her? I should like her to take part in this&#13;
happiness."</p><p>She seemed so happy, that the smith did not dare to inform her of the&#13;
death of Cephyse, and reserved himself to communicate the same at a&#13;
more fitting opportunity. Therefore he answered: "Cephyse, being the&#13;
stronger, has been the more shaken; it will not be prudent, I am told,&#13;
to see her to-day."</p><p>"I will wait then. I can repress my impatience, I have so much to say to&#13;
you."</p><p>"Dear, gentle Magdalen!"</p><p>"Oh, my friend!" cried the girl, interrupting Agricola, with tears of&#13;
joy: "I cannot tell you what I feel, when I hear you call me Magdalen.&#13;
It is so sweet, so soothing, that my heart expands with delight."</p><p>"Poor girl! how dreadfully she must have suffered!" cried the smith,&#13;
with inexpressible emotion, "when she displays so much happiness, so&#13;
much gratitude, at being called by her own poor name!"</p><p>"But consider, my friend; that word in your mouth contains a new life&#13;
for me. If you only knew what hopes, what pleasures I can now see&#13;
gleaming in the future! If you knew all the cherished longings of my&#13;
tenderness! Your wife, the charming Angela, with her angel face and&#13;
angel-soul--oh! in my turn, I can say to, you, 'Look at me, and see how&#13;
sweet that name is to my lips and heart!' Yes, your charming, your&#13;
good Angela will call me Magdalen--and your children, Agricola,&#13;
your children!--dear little creatures!--to them also I shall be&#13;
Magdalen--their good Magdalen--and the love I shall bear them will make&#13;
them mine, as well as their mother's--and I shall have my part in&#13;
every maternal care--and they will belong to us three; will they not,&#13;
Agricola?--Oh! let me, let me weep! These tears without bitterness do me&#13;
so much good; they are tears that need not be concealed. Thank heaven!&#13;
thank you, my friend! those other tears are I trust dried forever."</p><p>For some seconds, this affecting scene had been overlooked by an&#13;
invisible witness. The smith and Mother Bunch had not perceived Mdlle.&#13;
de Cardoville standing on the threshold of the door. As Mother Bunch&#13;
had said, this day, which dawned with all under such fatal auspices, had&#13;
become for all a day of ineffable felicity. Adrienne, too, was full of&#13;
joy, for Djalma had been faithful to her, Djalma loved her with passion.&#13;
The odious appearances, of which she had been the dupe and victim,&#13;
evidently formed part of a new plot of Rodin, and it only remained for&#13;
Mdlle. de Cardoville to discover the end of these machinations.</p><p>Another joy was reserved for her. The happy are quick in detecting&#13;
happiness in others, and Adrienne guessed, by the hunchback's last&#13;
words, that there was no longer any secret between the smith and the&#13;
sempstress. She could not therefore help exclaiming, as she entered:&#13;
"Oh! this will be the brightest day of my life, for I shall not be happy&#13;
alone!"</p><p>Agricola and Mother Bunch turned round hastily. "Lady," said the smith,&#13;
"in spite of the promise I made you, I could not conceal from Magdalen&#13;
that I knew she loved me!"</p><p>"Now that I no longer blush for this love before Agricola, why should I&#13;
blush for it before you, lady, that told me to be proud of it, because&#13;
it is noble and pure?" said Mother Bunch, to whom her happiness gave&#13;
strength enough to rise, and to lean upon Agricola's arm.</p><p>"It is well, my friend," said Adrienne, as she threw her arms round her&#13;
to support her; "only one word, to excuse the indiscretion with which&#13;
you will perhaps reproach me. If I told your secret to M. Agricola--"</p><p>"Do you know why it was, Magdalen?" cried the smith, interrupting&#13;
Adrienne. "It was only another proof of the lady's delicate generosity.&#13;
'I long hesitate to confide to you this secret,' said she to me this&#13;
morning, 'but I have at length made up my mind to it. We shall probably&#13;
find your adopted sister; you have been to her the best of brothers:&#13;
but many times, without knowing it, you have wounded her feelings&#13;
cruelly--and now that you know her secret, I trust in your kind heart to&#13;
keep it faithfully, and so spare the poor child a thousand pangs--pangs&#13;
the more bitter, because they come from you, and are suffered in&#13;
silence. Hence, when you speak to her of your wife, your domestic&#13;
happiness, take care not to gall that noble and tender heart.'--Yes,&#13;
Magdalen, these were the reasons that led the lady to commit what she&#13;
called an indiscretion."</p><p>"I want words to thank you now and ever," said Mother Bunch.</p><p>"See, my friend," replied Adrienne, "how often the designs of the wicked&#13;
turn against themselves. They feared your devotion to me, and therefore&#13;
employed that unhappy Florine to steal your journal--"</p><p>"So as to drive me from your house with shame, lady, When I supposed my&#13;
most secret thoughts an object of ridicule to all. There can be no doubt&#13;
such was their plan," said Mother Bunch.</p><p>"None, my child. Well! this horrible wickedness, which nearly caused&#13;
your death, now turns to the confusion of the criminals. Their plot is&#13;
discovered--and, luckily, many other of their designs," said Adrienne,&#13;
as she thought of Rose-Pompon.</p><p>Then she resumed, with heartfelt joy: "At last, we are again united,&#13;
happier than ever, and in our very happiness we shall find new resources&#13;
to combat our enemies. I say our enemies--for all that love me are&#13;
odious to these wretches. But courage, the hour is come, and the good&#13;
people will have their turn."</p><p>"Thank heaven, lady," said the smith; "or my part, I shall not be&#13;
wanting in zeal. What delight to strip them of their mask!"</p><p>"Let me remind you, M. Baudoin, that you have an appointment for to&#13;
morrow with M. Hardy."</p><p>"I have not forgotten it, lady, any more than the generous offers I am&#13;
to convey to him."</p><p>"That is nothing. He belongs to my family. Tell him (what indeed I&#13;
shall write to him this evening), that the funds necessary to reopen his&#13;
factory are at his disposal; I do not say so for his sake only, but for&#13;
that of a hundred families reduced to want. Beg him to quit immediately&#13;
the fatal abode to which they have taken him: for a thousand reasons he&#13;
should be on his guard against all that surround him."</p><p>"Be satisfied, lady. The letter he wrote to me in reply to the one I got&#13;
secretly delivered to him, was short, affectionate, sad--but he grants&#13;
me the interview I had asked for, and I am sure I shall be able to&#13;
persuade him to leave that melancholy dwelling, and perhaps to depart&#13;
with me, he has always had so much confidence in my attachment."</p><p>"Well, M. Baudoin, courage!" said Adrienne, as she threw her cloak over&#13;
the workgirl's shoulders, and wrapped her round with care. "Let us be&#13;
gone, for it is late. As soon as we get home, I will give you a letter&#13;
for M. Hardy, and to-morrow you will come and tell me the result of your&#13;
visit. No, not to-morrow," she added, blushing slightly. "Write to me&#13;
to-morrow, and the day after, about twelve, come to me."</p><p>Some minutes later, the young sempstress, supported by Agricola and&#13;
Adrienne, had descended the stairs of that gloomy house, and, being&#13;
placed in the carriage by the side of Mdlle. de Cardoville, she&#13;
earnestly entreated to be allowed to see Cephyse; it was in vain that&#13;
Agricola assured her it was impossible, and that she should see her the&#13;
next day. Thanks to the information derived from Rose-Pompon, Mdlle. de&#13;
Cardoville was reasonably suspicious of all those who surrounded Djalma,&#13;
and she therefore took measures, that, very evening, to have a letter&#13;
delivered to the prince by what she considered a sure hand.</p><p>CHAPTER XXXVIII. THE TWO CARRIAGES.</p><p>It is the evening of the day on which Mdlle. de Cardoville prevented the&#13;
sewing-girl's suicide. It strikes eleven; the night is dark; the&#13;
wind blows with violence, and drives along great black clouds, which&#13;
completely hide the pale lustre of the moon. A hackney-coach, drawn by&#13;
two broken-winded horses, ascends slowly and with difficulty the slope&#13;
of the Rue Blanche, which is pretty steep near the barrier, in the part&#13;
where is situated the house occupied by Djalma.</p><p>The coach stops. The coachman, cursing the length of an interminable&#13;
drive "within the circuit," leading at last to this difficult ascent,&#13;
turns round on his box, leans over towards the front window of the&#13;
vehicle, and says in a gruff tone to the person he is driving: "Come!&#13;
are we almost there? From the Rue de Vaugirard to the Barriere Blanche,&#13;
is a pretty good stretch, I think, without reckoning that the night&#13;
is so dark, that one can hardly see two steps before one--and the&#13;
street-lamps not lighted because of the moon, which doesn't shine, after&#13;
all!"</p><p>"Look out for a little door with a portico-drive on about twenty yards&#13;
beyond--and then stop close to the wall," answered a squeaking voice,&#13;
impatiently, and with an Italian accent.</p><p>"Here is a beggarly Dutchman, that will make me as savage as a bear?"&#13;
muttered the angry Jehu to himself. Then he added: "Thousand thunders!&#13;
I tell you that I can't see. How the devil can I find out your little&#13;
door?"</p><p>"Have you no sense? Follow the wall to the right, brush against it, and&#13;
you will easily find the little door. It is next to No. 50. If you do&#13;
not find it, you must be drunk," answered the Italian, with increased&#13;
bitterness.</p><p>The coachman only replied by swearing like a trooper, and whipping up&#13;
his jaded horses. Then, keeping close to the wall, he strained his eyes&#13;
in trying to read the numbers of the houses, by the aid of his carriage&#13;
lamps.</p><p>After some moments, the coach again stopped. "I have passed No. 50, and&#13;
here is a little door with a portico," said the coachman. "Is that the&#13;
one?"</p><p>"Yes," said the voice. "Now go forward some twenty yards, and then&#13;
stop."</p><p>"Well! I never--"</p><p>"Then get down from your box, and give twice three knocks at the little&#13;
door we have just passed--you understand me?--twice three knocks."</p><p>"Is that all you give me to drink?" cried the exasperated coachman.</p><p>"When you have taken me back to the Faubourg Saint-Germain, where I&#13;
live, you shall have something handsome, if you do but manage matters&#13;
well."</p><p>"Ha! now the Faubourg Saint-Germain! Only that little bit of distance!"&#13;
said the driver, with repressed rage. "And I who have winded my horses,&#13;
wanted to be on the boulevard by the time the play was out. Well,&#13;
I'm blowed!" Then, putting a good face on his bad luck, and consoling&#13;
himself with the thought of the promised drink-money, he resumed: "I am&#13;
to give twice three knocks at the little door?"</p><p>"Yes; three knocks first--then pause--then three other knocks. Do you&#13;
understand?"</p><p>"What next?"</p><p>"Tell the person who comes, that he is waited for, and bring him here to&#13;
the coach."</p><p>"The devil burn you!" said the coachman to himself, as he turned round&#13;
on the box, and whipped up his horses, adding: "this crusty old Dutchman&#13;
has something to do with Free-masons, or, perhaps, smugglers, seeing we&#13;
are so near the gates. He deserves my giving him in charge, for bringing&#13;
me all the way from the Rue de Vaugirard."</p><p>At twenty steps beyond the little door, the coach again stopped, and the&#13;
coachman descended from the box to execute the orders he had received.&#13;
Going to the little door, he knocked three times; then paused, as he had&#13;
been desired, and then knocked three times more. The clouds, which had&#13;
hitherto been so thick as entirely to conceal the disk of the moon, just&#13;
then withdrew sufficiently to afford a glimmering light, so that when&#13;
the door opened at the signal, the coachman saw a middle-sized person&#13;
issue from it, wrapped in a cloak, and wearing a colored cap.</p><p>This man carefully locked the door, and then advanced two steps into the&#13;
street. "They are waiting for you," said the coachman; "I am to take you&#13;
along with me to the coach."</p><p>Preceding the man with the cloak, who only answered him by a nod, he led&#13;
him to the coach-door, which he was about to open, and to let down the&#13;
step, when the voice exclaimed from the inside: "It is not necessary.&#13;
The gentleman may talk to me through the window. I will call you when it&#13;
is time to start."</p><p>"Which means that I shall be kept here long enough to send you to all&#13;
the devils!" murmured the driver. "However, I may as well walk about,&#13;
just to stretch my legs."</p><p>So saying, he began to walk up and down, by the side of the wall in&#13;
which was the little door. Presently he heard the distant sound of&#13;
wheels, which soon came nearer and nearer, and a carriage, rapidly&#13;
ascending the slope, stopped on the other side of the little&#13;
garden-door.</p><p>"Come, I say! a private carriage!" said the coachman. "Good horses&#13;
those, to come up the Rue Blanche at a trot."</p><p>The coachman was just making this observation, when, by favor of a&#13;
momentary gleam of light, he saw a man step from the carriage, advance&#13;
rapidly to the little door, open it, and go in, closing it after him.</p><p>"It gets thicker and thicker!" said the coachman. "One comes out, and&#13;
the other goes in."</p><p>So saying, he walked up to the carriage. It was splendidly harnessed,&#13;
and drawn by two handsome and vigorous horses. The driver sat&#13;
motionless, in his great box-coat, with the handle of his whip resting&#13;
on his right knee.</p><p>"Here's weather to drive about in, with such tidy dukes as yours,&#13;
comrade!" said the humble hackney-coachman to this automaton, who&#13;
remained mute and impassible, without even appearing to know that he was&#13;
spoken to.</p><p>"He doesn't understand French--he's an Englishman. One could tell that&#13;
by his horses," said the coachman, putting this interpretation on the&#13;
silence of his brother whip. Then, perceiving a tall footman at a little&#13;
distance, dressed in a long gray livery coat, with blue collar and&#13;
silver buttons, the coachman addressed himself to him, by way of&#13;
compensation, but without much varying his phrase: "Here's nice weather&#13;
to stand about in, comrade!" On the part of the footman, he was met with&#13;
the same imperturbable silence.</p><p>"They're both Englishmen," resumed the coachman, philosophically;&#13;
and, though somewhat astonished at the incident of the little door, he&#13;
recommenced his walk in the direction of his own vehicle.</p><p>While these facts were passing, the man in the cloak, and the man with&#13;
the Italian accent continued their conversation, the one still in the&#13;
coach, and the other leaning with his hand on the door. It had already&#13;
lasted for some time, and was carried on in Italian. They were evidently&#13;
talking of some absent person, as will appear from the following.</p><p>"So," said the voice from the coach, "that is agreed to?"</p><p>"Yes, my lord," answered the man in the cloak; "but only in case the&#13;
eagle should become a serpent."</p><p>"And, in the contrary event, you will receive the other half of the&#13;
ivory crucifix I gave you."</p><p>"I shall know what it means, my lord."</p><p>"Continue to merit and preserve his confidence."</p><p>"I will merit and preserve it, my lord, because I admire and respect&#13;
this man, who is stronger than the strongest, by craft, and courage, and&#13;
will. I have knelt before him with humility, as I would kneel before one&#13;
of the three black idols that stand between Bowanee and her worshippers;&#13;
for his religion, like mine, teaches to change life into nothingness."</p><p>"Humph!" said the voice, in a tone of some embarrassment; "these&#13;
comparisons are useless and inaccurate. Only think of obeying him,&#13;
without explaining your obedience."</p><p>"Let him speak, and I perform his will! I am in his hands like a corpse,&#13;
as he himself expresses it. He has seen, he sees every day, my devotion&#13;
to his interests with regard to Prince Djalma. He has only to say: 'Kill&#13;
him!'and this son of a king--"</p><p>"For heaven's salve, do not have such ideas!" cried the voice,&#13;
interrupting the man in the cloak. "Thank heaven, you will never be&#13;
asked for such proofs of your submission."</p><p>"What I am ordered I do. Bowanee sees me."</p><p>"I do not doubt your zeal. I know that you are a loving and intelligent&#13;
barrier, placed between the prince and many guilty interests; and it is&#13;
because I have heard of that zeal, of your skill in circumventing this&#13;
young Indian, and, above all, of the motives of your blind devotion,&#13;
that I have wished to inform you of everything. You are the fanatical&#13;
worshipper of him you serve. That is well; man should be the obedient&#13;
slave of the god he chooses for himself."</p><p>"Yes, my lord; so long as the god remains a god."</p><p>"We understand each other perfectly. As for your recompense, you know&#13;
what I have promised."</p><p>"My lord, I have my reward already."</p><p>"How so?"</p><p>"I know what I know."</p><p>"Very well. Then as for secrecy--"</p><p>"You have securities, my lord."</p><p>"Yes--and sufficient ones."</p><p>"The interest of the cause I serve, my lord, would alone be enough to&#13;
secure my zeal and discretion."</p><p>"True; you are a man of firm and ardent convictions."</p><p>"I strive to be so, my lord."</p><p>"And, after all, a very religious man in your way. It is very&#13;
praiseworthy, in these irreligious times, to have any views at all on&#13;
such matters--particularly when those views will just enable me to count&#13;
upon your aid."</p><p>"You may count upon it, my lord, for the same reason that the intrepid&#13;
hunter prefers a jackal to ten foxes, a tiger to ten jackals, a lion to&#13;
ten tigers, and the welmiss to ten lions."</p><p>"What is the welmiss?"</p><p>"It is what spirit is to matter, the blade to the scabbard, the perfume&#13;
to the flower, the head to the body."</p><p>"I understand. There never was a more just comparison. You are a man of&#13;
sound judgment. Always recollect what you have just told me, and make&#13;
yourself more and more worthy of the confidence of--your idol."</p><p>"Will he soon be in a state to hear me, my lord?"</p><p>"In two or three days, at most. Yesterday a providential crisis saved&#13;
his life; and he is endowed with so energetic a will, that his cure will&#13;
be very rapid."</p><p>"Shall you see him again to-morrow, my lord?"</p><p>"Yes, before my departure, to bid him farewell."</p><p>"Then tell him a strange circumstance, of which I have not been able to&#13;
inform him, but which happened yesterday."</p><p>"What was it?"</p><p>"I had gone to the garden of the dead. I saw funerals everywhere, and&#13;
lighted torches, in the midst of the black night, shining upon tombs.&#13;
Bowanee smiled in her ebon sky. As I thought of that divinity of&#13;
destruction, I beheld with joy the dead-cart emptied of its coffins.&#13;
The immense pit yawned like the mouth of hell; corpses were heaped&#13;
upon corpses, and still it yawned the same. Suddenly, by the light of a&#13;
torch, I saw an old man beside me. He wept. I had seen him before. He is&#13;
a Jew--the keeper of the house in the Rue Saint-Francois--you know what&#13;
I mean." Here the man in the cloak started.</p><p>"Yes, I know; but what is the matter? why do you stop short?"</p><p>"Because in that house there has been for a hundred and fifty years the&#13;
portrait of a man whom I once met in the centre of India, on the banks&#13;
of the Ganges." And the man in the cloak again paused and shuddered.</p><p>"A singular resemblance, no doubt."</p><p>"Yes, my lord, a singular resemblance--nothing more."</p><p>"But the Jew--the old Jew?"</p><p>"I am coming to that, my lord. Still weeping, he said to a gravedigger,&#13;
'Well! and the coffin?' 'You were right,' answered the man; 'I found it&#13;
in the second row of the other grave. It had the figure of a cross on&#13;
it, formed by seven black nails. But how could you know the place and&#13;
the mark?' 'Alas! it is no matter,' replied the old Jew, with bitter&#13;
melancholy. 'You see that I was but too well informed on the subject.&#13;
But where is the coffin?' 'Behind the great tomb of black marble; I have&#13;
hidden it there. So make haste; for, in the confusion, nothing will be&#13;
noticed. You have paid me well, and I wish you to succeed in what you&#13;
require.'"</p><p>"And what did the old Jew do with the coffin marked with the seven black&#13;
nails?"</p><p>"Two men accompanied him, my lord, bearing a covered litter, with&#13;
curtains drawn round it. He lighted a lantern, and, followed by these&#13;
two men, went towards the place pointed out by the gravedigger. A&#13;
stoppage, occasioned by the dead-carts, made me lose sight of the old&#13;
Jew, whom I was following amongst the tombs. Afterwards I was unable to&#13;
find him."</p><p>"It is indeed a strange affair. What could this old Jew want with the&#13;
coffin?"</p><p>"It is said, my lord, that they use dead bodies in preparing their magic&#13;
charms."</p><p>"Those unbelievers are capable of anything--even of holding&#13;
communication with the Enemy of mankind. However, we will look after&#13;
this: the discovery may be of importance."</p><p>At this instant a clock struck twelve in the distance.</p><p>"Midnight! already?"</p><p>"Yes, my lord."</p><p>"I must be gone. Good-bye--but for the last time swear to me that,&#13;
should matters so turn out, as soon as you receive the other half of the&#13;
ivory crucifix I have just given you, you will keep your promise."</p><p>"I have sworn it by Bowanee, my lord."</p><p>"Don't forget that, to make all sure, the person who will deliver to you&#13;
the other half of the crucifix is to say--come, what is he to say?"</p><p>"He is to say, my lord: 'There is many a slip 'twixt the cup and the&#13;
lip.'"</p><p>"Very well. Adieu! secrecy and fidelity!"</p><p>"Secrecy and fidelity, my lord," answered the man in the cloak.</p><p>Some seconds after the hackney-coach started, carrying with it Cardinal&#13;
Malipieri, one of the speakers in the above dialogue. The other, whom&#13;
the reader has no doubt recognized as Faringhea, returned to the little&#13;
garden-door of the house occupied by Djalma. At the moment he&#13;
was putting the key into the lock, the door opened, to his great&#13;
astonishment, and a man came forth. Faringhea rushed upon the unknown,&#13;
seized him violently by the collar, and exclaimed: "Who are you? whence&#13;
came you?"</p><p>The stranger evidently found the tone of this question anything but&#13;
satisfactory; for, instead of answering, he struggled to disengage&#13;
himself from Faringhea's hold, and cried out, in a loud voice: "Help!&#13;
Peter!"</p><p>Instantly the carriage, which had been standing a few yards off, dashed&#13;
up at full speed, and Peter, the tall footman, seizing the half-breed by&#13;
the shoulders, flung him back several paces, and thus made a seasonable&#13;
diversion in favor of the unknown.</p><p>"Now, sir," said the latter to Faringhea, shaking himself, and still&#13;
protected by the gigantic footman, "I am in a state to answer your&#13;
questions, though you certainly have a very rough way of receiving an&#13;
old acquaintance. I am Dupont, ex-bailiff of the estate of Cardoville,&#13;
and it was I who helped to fish you out of the water, when the ship was&#13;
wrecked in which you had embarked."</p><p>By the light of the carriage-lamps, indeed, the half-caste&#13;
recognized the good, honest face of Dupont, formerly bailiff, and now&#13;
house-steward, to Mdlle. de Cardoville. It must not be forgotten that&#13;
Dupont had been the first to write to Mdlle. de Cardoville, to ask her&#13;
to interest herself for Djalma, who was then detained at Cardoville&#13;
Castle by the injuries he had received during the shipwreck.</p><p>"But, sir, what is your business here? Why do you introduce yourself&#13;
clandestinely into this house?" said Faringhea, in an abrupt and&#13;
suspicious tone.</p><p>"I will--just observe to you that there is nothing clandestine in the&#13;
matter. I came here in a carriage, with servants in the livery of my&#13;
excellent mistress, Mdlle. de Cardoville, charged by her, without any&#13;
disguise or mystery, to deliver a letter to Prince Djalma, her cousin,"&#13;
replied Dupont, with dignity.</p><p>On these words, Faringhea trembled with mute rage, as he answered: "And&#13;
why, sir, come at this late hour, and introduce yourself by this little&#13;
door?"</p><p>"I came at this hour, my dear sir, because such was Mdlle. de&#13;
Cardoville's command, and I entered by this little gate because there is&#13;
every reason to believe that if I had gone around to the other I should&#13;
not have been permitted to see the prince."</p><p>"You are mistaken, sir," replied the half-caste.</p><p>"It is possible: but as we knew that the prince usually passed a good&#13;
portion of the night in the little saloon, which communicates with the&#13;
greenhouse, and as Mdlle. de Cardoville had kept a duplicate key of this&#13;
door, I was pretty certain, by taking this course, to be able to deliver&#13;
into the prince's own hands the letter from Mdlle. de Cardoville, his&#13;
cousin, which I have now had the honor of doing, my dear sir; and I have&#13;
been deeply touched by the kindness with which the prince deigned to&#13;
receive me and to remember our last interview."</p><p>"And who kept you so well informed, sir, of the prince's habits?" said&#13;
Faringhea, unable to control his vexation.</p><p>"If I have been well informed as to his habits, my dear sir, I have had&#13;
no such correct knowledge of yours," answered Dupont, with a mocking&#13;
air; "for I assure you that I had no more notion of seeing you than you&#13;
had of seeing me."</p><p>So saying, M. Dupont bowed with something like mock politeness to the&#13;
half-caste, and got into the carriage, which drove off rapidly, leaving&#13;
Faringhea in a state of the utmost surprise and anger.</p><p>CHAPTER XXXIX. THE APPOINTMENT.</p><p>The morning after--Dupont's mission to Prince Djalma, the latter was&#13;
walking with hasty and impatient step up and down the little saloon,&#13;
which communicated, as we already know, with the greenhouse from which&#13;
Adrienne had entered when she first appeared to him. In remembrance of&#13;
that day, he had chosen to dress himself as on the occasion in question;&#13;
he wore the same tunic of white cashmere, with a cherry-colored turban,&#13;
to match with his girdle; his gaiters, of scarlet velvet, embroidered&#13;
with silver, displayed the fine form of his leg, and terminated in small&#13;
white morocco slippers, with red heels. Happiness has so instantaneous,&#13;
and, as it were, material an influence upon young, lively, and ardent&#13;
natures, that Djalma, dejected and despairing only the day before,&#13;
was no longer like the same person. The pale, transparent gold of his&#13;
complexion was no longer tarnished by a livid hue. His large eyes, of&#13;
late obscured like black diamonds by a humid vapor, now shone with mild&#13;
radiance in the centre of their pearly setting; his lips, long pale,&#13;
had recovered their natural color, which was rich and soft as the fine&#13;
purple flowers of his country.</p><p>Ever and anon, pausing in his hasty walk, he stopped suddenly, and&#13;
drew from his bosom a little piece of paper, carefully folded, which he&#13;
pressed to his lips with enthusiastic ardor. Then, unable to restrain&#13;
the expression of his full happiness, he uttered a full and sonorous&#13;
cry of joy, and with a bound he was in front of the plate-glass which&#13;
separated the saloon from the conservatory, in which he had first seen&#13;
Mdlle. de Cardoville. By a singular power of remembrance, or marvellous&#13;
hallucination of a mind possessed by a fixed idea, Djalma had often&#13;
seen, or fancied he saw, the adored semblance of Adrienne appear to him&#13;
through this sheet of crystal. The illusion had been so complete, that,&#13;
with his eyes ardently fixed on the vision he invoked, he had been able,&#13;
with the aid of a pencil dipped in carmine, to trace with astonishing&#13;
exactness, the profile of the ideal countenance which the delirium&#13;
of his imagination had presented to his view.(42) It was before&#13;
these delicate lines of bright carmine that Djalma now stood in deep&#13;
contemplation, after perusing and reperusing, and raising twenty times&#13;
to his lips, the letter he had received the night before from the hands&#13;
of Dupont. Djalma was not alone. Faringhea watched all the movements&#13;
of the prince, with a subtle, attentive, and gloomy aspect. Standing&#13;
respectfully in a corner of the saloon, the half-caste appeared to be&#13;
occupied in unfolding and spreading out Djalma's sash, light, silky&#13;
Indian web, the brown ground of which was almost entirely concealed by&#13;
the exquisite gold and silver embroidery with which it was overlaid.</p><p>The countenance of the half-caste wore a dark and gloomy expression.&#13;
He could not deceive himself. The letter from Mdlle. de Cardoville,&#13;
delivered by Dupont to Djalma, must have been the cause of the delight&#13;
he now experienced, for, without doubt, he knew himself beloved. In that&#13;
event, his obstinate silence towards Faringhea, ever since the latter&#13;
had entered the saloon, greatly alarmed the half-caste, who could not&#13;
tell what interpretation to put upon it. The night before, after parting&#13;
with Dupont, he had hastened, in a state of anxiety easily understood,&#13;
to look for the prince, in the hope of ascertaining the effect produced&#13;
by Mdlle. de Cardoville's letter. But he found the parlor door closed,&#13;
and when he knocked, he received no answer from within. Then, though the&#13;
night was far advanced, he had dispatched a note to Rodin, in which he&#13;
informed him of Dupont's visit and its probable intention. Djalma had&#13;
indeed passed the night in a tumult of happiness and hope, and a fever&#13;
of impatience quite impossible to describe. Repairing to his bed-chamber&#13;
only towards the morning, he had taken a few moments of repose, and had&#13;
then dressed himself without assistance.</p><p>Many times, but in vain, the half-caste had discreetly knocked at&#13;
the door of Djalma's apartment. It was only in the early part of the&#13;
afternoon that the prince had rung the bell to order his carriage to be&#13;
ready by half-past two. Faringhea having presented himself, the prince&#13;
had given him the order without looking at him, as he might have done to&#13;
any other of his servants. Was this suspicion, aversion, or mere absence&#13;
of mind on the part of Djalma? Such were the questions which the half&#13;
caste put to himself with growing anguish; for the designs of which he&#13;
was the most active and immediate instrument might all be ruined by the&#13;
least suspicion in the prince.</p><p>"Oh! the hours--the hours--how slow they are!" cried the young Indian,&#13;
suddenly, in a low and trembling voice.</p><p>"The day before yesterday, my lord, you said the hours were very long,"&#13;
observed Faringhea, as he drew near Djalma in order to attract his&#13;
attention. Seeing that he did not succeed in this he advanced a few&#13;
steps nearer, and resumed: "Your joy seems very great, my lord; tell the&#13;
cause of it to your poor and faithful servant, that he also may rejoice&#13;
with you."</p><p>If he heard the words, Djalma did not pay any attention to them. He made&#13;
no answer, and his large black eyes gazed upon vacancy. He seemed to&#13;
smile admiringly upon some enchanting vision, and he folded his two&#13;
hands upon his bosom, in the attitude which his countrymen assume at&#13;
the hour of prayer. After some instants of contemplation, he said: "What&#13;
o'clock is it?"--but he asked this question of himself, rather than of&#13;
any third person.</p><p>"It will soon be two o'clock, my lord," said Faringhea.</p><p>Having heard this answer, Djalma seated himself, and hid his face in his&#13;
hands, as if completely absorbed in some ineffable meditation. Urged on&#13;
by his growing anxiety, and wishing at any cost to attract the attention&#13;
of Djalma, Faringhea approached still nearer to him, and, almost certain&#13;
of the effect of the words he was about to utter, said to him in a slow&#13;
and emphatic voice: "My lord, I am sure that you owe the happiness which&#13;
now transports you to Mdlle. de Cardoville."</p><p>Hardly had this name been pronounced, than Djalma started from his&#13;
chair, looked the half-breed full in the face, and exclaimed, as if only&#13;
just aware of his presence, "Faringhea! you here!--what is the matter?"</p><p>"Your faithful servant shares in your joy, my lord."</p><p>"What joy?"</p><p>"That which the letter of Mdlle. de Cardoville has occasioned, my lord."</p><p>Djalma returned no answer, but his eye shone with so much serene&#13;
happiness, that the half-caste recovered from his apprehensions. No&#13;
cloud of doubt or suspicion obscured the radiant features of the prince.&#13;
After a few moments of silence, Djalma fixed upon the half-caste a look&#13;
half-veiled with a tear of joy, and said to him, with the expression of&#13;
one whose heart overflows with love and happiness: "Oh! such delight is&#13;
good--great--like heaven!--for it is heaven which--"</p><p>"You deserve this happiness, my lord, after so many sufferings."</p><p>"What sufferings?--Oh! yes. I formerly suffered at Java; but that was&#13;
years ago."</p><p>"My lord, this great good fortune does not astonish me. What have I&#13;
always told you? Do not despair; feign a violent passion for some other&#13;
woman, and then this proud young lady--"</p><p>At these words Djalma looked at the half-caste with so piercing a&#13;
glance, that the latter stopped short; but the prince said to him with&#13;
affectionate goodness, "Go on! I listen."</p><p>Then, leaning his chin upon his hand, and his elbow on his knee, he&#13;
gazed so intently on Faringhea, and yet with such unutterable mildness,&#13;
that even that iron soul was touched for a moment with a slight feeling&#13;
of remorse.</p><p>"I was saying, my lord," he resumed, "that by following the counsels of&#13;
your faithful slave, who persuaded you to feign a passionate love for&#13;
another woman, you have brought the proud Mdlle. de Cardoville to come&#13;
to you. Did I not tell you it would be so?"</p><p>"Yes, you did tell me so," answered Djalma, still maintaining the same&#13;
position, and examining the half-caste with the same fixed and mild&#13;
attention.</p><p>The surprise of Faringhea increased; generally, the prince, without&#13;
treating him with the least harshness, preserved the somewhat distant&#13;
and imperious manners of their common country, and he had never before&#13;
spoken to him with such extreme mildness. Knowing all the evil he&#13;
had done the prince, and suspicious as the wicked must ever be, the&#13;
half-caste thought for a moment, that his master's apparent kindness&#13;
might conceal a snare. He continued, therefore, with less assurance,&#13;
"Believe me, my lord, this day, if you do but know how to profit by your&#13;
advantages, will console you for all your troubles, which have indeed&#13;
been great--for only yesterday, though you were generous enough to&#13;
forget it, only yesterday you suffered cruelly--but you were not alone&#13;
in your sufferings. This proud young lady suffered also!"</p><p>"Do you think so?" said Djalma.</p><p>"Oh! it is quite sure, my lord. What must she not have felt, when she&#13;
saw you at the theatre with another woman!--If she loved you only a&#13;
little, she must have been deeply wounded in her self-esteem; if she&#13;
loved you with passion, she must have been struck to the heart. At&#13;
length, you see, wearied out with suffering, she has come to you."</p><p>"So that, any way, she must have suffered--and that does not move your&#13;
pity?" said Djalma, in a constrained, but still very mild voice.</p><p>"Before thinking of others, my lord, I think of your distresses; and&#13;
they touch me too nearly to leave me any pity for other woes," added&#13;
Faringhea hypocritically, so greatly had the influence of Rodin already&#13;
modified the character of the Phansegar.</p><p>"It is strange!" said Djalma, speaking to himself, as he viewed the half&#13;
caste with a glance still kind but piercing.</p><p>"What is strange, my lord?"</p><p>"Nothing. But tell me, since your advice has hitherto prospered so well,&#13;
what think you of the future?"</p><p>"Of the future, my lord?"</p><p>"Yes; in an hour I shall be with Mdlle. de Cardoville."</p><p>"That is a serious matter, my lord. The whole future will depend upon&#13;
this interview."</p><p>"That is what I was just thinking."</p><p>"Believe me, my lord, women never love any so well, as the bold man who&#13;
spares them the embarrassment of a refusal."</p><p>"Explain more fully."</p><p>"Well, my lord, they despise the timid and languishing lover, who asks&#13;
humbly for what he might take by force."</p><p>"But to-day I shall meet Mdlle. de Cardoville for the first time."</p><p>"You have met her a thousand times in your dreams, my lord; and depend&#13;
upon it, she has seen you also in her dreams, since she loves you. Every&#13;
one of your amorous thoughts has found an echo in her heart. All your&#13;
ardent adorations have been responded to by her. Love has not two&#13;
languages, and, without meeting, you have said all that you had to say&#13;
to each other. Now, it is for you to act as her master, and she will be&#13;
yours entirely."</p><p>"It is strange--very strange!" said Djalma, a second time, without&#13;
removing his eyes from Faringhea's face.</p><p>Mistaking the sense which the prince attached to these words, the half&#13;
caste resumed: "Believe me, my lord, however strange it may appear, this&#13;
is the wisest course. Remember the past. Was it by playing the part of a&#13;
timid lover that you have brought to your feet this proud young lady,&#13;
my lord? No, it was by pretending to despise her, in favor of another&#13;
woman. Therefore, let us have no weakness. The lion does not woo like&#13;
the poor turtle-dove. What cares the sultan of the desert for a few&#13;
plaintive howls from the lioness, who is more pleased than angry at his&#13;
rude and wild caresses? Soon submissive, fearful and happy, she follows&#13;
in the track of her master. Believe me, my lord--try everything--dare&#13;
everything--and to-day you will become the adored sultan of this young&#13;
lady, whose beauty all Paris admires."</p><p>After some minutes' silence, Djalma, shaking his head with an expression&#13;
of tender pity, said to the half-caste, in his mild, sonorous voice:&#13;
"Why betray me thus? Why advise me thus wickedly to use violence,&#13;
terror, and surprise, towards an angel of purity, whom I respect as&#13;
my mother? Is it not enough for you to have been so long devoted to my&#13;
enemies, whose hatred has followed me from Java?"</p><p>Had Djalma sprung upon the half-caste with bloodshot eye, menacing&#13;
brow, and lifted poniard, the latter would have been less surprised,&#13;
and perhaps less frightened, than when he heard the prince speak of his&#13;
treachery in this tone of mild reproach.</p><p>He drew back hastily, as if about to stand on his guard. But Djalma&#13;
resumed, with the same gentleness, "Fear nothing. Yesterday I should&#13;
have killed you! But to-day happy love renders me too just, too merciful&#13;
for that. I pity you, without any feeling of bitterness--for you must&#13;
have been very unhappy, or you could not have become so wicked."</p><p>"My lord!" said the half-caste, with growing amazement.</p><p>"Yes, you must have suffered much, and met with little mercy, poor&#13;
creature, to have become so merciless, in your hate, and proof against&#13;
the sight of a happiness like mine. When I listened to you just now,&#13;
and saw the sad perseverance of your hatred, I felt the deepest&#13;
commiseration for you."</p><p>"I do not know, my lord--but--" stammered the half-caste, and was unable&#13;
to find words to proceed.</p><p>"Come, now--what harm have I ever done you?"</p><p>"None, my lord," answered Faringhea.</p><p>"Then why do you hate me thus? why pursue me with so much animosity? Was&#13;
it not enough to give me the perfidious counsel to feign a shameful love&#13;
for the young girl that was brought hither, and who quitted the house&#13;
disgusted at the miserable part she was to play?"</p><p>"Your feigned love for that young girl, my lord," replied Faringhea,&#13;
gradually recovering his presence of mind, "conquered the coldness of--"</p><p>"Do not say that," resumed the prince, interrupting him with the same&#13;
mildness. "If I enjoy this happiness, which makes me compassionate&#13;
towards you, and raises me above myself, it is because Mdlle de&#13;
Cardoville now knows that I have never for a moment ceased to love her&#13;
as she ought to be loved, with adoration and reverence. It was your&#13;
intention to have parted us forever, and you had nearly succeeded."</p><p>"If you think this of me, my lord, you must look upon me as your most&#13;
mortal enemy."</p><p>"Fear nothing, I tell you. I have no right to blame you. In the madness&#13;
of my grief, I listened to you and followed your advice. I was not only&#13;
your dupe, but your accomplice. Only confess that, when you saw me at&#13;
your mercy, dejected, crushed, despairing, it was cruel in you to advise&#13;
the course that might have been most fatal to me."</p><p>"The ardor of my zeal may have deceived me, my lord."</p><p>"I am willing to believe it. And yet again to-day there were the same&#13;
evil counsels. You had no more pity for my happiness than for my sorrow.&#13;
The rapture of my heart inspires you with only one desire--that of&#13;
changing this rapture into despair."</p><p>"I, my lord!"</p><p>"Yes, you. It was your intention to ruin me--to dishonor me forever in&#13;
the eyes of Mdlle. de Cardoville. Now, tell me--why this furious hate?&#13;
what have I done to you?"</p><p>"You misjudge me, my lord--and--"</p><p>"Listen to me. I do not wish you to be any longer wicked and&#13;
treacherous. I wish to make you good. In our country, they charm&#13;
serpents, and tame the wildest tigers. You are a man, with a mind to&#13;
reason, a heart to love, and I will tame you too by gentleness. This day&#13;
has bestowed on me divine happiness; you shall have good cause to bless&#13;
this day. What can I do for you? what would you have--gold? You shall&#13;
have it. Do you desire more than gold? Do you desire a friend, to&#13;
console you for the sorrows that made you wicked, and to teach you to&#13;
be good? Though a king's son, I will be that friend--in spite of the&#13;
evil--ay, because of the evil you have done me. Yes; I will be your&#13;
sincere friend, and it shall be my delight to say to myself: 'The day&#13;
on which I learned that my angel loved me, my happiness was great&#13;
indeed--for, in the morning, I had an implacable enemy, and, ere night,&#13;
his hatred was changed to friendship.' Believe me, Faringhea, misery&#13;
makes crime, but happiness produces virtue. Be happy!"</p><p>At this moment the clock struck two. The prince started. It was time to&#13;
go on his visit to Adrienne. The handsome countenance of Djalma, doubly&#13;
embellished by the mild, ineffable expression with which it had been&#13;
animated whilst he was talking to the half-caste, now seemed illumined&#13;
with almost divine radiance.</p><p>Approaching Faringhea, he extended his hand with the utmost, grace and&#13;
courtesy, saying to him, "Your hand!"</p><p>The half-caste, whose brow was bathed with a cold sweat, whose&#13;
countenance was pale and agitated, seemed to hesitate for an instant;&#13;
then, overawed, conquered, fascinated, he offered his trembling hand to&#13;
the prince, who pressed it, and said to him, in their country's fashion,&#13;
"You have laid your hand honestly in a friend's; this hand shall never&#13;
be closed against you. Faringhea, farewell! I now feel myself more&#13;
worthy to kneel before my angel."</p><p>And Djalma went out, on his way to the appointment with Adrienne. In&#13;
spite of his ferocity, in spite of the pitiless hate he bore to the&#13;
whole human race, the dark sectary of Bowanee was staggered by the noble&#13;
and clement words of Djalma, and said to himself, with terror, "I have&#13;
taken his hand. He is now sacred for me."</p><p>Then, after a moment's silence, a thought occurred to him, and he&#13;
exclaimed, "Yes--but he will not be sacred for him who, according to the&#13;
answer of last night, waits for him at the door of the house."</p><p>So saying, the half-caste hastened into the next room, which looked upon&#13;
the street, and, raising a corner of the curtain, muttered anxiously to&#13;
himself, "The carriage moves off--the man approaches. Perdition! it is&#13;
gone and I see no more."</p><p>CHAPTER XL. ANXIETY.</p><p>By a singular coincidence of ideas, Adrienne, like Djalma, had wished&#13;
to be dressed exactly in the same costume as at their interview in&#13;
the house in the Rue Blanche. For the site of this solemn meeting, so&#13;
important to her future happiness, Adrienne had chosen, with habitual&#13;
tact, the grand drawing-room of Cardoville House, in which hung many&#13;
family portraits. The most apparent were those of her father and mother.&#13;
The room was large and lofty, and furnished, like those which preceded&#13;
it, with all the imposing splendor of the age of Louis XIV. The ceiling,&#13;
painted by Lebrun, to represent the Triumph of Apollo, displayed his&#13;
bold designing and vigorous coloring, in the centre of a wide cornice,&#13;
magnificently carved and gilt, and supported at its angles by four&#13;
large gilt figures, representing the Seasons. Huge panels, covered&#13;
with crimson damask, and set in frames, served as the background to the&#13;
family portraits which adorned this apartment. It is easier to conceive&#13;
than describe the thousand conflicting emotions which agitated the bosom&#13;
of Mdlle. de Cardoville as the moment approached for her interview with&#13;
Djalma. Their meeting had been hitherto prevented by so many painful&#13;
obstacles, and Adrienne was so well aware of the vigilant and active&#13;
perfidy of her enemies, that even now she doubted of her happiness.&#13;
Every instant, in spite of herself, her eyes wandered to the clock.&#13;
A few minutes more, and the hour of the appointment would strike.&#13;
It struck at last. Every reverberation was echoed from the depth of&#13;
Adrienne's heart. She considered that Djalma's modest reserve had,&#13;
doubtless, prevented his coming before the moment fixed by herself. Far&#13;
from blaming this discretion, she fully appreciated it. But, from that&#13;
moment, at the least noise in the adjoining apartments, she held her&#13;
breath and listened with the anxiety of expectation.</p><p>For the first few minutes which followed the hour at which she expected&#13;
Djalma, Mdlle. de Cardoville felt no serious apprehension, and calmed&#13;
her impatience by the notion (which appears childish enough to those who&#13;
have never known the feverish agitation of waiting for a happy meeting),&#13;
that perhaps the clocks in the Rue Blanche might vary a little from&#13;
those in the Rue d'Anjou. But when this supposed variation, conceivable&#13;
enough in itself, could no longer explain a delay of a quarter of an&#13;
hour, of twenty minutes, of more, Adrienne felt her anxiety gradually&#13;
increase. Two or three times the young girl rose, with palpitating&#13;
heart, and went on tip-toe to listen at the door of the saloon. She&#13;
heard nothing. The clock struck half-past three.</p><p>Unable to suppress her growing terror, and clinging to a last hope,&#13;
Adrienne returned towards the fireplace and rang the bell. After which&#13;
she endeavored to compose her features, so as to betray no outward sign&#13;
of emotion. In a few seconds, a gray-haired footman, dressed in black,&#13;
opened the door, and waited in respectful silence for the orders of his&#13;
mistress. The latter said to him, in a calm voice, "Andrew, request Hebe&#13;
to give you the smelling bottle that I left on the chimney-piece in my&#13;
room, and bring it me here." Andrew bowed; but just as he was about&#13;
to withdraw to execute Adrienne's orders, which was only a pretext to&#13;
enable her to ask a question without appearing to attach much importance&#13;
to it in her servant's eyes, already informed of the expected visit of&#13;
the prince, Mdlle. de Cardoville added, with an air of indifference.&#13;
"Pray, is that clock right?"</p><p>Andrew drew out his watch, and replied as he cast his eyes upon it,&#13;
"Yes, mademoiselle. I set my watch by the Tuileries. It is more than&#13;
half past three."</p><p>"Very well--thank you!" said Adrienne kindly.</p><p>Andrew again bowed; but, before going out, he said to Adrienne, "I&#13;
forgot to tell you, lady, that Marshal Simon called about an hour ago;&#13;
but, as you were only to be at home to Prince Djalma, we told him that&#13;
you received no company."</p><p>"Very well," said Adrienne. With another low bow, Andrew quitted the&#13;
room, and all returned to silence.</p><p>For the precise reason that, up to the last minute of the hour previous&#13;
to the time fixed for her interview with Djalma, the hopes of&#13;
Adrienne had not been disturbed by the slightest shadow of doubt, the&#13;
disappointment she now felt was the more dreadful. Casting a desponding&#13;
look at one of the portraits placed above her, she murmured, with a&#13;
plaintive and despairing accent, "Oh, mother!"</p><p>Hardly had Mdlle. de Cardoville uttered the words than the windows were&#13;
slightly shaken by a carriage rolling into the courtyard. The young lady&#13;
started, and was unable to repress a low cry of joy. Her heart bounded&#13;
at the thought of meeting Djalma, for this time she felt that he was&#13;
really come. She was quite as certain of it as if she had seen him.&#13;
She resumed her seat and brushed away a tear suspended from her long&#13;
eyelashes. Her hand trembled like a leaf. The sound of several doors&#13;
opening and shutting proved that the young lady was right in her&#13;
conjecture. The gilded panels of the drawing-room door soon turned upon&#13;
their hinges, and the prince appeared.</p><p>While a second footman ushered in Djalma, Andrew placed on a gilded&#13;
table, within reach of his mistress, a little silver salver, on which&#13;
stood the crystal smelling-bottle. Then he withdrew, and the door of&#13;
the room was closed. The prince and Mdlle. de Cardoville were left alone&#13;
together.</p><p>CHAPTER XLI. ADRIENNE AND DJALMA.</p><p>The prince had slowly approached Mdlle. de Cardoville. Notwithstanding&#13;
the impetuosity of the Oriental's passions, his uncertain and timid&#13;
step--timid, yet graceful--betrayed his profound emotion. He did not&#13;
venture to lift his eyes to Adrienne's face; he had suddenly become very&#13;
pale, and his finely formed hands, folded over his bosom in the attitude&#13;
of adoration, trembled violently. With head bent down, he remained&#13;
standing at a little distance from Adrienne. This embarrassment,&#13;
ridiculous in any other person, appeared touching in this prince of&#13;
twenty years of age, endowed with an almost fabulous intrepidity, and of&#13;
so heroic and generous a character, that no traveller could speak of&#13;
the son of Kadja sing without a tribute of admiration and respect. Sweet&#13;
emotion! chaste reserve! doubly interesting if we consider that the&#13;
burning passions of this youth were all the more inflammable, because&#13;
they had hitherto been held in check.</p><p>No less embarrassed than her cousin, Adrienne de Cardoville remained&#13;
seated. Like Djalma, she cast down her eyes; but the burning blush on&#13;
her cheeks, the quick heaving of her virgin bosom, revealed an emotion&#13;
that she did not even attempt to hide. Notwithstanding the powers of her&#13;
mind, by turns gay, graceful, and witty--notwithstanding the decision of&#13;
her proud and independent character, and her complete acquaintance with&#13;
the manners of the world--Adrienne shared Djalma's simple and enchanting&#13;
awkwardness, and partook of that kind of temporary weakness, beneath&#13;
which these two pure, ardent, and loving beings appeared sinking--as if&#13;
unable to support the boiling agitation of the senses, combined with the&#13;
intoxicating excitement of the heart. And yet their eyes had not met.&#13;
Each seemed to fear the first electric shock of the other's glance--that&#13;
invincible attraction of two impassioned beings--that sacred fire, which&#13;
suddenly kindles the blood, and lifts two mortals from earth to heaven;&#13;
for it is to approach the Divinity to give one's self up with religious&#13;
fervor to the most noble and irresistible sentiment that He has&#13;
implanted within us--the only sentiment that, in His adorable wisdom,&#13;
the Dispenser of all good has vouchsafed to sanctify, by endowing it&#13;
with a spark of His own creative energy.</p><p>Djalma was the first to raise his eyes. They were moist and sparkling.&#13;
The excitement of passionate love, the burning ardor of his age, so long&#13;
repressed, the intense admiration in which he held ideal beauty, were&#13;
all expressed in his look, mingled with respectful timidity, and gave&#13;
to the countenance of this youth an undefinable, irresistible character.&#13;
Yes, irresistible!--for, when Adrienne encountered his glance, she&#13;
trembled in every limb, and felt herself attracted by a magnetic power.&#13;
Already, her eyes were heavy with a kind of intoxicating languor, when,&#13;
by a great effort of will and dignity, she succeeded in overcoming&#13;
this delicious confusion, rose from her chair, and said to Djalma in&#13;
a trembling voice: "Prince, I am happy to receive you here." Then,&#13;
pointing to one of the portraits suspended above her, she added, as if&#13;
introducing him to a living person: "Prince--my mother!"</p><p>With an instinct of rare delicacy, Adrienne had thus summoned her mother&#13;
to be present at her interview with Djalma. It seemed a security&#13;
for herself and the prince, against the seductions of a first&#13;
interview--which was likely to be all the more perilous, that they both&#13;
knew themselves madly loved that they both were free, and had only to&#13;
answer to Providence for the treasures of happiness and enjoyment&#13;
with which He had so magnificently endowed them. The prince understood&#13;
Adrienne's thoughts; so that, when the young lady pointed to the&#13;
portrait, Djalma, by a spontaneous movement full of grace and&#13;
simplicity, knelt down before the picture, and said to it in a gentle,&#13;
but manly voice: "I will love and revere you as my mother. And, in&#13;
thought, my mother too shall be present, and stand like you, beside your&#13;
child!"</p><p>No better answer could have been given to the feeling which induced&#13;
Mdlle. de Cardoville to place herself, as it were, under the protection&#13;
of her mother. From that moment, confident in Djalma, confident in&#13;
herself, the young lady felt more at her ease, and the delicious sense&#13;
of happiness replaced those exciting emotions, which had at first so&#13;
violently agitated her.</p><p>Then, seating herself once more, she said to Djalma, as she pointed to&#13;
the opposite chair: "Pray take a seat, my dear cousin; and allow me to&#13;
call you so, for there is too much ceremony in the word prince; and&#13;
do you call me cousin also, for I find other names too grave. Having&#13;
settled this point, we can talk together like old friends."</p><p>"Yes cousin," answered Djalma, blushing.</p><p>"And, as frankness is proper between friends," resumed Adrienne, "I have&#13;
first to make you a reproach," she added, with a half-smile.</p><p>The prince had remained standing, with his arm resting on the chimney&#13;
piece, in an attitude full of grace and respect.</p><p>"Yes, cousin," continued Adrienne, "a reproach, that you will perhaps&#13;
forgive me for making. I had expected you a little sooner."</p><p>"Perhaps, cousin, you may blame me for having come so soon."</p><p>"What do you mean?"</p><p>"At the moment when I left home, a man, whom I did not know, approached&#13;
my carriage, and said to me, with such an air of sincerity that I&#13;
believed him: 'You are able to save the life of a person who has been a&#13;
second father to you. Marshal Simon is in great danger, and, to rescue&#13;
him, you must follow me on the instant--'"</p><p>"It was a snare," cried Adrienne, hastily. "Marshal Simon was here,&#13;
scarcely an hour ago."</p><p>"Indeed!" exclaimed Djalma, joyfully, and as if he had been relieved&#13;
from a great weight. "Then there will be nothing to sadden this happy&#13;
day!"</p><p>"But, cousin," resumed Adrienne, "how came you not to suspect this&#13;
emissary?"</p><p>"Some words, which afterwards escaped from him, inspired me with&#13;
doubts," answered Djalma: "but at first I followed him, fearing the&#13;
marshal might be in danger--for I know that he also has enemies."</p><p>"Now that I reflect on it, you were quite right, cousin, for some new&#13;
plot against the marshal was probable enough; and the least doubt was&#13;
enough to induce you to go to him."</p><p>"I did so--even though you were waiting for me."</p><p>"It was a generous sacrifice; and my esteem for you is increased by it,&#13;
if it could be increased," said Adrienne, with emotion. "But what became&#13;
of this man?"</p><p>"At my desire, he got into the carriage with me. Anxious about the&#13;
marshal, and in despair at seeing the time wasted, that I was to have&#13;
passed with you, cousin, I pressed him with all sorts of questions.&#13;
Several times, he replied to me with embarrassment, and then the idea&#13;
struck me that the whole might be a snare. Remembering all that they had&#13;
already attempted, to ruin me in your opinion, I immediately changed&#13;
my course. The vexation of the man who accompanied me then because so&#13;
visible, that I ought to have had no doubt upon the subject. Still, when&#13;
I thought of Marshal Simon, I felt a kind of vague remorse, which you,&#13;
cousin, have now happily set at rest."</p><p>"Those people are implacable!" said Adrienne; "but our happiness will be&#13;
stronger than their hate."</p><p>After a moment's silence, she resumed, with her habitual frankness: "My&#13;
dear cousin, it is impossible for me to conceal what I have at heart.&#13;
Let us talk for a few seconds of the past, which was made so painful to&#13;
us, and then we will forget it forever, like an evil dream."</p><p>"I will answer you sincerely, at the risk of injuring myself," said the&#13;
prince.</p><p>"How could you make up your mind to exhibit yourself in public with--?"</p><p>"With that young girl?" interrupted Djalma.</p><p>"Yes, cousin," replied Mdlle. de Cardoville, and she waited for Djalma's&#13;
answer with anxious curiosity.</p><p>"A stranger to the customs of this country," said Djalma, without&#13;
any embarrassment, for he spoke the truth, "with a mind weakened&#13;
with despair, and misled by the fatal counsels of a man devoted to my&#13;
enemies, I believed, even as I was told, that, by displaying before&#13;
you the semblance of another love, I should excite your jealousy, and&#13;
thus--"</p><p>"Enough, cousin; I understand it all," said Adrienne hastily,&#13;
interrupting Djalma in her turn, that she might spare him a painful&#13;
confession. "I too must have been blinded by despair, not to have&#13;
seen through this wicked plot, especially after your rash and intrepid&#13;
action. To risk death for the sake of my bouquet!" added Adrienne,&#13;
shuddering at the mere remembrance. "But one last question," she&#13;
resumed, "though I am already sure of your answer. Did you receive a&#13;
letter that I wrote to you, on the morning of the day in which I saw you&#13;
at the theatre?"</p><p>Djalma made no reply. A dark cloud passed over his fine countenance,&#13;
and, for a second, his features assumed so menacing an expression, that&#13;
Adrienne was terrified at the effect produced by her words. But this&#13;
violent agitation soon passed away, and Djalma's brow became once more&#13;
calm and serene.</p><p>"I have been more merciful that I thought," said the prince to Adrienne,&#13;
who looked at him with astonishment. "I wished to come hither worthy of&#13;
you, my cousin. I pardoned the man who, to serve my enemies, had given&#13;
me all those fatal counsels. The same person, I am sure, must have&#13;
intercepted your letter. Just now, at the memory of the evils he thus&#13;
caused me, I, for a moment, regretted my clemency. But then, again, I&#13;
thought of your letter of yesterday--and my anger is all gone."</p><p>"Then the sad time of fear and suspicion is over--suspicion, that made&#13;
me doubt of your sentiments, and you of mine. Oh, yes! far removed from&#13;
us be that fatal past!" cried Adrienne de Cardoville, with deep joy..</p><p>Then, as if she had relieved her heart from the last thought of sadness,&#13;
she continued: "The future is all your own--the radiant future, without&#13;
cloud or obstacle, pure in the immensity of its horizon, and extending&#13;
beyond the reach of sight!"</p><p>It is impossible to describe the tone of enthusiastic hope which&#13;
accompanied these words. But suddenly Adrienne's features assumed an&#13;
expression of touching melancholy, and she added, in a voice of profound&#13;
emotion: "And yet--at this hour--so many unfortunate creatures suffer&#13;
pain!"</p><p>This simple touch of pity for the misfortunes of others, at the&#13;
moment when the noble maiden herself attained to the highest point of&#13;
happiness, had such an effect on Djalma, that involuntarily he fell&#13;
on his knees before Adrienne, clasped his hands together, and turned&#13;
towards her his fine countenance, with an almost daring expression.&#13;
Then, hiding his face in his hands, he bowed his head without speaking a&#13;
single word. There was a moment of deep silence. Adrienne was the first&#13;
to break it, as she saw a tear steal through the slender fingers of the&#13;
prince.</p><p>"My friend! what is the matter?" she exclaimed, as with a movement rapid&#13;
as thought, she stooped forward, and taking hold of Djalma's hands, drew&#13;
them from before his face. That face was bathed in tears.</p><p>"You weep!" cried Mdlle. de Cardoville, so much agitated that she kept&#13;
the hands of Djalma in her own; and, unable to dry his tears, the young&#13;
Hindoo allowed them to flow like so many drops of crystal over the pale&#13;
gold of his cheeks.</p><p>"There is not in this wide world a happiness like to mine!" said the&#13;
prince, in his soft, melodious voice, and with a kind of exhaustion:&#13;
"therefore do I feel great sadness, and so it should be. You give me&#13;
heaven--and were I to give you the whole earth, it would be but a poor&#13;
return. Alas! what can man do for a divinity, but humbly bless and&#13;
adore? He can never hope to return the gifts bestowed: and this makes&#13;
him suffer--not in his pride--but in his heart!"</p><p>Djalma did not exaggerate. He said what he really felt: and the rather&#13;
hyperbolical form, familiar to Oriental nations, could alone express his&#13;
thought. The tone of his regret was so sincere, his humility so gentle&#13;
and full of simplicity, that Adrienne, also moved to tears, answered him&#13;
with an effusion of serious tenderness, "My friend, we are both at&#13;
the supreme point of happiness. Our future felicity appears to have no&#13;
limits, and yet, though derived from different sources, sad reflections&#13;
have come to both of us. It is, you see, that there are some sorts of&#13;
happiness, which make you dizzy with their own immensity. For a moment,&#13;
the heart, the mind, the soul, are incapable of containing so much&#13;
bliss; it overflows and drowns us. Thus the flowers sometimes hang their&#13;
heads, oppressed by the too ardent rays of the sun, which is yet their&#13;
love and life. Oh, my friend! this sadness may be great, but it also&#13;
sweet!"</p><p>As she uttered these words, the voice of Adrienne grew fainter and&#13;
fainter, and her head bowed lower, as if she were indeed sinking beneath&#13;
the weight of her happiness. Djalma had remained kneeling before her,&#13;
his hands in hers--so that as she thus bent forward, her ivory forehead&#13;
and golden hair touched the amber-colored brow and ebon curls of Djalma.&#13;
And the sweet, silent tears of the two young lovers flowed together, and&#13;
mingled as they fell on their clasped hands.</p><p>Whilst this scene was passing in Cardoville House, Agricola had gone to&#13;
the Rue de Vaugirard, to deliver a letter from Adrienne to M. Hardy.</p><p>CHAPTER XLII. "THE IMITATION."</p><p>As we have already said, M. Hardy occupied a pavilion in the "Retreat"&#13;
annexed to the house in the Rue de Vaugirard, inhabited by a goodly&#13;
number of the reverend fathers of the Company of Jesus. Nothing could be&#13;
calmer and more silent than this dwelling. Every one spoke in whispers,&#13;
and the servants themselves had something oily in their words, something&#13;
sanctified in their very walk.</p><p>Like all that is subject to the chilling and destructive influences of&#13;
these men, this mournfully quiet house was entirely wanting in life&#13;
and animation. The boarders passed an existence of wearisome and icy&#13;
monotony, only broken by the use of certain devotional exercises;&#13;
and thus, in accordance with the selfish calculation of the reverend&#13;
fathers, the mind, deprived of all nourishment and all external support,&#13;
soon began to droop and pine away in solitude. The heart seemed to beat&#13;
more slowly, the soul was benumbed, the character weakened; at last,&#13;
all freewill, all power of discrimination, was extinguished, and the&#13;
boarders, submitting to the same process of self-annihilation as the&#13;
novices of the Company, became, like them, mere "corpses" in the hands&#13;
of the brotherhood.</p><p>The object of these manoeuvres was clear and simple. They secured the&#13;
means of obtaining all kinds of donations, the constant aim of the&#13;
skillful policy and merciless cupidity of these priests. By the aid of&#13;
enormous sums, of which they thus become the possessors or the trustees,&#13;
they follow out and obtain the success of their projects, even though&#13;
murder, incendiarism, revolt, and all the horrors of civil war, excited&#13;
by and through them, should drench in blood the lands over which they&#13;
seek to extend their dark dominion.</p><p>Such, then, was the asylum of peace and innocence in which Francois&#13;
Hardy had taken refuge. He occupied the ground-floor of a summer-house,&#13;
which opened upon a portion of the garden. His apartments had been&#13;
judiciously chosen, for we know with what profound and diabolical craft&#13;
the reverend fathers avail themselves of material influences, to make&#13;
a deep impression upon the minds they are moulding to their purpose.&#13;
Imagine a prospect bounded by a high wall, of a blackish gray,&#13;
half-covered with ivy, the plant peculiar to ruins. A dark avenue of&#13;
old yew-trees, so fit to shade the grave with their sepulchral verdure,&#13;
extended from this wall to a little semicircle, in front of the&#13;
apartment generally occupied by M. Hardy. Two or three mounds of earth,&#13;
bordered with box, symmetrically cut, completed the charms of this&#13;
garden, which in every respect resembled a cemetery.</p><p>It was about two o'clock in the afternoon. Though the April sun shone&#13;
brightly, its rays, intercepted by the high wall of which we have&#13;
spoken, could not penetrate into that portion of the garden, obscure,&#13;
damp, and cold as a cavern, which communicated with M. Hardy's&#13;
apartment. The room was furnished with a perfect sense of the&#13;
comfortable. A soft carpet covered the floor; thick curtains of dark&#13;
green baize, the same color as the walls, sheltered an excellent bed,&#13;
and hung in folds about the glass door, which opened on the garden. Some&#13;
pieces of mahogany furniture, plain, but very clean and bright, stood&#13;
round the room. Above the secretary, placed just in front of the&#13;
bed, was a large ivory crucifix, upon a black velvet ground. The&#13;
chimney-piece was adorned with a clock, in an ebony case, with&#13;
ivory ornaments representing all sorts of gloomy emblems, such as&#13;
hour-glasses, scythes, death's-heads, etc. Now imagine this scene in&#13;
twilight, with its solitary and mournful silence, only broken at the&#13;
hour of prayer by the lugubrious sound of the bells of the neighboring&#13;
chapel, and you will recognize the infernal skill, with which these&#13;
dangerous priests know how to turn to account every external object,&#13;
when they wish to influence the mind of those they are anxious to gain&#13;
over.</p><p>And this was not all. After appealing to the senses, it was necessary to&#13;
address themselves to the intellect--and this was the method adopted by&#13;
the reverend fathers. A single book--but one--was left, as if by chance,&#13;
within reach. This book was Thomas a Kempis' "Imitation." But as it&#13;
might happen that M. Hardy would not have the courage or the desire to&#13;
read this book, thoughts and reflections borrowed from its merciless&#13;
pages, and written in very large characters, were suspended in black&#13;
frames close to the bed, or at other parts within sight, so that,&#13;
involuntarily, in the sad leisure of his inactive dejection, the&#13;
dweller's eyes were almost necessarily attracted by them. To that fatal&#13;
circle of despairing thoughts they confined the already weakened mind of&#13;
this unfortunate man, so long a prey to the most acute sorrow. What&#13;
he read mechanically, every instant of the day and night, whenever the&#13;
blessed sleep fled from his eyes inflamed with tears, was not enough&#13;
merely to plunge the soul of the victim into incurable despair, but also&#13;
to reduce him to the corpse-like obedience required by the Society of&#13;
Jesus. In that awful book may be found a thousand terrors to operate&#13;
on weak minds, a thousand slavish maxims to chain and degrade the&#13;
pusillanimous soul.</p><p>And now imagine M. Hardy carried wounded into this house; while his&#13;
heart, torn by bitter grief and the sense of horrible treachery, bled&#13;
even faster than his external injuries. Attended with the utmost care,&#13;
and thanks to the acknowledged skill of Dr. Baleinier, M. Hardy soon&#13;
recovered from the hurts he had received when he threw himself into the&#13;
embers of his burning factory. Yet, in order to favor the projects&#13;
of the reverend fathers, a drug, harmless enough in its effects, but&#13;
destined to act for a time upon the mind of the patient, and often&#13;
employed for that purpose in similar important cases by the pious&#13;
doctor, was administered to Hardy, and had kept him pretty long in&#13;
a state of mental torpor. To a soul agonized by cruel deceptions, it&#13;
appears an inestimable benefit to be plunged into that kind of torpor,&#13;
which at least prevents one from dwelling upon the past.</p><p>Hardy resigned himself entirely to this profound apathy, and at length&#13;
came to regard it as the supreme good. Thus do unfortunate wretches,&#13;
tortured by cruel diseases, accept with gratitude the opiate which kills&#13;
them slowly, but which at least deadens the sense of pain.</p><p>In sketching the portrait of M. Hardy, we tried to give some idea of&#13;
the exquisite delicacy of his tender soul, of his painful susceptibility&#13;
with regard to anything base or wicked, and of his extreme goodness,&#13;
uprightness, and generosity. We now allude to these admirable qualities,&#13;
because we must observe, that with him, as with almost all who possess&#13;
them, they were not, and could not be, united with an energetic and&#13;
resolute character. Admirably persevering in good deeds, the influence&#13;
of this excellent man, was insinuating rather than commanding; it was&#13;
not by the bold energy and somewhat overbearing will, peculiar to other&#13;
men of great and noble heart, that Hardy had realized the prodigy of his&#13;
Common Dwelling-house; it was by affectionate persuasion, for with him&#13;
mildness took the place of force. At sight of any baseness or injustice,&#13;
he did not rouse himself, furious and threatening; but he suffered&#13;
intense pain. He did not boldly attack the criminal, but he turned&#13;
away from him in pity and sorrow. And then his loving heart, so full of&#13;
feminine delicacy, had an irresistible longing for the blessed contact&#13;
of dear affections; they alone could keep it alive. Even as a poor,&#13;
frail bird dies with the cold, when it can no longer lie close to its&#13;
brethren, and receive and communicate the sweet warmth of the maternal&#13;
nest. And now this sensitive organization, this extremely susceptible&#13;
nature, receives blow after blow from sorrows and deceptions, one of&#13;
which would suffice to shake, if it did not conquer, the firmest and&#13;
most resolute character. Hardy's best friend has infamously betrayed&#13;
him. His adored mistress has abandoned him.</p><p>The house which he had founded for the benefit of his workmen, whom he&#13;
loved as brethren, is reduced to a heap of ashes. What then happens? All&#13;
the springs of his soul are at once broken. Too feeble to resist&#13;
such frightful attacks, too fatally deceived to seek refuge in other&#13;
affections, too much discouraged to think of laying the first stone&#13;
of any new edifice--this poor heart, isolated from every salutary&#13;
influence, finds oblivion of the world and of itself in a kind of gloomy&#13;
torpor. And if some remaining instincts of life and affection, at&#13;
long intervals, endeavored to rouse themselves within him, and if,&#13;
half-opening his mind's eye, which he had kept closed against the&#13;
present, the past, and the future, Hardy looks around him--what does he&#13;
see? Only these sentences, so full of terrible despair:</p><p>"Thou art nothing but dust and ashes. Grief and tears art thy portion.&#13;
Believe not in any son of man. There are no such things as friendship or&#13;
ties of kindred. All human affections are false. Die in the morning, and&#13;
thou wilt be forgotten before night. Be humble--despise thyself--and&#13;
let others despise thee. Think not, reason not, live not--but commit&#13;
thy fate to the hands of a superior, who will think and reason for thee.&#13;
Weep, suffer, think upon death. Yes, death! always death--that should&#13;
be thy thought when thou thinkest--but it is better not to think at all.&#13;
Let a feeling of ceaseless woe prepare thy way to heaven. It is only by&#13;
sorrow that we are welcome to the terrible God whom we adore!"</p><p>Such were the consolations offered to this unfortunate man. Affrighted,&#13;
he again closed his eyes, and fell back into his lethargy. As for&#13;
leaving this gloomy retreat, he could not, or rather he did not desire&#13;
to do so. He had lost the power of will; and then, it must be confessed,&#13;
he had finished by getting accustomed to this house, and liked it&#13;
well--they paid him such discreet attentions, and yet left him so&#13;
much alone with his grief--there reigned all around such a death-like&#13;
silence, which harmonized closely with the silence of his heart; and&#13;
that was now the tomb of his last love, last friendship, last hope.&#13;
All energy was dead within him! Then began that slow, but inevitable&#13;
transformation, so judiciously foreseen by Rodin, who directed the whole&#13;
of this machination, even in its smallest details. At first alarmed&#13;
by the dreadful maxims which surrounded him, M. Hardy had at length&#13;
accustomed himself to read them over almost mechanically, just as the&#13;
captive, in his mournful hours of leisure, counts the nails in the door&#13;
of his prison, or the bars of the grated window. This was already a&#13;
great point gained by the reverend fathers.</p><p>And soon his weakened mind was struck with the apparent correctness of&#13;
these false and melancholy aphorisms.</p><p>Thus he read: "Do not count upon the affection of any human&#13;
creature"--and he had himself been shamefully betrayed.</p><p>"Man is born to sorrow and despair"--and he was himself despairing.</p><p>"There is no rest save in the cessation of thought"--and the slumber of&#13;
his mind had brought some relief to his pain.</p><p>Peepholes, skillfully concealed by the hangings and in the wainscoting&#13;
of these apartments, enabled the reverend fathers at all times to see&#13;
and hear the boarders, and above all to observe their countenance and&#13;
manner, when they believed themselves to be alone. Every exclamation of&#13;
grief which escaped Hardy in his gloomy solitude, was repeated to Father&#13;
d'Aigrigny by a mysterious listener. The reverend father, following&#13;
scrupulously Rodin's instructions, had at first visited his boarder very&#13;
rarely. We have said, that when Father d'Aigrigny wished it, he could&#13;
display an almost irresistible power of charming, and accordingly he&#13;
threw all his tact and skill into the interviews he had with Hardy,&#13;
when he came from time to time to inquire after his health. Informed of&#13;
everything by his spies, and aided by his natural sagacity, he soon saw&#13;
all the use that might be made of the physical and moral prostration of&#13;
the boarder. Certain beforehand that Hardy would not take the hint,&#13;
he spoke to him frequently of the gloom of the house, advising him&#13;
affectionately to leave it, if he felt oppressed by its monotony, or at&#13;
all events to seek beyond its walls for some pleasure and amusement.&#13;
To speak of pleasure and amusement to this unfortunate man, was in his&#13;
present state to insure a refusal, and so it of course happened. Father&#13;
d'Aigrigny did not at first try to gain the recluse's confidence, nor&#13;
did he speak to him of sorrow; but every time he came, he appeared to&#13;
take such a tender interest in him, and showed it by a few simple and&#13;
well timed words. By degrees, these interviews, at first so rare, became&#13;
more frequent and longer. Endowed with a flow of honeyed, insinuating,&#13;
and persuasive eloquence, Father d'Aigrigny naturally took for his&#13;
theme those gloomy maxims, to which Hardy's attention was now so often&#13;
directed.</p><p>Supple, prudent, skillful, knowing that the hermit had hitherto&#13;
professed that generous natural religion which teaches the grateful&#13;
adoration of God, the love of humanity, the worship of what is just and&#13;
good, and which, disdaining dogmas, professes the same veneration for&#13;
Marcus Aurelius as for Confucius, for Plato as for Christ, for Moses as&#13;
for Lycurgus--Father d'Aigrigny did not at first attempt to convert&#13;
him, but began by incessantly reminding him of the abominable deceptions&#13;
practised upon him; and, instead of describing such treachery as an&#13;
exception in life--instead of trying to calm, encourage, and revive&#13;
his drooping soul--instead of exhorting Hardy to seek oblivion and&#13;
consolation in the discharge of his duties toward humanity, towards his&#13;
brethren, whom he had previously loved and succored--Father d'Aigrigny&#13;
strove to inflame the bleeding wounds of the unfortunate man, painted&#13;
the human race in the most atrocious blackness, and, by declaring all&#13;
men treacherous, ungrateful, wicked, succeeded in rendering his despair&#13;
incurable. Having attained this object, the Jesuit took another step.&#13;
Knowing Hardy's admirable goodness of heart, and profiting by the&#13;
weakened state of his mind, he spoke to him of the consolation to be&#13;
derived by a man overwhelmed with sorrow, from the belief that every one&#13;
of his tears, instead of being unfruitful, was in fact agreeable to God,&#13;
and might aid in the salvation of souls--the belief, as the reverend&#13;
father adroitly added, that by faith alone can sorrow be made useful to&#13;
humanity, and acceptable to Divinity.</p><p>Whatever impiety, whatever atrocious Machiavelism there was in these&#13;
detestable maxims, which make of a loving-kind Deity a being delighted&#13;
with the tears of his creatures, was thus skillfully concealed from&#13;
Hardy's eyes, whose generous instincts were still alive. Soon did this&#13;
loving and tender soul, whom unworthy priests were driving to a sort of&#13;
moral suicide, find a mournful charm in the fiction, that his sorrows&#13;
would at least be profitable to other men. It was at first only a&#13;
fiction; but the enfeebled mind which takes pleasure in such a fable,&#13;
finishes by receiving it as a reality, and by degrees will submit to the&#13;
consequences. Such was Hardy's moral and physical state, when, by means&#13;
of a servant who had been bought over, he received from Agricola Baudoin&#13;
a letter requesting an interview. Alone, the workman could not have&#13;
broken the band of the Jesuit's pleadings, but he was accompanied by&#13;
Gabriel, whose eloquence and reasonings were of a most convincing nature&#13;
to a spirit like Hardy's.</p><p>It is unnecessary to point out to the reader, with what dignified&#13;
reserve Gabriel had confined himself to the most generous means of&#13;
rescuing Hardy from the deadly influence of the reverend fathers. It&#13;
was repugnant to the great soul of the young missionary, to stoop to&#13;
a revelation of the odious plots of these priests. He would only have&#13;
taken this extreme course, had his powerful and sympathetic words have&#13;
failed to have any effect on Hardy's blindness. About a quarter of an&#13;
hour had elapsed since Gabriel's departure, when the servant appointed&#13;
to wait on this boarder of the reverend fathers entered and delivered to&#13;
him a letter.</p><p>"From whom is this?" asked Hardy.</p><p>"From a boarder in the house, sir," answered the servant bowing.</p><p>This man had a crafty hypocritical face; he wore his hair combed over&#13;
his forehead, spoke in a low voice, and always cast clown his eyes.&#13;
Waiting the answer, he joined his hands, and began to twiddle his&#13;
thumbs. Hardy opened the letter, and read as follows:</p><p>"SIR,--I have only just heard, by mere chance, that you also inhabit&#13;
this respectable house: a long illness, and the retirement in which I&#13;
live, will explain my ignorance of your being so near. Though we have&#13;
only met once, sir, the circumstance which led to that meeting was of so&#13;
serious a nature, that I cannot think you have forgotten it."</p><p>Hardy stopped, and tasked his memory for an explanation, and not finding&#13;
anything to put him on the right track, he continued to read:</p><p>"This circumstance excited in me a feeling of such deep and respectful&#13;
sympathy for you, sir, that I cannot resist my anxious desire to wait&#13;
upon you, particularly as I learn, that you intend leaving this house to&#13;
day--a piece of information I have just derived from the excellent and&#13;
worthy Abbe Gabriel, one of the men I most love, esteem, and reverence.&#13;
May I venture to hope, sir, that just at the moment of quitting our&#13;
common retreat to return to the world, you will deign to receive&#13;
favorably the request, however intrusive, of a poor old man, whose life&#13;
will henceforth be passed in solitude, and who cannot therefore have&#13;
any prospect of meeting you, in that vortex of society which he has&#13;
abandoned forever. Waiting the honor of your answer, I beg you to&#13;
accept, sir, the assurance of the sentiments of high esteem with which I&#13;
remain, sir, with the deepest respect,</p><p>"Your very humble and most obedient servant,</p><p>"RODIN."</p><p>After reading this letter and the signature of the writer, Hardy&#13;
remained for some time in deep thought, without being able to recollect&#13;
the name of Rodin, or to what serious circumstances he alluded.</p><p>After a silence of some duration, he said to the servant "M. Rodin gave&#13;
you this letter?"</p><p>"Yes, sir."</p><p>"And who is M. Rodin?"</p><p>"A good old gentleman, who is just recovering from a long illness, that&#13;
almost carried him off. Lately, he has been getting better, but he is&#13;
still so weak and melancholy, that it makes one sad to see him. It is a&#13;
great pity, for there is not a better and more worthy gentleman in the&#13;
house--unless it be you, sir," added the servant, bowing with an air of&#13;
flattering respect.</p><p>"M. Rodin;" said Hardy, thoughtfully. "It is singular, that I should not&#13;
remember the name nor any circumstance connected with it."</p><p>"If you will give me your answer, sir," resumed the servant, "I will&#13;
take it to M. Rodin. He is now with Father d'Aigrigny, to whom he is&#13;
bidding farewell."</p><p>"Farewell?"</p><p>"Yes, sir, the post-horses have just come."</p><p>"Post-horses for whom?" asked Hardy.</p><p>"For Father d'Aigrigny, sir."</p><p>"He is going on a journey then!" said Hardy, with some surprise.</p><p>"Oh! he will not, I think be long absent," said the servant, with a&#13;
confidential air, "for the reverend father takes no one with him, and&#13;
but very light luggage. No doubt, the reverend father will come to say&#13;
farewell to you, sir, before he starts. But what answer shall I give M.&#13;
Rodin?"</p><p>The letter, just received, was couched in such polite terms--it spoke&#13;
of Gabriel with so much respect--that Hardy, urged moreover by a natural&#13;
curiosity, and seeing no motive to refuse this interview before quitting&#13;
the house, said to the servant: "Please tell M. Rodin, that if he will&#13;
give himself the trouble to come to me, I shall be glad to see him."</p><p>"I will let him know immediately, sir," answered the servant, bowing as&#13;
he left the room.</p><p>When alone, Hardy, while wondering who this M. Rodin could be, began&#13;
to make some slight preparations for his departure. For nothing in the&#13;
world would he have passed another night in this house; and, in order&#13;
to keep up his courage, he recalled every instant the mild, evangelical&#13;
language of Gabriel, just as the superstitious recite certain litanies,&#13;
with a view of escaping from temptation.</p><p>The servant soon returned, and said: "M. Rodin is here, sir."</p><p>"Beg him to walk in."</p><p>Rodin entered, clad in his long black dressing-gown, and with his&#13;
old silk cap in his hand. The servant then withdrew. The day was just&#13;
closing. Hardy rose to meet Rodin, whose features he did not at first&#13;
distinguish. But as the reverend father approached the window, Hardy&#13;
looked narrowly at him for an instant, and then uttered an exclamation,&#13;
wrung from him by surprise and painful remembrance. But, recovering&#13;
himself from this first movement, Hardy said to the Jesuit, in an&#13;
agitated voice: "You here, sir? Oh, you are right! It was indeed a very&#13;
serious circumstance that first brought us together."</p><p>"Oh, my dear sir!" said Rodin, in a kindly and unctuous tone; "I was&#13;
sure you would not have forgotten me."</p><p>CHAPTER XLIII. PRAYER.</p><p>It will doubtless be remembered that Rodin had gone (although a stranger&#13;
to Hardy) to visit him at his factory, and inform him of De Blessac's&#13;
shameful treachery--a dreadful blow, which had only preceded by a few&#13;
moments a second no less horrible misfortune; for it was in the presence&#13;
of Rodin that Hardy had learned the unexpected departure of the woman&#13;
he adored. Painful to him must have been the sudden appearance of&#13;
Rodin. Yes, thanks to the salutary influence of Gabriel's counsels, he&#13;
recovered himself by degrees, and the contraction of his features being&#13;
succeeded by a melancholy calm, he said to Rodin: "I did not indeed&#13;
expect to meet you, sir, in this house."</p><p>"Alas, sir!" answered Rodin, with a sigh, "I did not expect to come&#13;
hither, probably to end my days beneath this roof, when I went, without&#13;
being acquainted with you, but only as one honest man should serve&#13;
another, to unveil to you a great infamy."</p><p>"Indeed, sir, you then rendered me a true service; perhaps, in that&#13;
painful moment, I did not fully express my gratitude; for, at the same&#13;
moment in which you revealed to me the treachery of M. de Blessac--"</p><p>"You were overwhelmed by another piece of painful intelligence," said&#13;
Rodin, interrupting M. Hardy; "I shall never forget the sudden arrival&#13;
of that poor woman, who, pale and affrighted, and without considering my&#13;
presence, came to inform you that a person who was exceedingly dear to&#13;
you had quitted Paris abruptly."</p><p>"Yes, sir; and, without stopping to thank you, I set out immediately,"&#13;
answered Hardy, with a mournful air.</p><p>"Do you know, sir," said Rodin, after a moment's silence, "that there&#13;
are sometimes very strange coincidences?"</p><p>"To what do you allude, sir?"</p><p>"While I went to inform you that you were betrayed in so infamous a&#13;
manner--I was myself--"</p><p>Rodin paused, as if unable to control his deep emotion, and his&#13;
countenance wore the expression of such overpowering grief that Hardy&#13;
said to him, with interest: "What ails you, sir?"</p><p>"Forgive me," replied Rodin, with a bitter smile. "Thanks to the&#13;
ghostly counsels of the angelic Abbe Gabriel, I have reached a sort of&#13;
resignation. Still, there are certain memories which affect me with the&#13;
most acute pain. I told you," resumed Rodin, in a firmer voice, "or was&#13;
going to tell you, that the very day after that on which I informed you&#13;
of the treachery practised against you, I was myself the victim of a&#13;
frightful deception. An adopted son--a poor unfortunate child, whom&#13;
I had brought up--" He paused again, drew his trembling hand over his&#13;
eyes, and added: "Pardon me, sir, for speaking of matters which must&#13;
be indifferent to you. Excuse the intrusive sorrow of a poor, broken&#13;
hearted old man!"</p><p>"I have suffered too much myself, sir, to be indifferent to any kind of&#13;
sorrow," replied Hardy. "Besides, you are no stranger to me--for you&#13;
did me a real service--and we both agree in our veneration for the same&#13;
young priest."</p><p>"The Abbe Gabriel!" cried Rodin, interrupting Hardy; "ah, sir! he is my&#13;
deliverer, my benefactor. If you knew all his care and devotion, during&#13;
my long illness, caused by intense grief--if you knew the ineffable&#13;
sweetness of his counsels--"</p><p>"I know them, sir," cried Hardy; "oh, yes! I know how salutary is the&#13;
influence."</p><p>"In his mouth, sir, the precepts of religion are full of mildness,"&#13;
resumed Rodin, with excitement. "Do they not heal and console? do they&#13;
not make us love and hope, instead of fear and tremble?"</p><p>"Alas, sir! in this very house," said Hardy, "I have been able to make&#13;
the comparison."</p><p>"I was happy enough," said Rodin, "to have the angelic Abbe Gabriel for&#13;
my confessor, or, rather, my confidant."</p><p>"Yes," replied Hardy, "for he prefers confidence to confession."</p><p>"How well you know him!" said Rodin, in a tone of the utmost simplicity.&#13;
Then he resumed: "He is not a man but an angel. His words would convert&#13;
the most hardened sinner. Without being exactly impious, I had myself&#13;
lived in the profession of what is called Natural Religion; but the&#13;
angelic Abbe Gabriel has, by degrees, fixed my wavering belief, given it&#13;
body and soul, and, in fact, endowed me with faith."</p><p>"Yes! he is a truly Christian priest--a priest of love and pardon!"&#13;
cried Hardy.</p><p>"What you say is perfectly true," replied Rodin; "for I came here almost&#13;
mad with grief, thinking only of the unhappy boy who had repaid my&#13;
paternal goodness with the most monstrous ingratitude, and sometimes I&#13;
yielded to violent bursts of despair, and sometimes sank into a state&#13;
of mournful dejection, cold as the grave itself. But, suddenly, the&#13;
Abbe Gabriel appeared--and the darkness fled before the dawning of a new&#13;
day."</p><p>"You were right, sir; there are strange coincidences," said Hardy,&#13;
yielding more and more to the feeling of confidence and sympathy,&#13;
produced by the resemblance of his real position to Rodin's pretended&#13;
one. "And to speak frankly," he added, "I am very glad I have seen you&#13;
before quitting this house. Were I capable of falling back into fits of&#13;
cowardly weakness, your example alone would prevent me. Since I listen&#13;
to you, I feel myself stronger in the noble path which the angelic Abbe&#13;
Gabriel has opened before me, as you so well express it."</p><p>"The poor old man will not then regret having listened to the first&#13;
impulse of his heart, which urged him to come to you," said Robin, with&#13;
a touching expression. "You will sometimes remember me in that world to&#13;
which you are returning?"</p><p>"Be sure of it, sir; but allow me to ask one question: You remain, you&#13;
say, in this house?"</p><p>"What would you have me do? There reigns here a calm repose, and one is&#13;
not disturbed in one's prayers," said Rodin, in a very gentle tone. "You&#13;
see, I have suffered so much--the conduct of that unhappy youth was&#13;
so horrible--he plunged into such shocking excesses--that the wrath of&#13;
heaven must be kindled against him. Now I am very old, and it is only by&#13;
passing the few days that are left me in fervent prayer that I can hope&#13;
to disarm the just anger of the Lord. Oh! prayer--prayer! It was&#13;
the Abbe Gabriel who revealed to me all its power and sweetness--and&#13;
therewith the formidable duties it imposes."</p><p>"Its duties are indeed great and sacred," answered Hardy, with a pensive&#13;
air.</p><p>"Do you remember the life of Rancey?" said Rodin, abruptly, as he darted&#13;
a peculiar glance at Hardy.</p><p>"The founder of La Trappe?" said Hardy, surprised at Rodin's question.&#13;
"I remember hearing a very vague account, some time ago, of the motives&#13;
of his conversion."</p><p>"There is, mark you, no more striking an example of the power of prayer,&#13;
and of the state of almost divine ecstasy, to which it may lead a&#13;
religious soul. In a few words, I will relate to you this instructive&#13;
and tragic history. Rancey--but I beg your pardon; I fear I am&#13;
trespassing on your time."</p><p>"No, no," answered Hardy, hastily; "You cannot think how interested I&#13;
am in what you tell me. My interview with the Abbe Gabriel was abruptly&#13;
broken off, and in listening to you I fancy that I hear the further&#13;
development of his views. Go on, I conjure you.</p><p>"With all my heart. I only wish that the instruction which, thanks&#13;
to our angelic priest, I derived from the story of Rancey might be as&#13;
profitable to you as it was to me."</p><p>"This, then, also came from the Abbe Gabriel?"</p><p>"He related to me this kind of parable in support of his exhortations,"&#13;
replied Rodin. "Oh, sir! do I not owe to the consoling words of that&#13;
young priest all that has strengthened and revived my poor old broken&#13;
heart?"</p><p>"Then I shall listen to you with a double interest."</p><p>"Rancey was a man of the world," resumed Rodin, as he looked attentively&#13;
at Hardy; "a gentleman--young, ardent, handsome. He loved a young lady&#13;
of high rank. I cannot tell what impediments stood in the way of their&#13;
union. But this love, though successful, was kept secret, and every&#13;
evening Rancey visited his mistress by means of a private staircase. It&#13;
was, they say, one of those passionate loves which men feel but once&#13;
in their lives. The mystery, even the sacrifice made by the unfortunate&#13;
girl, who forgot every duty, seemed to give new charms to this guilty&#13;
passion. In the silence and darkness of secrecy, these two lovers passed&#13;
two years of voluptuous delirium, which amounted almost to ecstasy."</p><p>At these words Hardy started. For the first time of late his brow was&#13;
suffused with a deep blush; his heart throbbed violently; he remembered&#13;
that he too had once known the ardent intoxication of a guilty and&#13;
hidden love. Though the day was closing rapidly, Rodin cast a sidelong&#13;
glance at Hardy, and perceived the impression he had made. "Some&#13;
times," he continued, "thinking of the dangers to which his mistress&#13;
was exposed, if their connection should be discovered, Rancey wished to&#13;
sever these delicious ties; but the girl, beside herself with passion,&#13;
threw herself on the neck of her lover, and threatened him, in the&#13;
language of intense excitement, to reveal and to brave all, if he&#13;
thought of leaving her. Too weak and loving to resist the prayers of his&#13;
mistress, Rancey again and again yielded, and they both gave themselves&#13;
up to a torrent of delight, which carried them along, forgetful of earth&#13;
and heaven!"</p><p>M. Hardy listened to Rodin with feverish and devouring avidity. The&#13;
Jesuit, in painting, with these almost sensual colors, an ardent and&#13;
secret love, revived in Hardy burning memories, which till now had been&#13;
drowned in tears. To the beneficent calm produced by the mild language&#13;
of Gabriel had succeeded a painful agitation, which, mingled with the&#13;
reaction of the shocks received that day, began to throw his mind into a&#13;
strange state of confusion.</p><p>Rodin, having so far succeeded in his object, continued as follows: "A&#13;
fatal day came at last. Rancey, obliged to go to the wars, quitted the&#13;
girl; but, after a short campaign, he returned, more in love than ever.&#13;
He had written privately, to say he would arrive almost immediately&#13;
after his letter. He came accordingly. It was night. He ascended, as&#13;
usual, the private staircase which led to the chamber of his mistress;&#13;
he entered the room, his heart beating with love and hope. His mistress&#13;
had died that morning!"</p><p>"Ah!" cried Hardy, covering his face with his hands, in terror.</p><p>"She was dead," resumed Rodin. "Two wax-candles were burning beside the&#13;
funeral couch. Rancey could not, would not believe that she was dead.&#13;
He threw himself on his knees by the corpse. In his delirium, he seized&#13;
that fair, beloved head, to cover it with kisses. The head parted from&#13;
the body, and remained in his hands! Yes," resumed Rodin as Hardy drew&#13;
back, pale and mute with terror, "yes, the girl had fallen a victim&#13;
to so swift and extraordinary a disease, that she had not been able to&#13;
receive the last sacraments. After her death, the doctors, in the hope&#13;
of discovering the cause of this unknown malady, had begun to dissect&#13;
that fair form--"</p><p>As Rodin reached this part of his narrative, night was almost come.&#13;
A sort of hazy twilight alone reigned in this silent chamber, in the&#13;
centre of which appeared the pale and ghastly form of Rodin, clad in his&#13;
long black gown, whilst his eyes seemed to sparkle with diabolic fire.&#13;
Overcome by the violent emotions occasioned by this story, in which&#13;
thoughts of death and voluptuousness, love and horror, were so strangely&#13;
mingled, Hardy remained fixed and motionless, waiting for the words of&#13;
Rodin, with a combination of curiosity, anguish and alarm.</p><p>"And Rancey?" said he, at last, in an agitated voice, whilst he wiped&#13;
the cold sweat from his brow.</p><p>"After two days of furious delirium," resumed Rodin, "he renounced the&#13;
world, and shut himself up in impenetrable solitude. The first period&#13;
of his retreat was frightful; in his despair, he uttered loud yells of&#13;
grief and rage, that were audible at some distance. Twice he attempted&#13;
suicide, to escape from the terrible visions."</p><p>"He had visions, then?" said Hardy, with an increased agony of&#13;
curiosity.</p><p>"Yes," replied Rodin, in a solemn tone, "he had fearful visions. He saw&#13;
the girl, who, for his sake, had died in mortal sin, plunged in the&#13;
heat of the everlasting flames of hell! On that fair face, disfigured by&#13;
infernal tortures, was stamped the despairing laugh of the damned! Her&#13;
teeth gnashed with pain; her arms writhed in anguish! She wept tears&#13;
of blood, and, with an agonized and avenging voice, she cried to her&#13;
seducer: 'Thou art the cause of my perdition--my curse, my curse be upon&#13;
thee!'"</p><p>As he pronounced these last words, Rodin advanced three steps nearer to&#13;
Hardy, accompanying each step with a menacing gesture. If we remember&#13;
the state of weakness, trouble, and fear, in which M. Hardy was--if we&#13;
remember that the Jesuit had just roused in the soul of this unfortunate&#13;
man all the sensual and spiritual memories of a love, cooled, but not&#13;
extinguished, in tears--if we remember, too, that Hardy reproached&#13;
himself with the seduction of a beloved object, whom her departure from&#13;
her duties might (according to the Catholic faith) doom to&#13;
everlasting flames--we shall not wonder at the terrible effect of this&#13;
phantasmagoria, conjured up in silence and solitude, in the evening&#13;
dusk, by this fearful priest.</p><p>The effect on Hardy was indeed striking, and the more dangerous, that&#13;
the Jesuit, with diabolical craft, seemed only to be carrying out, from&#13;
another point of view, the ideas of Gabriel. Had not the young&#13;
priest convinced Hardy that nothing is sweeter, than to ask of heaven&#13;
forgiveness for those who have sinned, or whom we have led astray? But&#13;
forgiveness implies punishment; and it was to the punishment alone that&#13;
Rodin drew the attention of his victim, by painting it in these terrible&#13;
hues. With hands clasped together, and eye fixed and dilated, Hardy&#13;
trembled in all his limbs, and seemed still listening to Rodin, though&#13;
the latter had ceased to speak. Mechanically, he repeated: "My curse, my&#13;
curse be upon thee?"</p><p>Then suddenly he exclaimed, in a kind of frenzy: "The curse is on me&#13;
also! The woman, whom I taught to forget her sacred duties, and to&#13;
commit mortal sin--one day plunged in the everlasting flames--her arms&#13;
writhing in agony--weeping tears of blood--will cry to me from the&#13;
bottomless pit: 'My curse, my curse be upon thee!'--One day," he&#13;
added, with redoubled terror, "one day?--who knows? perhaps at&#13;
this moment!--for if the sea voyage had been fatal to her--if a&#13;
shipwreck--oh, God! she too would have died in mortal sin--lost, lost,&#13;
forever!--Oh, have mercy on her, my God! Crush me in Thy wrath--but have&#13;
mercy on her--for I alone am guilty!"</p><p>And the unfortunate man, almost delirious, sank with clasped hands upon&#13;
the ground.</p><p>"Sir," cried Rodin, in an affectionate voice, as he hastened to lift him&#13;
up, "my dear sir--my dear friend--be calm! Comfort yourself. I cannot&#13;
bear to see you despond. Alas! my intention was quite the contrary to&#13;
that."</p><p>"The curse! the curse! yes, she will curse me also--she, that I loved&#13;
so much--in the everlasting flames!" murmured Hardy, shuddering, and&#13;
apparently insensible to the other's words.</p><p>"But, my dear sir, listen to me, I entreat you," resumed the latter;&#13;
"let me finish my story, and then you will find it as consoling as it&#13;
now seems terrible. For heaven's sake, remember the adorable words of&#13;
our angelic Abbe Gabriel, with regard to the sweetness of prayer."</p><p>At the name of Gabriel, Hardy recovered himself a little, and exclaimed,&#13;
in a heart-rending tone: "Ay! his words were sweet and beneficent. Where&#13;
are they now? For mercy's sake, repeat to me those consoling words."</p><p>"Our angelic Abbe Gabriel," resumed Rodin, "spoke to you of the&#13;
sweetness of prayer--"</p><p>"Oh, yes! prayer!"</p><p>"Well, my dear sir, listen to me, and you shall see how prayer saved&#13;
Rancey, and made a saint of him. Yes, these frightful torments, that I&#13;
have just described, these threatening visions, were all conquered by&#13;
prayer, and changed into celestial delights."</p><p>"I beg of you," said Hardy, in a faint voice, "speak to me of Gabriel,&#13;
speak to me of heaven--but no more flames--no more hell--where sinful&#13;
women weep tears of blood--"</p><p>"No, no," replied Rodin; and even as, in describing hell, his tone had&#13;
been harsh and threatening, it now became warm and tender, as he uttered&#13;
the following words: "No; we will have no more images of despair--for,&#13;
as I have told you, after suffering infernal tortures, Rancey, thanks to&#13;
the power of prayer, enjoyed the delights of paradise."</p><p>"The delights of paradise?" repeated Hardy, listening with anxious&#13;
attention.</p><p>"One day, at the height of his grief, a priest, a good priest--another&#13;
Abbe Gabriel--came to Rancey. Oh, happiness! oh, providential change! In&#13;
a few days, he taught the sufferer the sacred mysteries of prayer--that&#13;
pious intercession of the creature, addressed to the Creator, in&#13;
favor of a soul exposed to the wrath of heaven. Then Rancey seemed&#13;
transformed. His grief was at once appeased. He prayed; and the more&#13;
he prayed, the greater was his hope. He felt that God listened to his&#13;
prayer. Instead of trying to forget his beloved, he now thought of her&#13;
constantly, and prayed for her salvation. Happy in his obscure cell,&#13;
alone with that adored remembrance, he passed days and nights in praying&#13;
for her--plunged in an ineffable, burning, I had almost said amorous&#13;
ecstasy."</p><p>It is impossible to give an idea of the tone of almost sensual energy&#13;
with which Rodin pronounced the word "amorous." Hardy started, changing&#13;
from hot to cold. For the first time, his weakened mind caught a glimpse&#13;
of the fatal pleasures of asceticism, and of that deplorable catalepsy,&#13;
described in the lives of St. Theresa, St. Aubierge and others.</p><p>Rodin perceived the other's thoughts, and continued "Oh, Rancey was not&#13;
now the man to content himself with a vague, passing prayer, uttered in&#13;
the whirl of the world's business, which swallows it up, and prevents&#13;
it from reaching the ear of heaven. No, no; in the depth of solitude, he&#13;
endeavored to make his prayers even more efficacious, so ardently did he&#13;
desire the eternal salvation of his mistress."</p><p>"What did he do then--oh! what did he do in his solitude?" cried Hardy,&#13;
who was now powerless in the hands of the Jesuit.</p><p>"First of all," said Rodin, with a slight emphasis, "he became a monk."</p><p>"A monk!" repeated Hardy, with a pensive air.</p><p>"Yes," resumed Rodin, "he became a monk, because his prayers were thus&#13;
more likely to be favorably accepted. And then, as in solitude our&#13;
thoughts are apt to wander, he fasted, and mortified his flesh, and&#13;
brought into subjection all that was carnal within him, so that,&#13;
becoming all spirit, his prayers might issue like a pure flame from his&#13;
bosom, and ascend like the perfume of incense to the throne of the Most&#13;
High!"</p><p>"Oh! what a delicious dream!" cried Hardy, more and more under the&#13;
influence of the spell; "to pray for the woman we have adored, and to&#13;
become spirit--perfume--light!"</p><p>"Yes; spirit, perfume, light!" said Rodin, with emphasis. "But it is no&#13;
dream. How many monks, how many hermits, like Rancey, have, by prayers,&#13;
and austerity, and macerations, attained a divine ecstasy! and if you&#13;
only knew the celestial pleasures of such ecstasies!--Thus, after he&#13;
became a monk, the terrible dreams were succeeded by enchanting visions.&#13;
Many times, after a day of fasting, and a night passed in prayers and&#13;
macerations, Rancey sank down exhausted on the floor of his cell! Then&#13;
the spirit freed itself from the vile clogs of matter. His senses were&#13;
absorbed in pleasure; the sound of heavenly harmony struck upon his&#13;
ravished car; a bright, mild light, which was not of this world,&#13;
dawned upon his half-closed eyes; and, at the height of the melodious&#13;
vibrations of the golden harps of the Seraphim, in the centre of a&#13;
glory, compared to which the sun is pale, the monk beheld the image of&#13;
that beloved woman--"</p><p>"Whom by his prayers he had at length rescued from the eternal flames?"&#13;
said Hardy, in a trembling voice.</p><p>"Yes, herself," replied Rodin, with eloquent enthusiasm, for this&#13;
monster was skilled in every style of speech. "Thanks to the prayers of&#13;
her lover, which the Lord had granted, this woman no longer shed tears&#13;
of blood--no longer writhed her beautiful arms in the convulsions of&#13;
infernal anguish. No, no; still fair--oh! a thousand times fairer than&#13;
when she dwelt on earth--fair with the everlasting beauty of angels--she&#13;
smiled on her lover with ineffable ardor, and, her eyes beaming with a&#13;
mild radiance, she said to him in a tender and passionate voice: 'Glory&#13;
to the Lord! glory to thee, O my beloved! Thy prayers and austerities&#13;
have saved me. I am numbered amongst the chosen. Thanks, my beloved, and&#13;
glory!'--And therewith, radiant in her felicity, she stooped to&#13;
kiss, with lips fragrant with immortality, the lips of the enraptured&#13;
monk--and their souls mingled in that kiss, burning as love, chaste as&#13;
divine grace immense as eternity!"</p><p>"Oh!" cried Hardy, completely beside himself; "a whole life of prayer,&#13;
fasting, torture, for such a moment--with her, whom I mourn--with her,&#13;
whom I have perhaps led to perdition!"</p><p>"What do you say? such a moment!" cried Rodin, whose yellow forehead was&#13;
bathed in sweat like that of a magnetizer, and who now took Hardy by&#13;
the hand, and drew still closer, as if to breathe into him the burning&#13;
delirium; "it was not once in his religious life--it was almost every&#13;
day, that Rancey, plunged in divine ecstasy, enjoyed these delicious,&#13;
ineffable, superhuman pleasures, which are to the pleasures of earth&#13;
what eternity is to man's existence!"</p><p>Seeing, no doubt, that Hardy was now at the point to which he wished to&#13;
bring him, and the night being almost entirely come, the reverend father&#13;
coughed two or three times in a significant manner, and looked towards&#13;
the door. At this moment, Hardy, in the height of his frenzy, exclaimed,&#13;
with a supplicating voice: "A cell--a tomb--and the Ecstatic Vision!"</p><p>The door of the room opened, and Father d'Aigrigny entered, with a cloak&#13;
under his arm. A servant followed him, bearing a light.</p><p>About ten minutes after this scene, a dozen robust men with frank,&#13;
open countenances, led by Agricola, entered the Rue de Vaugirard, and&#13;
advanced joyously towards the house of the reverend fathers. It was a&#13;
deputation from the former workmen of M. Hardy. They came to escort him,&#13;
and to congratulate him on his return amongst them. Agricola walked at&#13;
their head. Suddenly he saw a carriage with post-horses issuing from&#13;
the gateway of the house. The postilion whipped up the horses, and&#13;
they started at full gallop. Was it chance or instinct? The nearer the&#13;
carriage approached the group of which he formed a part, the more did&#13;
Agricola's heart sink within him.</p><p>The impression became so vivid that it was soon changed into a terrible&#13;
apprehension; and at the moment when the vehicle, which had its blinds&#13;
down, was about to pass close by him, the smith, in obedience to a&#13;
resistless impulse, exclaimed, as he rushed to the horses' heads: "Help,&#13;
friends! stop them!"</p><p>"Postilion! ten louis if you ride over him!" cried from the carriage the&#13;
military voice of Father d'Aigrigny.</p><p>The cholera was still raging. The postilion had heard of the murder of&#13;
the poisoners. Already frightened at the sudden attack of Agricola,&#13;
he struck him a heavy blow on the head with the butt of his whip which&#13;
stretched him senseless on the ground. Then, spurring with all his&#13;
might, he urged his three horses into a triple gallop, and the carriage&#13;
rapidly disappeared, whilst Agricola's companions, who had neither&#13;
understood his actions nor the sense of his words, crowded around the&#13;
smith, and did their best to revive him.</p><p>CHAPTER XLIV. REMEMBRANCES.</p><p>Other events took place a few days after the fatal evening in which M.&#13;
Hardy, fascinated and misled by the deplorable, mystic jargon of Rodin,&#13;
had implored Father d'Aigrigny on his knees to remove him far from&#13;
Paris, into some deep solitude where he might devote himself to a life&#13;
of prayer and ascetic austerities. Marshal Simon, since his arrival&#13;
in Paris, had occupied, with his two daughters, a house in the Rue des&#13;
Trois-Freres. Before introducing the reader into this modest dwelling,&#13;
we are obliged to recall to his memory some preceding facts. The day of&#13;
the burning of Hardy 's factory, Marshal Simon had come to consult with&#13;
his father on a question of the highest importance, and to communicate&#13;
to him his painful apprehensions on the subject of the growing sadness&#13;
of his twin daughters, which he was unable to explain.</p><p>Marshal Simon held in religious reverence the memory of the Great&#13;
Emperor. His gratitude to the hero was boundless, his devotion blind,&#13;
his enthusiasm founded upon reason, his affection warm as the most&#13;
sincere and passionate friendship. But this was not all.</p><p>One day the emperor, in a burst of joy and paternal tenderness, had led&#13;
the marshal to the cradle of the sleeping King of Rome, and said to him,&#13;
as he proudly pointed to the beautiful child: "My old friend, swear to&#13;
me that you will serve the son as you have served the father!"</p><p>Marshal Simon took and kept that vow. During the Restoration, the chief&#13;
of a military conspiracy in favor of Napoleon II., he had attempted&#13;
in vain to secure a regiment of cavalry, at that time commanded by&#13;
the Marquis d'Aigrigny. Betrayed and denounced, the marshal, after a&#13;
desperate duel with the future Jesuit, had succeeded in reaching Poland,&#13;
and thus escaping a sentence of death. It is useless to repeat the&#13;
series of events which led the marshal from Poland to India, and then&#13;
brought him back to Paris after the Revolution of July--an epoch at&#13;
which a number of his old comrades in arms had solicited and obtained&#13;
from the government, without his knowledge, the confirmation of the rank&#13;
and title which the emperor had bestowed upon him just before Waterloo.</p><p>On his return to Paris, after his long exile, in spite of all the&#13;
happiness he felt in at length embracing his children, Marshal Simon was&#13;
deeply affected on learning the death of their mother, whom he&#13;
adored. Till the last moment, he had hoped to find her in Paris. The&#13;
disappointment was dreadful, and he felt it cruelly, though he sought&#13;
consolation in his children's affection.</p><p>But soon new causes of trouble and anxiety were interwoven with his&#13;
life by the machinations of Rodin. Thanks to the secret intrigues of the&#13;
reverend father at the Courts of Rome and Vienna, one of his emissaries,&#13;
in a condition to inspire full confidence, and provided with undeniable&#13;
evidence to support his words, went to Marshal Simon, and said to him:&#13;
"The son of the emperor is dying, the victim of the fears with which the&#13;
name of Napoleon still inspires Europe.</p><p>"From this slow expiring, you, Marshal Simon, one of the emperor's most&#13;
faithful friends, are able to rescue this unfortunate prince.</p><p>"The correspondence in my hand proves that it would be easy to open&#13;
relations, of the surest and most secret nature, with one of the most&#13;
influential persons about the King of Rome, and this person would be&#13;
disposed to favor the prince's escape.</p><p>"It is possible, by a bold, unexpected stroke, to deliver Napoleon II.&#13;
from the custody of Austria, which would leave him to perish by inches&#13;
in an atmosphere that is fatal to him.</p><p>"The enterprise may be a rash one, but it has chances of success that&#13;
you Marshal Simon, more than any other, could change into certainties;&#13;
for your devotion to the emperor is well known, and we remember with&#13;
what adventurous audacity you conspired, in 1815, in favor of Napoleon&#13;
II."</p><p>The state of languor and decline of the King of Rome was then in France&#13;
a matter of public notoriety. People even went so far as to affirm that&#13;
the son of the hero was carefully trained by priests, who kept him in&#13;
complete ignorance of the glory of his paternal name; and that, by the&#13;
most execrable machinations, they strove day by day to extinguish every&#13;
noble and generous instinct that displayed itself in the unfortunate&#13;
youth. The coldest hearts were touched and softened at the story of&#13;
so sad and fatal a destiny. When we remember the heroic character and&#13;
chivalrous loyalty of Marshal Simon, and his passionate devotion to the&#13;
emperor, we can understand how the father of Rose and Blanche was more&#13;
interested than any one else in the fate of the young prince, and how,&#13;
if occasion offered, he would feel himself obliged not to confine&#13;
his efforts to mere regrets. With regard to the reality of the&#13;
correspondence produced by Rodin's emissary, it had been submitted by&#13;
the marshal to a searching test, by means of his intimacy with one of&#13;
his old companions in arms, who had been for a long period on a mission&#13;
to Vienna, in the time of the empire. The result of this investigation,&#13;
conducted with as much prudence as address, so that nothing should&#13;
transpire, showed that the marshal might give his serious attention to&#13;
the advances made him.</p><p>Hence, this proposition threw the father of Rose and Blanche into a&#13;
cruel perplexity; for, to attempt so bold and dangerous an enterprise,&#13;
he must once more abandon his children; whilst, on the contrary, if,&#13;
alarmed at this separation, he renounced the endeavor to save the&#13;
King of Rome, whose lingering death was perfectly true and well&#13;
authenticated, the marshal would consider himself as false to the vow&#13;
he had sworn to the emperor. To end these painful hesitations, full of&#13;
confidence in the inflexible uprightness of his father's character, the&#13;
marshal had gone to ask his advice; unfortunately the old republican&#13;
workman, mortally wounded during the attack on M. Hardy's factory, but&#13;
still pondering over the serious communication of his son, died with&#13;
these words upon his Lips: "My son, you have a great duty to perform,&#13;
under pain of not acting like a man of honor, and of disobeying my last&#13;
will. You must, without hesitation--"</p><p>But, by a deplorable fatality, the last words, which would have&#13;
completed the sense of the old workman's thought, were spoken in so&#13;
feeble a voice as to be quite unintelligible. He died, leaving Marshal&#13;
Simon in a worse state of anxiety, as one of the two courses open to him&#13;
had now been formally condemned by his father, in whose judgment he had&#13;
the most implicit and merited confidence. In a word, his mind was now&#13;
tortured by the doubt whether his father had intended, in the name of&#13;
honor and duty, to advise him not to abandon his children, to engage in&#13;
so hazardous an enterprise, or whether, on the contrary, he had wished&#13;
him to leave them for a time, to perform the vow made to the emperor,&#13;
and endeavor at least to rescue Napoleon II. from a captivity that might&#13;
soon be mortal.</p><p>This perplexity, rendered more cruel by certain circumstances, to be&#13;
related hereafter, the tragical death of his father, who had expired&#13;
in his arms; the incessant and painful remembrance of his wife, who&#13;
had perished in a land of exile; and finally, the grief he felt at&#13;
perceiving the overgrowing sadness of Rose and Blanche, occasioned&#13;
severe shocks to Marshal Simon. Let us add that, in spite of his natural&#13;
intrepidity, so nobly proved by twenty years of war, the ravages of the&#13;
cholera, the same terrible malady to which his wife had fallen a victim&#13;
in Siberia, filled the marshal with involuntary dread. Yes, this man of&#13;
iron nerves, who had coolly braved death in so many battles, felt the&#13;
habitual firmness of his character give way at sight of the scenes of&#13;
desolation and mourning which Paris offered at every step. Yet, when&#13;
Mdlle. de Cardoville gathered round her the members of her family, to&#13;
warn them against the plot of their enemies, the affectionate tenderness&#13;
of Adrienne for Rose and Blanche appeared to exercise so happy an&#13;
influence on their mysterious sorrow, that the marshal, forgetting for a&#13;
moment his fatal regrets, thought only of enjoying this blessed change,&#13;
which, alas! was but of short duration. Having now recalled these facts&#13;
to the mind of the reader, we shall continue our story.</p><p>CHAPTER XLV. THE BLOCKHEAD</p><p>We have stated that Marshal Simon occupied a small house in the Rue&#13;
des Trois-Freres. Two o'clock in the afternoon had just struck in the&#13;
marshal's sleeping-chamber, a room furnished with military simplicity.&#13;
In the recess, in which stood the bed, hung a trophy composed of the&#13;
arms used by the marshal during his campaigns. On the secretary opposite&#13;
was a small bronze bust of the emperor, the only ornament of the&#13;
apartment. Out of doors the temperature was far from warm, and the&#13;
marshal had become susceptible to cold during his long residence in&#13;
India. A good fire therefore blazed upon the hearth. A door, concealed&#13;
by the hangings, and leading to a back staircase, opened slowly, and&#13;
a man entered the chamber. He carried a basket of wood, and advanced&#13;
leisurely to the fireplace, before which he knelt clown, and began to&#13;
arrange the logs symmetrically in a box that stood besides the hearth.&#13;
After some minutes occupied in this manner, still kneeling, he gradually&#13;
approached another door, at a little distance from the chimney, and&#13;
appeared to listen with deep attention, as if he wished to hear what was&#13;
passing in the next room.</p><p>This man, employed as an inferior servant in the house, had the most&#13;
ridiculously stupid look that can be imagined. His functions consisted&#13;
in carrying wood, running errands, etc. In other respects he was a kind&#13;
of laughing-stock to the other servants. In a moment of good humor,&#13;
Dagobert, who filled the post of major-domo, had given this idiot the&#13;
name of "Loony" (lunatic), which he had retained ever since, and which&#13;
he deserved in every respect, as well for his awkwardness and folly as&#13;
for his unmeaning face, with its grotesquely flat nose, sloping chin,&#13;
and wide, staring eyes. Add to this description a jacket of red stuff,&#13;
and a triangular white apron, and we must acknowledge that the simpleton&#13;
was quite worthy of his name.</p><p>Yet, at the moment when Loony listened so attentively at the door of the&#13;
adjoining room, a ray of quick intelligence animated for an instant his&#13;
dull and stupid countenance.</p><p>When he had thus listened for a short time, Loony returned to the&#13;
fireplace, still crawling on his knees; then rising, he again took his&#13;
basket half full of wood, and once more approaching the door at which&#13;
he had listened knocked discreetly. No one answered. He knocked a second&#13;
time, and more loudly. Still there was the same silence.</p><p>Then he said, in a harsh, squeaking, laughable voice: "Ladies, do you&#13;
want any wood, if you please, for your fire?"</p><p>Receiving no answer, Loony placed his basket on the ground, opened the&#13;
door gently, and entered the next room, after casting a rapid glance&#13;
around. He came out again in a few seconds, looking from side to side&#13;
with an anxious air, like a man who had just accomplished some important&#13;
and mysterious task.</p><p>Taking up his basket, he was about to leave Marshal Simon's room, when&#13;
the door of the private staircase was opened slowly and with precaution,&#13;
and Dagobert appeared.</p><p>The soldier, evidently surprised at the servant's presence, knitted his&#13;
brows, and exclaimed abruptly, "What are you doing here?"</p><p>At this sudden interrogation, accompanied by a growl expressive of the&#13;
ill-humor of Spoil-sport, who followed close on his master's heels,&#13;
Loony uttered a cry of real or pretended terror. To give, perhaps, an&#13;
appearance of greater reality to his dread, the supposed simpleton let&#13;
his basket fall on the ground, as if astonishment and fear had loosened&#13;
his hold of it.</p><p>"What are you doing, numbskull?" resumed Dagobert, whose countenance was&#13;
impressed with deep sadness, and who seemed little disposed to laugh at&#13;
the fellow's stupidity.</p><p>"Oh, M. Dagobert! how you frighten me! Dear me! what a pity I had not an&#13;
armful of plates, to prove it was not my fault if I broke them all."</p><p>"I ask what you are doing," resumed the soldier.</p><p>"You see, M. Dagobert," replied Loony, pointing to his basket, "that I&#13;
came with some wood to master's room, so that he might burn it, if it&#13;
was cold--which it is."</p><p>"Very well. Pick up your wood, and begone!"</p><p>"Oh, M. Dagobert! my legs tremble under me. How you did scare me, to be&#13;
sure!"</p><p>"Will you begone, brute?" resumed the veteran; and seizing Loony by the&#13;
arm, he pushed him towards the door, while Spoil-sport, with recumbent&#13;
ears, and hair standing up like the quills of a porcupine, seemed&#13;
inclined to accelerate his retreat.</p><p>"I am going, M. Dagobert, I am going," replied the simpleton, as he&#13;
hastily gathered up his basket; "only please to tell the dog--"</p><p>"Go to the devil, you stupid chatterbox!" cried Dagobert, as he pushed&#13;
Loony through the doorway.</p><p>Then the soldier bolted the door which led to the private staircase, and&#13;
going to that which communicated with the apartments of the two sisters,&#13;
he double-locked it. Having done this, he hastened to the alcove&#13;
in which stood the bed and taking down a pair of loaded pistols, he&#13;
carefully removed the percussion caps, and, unable to repress a deep&#13;
sigh, restored the weapons to the place in which he had found them.&#13;
Then, as if on second thoughts, he took down an Indian dagger with a&#13;
very sharp blade, and drawing it from its silver-gilt sheath, proceeded&#13;
to break the point of this murderous instrument, by twisting it beneath&#13;
one of the iron castors of the bed.</p><p>Dagobert then proceeded to unfasten the two doors, and, returning slowly&#13;
to the marble chimney-piece, he leaned against it with a gloomy and&#13;
pensive air. Crouching before the fire, Spoil-sport followed with an&#13;
attentive eye the least movement of his master. The good dog displayed&#13;
a rare and intelligent sagacity. The soldier, having drawn out his&#13;
handkerchief, let fall, without perceiving it, a paper containing a roll&#13;
of tobacco. Spoil-sport, who had all the qualities of a retriever of&#13;
the Rutland race, took the paper between his teeth, and, rising upon&#13;
his hind-legs, presented it respectfully to Dagobert. But the latter&#13;
received it mechanically, and appeared indifferent to the dexterity of&#13;
his dog. The grenadier's countenance revealed as much sorrow as&#13;
anxiety. After remaining for some minutes near the fire, with fixed and&#13;
meditative look, he began to walk about the room in great agitation, one&#13;
of his hands thrust into the bosom of his long blue frock-coat, which&#13;
was buttoned up to the chin, and the other into one of his hind-pockets.</p><p>From time to time he stopped abruptly, and seemed to make reply to his&#13;
own thoughts, or uttered an exclamation of doubt and uneasiness; then,&#13;
turning towards the trophy of arms, he shook his head mournfully,&#13;
and murmured, "No matter--this fear may be idle; but he has acted so&#13;
extraordinarily these two days, that it is at all events more prudent--"</p><p>He continued his walk, and said, after a new and prolonged silence: "Yes&#13;
he must tell me. It makes me too uneasy. And then the poor children--it&#13;
is enough to break one's heart."</p><p>And Dagobert hastily drew his moustache between his thumb and&#13;
forefinger, a nervous movement, which with him was an evident symptom&#13;
of extreme agitation. Some minutes after, the soldier resumed, still&#13;
answering his inward thoughts: "What can it be? It is hardly possible to&#13;
be the letters, they are too infamous; he despises them. And yet But no,&#13;
no--he is above that!"</p><p>And Dagobert again began to walk with hasty steps. Suddenly, Spoil-sport&#13;
pricked up his ears, turned his head in the direction of the staircase&#13;
door, and growled hoarsely. A few seconds after, some one knocked at the&#13;
door.</p><p>"Who is there?" said Dagobert. There was no answer, but the person&#13;
knocked again. Losing patience, the soldier went hastily to open it, and&#13;
saw the servant's stupid face.</p><p>"Why don't you answer, when I ask who knocks!" said the soldier,&#13;
angrily.</p><p>"M. Dagobert, you sent me away just now, and I was afraid of making you&#13;
cross, if I said I had come again."</p><p>"What do you want? Speak then--come in, stupid!" cried the exasperated.&#13;
Dagobert, as he pulled him into the room.</p><p>"M. Dagobert, don't be angry--I'll tell you all about it--it is a young&#13;
man."</p><p>"Well?"</p><p>"He wants to speak to you directly, Mr. Dagobert."</p><p>"His name?"</p><p>"His name, M. Dagobert?" replied Loony, rolling about and laughing with&#13;
an idiotic air.</p><p>"Yes, his name. Speak, idiot!"</p><p>"Oh, M. Dagobert! it's all in joke that you ask me his name!"</p><p>"You are determined, fool that you are, to drive me out of my senses!"&#13;
cried the soldier, seizing Loony by the collar. "The name of this young&#13;
man!"</p><p>"Don't be angry, M. Dagobert. I didn't tell you the name because you&#13;
know it."</p><p>"Beast!" said Dagobert, shaking his fist at him.</p><p>"Yes, you do know it, M. Dagobert, for the young man is your own son. He&#13;
is downstairs, and wants to speak to you directly--yes, directly."</p><p>The stupidity was so well assumed, that Dagobert was the dupe of it.&#13;
Moved to compassion rather than anger by such imbecility, he looked&#13;
fixedly at the servant, shrugged his shoulders, and said, as he advanced&#13;
towards the staircase, "Follow me!"</p><p>Loony obeyed; but, before closing the door, he drew a letter secretly&#13;
from his pocket, and dropped it behind him without turning his head,&#13;
saying all the while to Dagobert, for the purpose of occupying his&#13;
attention: "Your son is in the court, M. Dagobert. He would not come&#13;
up--that's why he is still downstairs!"</p><p>Thus talking, he closed the door, believing he had left the letter&#13;
on the floor of Marshal Simon's room. But he had reckoned without&#13;
Spoil-sport. Whether he thought it more prudent to bring up the rear,&#13;
or, from respectful deference for a biped, the worthy dog had been the&#13;
last to leave the room, and, being a famous carrier, as soon as he saw&#13;
the letter dropped by Loony, he took it delicately between his teeth,&#13;
and followed close on the heels of the servant, without the latter&#13;
perceiving this new proof of the intelligence and sagacity of&#13;
Spoil-sport.</p><p>CHAPTER XLVI. THE ANONYMOUS LETTERS.</p><p>We will explain presently what became of the letter, which Spoil-sport&#13;
held between his teeth, and why he left his master, when the latter ran&#13;
to meet Agricola. Dagobert had not seen his son for some days. Embracing&#13;
him cordially, he led him into one of the rooms on the ground floor,&#13;
which he usually occupied. "And how is your wife?" said the soldier to&#13;
his son.</p><p>"She is well, father, thank you."</p><p>Perceiving a great change in Agricola's countenance, Dagobert resumed:&#13;
"You look sad. Has anything gone wrong since I saw you last?"</p><p>"All is over, father. We have lost him," said the smith, in a tone of&#13;
despair.</p><p>"Lost whom?"</p><p>"M. Hardy."</p><p>"M. Hardy!--why, three days ago, you told me you were going to see him."</p><p>"Yes, father, I have seen him--and my dear brother Gabriel saw him&#13;
and spoke to him--how he speaks! with a voice that comes from the&#13;
heart!--and he had so revived and encouraged him, that M. Hardy&#13;
consented to return amongst us. Then I, wild with joy, ran to tell the&#13;
good news to some of my mates, who were waiting to hear the result of&#13;
nay interview with M. Hardy. I brought them all with me to thank and&#13;
bless him. We were within a hundred yards of the house belonging to the&#13;
black-gowns--"</p><p>"Ali, the black-gowns!" said Dagobert, with a gloomy air. "Then some&#13;
mischief will happen. I know them."</p><p>"You are not mistaken, father," answered Agricola, with a sigh. "I was&#13;
running on with my comrades, when I saw a carriage coming towards us.&#13;
Some presentiment told me that they were taking away M. Hardy."</p><p>"By force!" said Dagobert, hastily.</p><p>"No," answered Agricola, bitterly; "no--the priests are too cunning for&#13;
that. They know how to make you an accomplice in the evil they do you.&#13;
Shall I not always remember how they managed with my good mother?"</p><p>"Yes, the worthy woman! there was a poor fly caught in the spider's web.&#13;
But this carriage, of which you speak?"</p><p>"On seeing it start from the house of the black-gowns," replied&#13;
Agricola, "my heart sank within me; and, by an impulse stronger than&#13;
myself, I rushed to the horses' heads, calling on my comrades to help&#13;
me. But the postilion knocked me down and stunned me with a blow from&#13;
his whip. When I recovered my senses, the carriage was already far&#13;
away."</p><p>"You were not hurt?" cried Dagobert, anxiously, as he examined his son&#13;
from top to toe.</p><p>"No, father; a mere scratch."</p><p>"What did you next, my boy?"</p><p>"I hastened to our good angel, Mdlle. de Cardoville, and told her all.&#13;
'You must follow M. Hardy on the instant,' said she to me. 'Take my&#13;
carriage and post-horses. Dupont will accompany you; follow M. Hardy&#13;
from stage to stage; should you succeed in overtaking him your presence&#13;
and your prayers may perhaps conquer the fatal influence that these&#13;
priests have acquired over him.'"</p><p>"It was the best advice she could give you. That excellent young lady is&#13;
always right."</p><p>"An hour after, we were upon our way, for we learned by the returned&#13;
postilions, that M. Hardy had taken the Orleans road. We followed him as&#13;
far as Etampes. There we heard that he had taken a cross-road, to reach&#13;
a solitary house in a valley about four leagues from the highway. They&#13;
told us that this house called the Val-de-St. Herem, belonged to certain&#13;
priests, and that, as the night was so dark, and the road so bad, we&#13;
had better sleep at the inn, and start early in the morning. We followed&#13;
this advice, and set out at dawn. In a quarter of an hour, we quitted&#13;
the high-road for a mountainous and desert track. We saw nothing but&#13;
brown rocks, and a few birch trees. As we advanced, the scene became&#13;
wilder and wilder. We might have fancied ourselves a hundred leagues&#13;
from Paris. At last we stopped in front of a large, old, black-looking&#13;
house with only a few small windows in it, and built at the foot of a&#13;
high, rocky mountain. In my whole life I have never seen anything so&#13;
deserted and sad. We got out of the carriage, and I rang the bell. A&#13;
man opened the door. 'Did not the Abbe d'Aigrigny arrive here last night&#13;
with a gentleman?' said I to this man, with a confidential air. 'Inform&#13;
the gentleman directly, that I come on business of importance, and that&#13;
I must see him forthwith.'--The man, believing me an accomplice, showed&#13;
us in immediately; a moment after, the Abbe d'Aigrigny opened the door,&#13;
saw me, and drew back; yet, in five minutes more, I was in presence of&#13;
M. Hardy."</p><p>"Well!" said Dagobert, with interest.</p><p>Agricola shook his head sorrowfully, and replied: "I knew by the very&#13;
countenance of M. Hardy, that all was over. Addressing me in a mild but&#13;
firm voice, he said to me: 'I understand, I can even excuse, the motives&#13;
that bring you hither. But I am quite determined to live henceforth&#13;
in solitude and prayer. I take this resolution freely and voluntarily,&#13;
because I would fain provide for the salvation of my soul. Tell your&#13;
fellows that my arrangements will be such as to leave them a good&#13;
remembrance of me.'--And as I was about to speak, M. Hardy interrupted&#13;
me, saying: 'It is useless, my friend. My determination is unalterable.&#13;
Do not write to me, for your letters would remain unanswered. Prayer&#13;
will henceforth be my only occupation. Excuse me for leaving you, but I&#13;
am fatigued from my journey!'--He spoke the truth for he was as pale as&#13;
a spectre, with a kind of wildness about the eyes, and so changed since&#13;
the day before, as to be hardly the same man. His hand, when he offered&#13;
it on parting from me, was dry and burning. The Abbe d'Aigrigny soon&#13;
came in. 'Father,' said M. Hardy to him, 'have the goodness to see M.&#13;
Baudoin to the door.'--So saying, he waved his hand to me in token of&#13;
farewell, and retired to the next chamber. All was over; he is lost to&#13;
us forever."</p><p>"Yes," said Dagobert, "those black-gowns have enchanted him, like so&#13;
many others."</p><p>"In despair," resumed Agricola, "I returned hither with M. Dupont. This,&#13;
then, is what the priests have made of M. Hardy--of that generous man,&#13;
who supported nearly three hundred industrious workmen in order and&#13;
happiness, increasing their knowledge, improving their hearts, and&#13;
earning the benediction of that little people, of which he was the&#13;
providence. Instead of all this, M. Hardy is now forever reduced to a&#13;
gloomy and unavailing life of contemplation."</p><p>"Oh, the black-gowns!" said Dagobert, shuddering, and unable to conceal&#13;
a vague sense of fear. "The longer I live, the more I am afraid of them.&#13;
You have seen what those people did to your poor mother; you see what&#13;
they have just done to M. Hardy; you know their plots against my two&#13;
poor orphans, and against that generous young lady. Oh, these people are&#13;
very powerful! I would rather face a battalion of Russian grenadiers,&#13;
than a dozen of these cassocks. But don't let's talk of it. I have&#13;
causes enough beside for grief and fear."</p><p>Then seeing the astonished look of Agricola, the soldier, unable to&#13;
restrain his emotion, threw himself into the arms of his son, exclaiming&#13;
with a choking voice: "I can hold out no longer. My heart is too full. I&#13;
must speak; and whom shall I trust if not you?"</p><p>"Father, you frighten me!" said Agricola, "What is the matter?"</p><p>"Why, you see, had it not been for you and the two poor girls, I should&#13;
have blown out my brains twenty times over rather than see what I&#13;
see--and dread what I do."</p><p>"What do you dread, father?"</p><p>"Since the last few days, I do not know what has come over the&#13;
marshal--but he frightens me."</p><p>"Yet in his last interviews with Mdlle. de Cardoville--"</p><p>"Yes, he was a little better. By her kind words, this generous young&#13;
lady poured balm into his wounds; the presence of the young Indian&#13;
cheered him; he appeared to shake off his cares, and his poor little&#13;
girls felt the benefit of the change. But for some days, I know not what&#13;
demon has been loosed against his family. It is enough to turn one's&#13;
head. First of all, I am sure that the anonymous letters have begun&#13;
again."</p><p>"What letters, father?"</p><p>"The anonymous letters."</p><p>"But what are they about?"</p><p>"You know how the marshal hated that renegade, the Abbe d'Aigrigny. When&#13;
he found that the traitor was here, and that he had persecuted the two&#13;
orphans, even as he persecuted their mother to the death--but that now&#13;
he had become a priest--I thought the marshal would have gone mad with&#13;
indignation and fury. He wishes to go in search of the renegade. With&#13;
one word I calmed him. 'He is a priest,' I said; 'you may do what you&#13;
will, insult or strike him--he will not fight. He began by serving&#13;
against his country, he ends by becoming a bad priest. It is all in&#13;
character. He is not worth spitting upon.'--'But surely I may punish the&#13;
wrong done to my children, and avenge the death of my wife,' cried the&#13;
marshal, much exasperated.--'They say, as you well know, that there are&#13;
courts of law to avenge your wrongs,' answered I; 'Mdlle. de Cardoville&#13;
has lodged a charge against the renegade, for having attempted to&#13;
confine your daughters in a convent. We must champ the bit and wait."'</p><p>"Yes," said Agricola, mournfully, "and unfortunately there lacks proof&#13;
to bring it home to the Abbe d'Aigrigny. The other day, when I was&#13;
examined by Mdlle. de Cardoville's lawyer, with regard to our attempt&#13;
on the convent, he told me that we should meet with obstacles at every&#13;
step, for want of legal evidence, and that the priests had taken their&#13;
precautions with so much skill that the indictment would be quashed."</p><p>"That is just what the marshal thinks, my boy, and this increases his&#13;
irritation at such injustice."</p><p>"He should despise the wretches."</p><p>"But the anonymous letters!"</p><p>"Well, what of them, father?"</p><p>"You shall know all. A brave and honorable man like the marshal, when&#13;
his first movement of indignation was over, felt that to insult the&#13;
renegade disguised in the garb of a priest, would be like insulting&#13;
an old man or a woman. He determined therefore to despise him, and to&#13;
forget him as soon as possible. But then, almost every day, there&#13;
came by the post anonymous letters, in which all sorts of devices were&#13;
employed, to revive and excite the anger of the marshal against&#13;
the renegade by reminding him of all the evil contrived by the Abbe&#13;
d'Aigrigny against him and his family. The marshal was reproached with&#13;
cowardice for not taking vengeance on this priest, the persecutor of his&#13;
wife and children, the insolent mocker at his misfortunes."</p><p>"And from whom do you suspect these letters to come, father?"</p><p>"I cannot tell--it is that which turns one's brain. They must come from&#13;
the enemies of the marshal, and he has no enemies but the black-gowns."</p><p>"But, father, since these letters are to excite his anger against the&#13;
Abbe d'Aigrigny, they can hardly have been written by priests."</p><p>"That is what I have said to myself."</p><p>"But what, then, can be their object?"</p><p>"Their object? oh, it is too plain!" cried Dagobert. "The marshal is&#13;
hasty, ardent; he has a thousand reasons to desire vengeance on the&#13;
renegade. But he cannot do himself justice, and the other sort of&#13;
justice fails him. Then what does he do? He endeavors to forget, he&#13;
forgets. But every day there comes to him an insolent letter, to provoke&#13;
and exasperate his legitimate hatred, by mockeries and insults. Devil&#13;
take me! my head is not the weakest--but, at such a game, I should go&#13;
mad."</p><p>"Father, such a plot would be horrible, and only worthy of hell!"</p><p>"And that is not all."</p><p>"What more?"</p><p>"The marshal has received other letters; those he has not shown me--but,&#13;
after he had read the first, he remained like a man struck motionless,&#13;
and murmured to himself: 'They do not even respect that--oh! it is too&#13;
much--too much!'--And, hiding his face in his hands he wept."</p><p>"The marshal wept!" cried the blacksmith, hardly able to believe what he&#13;
heard.</p><p>"Yes," answered Dagobert, "he wept like a child."</p><p>"And what could these letters contain, father?"</p><p>"I did not venture to ask him, he appeared so miserable and dejected."</p><p>"But thus harassed and tormented incessantly, the marshal must lead a&#13;
wretched life."</p><p>"And his poor little girls too! he sees them grow sadder and sadder,&#13;
without being able to guess the cause. And the death of his father,&#13;
killed almost in his arms! Perhaps, you will think all this enough; but,&#13;
no! I am sure there is something still more painful behind. Lately, you&#13;
would hardly know the marshal. He is irritable about nothing, and falls&#13;
into such fits of passion, that--" After a moment's hesitation, the&#13;
soldier resumed: "I way tell this to you, my poor boy. I have just been&#13;
upstairs, to take the caps from his pistols."</p><p>"What, father!" cried Agricola; "you fear--"</p><p>"In the state of exasperation in which I saw him yesterday, there is&#13;
everything to fear."</p><p>"What then happened?"</p><p>"Since some time, he has often long secret interviews with a gentleman,&#13;
who looks like an old soldier and a worthy man. I have remarked that&#13;
the gloom and agitation of the marshal are always redoubled after one of&#13;
these visits. Two or three times, I have spoken to him about it; but I&#13;
saw by his look, that I displeased him, and therefore I desisted.</p><p>"Well! yesterday, this gentleman came in the evening. He remained here&#13;
until eleven o'clock, and his wife came to fetch him, and waited for him&#13;
in a coach. After his departure, I went up to see if the marshal wanted&#13;
anything. He was very pale, but calm; he thanked me, and I came down&#13;
again. You know that my room is just under his. I could hear the marshal&#13;
walking about as if much agitated, and soon after he seemed to be&#13;
knocking down the furniture. In alarm, I once more went upstairs. He&#13;
asked me, with an irritated air, what I wanted, and ordered me to leave&#13;
the room. Seeing him in that way, I remained; he grew more angry, still&#13;
I remained; perceiving a chair and table thrown down, I pointed to them&#13;
with so sad an air that he understood me. You know that he has the best&#13;
heart in the world, so, taking me by the hand, he said to me: 'Forgive&#13;
me for causing you this uneasiness, my good Dagobert; but just now, I&#13;
lost my senses, and gave way to a burst of absurd fury; I think I should&#13;
have thrown myself out of the window, had it been open. I only hope,&#13;
that my poor dear girls have not heard me,' added he, as he went on&#13;
tip-toe to open the door which communicates with his daughters' bedroom.&#13;
When he had listened anxiously for a moment, he returned to me, and&#13;
said: 'Luckily, they are asleep.'--Then I asked him what was the cause&#13;
of his agitation, and if, in spite of my precautions, he had received&#13;
any more anonymous letters. 'No,' replied he, with a gloomy air; 'but&#13;
leave me, my friend. I am now better. It has done me good to see you.&#13;
Good--night, old comrade! go downstairs to bed.'--I took care not to&#13;
contradict him; but, pretending to go down, I came up again, and seated&#13;
myself on the top stair, listening. No doubt, to calm himself entirely,&#13;
the marshal went to embrace his children, for I heard him open and shut&#13;
their door. Then he returned to his room, and walked about for a long&#13;
time, but with a more quiet step. At last, I heard him throw himself on&#13;
his bed, and I came down about break of day. After that, all remained&#13;
tranquil."</p><p>"But whatever can be the matter with him, father?"</p><p>"I do not know. When I went up to him, I was astonished at the agitation&#13;
of his countenance, and the brilliancy of his eyes. He would have looked&#13;
much the same, had he been delirious, or in a burning fever--so that,&#13;
when I heard him say, he could have thrown himself out of the window,&#13;
had it been open, I thought it more prudent to remove the caps from his&#13;
pistols."</p><p>"I cannot understand it!" said Agricola. "So firm, intrepid, and cool a&#13;
man as the marshal, a prey to such violence!"</p><p>"I tell you that something very extraordinary is passing within him.&#13;
For two days, he has not been to see his children, which is always a bad&#13;
sign with him--to say nothing of the poor little angels themselves, who&#13;
are miserable at the notion that they have displeased their father. They&#13;
displease him! If you only knew the life they lead, dear creatures! a&#13;
walk or ride with me and their companion, for I never let them go&#13;
out alone, and, the rest of their time, at their studies, reading, or&#13;
needlework--always together--and then to bed. Yet their duenna, who is,&#13;
I think, a worthy woman, tells me that sometimes at night, she has seen&#13;
them shed tears in their sleep. Poor children! they have hitherto known&#13;
but little happiness," added the soldier, with a sigh.</p><p>At this moment, hearing some one walk hastily across the courtyard,&#13;
Dagobert raised his eyes, and saw Marshal Simon, with pale face and&#13;
bewildered air, holding in his two hands a letter, which he seemed to&#13;
read with devouring anxiety.</p><p>CHAPTER XLVII. THE GOLDEN CITY.</p><p>While Marshal Simon was crossing the little court with so agitated&#13;
an air, reading the anonymous letter, which he had received by&#13;
Spoil-sport's unexpected medium, Rose and Blanche were alone together,&#13;
in the sitting room they usually occupied, which had been entered for a&#13;
moment by Loony during their absence. The poor children seemed destined&#13;
to a succession of sorrows. At the moment their mourning for their&#13;
mother drew near its close, the tragical death of their grandfather had&#13;
again dressed them in funereal weeds. They were seated together upon a&#13;
couch, in front of their work-table. Grief often produces the effect of&#13;
years. Hence, in a few months, Rose and Blanche had become quite young&#13;
women. To the infantine grace of their charming faces, formerly so plump&#13;
and rosy, but now pale and thin, had succeeded an expression of grave&#13;
and touching sadness. Their large, mild eyes of limpid azure, which&#13;
always had a dreamy character, were now never bathed in those joyous&#13;
tears, with which a burst of frank and hearty laughter used of old to&#13;
adorn their silky lashes, when the comic coolness of Dagobert, or some&#13;
funny trick of Spoil-sport, cheered them in the course of their long and&#13;
weary pilgrimage.</p><p>In a word, those delightful faces, which the flowery pencil of Greuze&#13;
could alone have painted in all their velvet freshness, were now worthy&#13;
of inspiring the melancholy ideal of the immortal Ary Scheffer, who gave&#13;
us Mignon aspiring to Paradise, and Margaret dreaming of Faust. Rose,&#13;
leaning back on the couch, held her head somewhat bowed upon her&#13;
bosom, over which was crossed a handkerchief of black crape. The light&#13;
streaming from a window opposite, shone softly on her pure, white&#13;
forehead, crowned by two thick bands of chestnut hair. Her look was&#13;
fixed, and the open arch of her eyebrows, now somewhat contracted,&#13;
announced a mind occupied with painful thoughts. Her thin, white little&#13;
hands had fallen upon her knees, but still held the embroidery, on which&#13;
she had been engaged. The profile of Blanche was visible, leaning a&#13;
little towards her sister, with an expression of tender and anxious&#13;
solicitude, whilst her needle remained in the canvas, as if she had just&#13;
ceased to work.</p><p>"Sister," said Blanche, in a low voice, after some moments of silence,&#13;
during which the tears seemed to mount to her eyes, "tell me what you&#13;
are thinking of. You look so sad."</p><p>"I think of the Golden City of our dreams," replied Rose, almost in a&#13;
whisper, after another short silence.</p><p>Blanche understood the bitterness of these words. Without speaking, she&#13;
threw herself on her sister's neck, and wept. Poor girls! the Golden&#13;
City of their dreams was Paris, with their father in it--Paris, the&#13;
marvellous city of joys and festivals, through all of which the orphans&#13;
had beheld the radiant and smiling countenance of their sire! But, alas!&#13;
the Beautiful City had been changed into a place of tears, and death,&#13;
and mourning. The same terrible pestilence which had struck down their&#13;
mother in the heart of Siberia, seemed to have followed them like a dark&#13;
and fatal cloud, which, always hovering above them, hid the mild blue of&#13;
the sky, and the joyous light of the sun.</p><p>The Golden City of their dreams! It was the place, where perhaps one day&#13;
their father would present to them two young lovers, good and fair as&#13;
themselves. "They love you," he was to say; "they are worthy of you.&#13;
Let each of you have a brother, and me two sons." Then what chaste,&#13;
enchanting confusion for those two orphans, whose hearts, pure as&#13;
crystal, had never reflected any image but that of Gabriel, the&#13;
celestial messenger sent by their mother to protect them!</p><p>We can therefore understand the painful emotion of Blanche, when she&#13;
heard her sister repeat, with bitter melancholy, those words which&#13;
described their whole situation: "I think of the Golden City of our&#13;
dreams!"</p><p>"Who knows?" proceeded Blanche, drying her sister's tears; "perhaps,&#13;
happiness may yet be in store for us."</p><p>"Alas! if we are not happy with our father by us--shall we ever be so?"</p><p>"Yes, when we rejoin our mother," said Blanche, lifting her eyes to&#13;
heaven.</p><p>"Then, sister, this dream may be a warning--it is so like that we had in&#13;
Germany."</p><p>"The difference being that then the Angel Gabriel came down from heaven&#13;
to us, and that this time he takes us from earth, to our mother."</p><p>"And this dream will perhaps come true, like the other, my sister. We&#13;
dreamt that the Angel Gabriel would protect us, and he came to save us&#13;
from the shipwreck."</p><p>"And, this time, we dream that he will lead us to heaven. Why should not&#13;
that happen also?"</p><p>"But to bring that about, sister, our Gabriel, who saved us from the&#13;
shipwreck, must die also. No, no; that must not happen. Let us pray that&#13;
it may not happen."</p><p>"No, it will not happen--for it is only Gabriel's good angel, who is so&#13;
like him, that we saw in our dreams."</p><p>"Sister, dear, how singular is this dream!--Here, as in Germany, we have&#13;
both dreamt the same--three times, the very same!"</p><p>"It is true. The Angel Gabriel bent over us, and looked at us with so&#13;
mild and sad an air, saying: 'Come, my children! come, my sisters! Your&#13;
mother waits for you. Poor children, arrived from so far!' added he in&#13;
his tender voice: 'You have passed over the earth, gentle and innocent&#13;
as two doves, to repose forever in the maternal nest.'"</p><p>"Yes, those were the words of the archangel," said the other orphan,&#13;
with a pensive air; "we have done no harm to any one, and we have loved&#13;
those who loved us--why should we fear to die?"</p><p>"Therefore, dear sister, we rather smiled than wept, when he took us&#13;
by the hand, and, spreading wide his beautiful white wings, carried us&#13;
along with him to the blue depths of the sky."</p><p>"To heaven, where our dear mother waited for us with open arms, her face&#13;
all bathed in tears."</p><p>"Oh, sweet sister! one has not dreams like ours for nothing. And then,"&#13;
added she, looking at Rose, with a sad smile that went to the heart,&#13;
"our death might perhaps end the sorrow, of which we have been the&#13;
cause."</p><p>"Alas! it is not our fault. We love him so much. But we are so timid and&#13;
sorrowful before him, that he may perhaps think we love him not."</p><p>So saying, Rose took her handkerchief from her workbasket, to dry her&#13;
fears; a paper, folded in the form of a letter, fell out.</p><p>At this sight, the two shuddered, and pressed close to one mother,&#13;
and Rose said to Blanche, in a trembling voice: "Another of these&#13;
letters!--Oh, I am afraid! It will doubtless be like the last."</p><p>"We must pick it up quickly, that it may not be seen," said Blanche,&#13;
hastily stooping to seize the letter; "the people who take interest in&#13;
us might otherwise be exposed to great danger."</p><p>"But how could this letter come to us?"</p><p>"How did the others come to be placed right under our hand, and always&#13;
in the absence of our duenna?"</p><p>"It is true. Why seek to explain the mystery? We should never be able to&#13;
do so. Let us read the letter. It will perhaps be more favorable to us&#13;
than the last." And the two sisters read as follows:-"Continue to love&#13;
your father, dear children, for he is very miserable, and you are the&#13;
involuntary cause of his distress. You will never know the terrible&#13;
sacrifices that your presence imposes on him; but, alas! he is the&#13;
victim of his paternal duties. His sufferings are more cruel than ever;&#13;
spare him at least those marks of tenderness, which occasion him so much&#13;
more pain than pleasure. Each caress is a dagger-stroke, for he sees in&#13;
you the innocent cause of his misfortunes. Dear children, you must not&#13;
therefore despair. If you have enough command over yourselves, not to&#13;
torture him by the display of too warm a tenderness, if you can mingle&#13;
some reserve with your affection, you will greatly alleviate his sorrow.&#13;
Keep these letters a secret from every one, even from good Dagobert,&#13;
who loves you so much; otherwise, both he and you, your father, and&#13;
the unknown friend who is writing to you, will be exposed to the utmost&#13;
peril, for your enemies are indeed formidable. Courage and hope! May&#13;
your father's tenderness be once more free from sorrow and regret!--That&#13;
happy day is perhaps not so far distant. Burn this letter like all the&#13;
others!"</p><p>The above note was written with so much cunning that, even supposing the&#13;
orphans had communicated it to their father or Dagobert, it would at the&#13;
worst have been considered a strange, intrusive proceeding, but almost&#13;
excusable from the spirit in which it was conceived. Nothing could&#13;
have been contrived with more perfidious art, if we consider the cruel&#13;
perplexity in which Marshal Simon was struggling between the fear&#13;
of again leaving his children and the shame of neglecting what he&#13;
considered a sacred duty. All the tenderness, all the susceptibility&#13;
of heart which distinguished the orphans, had been called into play by&#13;
these diabolical counsels, and the sisters soon perceived that their&#13;
presence was in fact both sweet and painful to their father; for&#13;
sometimes he felt himself incapable of leaving them, and sometimes the&#13;
thought of a neglected duty spread a cloud of sadness over his brow.&#13;
Hence the poor twins could not fail to value the fatal meaning of the&#13;
anonymous letters they received. They were persuaded that, from some&#13;
mysterious motive, which they were unable to penetrate, their presence&#13;
was often importunate and even painful to their father. Hence the&#13;
growing sadness of Rose and Blanche--hence the sort of fear and reserve&#13;
which restrained the expression of their filial tenderness. A most&#13;
painful situation for the marshal, who deceived by inexplicable&#13;
appearances, mistook, in his turn, their manner of indifference to&#13;
him--and so, with breaking heart, and bitter grief upon his face, often&#13;
abruptly quitted his children to conceal his tears!</p><p>And the desponding orphans said to each other: "We are the cause of our&#13;
father's grief. It is our presence which makes him so unhappy."</p><p>The reader may new judge what ravages such a thought, when fixed and&#13;
incessant, must have made on these young, loving, timid, and simple&#13;
hearts. Haw could the orphans be on their guard against such anonymous&#13;
communications, which spoke with reverence of all they loved, and seemed&#13;
every day justified by the conduct of their father? Already victims of&#13;
numerous plots, and hearing that they were surrounded by enemies, we&#13;
can understand, how faithful to the advice of their unknown friend, they&#13;
forbore to confide to Dagobert these letters, in which he was so justly&#13;
appreciated. The object of the proceeding was very plain. By continually&#13;
harassing the marshal on all sides, and persuading him of the coldness&#13;
of his children, the conspirators might naturally hope to conquer the&#13;
hesitation which had hitherto prevented his again quitting his daughters&#13;
to embark in a dangerous enterprise. To render the marshal's life so&#13;
burdensome that he would desire to seek relief from his torments in airy&#13;
project of daring and generous chivalry, was one of the ends proposed by&#13;
Rodin--and, as we have seen, it wanted neither logic nor possibility.</p><p>After having read the letter, the two remained for a moment silent&#13;
and dejected. Then Rose, who held the paper in her hand, started up&#13;
suddenly, approached the chimneypiece, and threw the letter into the&#13;
fire, saying, with a timid air: "We must burn it quickly, or perhaps&#13;
some great danger will ensue."</p><p>"What greater misfortune can happen to us," said Blanche, despondingly,&#13;
"than to cause such sorrow to our father? What can be the reason of it?"</p><p>"Perhaps," said Rose, whose tears were slowly trickling down her cheek,&#13;
"he does not find us what he could have desired. He may love us well&#13;
as the children of our poor mother, but we are not the daughters he had&#13;
dreamed of. Do you understand me, sister?"</p><p>"Yes, yes--that is perhaps what occasioned all his sorrow. We are so&#13;
badly informed, so wild, so awkward, that he is no doubt ashamed of us;&#13;
and, as he loves us in spite of all, it makes him suffer."</p><p>"Alas! it is not our fault. Our dear mother brought us up in the deserts&#13;
of Siberia as well as she could."</p><p>"Oh! father himself does not reproach us with it; only it gives him&#13;
pain."</p><p>"Particularly if he has friends whose daughters are very beautiful, and&#13;
possessed of all sorts of talents. Then he must bitterly regret that we&#13;
are not the same."</p><p>"Dost remember when he took us to see our cousin, Mdlle. Adrienne, who&#13;
was so affectionate and kind to us, that he said to us, with admiration:&#13;
'Did you notice her, my children? How beautiful she is, and what talent,&#13;
what a noble heart, and therewith such grace and elegance!'"</p><p>"Oh, it is very true! Mdlle. de Cardoville is so beautiful, her voice&#13;
is so sweet and gentle, that, when we saw and heard her, we fancied that&#13;
all our troubles were at an end."</p><p>"And it is because of such beauty, no doubt, that our father, comparing&#13;
us with our cousin and so many other handsome young ladies, cannot be&#13;
very proud of us. And he, who is so loved and honored, would have liked&#13;
to have been proud of his daughters."</p><p>Suddenly Rose laid her hand on her sister's arm, and said to her,&#13;
with anxiety: "Listen! listen! they are talking very loud in father's&#13;
bedroom."</p><p>"Yes," said Blanche, listening in her turn; "and I can hear him walking.&#13;
That is his step."</p><p>"Good heaven! how he raises his voice; he seems to be in a great&#13;
passion; he will perhaps come this way."</p><p>And at the thought of their father's coming--that father who really&#13;
adored them--the unhappy children looked in terror at each other. The&#13;
sound of a loud and angry voice became more and more distinct; and Rose,&#13;
trembling through all her frame, said to her sister: "Do not let us&#13;
remain here! Come into our room."</p><p>"Why?"</p><p>"We should hear, without designing it, the words of our father--and he&#13;
does not perhaps know that we are so near."</p><p>"You are right. Come, come!" answered Blanche, as she rose hastily from&#13;
her seat.</p><p>"Oh! I am afraid. I have never heard him speak in so angry a tone."</p><p>"Oh! kind heaven!" said Blanche, growing pale, as she stopped&#13;
involuntarily. "It is to Dagobert that he is talking so loud."</p><p>"What can be the matter--to make our father speak to him in that way?"</p><p>"Alas! some great misfortune must have happened."</p><p>"Oh, sister! do not let us remain here! It pains me too much to hear&#13;
Dagobert thus spoken to."</p><p>The crash of some article, hurled with violence and broken to pieces in&#13;
the next room, so frightened the orphans, that, pale and trembling with&#13;
emotion, they rushed into their own apartment, and fastened the door. We&#13;
must now explain the cause of Marshal Simon's violent anger.</p><p>CHAPTER XLVIII. THE STUNG LION.</p><p>This was the scene, the sound of which had so terrified Rose and&#13;
Blanche. At first alone in his chamber, in a state of exasperation&#13;
difficult to describe, Marshal Simon had begun to walk hastily up and&#13;
down, his handsome, manly face inflamed with rage, his eyes sparkling&#13;
with indignation, while on his broad forehead, crowned with short-cut&#13;
hair that was now turning gray, large veins, of which you might count&#13;
the pulsations, were swollen almost to bursting; and sometimes his&#13;
thick, black moustache was curled with a convulsive motion, not unlike&#13;
that which is seen in the visage of a raging lion. And even as the&#13;
wounded lion, in its fury, harassed and tortured by a thousand invisible&#13;
darts, walks up and down its den with savage wrath, so Marshal Simon&#13;
paced the floor of his room, as if bounding from side to side;&#13;
sometimes he stooped, as though bending beneath the weight of his anger;&#13;
sometimes, on the contrary, he paused abruptly, drew himself up to his&#13;
full height, crossed his arms upon his vigorous chest, and with raised&#13;
brow, threatening and terrible look, seemed to defy some invisible&#13;
enemy, and murmur confused exclamations. Then he stood like a man of war&#13;
and battle in all his intrepid fire.</p><p>And now he stamped angrily with his foot, approached the chimney-piece,&#13;
and pulled the bell so violently that the bell-rope remained in his&#13;
hand. A servant hastened to attend to this precipitate summons. "Did you&#13;
not tell Dagobert that I wished to speak to him?" cried the marshal.</p><p>"I executed your grace's orders, but M. Dagobert was accompanying his&#13;
son to the door, and--"</p><p>"Very well!" interrupted Marshal Simon, with an abrupt and imperious&#13;
gesture.</p><p>The servant went out, and his master continued to walk up and down with&#13;
impatient steps, crumpling, in his rage, a letter that he held in his&#13;
left hand. This letter had been innocently delivered by Spoil-sport,&#13;
who, seeing him come in, had run joyously to meet him. At length the&#13;
door opened, and Dagobert appeared. "I have been waiting for you a long&#13;
time, sirrah!" cried the marshal, in an irritated tone.</p><p>Dagobert, more pained than surprised at this burst of anger, which he&#13;
rightly attributed to the constant state of excitement in which the&#13;
marshal had now been for some time past, answered mildly: "I beg your&#13;
pardon, general, but I was letting out my son--"</p><p>"Read that, sir!" said the marshal abruptly, giving him the letter.</p><p>While Dagobert was reading it, the marshal resumed, with growing anger,&#13;
as he kicked over a chair that stood in his way: "Thus, even in my&#13;
own house, there are wretches bribed to harass me with incredible&#13;
perseverance. Well! have you read it, sir?"</p><p>"It is a fresh insult to add to the others," said Dagobert, coolly, as&#13;
he threw the letter into the fire.</p><p>"The letter is infamous--but it speaks the truth," replied the marshal.&#13;
Dagobert looked at him in amazement.</p><p>"And can you tell who brought me this infamous letter" continued the&#13;
marshal. "One would think the devil had a hand in it--for it was your&#13;
dog!"</p><p>"Spoil-sport?" said Dagobert, in the utmost surprise.</p><p>"Yes," answered the marshal, bitterly; "it is no doubt a joke of your&#13;
invention."</p><p>"I have no heart for joking, general," answered Dagobert, more and more&#13;
saddened by the irritable state of the marshal; "I cannot explain how it&#13;
happened. Spoil-sport is a good carrier, and no doubt found the letter&#13;
in the house--"</p><p>"And who can have left it there? Am I surrounded by traitors? Do you&#13;
keep no watch? You, in whom I have every confidence?"</p><p>"Listen to me, general--"</p><p>But the marshal proceeded, without waiting to hear him. "What! I have&#13;
made war for five-and-twenty years, I have battled with armies, I have&#13;
struggled victoriously through the evil times of exile and proscription,&#13;
I have withstood blows from maces of iron--and now I am to be killed&#13;
with pins! Pursued into my own house, harassed with impunity, worn out,&#13;
tortured every minute, to gratify some unknown, miserable hate!--When I&#13;
say unknown, I am wrong--it is d'Aigrigny, the renegade, who is at the&#13;
bottom of all this, I am sure. I have in the world but one enemy, and&#13;
he is the man. I must finish with him, for I am weary of this--it is too&#13;
much."</p><p>"But, general, remember he is a priest--"</p><p>"What do I care for that? Have I not seen him handle the sword? I will&#13;
yet make a soldier's blood rise to the forehead of the traitor!"</p><p>"But, general--"</p><p>"I tell you, that I must be avenged on some one," cried the marshal,&#13;
with an accent of the most violent exasperation; "I tell you, that I&#13;
mast find a living representative of these cowardly plots, that I may at&#13;
once make an end of him!--They press upon me from all sides; they make&#13;
my life a hell--you know it--and you do nothing to save me from these&#13;
tortures, which are killing me as by a slow fire. Can I have no one in&#13;
whom to trust?"</p><p>"General, I can't let you say that," replied Dagobert, in a calm, but&#13;
firm voice.</p><p>"And why not?"</p><p>"General, I can't let you say that you have no one to trust to. You&#13;
might end perhaps in believing it, and then it would be even worse for&#13;
yourself, than for those who well know their devotion for you, and would&#13;
go through fire and water to serve you. I am one of them--and you know&#13;
it."</p><p>These simple words, pronounced by Dagobert with a tone of deep&#13;
conviction, recalled the marshal to himself; for although his honorable&#13;
and generous character might from time to time be embittered by&#13;
irritation and grief, he soon recovered his natural equanimity. So,&#13;
addressing Dagobert in a less abrupt tone, he said to him, though still&#13;
much agitated: "You are right. I could never doubt your fidelity. But&#13;
anger deprives me of my senses. This infamous letter is enough to drive&#13;
one mad. I am unjust, ungrateful--yes, ungrateful--and to you!"</p><p>"Do not think of me, general. With a kind word at the end, you might&#13;
blow me up all the year round. But what has happened?"</p><p>The general's countenance again darkened, as he answered rapidly: "I am&#13;
looked down upon, and despised!"</p><p>"You?"</p><p>"Yes I. After all," resumed the marshal bitterly, "why should I conceal&#13;
from you this new wound? If I doubted you a moment, I owe you some&#13;
compensation, and you shall know all. For some time past, I perceived&#13;
that, when I meet any of my old companions in arms, they try to avoid&#13;
me--"</p><p>"What! was it to this that the anonymous letter alluded?"</p><p>"Yes; and it spoke the truth," replied the marshal, with a sigh of grief&#13;
and indignation.</p><p>"But it is impossible, general--you are so loved and respected--"</p><p>"Those are mere words; I speak of positive facts. When I appear, the&#13;
conversation is often interrupted. Instead of treating me as an old&#13;
comrade, they affect towards me a rigorously cold politeness. There are&#13;
a thousand little shades, a thousand trifles, which wound the heart, but&#13;
which it is impossible to notice--"</p><p>"What you are now saying, general, quite confounds me," replied&#13;
Dagobert. "You assure me of it, and I am forced to believe you."</p><p>"Oh, it is intolerable! I was resolved to ease my heart of it; so, this&#13;
morning, I went to General d'Havrincourt, who was colonel with me in the&#13;
Imperial Guard; he is honor and honesty itself. I went to him with&#13;
open heart. 'I perceive,' said I, 'the coldness that is shown me. Some&#13;
calumny must be circulating to my disadvantage. Tell me all about it.&#13;
Knowing the attack, I shall be able to defend myself--'</p><p>"Well, general?"</p><p>"D'Havrincourt remained impassible ceremoniously polite. To all my&#13;
questions he answered coldly: 'I am not aware, my lord duke, that any&#13;
calumny has been circulated with regard to you.'--'Do not call me&#13;
"my lord duke," my dear D'Havrincourt; we are old fellow-soldiers and&#13;
friends, my honor is somewhat touchy, I confess, and I find that you and&#13;
our comrades do not receive me so cordially, as in times past. You&#13;
do not deny it; I see, I know, I feel it.' To all this D'Havrincourt&#13;
answered, with the same coldness: 'I have never seen any one wanting in&#13;
respect towards you.'--'I am not talking of respect,' exclaimed I, as&#13;
I clasped his hand affectionately, though I observed that he but feebly&#13;
returned the pressure; 'I speak of cordiality, confidence, which I once&#13;
enjoyed, while now I am treated like a stranger. Why is it? What has&#13;
occasioned this change?'--Still cold and reserved, he answered: 'These&#13;
distinctions are so nice, marshal, that it is impossible for me to give&#13;
you any opinion on the subject.'--My heart swelled with grief and anger.&#13;
What was I to do? To quarrel with D'Havrincourt would have been absurd.&#13;
A sense of dignity forced me to break off the interview, but it has&#13;
only confirmed my fears. Thus," added the marshal, getting more and more&#13;
animated, "thus am I fallen from the esteem to which I am entitled, thus&#13;
am I despised, without even knowing the cause! Is it not odious? If&#13;
they would only utter a charge against me--I should at least be able to&#13;
defend myself, and to find an answer. But no, no! not even a word--only&#13;
the cold politeness that is worse than any insult. Oh! it is too much,&#13;
too much! for all this comes but in addition to other cares. What a&#13;
life is mine since the death of my father! If I did but find rest and&#13;
happiness at home--but no! I come in, but to read shameful letters; and&#13;
still worse," added the marshal, in a heartrending tone, and after a&#13;
moment's hesitation, "to find my children grow more and more indifferent&#13;
towards me--"Yes," continued he, perceiving the amazement of Dagobert,&#13;
"and yet they know how much I love them!"</p><p>"Your daughters indifferent!" exclaimed Dagobert, in astonishment. "You&#13;
make them such a reproach?"</p><p>"Oh! I do not blame them. They have hardly had time to know me."</p><p>"Not had time to know you?" returned the soldier, in a tone of&#13;
remonstrance, and warming up in his turn. "Ah! of what did their mother&#13;
talk to them, except you? and I too! what could I teach your children&#13;
except to know and love you?"</p><p>"You take their part--that is natural--they love you better than they do&#13;
me," said the marshal, with growing bitterness. Dagobert felt himself so&#13;
painfully affected, that he looked at the marshal without answering.</p><p>"Yes!" continued the other; "yes! it may be base and ungrateful--but no&#13;
matter!--Twenty times I have felt jealous of the affectionate confidence&#13;
which my children display towards you, while with me they seem always to&#13;
be in fear. If their melancholy faces ever grow animated for a moment,&#13;
it is in talking to you, in seeing you; while for me they have nothing&#13;
but cold respect--and that kills me. Sure of the affection of my&#13;
children, I would have braved and surmounted every difficulty--" Then,&#13;
seeing that Dagobert rushed towards the door which led to the chamber of&#13;
Rose and Blanche, the marshal asked: "Where are you going?"</p><p>"For your daughters, general."</p><p>"What for?"</p><p>"To bring them face to face with you--to tell them: 'My children, your&#13;
father thinks that you do not love him.'--I will only say that--and then&#13;
you will see."</p><p>"Dagobert! I forbid you to do it," cried the marshal, hastily.</p><p>"I don't care for that--you have no right to be unjust to the poor&#13;
children," said the soldier, as he again advanced towards the door.</p><p>"Dagobert, I command you to remain here," cried the marshal.</p><p>"Listen to me, general. I am your soldier, your inferior, your servant,&#13;
if you will," said the old grenadier, roughly; "but neither rank nor&#13;
station shall keep me silent, when I have to defend your daughters.&#13;
All must be explained--I know but one way--and that is to bring honest&#13;
people face to face."</p><p>If the marshal had not seized him by the arm, Dagobert would have&#13;
entered the apartment of the young girls.</p><p>"Remain!" said the marshal, so imperiously that the soldier, accustomed&#13;
to obedience, hung his head, and stood still.</p><p>"What would you do?" resumed the marshal. "Tell my children, that I&#13;
think they do not love me? induce them to affect a tenderness they do&#13;
not feel--when it is not their fault, but mine?"</p><p>"Oh, general!" said Dagobert, in a tone of despair, "I no longer feel&#13;
anger, in hearing you speak thus of your children. It is such grief,&#13;
that it breaks my heart!"</p><p>Touched by the expression of the soldier's countenance, the marshal&#13;
continued, less abruptly: "Come, I may be wrong; and yet I ask you,&#13;
without bitterness or jealousy, are not my children more confiding, more&#13;
familiar, with you than with me?"</p><p>"God bless me, general!" cried Dagobert; "if you come to that, they are&#13;
more familiar with Spoil-sport than with either of us. You are their&#13;
father; and, however kind a father may be, he must always command some&#13;
respect. Familiar with me! I should think so. A fine story! What the&#13;
devil should they respect in me, who, except that I am six feet&#13;
high, and wear a moustache, might pass for the old woman that nursed&#13;
them?--and then I must say, that, even before the death of your worthy&#13;
father, you were sad and full of thought; the children have remarked&#13;
that; and what you take for coldness on their part, is, I am sure,&#13;
anxiety for you. Come, general; you are not just. You complain, because&#13;
they love you too much."</p><p>"I complain, because I suffer," said the marshal, in an agony of&#13;
excitement. "I alone know my sufferings."</p><p>"They must indeed be grievous, general," said Dagobert, carried further&#13;
than he would otherwise have gone by his attachment for the orphans,&#13;
"since those who love you feel them so cruelly."</p><p>"What, sir! more reproaches?"</p><p>"Yes, general, reproaches," cried Dagobert. "Your children have the&#13;
right to complain of you, since you accuse them so unjustly."</p><p>"Sir," said the marshal, scarcely able to contain himself, "this is&#13;
enough--this is too much!"</p><p>"Oh, yes! it is enough," replied Dagobert, with rising emotion. "Why&#13;
defend unfortunate children, who can only love and submit? Why defend&#13;
them against your unhappy blindness?"</p><p>The marshal started with anger and impatience, but then replied, with a&#13;
forced calmness: "I needs must remember all that I owe you--and I will&#13;
not forget it, say what you will."</p><p>"But, general," cried Dagobert, "why will you not let me fetch your&#13;
children?"</p><p>"Do you not see that this scene is killing me?" cried the exasperated&#13;
marshal. "Do you not understand, that I will not have my children&#13;
witness what I suffer? A father's grief has its dignity, sir; and you&#13;
ought to feel for and respect it."</p><p>"Respect it? no--not when it is founded on injustice!"</p><p>"Enough, sir--enough!"</p><p>"And not content with tormenting yourself," cried Dagobert, unable any&#13;
longer to control his feelings, "do you know what you will do? You will&#13;
make your children die of sorrow. Was it for this, that I brought them&#13;
to you from the depths of Siberia?"</p><p>"More reproaches!"</p><p>"Yes; for the worst ingratitude towards me, is to make your children&#13;
unhappy."</p><p>"Leave the room, sir!" cried the marshal, quite beside himself, and so&#13;
terrible with rage and grief, that Dagobert, regretting that he had gone&#13;
so far, resumed: "I was wrong, general. I have perhaps been wanting in&#13;
respect to you--forgive me--but--"</p><p>"I forgive you--only leave me!" said the marshal, hardly restraining&#13;
himself.</p><p>"One word, general--"</p><p>"I entreat you to leave me--I ask it as a service--is that enough?"&#13;
said the marshal, with renewed efforts to control the violence of his&#13;
emotions.</p><p>A deadly paleness succeeded to the high color which during this painful&#13;
scene had inflamed the cheeks of the marshal. Alarmed at this symptom,&#13;
Dagobert redoubled his entreaties. "I implore you, general," said he, in&#13;
an agitated mice, "to permit me for one moment--"</p><p>"Since you will have it so, sir, I must be the one to leave," said the&#13;
marshal, making a step towards the door.</p><p>These words were said in such a manner, that Dagobert could no longer&#13;
resist. He hung his head in despair, looked for a moment in silent&#13;
supplication at the marshal, and then, as the latter seemed yielding to&#13;
a new movement of rage, the soldier slowly quitted the room.</p><p>A few minutes had scarcely elapsed since the departure of Dagobert, when&#13;
the marshal, who, after a long and gloomy silence, had repeatedly drawn&#13;
near the door of his daughters' apartment with a mixture of hesitation&#13;
and anguish, suddenly made a violent effort, wiped the cold sweat from&#13;
his brow, and entered the chamber in which Rose and Blanche had taken&#13;
refuge.</p><p>CHAPTER XLIX. THE TEST.</p><p>Dagobert was right in defending his children, as he paternally called&#13;
Rose and Blanche, and yet the apprehensions of the marshal with regard&#13;
to the coldness of his daughters, were unfortunately justified by&#13;
appearances. As he had told his father, unable to explain the sad,&#13;
and almost trembling embarrassment, which his daughters felt in his&#13;
presence, he sought in vain for the cause of what he termed their&#13;
indifference. Now reproaching himself bitterly for not concealing from&#13;
them his grief at the death of their mother, he feared he might have&#13;
given them to understand that they would be unable to console him; now&#13;
supposing that he had not shown himself sufficiently tender, and that&#13;
had chilled them with his military sternness; and now repeating with&#13;
bitter regret, that, having always lived away from them, he must be&#13;
always a stranger to them. In a word, the most unlikely suppositions&#13;
presented themselves by turns to his mind, and whenever such seeds of&#13;
doubt, suspicion, or fear, are blended with a warm affection, they&#13;
will sooner or later develop themselves with fatal effect. Yet,&#13;
notwithstanding this fancied coldness, from which he suffered so much,&#13;
the affection of the marshal for his daughters was so true and deep,&#13;
that the thought of again quitting them caused the hesitations which&#13;
were the torment of his life, and provoked an incessant struggle between&#13;
his paternal love and the duty he held most sacred.</p><p>The injurious calumnies, which had been so skillfully propagated, that&#13;
men of honor, like his old brothers in arms, were found to attach&#13;
some credit to them, had been spread with frightful pertinacity by the&#13;
friends of the Princess de Saint-Dizier. We shall describe hereafter the&#13;
meaning and object of these odious reports, which, joined with so&#13;
many other fatal injuries, had filled up the measure of the marshal's&#13;
indignation. Inflamed with anger, excited almost to madness by this&#13;
incessant "stabbing with pins" (as he had himself called it), and&#13;
offended at some of Dagobert's words, he had spoken harshly to him.&#13;
But, after the soldier's departure, when left to reflect in silence, the&#13;
marshal remembered the warm and earnest expressions of the defender&#13;
of his children, and doubt crossed his mind, as to the reality of the&#13;
coldness of which he accused them. Therefore, having taken a terrible&#13;
resolution in case a new trial should confirm his desponding doubts, he&#13;
entered, as we before said, his, daughters' chamber. The discussion with&#13;
Dagobert had been so loud, that the sound of the voices had confusedly&#13;
reached the ears of the two sisters, even after they had taken refuge in&#13;
their bedroom. So that, on the arrival of their father, their pale&#13;
faces betrayed their fear and anxiety. At sight of the marshal, whose&#13;
countenance was also much agitated, the girls rose respectfully, but&#13;
remained close together, trembling in each other's arms. And yet there&#13;
was neither anger nor severity on their father's face--only a deep,&#13;
almost supplicating grief, which seemed to say: "My children, I&#13;
suffer--I have come to you--console me, love me! or I shall die!"</p><p>The marshal's countenance was at this moment so expressive, that, the&#13;
first impulse of fear once surmounted, the sisters were about to throw&#13;
themselves into his arms; but remembering the recommendations of the&#13;
anonymous letter, which told them how painful any effusion of their&#13;
tenderness was to their father, they exchanged a rapid glance, and&#13;
remained motionless. By a cruel fatality, the marshal at this moment&#13;
burned to open his arms to his children. He looked at them with love, he&#13;
even made a slight movement as if to call them to him; but he would&#13;
not attempt more, for fear of meeting with no response. Still the poor&#13;
children, paralyzed by perfidious counsels, remained mute, motionless,&#13;
trembling!</p><p>"It is all over," thought he, as he gazed upon them. "No chord of&#13;
sympathy stirs in their bosom. Whether I go---whether I remain--matters&#13;
not to them. No, I am nothing to these children--since, at this awful&#13;
moment, when they see me perhaps for the last time, no filial instinct&#13;
tells them that their affection might save me still!"</p><p>During these terrible reflections, the marshal had not taken his eyes&#13;
off his children, and his manly countenance assumed an expression&#13;
at once so touching and mournful--his look revealed so painfully the&#13;
tortures of his despairing soul--that Rose and Blanche, confused,&#13;
alarmed, but yielding together to a spontaneous movement, threw&#13;
themselves on their father's neck, and covered him with tears and&#13;
caresses. Marshal Simon had not spoken a word; his daughters had not&#13;
uttered a sound; and yet all three had at length understood one another.&#13;
A sympathetic shock had electrified and mingled those three hearts. Vain&#13;
fears, false doubts, lying counsel, all had yielded to the irresistible&#13;
emotion which had brought the daughters to their father's arms. A sudden&#13;
revelation gave them faith, at the fatal moment when incurable suspicion&#13;
was about to separate them forever.</p><p>In a second, the marshal felt all this, but words failed him. Pale,&#13;
bewildered, kissing the brows, the hair, the hands of his daughters,&#13;
weeping, sighing, smiling all in turn, he was wild, delirious, drunk&#13;
with happiness. At length, he exclaimed: "I have found them--or rather,&#13;
I have never lost them. They loved me, and did not dare to tell me so.&#13;
I overawed them. And I thought it was my fault. Heavens! what good that&#13;
does! what strength, what heart, what hope!--Ha! ha!" cried he, laughing&#13;
and weeping at the same time, whilst he covered his children with&#13;
caresses; "they may despise me now, they may harass me now--I defy them&#13;
all. My own blue eyes! my sweet blue eyes! look at me well, and inspire&#13;
me with new life."</p><p>"Oh, father! you love us then as much as we love you?" cried Rose, with&#13;
enchanting simplicity.</p><p>"And we may often, very often, perhaps every day, throw ourselves on&#13;
your neck, embrace you, and prove how glad we are to be with you?"</p><p>"Show you, dear father, all the store of love we were heaping up in our&#13;
hearts--so sad, alas! that we could not spend it upon you?"</p><p>"Tell you aloud all that we think in secret?"</p><p>"Yes--you may do so--you may do so," said Marshal Simon, faltering with&#13;
joy; "what prevented you, my children? But no; do not answer; enough of&#13;
the past!--I know all, I understand all. You misinterpreted my gloom,&#13;
and it made you sad; I, in my turn, misinterpreted your sadness. But&#13;
never mind; I scarcely know what I am saying to you. I only think of&#13;
looking at you--and it dazzles me--it confuses me--it is the dizziness&#13;
of joy!"</p><p>"Oh, look at us, father! look into our eyes, into our hearts," cried&#13;
Rose, with rapture.</p><p>"And you will read there, happiness for us, and love for you, sir!"&#13;
added Blanche.</p><p>"Sir, sir!" said the marshal, in a tone of affectionate reproach; "what&#13;
does that mean? Will you call me father, if you please?"</p><p>"Dear father, your hand!" said Blanche, as she took it, and placed it on&#13;
her heart.</p><p>"Dear father, your hand!" said Rose, as she took the other hand of the&#13;
marshal. "Do you believe now in our love and happiness?" she continued.</p><p>It is impossible to describe the charming expression of filial pride in&#13;
the divine faces of the girls, as their father, slightly pressing their&#13;
virgin bosoms, seemed to count with delight the joyous pulsations of&#13;
their hearts.</p><p>"Oh, yes! happiness and affection can alone make the heart beat thus!"&#13;
cried the marshal.</p><p>A hoarse sob, heard in the direction of the open door, made the three&#13;
turn round, and there they saw the tall figure of Dagobert, with the&#13;
black nose of Spoil-sport reaching to his master's knee. The soldier,&#13;
drying his eyes and moustache with his little blue cotton handkerchief,&#13;
remained motionless as the god Terminus. When he could speak, he&#13;
addressed himself to the marshal, and, shaking his head, muttered, in a&#13;
hoarse voice, for the good man was swallowing his tears: "Did I not tell&#13;
you so?"</p><p>"Silence!" said the marshal, with a sign of intelligence. "You were a&#13;
better father than myself, my old friend. Come and kiss them! I shall&#13;
not be jealous."</p><p>The marshal stretched out his hand to the soldier, who pressed it&#13;
cordially, whilst the two sisters threw themselves on his neck, and&#13;
Spoil-sport, according to custom wishing to have his share in the&#13;
general joy, raised himself on his hind legs, and rested his fore-paws&#13;
against his master's back. There was a moment of profound silence.&#13;
The celestial felicity enjoyed during that moment, by the marshal,&#13;
his daughters, and the soldier, was interrupted by the barking of&#13;
Spoil-sort, who suddenly quitted the attitude of a biped. The happy&#13;
group separated, looked round, and saw Loony's stupid face. He looked&#13;
even duller than usual, as he stood quite still in the doorway, staring&#13;
with wide stretched eyes, and holding a feather-broom under his arm, and&#13;
in his hand the ever-present basket of wood.</p><p>Nothing makes one so gay as happiness; and, though this grotesque figure&#13;
appeared at a very unseasonable moment, it was received with frank&#13;
laughter from the blooming lips of Rose and Blanche. Having made the&#13;
marshal's daughters laugh, after their long sadness, Loony at once&#13;
acquired a claim to the indulgence of the marshal, who said to him, good&#13;
humoredly: "What do you want, my lad?"</p><p>"It's not me, my lord duke!" answered Loony, laying his hand on his&#13;
breast, as if it were taking a vow, so that his feather-brush fell down&#13;
from under his arm. The laughter of the girls redoubled.</p><p>"It is not you?" said the marshal.</p><p>"Here! Spoil-sport!" Dagobert called, for the honest dog seemed to have&#13;
a secret dislike for the pretended idiot, and approached him with an&#13;
angry air.</p><p>"No, my lord duke, it is not me!" resumed Loony. "It is the footman who&#13;
told me to tell M. Dagobert, when I brought up the wood to tell my lord&#13;
duke, as I was coming up with the basket, that M. Robert wants to see&#13;
him."</p><p>The girls laughed still more at this new stupidity. But, at the name of&#13;
Robert, Marshal Simon started.</p><p>M. Robert was the secret emissary of Rodin, with regard to the possible,&#13;
but adventurous, enterprise of attempting the liberation of Napoleon II.&#13;
After a moment's silence, the marshal, whose face was still radiant with&#13;
joy and happiness, said to Loony: "Beg M. Robert to wait for me a moment&#13;
in my study."</p><p>"Yes, my lord duke," answered Loony, bowing almost to the ground.</p><p>The simpleton withdrew, and the marshal said to his daughters, in a&#13;
joyous tone, "You see, that, in a moment like this, one does not leave&#13;
one's children, even for M. Robert."</p><p>"Oh! that's right, father!" cried Blanche, gayly; "for I was already&#13;
very angry with this M. Robert."</p><p>"Have you pen and paper at hand?" asked the marshal.</p><p>"Yes, father; there on the table," said Rose, hastily, as she pointed&#13;
to a little desk near one of the windows, towards which the marshal now&#13;
advanced rapidly.</p><p>From motives of delicacy, the girls remained where they were, close to&#13;
the fireplace, and caressed each other tenderly, as if to congratulate&#13;
themselves in private on the unexpected happiness of this day.</p><p>The marshal seated himself at the desk, and made a sign to Dagobert to&#13;
draw near.</p><p>While he wrote rapidly a few words in a firm hand, he said to the&#13;
soldier with a smile, in so low a tone that it was impossible for his&#13;
daughters to hear: "Do you know what I had almost resolved upon, before&#13;
entering this room?"</p><p>"What, general?"</p><p>"To blow my brains out. It is to my children that I owe my life." And&#13;
the marshal continued writing.</p><p>Dagobert started at this communication, and then replied, also in a&#13;
whisper: "It would not have been with your pistols. I took off the&#13;
caps."</p><p>The marshal turned round hastily, and looked at him with an air of&#13;
surprise. But the soldier only nodded his head affirmatively, and added:&#13;
"Thank heaven, we have now done with all those ideas!"</p><p>The marshal's only answer was to glance at his children, his eyes&#13;
swimming with tenderness, and sparkling with delight; then, sealing the&#13;
note he had written, he gave it to the soldier, and said to him, "Give&#13;
that to M. Robert. I will see him to-morrow."</p><p>Dagobert took the letter, and went out. Returning towards his daughters,&#13;
the marshal joyfully extended his arms to them, and said, "Now, young&#13;
ladies, two nice kisses for having sacrificed M. Robert to you. Have&#13;
I not earned them?" And Rose and Blanche threw themselves on their&#13;
father's neck.</p><p>About the time that these events were taking place at Paris, two&#13;
travellers, wide apart from each other, exchanged mysterious thoughts&#13;
through the breadth of space.</p><p>BOOK XI.</p><p>L. The Ruins of the Abbey of St. John the Baptist LI. The&#13;
     Calvary LII. The Council LIII. Happiness LIV. Duty LV. The&#13;
     Improvised Hospital LVI. Hydrophobia LVII. The Guardian&#13;
     Angel LVIII. Ruin LIX. Memories LX. The Ordeal LXI. Ambition&#13;
     LXII. To a Socius, a Socius and a Half LXIII. Faringhea's&#13;
     Affection LXIV. An Evening at St. Colombe's LXV. The Nuptial&#13;
     Bed LXVI. A Duel to the Death LXVII. A Message LXVIII. The&#13;
     First of June</p><p>EPILOGUE.</p><p>I. Four Years After II. The Redemption</p><p>CHAPTER L. THE RUINS OF THE ABBEY OF ST. JOHN THE BAPTIST.</p><p>The sun is fast sinking. In the depths of an immense piny wood, in the&#13;
midst of profound solitude, rise the ruins of an abbey, once sacred to&#13;
St. John the Baptist. Ivy, moss, and creeping plants, almost entirely&#13;
conceal the stones, now black with age. Some broken arches, some&#13;
walls pierced with ovals, still remain standing, visible on the dark&#13;
background of the thick wood. Looking down upon this mass of ruins from&#13;
a broken pedestal, half-covered with ivy, a mutilated, but colossal&#13;
statue of stone still keeps its place. This statue is strange and awful.&#13;
It represents a headless human figure. Clad in the antique toga, it&#13;
holds in its hand a dish and on that dish is a head. This head is its&#13;
own. It is the statue of St. John the Baptist and Martyr, put to death&#13;
by wish of Herodias.</p><p>The silence around is solemn. From time to time, however, is heard the&#13;
dull rustling of the enormous branches of the pine-trees, shaken by the&#13;
wind. Copper-colored clouds, reddened by the setting sun, pass slowly&#13;
over the forest, and are reflected in the current of a brook, which,&#13;
deriving its source from a neighboring mass of rocks, flows through the&#13;
ruins. The water flows, the clouds pass on, the ancient trees tremble,&#13;
the breeze murmurs.</p><p>Suddenly, through the shadow thrown by the overhanging wood, which&#13;
stretches far into endless depths, a human form appears. It is a woman.&#13;
She advances slowly towards the ruins. She has reached them. She treads&#13;
the once sacred ground. This woman is pale, her look sad, her long&#13;
robe floats on the wind, her feet covered with dust. She walks with&#13;
difficulty and pain. A block of stone is placed near the stream, almost&#13;
at the foot of the statue of John the Baptist. Upon this stone she sinks&#13;
breathless and exhausted, worn out with fatigue. And yet, for many days,&#13;
many years, many centuries, she has walked on unwearied.</p><p>For the first time, she feels an unconquerable sense of lassitude. For&#13;
the first time, her feet begin to fail her. For the first time, she,&#13;
who traversed, with firm and equal footsteps, the moving lava of torrid&#13;
deserts, while whole caravans were buried in drifts of fiery sand--who&#13;
passed, with steady and disdainful tread, over the eternal snows of&#13;
Arctic regions, over icy solitudes, in which no other human being could&#13;
live--who had been spared by the devouring flames of conflagrations, and&#13;
by the impetuous waters of torrents--she, in brief, who for centuries&#13;
had had nothing in common with humanity--for the first time suffers&#13;
mortal pain.</p><p>Her feet bleed, her limbs ache with fatigue, she is devoured by burning&#13;
thirst. She feels these infirmities, yet scarcely dares to believe them&#13;
real. Her joy would be too immense! But now, her throat becomes dry,&#13;
contracted, all on fire. She sees the stream, and throws herself on her&#13;
knees, to quench her thirst in that crystal current, transparent as&#13;
a mirror. What happens then? Hardly have her fevered lips touched the&#13;
fresh, pure water, than, still kneeling, supported on her hands, she&#13;
suddenly ceases to drink, and gazes eagerly on the limpid stream.&#13;
Forgetting the thirst which devours her, she utters a loud cry--a cry&#13;
of deep, earnest, religious joy, like a note of praise and infinite&#13;
gratitude to heaven. In that deep mirror, she perceives that she has&#13;
grown older.</p><p>In a few days, a few hours, a few minutes, perhaps in a single second,&#13;
she has attained the maturity of age. She, who for more than eighteen&#13;
centuries has been as a woman of twenty, carrying through successive&#13;
generations the load of her imperishable youth--she has grown old, and&#13;
may, perhaps, at length, hope to die. Every minute of her life may now&#13;
bring her nearer to the last home! Transported by that ineffable hope,&#13;
she rises, and lifts her eyes to heaven, clasping her hands in an&#13;
attitude of fervent prayer. Then her eyes rest on the tall statue of&#13;
stone, representing St. John. The head, which the martyr carries in his&#13;
hand, seems, from beneath its half-closed granite eyelid, to cast upon&#13;
the Wandering Jewess a glance of commiseration and pity. And it was she,&#13;
Herodias who, in the cruel intoxication of a pagan festival, demanded&#13;
the murder of the saint! And it is at the foot of the martyr's image,&#13;
that, for the first time, the immortality, which weighed on her for so&#13;
many centuries, seems likely to find a term!</p><p>"Oh, impenetrable mystery! oh, divine hope!" she cries. "The wrath of&#13;
heaven is at length appeased. The hand of the Lord brings me to the&#13;
feet of the blessed martyr, and I begin once more to feel myself a&#13;
human creature. And yet it was to avenge his death, that the same heaven&#13;
condemned me to eternal wanderings!</p><p>"Oh, Lord! grant that I may not be the only one forgiven. May&#13;
he--the artisan, who like me, daughter of a king, wanders on for&#13;
centuries--likewise hope to reach the end of that immense journey!</p><p>"Where is he, Lord? where is he? Hast thou deprived me of the power once&#13;
bestowed, to see and hear him through the vastness of intervening space?&#13;
Oh, in this mighty moment, restore me that divine gift--for the more I&#13;
feel these human infirmities, which I hail and bless as the end of&#13;
my eternity of ills, the more my sight loses the power to traverse&#13;
immensity, and my ear to catch the sound of that wanderer's accent, from&#13;
the other extremity of the globe?"</p><p>Night had fallen, dark and stormy. The wind rose in the midst of the&#13;
great pine-trees. Behind their black summits, through masses of dark&#13;
cloud, slowly sailed the silver disk of the moon. The invocation of the&#13;
Wandering Jewess had perhaps been heard. Suddenly, her eyes closed--with&#13;
hands clasped together, she remained kneeling in the heart of the&#13;
ruins--motionless as a statue upon a tomb. And then she had a wondrous&#13;
dream!</p><p>CHAPTER LI. THE CALVARY.</p><p>This was the vision of Herodias: On the summit of a high, steep, rocky&#13;
mountain, there stands a cross. The sun is sinking, even as when the&#13;
Jewess herself, worn out with fatigue, entered the ruins of St. John's&#13;
Abbey. The great figure on the cross--which looks down from this&#13;
Calvary, on the mountain, and on the vast, dreary plain beyond--stands&#13;
out white and pale against the dark, blue clouds, which stretch across&#13;
the heavens, and assume a violent tint towards the horizon. There, where&#13;
the setting sun has left a long track of lurid light, almost of the&#13;
hue of blood--as far as the eye can reach, no vegetation appears on the&#13;
surface of the gloomy desert, covered with sand and stones, like the&#13;
ancient bed of some dried-up ocean. A silence as of death broods over&#13;
this desolate tract. Sometimes, gigantic black vultures, with red&#13;
unfeathered necks, luminous yellow eyes, stooping from their lofty&#13;
flight in the midst of these solitudes, come to make their bloody feast&#13;
on the prey they have carried off from less uncultivated regions.</p><p>How, then, did this Calvary, this place of prayer, come to be erected so&#13;
far from the abodes of men? This Calvary was prepared at a great cost by&#13;
a repentant sinner. He had done much harm to his fellow-creatures, and,&#13;
in the hope of obtaining pardon for his crimes, he had climbed this&#13;
mountain on his knees, and become a hermit, and lived there till his&#13;
death, at the foot of this cross, only sheltered by a roof of thatch,&#13;
now long since swept away by the wind. The sun is still sinking. The&#13;
sky becomes darker. The luminous lines on the horizon grow fainter and&#13;
fainter, like heated bars of iron that gradually grow cool. Suddenly,&#13;
on the eastern side of the Calvary, is heard the noise of some falling&#13;
stones, which, loosened from the side of the mountain, roll down&#13;
rebounding to its base. These stones have been loosened by the foot of&#13;
a traveller, who, after traversing the plain below, has, during the last&#13;
hour, been climbing the steep ascent. He is not yet visible--but one&#13;
hears the echo of his tread--slow, steady, and firm. At length, he&#13;
reaches the top of the mountain, and his tall figure stands out against&#13;
the stormy sky.</p><p>The traveller is pale as the great figure on the cross. On his broad&#13;
forehead a black line extends from one temple to the other. It is&#13;
the cobbler of Jerusalem. The poor artisan, who hardened by misery,&#13;
injustice and oppression, without pity for the suffering of the Divine&#13;
Being who bore the cross, repulsed him from his dwelling, and bade him:&#13;
"Go ON! GO ON! GO ON!" And, from that day, the avenging Deity has in his&#13;
turn said to the artisan of Jerusalem: "GO ON! GO ON! GO ON!"</p><p>And he has gone on, without end or rest. Nor did the divine vengeance&#13;
stop there. From time to time death has followed the steps of the&#13;
wanderer, and innumerable graves have been even as mile-stones on his&#13;
fatal path. And if ever he found periods of repose in the midst of&#13;
his infinite grief, it was when the hand of the Lord led him into deep&#13;
solitudes, like that where he now dragged his steps along. In passing&#13;
over that dreary plain, or climbing to that rude Calvary, he at least&#13;
heard no more the funeral knell, which always, always sounded behind him&#13;
in every inhabited region.</p><p>All day long, even at this hour, plunged in the black abyss of his&#13;
thoughts, following the fatal track--going whither he was guided by the&#13;
invisible hand, with head bowed on his breast, and eyes fixed upon&#13;
the ground, the wanderer had passed over the plain, and ascended the&#13;
mountain, without once looking at the sky--without even perceiving the&#13;
Calvary--without seeing the image upon the cross. He thought of the&#13;
last descendants of his race. He felt, by the sinking of his heart,&#13;
that great perils continued to threaten him. And in the bitterness of&#13;
a despair, wild and deep as the ocean, the cobbler of Jerusalem seated&#13;
himself at the foot of the cross. At this moment a farewell ray of the&#13;
setting sun, piercing the dark mass of clouds, threw a refection upon&#13;
the Calvary, vivid as a conflagration's glare. The Jew rested his&#13;
forehead upon his hand. His long hair, shaken by the evening breeze,&#13;
fell over his pale face--when sweeping it back from his brow, he started&#13;
with surprise--he, who had long ceased to wonder at anything. With eager&#13;
glance he contemplated the long lock of hair that he held between his&#13;
fingers. That hair, until now black as night, had become gray. He also,&#13;
like unto Herodias, was growing older.</p><p>His progress towards old age, stopped for eighteen hundred years, had&#13;
resumed its course. Like the Wandering Jewess, he might henceforth hope&#13;
for the rest of the grave. Throwing himself on his knees, he stretched&#13;
his hands towards heaven, to ask for the explanation of the mystery&#13;
which filled him with hope. Then, for the first time, his eyes rested on&#13;
the Crucified One, looking down upon the Calvary, even as the Wandering&#13;
Jewess had fixed her gaze on the granite eyelids of the Blessed Martyr.</p><p>The Saviour, his head bowed under the weight of his crown of thorns,&#13;
seemed from the cross to view with pity, and pardon the artisan, who for&#13;
so many centuries had felt his curse--and who, kneeling, with his body&#13;
thrown backward in an attitude of fear and supplication, now lifted&#13;
towards the crucifix his imploring hands.</p><p>"Oh, Messiah!" cried the Jew, "the avenging arm of heaven brings me back&#13;
to the foot of this heavy cross, which thou didst bear, when, stopping&#13;
at the door of my poor dwelling, thou wert repulsed with merciless&#13;
harshness, and I said unto thee: 'Go on! go on!'--After my long life of&#13;
wanderings, I am again before this cross, and my hair begins to whiten.&#13;
Oh Lord! in thy divine mercy, hast thou at length pardoned me? Have I&#13;
reached the term of my endless march? Will thy celestial clemency grant&#13;
me at length the repose of the sepulchre, which, until now, alas! has&#13;
ever fled before me?--Oh! if thy mercy should descend upon me, let it&#13;
fall likewise upon that woman, whose woes are equal to mine own! Protect&#13;
also the last descendants of my race! What will be their fate? Already,&#13;
Lord, one of them--the only one that misfortune had perverted--has&#13;
perished from the face of the earth. Is it for this that my hair grows&#13;
gray? Will my crime only be expiated when there no longer remains in&#13;
this world one member of our accursed race? Or does this proof of thy&#13;
powerful goodness, Lord, which restores me to the condition of humanity,&#13;
serve also as a sign of the pardon and happiness of my family? Will&#13;
they at length triumph over the perils which beset them? Will they,&#13;
accomplishing the good which their ancestor designed for his fellow&#13;
creatures, merit forgiveness both for themselves and me? Or will they,&#13;
inexorably condemned as the accursed scions of an accursed stock,&#13;
expiate the original stain of my detested crime?</p><p>"Oh, tell me--tell me, gracious Lord! shall I be forgiven with them, or&#13;
will they be punished with me?"</p><p>The twilight gave place to a dark and stormy night, yet the Jew&#13;
continued to pray, kneeling at the foot of the cross.</p><p>CHAPTER LII. THE COUNCIL.</p><p>The following scene took place at Saint-Dizier House, two days after&#13;
the reconciliation of Marshal Simon with his daughters. The princess is&#13;
listening with the most profound attention to the words of Rodin. The&#13;
reverend father, according to his habit, stands leaning against the&#13;
mantelpiece, with his hands thrust into the pockets of his old brown&#13;
great-coat. His thick, dirty shoes have left their mark on the ermine&#13;
hearth-rug. A deep sense of satisfaction is impressed on the Jesuit's&#13;
cadaverous countenance. Princess de Saint-Dizier, dressed with that sort&#13;
of modest elegance which becomes a mother of the church, keeps her&#13;
eyes fixed on Rodin--for the latter has completely supplanted Father&#13;
d'Aigrigny in the good graces of this pious lady. The coolness, audacity&#13;
lofty intelligence, and rough and imperious character of the ex-socius&#13;
have overawed this proud woman, and inspired her with a sincere&#13;
admiration. Even his filthy habits and often brutal repartees have their&#13;
charm for her, and she now prefers them to the exquisite politeness and&#13;
perfumed elegance of the accomplished Father d'Aigrigny.</p><p>"Yes, madame," said Rodin, in a sanctified tone, for these people do not&#13;
take off their masks even with their accomplices, "yes, madame, we have&#13;
excellent news from our house at St. Herem. M. Hardy, the infidel, the&#13;
freethinker, has at length entered the pale of the holy Roman Catholic&#13;
and Apostolic Church." Rodin pronounced these last word with a nasal&#13;
twang, and the devout lady bowed her head respectfully.</p><p>"Grace has at length touched the heart of this impious man," continued&#13;
Rodin, "and so effectually that, in his ascetic enthusiasm, he has&#13;
already wished to take the vows which will bind him forever to our&#13;
divine Order."</p><p>"So soon, father?" said the princess, in astonishment.</p><p>"Our statutes are opposed to this precipitation, unless in the case of&#13;
a penitent in articulo mortis--on the very gasp of death--should such&#13;
a person consider it necessary for his salvation to die in the habit&#13;
of our Order, and leave us all his wealth for the greater glory of the&#13;
Lord."</p><p>"And is M. Hardy in so dangerous a condition, father?"</p><p>"He has a violent fever. After so many successive calamities, which&#13;
have miraculously brought him into the path of salvation," said Rodin,&#13;
piously, "his frail and delicate constitution is almost broken up,&#13;
morally and physically. Austerities, macerations, and the divine joys of&#13;
ecstasy, will probably hasten his passage to eternal life, and in a few&#13;
clays," said the priest, shaking his head with a solemn air, "perhaps--"</p><p>"So soon as that, father?"</p><p>"It is almost certain. I have therefore made use of my dispensations, to&#13;
receive the dear penitent, as in articulo mortis, a member of our&#13;
divine Company, to which, in the usual course, he has made over all&#13;
his possessions, present and to come--so that now he can devote himself&#13;
entirely to the care of his soul, which will be one victim more rescued&#13;
from the claws of Satan."</p><p>"Oh, father!" cried the lady, in admiration; "it is a miraculous&#13;
conversion. Father d'Aigrigny told me how you had to contend against the&#13;
influence of Abbe Gabriel."</p><p>"The Abbe Gabriel," replied Rodin, "has been punished for meddling with&#13;
what did not concern him. I have procured his suspension, and he has&#13;
been deprived of his curacy. I hear that he now goes about the cholera&#13;
hospitals to administer Christian consolation; we cannot oppose&#13;
that--but this universal comforter is of the true heretical stamp."</p><p>"He is a dangerous character, no doubt," answered the princess, "for he&#13;
has considerable influence over other men. It must have needed all your&#13;
admirable and irresistible eloquence to combat the detestable counsels&#13;
of this Abbe Gabriel, who had taken it into his head to persuade M.&#13;
Hardy to return to the life of the world. Really, father, you are a&#13;
second St. Chrysostom."</p><p>"Tut, tut, madame!" said Rodin, abruptly, for he was very little&#13;
sensible to flattery; "keep that for others."</p><p>"I tell you that you're a second St. Chrysostom father," repeated the&#13;
princess with enthusiasm; "like him, you deserve the name of Golden&#13;
Mouth."</p><p>"Stuff, madame!" said Rodin, brutally, shrugging his shoulders; "my lips&#13;
are too pale, my teeth too black, for a mouth of gold. You must be only&#13;
joking."</p><p>"But, father--"</p><p>"No, madame, you will not catch old birds with chaff," replied Rodin,&#13;
harshly. "I hate compliments, and I never pay them."</p><p>"Your modesty must pardon me, father," said the princess, humbly; "I&#13;
could not resist the desire to express to you my admiration, for, as&#13;
you almost predicted, or at least foresaw, two members of the Rennepont&#13;
family, have, within the last few months, resigned all claim to the&#13;
inheritance."</p><p>Rodin looked at Madame de Saint-Dizier with a softened and approving&#13;
air, as he heard her thus describe the position of the two defunct&#13;
claimants. For, in Rodin's view of the case, M. Hardy, in consequence&#13;
of his donation and his suicidal asceticism, belonged no longer to this&#13;
world.</p><p>The lady continued: "One of these men, a wretched artisan, has been led&#13;
to his ruin by the exaggeration of his vices. You have brought the&#13;
other into the path of salvation, by carrying out his loving and tender&#13;
qualities. Honor, then to your foresight, father! for you said that you&#13;
would make use of the passions to attain your end."</p><p>"Do not boast too soon," said Rodin, impatiently. "Have you forgotten&#13;
your niece, and the Hindoo, and the daughters of Marshal Simon? Have&#13;
they also made a Christian end, or resigned their claim to share in this&#13;
inheritance?"</p><p>"No, doubtless."</p><p>"Hence, you see, madame, we should not lose time in congratulating&#13;
ourselves on the past, but make ready for the future. The great day&#13;
approaches. The first of June is not far off. Heaven grant we may not&#13;
see the four surviving members of the family continue to live impenitent&#13;
up to that period, and so take possession of this enormous property--the&#13;
source of perdition in their hands--but productive of the glory of the&#13;
Church in the hands of our Company!"</p><p>"True, father!"</p><p>"By the way, you were to see your lawyers on the subject of your niece?"</p><p>"I have seen them, father. However uncertain may be the chance of which&#13;
I spoke, it is worth trying. I shall know to-day, I hope, if it is&#13;
legally possible."</p><p>"Perhaps then,--in the new condition of life to which she would be&#13;
reduced, we might find means to effect her conversion," said Rodin, with&#13;
a strange and hideous smile; "until now, since she has been so fatally&#13;
brought in contact with the Oriental, the happiness of these two pagans&#13;
appears bright and changeless as the diamond. Nothing bites into it, not&#13;
even Faringhea's tooth. Let us hope that the Lord will wreak justice on&#13;
their vain and guilty felicity!"</p><p>This conversation was here interrupted by Father d'Aigrigny, who entered&#13;
the room with an air of triumph, and exclaimed, "Victory!"</p><p>"What do you say"' asked the princess.</p><p>"He is gone--last night," said Father d'Aigrigny.</p><p>"Who?" said Rodin.</p><p>"Marshal Simon," replied the abbe.</p><p>"At last!" said Rodin, unable to hide his joy.</p><p>"It was no doubt his interview with General d'Havrincourt which&#13;
filled up the measure," cried the princess, "for I know he had a long&#13;
conversation with the general, who like so many others, believed the&#13;
reports in circulation. All means are good against the impious!" added&#13;
the princess, by way of moral.</p><p>"Have you any details?" asked Rodin.</p><p>"I have just left Robert," said Father d'Aigrigny. "His age and&#13;
description agree with the marshal's, and the latter travels with his&#13;
papers. Only one thing has greatly surprised your emissary."</p><p>"What is that?" said Rodin.</p><p>"Until now, he had always to contend with the hesitations of the&#13;
marshal, and had moreover noticed his gloomy and desponding air.&#13;
Yesterday, on the contrary, he found him so bright with happiness, that&#13;
he could not help asking him the cause of the alteration."</p><p>"Well?" said Rodin and the princess together, both extremely surprised.</p><p>"The marshal answered: 'I am indeed the happiest man in the world; for I&#13;
am going joyfully to accomplish a sacred duty!"</p><p>The three actors in this scene looked at each other in silence.</p><p>"And what can have produced this sudden change in the mind of the&#13;
marshal?" said the princess, with a pensive air. "We rather reckon&#13;
on sorrow and every kind of irritation to urge him to engage in this&#13;
adventurous enterprise."</p><p>"I cannot make it out," said Rodin, reflecting; "but no matter--he&#13;
is gone. We must not lose a moment, to commence operations on his&#13;
daughters. Has he taken that infernal soldier with him?"</p><p>"No," said Father d'Aigrigny; "unfortunately, he has not done so. Warned&#13;
by the past, he will redouble his precautions; and a man, whom we&#13;
might have used against him at a pinch, has just been taken with the&#13;
contagion."</p><p>"Who is that?" asked the princess.</p><p>"Morok. I could count upon him anywhere and for anything. He is lost&#13;
to us; for, should he recover from the cholera, I fear he will fall a&#13;
victim to a horrible and incurable disease."</p><p>"How so?"</p><p>"A few days ago, he was bitten by one of the mastiffs of his menagerie,&#13;
and, the next day, the dog showed symptoms of hydrophobia."</p><p>"Ah! it is dreadful," cried the princess; "and where is this unfortunate&#13;
man?"</p><p>"He has been taken to one of the temporary hospitals established in&#13;
Paris, for at present he has only been attacked with cholera. It is&#13;
doubly unfortunate, I repeat, for he was a devoted, determined fellow,&#13;
ready for anything. Now this soldier, who has the care of the orphans,&#13;
will be very difficult to get at, and yet only through him can we hope&#13;
to reach Marshal Simon's daughters."</p><p>"That is clear," said Rodin, thoughtfully.</p><p>"Particularly since the anonymous letters have again awakened his&#13;
suspicions," added Father d'Aigrigny "and--"</p><p>"Talking of the anonymous letters," said Rodin suddenly, interrupting&#13;
Father d'Aigrigny, "there is a fact that you ought to know; I will tell&#13;
you why."</p><p>"What is it?"</p><p>"Besides the letters that you know of, Marshal Simon has received a&#13;
number of others unknown to you, in which, by every possible means, it&#13;
is tried to exasperate his irritation against yourself--for they remind&#13;
him of all the reasons he has to hate you, and mock at him, because your&#13;
sacred character shelters you from his vengeance."</p><p>Father d'Aigrigny looked at Rodin with amazement, colored in spite of&#13;
himself, and said to him: "But for what purpose has your reverence acted&#13;
in this manner?"</p><p>"First of all, to clear myself of suspicion with regard to the letters;&#13;
then, to excite the rage of the marshal to madness, by incessantly&#13;
reminding him of the just grounds he has to hate you, and of the&#13;
impossibility of being avenged upon you. This, joined to the other&#13;
emotions of sorrow and anger, which ferment in the savage bosom of this&#13;
man of bloodshed, tended to urge him on to the rash enterprise, which&#13;
is the consequence and the punishment of his idolatry for a miserable&#13;
usurper."</p><p>"That may be," said Father d'Aigrigny, with an air of constraint: "but&#13;
I will observe to your reverence, that it was, perhaps, rather dangerous&#13;
thus to excite Marshal Simon against me."</p><p>"Why?" asked Rodin, as he fixed a piercing look upon Father d'Aigrigny.</p><p>"Because the marshal, excited beyond all bounds, and remembering only&#13;
our mutual hate, might seek me out--"</p><p>"Well! and what then?"</p><p>"Well! he might forget that I am a priest--"</p><p>"Oh, you are afraid are you?" said Rodin, disdainfully, interrupting&#13;
Father d'Aigrigny.</p><p>At the words: "You are afraid," the reverend father almost started from&#13;
his chair; but recovering his coolness, he answered: "Your reverence&#13;
is right; yes, I should be afraid under such circumstances; I should&#13;
be afraid of forgetting that I am a priest, and of remembering too well&#13;
that I have been a soldier."</p><p>"Really?" said Rodin, with sovereign contempt. "You are still no further&#13;
than that stupid and savage point of honor? Your cassock has not yet&#13;
extinguished the warlike fire? So that if this brawling swordsman, whose&#13;
poor, weak head, empty and sonorous as a drum, is so easily turned with&#13;
the stupid jargon of 'Military honor, oaths, Napoleon II.'--if this&#13;
brawling bravo, I say, were to commit some violence against you, it&#13;
would require a great effort, I suppose, for you to remain calm?"</p><p>"It is useless, I think," said Father d'Aigrigny, quite unable&#13;
to control his agitation, "for your reverence to enter upon such&#13;
questions."</p><p>"As your superior," answered Rodin, severely, "I have the right to ask.&#13;
If Marshal Simon had lifted his hand against you--"</p><p>"Sir," cried the reverend father.</p><p>"There are no sirs here--we are only priests," said Rodin, harshly.&#13;
Father d'Aigrigny held down his head, scarcely able to repress his rage.</p><p>"I ask you," continued Rodin, obstinately, "if Marshal Simon had struck&#13;
you? Is that clear?"</p><p>"Enough! in mercy," said Father d'Aigrigny, "enough!"</p><p>"Or, if you like it better, had Marshal Simon left the marks of his&#13;
fingers on your cheek?" resumed Rodin, with the utmost pertinacity.</p><p>Father d'Aigrigny, pale as death, ground his teeth in a kind of fury&#13;
at the very idea of such an insult, while Rodin, who had no doubt his&#13;
object in asking the question, raised his flabby eyelids, and seemed&#13;
to watch attentively the significant symptoms revealed in the agitated&#13;
countenance of the ex-colonel.</p><p>At length, recovering partly his presence of mind, Father d'Aigrigny&#13;
replied, in a forcedly calm tone: "If I were to be exposed to such an&#13;
insult, I would pray heaven to give me resignation and humility."</p><p>"And no doubt heaven would hear your prayers," said Rodin, coldly,&#13;
satisfied with the trial to which he had just put him. "Besides, you are&#13;
now warned, and it is not very probable," added he, with a grim smile,&#13;
"that Marshal Simon will ever return to test your humility. But if he&#13;
were to return," said Rodin, fixing on the reverend father a long and&#13;
piercing look, "you would know how to show this brutal swordsman, in&#13;
spite of all his violence, what resignation and humility there is in a&#13;
Christian soul!"</p><p>Two humble knocks at the door here interrupted the conversation for a&#13;
moment. A footman entered, bearing a large sealed packet on a salver,&#13;
which he presented to the princess. After this, he withdrew. Princess&#13;
de Saint-Dizier, having by a look asked Rodin's permission to open the&#13;
letter, began to read it--and a cruel satisfaction was soon visible on&#13;
her face.</p><p>"There is hope," cried she addressing herself to Rodin: "the demand is&#13;
rigorously legal, and the consequence may be such as we desire. In a&#13;
word, my niece may, any day, be exposed to complete destitution. She,&#13;
who is so extravagant! what a change in her life!"</p><p>"We shall then no doubt have some hold on that untamable character,"&#13;
said Rodin with a meditative air; "for, till now, all has failed in&#13;
that direction, and one would suppose some kinds of happiness are&#13;
invulnerable," added the Jesuit, gnawing his flat and dirty nails.</p><p>"But, to obtain the result we desire, we must exasperate my niece's&#13;
pride. It is, therefore, absolutely necessary, that I should see and&#13;
talk to her," said the Princess de Saint-Dizier, reflecting.</p><p>"Mdlle. de Cardoville will refuse this interview," said Father&#13;
d'Aigrigny.</p><p>"Perhaps," replied the princess. "But she is so happy that her audacity&#13;
must be at its height. Yes, yes--I know her--and I will write in such a&#13;
manner, that she will come."</p><p>"You think so?" asked Rodin, with a doubtful air.</p><p>"Do not fear it, father," answered the lady, "she will come. And her&#13;
pride once brought into play, we may hope a good deal from it."</p><p>"We must then act, lady," resumed Rodin; "yes, act promptly. The moment&#13;
approaches. Hate and suspicion are awake. There is not a moment to&#13;
lose."</p><p>"As for hate," replied the princess, "Mdlle. de Cardoville must have&#13;
seen to what her lawsuit would lead, about what she called her illegal&#13;
detention in a lunatic asylum, and that of the two young ladies in St.&#13;
Mary's Convent. Thank heaven, we have friends everywhere! I know from&#13;
good authority, that the case will break down from want of evidence, in&#13;
spite of the animosity of certain parliamentary magistrates, who shall&#13;
be well remembered."</p><p>"Under these circumstances," replied Rodin, "the departure of the&#13;
marshal gives us every latitude. We must act immediately on his&#13;
daughters."</p><p>"But how?" said the princess.</p><p>"We must see them," resumed Rodin, "talk with them, study them. Then we&#13;
shall act in consequence."</p><p>"But the soldier will not leave them a second," said Father d'Aigrigny.</p><p>"Then," replied Rodin, "we must talk to them in presence of the soldier,&#13;
and get him on our side."</p><p>"That hope is idle," cried Father d'Aigrigny. "You do not know the&#13;
military honor of his character. You do not know this man."</p><p>"Don't I know him?" said Rodin, shrugging his shoulders. "Did not Mdlle.&#13;
de Cardoville present me to him as her liberator, when I denounced you&#13;
as the soul of the conspiracy? Did I not restore to him his ridiculous&#13;
imperial relic--his cross of honor--when we met at Dr. Baleinier's? Did&#13;
I not bring him back the girls from the convent, and place them in the&#13;
arms of their father?"</p><p>"Yes," replied the princess; "but, since that time, my abominable niece&#13;
has either guessed or discovered all. She told you so herself, father."</p><p>"She told me, that she considered me her most mortal enemy," said&#13;
Rodin. "Be it so. But did she tell the same to the marshal? Has she&#13;
ever mentioned me to him? and if she have done so, has the marshal&#13;
communicated this circumstance to his soldier? It may be so; but it is&#13;
by no means sure; in any case. I must ascertain the fact; if the soldier&#13;
treats me as an enemy, we shall see what is next to be done--but I will&#13;
first try to be received as a friend."</p><p>"When?" asked the princess.</p><p>"To-morrow morning," replied Rodin.</p><p>"Good heaven, my clear father!" cried the Princess de Saint-Dizier, in&#13;
alarm; "if this soldier were to treat you as an enemy--beware--"</p><p>"I always beware, madame. I have had to face worse enemies than he is,"&#13;
said the Jesuit showing his black teeth; "the cholera to begin with."</p><p>"But he may refuse to see you, and in what way will you then get at&#13;
Marshal Simon's daughters?" said Father d'Aigrigny.</p><p>"I do not yet know." answered Rodin. "But as I intend to do it, I shall&#13;
find the means."</p><p>"Father," said the princess, suddenly, on reflection, "these girls have&#13;
never seen me, and I might obtain admittance to them, without sending in&#13;
my name."</p><p>"That would be perfectly useless at present, madame, for I must first&#13;
know what course to take with respect to them. I must see and converse&#13;
with them, at any cost, and then, after I have fixed my plan, your&#13;
assistance may be very useful. In any case, please to be ready to&#13;
morrow, madame, to accompany me."</p><p>"To what place, father?"</p><p>"To Marshal Simon's."</p><p>"To the marshal's?"</p><p>"Not exactly. You will get into your carriage, and I will take a&#13;
hackney-coach. I will then try to obtain an interview with the girls,&#13;
and, during that time, you will wait for me at a few yards from the&#13;
house. If I succeed, and require your aid, I will come and fetch you; I&#13;
can give you my instructions without any appearance of concert between&#13;
us."</p><p>"I am content, reverend father; but, in truth, I tremble at the thought&#13;
of your interview with that rough trooper."</p><p>"The Lord will watch over his servant, madame!" replied Rodin. "As&#13;
for you, father," added he, addressing the Abbe d'Aigrigny, "despatch&#13;
instantly to Vienna the note which is all prepared to announce the&#13;
departure and speedy arrival of the marshal. Every precaution has been&#13;
taken. I shall write more fully this evening."</p><p>The next morning, about eight o'clock, the Princess de Saint-Dizier,&#13;
in her carriage, and Rodin, in his hackney-coach, took the direction of&#13;
Marshal Simon's house.</p><p>CHAPTER LIII. HAPPINESS.</p><p>Marshal Simon has been absent two days. It is eight o'clock in the&#13;
morning. Dagobert, walking on tip-toe with the greatest caution, so as&#13;
not to make the floor creak beneath his tread, crosses the room which&#13;
leads to the bedchamber of Rose and Blanche and applies his ear to the&#13;
door of the apartment. With equal caution, Spoil-sport follows exactly&#13;
the movements of his master. The countenance of the soldier is uneasy&#13;
and full of thought. As he approaches the door, he says to himself: "I&#13;
hope the dear children heard nothing of what happened in the night! It&#13;
would alarm them, and it is much better that they should not know it at&#13;
present. It might afflict them sadly, poor dears! and they are so gay,&#13;
so happy, since they feel sure of their father's love for them. They&#13;
bore his departure so bravely! I would not for the world that they&#13;
should know of this unfortunate event."</p><p>Then as he listened, the soldier resumed: "I hear nothing--and yet they&#13;
are always awake so early. Can it be sorrow?"</p><p>Dagobert's reflections were here interrupted by two frank, hearty bursts&#13;
of laughter, from the interior of the bedroom.</p><p>"Come! they are not so sad as I thought," said the soldier, breathing&#13;
more freely. "Probably they know nothing about it."</p><p>Soon, the laughter was again heard with redoubled force, and the&#13;
soldier, delighted at this gayety, so rare on the part of "his&#13;
children," was much affected by it: the tears started to his eyes at the&#13;
thought that the orphans had at length recovered the serenity natural to&#13;
their age; then, passing from one emotion to the other, still listening&#13;
at the door, with his body leaning forward, and his hands resting on&#13;
his knees, Dagobert's lip quivered with an expression of mute joy, and,&#13;
shaking his head a little, he accompanied with his silent laughter,&#13;
the increasing hilarity of the young girls. At last, as nothing is so&#13;
contagious as gayety, and as the worthy soldier was in an ecstasy of&#13;
joy, he finished by laughing aloud with all his might, without knowing&#13;
why, and only because Rose and Blanche were laughing. Spoil-sport had&#13;
never seen his master in such a transport of delight; he looked at him&#13;
for a while in deep and silent astonishment, and then began to bark in a&#13;
questioning way.</p><p>At this well-known sound, the laughter within suddenly ceased, and a&#13;
sweet voice, still trembling with joyous emotion, exclaimed: "Is it you,&#13;
Spoil-sport, that have come to wake us?" The dog understood what was&#13;
said, wagged his tail, held down his ears, and, approaching close to the&#13;
door, answered the appeal of his young mistress by a kind of friendly&#13;
growl.</p><p>"Spoil-sport," said Rose, hardly able to restrain her laughter, "you are&#13;
very early this morning."</p><p>"Tell us what o'clock it is, if you please, old fellow?" added Blanche.</p><p>"Young ladies, it is past eight," said suddenly the gruff voice of&#13;
Dagobert, accompanying this piece of humor with a loud laugh.</p><p>A cry of gay surprise was heard, and then Rose resumed: "Good-morning,&#13;
Dagobert."</p><p>"Good-morning, my children. You are very lazy to-day, I must tell you."</p><p>"It is not our fault. Our dear Augustine has not yet been to call us. We&#13;
are waiting for her."</p><p>"Oh! there it is," said Dagobert to himself, his features once more&#13;
assuming an expression of anxiety. Then he returned aloud, in a tone of&#13;
some embarrassment, for the worthy man was no hand at a falsehood: "My&#13;
children, our companion went out this morning--very early. She is gone&#13;
to the country--on business--she will not return for some days--so you&#13;
had better get up by yourselves for today."</p><p>"Our good Madame Augustine!" exclaimed Blanche, with interest. "I hope&#13;
it is nothing bad that has made her leave suddenly--eh, Dagobert?"</p><p>"No, no--not at all--only business," answered the soldier. "To see one&#13;
of her relations."</p><p>"Oh, so much the better!" said Rose. "Well, Dagobert, when we call you&#13;
can come in."</p><p>"I will come back in a quarter of an hour," said the soldier as&#13;
he withdrew; and he thought to himself: "I must lecture that fool&#13;
Loony--for he is so stupid, and so fond of talking, that he will let it&#13;
all out."</p><p>The name of the pretended simpleton will serve as a natural transition,&#13;
to inform the reader of the cause of the hilarity of the sisters. They&#13;
were laughing at the numberless absurdities of the idiot. The girls rose&#13;
and dressed themselves, each serving as lady's-maid to the other. Rose&#13;
had combed and arranged Blanche's hair; it was now Blanche's turn to do&#13;
the same for her sister. Thus occupied, they formed a charming picture.&#13;
Rose was seated before the dressing-table; her sister, standing behind&#13;
her, was smoothing her beautiful brown hair. Happy age! so little&#13;
removed from childhood, that present joy instantly obliterates the&#13;
traces of past sorrow! But the sisters felt more than joy; it was&#13;
happiness, deep and unalterable, for their father loved them, and their&#13;
happiness was a delight, and not a pain to him. Assured of the affection&#13;
of his children, he, also, thanks to them, no longer feared any grief.&#13;
To those three beings, thus certain of their mutual love, what was a&#13;
momentary separation? Having explained this, we shall understand&#13;
the innocent gayety of the sisters, notwithstanding their father's&#13;
departure, and the happy, joyous expression, which now filled with&#13;
animation their charming faces, on which the late fading rose had begun&#13;
once more to bloom. Their faith in the future gave to their countenances&#13;
something resolute and decisive, which added a degree of piquancy to the&#13;
beauty of their enchanting features.</p><p>Blanche, in smoothing her sister's hair, let fall the comb, and, as she&#13;
was stooping to pick it up, Rose anticipated her, saying: "If it had&#13;
been broken, we would have put it into the handle-basket."</p><p>Then the two laughed merrily at this expression, which reminded them of&#13;
an admirable piece of folly on the part of Loony.</p><p>The supposed simpleton had broken the handle of a cup, and when the&#13;
governess of the young ladies had reprimanded him for his carelessness,&#13;
he had answered: "Never mind, madame; I have put it into the handle&#13;
basket."</p><p>"The handle-basket, what is that?"</p><p>"Yes, Madame; it is where I keep all the handles I break off the&#13;
things!"</p><p>"Dear me!" said Rose, drying her eyes; "how silly it is to laugh at such&#13;
foolishness."</p><p>"It is droll," replied Blanche; "how can we help it?"</p><p>"All I regret is, that father cannot hear us laugh."</p><p>"He was so happy to see us gay!"</p><p>"We must write to him to-day, the story of the handle-basket."</p><p>"And that of the feather-brush, to show that, according to promise, we&#13;
kept up our spirits during his absence."</p><p>"Write to him, sister? no, he is to write to us, and we are not to&#13;
answer his letters."</p><p>"True! well then, I have an idea. Let us address letters to him here,&#13;
Dagobert can put them into the post, and, on his return, our father will&#13;
read our correspondence."</p><p>"That will be charming! What nonsense we will write to him, since he&#13;
takes pleasure in it!"</p><p>"And we, too, like to amuse ourselves."</p><p>"Oh, certainly! father's last words have given us so much courage."</p><p>"As I listened to them, I felt quite reconciled to his going."</p><p>"When he said to us: 'My children, I will confide in you all I can. I&#13;
go to fulfill a sacred duty, and I must be absent for some time; for&#13;
though, when I was blind enough to doubt your affection, I could not&#13;
make up my mind to leave you, my conscience was by no means tranquil.&#13;
Grief takes such an effect on us, that I had not the strength to come to&#13;
a decision, and my days were passed in painful hesitation. But now that&#13;
I am certain of your tenderness, all this irresolution has ceased, and&#13;
I understand how one duty is not to be sacrificed to another, and that I&#13;
have to perform two duties at once, both equally sacred; and this I now&#13;
do with joy, and delight, and courage!'"</p><p>"Go on, sister!" cried Blanche, rising to draw nearer to Rose. "I think&#13;
I hear our father when I remember those words, which must console and&#13;
support us during his absence."</p><p>"And then our father continued: 'Instead of grieving at my departure,&#13;
you would rejoice in it, you should be proud and happy. I go to perform&#13;
a good and generous act. Fancy to yourselves, that there is somewhere a&#13;
poor orphan, oppressed and abandoned by all--and that the father of that&#13;
orphan was once my benefactor, and that I had promised him to protect&#13;
his son--and that the life of that son is now in peril--tell me, my&#13;
children; would you regret that I should leave you to fly to the aid of&#13;
such an orphan?'--"</p><p>"'No, no, brave father!' we answered: 'we should not then be your&#13;
daughters!'" continued Rose, with enthusiasm. "Count upon us! We should&#13;
be indeed unhappy if we thought that our sorrow could deprive thee of&#13;
thy courage. Go! and every day we will say to ourselves proudly, 'It was&#13;
to perform a great and noble duty that our father left us--we can wait&#13;
calmly for his return.'"</p><p>"How that idea of duty sustains one, sister!" resumed Rose, with growing&#13;
enthusiasm. "It gave our father the courage to leave us without regret,&#13;
and to us the courage to bear his absence gayly!"</p><p>"And then, how calm we are now! Those mournful dreams, which seemed to&#13;
portend such sad events, no longer afflict us."</p><p>"I tell you, sister, this time we are really happy once for all."</p><p>"And then, do you feel like me? I fancy, that I am stronger and more&#13;
courageous and that I could brave every danger."</p><p>"I should think so! We are strong enough now. Our father in the midst,&#13;
you on one side, I on the other--"</p><p>"Dagobert in the vanguard, and Spoil-sport in the rear! Then the army&#13;
will be complete, and let 'em come on by thousands!" added a gruff, but&#13;
jovial voice, interrupting the girl, as Dagobert appeared at the half&#13;
open door of the room. It was worth looking at his face, radiant with&#13;
joy; for the old fellow had somewhat indiscreetly been listening to the&#13;
conversation.</p><p>"Oh! you were listening, Paul Pry!" said Rose gayly, as she entered the&#13;
adjoining room with her sister, and both affectionately embraced the&#13;
soldier.</p><p>"To be sure, I was listening; and I only regretted not to have ears&#13;
as large as Spoil-sport's! Brave, good girls! that's how I like to see&#13;
you--bold as brass, and saying to care and sorrow: 'Right about face!&#13;
march! go to the devil!'"</p><p>"He will want to make us swear, now," said Rose to her sister, laughing&#13;
with all her might.</p><p>"Well! now and then, it does no harm," said the soldier; "it relieves&#13;
and calms one, when if one could not swear by five hundred thousand&#13;
de--"</p><p>"That's enough!" said Rose, covering with her pretty hand the gray&#13;
moustache, so as to stop Dagobert in his speech. "If Madame Augustine&#13;
heard you--"</p><p>"Our poor governess! so mild and timid," resumed Blanche. "How you would&#13;
frighten her!"</p><p>"Yes," said Dagobert, as he tried to conceal his rising embarrassment;&#13;
"but she does not hear us. She is gone into the country."</p><p>"Good, worthy woman!" replied Blanche, with interest. "She said&#13;
something of you, which shows her excellent heart."</p><p>"Certainly," resumed Rose; "for she said to us, in speaking of you, 'Ah,&#13;
young ladies! my affection must appear very little, compared with M.&#13;
Dagobert's. But I feel that I also have the right to devote myself to&#13;
you.'"</p><p>"No doubt, no doubt! she has a heart of gold," answered Dagobert. Then&#13;
he added to himself, "It's as if they did it on purpose, to bring the&#13;
conversation back to this poor woman."</p><p>"Father made a good choice," continued Rose. "She is the widow of an old&#13;
officer, who was with him in the wars."</p><p>"When we were out of spirits," said Blanche, "you should have seen her&#13;
uneasiness and grief, and how earnestly she set about consoling us."</p><p>"I have seen the tears in her eyes when she looked at us," resumed Rose.&#13;
"Oh! she loves us tenderly, and we return her affection. With regard to&#13;
that, Dagobert, we have a plan as soon as our father comes back."</p><p>"Be quiet, sister!" said Blanche, laughing. "Dagobert will not keep our&#13;
secret."</p><p>"He!"</p><p>"Will you keep it for us, Dagobert?"</p><p>"I tell you what," said the soldier, more and more embarrassed; "you had&#13;
better not tell it to me."</p><p>"What! can you keep nothing from Madame Augustine?"</p><p>"Ah, Dagobert! Dagobert!" said Blanche, gayly holding up her finger at&#13;
the soldier; "I suspect you very much of paying court to our governess."</p><p>"I pay court?" said the soldier--and the expression of his face was so&#13;
rueful, as he pronounced these words, that the two sisters burst out&#13;
laughing.</p><p>Their hilarity was at its height when the door opened and Loony advanced&#13;
into room announcing, with a loud voice, "M. Rodin!" In fact, the Jesuit&#13;
glided almost imperceptibly into the apartment, as if to take possession&#13;
of the ground. Once there, he thought the game his own, and his reptile&#13;
eyes sparkled with joy. It would be difficult to paint the surprise of&#13;
the two sisters, and the anger of the soldier, at this unexpected visit.</p><p>Rushing upon Loony, Dagobert seized him by the collar, and exclaimed:&#13;
"Who gave you leave to introduce any one here without my permission?"</p><p>"Pardon, M. Dagobert!" said Loony, throwing himself on his knees, and&#13;
clasping his hands with an air of idiotic entreaty.</p><p>"Leave the room!--and you too!" added the soldier, with a menacing&#13;
gesture, as he turned towards Rodin, who had already approached the&#13;
girls, with a paternal smile on his countenance.</p><p>"I am at your orders, my dear sir," said the priest, humbly; and he made&#13;
a low bow, but without stirring from the spot.</p><p>"Will you go?" cried the soldier to Loony, who was still kneeling, and&#13;
who, thanks to the advantages of this position, was able to utter a&#13;
certain number of words before Dagobert could remove him.</p><p>"M. Dagobert," said Loony in a doleful voice, "I beg pardon for bringing&#13;
up the gentleman without leave; but, alas, my head is turned, because of&#13;
the misfortune that happened to Madame Augustine."</p><p>"What misfortune?" cried Rose and Blanche together, as they advanced&#13;
anxiously towards Loony.</p><p>"Will you go?" thundered Dagobert, shaking the servant by the collar, to&#13;
force him to rise.</p><p>"Speak--speak!" said Blanche, interposing between the soldier and his&#13;
prey. "What has happened to Madame Augustine?"</p><p>"Oh," shouted Loony, in spite of the cuffs of the soldier. "Madame&#13;
Augustine was attacked in the night with cholera, and taken--"</p><p>He was unable to finish. Dagobert struck him a tremendous blow with&#13;
his fist, right on the jaw, and, putting forth his still formidable&#13;
strength, the old horse-grenadier lifted him to his legs, and with one&#13;
violent kick bestowed on the lower part of his back, sent him rolling&#13;
into the ante chamber.</p><p>Then turning to Rodin, with flushed cheek and sparkling eye, Dagobert&#13;
pointed to the door with an expressive gesture, and said in an angry&#13;
voice: "Now, be off with you and that quickly!"</p><p>"I must pay my respects another time, my dear sir," said Rodin, as he&#13;
retired towards the door, bowing to the young girls.</p><p>CHAPTER LIV. DUTY.</p><p>Rodin, retreating slowly before the fire of Dagobert's angry looks,&#13;
walked backwards to the door, casting oblique but piercing glances at&#13;
the orphans, who were visibly affected by the servant's intentional&#13;
indiscretion. (Dagobert had ordered him not to speak before the girls of&#13;
the illness of their governess, and that was quite enough to induce the&#13;
simpleton to take the first opportunity of doing so.)</p><p>Rose hastily approached the soldier, and said to him: "Is it true--is&#13;
it really true that poor Madame Augustine has been attacked with the&#13;
cholera?"</p><p>"No--I do not know--I cannot tell," replied the soldier, hesitating;&#13;
"besides, what is it to you?"</p><p>"Dagobert, you would conceal from us a calamity," said Blanche. "I&#13;
remember now your embarrassment, when we spoke to you of our governess."</p><p>"If she is ill, we ought not to abandon her. She had pity on our&#13;
sorrows; we ought to pity her sufferings."</p><p>"Come, sister; come to her room," said Blanche, advancing towards the&#13;
door, where Rodin had stopped short, and stood listening with growing&#13;
attention to this unexpected scene, which seemed to give him ample food&#13;
for thought.</p><p>"You will not leave this room," said the soldier, sternly, addressing&#13;
the two sisters.</p><p>"Dagobert," replied Rose, firmly, "it is a sacred duty, and it would be&#13;
cowardice not to fulfil it."</p><p>"I tell you that you shall not leave the room," said the soldier,&#13;
stamping his foot with impatience.</p><p>"Dagobert," replied Blanche, with as resolute an air as her sister's,&#13;
and with a kind of enthusiasm which brought the blood to her fair cheek,&#13;
"our father, when he left us, give us an admirable example of devotion&#13;
and duty. He would not forgive us were we to forget the lesson."</p><p>"What," cried Dagobert, in a rage, and advancing towards the sisters to&#13;
prevent their quitting the apartment; "you think that if your governess&#13;
had the cholera, I would let you go to her under the pretext of&#13;
duty?--Your duty is to live, to live happy, for your father's sake--and&#13;
for mine into the bargain--so not a word more of such folly!"</p><p>"We can run no danger by going to our governess in her room," said Rose.</p><p>"And if there were danger," added Blanche, "we ought not to hesitate.&#13;
So, Dagobert, be good! and let us pass."</p><p>Rodin, who had listened to what precedes, with sustained attention,&#13;
suddenly started, as if a thought had struck him; his eye shone&#13;
brightly, and an expression of fatal joy illumined his countenance.</p><p>"Dagobert, do not refuse!" said Blanche. "You would do for us what you&#13;
reproach us with wishing to do for another."</p><p>Dagobert had as it were, till now stood in the path of the Jesuit and&#13;
the twins by keeping close to the door; but, after a moments reflection,&#13;
he shrugged his shoulders, stepped to one side, and said calmly: "I was&#13;
an old fool. Come, young ladies; if you find Madame Augustine in the&#13;
house, I will allow you to remain with her."</p><p>Surprised at these words, the girls stood motionless and irresolute.</p><p>"If our governess is not here, where is she, then?" said Rose.</p><p>"You think, perhaps, that I am going to tell you in the excitement in&#13;
which you are!"</p><p>"She is dead!" cried Rose growing pale.</p><p>"No, no--be calm," said the soldier, hastily; "I swear to you, by your&#13;
father's honor, that she is not dead. At the first appearance of the&#13;
disorder, she begged to be removed from the house, fearing the contagion&#13;
for those in it."</p><p>"Good and courageous woman!" said Rose tenderly, "And you will not allow&#13;
us--"</p><p>"I will not allow you to go out, even if I have to lock you up in your&#13;
room," cried the soldier, again stamping with rage; then, remembering&#13;
that the blunderhead's indiscretion was the sole cause of this&#13;
unfortunate incident, he added, with concentrated fury: "Oh! I will&#13;
break my stick upon that rascal's back."</p><p>So saying, he turned towards the door, where Rodin still stood, silent&#13;
and attentive, dissembling with habitual impassibility the fatal hopes&#13;
he had just conceived in his brain. The girls, no longer doubting the&#13;
removal of their governess, and convinced that Dagobert would not tell&#13;
them whither they had conveyed her, remained pensive and sad.</p><p>At sight of the priest, whom he had forgotten for the moment, the&#13;
soldier's rage increased, and he said to him abruptly: "Are you still&#13;
there?"</p><p>"I would merely observe to you, my dear sir," said Rodin, with that air&#13;
of perfect good nature which he knew so well how to assume, "that you&#13;
were standing before the door, which naturally prevented me from going&#13;
out."</p><p>"Well, now nothing prevents you--so file off!"</p><p>"Certainly, I will file off, if you wish it, my dear sir though I think&#13;
I have some reason to be surprised at such a reception."</p><p>"It is no reception at all--so begone!"</p><p>"I had come, my dear sir to speak to you--"</p><p>"I have no time for talking."</p><p>"Upon business of great importance."</p><p>"I have no other business of importance than to remain with these&#13;
children."</p><p>"Very good, my dear sir," said Rodin, pausing on the threshold. "I&#13;
will not disturb you any longer; excuse my indiscretion. The bearer of&#13;
excellent news from Marshal Simon, I came--"</p><p>"News from our father!" cried Rose, drawing nearer to Rodin.</p><p>"Oh, speak, speak, sir!" added Blanche.</p><p>"You have news of the marshal!" said Dagobert, glancing suspiciously at&#13;
Rodin. "Pray, what is this news?"</p><p>But Rodin, without immediately answering the question, returned from the&#13;
threshold into the room, and, contemplating Rose and Blanche by turns&#13;
with admiration, he resumed: "What happiness for me, to be able to bring&#13;
some pleasure to these dear young ladies. They are even as I left them&#13;
graceful, and fair, and charming--only less sad than on the day when I&#13;
fetched them from the gloomy convent in which they were kept prisoners,&#13;
to restore them to the arms of their glorious father!"</p><p>"That was their place, and this is not yours," said Dagobert, harshly,&#13;
still holding the door open behind Rodin.</p><p>"Confess, at least that I was not so much out of place at Dr.&#13;
Baleinier's," said the Jesuit, with a cunning air. "You know, for it&#13;
was there that I restored to you the noble imperial cross you so much&#13;
regretted--the day when that good Mdlle. de Cardoville only prevented&#13;
you from strangling me by telling you that I was her liberator. Aye!&#13;
it was just as I have the honor of stating, young ladies," added Rodin,&#13;
with a smile; "this brave soldier was very near strangling me, for, be&#13;
it said without offense, he has, in spite of his age, a grasp of iron.&#13;
Ha, ha! the Prussians and Cossacks must know that better than I!"</p><p>These few words reminded Dagobert and the twins of the services which&#13;
Rodin had really rendered them; and though the marshal had heard&#13;
Mdlle. de Cardoville speak of Rodin as of a very dangerous man, he&#13;
had forgotten, in the midst of so many anxieties, to communicate this&#13;
circumstance to Dagobert. But this latter, warned by experience, felt,&#13;
in spite of favorable appearances, a secret aversion for the Jesuit; so&#13;
he replied abruptly: "The strength of my grasp has nothing to do with&#13;
the matter."</p><p>"If I allude to that little innocent playfulness on your part, my dear&#13;
sir," said Rodin, in his softest tone, approaching the two sisters with&#13;
a wriggle which was peculiar to him; "if I allude to it, you see, it was&#13;
suggested by the involuntary recollection of the little services I&#13;
was happy enough to render you." Dagobert looked fixedly at Rodin, who&#13;
instantly veiled his glance beneath his flabby eyelids.</p><p>"First of all," said the soldier, after a moment's silence, "a true man&#13;
never speaks of the services he has rendered, and you come back three&#13;
times to the subject."</p><p>"But Dagobert," whispered Rose, "if he brings news of our father?"</p><p>The soldier made a sign, as if to beg the girl to let him speak,&#13;
and resumed, looking full at Rodin: "You are cunning, but I'm no raw&#13;
recruit."</p><p>"I cunning?" said Rodin, with a sanctified air.</p><p>"Yes, very. You think to puzzle me with your fine phrases; but I'm&#13;
not to be caught in that way. Just listen to me. Some of your band of&#13;
black-gowns stole my cross; you returned it to me. Some of the same band&#13;
carried off these children; you brought them back. It is also true that&#13;
you denounced the renegade D'Aigrigny. But all this only proves two&#13;
things: first, that you were vile enough to be the accomplice of these&#13;
scoundrels; and secondly, that, having been their accomplice, you were&#13;
base enough to betray them. Now, those two facts are equally bad, and I&#13;
suspect you most furiously. So march off at once; your presence is not&#13;
good for these children."</p><p>"But, my dear sir--"</p><p>"I will have no buts," answered Dagobert, in an angry voice. "When a man&#13;
of your look does good, it is only to hide some evil; and one must be on&#13;
guard."</p><p>"I understand your suspicions," said Rodin coolly, hiding his growing&#13;
disappointment, for he had hoped it would have been easy to coax the&#13;
soldier; "but, if you reflect, what interest have I in deceiving you?&#13;
And in what should the deception consist?"</p><p>"You have some interest or other in persisting to remain here, when I&#13;
tell you to go away."</p><p>"I have already had the honor of informing you of the object of my&#13;
visit, my dear sir."</p><p>"To bring news of Marshal Simon?"</p><p>"That is exactly the case. I am happy enough to have news of the&#13;
marshal. Yes, my dear young ladies," added Rodin, as he again approached&#13;
the two sisters, to recover, as it were, the ground he had lost, "I have&#13;
news of your glorious father!"</p><p>"Then come to my room directly, and you can tell it to me," replied&#13;
Dagobert.</p><p>"What! you would be cruel enough to deprive these dear ladies of the&#13;
pleasure--"</p><p>"By heaven, sir!" cried Dagobert, in a voice of thunder, "you will make&#13;
me forget myself. I should be sorry to fling a man of your age down the&#13;
stairs. Will you be gone?"</p><p>"Well, well," said Rodin mildly, "do not be angry with a poor old man.&#13;
I am really not worth the trouble. I will go with you to your room, and&#13;
tell you what I have to communicate. You will repent not having let me&#13;
speak before these dear young ladies; but that will be your punishment,&#13;
naughty man!"</p><p>So saying, Rodin again bowed very low, and, concealing his rage and&#13;
vexation, left the room before Dagobert, who made a sign to the two&#13;
sisters, and then followed, closing the door after him.</p><p>"What news of our father, Dagobert?" said Rose anxiously, when the&#13;
soldier returned, after a quarter of an hours absence.</p><p>"Well, that old conjurer knows that the marshal set out in good spirits,&#13;
and he seems acquainted with M. Robert. How could he be informed of all&#13;
this? I cannot tell," added the soldier, with a thoughtful air; "but it&#13;
is only another reason to be on one's guard against him."</p><p>"But what news of our father?" asked Rose.</p><p>"One of that old rascal's friends (I think him a rascal still) knows&#13;
your father, he tells me, and met him five-and-twenty leagues from here.&#13;
Knowing that this man was coming to Paris, the marshal charged him to&#13;
let you know that he was in perfect health, and hoped soon to see you&#13;
again."</p><p>"Oh, what happiness!" cried Rose.</p><p>"You see, you were wrong to suspect the poor old man, Dagobert," added&#13;
Blanche. "You treated him so harshly!"</p><p>"Possibly so; but I am not sorry for it."</p><p>"And why?"</p><p>"I have my reasons; and one of the best is that, when I saw him came in,&#13;
and go sidling and creeping round about us, I felt chilled to the marrow&#13;
of my bones, without knowing why. Had I seen a serpent crawling towards&#13;
you, I should not have been more frightened. I knew, of course, that he&#13;
could not hurt you in my presence; but I tell you, my children, in spite&#13;
of the services he has no doubt rendered us, it was all I could do to&#13;
refrain from throwing him out of the window. Now, this manner of proving&#13;
my gratitude is not natural, and one must be on one's guard against&#13;
people who inspire us with such ideas."</p><p>"Good Dagobert, it is your affection for us that makes you so&#13;
suspicious," said Rose, in a coaxing tone; "it proves how much you love&#13;
us."</p><p>CHAPTER LV. THE IMPROVISED HOSPITAL</p><p>Among a great number of temporary hospitals opened at the time of the&#13;
cholera in every quarter of Paris, one had been established on the&#13;
ground-floor of a large house in the Rue du Mont-Blanc. The vacant&#13;
apartments had been generously placed by their proprietor at the&#13;
disposal of the authorities; and to this place were carried a number&#13;
of persons, who, being suddenly attacked with the contagion, were&#13;
considered in too dangerous a state to be removed to the principal&#13;
hospitals.</p><p>Two days had elapsed since Rodin's visit to Marshal Simon's daughters.&#13;
Shortly after he had been expelled, the Princess de Saint-Dizier had&#13;
entered to see them, under the cloak of being a house-to-house visitor&#13;
to collect funds for the cholera sufferers.</p><p>Choosing the moment when Dagobert, deceived by her lady-like demeanor,&#13;
had withdrawn, she counselled the twins that it was their duty to go&#13;
and see their governess, whom she stated to be in the hospital we now&#13;
describe.</p><p>It was about ten o'clock in the morning. The persons who had watched&#13;
during the night by the sick people, in the hospital established in&#13;
the Rue du Mont-Blanc, were about to be relieved by other voluntary&#13;
assistants.</p><p>"Well, gentlemen," said one of those newly arrived, "how are we getting&#13;
on? Has there been any decrease last night in the number of the sick?"</p><p>"Unfortunately, no; but the doctors think the contagion has reached its&#13;
height."</p><p>"Then there is some hope of seeing it decrease."</p><p>"And have any of the gentlemen, whose places we come to take, been&#13;
attacked by the disease?"</p><p>"We came eleven strong last night; we are only nine now."</p><p>"That is bad. Were these two persons taken off rapidly?"</p><p>"One of the victims, a young man of twenty-five years of age, a cavalry&#13;
officer on furlough, was struck as it were by lightning. In less than a&#13;
quarter of an hour he was dead. Though such facts are frequent, we were&#13;
speechless with horror."</p><p>"Poor young man!"</p><p>"He had a word of cordial encouragement and hope for every one. He had&#13;
so far succeeded in raising the spirits of the patients, that some of&#13;
them who were less affected by the cholera than by the fear of it, were&#13;
able to quit the hospital nearly well."</p><p>"What a pity! So good a young man! Well, he died gloriously; it requires&#13;
as much courage as on the field of battle."</p><p>"He had only one rival in zeal and courage, and that is a Young priest,&#13;
with an angelic countenance, whom they call the Abbe Gabriel. He is&#13;
indefatigable; he hardly takes an hour's rest, but runs from one to&#13;
the other, and offers himself to everybody. He forgets nothing. The&#13;
consolation; which he offers come from the depths of his soul, and are&#13;
not mere formalities in the way of his profession. No, no, I saw him&#13;
weep over a poor woman, whose eyes he had closed after a dreadful agony.&#13;
Oh, if all priests were like him!"</p><p>"No doubt, a good priest is most worthy of respect. But! who is the&#13;
other victim of last night?"</p><p>"Oh! his death was frightful. Do not speak of it. I have still the&#13;
horrible scene before my eyes."</p><p>"A sudden attack of cholera?"</p><p>"If it had only been the contagion, I should not so shudder at the&#13;
remembrance."</p><p>"What then did he die of?"</p><p>"It is a string of horrors. Three days ago, they brought here a man, who&#13;
was supposed to be only attacked with cholera. You have no doubt heard&#13;
speak of this personage. He is the lion-tamer, that drew all Paris to&#13;
the Porte-Saint-Martin."</p><p>"I know the man you mean. Called Morok. He performed a kind of play with&#13;
a tame panther."</p><p>"Exactly so; I was myself present at a similar scene, which a stranger,&#13;
an Indian, in consequence of a wager, was said at the time, jumped upon&#13;
the stage and killed the panther."</p><p>"Well, this Morok, brought here as a cholera-patient, and indeed with&#13;
all the symptoms of the contagion, soon showed signs of a still more&#13;
frightful malady."</p><p>"And this was--"</p><p>"Hydrophobia."</p><p>"Did he become mad?"</p><p>"Yes; he confessed, that he had been bitten a few days before by one&#13;
of the mastiffs in his menagerie; unfortunately, we only learnt this&#13;
circumstance after the terrible attack, which cost the life of the poor&#13;
fellow we deplore."</p><p>"How did it happen, then?"</p><p>"Morok was in a room with three other patients. Suddenly seized with a&#13;
sort of furious delirium, he rose, uttering ferocious cries, and rushed&#13;
raving mad into the passage. Our poor friend made an attempt to stop&#13;
him. This kind of resistance increased the frenzy of Morok, who threw&#13;
himself on the man that crossed his path, and, tearing him with his&#13;
teeth, fell down in horrible convulsions."</p><p>"Oh! you are right. 'Twas indeed frightful. And, not withstanding every&#13;
assistance this victim of Morok's--"</p><p>"Died during the night, in dreadful agony; for the shock had been so&#13;
violent, that brain-fever almost instantly declared itself."</p><p>"And is Morok dead?"</p><p>"I do not know. He was to be taken to another hospital, after being fast&#13;
bound in the state of weakness which generally succeeds the fit. But,&#13;
till he can be removed he has been confined in a room upstairs."</p><p>"But he cannot recover."</p><p>"I should think he must be dead by this time. The doctors did not give&#13;
him twenty-four hours to live."</p><p>The persons engaged in this conversation were standing in an&#13;
ante-chamber on the ground-floor, in which usually assembled those who&#13;
came to offer their voluntary aid to the sick. One door of this room&#13;
communicated with the rest of the hospital, and the other with the&#13;
passage that opened upon the courtyard.</p><p>"Dear me!" said one of the two speakers, looking through the window.&#13;
"See what two charming girls have just got out of that elegant carriage.&#13;
How much alike they are! Such a resemblance is indeed extraordinary."</p><p>"No doubt they are twins. Poor young girls! dressed in Mourning. They&#13;
have perhaps lost father or mother."</p><p>"One would imagine they are coming this way."</p><p>"Yes, they are coming up the steps."</p><p>And indeed Rose and Blanche soon entered the antechamber, with a timid,&#13;
anxious air, though a sort of feverish excitement was visible in their&#13;
looks. One of the two men that were talking together, moved by the&#13;
embarrassment of the girls, advanced toward them, and said, in a tone of&#13;
attentive politeness: "Is there anything I can do for you, ladies?"</p><p>"Is not this, sir," replied Rose, "the infirmary of the Rue du Mont&#13;
Blanc?"</p><p>"Yes, miss."</p><p>"A lady, called Madame Augustine du Tremblay, was brought here, we are&#13;
told, about two days ago. Could we see her?"</p><p>"I would observe to you, miss, that there is some danger in entering the&#13;
sick-wards."</p><p>"It is a dear friend that we wish to see," answered Rose, in a mild and&#13;
firm tone, which sufficiently expressed that she was determined to brave&#13;
the danger.</p><p>"I cannot be sure, miss," resumed the other, "that the person you seek&#13;
is here; but, if you will take the trouble to walk into this room on the&#13;
left, you will find there the good Sister Martha; she has the care&#13;
of the women's wards, and will give you all the information you can&#13;
desire."</p><p>"Thank you, sir," said Blanche, with a graceful bow; and she and her&#13;
sister entered together the apartment which had been pointed out to&#13;
them.</p><p>"They are really charming," said the man, looking after the two sisters,&#13;
who soon disappeared from his view. "It would be a great pity if--"</p><p>He was unable to finish. A frightful tumult, mingled with cries of alarm&#13;
and horror, rose suddenly from the adjoining rooms. Almost instantly,&#13;
two doors were thrown open, and a number of the sick, half-naked, pale,&#13;
fleshless, and their features convulsed with terror, rushed into the&#13;
antechamber, exclaiming: "Help! help! the madman!" It is impossible to&#13;
paint the scene of despairing and furious confusion which followed this&#13;
panic of so many affrighted wretches, flying to the only other door, to&#13;
escape from the perils they dreaded, and there, struggling and trampling&#13;
on each other to pass through the narrow entrance.</p><p>At the moment when the last of these unhappy creatures succeeded in&#13;
reaching the door, dragging himself along upon his bleeding hands, for&#13;
he had been thrown down and almost crushed in the confusion--Morok,&#13;
the object of so much terror--Morok himself appeared. He was a horrible&#13;
sight. With the exception of a rag bound about his middle, his wan form&#13;
was entirely naked, and from his bare legs still hung the remnants of&#13;
the cords he had just broken. His thick, yellow hair stood almost on&#13;
end, his beard bristled, his savage eyes rolled full of blood in their&#13;
orbits, and shone with a glassy brightness; his lips were covered with&#13;
foam; from time to time, he uttered hoarse, guttural cries. The veins,&#13;
visible on his iron limbs were swollen almost to bursting. He bounded&#13;
like a wild beast, and stretched out before him his bony and quivering&#13;
hands. At the moment Morok reached the doorway, by which those he&#13;
pursued made their escape, some persons, attracted by the noise, managed&#13;
to close this door from without, whilst others secured that which&#13;
communicated with the sick-ward.</p><p>Morok thus found himself a prisoner. He ran to the window to force it&#13;
open, and threw himself into the courtyard. But, stopping suddenly, he&#13;
drew back from the glittering panes, seized with that invincible horror&#13;
which all the victims of hydrophobia feel at the sight of any shining&#13;
object, particularly glass. The unfortunate creatures whom he had&#13;
pursued, saw him from the courtyard exhausting himself in furious&#13;
efforts to open the doors that just had been closed upon him. Then,&#13;
perceiving the inutility of his attempts, he uttered savage cries, and&#13;
rushed furiously round the room, like a wild beast that seeks in vain to&#13;
escape from its cage.</p><p>But, suddenly, those spectators of this scene, who had approached&#13;
nearest to the window, uttered a loud exclamation of fear and anguish.&#13;
Morok had perceived the little door which led to the closet occupied by&#13;
Sister Martha, where Rose and Blanche had entered a few minutes before.&#13;
Hoping to get out by this way, Morok drew the door violently towards&#13;
him, and succeeded in half opening it, notwithstanding the resistance he&#13;
experienced from the inside. For an instant the affrighted crowd saw the&#13;
stiffened arms Of Sister Martha and the orphans, clinging to the door,&#13;
and holding it back with all their might.</p><p>CHAPTER LVI. HYDROPHOBIA.</p><p>When the sick people, assembled in the courtyard, saw the desperate&#13;
efforts of Morok to force the door of the room which contained Sister&#13;
Martha and the orphans, their fright redoubled. "It is all over, Sister&#13;
Martha!" cried they.</p><p>"The door will give way."</p><p>"And the closet has no other entrance."</p><p>"There are two young girls in mourning with her."</p><p>"Come! we must not leave these poor women to encounter the madman.&#13;
Follow me, friends!" cried generously one of the spectators, who was&#13;
still blessed with health, and he rushed towards the steps to return to&#13;
the ante-chamber.</p><p>"It's too late! it's only exposing yourself in vain," cried many&#13;
persons, holding him back by force.</p><p>At this moment, voices were heard, exclaiming: "Here is the Abbe&#13;
Gabriel."</p><p>"He is coming downstairs. He has heard the noise."</p><p>"He is asking what is the matter."</p><p>"What will he do?"</p><p>Gabriel, occupied with a dying person in a neighboring room, had,&#13;
indeed, just learned that Morok, having broken his bonds, had succeeded&#13;
in escaping from the chamber in which he had been temporarily confined.&#13;
Foreseeing the terrible dangers which might result from the escape of&#13;
the lion-tamer, the missionary consulted only his courage, and hastened&#13;
down, in the hope of preventing greater misfortunes. In obedience to&#13;
his orders, an attendant followed him, bearing a brazier full of hot&#13;
cinders, on which lay several irons, at a white heat, used by the&#13;
doctors for cauterizing, in desperate cases of cholera.</p><p>The angelic countenance of Gabriel was very pale; but calm intrepidity&#13;
shone upon his noble brow. Hastily crossing the passage, and making his&#13;
way through the crowd, he went straight to the ante-chamber door. As&#13;
he approached it, one of the sick people said to him, in a lamentable&#13;
voice; "Ah, sir! it is all over. Those who can see through the window&#13;
say that Sister Martha is lost."</p><p>Gabriel made no answer, but grasped the key of the door. Before entering&#13;
the room, however, he turned to the attendant, and said to him in a firm&#13;
voice: "Are the irons of a white heat?"</p><p>"Yes, sir."</p><p>"Then wait here, and be ready. As for you, my friends," he added,&#13;
turning to some of the sick, who shuddered with terror, "as soon as&#13;
I enter shut the door after me. I will answer for the rest. And you;&#13;
friend, only bring your irons when I call."</p><p>And the young missionary turned the key in the lock. At this juncture,&#13;
a cry of alarm, pity, and admiration rose from every lip, and the&#13;
spectators drew back from the door, with an involuntary feeling of&#13;
fear. Raising his eyes to heaven, as if to invoke its assistance at this&#13;
terrible moment, Gabriel pushed open the door, and immediately closed it&#13;
behind him. He was alone with Morok.</p><p>The lion-tamer, by a last furious effort, had almost succeeded in&#13;
opening the door, to which Sister Martha and the orphans were clinging,&#13;
in a fit of terror, uttering piercing cries. At the sound of Gabriel's&#13;
footsteps, Morok turned round suddenly. Then, instead of continuing&#13;
his attack on the closet, he sprang, with a roar and a bound, upon the&#13;
new-comer.</p><p>During this time, Sister Martha and the orphans, not knowing the&#13;
cause of the sudden retreat of their assailant, took advantage of the&#13;
opportunity to close and bolt the door, and thus placed themselves&#13;
in security from a new attack. Morok, with haggard eye, and teeth&#13;
convulsively clinched, had rushed upon Gabriel, his hands extended&#13;
to seize him by the throat. The missionary stood the shock valiantly.&#13;
Guessing, at a glance, the intention of his adversary, he seized him&#13;
by the wrists as he advanced, and, holding him back, bent him down&#13;
violently with a vigorous hand. For a second, Morok and Gabriel remained&#13;
mute, breathless, motionless, gazing on each other; then the missionary&#13;
strove to conquer the efforts of the madman, who, with violent jerks,&#13;
attempted to throw himself upon him, and to seize and tear him with his&#13;
teeth.</p><p>Suddenly the lion-tamer's strength seemed to fail, his knees quivered,&#13;
his livid head sank upon his shoulder, his eyes closed. The missionary,&#13;
supposing that a momentary weakness had succeeded to the fit of rage,&#13;
and that the wretch was about to fall, relaxed his hold in order to lend&#13;
him assistance. But no sooner did he feel himself at liberty, thanks&#13;
to his crafty device, than Morok flung himself furiously upon Gabriel.&#13;
Surprised by this sudden attack, the latter stumbled, and at once felt&#13;
himself clasped into the iron arms of the madman. Yet, with redoubled&#13;
strength and energy, struggling breast to breast, foot to foot, the&#13;
missionary in his turn succeeded in tripping up his adversary, and,&#13;
throwing him with a vigorous effort, again seized his hands, and now&#13;
held him down beneath his knee. Having thus completely mastered him,&#13;
Gabriel turned his head to call for assistance, when Morok, by a&#13;
desperate strain, succeeded in raising himself a little, and seized with&#13;
his teeth the left arm of the missionary. At this sharp, deep, horrible&#13;
bite, which penetrated to the very bone, Gabriel could not restrain a&#13;
scream of anguish and horror. He strove in vain to disengage himself,&#13;
for his arm was held fast, as in a vice, between the firm-set jaws of&#13;
Morok.</p><p>This frightful scene had lasted less time than it has taken in the&#13;
description, when suddenly the door leading to the passage was violently&#13;
opened, and several courageous men, who had learned from the patients&#13;
to what danger the young priest was exposed, came rushing to his&#13;
assistance, in spite of his recommendation not to enter till he should&#13;
call. The attendant was amongst the number, with the brazier and the hot&#13;
irons. Gabriel, as soon as he perceived him, said to him in an agitated&#13;
voice: "Quick, friend! your iron. Thank God I had thought of that."</p><p>One of the men who had entered the room was luckily provided with a&#13;
blanket; and the moment the missionary succeeded in wresting his arm&#13;
from the clinched teeth of Morok, whom he still held down with his knee,&#13;
this blanket was thrown over the madman's head, so that he could now be&#13;
held and bound without danger, notwithstanding his desperate resistance.&#13;
Then Gabriel rose, tore open the sleeve of his cassock, and laying bare&#13;
his left arm, on which a deep bite was visible, bleeding, of a bluish&#13;
color, he beckoned the attendant to draw near, seized one of the hot&#13;
irons, and, with a firm and sure hand, twice applied the burning metal&#13;
to the wound, with a calm heroism which struck all the spectators, with&#13;
admiration. But soon so many various emotions, intrepidly sustained,&#13;
were followed by a natural reaction. Large drops of sweat stood upon&#13;
Gabriel's brow; his long light hair clung to his temples; he grew deadly&#13;
pale, reeled, lost his senses, and was carried into the next room to&#13;
receive immediate attention.</p><p>An accidental circumstance, likely enough to occur, had converted one&#13;
of the Princess de Saint-Dizier's falsehoods into a truth. To induce&#13;
the orphans to go to the hospital, she had told them Gabriel was there,&#13;
which at the time she was far from believing. On the contrary, she would&#13;
have wished to prevent a meeting, which, from the attachment of the&#13;
missionary to the girls, might interfere with her projects. A little&#13;
while after the terrible scene we have just related, Rose and Blanche,&#13;
accompanied by Sister Martha, entered a vast room, of a strange and&#13;
fatal aspect, containing a number of women who had suddenly been seized&#13;
with cholera.</p><p>These immense apartments, generously supplied for the purpose of a&#13;
temporary hospital, had been furnished with excessive luxury. The room&#13;
now occupied by the sick women, of whom we speak, had been used for&#13;
a ball-room. The white panels glittered with sumptuous gilding, and&#13;
magnificent pier-glasses occupied the spaces between the windows,&#13;
through which could be seen the fresh verdure of a pleasant garden,&#13;
smiling beneath the influence of budding May. In the midst of all&#13;
this gilded luxury, on a rich, inlaid floor of costly woods, were seen&#13;
arranged in regular order four rows of beds, of every shape and kind,&#13;
from the humble truckle-bed to the handsome couch in carved mahogany.</p><p>This long room was divided into two compartments by a temporary&#13;
partition, four or five feet in height. They had thus been able to&#13;
manage the four rows of beds. This partition finished at some little&#13;
distance from either end of the room, so as to leave an open space&#13;
without beds, for the volunteer attendants, when the sick did not&#13;
require their aid. At one of these extremities of the room was a lofty&#13;
and magnificent marble chimney piece, ornamented with gilt bronze.&#13;
On the fire beneath, various drinks were brewing for the patients. To&#13;
complete the singular picture, women of every class took their turns in&#13;
attending upon the sick, to whose sighs and groans they always responded&#13;
with consoling words of hope and pity. Such was the place, strange and&#13;
mournful, that Rose and Blanche entered together, hand in hand, a short&#13;
time after Gabriel had displayed such heroic courage in the struggle&#13;
against Morok. Sister Martha accompanied Marshal Simon's daughters.&#13;
After speaking a few words to them in a whisper, she pointed out to them&#13;
the two divisions in which the beds were arranged, and herself went to&#13;
the other end of the room to give some orders.</p><p>The orphans, still under the impression of the terrible danger from&#13;
which Gabriel had rescued them without their knowing it, were both&#13;
excessively pale; yet their eyes were expressive of firm resolution.&#13;
They had determined not only to perform what they considered an&#13;
imperative duty, but to prove themselves worthy of their valiant father;&#13;
they were acting too for their mother's sake, since they had been told&#13;
that, dying in Siberia without receiving the sacrament, her eternal&#13;
felicity might depend on the proofs they gave of Christian devotion.&#13;
Need we add that the Princess de Saint-Dizier, following the advice of&#13;
Rodin, had, in a second interview, skillfully brought about without the&#13;
knowledge of Dagobert, taken advantage of the excitable qualities&#13;
of these poor, confiding, simple, and generous souls, by a fatal&#13;
exaggeration of the most noble and courageous sentiments. The orphans&#13;
having asked Sister Martha if Madame Augustine du Tremblay had been&#13;
brought to this asylum within the last three days, that person had&#13;
answered, that she really did not know, but, if they would go through&#13;
the women's wards, it would be easy for them to ascertain. For the&#13;
abominable hypocrite, who, in conjunction with Rodin, had sent these&#13;
two children to encounter a mortal peril, had told an impudent falsehood&#13;
when she affirmed that their governess had been removed to this&#13;
hospital. During their exile, and their toilsome journey with Dagobert,&#13;
the sisters had been exposed to many hard trials. But never had they&#13;
witnessed so sad a spectacle as that which now offered itself to their&#13;
view.</p><p>The long row of beds, on which so many poor creatures writhed in agony,&#13;
some uttering deep groans, some only a dull rattle in the throat, some&#13;
raving in the delirium of fever, or calling on those from whom they were&#13;
about to part forever--these frightful sights and sounds, which are&#13;
too much even for brave men, would inevitably, (such was the execrable&#13;
design of Rodin and his accomplices) make a fatal impression on these&#13;
young girls, urged by the most generous motives to undertake this&#13;
perilous visit. And then--sad memory! which awoke, in all its deep and&#13;
poignant bitterness, by the side of the first beds they came to--it was&#13;
of this very malady, the Cholera, that their mother had died a painful&#13;
death. Fancy the twins entering this vast room, of so fearful an&#13;
aspect, and, already much shaken by the terror which Morok had inspired,&#13;
pursuing their search in the midst of these unfortunate creatures, whose&#13;
dying pangs reminded them every instant of the dying agony of their&#13;
mother! For a moment, at sight of the funeral hall, Rose and Blanche had&#13;
felt their resolution fail them. A black presentiment made them regret&#13;
their heroic imprudence; and, moreover, since several minutes they had&#13;
begun to feel an icy shudder, and painful shootings across the temples;&#13;
but, attributing these symptoms to the fright occasioned by Morok, their&#13;
good and valiant natures soon stifled all these fears. They exchanged&#13;
glances of affection, their courage revived, and both of them--Rose&#13;
on one side of the partition, and Blanche on the other--proceeded with&#13;
their painful task. Gabriel, carried to the doctors' private room, had&#13;
soon recovered his senses. Thanks to his courage and presence of mind,&#13;
his wound, cauterized in time, could have no dangerous consequences.&#13;
As soon as it was dressed he insisted on returning to the women's ward,&#13;
where he had be offering pious consolations to a dying person at the&#13;
moment they had come to inform him of the frightful danger caused by the&#13;
escape of Morok.</p><p>A few minutes before the missionary entered the room, Rose and Blanche&#13;
arrived almost together at the term of their mournful search, one from&#13;
the left, the other from the right-hand row of beds, separated by the&#13;
partition which divided the hall into compartments. The sisters had not&#13;
yet seen each other. Their steps tottered as they advanced, and they&#13;
were forced, from time to time, to lean against the beds as they passed&#13;
along. Their strength was--rapidly failing them. Giddy with fear and&#13;
pain, they appeared to act almost mechanically. Alas! the orphans had&#13;
been seized almost at the same moment with the terrible symptoms of&#13;
cholera. In consequence of that species of physiological phenomenon, of&#13;
which we have already spoken--a phenomenon by no means rare in twins,&#13;
which had already been displayed on one or two occasions of their&#13;
sickness--their organizations seemed liable to the same sensations, the&#13;
same simultaneous accidents, like two flowers on one stem, which bloom&#13;
and fade together. The sight of so much suffering, and so many deaths,&#13;
had accelerated the development of this dreadful disease. Already, on&#13;
their agitated and altered countenances, they bore the mortal tokens of&#13;
the contagion, as they came forth, each on her own side, from the&#13;
two subdivisions of the room in which they had vainly sought their&#13;
governess. Until now separated by the partition, Rose and Blanche had&#13;
not yet seen each other; but, when at length their eyes met, there&#13;
ensued a heart rending scene.</p><p>CHAPTER LVII. THE GUARDIAN ANGEL.</p><p>To the charming freshness of the sisters' faces had succeeded a livid&#13;
pallor. Their large blue eyes, now hollow and sunk in, appeared of&#13;
enormous dimensions. Their lips, once so rosy, were now suffused with a&#13;
violet hue, and a similar color was gradually displacing the transparent&#13;
carmine of their cheeks and fingers. It was as if all the roses in their&#13;
charming countenances were fading and turning blue before the icy blast&#13;
of death.</p><p>When the orphans met, tottering and hardly able to sustain themselves,&#13;
a cry of mutual horror burst from their lips. Each of them exclaimed, at&#13;
sight of the fearful change in her sister's features. "Are you also ill,&#13;
sister?" And then, bursting into tears, they threw themselves into each&#13;
other's arms, and looked anxiously at one another.</p><p>"Good heaven, Rose! how pale you are!"</p><p>"Like you, sister."</p><p>"And do you feel a cold shudder?"</p><p>"Yes, and my sight fails me."</p><p>"My bosom is all on fire."</p><p>"Sister, we are perhaps going to die."</p><p>"Let it only be together!"</p><p>"And our poor father?"</p><p>"And Dagobert?"</p><p>"Sister, our dream has come true!" cried Rose, almost deliriously, as&#13;
she threw her arms round Blanche's neck. "Look! look! the Angel Gabriel&#13;
is here to fetch us."</p><p>Indeed, at this moment, Gabriel entered the open space at the end of the&#13;
room. "Heaven! what do I see?" cried the young priest. "The daughters of&#13;
Marshal Simon!"</p><p>And, rushing forward, he received the sisters in his arms, for they were&#13;
no longer able to stand. Already their drooping heads, their half-closed&#13;
eyes, their painful and difficult breathing, announced the approach of&#13;
death. Sister Martha was close at hand. She hastened to respond to the&#13;
call of Gabriel. Aided by this pious woman, he was able to lift the&#13;
orphans upon a bed reserved for the doctor in attendance. For fear that&#13;
the sight of this mournful agony should make too deep an impression on&#13;
the other patients, Sister Martha drew a large curtain, and the sisters&#13;
were thus in some sort walled off from the rest of the room. Their hands&#13;
had been so tightly clasped together, during a nervous paroxysm, that it&#13;
was impossible to separate them. It was in this position that the first&#13;
remedies were applied--remedies incapable of conquering the violence&#13;
of the disease, but which at least mitigated for a few moments the&#13;
excessive pains they suffered, and restored some faint glimmer of&#13;
perception to their obscured and troubled senses. At this moment,&#13;
Gabriel was leaning over the bed with a look of inexpressible grief.&#13;
With breaking heart, and face bathed in tears, he thought of the strange&#13;
destiny, which thus made him a witness of the death of these girls, his&#13;
relations, whom but a few months before he had rescued from the horrors&#13;
of the tempest. In spite of his firmness of soul, the missionary could&#13;
not help shuddering as he reflected on the fate of the orphans, the&#13;
death of Jacques Rennepont, and the fearful devices by which M. Hardy,&#13;
retired to the cloistered solitude of St. Herein, had become a member&#13;
of the Society of Jesus almost in dying. The missionary said to himself,&#13;
that already four members of the Rennepont family--his family--had been&#13;
successively struck down by some dreadful fate; and he asked himself&#13;
with alarm, how it was that the detestable interests of the Society of&#13;
Loyola should be served by a providential fatality? The astonishment of&#13;
the young missionary would have given place to the deepest horror, could&#13;
he have known the part that Rodin and his accomplices had taken, both&#13;
in the death of Jacques Rennepont, by exciting, through Morok, the evil&#13;
propensities of the artisan, and in the approaching end of Rose and&#13;
Blanche, by converting, through the Princess de Saint-Dizier, the&#13;
generous inspirations of the orphans into suicidal heroism.</p><p>Roused for a moment from the painful stupor in which they had been&#13;
plunged, Rose and Blanche half-opened their large eyes, already dull&#13;
and faded. Then, more and more bewildered they both gazed fixedly at the&#13;
angelic countenance of Gabriel.</p><p>"Sister," said Rose, in a faint voice, "do you see the archangel--as in&#13;
our dreams, in Germany?"</p><p>"Yes--three days ago--he appeared to us."</p><p>"He is come to fetch us."</p><p>"Alas! will our death save our poor mother from purgatory?"</p><p>"Angel! blessed angel! pray God for our mother--and for us!" Until&#13;
now, stupefied with amazement and sorrow, almost suffocated with sobs,&#13;
Gabriel had not been able to utter a word. But at these words of the&#13;
orphans, he exclaimed: "Dear children, why doubt of your mother's&#13;
salvation? Oh! never did a purer soul ascend to its Creator. Your&#13;
mother? I know from my adopted father, that her virtues and courage&#13;
were the admiration of all who knew her. Oh! believe me; God has blessed&#13;
her."</p><p>"Do you hear, sister?" cried Rose, as a ray of celestial joy illumined&#13;
for an instant the livid faces of the orphans. "God has blessed our&#13;
mother."</p><p>"Yes, yes," resumed Gabriel; "banish these gloomy ideas. Take courage,&#13;
poor children! You must not die. Think of your father."</p><p>"Our father?" said Blanche, shuddering; and she continued, with a&#13;
mixture of reason and wild excitement, which would have touched the&#13;
soul of the most indifferent: "Alas! he will not find us on his return.&#13;
Forgive us, father! we did not think to do any harm. We wished, like&#13;
you, to do something generous--to help our governess."</p><p>"And we did not think to die so quickly, and so soon. Yesterday, we were&#13;
gay and happy."</p><p>"Oh, good angel! you will appear to our father, even as you have&#13;
appeared to us. You will tell him that, in dying--the last thought of&#13;
his children--was of him."</p><p>"We came here without Dagobert's knowing it--do not let our father scold&#13;
him."</p><p>"Blessed angel!" resumed the other sister in a still more feeble voice;&#13;
"appear to Dagobert, also. Tell him, that we ask his forgiveness, for&#13;
the grief our death will occasion him."</p><p>"And let our old friend caress our poor Spoil-sport for us--our faithful&#13;
guardian," added Blanche, trying to smile.</p><p>"And then," resumed Rose, in a voice that was growing still fainter,&#13;
"promise to appear to two other persons, that have been so kind to&#13;
us--good Mother Bunch--and the beautiful Lady Adrienne."</p><p>"We forget none whom we have loved," said Blanche, with a last effort.&#13;
"Now, God grant we may go to our mother, never to leave her more!"</p><p>"You promised it good angel--you know you did--in the dream. You said&#13;
to us: 'Poor children--come from so far--you will have traversed the&#13;
earth--to rest on the maternal bosom!'"</p><p>"Oh! it is dreadful--dreadful! So young--and no hope!" murmured Gabriel,&#13;
as he buried his face in his hands. "Almighty Father! Thy views are&#13;
impenetrable. Alas! yet why should these children die this cruel death?"</p><p>Rose heaved a deep sigh and said in an expiring tone: "Let us be buried&#13;
together!--united in life, in death not divided--"</p><p>And the two turned their dying looks upon Gabriel, and stretched out&#13;
towards him their supplicating hands.</p><p>"Oh, blessed martyrs to a generous devotion!" cried the missionary,&#13;
raising to heaven his eyes streaming with tears. "Angelic souls!&#13;
treasures of innocence and truth! ascend, ascend to heaven--since God&#13;
calls you to him, and the earth is not worthy to possess you!"</p><p>"Sister! father!" were the last words that the orphans pronounced with&#13;
their dying voices.</p><p>And then the twins, by a last instinctive impulse, endeavored to clasp&#13;
each other, and their eyes half-opened to exchange yet another glance.&#13;
They shuddered twice or thrice, their limbs stiffened, a deep sigh&#13;
struggled from their violet-colored lips. Rose and Blanche were both&#13;
dead! Gabriel and Sister Martha, after closing the eyes of the orphans,&#13;
knelt down to pray by the side of that funeral couch. Suddenly a&#13;
great tumult was heard in the room. Rapid footsteps, mingled with&#13;
imprecations, sounded close at hand, the curtain was drawn aside from&#13;
this mournful scene, and Dagobert entered precipitately, pale, haggard,&#13;
his dress in disorder. At sight of Gabriel and the Sister of Charity&#13;
kneeling beside the corpses of his children, the soldier uttered a&#13;
terrible roar, and tried to advance--but in vain--for, before Gabriel&#13;
could reach him, Dagobert fell flat on the ground, and his gray head&#13;
struck violently on the floor.</p><p>It is night--a dark and stormy night. One o'clock in the morning has&#13;
just sounded from the church of Montmartre. It is to the cemetery of&#13;
Montmartre that is carried the coffin which, according to the last&#13;
wishes of Rose and Blanche contains them both. Through the thick shadow,&#13;
which rests upon that field of death, may be seen moving a pale light.&#13;
It is the gravedigger. He advances with caution; a dark lantern is in&#13;
his hand. A man wrapped in a cloak accompanies him. He holds down his&#13;
head and weeps. It is Samuel. The old Jew--the keeper of the house&#13;
in the Rue Saint-Francois. On the night of the funeral of Jacques&#13;
Rennepont, the first who died of the seven heirs, and who was buried&#13;
in another cemetery, Samuel had a similar mysterious interview with the&#13;
gravedigger, to obtain a favor at the price of gold. A strange and awful&#13;
favor! After passing down several paths, bordered with cypress trees, by&#13;
the side of many tombs, the Jew and the gravedigger arrived, at a little&#13;
glade, situated near the western wall of the cemetery. The night was so&#13;
dark, that scarcely anything could be seen. After moving his lantern up&#13;
and down, and all about, the gravedigger showed Samuel, at the foot of a&#13;
tall yew-tree, with long black branches, a little mound of newly-raised&#13;
earth, and said: "It is here."</p><p>"You are sure of it?"</p><p>"Yes, yes--two bodies in one coffin! it is not such a common thing."</p><p>"Alas! two in the same coffin!" said the Jew, with a deep sigh.</p><p>"Now that you know the place, what do you want more?" asked the&#13;
gravedigger.</p><p>Samuel did not answer. He fell on his knees, and piously kissed&#13;
the little mound. Then rising, with his cheeks bathed in tears, he&#13;
approached the gravedigger, and spoke to him for some moments in a&#13;
whisper--though they were alone, and in the centre of that deserted&#13;
place. Then began between those two men a mysterious dialogue, which the&#13;
night enveloped in shade and silence. The gravedigger, alarmed at what&#13;
Samuel asked him, at first refused his request.</p><p>But the Jew, employing persuasions, entreaties, tears, and at last the&#13;
seduction of the jingling gold, succeeded in conquering the scruples of&#13;
the gravedigger. Though the latter trembled at the thought of what he&#13;
promised, he said to Samuel in an agitated tone: "To-morrow night, then,&#13;
at two o'clock."</p><p>"I shall be behind the wall," answered Samuel, pointing out the place&#13;
with the aid of a lantern. "I will throw three stones into the cemetery,&#13;
for a signal."</p><p>"Yes, three stones--as a signal," replied the gravedigger shuddering,&#13;
and wiping the cold sweat from his forehead.</p><p>With considerable remains of vigor, notwithstanding his great age,&#13;
Samuel availed himself of the broken surface of the low wall, and&#13;
climbing over it, soon disappeared. The gravedigger returned home with&#13;
hasty strides. From time to time, he looked fearfully behind him, as&#13;
though he had been pursued by some fatal vision.</p><p>On the evening after the funeral of Rose and Blanche, Rodin wrote two&#13;
letters. The first, addressed to his mysterious correspondent at Rome,&#13;
alluded to the deaths of Jacques Rennepont, and Rose and Blanche Simon,&#13;
as well as to the cession of M. Hardy's property, and the donation&#13;
of Gabriel--events which reduced the claimants of the inheritance to&#13;
two--Mdlle. de Cardoville and Djalma. This first note written by Rodin&#13;
for Rome, contained only the following words: "Five from seven leaves&#13;
two. Announce this result to the Cardinal-Prince. Let him go on. I&#13;
advance advance-advance!" The second note, in a feigned hand, was&#13;
addressed to Marshal Simon, to be delivered by a sure messenger,&#13;
contained these few lines: "If there is yet time, make haste to return.&#13;
Your daughters are both dead. You shall learn who killed them."</p><p>CHAPTER LVIII. RUIN.</p><p>It is the day after the death of Marshal Simon's daughters. Mdlle. de&#13;
Cardoville is yet ignorant of the sad end of her young relatives. Her&#13;
countenance is radiant with happiness, and never has she looked more&#13;
beautiful; her eye has never been more brilliant, her complexion more&#13;
dazzling white, her lip of a richer coral. According to her somewhat&#13;
eccentric custom of dressing herself in her own house in a picturesque&#13;
style, Adrienne wears to-day, though it is about three o'clock in the&#13;
afternoon, a pale green watered-silk dress, with a very full skirt, the&#13;
sleeves and bodice slashed with rose-colored ribbon, and adorned with&#13;
white bugle-beads, of exquisite workmanship; while a slender network,&#13;
also of white bugle-beads, concealing the thick plait of Adrienne's&#13;
back hair, forms an oriental head-dress of charming originality, and&#13;
contrasts agreeably with the long curls which fall in front almost to&#13;
the swell of the bosom. To the expression of indescribable happiness&#13;
which marks the features of Mdlle. de Cardoville, is added a certain&#13;
resolute, cutting, satirical air, which is not habitual to her. Her&#13;
charming head, and graceful, swan-like neck, are raised in an attitude&#13;
of defiance; her small, rose-colored nostrils seem to dilate with&#13;
ill-repressed ardor, and she waits with haughty impatience for the&#13;
moment of an aggressive and ironical interview. Not far from Adrienne is&#13;
Mother Bunch. She has resumed in the house the place which she at first&#13;
occupied. The young sempstress is in mourning for her sister, but her&#13;
countenance is expressive of a mild, calm sorrow. She looks at Mdlle. de&#13;
Cardoville with surprise; for never, till now, has she seen the features&#13;
of the fair patrician impressed with such a character of ironical&#13;
audacity. Mdlle. de Cardoville was exempt from the slightest coquetry,&#13;
in the narrow and ordinary sense of the word. Yet she now cast an&#13;
inquiring look at the glass before which she was standing, and, having&#13;
restored the elastic smoothness to one of her long, golden curls, by&#13;
rolling it for a moment round her ivory finger, she carefully effaced&#13;
with her hands some almost imperceptible folds, which had formed&#13;
themselves in the thick material of her elegant corsage. This movement,&#13;
and that of turning her back to the glass, to see if her dress sat&#13;
perfectly on all points, revealed, in serpentine undulations, all the&#13;
charms and graces of her light and elegant figure; for, in spite of the&#13;
rich fulness of her shoulders, white and firm as sculptured alabaster,&#13;
Adrienne belonged to that class of privileged persons, who are able at&#13;
need to make a girdle out of a garter.</p><p>Having performed, with indescribable grace, these charming evolutions of&#13;
feminine coquetry, Adrienne turned towards Mother Bunch, whose surprise&#13;
was still on the increase, and said to her, smiling: "My dear Magdalen,&#13;
do not laugh at my question--but what would you say to a picture, that&#13;
should represent me as I am now?"</p><p>"Why, lady--"</p><p>"There you are again, with your lady-ing," said Adrienne, in a tone of&#13;
gentle reproach.</p><p>"Well, then, Adrienne," resumed Mother Bunch, "I think it would be a&#13;
charming picture, for you are dressed, as usual with perfect taste."</p><p>"But am I not better dressed than on other days, my dear poetess? I&#13;
began by telling you that I do not ask the question for my own sake,"&#13;
said Adrienne, gayly.</p><p>"Well, I suppose so," replied Mother Bunch, with a faint smile. "It is&#13;
certainly impossible to imagine anything that would suit you better. The&#13;
light green and the pale rose-color, with the soft lustre of the white&#13;
ornaments, harmonize so well with your golden hair, that I cannot&#13;
conceive, I tell you, a more graceful picture."</p><p>The speaker felt what she said, and she was happy to be able to express&#13;
it, for we know the intense admiration of that poetic soul for all that&#13;
was beautiful.</p><p>"Well!" went on Adrienne, gayly, "I am glad, my dear, that you find me&#13;
better dressed than usual."</p><p>"Only," said the hunchback, hesitating.</p><p>"Only?" repeated Adrienne, looking at her with an air of interrogation.</p><p>"Why, only," continued the other, "if I have never seen you look more&#13;
pretty, I have also never observed in your features the resolute and&#13;
ironical expression which they had just now. It was like an air of&#13;
impatient defiance."</p><p>"And so it was, my dear little Magdalen," said Adrienne, throwing her&#13;
arms round the girl's neck with joyous tenderness. "I must kiss you, for&#13;
having guessed it. You see, I expect a visit from my dear aunt."</p><p>"The Princess de Saint-Dizier?" cried Mother Bunch, in alarm. "That&#13;
wicked lady, who did you so much evil?"</p><p>"The very same. She has asked for an interview, and I shall be delighted&#13;
to receive her."</p><p>"Delighted?"</p><p>"Yes--a somewhat ironical and malicious delight, it is true," answered&#13;
Adrienne, still more gayly. "You shall judge for yourself. She regrets&#13;
her gallantries, her beauty, her youth--even her size afflicts the&#13;
holy woman!--and she will see me young, fair, beloved--and above all&#13;
thin--yes, thin," added Mdlle. de Cardoville, laughing merrily. "And you&#13;
may imagine, my dear, how much envy and despair, the sight of a young,&#13;
thin woman excites in a stout one of a certain age!"</p><p>"My friend," said Mother Bunch, gravely, "you speak in jest. And yet, I&#13;
know not why, the coming of this princess alarms me."</p><p>"Dear, gentle soul, be satisfied!" answered Adrienne, affectionately. "I&#13;
do not fear this woman--I no longer have any fear of her--and to prove&#13;
it to her confusion, I will treat her--a monster of hypocrisy and&#13;
wickedness, who comes here, no doubt, on some abominable design--I will&#13;
treat her as an inoffensive, ridiculous fat woman!" And Adrienne again&#13;
laughed.</p><p>A servant here entered the room, and interrupted the mirth of Adrienne,&#13;
by saying: "The Princess de Saint-Dizier wishes to know if you can&#13;
receive her?"</p><p>"Certainly," said Mdlle. de Cardoville; and the servant retired. Mother&#13;
Bunch was about to rise and quit the room; but Adrienne held her back,&#13;
and said to her, taking her hand with an air of serious tenderness:&#13;
"Stay, my dear friend, I entreat you."</p><p>"Do you wish it?"</p><p>"Yes; I wish--still in revenge, you know," said Adrienne, with a smile,&#13;
"to prove to her highness of Saint-Dizier, that I have an affectionate&#13;
friend--that I have, in fact, every happiness."</p><p>"But, Adrienne," replied the other, timidly, "consider--"</p><p>"Silence! here is the princess. Remain! I ask it as a favor. The&#13;
instinct of your heart will discover any snare she may have laid. Did&#13;
not your affection warn me of the plots of Rodin?"</p><p>Mother Bunch could not refuse such a request. She remained, but was&#13;
about to draw back from the fireplace. Adrienne, however, took her by&#13;
the hand, and made her resume her seat in the arm-chair, saying: "My&#13;
dear Magdalen, keep your place. You owe nothing to the lady. With me it&#13;
is different; she comes to my house."</p><p>Hardly had Adrienne uttered these words, than the princess entered with&#13;
head erect, and haughty air (we have said, she could carry herself most&#13;
loftily), and advanced with a firm step. The strongest minds have their&#13;
side of puerile weakness; a savage envy, excited by the elegance, wit,&#13;
and beauty of Adrienne, bore a large part in the hatred of the princess&#13;
for her niece; and though it was idle to think of eclipsing Adrienne,&#13;
and the Princess de Saint-Dizier did not seriously mean to attempt it,&#13;
she could not forbear, in preparing for the interview she had demanded,&#13;
taking more pains even than usual in the arrangement of her dress.&#13;
Beneath her robe of shot silk, she was laced in and tightened to&#13;
excess--a pressure which considerably increased the color in her cheeks.&#13;
The throng of jealous and hateful sentiments, which inspired her with&#13;
regard to Adrienne, had so troubled the clearness of her ordinarily calm&#13;
judgment, that, instead of the plain and quiet style, in which, as a&#13;
woman of tact and taste, she was generally attired, she now committed&#13;
the folly of wearing a dress of changing hues, and a crimson hat,&#13;
adorned with a magnificent bird of paradise. Hate, envy, the pride of&#13;
triumph--for she thought of the skillful perfidy with which she had&#13;
sent to almost certain death the daughters of Marshal Simon--and the&#13;
execrable hope of succeeding in new plots, were all expressed in the&#13;
countenance of the Princess de Saint-Dizier, as she entered her niece's&#13;
apartment.</p><p>Without advancing to meet her aunt, Adrienne rose politely from the sofa&#13;
on which she was seated, made a half-curtsey, full of grace and dignity,&#13;
and immediately resumed her former posture. Then, pointing to an arm&#13;
chair near the fireplace, at one corner of which sat Mother Bunch, and&#13;
she herself at the other, she said: "Pray sit down, your highness."&#13;
The princess turned very red, remained standing, and cast a disdainful&#13;
glance of insolent surprise at the sempstress, who, in compliance with&#13;
Adrienne's wish, only bowed slightly at the entrance of the Princess de&#13;
Saint-Dizier, without offering to give up her place. In acting thus, the&#13;
young sempstress followed the dictates of her conscience, which told her&#13;
that the real superiority did not belong to this base, hypocritical, and&#13;
wicked princess, but rather to such a person as herself, the admirable&#13;
and devoted friend.</p><p>"Let me beg your highness to sit down," resumed Adrienne, in a mild&#13;
tone, as she pointed to the vacant chair.</p><p>"The interview I have demanded, niece," said the princess "must be a&#13;
private one."</p><p>"I have no secrets, madame, from my best friend; you may speak in the&#13;
presence of this young lady."</p><p>"I have long known," replied Madame de Saint-Dizier, with bitter irony,&#13;
"that in all things you care little for secrecy, and that you are easy&#13;
in the choice of what you call your friends. But you will permit me to&#13;
act differently from you. If you have no secrets, madame, I have--and I&#13;
do not choose to confide them to the first comer."</p><p>So saying, the pious lady glanced contemptuously at the sempstress. The&#13;
latter, hurt at the insolent tone of the princess, answered mildly and&#13;
simply:</p><p>"I do not see what can be the great difference between the first and the&#13;
last comer to Mdlle. de Cardoville's."</p><p>"What! can it speak!" cried the princess, insolently.</p><p>"It can at least answer, madame," replied Mother Bunch, in her calm&#13;
voice.</p><p>"I wish to see you alone, niece--is that clear?" said the princess,&#13;
impatiently, to her niece.</p><p>"I beg your pardon, but I do not quite understand your highness," said&#13;
Adrienne, with an air of surprise. "This young lady, who honors me with&#13;
her friendship, is willing to be present at this interview, which you&#13;
have asked for--I say she has consented to be present, for it needs,&#13;
I confess, the kindest condescension in her to resign herself, from&#13;
affection for me, to hear all the graceful, obliging, and charming&#13;
things which you have no doubt come hither to communicate."</p><p>"Madame--" began the princess, angrily.</p><p>"Permit me to interrupt your highness," returned Adrienne, in a tone&#13;
of perfect amenity, as if she were addressing the most flattering&#13;
compliments to her visitor. "To put you quite at your ease with the lady&#13;
here, I will begin by informing you that she is quite aware of all the&#13;
holy perfidies, pious wrongs, and devout infamies, of which you nearly&#13;
made me the victim. She knows that you are a mother of the Church, such&#13;
as one sees but few of in these days. May I hope, therefore, that your&#13;
highness will dispense with this delicate and interesting reserve?"</p><p>"Really," said the princess, with a sort of incensed amazement, "I&#13;
scarcely know if I wake or sleep."</p><p>"Dear me!" said Adrienne, in apparent alarm; "this doubt as to the state&#13;
of your faculties is very shocking, madame. I see that the blood flies&#13;
to your head, for your face sufficiently shows it; you seem oppressed,&#13;
confined, uncomfortable--perhaps (we women may say so between&#13;
ourselves), perhaps you are laced a little too tightly, madame?"</p><p>These words, pronounced by Adrienne with an air of warm interest and&#13;
perfect simplicity, almost choked the princess with rage. She became&#13;
crimson, seated herself abruptly, and exclaimed: "Be it so, madame! I&#13;
prefer this reception to any other. It puts me at my ease, as you say."</p><p>"Does it indeed, madame?" said Adrienne, with a smile. "You may now at&#13;
least speak frankly all that you feel, which must for you have the charm&#13;
of novelty! Confess that you are obliged to me for enabling you, even&#13;
for a moment, to lay aside that mask of piety, amiability, and goodness,&#13;
which must be so troublesome to you."</p><p>As she listened to the sarcasms of Adrienne (an innocent and excusable&#13;
revenge, if we consider all the wrongs she had suffered), Mother Bunch&#13;
felt her heart sink within her; for she dreaded the malignity of the&#13;
princess, who replied, with the utmost calmness: "A thousand thanks,&#13;
madame, for your excellent intentions and sentiments. I appreciate them&#13;
as I ought, and I hope in a short time to prove it to you."</p><p>"Well, madame," said Adrienne, playfully, "let us have it all at once. I&#13;
am full of impatient curiosity."</p><p>"And yet," said the princess, feigning in her turn a bitter and ironical&#13;
delight, "you are far from having the least notion of what I am about to&#13;
announce to you."</p><p>"Indeed! I fear that your highness's candor and modesty deceive you,"&#13;
replied Adrienne, with the same mocking affability; "for there are very&#13;
few things on your part that can surprise me, madame. You must be aware&#13;
that from your highness, I am prepared for anything."</p><p>"Perhaps, madame," said the princess, laying great stress on her&#13;
words, "if, for instance, I were to tell you that within twenty-four&#13;
hours--suppose between this and to-morrow-thou will be reduced to&#13;
poverty--"</p><p>This was so unexpected, that Mdlle. de Cardoville started in spite of&#13;
herself, and Mother Bunch shuddered.</p><p>"Ah, madame!" said the princess, with triumphant joy and cruel mildness,&#13;
as she watched the growing surprise of her niece, "confess that I have&#13;
astonished you a little. You were right in giving to our interview the&#13;
turn it has taken. I should have needed all sorts of circumlocution to&#13;
say to you, 'Niece, to-morrow you will be as poor as you are rich to&#13;
day.' But now I can tell you the fact quite plainly and simply."</p><p>Recovering from her first amazement, Adrienne replied, with a calm&#13;
smile, which checked the joy of the princess: "Well, I confess frankly,&#13;
madame, that you have surprised me; I expected from you one of those&#13;
black pieces of malignity, one of those well-laid plots, in which you&#13;
are known to excel, and I did not think you would make all this fuss&#13;
about such a trifle."</p><p>"To be ruined--completely ruined," cried the princess, "and that by to&#13;
morrow--you that have been so prodigal, will see your house, furniture,&#13;
horses, jewels, even the ridiculous dresses of which you are so vain,&#13;
all taken from you--do you call that a trifle? You, that spend with&#13;
indifference thousands of louis, will be reduced to a pension inferior&#13;
to the wages you gave your foot-boy--do you call that a trifle?"</p><p>To her aunt's cruel disappointment, Adrienne, who appeared quite to have&#13;
recovered her serenity was about to answer accordingly, when the door&#13;
suddenly opened, and, without being announced, Prince Djalma entered the&#13;
room. A proud and tender expression of delight beamed from the radiant&#13;
brow of Adrienne at sight of the prince, and it is impossible to&#13;
describe the look of triumphant happiness and high disdain that she cast&#13;
upon the Princess de Saint-Dizier. Djalma himself had never looked more&#13;
handsome, and never had more intense happiness been impressed on a human&#13;
countenance. The Hindoo wore a long robe of white Cashmere, adorned with&#13;
innumerable stripes of gold and purple; his turban was of the same color&#13;
and material; a magnificent figured shawl was twisted about his waist.&#13;
On seeing the Indian, whom she had not hoped to meet at Mdlle. de&#13;
Cardoville's, the Princess de Saint-Dizier could not at first conceal&#13;
her extreme surprise. It was between these four, then, that the&#13;
following scene took place.</p><p>CHAPTER LIX. MEMORIES.</p><p>Djalma, having never before met the Princess de Saint-Dizier at&#13;
Adrienne's, at first appeared rather astonished at her presence. The&#13;
princess, keeping silence for a moment, contemplated with implacable&#13;
hatred and envy those two beings, both so fair and young, so loving and&#13;
happy. Suddenly she started, as if she had just remembered something of&#13;
great importance, and for some seconds she remained absorbed in thought.</p><p>Adrienne and Djalma availed themselves of this interval to gaze fondly&#13;
on each other, with a sort of ardent idolatry, which filled their eyes&#13;
with sweet tears. Then, at a movement of the Princess de Saint-Dizier,&#13;
who seemed to rouse herself from her momentary trance, Mdlle. de&#13;
Cardoville said to the young prince, with a smile: "My dear cousin, I&#13;
have to repair an omission (voluntary, I confess, and for good reasons),&#13;
in never having before mentioned to you one of my relations, whom I have&#13;
now the honor to present to you. The Princess de Saint-Dizier!"</p><p>Djalma bowed; but Mdlle. de Cardoville resumed, just as her aunt was&#13;
about to make some reply: "Her Highness of Saint-Dizier came very kindly&#13;
to inform me of an event which is a most fortunate one for me, and of&#13;
which I will speak to you hereafter, cousin--unless this amiable&#13;
lady should wish to deprive me of the pleasure of making such a&#13;
communication."</p><p>The unexpected arrival of the prince, and the recollections which had&#13;
suddenly occurred to the princess, had no doubt greatly modified her&#13;
first plans: for, instead of continuing the conversation with regard&#13;
to Adrienne's threatened loss of fortune, the princess answered, with a&#13;
bland smile, that covered an odious meaning: "I should be sorry, prince,&#13;
to deprive my dear and amiable niece of the pleasure of announcing to&#13;
you the happy news to which she alludes, and which, as a near relative,&#13;
I lost no time in communicating to her. I have here some notes on this&#13;
subject," added the princess, delivering a paper to Adrienne, "which I&#13;
hope will prove, to her entire satisfaction, the reality of what I have&#13;
announced to her."</p><p>"A thousand thanks, my dear aunt," said Adrienne, receiving the paper&#13;
with perfect indifference; "these precautions and proofs are quite&#13;
superfluous. You know that I always believe you on your word, when it&#13;
concerns your good feeling towards myself."</p><p>Notwithstanding his ignorance of the refined perfidy and cruel&#13;
politeness of civilized life, Djalma, endowed with a tact and fineness&#13;
of perception common to most natures of extreme susceptibility, felt&#13;
some degree of mental discomfort as he listened to this exchange of&#13;
false compliments. He could not guess their full meaning, but they&#13;
sounded hollow to his ear; and moreover, whether from instinct or&#13;
presentiment, he had conceived a vague dislike for the Princess de&#13;
Saint-Dizier. That pious lady, full of the great affair in hand, was a&#13;
prey to the most violent agitation, which betrayed itself in the growing&#13;
color of her cheeks, her bitter smile, and the malicious brightness of&#13;
her glance. As he gazed on this woman, Djalma was unable to conquer&#13;
his rising antipathy, and he remained silent and attentive, whilst his&#13;
handsome countenance lost something of its former serenity. Mother Bunch&#13;
also felt the influence of a painful impression. She glanced in terror&#13;
at the princess, and then imploringly at Adrienne, as though she&#13;
entreated the latter to but an end to an interview of which the young&#13;
sempstress foresaw the fatal consequences. But, unfortunately, the&#13;
Princess de Saint-Dizier was too much interested in prolonging this&#13;
conversation; and Mdlle. de Cardoville, gathering new courage and&#13;
confidence from the presence of the man she adored, took delight in&#13;
vexing the princess with the exhibition of their happy love.</p><p>After a short silence, the Princess de Saint-Dizier observed, in a soft&#13;
and insinuating tone: "Really, prince, you cannot think how pleased I&#13;
was to learn by public report (for people talk of nothing else, and&#13;
with good reason) of your chivalrous attachment to my dear niece; for,&#13;
without knowing it, you will extricate me from a difficult position."</p><p>Djalma made no answer, but he looked at Mdlle. de Cardoville with a&#13;
surprised and almost sorrowful air, as if to ask what her aunt meant to&#13;
insinuate.</p><p>The latter, not perceiving this mute interrogation, resumed as follows:&#13;
"I will express myself more clearly, prince. You can understand that,&#13;
being the nearest relative of this dear, obstinate girl, I am more or&#13;
less responsible for her conduct in the eyes of the world; and you,&#13;
prince, seem just to have arrived on purpose, from the end of the&#13;
earth, to take charge of a destiny which had caused me considerable&#13;
apprehension. It is charming, it is excellent; and I know not which&#13;
most to admire, your courage or your good fortune." The princess threw a&#13;
glance of diabolical malice at Adrienne, and awaited her answer with an&#13;
air of defiance.</p><p>"Listen to our good aunt, my dear cousin," said the young lady, smiling&#13;
calmly. "Since our affectionate kinswoman sees you and me united and&#13;
happy, her heart is swelling with such a flood of joy, that it must run&#13;
over, and the effects will be delightful. Only have a little patience,&#13;
and you will behold them in their full beauty. I do not know,"&#13;
added Adrienne, in the most natural tone, "why, in thinking of these&#13;
outpourings of our dear aunt's affection, I should remember what you&#13;
told me, cousin, of a certain viper in your country which sometimes,&#13;
in a powerless bite, breaks its fangs, and, absorbing its own venom,&#13;
becomes the victim of the poison it distills. Come, my dear aunt, you&#13;
that had so good and noble a heart, I am sure you must feel interested&#13;
in the fate of those poor vipers."</p><p>The princess darted an implacable look at her niece, and replied, in an&#13;
agitated voice, "I do not see the object of this selection of natural&#13;
history. Do you, prince?"</p><p>Djalma made no answer; leaning with his arm on the mantelpiece, he threw&#13;
dark and piercing glances upon the princess. His involuntary hatred of&#13;
this woman filled his heart.</p><p>"Ah, my dear aunt!" resumed Adrienne, in a tone of self-reproach; "have&#13;
I presumed too much on the goodness of your heart? Have you not even&#13;
sympathy for vipers? For whom, then, have you any? After all, I can very&#13;
well understand it," added Adrienne, as if to herself; "vipers are so&#13;
thin. But, to lay aside these follies," she continued, gayly, as she&#13;
saw the ill-repressed rage of the pious woman, "tell us at once, my dear&#13;
aunt, all the tender things which the sight of our happiness inspires."</p><p>"I hope to do so, my amiable niece. First, I must congratulate this dear&#13;
prince, on having come so far to take charge, in all confidence, and&#13;
with his eyes shut, of you, my poor child, whom we were obliged to&#13;
confine as mad, in order to give a decent color to your excesses. You&#13;
remember the handsome lad, that we found in your apartment. You cannot&#13;
be so faithless, as already to have forgotten his name? He was a fine,&#13;
youth, and a poet--one Agricola Baudoin--and was discovered in a secret&#13;
place, attached to your bed-chamber. All Paris was amused with the&#13;
scandal--for you are not about to marry an unknown person, dear prince;&#13;
her name has been in every mouth."</p><p>At these unexpected and dreadful words, Adrienne, Djalma, and Mother&#13;
Bunch, though under the influence of different kinds of resentment,&#13;
remained for a moment mute with surprise; and the princess, judging it&#13;
no longer necessary to repress her infernal joy and triumphant hatred,&#13;
exclaimed, as she rose from her seat, with flushed cheek, and flashing&#13;
eyes, "Yes, I defy you to contradict me. Were we not forced to confine&#13;
you, on the plea of madness? And did we not find a workman (your lover)&#13;
concealed in your bedroom?"</p><p>On this horrible accusation, Djalma's golden complexion, transparent as&#13;
amber, became suddenly the color of lead; his eyes, fixed and staring&#13;
showed the white round the pupil--his upper lip, red as blood,&#13;
was curled in a kind of wild convulsion, which exposed to view the&#13;
firmly-set teeth--and his whole countenance became so frightfully&#13;
threatening and ferocious, that Mother Bunch shuddered with terror.&#13;
Carried away by the ardor of his blood, the young Oriental felt a sort&#13;
of dizzy, unreflecting, involuntary rage--a fiery commotion, like that&#13;
which makes the blood leap to the brave man's eyes and brain, when he&#13;
feels a blow upon his face. If, during that moment, rapid as the passage&#13;
of the lightning through the cloud, action could have taken the place of&#13;
thought, the princess and Adrienne, Mother Bunch and himself, would all&#13;
have been annihilated by an explosion as sudden and fatal as that of&#13;
the bursting of a mine. He would have killed the princess, because she&#13;
accused Adrienne of infamous deception he would have killed Adrienne,&#13;
because she could even be suspected of such infamy--and Mother Bunch,&#13;
for being a witness of the accusation--and himself, in order not to&#13;
survive such horrid treachery. But, oh wonder! his furious and bloodshot&#13;
gaze met the calm look of Adrienne--a look so full of dignity and serene&#13;
confidence--and the expression of ferocious rage passed away like a&#13;
flash of lightning.</p><p>Much more: to the great surprise of the princess and the young workgirl,&#13;
as the glances which Djalma cast upon Adrienne went (as it were) deeper&#13;
into that pure soul, not only did the Indian grow calm, but, by a&#13;
kind of transfiguration, his countenance seemed to borrow her serene&#13;
expression, and reflect, as in a mirror, the noble serenity impressed&#13;
on the young lady's features. Let us explain physically this moral&#13;
revolution, as consoling to the terrified workgirl, as provoking to the&#13;
princess. Hardly had the princess distilled the atrocious calumny from&#13;
her venomous lips, than Djalma, then standing before the fireplace, had,&#13;
in the first paroxysm of his fury, advanced a step towards her;&#13;
but, wishing as it were to moderate his rage, he held by the marble&#13;
chimney-piece, which he grasped with iron strength. A convulsive&#13;
trembling shook his whole body, and his features, altered and&#13;
contracted, became almost frightful. Adrienne, on her part, when she&#13;
heard the accusation, yielding to a first impulse of just indignation,&#13;
even as Djalma had yielded to one of blind fury, rose abruptly, with&#13;
offended pride flashing from her eyes; but, almost immediately appeased&#13;
by the consciousness of her own purity, her charming face resumed its&#13;
expression of adorable serenity. It was then that her eyes met Djalma's.&#13;
For a second, the young lady was even more afflicted than terrified&#13;
at the threatening and formidable expression of the young Indian's&#13;
countenance. "Can stupid indignity exasperate him to this degree?" said&#13;
Adrienne to herself. "Does he suspect me; then?"</p><p>But to this reflection, as rapid as it was painful, succeeded the most&#13;
lively joy, when the eyes of Adrienne rested for a short time on those&#13;
of the Indian, and she saw his agitated countenance grow calm as if&#13;
by magic, and become radiant and beautiful as before. Thus was the&#13;
abominable plot of the princess de Saint-Dizier utterly confounded by&#13;
the sincere and confiding expression of Adrienne's face. That was not&#13;
all. At the moment, when, as a spectator of this mute and expressive&#13;
scene (which proved so well the wondrous sympathy of those two beings,&#13;
who, without speaking a word, had understood and satisfied each other),&#13;
the princess was choking with rage and vexation--Adrienne, with a&#13;
charming smile and gesture, extended her fair hand to Djalma, who,&#13;
kneeling, imprinted on it a kiss of fire, which sent a light blush to&#13;
the forehead of the young lady.</p><p>Then the Hindoo, placing himself on the ermine carpet at the feet of&#13;
Mdlle. de Cardoville, in an attitude full of grace: and respect, rested&#13;
his chin on the palm of one of his hands, and gazed on her silently, in&#13;
a sort of mute adoration--while Adrienne, bending over him with a happy&#13;
smile "looked at the babies in his eyes," as the song says, with as much&#13;
amorous complacency, as if the hateful princess had not been present.&#13;
But soon, as if something were wanting to complete her happiness,&#13;
Adrienne beckoned to Mother Bunch, and made her sit down by her side.&#13;
Then, with her hand clasped in that of this excellent friend, Mdlle. de&#13;
Cardoville smiled on Djalma, stretched adoringly at her feet, and cast&#13;
on the dismayed princess a look of such calm and firm serenity, so&#13;
nobly expressive of the invincible quiet of her happiness, and her lofty&#13;
disdain of all calumnious attacks, that the Princess de Saint-Dizier,&#13;
confused and stupefied, murmured some hardly intelligible words, in a&#13;
voice trembling with passion, and, completely losing her presence of&#13;
mind, rushed towards the door. But, at this moment, the hunchback, who&#13;
feared some ambush, some perfidious plot in the background, resolved,&#13;
after exchanging a glance with Adrienne, to accompany the princess to&#13;
her carriage.</p><p>The angry disappointment of the Princess de Saint-Dizier, when she saw&#13;
herself thus followed and watched, appeared so comical to Mdlle. de&#13;
Cardoville that she could not help laughing aloud; and it was to the&#13;
sound of contemptuous hilarity that the hypocritical princess, with rage&#13;
and despair in her heart, quitted the house to which she had hoped to&#13;
bring trouble end misery. Adrienne and Djalma were left alone. Before&#13;
relating the scene which took place between them, a few retrospective&#13;
words are indispensable. It will easily be imagined, that since Mdlle.&#13;
de Cardoville and the Oriental had been brought into such close contact,&#13;
after so many disappointments, their days had passed away like a dream&#13;
of happiness. Adrienne had especially taken pains to bring to light, one&#13;
by one, all the generous qualities of Djalma, of which she had read so&#13;
much in her books of travels. The young lady had imposed on herself this&#13;
tender and patient study of Djalma's character, not only to justify&#13;
to her own mind the intensity of her love, but because this period&#13;
of trial, to which she had assigned a term, enabled her to temper and&#13;
divert the violence of Djalma's passion--a task the more meritorious,&#13;
as she herself was of the same ardent temperament. For, in those two&#13;
lovers, the finest qualities of sense and soul seemed exactly to balance&#13;
each other, and heaven had bestowed on them the rarest beauty of form,&#13;
and the most adorable excellence of heart, as if to legitimatize the&#13;
irresistible attraction which drew and bound them together. What, then,&#13;
was to be the term of this painful trial, which Adrienne had imposed&#13;
on Djalma and on herself? This is what Mdlle. de Cardoville intended&#13;
to tell the prince, in the interview she had with him, after the abrupt&#13;
departure of the Princess de Saint-Dizier.</p><p>CHAPTER LX. THE ORDEAL.</p><p>Adrienne de Cardoville and Djalma had remained alone. Such was the&#13;
noble confidence which had succeeded in the Hindoo's mind to his first&#13;
movement of unreflecting fury, caused by the infamous calumny, that,&#13;
once alone with Adrienne, he did not even allude to that shameful&#13;
accusation.</p><p>On her side (touching and admirable sympathy of those two hearts!),&#13;
the young lady was too proud, conscious of the purity of her love, to&#13;
descend to any justification of herself.</p><p>She would have considered it an insult both to herself and him.&#13;
Therefore, the lovers began their interview, as if the princess had&#13;
never made any such remark. The same contempt was extended to the&#13;
papers, which the princess had brought with her to prove the imminent&#13;
ruin to which Adrienne was exposed. The young lady had laid them down,&#13;
without reading them, on a stand within her reach. She made a graceful&#13;
sign to Djalma to seat himself by her side, and accordingly he quitted,&#13;
not without regret, the place he had occupied at her feet.</p><p>"My love," said Adrienne, in a grave and tender voice, "you have often&#13;
impatiently asked me, when would come the term of the trial we have laid&#13;
upon ourselves. That moment is at hand."</p><p>Djalma started, and could not restrain a cry of surprise and joy; but&#13;
this almost trembling exclamation was so soft and sweet, that it seemed&#13;
rather the expression of ineffable gratitude, than of exulting passion.</p><p>Adrienne continued: "Separated--surrounded by treachery and&#13;
fraud--mutually deceived as to each other's sentiments--we yet loved&#13;
on, and in that followed an irresistible attraction, stronger than every&#13;
opposing influence. But since then, in these days of happy retirement&#13;
from the world, we have learned to value and esteem each other more.&#13;
Left to ourselves in perfect freedom, we have had the courage to resist&#13;
every temptation, that hereafter we might be happy without remorse.&#13;
During these days, in which our hearts had been laid open to each other,&#13;
we have read them thoroughly. Yes, Djalma! I believe in you, and you in&#13;
me--I find in you all that you find in me--every possible human security&#13;
for our future happiness. But this love must yet be consecrated; and in&#13;
the eyes of the world, in which we are called upon to live, marriage is&#13;
the only consecration, and marriage enchains one's whole life."</p><p>Djalma looked at the young lady with surprise.</p><p>"Yes, one's whole life! and yet who can answer for the sentiments of a&#13;
whole life?" resumed Adrienne. "A God, that could see into the future,&#13;
could alone bind irrevocably certain hearts for their own happiness;&#13;
but, alas! to human eyes the future is impenetrable. Therefore, to&#13;
accept indissoluble ties, for any longer than one can answer for a&#13;
present sentiment, is to commit an act of selfish and impious folly."</p><p>Djalma made no reply, but, with an almost respectful gesture, he urged&#13;
the speaker to continue.</p><p>"And then," proceeded she, with a mixture of tenderness and pride, "from&#13;
respect for your dignity and mine, I would never promise to keep a law&#13;
made by man against woman, with contemptuous and brutal egotism--a&#13;
law, which denies to woman soul, mind, and heart--a law, which none can&#13;
accept, without being either a slave or perjured--a law, which takes&#13;
from the girl her name, reduces the wife to a state of degrading&#13;
inferiority, denies to the mother all rights over her own children,&#13;
and enslaves one human creature to the will of another, who is in all&#13;
respects her equal in the sight of God!--You know, my love," added the&#13;
young lady, with passionate enthusiasm, "how much I honor you, whose&#13;
father was called the Father of the Generous. I do not then fear, noble&#13;
and valiant heart, to see you use against me these tyrannical powers;&#13;
but, throughout my life, I never uttered a falsehood, and our love is&#13;
too sacred and celestial to be purchased by a double perjury. No, never&#13;
will I swear to observe a law, that my dignity, and my reason refuse to&#13;
sanction. If, to-morrow, the freedom of divorce were established, and&#13;
the rights of women recognized, I should be willing to observe usages,&#13;
which would then be in accordance with my conscience, and with what is&#13;
just, possible, and humane." Then, after a pause, Adrienne continued,&#13;
with such deep and sweet emotion, that a tear of tenderness veiled her&#13;
beauteous eyes: "Oh! if you knew, my love, what your love is to me: if&#13;
you knew how dear and sacred I hold your happiness--you would excuse,&#13;
you would understand, these generous superstitions of a loving and&#13;
honest heart, which could only see a fatal omen in forms degraded by&#13;
falsehood and perjury. What I wish, is, to attach you by love, to bind&#13;
you in chains of happiness--and to leave you free, that I may owe your&#13;
constancy only to your affection."</p><p>Djalma had listened to the young girl with passionate attention. Proud&#13;
and generous himself, he admired this proud and generous character.&#13;
After a moment's meditative silence, he answered, in his sweet, sonorous&#13;
voice, in an almost solemn tone: "Like you, I hold in detestation,&#13;
falsehood and perjury. Like you, I think that man degrades himself, by&#13;
accepting the right of being a cowardly tyrant, even though resolved&#13;
never to use the power. Like you, I could not bear the thought, that&#13;
I owed all I most valued, not to your love alone, but to the eternal&#13;
constraint of an indissoluble bond. Like you, I believe there is no&#13;
dignity but in freedom. But you have said, that, for this great and holy&#13;
love, you demand a religious consecration; and if you reject vows, that&#13;
you cannot make without folly and perjury, are there then others, which&#13;
your reason and your heart approve?--Who will pronounce the required&#13;
blessing? To whom must these vows be spoken?"</p><p>"In a few days, my love, I believe I shall be able to tell you all.&#13;
Every evening, after your departure, I have no other thought. I wish to&#13;
find the means of uniting yourself and me--in the eyes of God, not of&#13;
the law--without offending the habits and prejudices of a world, in&#13;
which it may suit us hereafter to live. Yes, my friend! when you know&#13;
whose are the noble hands, that are to join ours together, who is to&#13;
bless and glorify God in our union--a sacred union, that will leave us&#13;
worthy and free--you will say, I am sure, that never purer hands could&#13;
have been laid upon us. Forgive me, friend! all this is in earnest--yes,&#13;
earnest as our love, earnest as our happiness. If my words seem to you&#13;
strange, my thoughts unreasonable, tell it me, love! We will seek and&#13;
find some better means, to reconcile that we owe to heaven, with what&#13;
we owe to the world and to ourselves. It is said, that lovers are beside&#13;
themselves," added the young lady, with a smile, "but I think that no&#13;
creatures are more reasonable."</p><p>"When I hear you speak thus of our happiness," said Djalma, deeply&#13;
moved, "with so much calm and earnest tenderness, I think I see a mother&#13;
occupied with the future prospects of her darling child--trying&#13;
to surround him with all that can make him strong, valiant, and&#13;
generous--trying to remove far from him all that is ignoble and&#13;
unworthy. You ask me to tell you if your thoughts seem strange to&#13;
me, Adrienne. You forget, that what makes my faith in our love, is&#13;
my feeling exactly as you do. What offends you, offends me also; what&#13;
disgusts you, disgusts me. Just now, when you cited to me the laws of&#13;
this country, which respect in a woman not even a mother's right--I&#13;
thought with pride of our barbarous countries, where woman, though a&#13;
slave, is made free when she becomes a mother. No, no; such laws are not&#13;
made either for you or me. Is it not to prove your sacred respect for&#13;
our love, to wish to raise it above the shameful servitude that would&#13;
degrade it? You see, Adrienne, I have often heard said by the priests of&#13;
my country, that there were beings inferior to the gods, but superior&#13;
to every other creature. I did not believe those priests; but now I do."&#13;
These last words were uttered, not in the tone of flattery, but with&#13;
an accent of sincere conviction, and with that sort of passionate&#13;
veneration and almost timid fervor, which mark the believer talking of&#13;
his faith; but what is impossible to describe, is the ineffable harmony&#13;
of these almost religious words, with the mild, deep tone of the&#13;
young Oriental's voice--as well as the ardent expression of amorous&#13;
melancholy, which gave an irresistible charm to his enchanting features.</p><p>Adrienne had listened to Djalma with an indescribable mixture of joy,&#13;
gratitude, and pride. Laying her hand on her bosom, as if to keep down&#13;
its violent pulsations, she resumed, as she looked at the prince with&#13;
delight: "Behold him, ever the same!--just, good, great!--Oh, my heart!&#13;
my heart! how proudly it beats. Blessed be God, who created me for this&#13;
adored lover! He must mean to astonish the world, by the prodigies of&#13;
tenderness and charity, that such a love may produce. They do not yet&#13;
know the sovereign might of free, happy, ardent love. Yes, Djalma! on&#13;
the day when our hands are joined together, what hymns of gratitude&#13;
will ascend to heaven!--Ah! they do not know the immense, the insatiable&#13;
longing for joy aria delight, which possesses two hearts like ours; they&#13;
do not know what rays of happiness stream from the celestial halo of&#13;
such a flame!--Oh, yes! I feel it. Many tears will be dried, many cold&#13;
hearts warmed, at the divine fire of our love. And it will be by the&#13;
benedictions of those we serve, that they will learn the intoxication of&#13;
our rapture!"</p><p>To the dazzled eyes of Djalma, Adrienne appeared more and more an ideal&#13;
being--partaking of the Divinity by her goodness, of the animal nature&#13;
by passion--for, yielding to the intensity of excitement, Adrienne fixed&#13;
upon Djalma looks that sparkled with love.</p><p>'Then, almost beside himself, the Asiatic fell prostrate at the feet of&#13;
the maiden, and exclaimed, in a supplicating voice: "Mercy! my courage&#13;
fails me. Have pity on me! do not talk thus. Oh, that day! what years of&#13;
my life would I not give to hasten it!"</p><p>"Silence! no blasphemy. Do not your years belong to me?"</p><p>"Adrienne! you love me!"</p><p>The young lady did not answer; but her half-veiled, burning glance,&#13;
dealt the last blow to reason. Seizing her hands in his own, he&#13;
exclaimed, with a tremulous voice: "That day, in which we shall mount&#13;
to heaven, in which we shall be gods in happiness--why postpone it any&#13;
longer?"</p><p>"Because our love must be consecrated by the benediction of heaven."</p><p>"Are we not free?"</p><p>"Yes, yes, my love; we are free. Let us be worthy of our liberty!"</p><p>"Adrienne! mercy!"</p><p>"I ask you also to have mercy--to have mercy on the sacredness of our&#13;
love. Do not profane it in its very flower. Believe my heart! believe my&#13;
presentiments! to profane it would be to kill. Courage, my adored lover!&#13;
a few days longer--and then happiness--without regret, and without&#13;
remorse!"</p><p>"And, until then, hell! tortures without a name! You do not, cannot know&#13;
what I suffer when I leave your presence. Your image follows me, your&#13;
breath burns me up; I cannot sleep, but call on you every night with&#13;
sighs and tears--just as I called on, you, when I thought you did not&#13;
love me--and yet I know you love me, I know you are mine. But to see you&#13;
every day more beautiful, more adored--and every day to quit you more&#13;
impassioned--oh! you cannot tell--"</p><p>Djalma was unable to proceed. What he said of his devouring tortures,&#13;
Adrienne had felt, perhaps even more intensely. Electrified by the&#13;
passionate words of Djalma, so beautiful in his excitement, her courage&#13;
failed, and she perceived that an irresistible languor was creeping&#13;
over her. By a last chaste effort of the will, she rose abruptly, and&#13;
hastening to the door, which communicated with Mother Bunch's chamber,&#13;
she exclaimed: "My sister! help me!"</p><p>In another moment, Mdlle. de Cardoville, her face bathed in tears,&#13;
clasped the young sempstress in her arms; while Djalma knelt&#13;
respectfully on the threshold he did not dare to pass.</p><p>CHAPTER LXI. AMBITION.</p><p>A few days after the interview of Djalma and Adrienne, just described,&#13;
Rodin was alone in his bed-chamber, in the house in the Rue de&#13;
Vaugirard, walking up and down the room where he had so valiantly&#13;
undergone the moxas of Dr. Baleinier. With his hands thrust into the&#13;
hind-pockets of his greatcoat, and his head bowed upon his breast, the&#13;
Jesuit seemed to be reflecting profoundly, and his varying walk, now&#13;
slow, now quick, betrayed the agitation of his mind.</p><p>"On the side of Rome," said Rodin to himself, "I am tranquil. All is&#13;
going well. The abdication is as good as settled, and if I can pay them&#13;
the price agreed, the Prince Cardinal can secure me a majority of nine&#13;
voices in the conclave. Our General is with me; the doubts of Cardinal&#13;
Malipieri are at an end, or have found no echo. Yet I am not quite easy,&#13;
with regard to the reported correspondence between Father d'Aigrigny and&#13;
Malipieri. I have not been able to intercept any of it. No matter; that&#13;
soldier's business is settled. A little patience and he will be wiped&#13;
out."</p><p>Here the pale lips were contracted by one of those frightful smiles,&#13;
which gave to Rodin's countenance so diabolical an expression.</p><p>After a pause, he resumed: "The funeral of the freethinker, the&#13;
philanthropist, the workman's friend, took place yesterday at St.&#13;
Herem. Francis Hardy went off in a fit of ecstatic delirium. I had&#13;
his donation, it is true; but this is more certain. Everything may be&#13;
disputed in this world; the dead dispute nothing."</p><p>Rodin remained in thought for some moments; then he added, in a grave&#13;
tone: "There remain this red-haired wench and her mulatto. This is the&#13;
twenty-seventh of May; the first of June approaches, and these turtle&#13;
doves still seem invulnerable. The princess thought she had hit upon&#13;
a good plan, and I should have thought so too. It was a good idea to&#13;
mention the discovery of Agricola Baudoin in the madcap's room, for it&#13;
made the Indian tiger roar with savage jealousy. Yes: but then the&#13;
dove began to coo, and hold out her pretty beak, and the foolish tiger&#13;
sheathed his claws, and rolled on the ground before her. It's a pity,&#13;
for there was some sense in the scheme."</p><p>The walk of Rodin became more and more agitated. "Nothing is more&#13;
extraordinary," continued he, "than the generative succession of ideas.&#13;
In comparing this red-haired jade to a dove (colombe), I could not&#13;
help thinking of that infamous old woman, Sainte-Colombe, whom that big&#13;
rascal Jacques Dumoulin pays his court to, and whom the Abbe Corbinet&#13;
will finish, I hope, by turning to good account. I have often remarked,&#13;
that, as a poet may find an excellent rhyme by mere chance, so the&#13;
germ of the best ideas is sometimes found in a word, or in some absurd&#13;
resemblance like the present. That abominable hag, Sainte-Colombo, and&#13;
the pretty Adrienne de Cardoville, go as well together, as a ring would&#13;
suit a cat, or a necklace a fish. Well, there is nothing in it."</p><p>Hardly had Rodin pronounced these words, than he started suddenly,&#13;
and his face shone with a fatal joy. Then it assumed an expression of&#13;
meditative astonishment, as happens when chance reveals some unexpected&#13;
discovery to the surprised and charmed inquirer after knowledge.</p><p>Soon, with raised head and sparkling eye, his hollow cheeks swelling&#13;
with joy and pride, Rodin folded his arms in triumph on his breast,&#13;
and exclaimed: "Oh! how admirable and marvellous are these mysterious&#13;
evolutions of the mind; how incomprehensible is the chain of human&#13;
thought, which, starting from an absurd jingle of words, arrives at&#13;
a splendid or luminous idea! Is it weakness? or is it strength?&#13;
Strange--very strange! I compare the red-haired girl to a dove--a&#13;
colombe. That makes me think of the hag, who traded in the bodies and&#13;
souls of so many creatures. Vulgar proverbs occur to me, about a ring&#13;
and a cat, a fish and a necklace--and suddenly, at the word NECKLACE,&#13;
a new light dawns upon me. Yes: that one word NECKLACE shall be to me a&#13;
golden key, to open the portals of my brain, so long foolishly closed."</p><p>And, after again walking hastily up and down, Rodin continued: "Yes, it&#13;
is worth attempting. The more I reflect upon it, the more feasible it&#13;
appears. Only how to get at that wretch, Saint-Colombe? Well, there&#13;
is Jacques Dumoulin, and the other--where to find her? That is the&#13;
stumbling-block. I must not shout before I am out of the wood."</p><p>Rodin began again to walk, biting his nails with an air of deep thought.&#13;
For some moments, such was the tension of his mind, large drops of sweat&#13;
stood on his yellow brow. He walked up and down, stopped, stamped with&#13;
his foot, now raised his eyes as if in search of an inspiration, and now&#13;
scratched his head violently with his left hand, whilst he continued&#13;
to gnaw the nails of the right. Finally, from time to time, he uttered&#13;
exclamations of rage, despondency, or hope, as by turns they took&#13;
possession of his mind. If the cause of this monster's agitation had not&#13;
been horrible, it would have been a curious and interesting spectacle to&#13;
watch the labors of that powerful brain--to follow, as it were, on that&#13;
shifting countenance, the progress and development of the project,&#13;
on which he was now concentrating all the resources of his strong&#13;
intellect. At length, the work appeared to be near completion, for Rodin&#13;
resumed: "Yes, yes! it is bold, hazardous--but then it is prompt, and&#13;
the consequences may be incalculable. Who can foresee the effects of the&#13;
explosion of a mine?"</p><p>Then, yielding to a movement of enthusiasm, which was hardly natural&#13;
to him, the Jesuit exclaimed, with rapture: "Oh, the passions! the&#13;
passions! what a magical instrument do they form, if you do but touch&#13;
the keys with a light, skillful, and vigorous hand! How beautiful too&#13;
is the power of thought! Talk of the acorn that becomes an oak, the seed&#13;
that grows up to the corn--the seed takes months, the acorn centuries,&#13;
to unfold its splendors--but here is a little word in eight letters,&#13;
necklace and this word, falling into my brain but a few minutes ago, has&#13;
grown and grown till it has become larger than any oak. Yes, that word&#13;
is the germ of an idea, that, like the oak, lifts itself up towards&#13;
heaven, for the greater glory of the Lord--such as they call Him,&#13;
and such as I would assert Him to be, should I attain--and I shall&#13;
attain--for these miserable Renneponts will pass away like a shadow. And&#13;
what matters it, after all, to the moral order I am reserved to guide,&#13;
whether these people live or die? What do such lives weigh in the&#13;
balance of the great destinies of the world? while this inheritance&#13;
which I shall boldly fling into the scale, will lift me to a sphere,&#13;
from which one commands many kings, many nations--let them say and make&#13;
what noise they will. The idiots--the stupid idiots! or rather, the&#13;
kind, blessed, adorable idiots! They think they have crushed us, when&#13;
they say to us men of the church: 'You take the spiritual, but we will&#13;
keep the temporal!'--Oh, their conscience or their modesty inspires them&#13;
well, when it bids them not meddle with spiritual things! They abandon&#13;
the spiritual! they despise it, they will have nothing to do with&#13;
it--oh, the venerable asses! they do not see, that, even as they go&#13;
straight to the mill, it is by the spiritual that we go straight to&#13;
the temporal. As if the mind did not govern the body! They leave us&#13;
the spiritual--that is, command of the conscience, soul, heart, and&#13;
judgment--the spiritual--that is, the distribution of heaven's rewards,&#13;
and punishments, and pardons--without check, without control, in the&#13;
secrecy of the confessional--and that dolt, the temporal, has nothing&#13;
but brute matter for his portion, and yet rubs his paunch for joy. Only,&#13;
from time to time, he perceives, too late, that, if he has the body, we&#13;
have the soul, and that the soul governs the body, and so the body ends&#13;
by coming with us also--to the great surprise of Master Temporal, who&#13;
stands staring with his hands on his paunch, and says: 'Dear me! is it&#13;
possible?'"</p><p>Then, with a laugh of savage contempt, Rodin began to walk with great&#13;
strides, and thus continued: "Oh! let me reach it--let me but reach the&#13;
place of SIXTUS V.--and the world shall see (one day, when it awakes)&#13;
what it is to have the spiritual power in hands like mine--in the hands&#13;
of a priest, who, for fifty years, has lived hardly, frugally, chastely,&#13;
and who, were he pope, would continue to live hardly, frugally,&#13;
chastely!"</p><p>Rodin became terrible, as he spoke thus. All the sanguinary,&#13;
sacrilegious, execrable ambition of the worst popes seemed written in&#13;
fiery characters on the brow of this son of Ignatius. A morbid desire&#13;
of rule seemed to stir up the Jesuit's impure blood; he was bathed in&#13;
a burning sweat, and a kind of nauseous vapor spread itself round about&#13;
him. Suddenly, the noise of a travelling-carriage, which entered&#13;
the courtyard of the house, attracted his attention. Regretting his&#13;
momentary excitement, he drew from his pocket his dirty white and red&#13;
cotton handkerchief, and dipping it in a glass of water, he applied&#13;
it to his cheeks and temples, while he approached the window, to look&#13;
through the half-open blinds at the traveller who had just arrived.&#13;
The projection of a portico, over the door at which the carriage had&#13;
stopped, intercepted Rodin's view.</p><p>"No matter," said he, recovering his coolness: "I shall know presently&#13;
who is there. I must write at once to Jacques Dumoulin, to come hither&#13;
immediately. He served me well, with regard to that little slut in the&#13;
Rue Clovis, who made my hair stand on end with her infernal Beranger.&#13;
This time, Dumoulin may serve me again. I have him in my clutches, and&#13;
he will obey me."</p><p>Rodin sat down to his desk and wrote. A few seconds later, some one&#13;
knocked at the door, which was double-locked, quite contrary to the&#13;
rules of the order. But, sure of his own influence and importance,&#13;
Rodin, who had obtained from the general permission to be rid for a&#13;
time of the inconvenient company of a socius, often took upon himself to&#13;
break through a number of the rules. A servant entered and delivered&#13;
a letter to Rodin. Before opening it the latter said to the man: "What&#13;
carriage is that which just arrived?"</p><p>"It comes from Rome, father," answered the servant, bowing.</p><p>"From Rome!" said Rodin, hastily; and in spite of himself, a vague&#13;
uneasiness was expressed in his countenance. But, still holding the&#13;
letter in his hands, he added: "Who comes in the carriage."</p><p>"A reverend father of our blessed Company."</p><p>Notwithstanding his ardent curiosity, for he knew that a reverend&#13;
father, travelling post, is always charged with some important mission,&#13;
Rodin asked no more questions on the subject, but said, as he pointed to&#13;
the paper in his hand: "Whence comes this letter?"</p><p>"From our house at St. Herem, father."</p><p>Rodin looked more attentively at the writing, and recognized the hand of&#13;
Father d'Aigrigny, who had been commissioned to attend M. Hardy in his&#13;
last moments. The letter ran as follows:</p><p>"I send a despatch to inform your reverence of a fact which is, perhaps,&#13;
more singular than important. After the funeral of M. Francis Hardy, the&#13;
coffin, which contained his remains, had been provisionally deposited in&#13;
a vault beneath our chapel, until it could be removed to the cemetery of&#13;
the neighboring town. This morning, when our people went down into&#13;
the vault, to make the necessary preparations for the removal of the&#13;
body--the coffin had disappeared.</p><p>"That is strange indeed," said Rodin with a start. Then, he continued to&#13;
read:</p><p>"All search has hitherto been vain, to discover the authors of the&#13;
sacrilegious deed. The chapel being, as you know, at a distance from the&#13;
house, they were able to effect an entry without disturbing us. We&#13;
have found traces of a four-wheeled carriage on the damp ground in the&#13;
neighborhood; but, at some little distance from the chapel, these marks&#13;
are lost in the sand, and it has been impossible to follow them any&#13;
farther."</p><p>"Who can have carried away this body?" said Rodin, with a thoughtful&#13;
air. "Who could have any interest in doing so?"</p><p>He continued to read:</p><p>"Luckily, the certificate of death is quite correct. I sent for a doctor&#13;
from Etampes, to prove the disease, and no question can be raised on&#13;
that point. The donation is therefore good and valid in every respect,&#13;
but I think it best to inform your reverence of what has happened, that&#13;
you may take measures accordingly, etc., etc."</p><p>After a moment's reflection, Rodin said to himself: "D'Aigrigny is right&#13;
in his remark; it is more singular than important. Still, it makes one&#13;
think. We must have an eye to this affair."</p><p>Turning towards the servant, who had brought him the letter, Rodin gave&#13;
him the note he had just written to Ninny Moulin, and said to him: "Let&#13;
this letter be taken instantly to its address, and let the bearer wait&#13;
for an answer."</p><p>"Yes, father."</p><p>At the moment the servant left the room, a reverend father entered,&#13;
and said to Rodin, "Father Caboccini of Rome has just arrived, with a&#13;
mission from our general to your reverence."</p><p>At these words, Rodin's blood ran cold, but he maintained his immovable&#13;
calmness, and said simply: "Where is Father Caboccini?"</p><p>"In the next room, father."</p><p>"Beg him to walk in, and leave us," said the other.</p><p>A second after, Father Caboccini of Rome entered the room and was left&#13;
alone with Rodin.</p><p>CHAPTER LXII. TO A SOCIUS, A SOCIUS AND A HALF.</p><p>The Reverend Father Caboccini, the Roman Jesuit who now came to visit&#13;
Rodin, was a short man of about thirty years of age, plump, in good&#13;
condition, and with an abdomen that swelled out his black cassock. The&#13;
good little father was blind with one eye, but his remaining organ of&#13;
vision sparkled with vivacity. His rosy countenance was gay, smiling,&#13;
joyous, splendidly crowned with thick chestnut hair, which curled like&#13;
a wax doll's. His address was cordial to familiarity, and his expansive&#13;
and petulant manners harmonized well with his general appearance. In a&#13;
second, Rodin had taken his measure of the Italian emissary; and as he&#13;
knew the practice of his Company, and the ways of Rome, he felt by&#13;
no means comfortable at sight of this jolly little father, with such&#13;
affable manners. He would have less feared some tall, bony priest, with&#13;
austere and sepulchral countenance, for he knew that the Company loves&#13;
to deceive by the outward appearance of its agents; and if Rodin guessed&#13;
rightly, the cordial address of this personage would rather tend to show&#13;
that he was charged with some fatal mission.</p><p>Suspicious, attentive, with eye and mind on the watch, like an old wolf,&#13;
expecting an attack, Rodin advanced as usual, slowly and tortuously&#13;
towards the little man, so as to have time to examine him thoroughly,&#13;
and penetrate beneath his jovial outside. But the Roman left him no&#13;
space for that purpose. In his impetuous affection he threw himself&#13;
right on the neck of Rodin, pressed him in his arms with an effusion&#13;
of tenderness, and kissed him over and over again upon both cheeks, so&#13;
loudly and plentifully that the echo resounded through the apartment.&#13;
In his life Rodin had never been so treated. More and more uneasy at the&#13;
treachery which must needs lurk under such warm embraces, and irritated&#13;
by his own evil presentiments, the French Jesuit did, all he could to&#13;
extricate himself from the Roman's exaggerated tokens of tenderness.&#13;
But the latter kept his hold; his arms, though short, were vigorous, and&#13;
Rodin was kissed over and over again, till the little one-eyed man was&#13;
quite out of breath. It is hardly necessary to state that these embraces&#13;
were accompanied by the most friendly, affectionate, and fraternal&#13;
exclamations--all in tolerably good French, but with a strong Italian&#13;
accent, which we muss beg the reader to supply for himself, after we&#13;
have given a single specimen. It will perhaps be remembered that,&#13;
fully aware of the danger he might possibly incur by his ambitious&#13;
machinations, and knowing from history that the use of poison had often&#13;
been considered at Rome as a state necessity, Rodin, on being suddenly&#13;
attacked with the cholera, had exclaimed, with a furious glance at&#13;
Cardinal Malipieri, "I am poisoned!"</p><p>The same apprehensions occurred involuntarily to the Jesuit's mind as&#13;
he tried, by useless efforts, to escape from the embraces of the Italian&#13;
emissary; and he could not help muttering to himself, "This one-eyed&#13;
fellow is a great deal too fond. I hope there is no poison under his&#13;
Judas-kisses." At last, little Father Caboccini, being quite out&#13;
of breath, was obliged to relinquish his hold on Rodin's neck, who,&#13;
readjusting his dirty collar, and his old cravat and waistcoat, somewhat&#13;
in disorder in consequence of this hurricane of caresses, said in a&#13;
gruff tone, "Your humble servant, father, but you need not kiss quite so&#13;
hard."</p><p>Without making any answer to this reproach, the little father riveted&#13;
his one eye upon Rodin with an expression of enthusiasm, and exclaimed,&#13;
whilst he accompanied his words with petulant gestures, "At lazt I&#13;
zee te zuperb light of our zacred Company, and can zalute him from my&#13;
heart--vonse more, vonse more."</p><p>As the little father had already recovered his breath, and was about to&#13;
rush once again into Rodin's arms, the latter stepped back hastily, and&#13;
held out his arm to keep him off, saying, in allusion to the illogical&#13;
metaphor employed by Father Caboccini, "First of all, father, one&#13;
does not embrace a light--and then I am not a light--I am a humble and&#13;
obscure laborer in the Lord's vineyard."</p><p>The Roman replied with enthusiasm (we shall henceforth translate his&#13;
gibberish), "You are right, father, we cannot embrace a light, but we&#13;
can prostrate ourselves before it, and admire its dazzling brightness."</p><p>So saying, Caboccini was about to suit the action to the word, and to&#13;
prostrate himself before Rodin, had not the latter prevented this mode&#13;
of adulation by seizing the Roman by the arm and exclaiming, "This is&#13;
mere idolatry, father. Pass over my qualities, and tell me what is the&#13;
object of your journey."</p><p>"The object, my dear father, fills me with joy and happiness. I have&#13;
endeavored to show you my affection by my caresses, for my heart is&#13;
overflowing. I have hardly been able to restrain myself during my&#13;
journey hither, for my heart rushed to meet you. The object transports,&#13;
delights, enchants me--"</p><p>"But what enchants you?" cried Rodin, exasperated by these Italian&#13;
exaggerations. "What is the object?"</p><p>"This rescript of our very reverend and excellent General will inform&#13;
you, my clear father."</p><p>Caboccini drew from his pocket-book a folded paper, with three seals,&#13;
which he kissed respectfully, and delivered to Rodin, who himself kissed&#13;
it in his turn, and opened it with visible anxiety. While he read it the&#13;
countenance of the Jesuit remained impassible, but the pulsation of the&#13;
arteries on his temples announced his internal agitation. Yet he put the&#13;
letter coolly into his pocket, and looking at the Roman, said to him,&#13;
"Be it as our excellent General has commanded!"</p><p>"Then, father," cried Caboccini, with a new effusion of tenderness and&#13;
admiration, "I shall be the shadow of your light, and, in fact, your&#13;
second self. I shall have the happiness of being always with you, day&#13;
and night, and of acting as your socius, since, after having allowed&#13;
you to be without one for some time, according to your wish, and for the&#13;
interest of our blessed Company, our excellent General now thinks fit to&#13;
send me from Rome, to fill that post about your person--an unexpected,&#13;
an immense favor, which fills me with gratitude to our General, and with&#13;
love to you, my dear, my excellent father!"</p><p>"It is well played," thought Rodin; "but I am not so soft, and 'tis only&#13;
among the blind that your Cyclops are kings!"</p><p>The evening of the day in which this scene took place between the&#13;
Jesuit and his new socius, Ninny Moulin, after receiving in presence&#13;
of Caboccini the instructions of Rodin, went straight to Madame de la&#13;
Sainte-Colombe's.</p><p>This woman had made her fortune, at the time of the allies taking Paris,&#13;
by keeping one of those "pretty milliner's shops," whose "pink bonnets"&#13;
have run into a proverb not extinct in these days when bonnets are not&#13;
known. Ninny Moulin had no better well to draw inspiration from when,&#13;
as now, he had to find out, as per Rodin's order, a girl of an age and&#13;
appearance which, singularly enough, were closely resembling those of&#13;
Mdlle. de Cardoville.</p><p>No doubt of Ninny Moulin's success in this mission, for the next morning&#13;
Rodin, whose countenance wore a triumphant expression, put with his own&#13;
hand a letter into the post.</p><p>This letter was addressed:</p><p>"To M. Agricola Baudoin, "No. 2, Rue Brise-Miche, "Paris."</p><p>CHAPTER LXIII. FARINGHEA'S AFFECTION.</p><p>It will, perhaps, be remembered that Djalma, when he heard for the first&#13;
time that he was beloved by Adrienne, had, in the fulness of his joy,&#13;
spoken thus to Faringhea, whose treachery he had just discovered, "You&#13;
leagued with my enemies, and I had done you no harm. You are wicked,&#13;
because you are no doubt unhappy. I will strive to make you happy, so&#13;
that you may be good. Would you have gold?--you shall have it. Would&#13;
you have a friend?--though you are a slave, a king's son offers you his&#13;
friendship."</p><p>Faringhea had refused the gold, and appeared to accept the friendship&#13;
of the son of Kadja-sing. Endowed with remarkable intelligence, and&#13;
extraordinary power of dissimulation the half-breed had easily persuaded&#13;
the prince of the sincerity of his repentance, and obtained credit for&#13;
his gratitude and attachment from so confiding and generous a character.&#13;
Besides, what motives could Djalma have to suspect the slave, now become&#13;
his friend? Certain of the love of Mdlle. de Cardoville, with whom he&#13;
passed a portion of every day, her salutary influence would have guarded&#13;
him against any dangerous counsels or calumnies of the half-caste, a&#13;
faithful and secret instrument of Rodin, and attached by him to the&#13;
Company. But Faringhea, whose tact was amazing, did not act so lightly;&#13;
he never spoke to the prince of Mdlle. de Cardoville, and waited&#13;
unobtrusively for the confidential communications into which Djalma was&#13;
sometimes hurried by his excessive joy. A few days after the interview&#13;
last described between Adrienne and Djalma, and on the morrow of the day&#13;
when Rodin, certain of the success of Ninny Moulin's mission to Sainte&#13;
Colombe, had himself put a letter in the post to the address of Agricola&#13;
Baudoin, the half-caste, who for some time had appeared oppressed with a&#13;
violent grief, seemed to get so much worse, that the prince, struck with&#13;
the desponding air of the man, asked him kindly and repeatedly the cause&#13;
of his sorrow. But Faringhea, while he gratefully thanked the prince for&#13;
the interest he took in him, maintained the most absolute silence and&#13;
reserve on the subject of his grief.</p><p>These preliminaries will enable the reader to understand the following&#13;
scene, which took place about noon in the house in the Rue de Clichy&#13;
occupied by the Hindoo. Contrary to his habit, Djalma had not passed&#13;
that morning with Adrienne. He had been informed the evening before,&#13;
by the young lady, that she must ask of him the sacrifice of this whole&#13;
day, to take the necessary measures to make their marriage sacred and&#13;
acceptable in the eyes of the world, and yet free from the restrictions&#13;
which she and Djalma disapproved. As for the means to be employed by&#13;
Mdlle. de Cardoville to attain this end, and the name of the pure and&#13;
honorable person who was to consecrate their union, these were secrets&#13;
which, not belonging exclusively to the young lady, could not yet be&#13;
communicated to Djalma. To the Indian, so long accustomed to devote&#13;
every instant to Adrienne, this day seemed interminable. By turns a&#13;
prey to the most burning agitation, and to a kind of stupor, in which&#13;
he plunged himself to escape from the thoughts that caused his tortures,&#13;
Djalma lay stretched upon a divan, with his face buried in his hands,&#13;
as if to shut out the view of a too enchanting vision. Suddenly,&#13;
without knocking at the door, as usual, Faringhea entered the prince's&#13;
apartment.</p><p>At the noise the half-caste made in entering Djalma started, raised&#13;
his head, and looked round him with surprise; but, on seeing the pale&#13;
agitated countenance of the slave, he rose hastily, and advancing&#13;
towards him, exclaimed, "What is the matter, Faringhea!"</p><p>After a moment's silence, and as if struggling with a painful feeling of&#13;
hesitation, Faringhea threw himself at the feet of Djalma, and murmured&#13;
in a weak, despairing, almost supplicating voice: "I am very miserable.&#13;
Pity me, my good lord!"</p><p>The tone was so touching, the grief under which the half-breed suffered&#13;
seemed to give to his features, generally fixed and hard as bronze,&#13;
such a heart-rending expression, that Djalma was deeply affected, and,&#13;
bending to raise him from the ground, said to him, in a kindly voice:&#13;
"Speak to me! Confidence appeases the torments of the heart. Trust me,&#13;
friend--for my angel herself said to me, that happy love cannot bear to&#13;
see tears about him."</p><p>"But unhappy love, miserable love, betrayed love--weeps tears of blood,"&#13;
replied Faringhea, with painful dejection.</p><p>"Of what love dost thou speak?" asked Djalma, in surprise.</p><p>"I speak of my love," answered the half-caste, with a gloomy air.</p><p>"Of your love?" said Djalma, more and more astonished; not that the half&#13;
caste, still young, and with a countenance of sombre beauty, appeared&#13;
to him incapable of inspiring or feeling the tender passion, but that,&#13;
until now, he had never imagined him capable of conceiving so deep a&#13;
sorrow.</p><p>"My lord," resumed the half-caste, "you told me, that misfortune had&#13;
made me wicked, and that happiness would make me good. In those words,&#13;
I saw a presentiment, and a noble love entered my heart, at the moment&#13;
when hatred and treachery departed from it. I, the half-savage, found a&#13;
woman, beautiful and young, to respond to my passion. At least I thought&#13;
so. But I had betrayed you, my lord, and there is no happiness for&#13;
a traitor, even though he repent. In my turn, I have been shamefully&#13;
betrayed."</p><p>Then, seeing the surprise of the prince, the half-caste added, as if&#13;
overwhelmed with confusion: "Do not mock me, my lord! The most frightful&#13;
tortures would not have wrung this confession from me; but you, the son&#13;
of a king, deigned to call the poor slave your friend!"</p><p>"And your friend thanks you for the confidence," answered Djalma. "Far&#13;
from mocking, he will console you. Mock you! do you think it possible?"</p><p>"Betrayed love merits contempt and insult," said Faringhea, bitterly.&#13;
"Even cowards may point at one with scorn--for, in this country, the&#13;
sight of the man deceived in what is dearest to his soul, the very life&#13;
blood of his life, only makes people shrug their shoulders and laugh."</p><p>"But are you certain of this treachery?" said Djalma, mildly. Then he&#13;
added, with visible hesitation, that proved the goodness of his heart:&#13;
"Listen to me, and forgive me for speaking of the past! It will only be&#13;
another proof, that I cherish no evil memories, and that I fully believe&#13;
in your repentance and affection. Remember, that I also once thought,&#13;
that she, who is the angel of my life, did not love me--and yet it&#13;
was false. Who tells you, that you are not, like me, deceived by false&#13;
appearances?"</p><p>"Alas, my lord! could I only believe so! But I dare not hope it. My&#13;
brain wanders uncertain, I cannot come to any resolution, and therefore&#13;
I have recourse to you."</p><p>"But what causes your suspicions?"</p><p>"Her coldness, which sometimes succeeds to apparent tenderness. The&#13;
refusals she gives me in the name of duty. Yes," added the half-caste,&#13;
after a moment's silence, "she reasons about her love--a proof, that she&#13;
has never loved me, or that she loves me no more."</p><p>"On the contrary, she perhaps loves you all the more, that she takes&#13;
into consideration the interest and the dignity of her love."</p><p>"That is what they all say," replied the half-caste, with bitter irony,&#13;
as he fixed a penetrating look on Djalma; "thus speak all those who love&#13;
weakly, coldly; but those who love valiantly, never show these insulting&#13;
suspicions. For them, a word from the man they adore is a command;&#13;
they do not haggle and bargain, for the cruel pleasure of exciting the&#13;
passion of their lover to madness, and so ruling him more surely. No,&#13;
what their lover asks of them, were it to cost life and honor, they&#13;
would grant it without hesitation--because, with them, the will of the&#13;
man they love is above every other consideration, divine and human. But&#13;
those crafty women, whose pride it is to tame and conquer man--who take&#13;
delight in irritating his passion, and sometimes appear on the point of&#13;
yielding to it--are demons, who rejoice in the tears and torments of the&#13;
wretch, that loves them with the miserable weakness of a child. While we&#13;
expire with love at their feet, the perfidious creatures are calculating&#13;
the effects of their refusals, and seeing how far they can go, without&#13;
quite driving their victim to despair. Oh! how cold and cowardly are&#13;
they, compared to the valiant, true-hearted women, who say to the men&#13;
of their choice: 'Let me be thine to-day-and to-morrow, come shame,&#13;
despair, and death--it matters little! Be happy! my life is not worth&#13;
one tear of thine!"</p><p>Djalma's brow had darkened, as he listened. Having kept inviolable the&#13;
secret of the various incidents of his passion for Mdlle. de Cardoville,&#13;
he could not but see in these words a quite involuntary allusion to the&#13;
delays and refusals of Adrienne. And yet Djalma suffered a moment in his&#13;
pride, at the thought of considerations and duties, that a woman holds&#13;
dearer than her love. But this bitter and painful thought was soon&#13;
effaced from the oriental's mind, thanks to the beneficent influence of&#13;
the remembrance of Adrienne. His brow again cleared, and he answered&#13;
the half-caste, who was watching him attentively with a sidelong glance:&#13;
"You are deluded by grief. If you have no other reason to doubt her you&#13;
love, than these refusals and vague suspicions, be satisfied! You are&#13;
perhaps loved better than you can imagine."</p><p>"Alas! would it were so, my lord!" replied the half-caste, dejectedly,&#13;
as if he had been deeply touched by the words of Djalma. "Yet I say&#13;
to myself: There is for this woman something stronger than her&#13;
love--delicacy, dignity, honor, what you will--but she does not love me&#13;
enough to sacrifice for me this something!"</p><p>"Friend, you are deceived," answered Djalma, mildly, though the words&#13;
affected him with a painful impression. "The greater the love of a&#13;
woman, the more it should be chaste and noble. It is love itself that&#13;
awakens this delicacy and these scruples. He rules, instead of being&#13;
ruled."</p><p>"That is true," replied the half-caste, with bitter irony, "Love so&#13;
rules me, that this woman bids me love in her own fashion, and I have&#13;
only to submit."</p><p>Pausing suddenly, Faringhea hid his face in his hands, and heaved a deep&#13;
drawn sigh. His features expressed a mixture of hate, rage, and despair,&#13;
at once so terrible and so painful, that Djalma, more and more affected,&#13;
exclaimed, as he seized the other's hand: "Calm this fury, and listen to&#13;
the voice of friendship! It will disperse this evil influence. Speak to&#13;
me!"</p><p>"No, no! it is too dreadful!"</p><p>"Speak, I bid thee."</p><p>"No! leave the wretch to his despair!"</p><p>"Do you think me capable of that?" said Djalma, with a mixture of&#13;
mildness and dignity, which seemed to make an impression on the half&#13;
caste.</p><p>"Alas!" replied he, hesitating; "do you wish to hear more, my lord?"</p><p>"I wish to hear all."</p><p>"Well, then! I have not told you all--for, at the moment of making this&#13;
confession, shame and the fear of ridicule kept me back. You asked me&#13;
what reason I had to believe myself betrayed. I spoke to you of vague&#13;
suspicions, refusals, coldness. That is not all--this evening--"</p><p>"Go on!"</p><p>"This evening--she made an appointment--with a man that she prefers to&#13;
me."</p><p>"Who told you so?"</p><p>"A stranger who pitied my blindness."</p><p>"And suppose the man deceived you--or deceives himself?"</p><p>"He has offered me proofs of what he advances."</p><p>"What proofs?"</p><p>"He will enable me this evening to witness the interview. 'It may be,'&#13;
said he, 'that this appointment may have no guilt in it, notwithstanding&#13;
appearances to the contrary. Judge for yourself, have courage, and your&#13;
cruel indecision will be at an end.'"</p><p>"And what did you answer?"</p><p>"Nothing, my lord. My head wandered as it does now and I came to you for&#13;
advice."</p><p>Then, making a gesture of despair, he proceeded with a savage laugh:&#13;
"Advice? It is from the blade of my kand-jiar that I should ask counsel!&#13;
It would answer: 'Blood! blood!'"</p><p>Faringhea grasped convulsively the long dagger attached to his girdle.&#13;
There is a sort of contagion in certain forms of passion. At sight of&#13;
Faringhea's countenance, agitated by jealous fury, Djalma shuddered--for&#13;
he remembered the fit of insane rage, with which he had been possessed,&#13;
when the Princess de Saint-Dizier had defied Adrienne to contradict her,&#13;
as to the discovery of Agricola Baudoin in her bed-chamber. But then,&#13;
reassured by the lady's proud and noble bearing, Djalma had soon learned&#13;
to despise the horrible calumny, which Adrienne had not even thought&#13;
worthy of an answer. Still, two or three times, as the lightning will&#13;
flash suddenly across the clearest sky, the remembrance of that shameful&#13;
accusation had crossed the prince's mind, like a streak of fire, but&#13;
had almost instantly vanished, in the serenity and happiness of his&#13;
ineffable confidence in Adrienne's heart. These memories, however,&#13;
whilst they saddened the mind of Djalma, only made him more&#13;
compassionate with regard to Faringhea, than he might have been without&#13;
this strange coincidence between the position of the half-caste and his&#13;
own. Knowing, by his own experience, to what madness a blind fury may&#13;
be carried, and wishing to tame the half-caste by affectionate&#13;
kindness, Djalma said to him in a grave and mild tone: "I offered you my&#13;
friendship. I will now act towards you a friend."</p><p>But Faringhea, seemingly a prey to a dull and mute frenzy, stood with&#13;
fixed and haggard eyes, as though he did not hear Djalma.</p><p>The latter laid his hand on his shoulder, and resumed: "Faringhea,&#13;
listen to me!"</p><p>"My lord," said the half-caste, starting abruptly, as from a dream,&#13;
"forgive me--but--"</p><p>"In the anguish occasioned by these cruel suspicions, it is not of your&#13;
kandjiar that you must take counsel--but of your friend."</p><p>"My lord--"</p><p>"To this interview, which will prove the innocence or the treachery of&#13;
your beloved, you will do well to go."</p><p>"Oh, yes!" said the half-caste, in a hollow voice, and with a bitter&#13;
smile: "I shall be there."</p><p>"But you must not go alone."</p><p>"What do you mean, my lord?" cried the half-caste. "Who will accompany&#13;
me?"</p><p>"I will."</p><p>"You, my lord?"</p><p>"Yes--perhaps, to save you from a crime--for I know how blind and unjust&#13;
is the earliest outburst of rage."</p><p>"But that transport gives us revenge!" cried the half-caste, with a&#13;
cruel smile.</p><p>"Faringhea, this day is all my own. I shall not leave you," said the&#13;
prince, resolutely. "Either you shall not go to this interview, or I&#13;
will accompany you."</p><p>The half-caste appeared conquered by this generous perseverance. He fell&#13;
at the feet of Djalma, pressed the prince's hand respectfully to his&#13;
forehead and to his lips, and said: "My lord, be generous to the end!&#13;
forgive me!"</p><p>"For what should I forgive you?"</p><p>"Before I spoke to you, I had the audacity to think of asking for what&#13;
you have just freely offered. Not knowing to what extent my fury might&#13;
carry me, I had thought of asking you this favor, which you would not&#13;
perhaps grant to an equal, but I did not dare to do it. I shrunk even&#13;
from the avowal of the treachery I have cause to fear, and I came only&#13;
to tell you of my misery--because to you alone in all the world I could&#13;
tell it."</p><p>It is impossible to describe the almost candid simplicity, with which&#13;
the half-breed pronounced these words, and the soft tones, mingled with&#13;
tears, which had succeeded his savage fury. Deeply affected, Djalma&#13;
raised him from the ground, and said: "You were entitled to ask of me a&#13;
mark of friendship. I am happy in having forestalled you. Courage! be of&#13;
good cheer! I will accompany you to this interview, and if my hopes&#13;
do not deceive me, you will find you have been deluded by false&#13;
appearances."</p><p>When the night was come, the half-breed and Djalma, wrapped in their&#13;
cloaks, got into a hackney-coach. Faringhea ordered the coachman to&#13;
drive to the house inhabited by Sainte-Colombe.</p><p>CHAPTER LXIV. AN EVENING AT SAINTE-COLOMBE'S.</p><p>Leaving Djalma and Faringhea in the coach, on their way, a few words are&#13;
indispensable before continuing this scene. Ninny Moulin, ignorant of&#13;
the real object of the step he took at the instigation of Rodin, had,&#13;
on the evening before, according to orders received from the latter,&#13;
offered a considerable sum to Sainte-Colombe, to obtain from that&#13;
creature (still singularly rapacious) the use of her apartments for&#13;
whole day. Sainte-Colombe, having accepted this proposition, too&#13;
advantageous to be refused, had set out that morning with her servants,&#13;
to whom she wished, she said, in return for their good services, to give&#13;
a day's pleasure in the country. Master of the house, Rodin, in a black&#13;
wig, blue spectacles, and a cloak, and with his mouth and chin buried&#13;
in a worsted comforter--in a word, perfectly disguised--had gone that&#13;
morning to take a look at the apartments, and to give his instructions&#13;
to the half-caste. The latter, in two hours from the departure of the&#13;
Jesuit, had, thanks to his address and intelligence, completed the most&#13;
important preparation and returned in haste to Djalma, to play with&#13;
detestable hypocrisy the scene at which we have just been present.</p><p>During the ride from the Rue de Clichy to the Rue de Richelieu,&#13;
Faringhea appeared plunged in a mournful reverie. Suddenly, he said&#13;
to Djalma to a quick tone: "My lord, if I am betrayed, I must have&#13;
vengeance."</p><p>"Contempt is a terrible revenge," answered Djalma.</p><p>"No, no," replied the half-caste, with an accent of repressed rage. "It&#13;
is not enough. The nearer the moment approaches, the more I feel I must&#13;
have blood."</p><p>"Listen to me--"</p><p>"My lord, have pity on me! I was a coward to draw back from my revenge.&#13;
Let me leave you, my lord! I will go alone to this interview."</p><p>So saying, Faringhea made a movement, as if he would spring from the&#13;
carriage.</p><p>Djalma held him by the arm, and said: "Remain! I wilt not leave you.&#13;
If you are betrayed, you shall not shed blood. Contempt will avenge and&#13;
friendship will console you."</p><p>"No, no, my lord; I am resolved. When I have killed--then I will kill&#13;
myself," cried the half-caste, with savage excitement. "This kandjiar&#13;
for the false ones!" added he, laying his hand on his dagger. "The&#13;
poison in the hilt for me."</p><p>"Faringhea--"</p><p>"If I resist you, my lord, forgive me! My destiny must be accomplished."</p><p>Time pressed, and Djalma, despairing to calm the other's ferocious rage,&#13;
resolved to have recourse to a stratagem.</p><p>After some minutes' silence, he said to Faringhea: "I will not leave&#13;
you. I will do all I can to save you from a crime. If I do not succeed,&#13;
the blood you shed be on your own head. This hand shall never again be&#13;
locked in yours."</p><p>These words appeared to make a deep impression on Faringhea. He breathed&#13;
a long sigh, and, bowing his head upon his breast, remained silent&#13;
and full of thought. Djalma prepared, by the faint light of the lamps,&#13;
reflected in the interior of the coach, to throw himself suddenly on&#13;
the half-caste, and disarm him. But the latter, who saw at a glance the&#13;
intention of the prince, drew his kandjiar abruptly from his girdle,&#13;
and holding it still in its sheath, said to the prince in a half-solemn,&#13;
half-savage tone: "This dagger, in a strong hand, is terrible; and in&#13;
this phial is one of the most subtle poisons of our country."</p><p>He touched a spring, and the knob at the top of the hilt rose like a&#13;
lid, discovering the mouth of a small crystal phial concealed in this&#13;
murderous weapon.</p><p>"Two or three drops of this poison upon the lips," resumed the half&#13;
caste, "and death comes slowly and peacefully, in a few hours, and&#13;
without pain. Only, for the first symptom, the nails turn blue. But he&#13;
who emptied this phial at a draught would fall dead, as if struck by&#13;
lightning."</p><p>"Yes," replied Djalma; "I know that our country produces such mysterious&#13;
poisons. But why lay such stress on the murderous properties of this&#13;
weapon?"</p><p>"To show you, my lord, that this kandjiar would ensure the success and&#13;
impunity of my vengeance. With the blade I could destroy, and by the&#13;
poison escape from human justice. Well, my lord! this kandjiar--take&#13;
it--I give it up to you--I renounce my vengeance--rather than render&#13;
myself unworthy to clasp again your hand!"</p><p>He presented the dagger to the prince, who, as pleased as surprised&#13;
at this unexpected determination, hastily secured the terrible weapon&#13;
beneath his own girdle; whilst the half-breed continued, in a voice of&#13;
emotion: "Deep this kandjiar, my lord--and when you have seen and heard&#13;
all that we go to hear and see--you shall either give me the dagger&#13;
to strike a wretch--or the poison, to die without striking. You shall&#13;
command; I will obey."</p><p>Djalma was about to reply, when the coach stopped at the house inhabited&#13;
by Sainte-Colombe. The prince and the half-caste, well enveloped in&#13;
their mantles, entered a dark porch, and the door was closed after them.&#13;
Faringhea exchanged a few words with the porter, and the latter gave him&#13;
a key. The two Orientals soon arrived at Sainte-Colombe's apartments,&#13;
which had two doors opening upon the landing-place, besides a private&#13;
entrance from the courtyard. As he put the key into the lock, Faringhea&#13;
said to Djalma, in an agitated voice: "Pity my weakness, my lord--but,&#13;
at this terrible moment, I tremble and hesitate. It were perhaps better&#13;
to doubt--or to forget!"</p><p>Then, as the prince was about to answer, the half-caste exclaimed: "No!&#13;
we must have no cowardice!" and, opening the door precipitately, he&#13;
entered, followed by Djalma.</p><p>When the door was again closed, the prince and the half-caste found&#13;
themselves in a dark and narrow passage. "Your hand, my lord--let me&#13;
guide you--walk lightly," said Faringhea, in a low whisper.</p><p>He extended his hand to the prince, who took hold of it, and they&#13;
both advanced silently through the darkness. After leading Djalma some&#13;
distance, and opening and closing several doors, the half-caste stopped&#13;
abruptly, and abandoning the hand which he had hitherto held, said to&#13;
the prince: "My lord, the decisive moment approaches; let us wait here&#13;
for a few seconds."</p><p>A profound silence followed these words of the half-caste. The darkness&#13;
was so complete, that Djalma could distinguish nothing. In about a&#13;
minute, he heard Faringhea moving away from him; and then a door was&#13;
suddenly opened, and as abruptly closed and locked. This circumstance&#13;
made Djalma somewhat uneasy. By a mechanical movement, he laid his hand&#13;
upon his dagger, and advanced cautiously towards the side, where he&#13;
supposed the door to be.</p><p>Suddenly, the half-caste's voice struck upon his ear, though it was&#13;
impossible to guess whence it came. "My lord," it said, "you told me,&#13;
you were my friend. I act as a friend. If I have employed stratagem&#13;
to bring you hither, it is because the blindness of your fatal passion&#13;
would otherwise have prevented your accompanying me. The Princess de&#13;
Saint Dizier named to you Agricola Baudoin, the lover of Adrienne de&#13;
Cardoville. Listen--look--judge!"</p><p>The voice ceased. It appeared to have issued from one corner of the&#13;
room. Djalma, still in darkness, perceived too late into what a snare he&#13;
had fallen, and trembled with rage--almost with alarm.</p><p>"Faringhea!" he exclaimed; "where am I? where are you? Open the door on&#13;
your life! I would leave this place instantly."</p><p>Extending his arms, the prince advanced hastily several steps, but he&#13;
only touched a tapestried wall; he followed it, hoping to find the&#13;
door, and he at length found it; but it was locked, and resisted all his&#13;
efforts. He continued his researches, and came to a fireplace with no&#13;
fire in it, and to a second door, equally fast. In a few moments, he&#13;
had thus made the circle of the room, and found himself again at the&#13;
fireplace. The anxiety of the prince increased more and more. He called&#13;
Faringhea, in a voice trembling with passion. There was no answer.&#13;
Profound silence reigned without, and complete darkness within. Ere&#13;
long, a perfumed vapor, of indescribable sweetness, but very subtle and&#13;
penetrating, spread itself insensibly through the little room in which&#13;
Djalma was. It might be, that the orifice of a tube, passing through one&#13;
of the doors of the room, introduced this balmy current. At the height&#13;
of angry and terrible thoughts, Djalma paid no attention to this&#13;
odor--but soon the arteries of his temples began to beat violently, a&#13;
burning heat seemed to circulate rapidly through his veins, he felt a&#13;
sensation of pleasure, his resentment died gradually away, and a mild,&#13;
ineffable torpor crept over him, without his being fully conscious of&#13;
the mental transformation that was taking place. Yet, by a last effort&#13;
of the wavering will, Djalma advanced once more to try and open one&#13;
of the doors; he found it indeed, but at this place the vapor was so&#13;
strong, that its action redoubled, and, unable to move a step further,&#13;
Djalma was obliged to support himself by leaning against the wall.(43)</p><p>Then a strange thing happened. A faint light spread itself gradually&#13;
through an adjoining apartment, and Djalma now perceived, for the first&#13;
time, the existence of a little round window, in the wall of the room in&#13;
which he was. On the side of the prince, this opening was protected by&#13;
a slight but strong railing, which hardly intercepted the view. On the&#13;
other side a thick piece of plate-glass was fixed at the distance of two&#13;
or three inches from the railing in question. The room, which Djalma saw&#13;
through this window, and through which the faint light was now gradually&#13;
spreading, was richly furnished. Between two windows, hung with crimson&#13;
silk curtains, stood a kind of wardrobe, with a looking-glass front;&#13;
opposite the fireplace in which glowed the burning coals, was a long,&#13;
wide divan, furnished with cushions.</p><p>In another second a woman entered this apartment. Her face and figure&#13;
were invisible, being wrapped in a long, hooded mantle, of peculiar&#13;
form, and a dark color. The sight of this mantle made Djalma start. To&#13;
the pleasure he at first felt succeeded a feverish anxiety, like the&#13;
growing fumes of intoxication. There was that strange buzzing in his&#13;
ears which we experience when we plunge into deep waters. It was in a&#13;
kind of delirium that Djalma looked on at what was passing in the next&#13;
room. The woman who had just appeared entered with caution, almost with&#13;
fear. Drawing aside one of the window curtains, she glanced through&#13;
the closed blinds into the street. Then she returned slowly to the&#13;
fireplace, where she stood for a moment pensive, still carefully&#13;
enveloped in her mantle. Completely yielding to the influence of the&#13;
vapor, which deprived him of his presence of mind--forgetting Faringhea,&#13;
and all the circumstances that had accompanied his arrival at this&#13;
house--Djalma concentrated all the powers of his attention on the&#13;
spectacle before him, at which he seemed to be present as in a dream.</p><p>Suddenly Djalma saw the woman leave the fireplace and advance towards&#13;
the looking-glass. Turning her face toward it, she allowed the mantle&#13;
to glide down to her feet. Djalma was thunderstruck. He saw the face&#13;
of Adrienne de Cardoville. Yes, Adrienne, as he had seen her the night&#13;
before, attired as during her interview with the Princess de Saint&#13;
Dizier--the light green dress, the rose-colored ribbons, the white&#13;
head ornaments. A network of white beads concealed her back hair, and&#13;
harmonized admirably with the shining gold of her ringlets. Finally, as&#13;
far as the Hindoo could judge through the railing and the thick glass,&#13;
and in the faint light, it was the figure of Adrienne, with her marble&#13;
shoulders and swan-like neck, so proud and so graceful. In a word, he&#13;
could not, he did not doubt that it was Adrienne de Cardoville. Djalma&#13;
was bathed in a burning dew, his dizzy excitement increased, and, with&#13;
bloodshot eye and heaving bosom, he remained motionless, gazing almost&#13;
without the power of thought. The young lady, with her back still&#13;
turned towards Djalma, arranged her hair with graceful art, took off the&#13;
network which formed her head-dress, placed it on the chimney-piece, and&#13;
began to unfasten her gown; then, withdrawing from the looking-glass,&#13;
she disappeared for an instant from Djalma's view.</p><p>"She is expecting Agricola Baudoin, her lover," said a voice, which&#13;
seemed to proceed from the wall of the dark room in which Djalma was.</p><p>Notwithstanding his bewilderment, these terrible words, "She is&#13;
expecting Agricola Baudoin, her lover," passed like a stream of fire&#13;
through the brain and heart of the prince. A cloud of blood came over&#13;
his eyes, he uttered a hollow moan, which the thickness of the glass&#13;
prevented from being heard in the next room, and broke his nails in&#13;
attempting to tear down the iron railing before the window.</p><p>Having reached this paroxysm of delirious rage, Djalma saw the uncertain&#13;
light grow still fainter, as if it had been discreetly obscured, and,&#13;
through the vapory shadow that hung before him, he perceived the young&#13;
lady returning, clad in a long white dressing-gown, and with her&#13;
golden curls floating over her naked arms and shoulders. She advanced&#13;
cautiously in the direction of a door which was hid from Djalma's view.&#13;
At this moment, one of the doors of the apartment in which the prince&#13;
was concealed was gently opened by an invisible hand. Djalma noticed it&#13;
by the click of the lock, and by the current of fresh air which streamed&#13;
upon his face, for he could see nothing. This door, left open for&#13;
Djalma, like that in the next room, to which the young lady had drawn&#13;
near, led to a sort of ante-chamber communicating with the stairs, which&#13;
some one now rapidly ascended, and, stopping short, knocked twice at the&#13;
outer door.</p><p>"Here comes Agricola Baudoin. Look and listen!" said the same voice that&#13;
the prince had already heard.</p><p>Mad, intoxicated, but with the fixed idea and reckless determination of&#13;
a madman or a drunkard, Djalma drew the dagger which Faringhea had left&#13;
in his possession, and stood in motionless expectation. Hardly were the&#13;
two knocks heard before the young lady quitted the apartment, from which&#13;
streamed a faint ray of light, ran to the door of the staircase, so that&#13;
some faint glimmer reached the place where Djalma stood watching, his&#13;
dagger in his hand. He saw the young lady pass across the ante-chamber,&#13;
and approach the door of the staircase, where she said in a whisper:&#13;
"Who is there?"</p><p>"It is I--Agricola Baudoin," answered, from, without, a manly voice.</p><p>What followed was rapid as lightning, and must be conceived rather than&#13;
described. Hardly had the young lady drawn the bolt of the door, hardly&#13;
had Agricola Baudoin stepped across the threshold, than Djalma, with the&#13;
bound of a tiger, stabbed as it were at once, so rapid were the strokes,&#13;
both the young lady, who fell dead on the floor, and Agricola, who sank,&#13;
dangerously wounded, by the side of the unfortunate victim. This&#13;
scene of murder, rapid as thought, took place in the midst of a half&#13;
obscurity. Suddenly the faint light from the chamber was completely&#13;
extinguished, and a second after, Djalma felt his arm seized in the&#13;
darkness by an iron grasp, and the voice of Faringhea whispered: "You&#13;
are avenged. Come; we can secure our retreat." Inert, stupefied at what&#13;
he had done, Djalma offered no resistance, and let himself be dragged&#13;
by the half-caste into the inner apartment, from which there was another&#13;
way out.</p><p>When Rodin had exclaimed, in his admiration of the generative power&#13;
of thought, that the word NECKLACE had been the germ of the infernal&#13;
project he then contemplated, it was, that chance had brought to his&#13;
mind the remembrance of the too famous affair of the diamond necklace,&#13;
in which a woman, thanks to her vague resemblance to Queen Marie&#13;
Antoinette, being dressed like that princess, and favored by the&#13;
uncertainty of a twilight, had played so skillfully the part of her&#13;
unfortunate sovereign, as to make the Cardinal Prince de Rohan, though&#13;
familiar with the court, the complete dupe of the illusion. Having once&#13;
determined on his execrable design, Rodin had sent Jacques Dumoulin to&#13;
Sainte-Colombe, without telling him the real object of his mission, to&#13;
ask this experienced woman to procure a fine young girl, tall, and&#13;
with red hair. Once found, a costume exactly resembling that worn by&#13;
Adrienne, and of which the Princess de Saint-Dizier gave the description&#13;
to Rodin (though herself ignorant of this new plot), was to complete the&#13;
deception. The rest is known, or may be guessed. The unfortunate girl,&#13;
who acted as Adrienne's double, believed she was only aiding in a jest.&#13;
As for Agricola, he had received a letter, in which he was invited to&#13;
a meeting that might be of the greatest importance to Mdlle. de&#13;
Cardoville.</p><p>(43) See the strange effect of hasheesh. To the effect of this is&#13;
attributed the kind of hallucination which seized on those unhappy&#13;
persons, whom the Prince of the Assassins (the Old Man of the Mountain)&#13;
used as the instruments of his vengeance.</p><p>CHAPTER LXV. THE NUPTIAL BED.</p><p>The mild light of a circular lamp of oriental alabaster, suspended from&#13;
the ceiling by three silver chains, spreads a faint lustre through the&#13;
bed-chamber of Adrienne de Cardoville.</p><p>The large ivory bedstead, inlaid with mother-of-pearl, is not at present&#13;
occupied, and almost disappears beneath snowy curtains of lace&#13;
and muslin, transparent and vapory as clouds. On the white marble&#13;
mantlepiece, from beneath which the fire throws ruddy beams on the&#13;
ermine carpet, is the usual basket filled with a bush of red camellias,&#13;
in the midst of their shining green leaves. A pleasant aromatic odor,&#13;
rising from a warm and perfumed bath in the next room, penetrates every&#13;
corner of the bed-chamber. All without is calm and silent. It is hardly&#13;
eleven o'clock. The ivory door, opposite to that which leads to the&#13;
bath-room, opens slowly. Djalma appears. Two hours have elapsed since he&#13;
committed a double murder, and believed that he had killed Adrienne in a&#13;
fit of jealous fury.</p><p>The servants of Mdlle. de Cardoville, accustomed to Djalma's daily&#13;
visits, no longer announced his arrival, and admitted him without&#13;
difficulty, having received no orders to the contrary from their&#13;
mistress. He had never before entered the bed-chamber, but, knowing that&#13;
the apartment the lady occupied was on the first floor of the house,&#13;
he had easily found it. As he entered that virgin sanctuary, his&#13;
countenance was pretty calm, so well did he control his feelings, only a&#13;
slight paleness tarnished the brilliant amber of his complexion. He wore&#13;
that day a robe of purple cashmere, striped with silver--a color which&#13;
did not show the stains of blood upon it. Djalma closed the door after&#13;
him, and tore off his white turban, for it seemed to him as if a band of&#13;
hot iron encircled his brow. His dark hair streamed around his handsome&#13;
face. He crossed his arms upon his bosom, and looked slowly about him.&#13;
When his eyes rested on Adrienne's bed, he started suddenly, and his&#13;
cheek grew purple. Then he drew his hand across his brow, hung down his&#13;
head, and remained standing for some moments in a dream, motionless as a&#13;
statue.</p><p>After a mournful silence of a few seconds' duration, Djalma fell upon&#13;
his knees, and raised his eyes to heaven. The Asiatic's countenance was&#13;
bathed in tears, and no longer expressed any violent passion. On his&#13;
features was no longer the stamp of hate, or despair, or the ferocious&#13;
joy of vengeance gratified. It was rather the expression of grief at&#13;
once simple and immense. For several minutes he was almost choked with&#13;
sobs, and tears ran freely down his cheeks.</p><p>"Dead! dead!" he murmured, in a half-stifled voice. "She, who this&#13;
morning slept so peacefully in this chamber! And I have killed her. Now&#13;
that she is dead, what is her treachery to me? I should not have killed&#13;
her for that. She had betrayed me; she loved the man whom I slew--she&#13;
loved him! Alas! I could not hope to gain the preference," added he,&#13;
with a touching mixture of resignation and remorse; "I, poor, untaught&#13;
youth--how could I merit her love? It was my fault that she did not love&#13;
me; but, always generous, she concealed from me her indifference, that&#13;
she might not make me too unhappy--and for that I killed her. What&#13;
was her crime? Did she not meet me freely? Did she not open to me her&#13;
dwelling? Did she not allow me to pass whole days with her? No doubt she&#13;
tried to love me, and could not. I loved her with all the faculties of&#13;
my soul, but my love was not such as she required. For that, I should&#13;
not have killed her. But a fatal delusion seized me and, after it was&#13;
done, I woke as from a dream. Alas! it was not a dream: I have killed&#13;
her. And yet--until this evening--what happiness I owed to her--what&#13;
hope--what joy! She made my heart better, nobler, more generous. All&#13;
came from her," added the Indian, with a new burst of grief. "That&#13;
remained with me--no one could take from me that treasure of the&#13;
past--that ought to have consoled me. But why think of it? I struck them&#13;
both--her and the man--without a struggle. It was a cowardly murder--the&#13;
ferocity of the tiger that tears its innocent prey!"</p><p>Djalma buried his face in his hands. Then, drying his tears, he resumed,&#13;
"I know, clearly, that I mean to die also. But my death will not restore&#13;
her to life!"</p><p>He rose from the ground, and drew from his girdle Faringhea's bloody&#13;
dagger; then, taking the little phial from the hilt, he threw the blood&#13;
stained blade upon the ermine carpet, the immaculate whiteness of which&#13;
was thus slightly stained with red.</p><p>"Yes," resumed Djalma, holding the phial with a convulsive grasp, "I&#13;
know well that I am about to die. It is right. Blood for blood; my life&#13;
for hers. How happens it that my steel did not turn aside? How could I&#13;
kill her?--but it is done--and my heart is full of remorse, and sorrow,&#13;
an inexpressible tenderness--and I have come here--to die!</p><p>"Here, in this chamber," he continued, "the heaven of my burning&#13;
visions!" And then he added, with a heartrending accent, as he again&#13;
buried his face in his hands, "Dead! dead!"</p><p>"Well! I too shall soon be dead," he resumed, in a firmer voice.&#13;
"But, no! I will die slowly, gradually. A few drops of the poison will&#13;
suffice; and, when I am quite certain of dying, my remorse will perhaps&#13;
be less terrible. Yesterday, she pressed my hand when we parted. Who&#13;
could have foretold me this?" The Indian raised the phial resolutely to&#13;
his lips. He drank a few drops of the liquor it contained, and replaced&#13;
it on a little ivory table close to Adrienne's bed.</p><p>"This liquor is sharp and hot," said he. "Now I am certain to die. Oh!&#13;
that I may still have time to feast on the sight and perfume of this&#13;
chamber--to lay my dying head on the couch where she has reposed."</p><p>Djalma fell on his knees beside the bed, and leaned against it his&#13;
burning brow. At this moment, the ivory door, which communicated with&#13;
the bath-room, rolled gently on its hinges, and Adrienne entered. The&#13;
young lady had just sent away her woman, who had assisted to undress&#13;
her. She wore a long muslin wrapper of lustrous whiteness. Her golden&#13;
hair, neatly arranged in little plaits, formed two bands, which gave&#13;
to her sweet face an extremely juvenile air. Her snowy complexion was&#13;
slightly tinged with rose-color, from the warmth of the perfumed bath,&#13;
which she used for a few seconds every evening. When she opened the&#13;
ivory door, and placed her little naked foot, in its white satin&#13;
slipper, upon the ermine carpet, Adrienne was dazzlingly beautiful.&#13;
Happiness sparkled in her eyes, and adorned her brow. All the&#13;
difficulties relative to her union with Djalma had now been removed. In&#13;
two days she would be his. The sight of the nuptial chamber oppressed&#13;
her with a vague and ineffable languor. The ivory door had been opened&#13;
so gently, the lady's first steps were so soft upon the fur carpet, that&#13;
Djalma, still leaning against the bed, had heard nothing. But suddenly a&#13;
cry of surprise and alarm struck upon his ear. He turned round abruptly.&#13;
Adrienne stood before him.</p><p>With an impulse of modesty, Adrienne closed her nightdress over her&#13;
bosom, and hastily drew back, still more afflicted than angry at what&#13;
she considered a guilty attempt on the part of Djalma. Cruelly hurt&#13;
and offended, she was about to reproach him with his conduct, when she&#13;
perceived the dagger, which he had thrown down upon the ermine carpet.&#13;
At sight of this weapon, and the expression of fear and stupor which&#13;
petrified the features of Djalma, who remained kneeling, motionless,&#13;
with his body thrown back, hands stretched out, his eyes fixed and&#13;
wildly staring Adrienne, no longer dreading an amorous surprise, was&#13;
seized with an indescribable terror, and, instead of flying from the&#13;
prince, advanced several steps towards him, and said, in an agitated&#13;
voice, whilst she pointed to the kandjiar, "My friend, why are you here?&#13;
what ails you? why this dagger?"</p><p>Djalma made no answer. At first, the presence of Adrienne seemed to him&#13;
a vision, which he attributed to the excitement of his brain, already&#13;
(it might be) under the influence of the poison. But when the soft voice&#13;
sounded in his ears--when his heart bounded with the species of electric&#13;
shock, which he always felt when he met the gaze of that woman so&#13;
ardently beloved--when he had contemplated for an instant that&#13;
adorable face, so fresh and fair, in spite of its expression of deep&#13;
uneasiness--Djalma understood that he was not the sport of a dream, but&#13;
that Mdlle. de Cardoville was really before his eyes.</p><p>Then, as he began fully to grasp the thought that Adrienne was not dead,&#13;
though he could not at all explain the prodigy of her resurrection, the&#13;
Hindoo's countenance was transfigured, the pale gold of his complexion&#13;
became warm and red, his eyes (tarnished by tears of remorse) shone with&#13;
new radiance, and his features, so lately contracted with terror and&#13;
despair, expressed all the phases of the most ecstatic joy. Advancing,&#13;
still on his knees, towards Adrienne, he lifted up to her his trembling&#13;
hands, and, too deeply affected to pronounce a word, he gazed on her&#13;
with so much amazement, love, adoration, gratitude, that the young lady,&#13;
fascinated by those inexplicable looks, remained mute also, motionless&#13;
also, and felt, by the precipitate beating of her heart, and by the&#13;
shudder which ran through her frame, that there was here some dreadful&#13;
mystery to be unfolded.</p><p>At last, Djalma, clasping his hands together, exclaimed with an accent&#13;
impossible to describe, "Thou art not dead!"</p><p>"Dead!" repeated the young lady, in amazement.</p><p>"It was not thou, really not thou, whom I killed? God is kind and just!"</p><p>And as he pronounced these words with intense joy, the unfortunate youth&#13;
forgot the victim whom he had sacrificed in error.</p><p>More and more alarmed, and again glancing at the dagger en which she now&#13;
perceived marks of blood--a terrible evidence, in confirmation of the&#13;
words of Djalma--Mdlle. de Cardoville exclaimed, "You have killed some&#13;
one, Djalma! Oh! what does he say? It is dreadful!"</p><p>"You are alive--I see you--you are here," said Djalma, in a voice&#13;
trembling with rapture. "You are here--beautiful! pure! for it was not&#13;
you! Oh, no! had it been you, the steel would have turned back upon&#13;
myself."</p><p>"You have killed some one?" cried the young lady, beside her with this&#13;
unforeseen revelation, and clasping her hands in horror. "Why? whom did&#13;
you kill?"</p><p>"I do not know. A woman that was like you--a man that I thought your&#13;
lover--it was an illusion, a frightful dream--you are alive--you are&#13;
here!"</p><p>And the oriental wept for joy.</p><p>"A dream? but no, it is not a dream. There is blood upon that dagger!"&#13;
cried the young lady, as she pointed wildly to the kandjiar. "I tell you&#13;
there is blood upon it!"</p><p>"Yes. I threw it down just now, when I took the poison from it, thinking&#13;
that I had killed you."</p><p>"The poison!" exclaimed Adrienne, and her teeth chattered convulsively.&#13;
"What poison?"</p><p>"I thought I had killed you, and I came here to die."</p><p>"To die? Oh! wherefore? who is to die?" cried the young lady, almost in&#13;
delirium.</p><p>"I," replied Djalma, with inexpressible tenderness, "I thought I had&#13;
killed you--and I took poison."</p><p>"You!" exclaimed Adrienne, becoming pale as death. "You!"</p><p>"Yes."</p><p>"Oh! it is not true!" said the young lady, shaking her head.</p><p>"Look!" said the Asiatic. Mechanically, he turned towards the&#13;
bed--towards the little ivory table, on which sparkled the crystal&#13;
phial.</p><p>With a sudden movement, swifter than thought, swifter, it may be, than&#13;
the will, Adrienne rushed to the table, seized the phial, and applied it&#13;
eagerly to her lips.</p><p>Djalma had hitherto remained on his knees; but he now uttered a terrible&#13;
cry, made one spring to the drinker's side, and dragged away the phial,&#13;
which seemed almost glued to her mouth.</p><p>"No matter! I have swallowed as much as you," said Adrienne, with an air&#13;
of gloomy triumph.</p><p>For an instant, there followed an awful silence. Adrienne and Djalma&#13;
gazed upon each other, mute, motionless, horror-struck. The young lady&#13;
was the first to break this mournful silence, and said in a tone which&#13;
she tried to make calm and steady, "Well! what is there extraordinary in&#13;
this? You have killed, and death most expiate your crime. It is just. I&#13;
will not survive you. That also is natural enough. Why look at me thus?&#13;
This poison has a sharp taste--does it act quickly! Tell me, my Djalma!"</p><p>The prince did not answer. Shuddering through all his frame, he looked&#13;
down upon his hands. Faringhea had told the truth; a slight violet&#13;
tint appeared already beneath the nails. Death was approaching, slowly,&#13;
almost insensibly, but not the less certain. Overwhelmed with despair&#13;
at the thought that Adrienne, too, was about to die, Djalma felt his&#13;
courage fail him. He uttered a long groan, and hid his face in his&#13;
hands. His knees shook under him, and he felt down upon the bed, near&#13;
which he was standing.</p><p>"Already?" cried the young lady in horror, as she threw herself on her&#13;
knees at Djalma's feet. "Death already? Do you hide your face from me?"</p><p>In her fright, she pulled his hands from before his face. That face was&#13;
bathed in tears.</p><p>"No, not yet," murmured he, through his sobs. "The poison is slow."</p><p>"Really!" cried Adrienne, with ineffable joy. Then, kissing the hands of&#13;
Djalma, she added tenderly, "If the poison is slow, why do you weep?"</p><p>"For you! for you!" said the Indian, in a heart-rending tone.</p><p>"Think not of me," replied Adrienne, resolutely. "You have killed, and&#13;
we must expiate the crime. I know not what has taken place; but I swear&#13;
by our love that you did not do evil for evil's sake. There is some&#13;
horrible mystery in all this."</p><p>"On a pretence which I felt bound to believe," replied Djalma, speaking&#13;
quickly, and panting for breath, "Faringhea led me to a certain house.&#13;
Once there, he told me that you had betrayed me. I did not believe him,&#13;
but I know not what strange dizziness seized upon me--and then, through&#13;
a half-obscurity, I saw you--"</p><p>"Me!"</p><p>"No--not you--but a woman resembling you, dressed like you, so that I&#13;
believed the illusion--and then there came a man--and you flew to meet&#13;
him--and I--mad with rage--stabbed her, stabbed him, saw them fall--and&#13;
so came here to die. And now I find you only to cause your death. Oh,&#13;
misery! misery! that you should die through me!"</p><p>And Djalma, this man of formidable energy, began again to weep with&#13;
the weakness of a child. At sight of this deep, touching, passionate&#13;
despair, Adrienne, with that admirable courage which women alone possess&#13;
in love, thought only of consoling Djalma. By an effort of superhuman&#13;
passion, as the prince revealed to her this infernal plot, the lady's&#13;
countenance became so splendid with an expression of love and happiness,&#13;
that the East Indian looked at her in amazement, fearing for an instant&#13;
that he must have lost his reason.</p><p>"No more tears, my adored!" cried the young lady, exultingly. "No more&#13;
tears--but only smiles of joy and love! Our cruel enemies shall not&#13;
triumph!"</p><p>"What do you say?"</p><p>"They wished to make us miserable. We pity them. Our felicity shall be&#13;
the envy of the world!"</p><p>"Adrienne--bethink you--"</p><p>"Oh! I have all my senses about me. Listen to me, my adored! I now&#13;
understand it all. Falling into a snare, which these wretches spread for&#13;
you, you have committed murder. Now, in this country, murder leads to&#13;
infamy, or the scaffold--and to-morrow--to-night, perhaps--you would be&#13;
thrown into prison. But our enemies have said: 'A man like Prince Djalma&#13;
does not wait for infamy--he kills himself. A woman like Adrienne de&#13;
Cardoville does not survive the disgrace or death of her lover--she&#13;
prefers to die.'"</p><p>"Therefore a frightful death awaits them both," said the black-robed&#13;
men; "and that immense inheritance, which we covet--'"</p><p>"And for you--so young, so beautiful so innocent--death is frightful,&#13;
and these monsters triumph!" cried Djalma. "They have spoken the truth!"</p><p>"They have lied!" answered Adrienne. "Our death shall be celestial. This&#13;
poison is slow--and I adore you, my Djalma!"</p><p>She spoke those words in a low voice, trembling with passionate love,&#13;
and, leaning upon Djalma's knees, approached so near, that he felt her&#13;
warm breath upon his cheek. As he felt that breath, and saw the humid&#13;
flame that darted from the large, swimming eyes of Adrienne, whose half&#13;
opened lips were becoming of a still deeper and brighter hue, the Indian&#13;
started--his young blood boiled in his veins--he forgot everything--his&#13;
despair, and the approach of death, which as yet (as with Adrienne),&#13;
only showed itself in a kind of feverish ardor. His face, like the young&#13;
girl's, became once more splendidly beautiful.</p><p>"Oh, my lover! my husband! how beautiful you are!" said Adrienne, with&#13;
idolatry. "Those eyes--that brow--those lips--how I love them!--How many&#13;
times has the remembrance of your grace and beauty, coupled with your&#13;
love, unsettled my reason, and shaken my resolves--even to this moment,&#13;
when I am wholly yours!--Yes, heaven wills that we should be united.&#13;
Only this morning, I gave to the apostolic man, that was to bless our&#13;
union, in thy name and mine, a royal gift--a gift, that will bring joy&#13;
and peace to the heart of many an unfortunate creature. Then what have&#13;
we to regret, my beloved? Our immortal souls will pass away in a kiss,&#13;
and ascend, full of love, to that God who is all love!"</p><p>"Adrienne!"</p><p>"Djalma!"</p><p>The light, transparent curtains fell like a cloud over that nuptial and&#13;
funereal couch. Yes, funereal; for, two hours after, Adrienne and Djalma&#13;
breathed their last sigh in a voluptuous agony.</p><p>CHAPTER LXVI. A DUEL TO THE DEATH.</p><p>Adrienne and Djalma died on the 30th of May. The following scene took&#13;
place on the 31st, the eve of the day appointed for the last convocation&#13;
of the heirs of Marius de Rennepont. The reader will no doubt remember&#13;
the room occupied by M. Hardy, in the "house of retreat," in the Rue de&#13;
Vaugirard--a gloomy and retired apartment, opening on a dreary little&#13;
garden, planted with yew-trees, and surrounded by high walls. To reach&#13;
this chamber, it was necessary to cross two vast rooms, the doors of&#13;
which, once shut, intercepted all noise and communication from without.&#13;
Bearing this in mind, we may go on with our narrative. For the last&#13;
three or four days, Father d'Aigrigny occupied this apartment. He had&#13;
not chosen it, but had been induced to accept it, under most plausible&#13;
pretexts, given him at the instigation of Rodin. It was about noon.&#13;
Seated in an arm-chair, by the window opening on the little garden,&#13;
Father d'Aigrigny held in his hand a newspaper, in which he read as&#13;
follows, under the head of "Paris:"</p><p>"Eleven p.m.--A most horrible and tragical event has just excited the&#13;
greatest consternation in the quarter of the Rue de Richelieu. A double&#13;
murder has been committed, on the person of a young man and woman.&#13;
The girl was killed on the spot, by the stroke of a dagger; hopes are&#13;
entertained of saving the life of the young man. The crime is attributed&#13;
to jealousy. The officers of justice are investigating the matter. We&#13;
shall give full particulars tomorrow."</p><p>When he had read these lines, Father d'Aigrigny threw down the paper and&#13;
remained in deep thought.</p><p>"It is incredible," said he, with bitter envy, in allusion to Rodin. "He&#13;
has attained his end. Hardly one of his anticipations has been defeated.&#13;
This family is annihilated, by the mere play of the passions, good and&#13;
evil that he has known how to set in motion. He said it would be so.&#13;
Oh! I must confess," added Father d'Aigrigny, with a jealous and hateful&#13;
smile, "that Rodin is a man of rare dissimulation, patience, energy,&#13;
obstinacy and intelligence. Who would have told a few months ago, when&#13;
he wrote under my orders, a discreet and humble socius, that he had&#13;
already conceived the most audacious ambition, and dared to lift his&#13;
eyes to the Holy See itself? that, thanks to intrigues and corruption,&#13;
pursued with wondrous ability, these views were not so unreasonable?&#13;
Nay, that this infernal ambition would soon be realized, were it not&#13;
that the secret proceedings of this dangerous man have long been as&#13;
secretly watched?--Ah!" sneered Father d'Aigrigny, with a smile of&#13;
irony and triumph, "you wish to be a second Sixtus V., do you? And,&#13;
not content with this audacious pretension, you mean, if successful, to&#13;
absorb our Company in the Papacy, even as the Sultan has absorbed the&#13;
Janissaries. Ah! You would make us your stepping-stone to power! And you&#13;
have thought to humiliate and crush me with your insolent disdain! But&#13;
patience, patience: the day of retribution approaches. I alone am the&#13;
depository of our General's will. Father Caboccini himself does not&#13;
know that. The fate of Rodin is in my hands. Oh! it will not be what he&#13;
expects. In this Rennepont affair (which, I must needs confess, he has&#13;
managed admirably), he thinks to outwit us all, and to work only for&#13;
himself. But to-morrow--"</p><p>Father d'Aigrigny was suddenly disturbed in these agreeable reflections.&#13;
He heard the door of the next room open, and, as he turned round to see&#13;
who was coming, the door of the apartment in which he was turned upon&#13;
its hinges. Father d'Aigrigny started with surprise, and became almost&#13;
purple. Marshal Simon stood before him. And, behind the marshal, in the&#13;
shadow of the door, Father d'Aigrigny perceived the cadaverous face&#13;
of Rodin. The latter cast on him one glance of diabolical delight, and&#13;
instantly disappeared. The door was again closed, and Father d'Aigrigny&#13;
and Marshal Simon were left alone together. The father of Rose and&#13;
Blanche was hardly recognizable. His gray hair had become completely&#13;
white. His pale, thin face had not been shaved for some days. His hollow&#13;
eyes were bloodshot and restless, and had in them something wild and&#13;
haggard. He was wrapped in a large cloak, and his black cravat was tied&#13;
loosely about his neck. In withdrawing from the apartment, Rodin had (as&#13;
if by inadvertence) double-locked the door on the outside. When he&#13;
was alone with the Jesuit, the marshal threw back his cloak from his&#13;
shoulders, and Father d'Aigrigny could see two naked swords, stuck&#13;
through a silk handkerchief which served him as a belt.</p><p>Father d'Aigrigny understood it all. He remembered how, a few days&#13;
before, Rodin had obstinately pressed him to say what he would do if the&#13;
marshal were to strike him in the face. There could be no doubt that&#13;
he, who thought to have held the fate of Rodin in his hands, had been&#13;
brought by the latter into a fearful peril; for he knew that, the two&#13;
outer rooms being closed, there was no possibility of making himself&#13;
heard, and that the high walls of the garden only bordered upon some&#13;
vacant lots. The first thought which occurred to him, one by no means&#13;
destitute of probability, was that Rodin, either by his agents at Rome,&#13;
or by his own incredible penetration, had learned that his fate&#13;
depended on Father d'Aigrigny, and hoped therefore to get rid of him,&#13;
by delivering him over to the inexorable vengeance of the father of&#13;
Rose and Blanche. Without speaking a word, the marshal unbound the&#13;
handkerchief from his waist, laid the two swords upon the table,&#13;
and, folding his arms upon his breast, advanced slowly towards Father&#13;
d'Aigrigny. Thus these two men, who through life had pursued each other&#13;
with implacable hatred, at length met face to face--they, who had fought&#13;
in hostile armies, and measured swords in single combat, and one of whom&#13;
now came to seek vengeance for the death of his children. As the marshal&#13;
approached, Father d'Aigrigny rose from his seat. He wore that day a&#13;
black cassock, which rendered still more visible the pale hue, which had&#13;
now succeeded to the sudden flush on his cheek. For a few seconds, the&#13;
two men stood face to face without speaking. The marshal was terrific&#13;
in his paternal despair. His calmness, inexorable as fate, was more&#13;
impressive than the most furious burst of anger.</p><p>"My children are dead," said he at last, in a slow and hollow tone. "I&#13;
come to kill you."</p><p>"Sir," cried Father d'Aigrigny, "listen to me. Do not believe--"</p><p>"I must kill you," resumed the marshal, interrupting the Jesuit; "your&#13;
hate followed my wife into exile, where she perished. You and your&#13;
accomplices sent my children to certain death. For twenty years you have&#13;
been my evil genius. I must have your life, and I will have it."</p><p>"My life belongs, first, to God," answered Father d'Aigrigny, piously,&#13;
"and then to who likes to take it."</p><p>"We will fight to the death in this room," said the marshal; "and, as I&#13;
have to avenge my wife and children, I am tranquil as to the result."</p><p>"Sir," answered Father d'Aigrigny, coldly, "you forget that my&#13;
profession forbids me to fight. Once I accepted your challenge--but my&#13;
position is changed since then."</p><p>"Ah!" said the marshal, with a bitter smile; "you refuse to fight&#13;
because you are a priest?"</p><p>"Yes, sir--because I am a priest."</p><p>"So that, because he is a priest, a wretch like you may commit any&#13;
crime, any baseness, under shelter of his black gown?"</p><p>"I do not understand a word of your accusations. In any case, the law is&#13;
open," said Father d'Aigrigny, biting his pale lips, for he felt deeply&#13;
the insult offered by the marshal; "if you have anything to complain of,&#13;
appeal to that law, before which all are equal."</p><p>Marshal Simon shrugged his shoulders in angry disdain. "Your crimes&#13;
escape the law--and, could it even reach you, that would not satisfy my&#13;
vengeance, after all the evil you have done me, after all you have taken&#13;
from me," said the marshal; and, at the memory of his children, his&#13;
voice slightly trembled; but he soon proceeded, with terrible calmness:&#13;
"You must feel that I now only live for vengeance. And I must have&#13;
such revenge as is worth the seeking--I must have your coward's heart&#13;
palpitating on the point of my sword. Our last duel was play; this will&#13;
be earnest--oh! you shall see."</p><p>The marshal walked up to the table, where he had laid the two swords.&#13;
Father d'Aigrigny needed all his resolution to restrain himself. The&#13;
implacable hate which he had always felt for Marshal Simon, added to&#13;
these insults, filled him with savage ardor. Yet he answered, in a tone&#13;
that was still calm: "For the last time, sir, I repeat to you, that my&#13;
profession forbids me to fight."</p><p>"Then you refuse?" said the marshal, turning abruptly towards him.</p><p>"I refuse."</p><p>"Positively?"</p><p>"Positively. Nothing on earth should force me to it."</p><p>"Nothing."</p><p>"No, sir; nothing."</p><p>"We shall see," said the marshal, as his hand fell with its full force&#13;
on the cheek of Father d'Aigrigny.</p><p>The Jesuit uttered a cry of fury; all his blood rushed to his face, so&#13;
roughly handled; the courage of the man (for he was brave), his ancient&#13;
military ardor, carried him away; his eyes sparkled, and, with teeth&#13;
firmly set, and clenched fists, he advanced towards the marshal,&#13;
exclaiming: "The swords! the swords!"</p><p>But suddenly, remembering the appearance of Rodin, and the interest&#13;
which the latter had in bringing about this encounter, he determined to&#13;
avoid the diabolical snare laid by his former socius, and so gathered&#13;
sufficient resolution to restrain his terrible resentment.</p><p>To his passing fury succeeded a calm, full of contrition; and, wishing&#13;
to play his part out to the end, he knelt down, and bowing his head&#13;
and beating his bosom, repeated: "Forgive me, Lord, for yielding to a&#13;
movement of rage! and, above all, forgive him who has injured me!"</p><p>In spite of his apparent resignation, the Jesuit's voice was neatly&#13;
agitated. He seemed to feel a hot iron upon his cheek, for never before&#13;
in his life, whether as a soldier or a priest, had he suffered such&#13;
an insult. He had thrown himself upon his knees, partly from religious&#13;
mummery, and partly to avoid the gaze of the marshal, fearing that, were&#13;
he to meet his eye, he should not be able to answer for himself, but&#13;
give way to his impetuous feelings. On seeing the Jesuit kneel down, and&#13;
on hearing his hypocritical invocation, the marshal, whose sword was in&#13;
his hand, shook with indignation.</p><p>"Stand up, scoundrel!" he said, "stand up, wretch!" And he spurned the&#13;
Jesuit with his boot.</p><p>At this new insult, Father d'Aigrigny leaped up, as if he had been moved&#13;
by steel springs. It was too much; he could bear no more. Blinded with&#13;
rage, he rushed to the able, caught up the other sword, and exclaimed,&#13;
grinding his teeth together: "Ah! you will have blood. Well then! it&#13;
shall be yours--if possible!"</p><p>And the Jesuit, still in all the vigor of manhood, his face purple, his&#13;
large gray eyes sparkling with hate, fell upon his guard with the ease&#13;
and skill of a finished swordsman.</p><p>"At last!" cried the marshal, as their blades were about to cross.</p><p>But once more reflection came to damp the fire of the Jesuit. He&#13;
remembered how this hazardous duel would gratify the wishes of Rodin,&#13;
whose fate was in his hands, and whom he hated perhaps even more than&#13;
the marshal. Therefore, in spite of the fury which possessed him,&#13;
in spite of his secret hope to conquer in this combat, so strong and&#13;
healthy did he feel himself, and so fatal had been the effects of grief&#13;
on the constitution of Marshal Simon, he succeeded in mastering his&#13;
rage, and, to the amazement of the marshal, dropped the point of his&#13;
sword, exclaiming: "I am a minister of the Lord, and must not shed&#13;
blood. Forgive ne, heaven! and, oh! forgive my brother also."</p><p>Then placing the blade beneath his heel, he drew the hilt suddenly&#13;
towards him, and broke the weapon into two pieces. The duel was no&#13;
longer possible. Father d'Aigrigny had put it out of his own power to&#13;
yield to a new burst of violence, of which he saw the imminent danger.&#13;
Marshal Simon remained for an instant mute and motionless with surprise&#13;
and indignation, for he also saw that the duel was now impossible. But,&#13;
suddenly, imitating the Jesuit, the marshal placed his blade also&#13;
under his heel, broke it in half, and picking up the pointed end, about&#13;
eighteen inches in length tore off his black silk cravat, rolled&#13;
it round the broken part so as to form a handle, and said to Father&#13;
d'Aigrigny: "Then we will fight with daggers."</p><p>Struck with this mixture of coolness and ferocity, the Jesuit exclaimed:&#13;
"Is this then a demon of hell?"</p><p>"No; it is a father, whose children have been murdered," said the&#13;
marshal, in a hollow voice, whilst he fitted the blade to his hand, and&#13;
a tear stood in the eye, that instantly after became fierce and ardent.</p><p>The Jesuit saw that tear. There was in this mixture of vindictive rage&#13;
and paternal grief something so awful, and yet so sacred, that for the&#13;
first time in his life Father d'Aigrigny felt fear--cowardly, ignoble&#13;
fear--fear for his own safety. While a combat with swords was in&#13;
question, in which skill, agility, and experience are such powerful&#13;
auxiliaries to courage, his only difficulty had been to repress the&#13;
ardor of his hate--but when he thought of the combat proposed, body&#13;
to body, face to face, heart to heart, he trembled, grew pale, and&#13;
exclaimed: "A butchery with knives?--never!"</p><p>His countenance and the accent betrayed his alarm, so that the marshal&#13;
himself was struck with it, and fearing to lose his revenge, he cried:&#13;
"After all, he is a coward! The wretch had only the courage or&#13;
the vanity of a fencer. This pitiful renegade--this traitor to&#13;
his country--whom I have cuffed, kicked--yes, kicked, most noble&#13;
marquis!--shame of your ancient house--disgrace to the rank of&#13;
gentleman, old or new--ah! it is not hypocrisy, it is not calculation,&#13;
as I at first thought--it is fear! You need the noise of war, and the&#13;
eyes of spectators to give you courage--"</p><p>"Sir--have a care!" said Father d'Aigrigny, stammering through his&#13;
clenched teeth, for rage and hate now made him forget his fear-"Must I&#13;
then spit on you, to make the little blood you have left rise to your&#13;
face?" cried the exasperated marshal.</p><p>"Oh! this is too much! too much!" said the Jesuit, seizing the pointed&#13;
piece of the blade that lay at his feet.</p><p>"It is not enough!" said the marshal, panting for breath. "There,&#13;
Judas!" and he spat in his face.</p><p>"If you will not fight now," added the marshal, "I will beat you like a&#13;
dog, base child-murderer!"</p><p>On receiving the uttermost insult which can be offered to an already&#13;
insulted man, Father d'Aigrigny lost all his presence of mind, forgot&#13;
his interests, his resolutions, his fears, forgot even Rodin--felt only&#13;
the frenzied ardor of revenge--and, recovering his courage, rejoiced&#13;
in the prospect of a close struggle, in which his superior strength&#13;
promised success over the enfeebled frame of the marshal for, in this&#13;
kind of brutal and savage combat, physical strength offers an immense&#13;
advantage. In an instant, Father d'Aigrigny had rolled his handkerchief&#13;
round the broken blade, and rushed upon Marshal Simon, who received the&#13;
shock with intrepidity. For the short time that this unequal struggle&#13;
lasted--unequal, for the marshal had since some days been a prey to a&#13;
devouring fever, which had undermined his strength--the two combatants,&#13;
mute in their fury, uttered not a word or a cry. Had any one been&#13;
present at this horrible scene, it would have been impossible for him&#13;
to tell how they dealt their blows. He would have seen two&#13;
heads--frightful, livid, convulsed--rising, falling, now here,&#13;
now there--arms, now stiff as bars of iron, and now twisting like&#13;
serpents--and, in the midst of the undulation of the blue coat of the&#13;
marshal and the black cassock of the Jesuit, from time to time the&#13;
sudden gleam of the steel. He would have heard only a dull stamping,&#13;
and now and then a deep breath. In about two minutes at most, the two&#13;
adversaries fell, and rolled one over the other. One of them--it was&#13;
Father d'Aigrigny--contrived to disengage himself with a violent effort,&#13;
and to rise upon his knees. His arms fell powerless by his side; and&#13;
then the dying voice of the marshal murmured: "My children! Dagobert!"</p><p>"I have killed him," said Father d'Aigrigny, in a weak voice; "but I&#13;
feel--that I am wounded--to death."</p><p>Leaning with one hand on the ground, the Jesuit pressed the other to&#13;
his bosom. His black cassock was pierced through and through, but the&#13;
blades, which had served for the combat, being triangular and very&#13;
sharp, the blood instead of issuing from the wounds, was flowing&#13;
inwards.</p><p>"Oh! I die--I choke," said Father d'Aigrigny, whose features were&#13;
already changing with the approach of death.</p><p>At this moment, the key turned twice in the door, Rodin appeared on the&#13;
threshold, and, thrusting in his head, he said in a humble and discreet&#13;
voice: "May I come in?"</p><p>At this dreadful irony, Father d'Aigrigny strove to rise, and rush upon&#13;
Rodin; but he fell back exhausted; the blood was choking him.</p><p>"Monster of hell!" he muttered, casting on Rodin a terrible glance of&#13;
rage and agony. "Thou art the cause of my death."</p><p>"I always told you, my dear father, that your old military habits would&#13;
be fatal to you," answered Rodin with a frightful smile. "Only a few&#13;
days ago, I gave you warning, and advised you take a blow patiently from&#13;
this old swordsman--who seems to have done with that work forever, which&#13;
is well--for the Scripture says: 'All they that take the sword shall&#13;
perish with the sword.' And then this Marshal Simon might have had some&#13;
claim on his daughter's inheritance. And, between ourselves, my dear&#13;
father, what was I to do? It was necessary to sacrifice you for the&#13;
common interest; the rather, that I well knew what you had in pickle for&#13;
me to-morrow. But I am not so easily caught napping."</p><p>"Before I die," said Father d'Aigrigny, in a failing voice, "I will&#13;
unmask you."</p><p>"Oh, no, you will not," said Rodin, shaking his head with a knowing air;&#13;
"I alone, if you please, will receive your last confession."</p><p>"Oh! this is horrible," moaned Father d'Aigrigny, whose eyes were&#13;
closing. "May God have mercy on me, if it is not too late!--Alas! at&#13;
this awful moment, I feel that I have been a great sinner--"</p><p>"And, above all, a great fool," said Rodin, shrugging his shoulders, and&#13;
watching with cold disdain the dying moments of his accomplice.</p><p>Father d'Aigrigny had now but a few minutes more to live. Rodin&#13;
perceived it, and said: "It is time to call for help." And the Jesuit&#13;
ran, with an air of alarm and consternation, into the courtyard of the&#13;
house.</p><p>Others came at his cries; but, as he had promised, Rodin had only&#13;
quitted Father d'Aigrigny as the latter had breathed his last sigh.</p><p>That evening, alone in his chamber, by the glimmer of a little lamp,&#13;
Rodin sat plunged in a sort of ecstatic contemplation, before the print&#13;
representing Sixtus V. The great house-clock struck twelve. At the last&#13;
stroke, Rodin drew himself up in all the savage majesty of his infernal&#13;
triumph, and exclaimed: "This is the first of June. There are no more&#13;
Renneponts!--Methinks, I hear the hour from the clock of St. Peter's at&#13;
Rome striking!"</p><p>CHAPTER LXVII. A MESSAGE.</p><p>While Rodin sat plunged in ambitious reverie, contemplating the portrait&#13;
of Sixtus V., good little Father Caboccini, whose warm embraces had&#13;
so much irritated the first mentioned personage, went secretly to&#13;
Faringhea, to deliver to him a fragment of an ivory crucifix, and&#13;
said to him with his usual air of jovial good-nature: "His Excellency&#13;
Cardinal Malipieri, on my departure from Rome, charged me to give you&#13;
this only on the 31st of May."</p><p>The half-caste, who was seldom affected by anything, started abruptly,&#13;
almost with an expression of pain. His face darkened, and bending upon&#13;
the little father a piercing look, he said to him: "You were to add&#13;
something."</p><p>"True," replied Father Caboccini; "the words I was to add are these:&#13;
'There is many a slip 'twixt the cup and the lip.'"</p><p>"It is well," said the other. Heaving a deep sigh, he joined the&#13;
fragment of the ivory crucifix to a piece already in his possession; it&#13;
fitted exactly.</p><p>Father Caboccini looked at him with curiosity, for the cardinal had only&#13;
told him to deliver the ivory fragment to Faringhea, and to repeat the&#13;
above words. Being somewhat mystified with all this, the reverend father&#13;
said to the half-caste: "What are you going to do with that crucifix?"</p><p>"Nothing," said Faringhea, still absorbed in painful thought.</p><p>"Nothing?" resumed the reverend father, in astonishment. "What, then,&#13;
was the use of bringing it so far?"</p><p>Without satisfying his curiosity, Faringhea replied: "At what hour to&#13;
morrow does Father Rodin go to the Rue Saint Francois?"</p><p>"Very early."</p><p>"Before leaving home, he will go to say prayers in the chapel?"</p><p>"Yes, according to the habit of our reverend fathers."</p><p>"You sleep near him?"</p><p>"Being his socius, I occupy the room next to his."</p><p>"It is possible," said Faringhea, after a moment's silence, "that the&#13;
reverend father, full of the great interests which occupy his mind,&#13;
might forget to go to the chapel. In that case, pray remind him of this&#13;
pious duty."</p><p>"I shall not fail."</p><p>"Pray do not fail," repeated Faringhea, anxiously.</p><p>"Be satisfied," said the good little father; "I see that you take great&#13;
interest in his salvation."</p><p>"Great interest."</p><p>"It is very praiseworthy in you. Continue as you have begun, and you&#13;
may one day belong, completely to our Company," said Father Caboccini,&#13;
affectionately.</p><p>"I am as yet but a poor auxiliary member," said Faringhea, humbly; "but&#13;
no one is more devoted to the Society, body and soul. Bowanee is nothing&#13;
to it."</p><p>"Bowanee! who is that, my good friend?"</p><p>"Bowanee makes corpses which rot in the ground. The Society makes&#13;
corpses which walk about."</p><p>"Ah, yes! Perinde ac cadaver--they were the last words of our great&#13;
saint, Ignatius de Loyola. But who is this Bowanee?"</p><p>"Bowanee is to the Society what a child is to a man," replied the&#13;
Asiatic, with growing excitement. "Glory to the Company--glory! Were my&#13;
father its enemy, I would kill my father. The man whose genius inspires&#13;
me most with admiration, respect, and terror--were he its enemy, I would&#13;
kill, in spite of all," said the half-caste, with an effort. Then, after&#13;
a moment's silence, he looked full in Caboccini's face, and added: "I&#13;
say this, that you may report my words to Cardinal Malipieri, and beg&#13;
him to mention them to--"</p><p>Faringhea stopped short. "To whom should the cardinal mention your&#13;
words?" asked Caboccini.</p><p>"He knows," replied the half-caste, abruptly. "Good night!"</p><p>"Good-night, my friend! I can only approve of your excellent sentiments&#13;
with regard to our Company. Alas! it is in want of energetic defenders,&#13;
for there are said to be traitors in its bosom."</p><p>"For those," said Faringhea, "we must have no pity."</p><p>"Certainly," said the good little father; "we understand one another."</p><p>"Perhaps," said the half-caste. "Do not, at all events, forget to remind&#13;
Father Rodin to go to chapel to-morrow morning."</p><p>"I will take care of that," said Father Caboccini.</p><p>The two men parted. On his return to the house, Caboccini learned that&#13;
a courier, only arrived that night from Rome, had brought despatches to&#13;
Rodin.</p><p>CHAPTER LXVIII. THE FIRST OF JUNE.</p><p>The chapel belonging to the house of the reverend fathers in the Rue de&#13;
Vaugirard, was gay and elegant. Large panes of stained glass admitted&#13;
a mysterious light; the altar shone with gold and silver; and at the&#13;
entrance of this little church, in an obscure corner beneath the organ&#13;
loft, was a font for holy water in sculptured marble. It was close to&#13;
this font, in a dark nook where he could hardly be seen, that Faringhea&#13;
knelt down, early on the 1st of June, as soon indeed as the chapel doors&#13;
were opened. The half-caste was exceedingly sad. From time to time he&#13;
started and sighed, as if agitated by a violent internal struggle.&#13;
This wild, untamable being, possessed with the monomania of evil and&#13;
destruction, felt, as may be imagined, a profound admiration for Rodin,&#13;
who exercised over him a kind of magnetic fascination. The half-caste,&#13;
almost a wild beast in human form, saw something supernatural in the&#13;
infernal genius of Rodin. And the latter, too sagacious not to have&#13;
discovered the savage devotion of this wretch, had made, as we have&#13;
seen, good use of him, is bringing about the tragical termination of the&#13;
loves of Adrienne and Djalma. But what excited to an incredible degree&#13;
the admiration of Faringhea, was what he knew of the Society of&#13;
Jesus. This immense, occult power, which undermined the world by its&#13;
subterraneous ramifications, and reached its ends by diabolical means,&#13;
had inspired the half-caste with a wild enthusiasm. And if anything in&#13;
the world surpassed his fanatical admiration for Rodin, it was his blind&#13;
devotion to the Company of Ignatius de Loyola, which, as he said, could&#13;
make corpses that walk about. Hid in the shadow of the organ-loft,&#13;
Faringhea was reflecting deeply on these things, when footsteps were&#13;
heard, and Rodin entered the chapel, accompanied by his socius, the&#13;
little one-eyed father.</p><p>Whether from absence of mind, or that the shadow of the orange-loft&#13;
completely concealed the half-caste, Rodin dipped his fingers into the&#13;
font without perceiving Faringhea, who stood motionless as a statue,&#13;
though a cold sweat streamed from his brow. The prayer of Rodin was,&#13;
as may be supposed, short; he was in haste to get to the Rue&#13;
Saint-Francois. After kneeling down with Father Caboccini for a few&#13;
seconds, he rose, bowed respectfully to the altar, and returned towards&#13;
the door, followed by his socius. At the moment Rodin approached the&#13;
font he perceived the tall figure of the half-caste standing out from&#13;
the midst of the dark shadow; advancing a little, Faringhea bowed&#13;
respectfully to Rodin, who said to him, in a low voice; "Come to me at&#13;
two o'clock."</p><p>So saying, Rodin stretched forth his hand to dip it into the holy water;&#13;
but Faringhea spared him the trouble, by offering him the sprinkling&#13;
brush, which generally stood in the font.</p><p>Pressing between his dirty fingers the damp hairs of the brush,&#13;
which the half-caste held by the handle, Rodin wetted his thumb and&#13;
forefinger, and, according to custom, traced the sign of the cross upon&#13;
his forehead. Then, opening the door of the chapel, he went out, after&#13;
again repeating to Faringhea: "Come to me at two o'clock."</p><p>Thinking he would also make use of the sprinkling-brush, which,&#13;
Faringhea, still motionless, held with a trembling hand, Father&#13;
Caboccini stretched out his fingers to reach it, when the half-breed,&#13;
as if determined to confine his favors to Rodin, hastily withdrew the&#13;
instrument. Deceived in his expectation, Father Caboccini lost no time&#13;
in following Rodin, whom he was not to leave that day for a single&#13;
moment, and, getting into a hackney-coach with him, set out for the Rue&#13;
Saint-Francois. It is impossible to describe the look which the half&#13;
breed fixed upon Rodin as the latter quitted the chapel. Left alone in&#13;
the sacred edifice, Faringhea sank upon the stones, half kneeling, half&#13;
crouching, with his face buried in his hands. As the coach drew near&#13;
the quarter of the Marais, in which was situated the house of Marius&#13;
de Rennepont, a feverish agitation, and the devouring impatience of&#13;
triumph, were visible on the countenance of Rodin. Two or three times he&#13;
opened his pocketbook, and read and arranged the different certificates&#13;
of death of the various members of the Rennepont family; and from time&#13;
to time he thrust his head anxiously from the coach-window, as if he had&#13;
wished to hasten the slow progress of the vehicle.</p><p>The good little father, his socius, did not take his eye off Rodin, and&#13;
his look had a strange and crafty expression. At last the coach entered&#13;
the Rue Saint-Francois, and stopped before the iron-studded door of the&#13;
old house, which had been closed for a century and a half. Rodin sprang&#13;
from the coach with the agility of a young man, and knocked violently&#13;
at the door, whilst Father Caboccini, less light of foot, descended more&#13;
prudently to the ground. No answer was returned to the loud knocking&#13;
of Rodin. Trembling with anxiety, he knocked again. This time, as he&#13;
listened attentively, he heard slow steps approaching. They stopped at&#13;
some distance from the door, which was not yet opened.</p><p>"It is keeping one upon red-hot coals," said Rodin, for he felt as&#13;
if there was a burning fire in his chest. He again shook the door&#13;
violently, and began to gnaw his nails according to his custom.</p><p>Suddenly the door opened, and Samuel, the Jew guardian, appeared beneath&#13;
the porch. The countenance of the old man expressed bitter grief. Upon&#13;
his venerable cheeks were the traces of recent tears, which he strove to&#13;
dry with his trembling hands, as he opened the door to Rodin.</p><p>"Who are you, gentlemen?" said Samuel.</p><p>"I am the bearer of a power of attorney from the Abbe Gabriel, the only&#13;
living representative of the Rennepont family," answered Rodin,&#13;
hastily. "This gentleman is my secretary," added he, pointing to Father&#13;
Caboccini, who bowed.</p><p>After looking attentively at Rodin, Samuel resumed: "I recognize you,&#13;
sir. Please to follow me." And the old guardian advanced towards the&#13;
house in the garden, making a sign to the two reverend fathers to&#13;
follow.</p><p>"That confounded old man kept me so long at the door," said Rodin to his&#13;
socius, "that I think I have caught a cold in consequence. My lips and&#13;
throat are dried up, like parchment baked at the fire."</p><p>"Will you not take something, my dear, good father? Suppose you were to&#13;
ask this man for a glass of water," cried the little one-eyed priest,&#13;
with tender solicitude.</p><p>"No, no," answered Rodin; "it is nothing. I am devoured by impatience.&#13;
That is all."</p><p>Pale and desolate, Bathsheba, the wife of Samuel, was standing at the&#13;
door of the apartment she occupied with her husband, in the building&#13;
next the street. As the Jew passed before her, he said, in Hebrew: "The&#13;
curtains of the Hall of Mourning?"</p><p>"Are closed."</p><p>"And the iron casket?"</p><p>"Is prepared," answered Bathsheba, also in Hebrew.</p><p>After pronouncing these words, completely unintelligible to Rodin&#13;
and Caboccini, Samuel and Bathsheba exchanged a bitter smile,&#13;
notwithstanding the despair impressed on their countenances.</p><p>Ascending the steps, followed by the two reverend fathers, Samuel&#13;
entered the vestibule of the house, in which a lamp was burning. Endowed&#13;
with an excellent local memory, Rodin was about to take the direction&#13;
of the Red Saloon, in which had been held the first convocation of the&#13;
heirs, when Samuel stopped him, and said: "It is not that way."</p><p>Then, taking the lamp, he advanced towards a dark staircase, for the&#13;
windows of the house had not been un-bricked.</p><p>"But," said Rodin, "the last time, we met in a saloon on the ground&#13;
floor."</p><p>"To-day, we must go higher," answered Samuel, as he began slowly to&#13;
ascend the stairs.</p><p>"Where to? higher!" said Rodin, following him.</p><p>"To the Hall of Mourning," replied the Jew, and he continued to ascend.</p><p>"What is the Hall of Mourning?" resumed Rodin, in some surprise.</p><p>"A place of tears and death," answered the Israelite; and he kept on&#13;
ascending through the darkness, for the little lamp threw but a faint&#13;
light around.</p><p>"But," said Rodin, more and more astonished, and stopping short on the&#13;
stairs, "why go to this place?"</p><p>"The money is there," answered Samuel, and he went on,</p><p>"Oh? if the money is there, that alters the case," replied Rodin; and he&#13;
made haste to regain the few steps he had lost by stopping.</p><p>Samuel continued to ascend, and, at a turn of the staircase, the two&#13;
Jesuits could see by the pale light of the little lamp, the profile of&#13;
the old Israelite, in the space left between the iron balustrade and the&#13;
wall, as he climbed on with difficulty above them. Rodin was struck with&#13;
the expression of Samuel's countenance. His black eyes, generally&#13;
so calm, sparkled with ardor. His features, usually impressed with a&#13;
mixture of sorrow, intelligence, and goodness, seemed to grow harsh and&#13;
stern, and his thin lips wore a strange smile.</p><p>"It is not so very high," whispered Rodin to Caboccini, "and yet my legs&#13;
ache, and I am quite out of breath. There is a strange throbbing too in&#13;
my temples."</p><p>In fact, Rodin breathed hard, and with difficulty. To this confidential&#13;
communication, good little Father Caboccini, in general so full of&#13;
tender care for his colleague, made no answer. He seemed to be in deep&#13;
thought.</p><p>"Will we soon be there?" said Rodin, impatiently, to Samuel.</p><p>"We are there," replied the Israelite.</p><p>"And a good thing too," said Rodin.</p><p>"Very good," said the Jew.</p><p>Stopping in the midst of a corridor, he pointed with the hand in which&#13;
he held the lamp to a large door from which streamed a faint light. In&#13;
spite of his growing surprise. Rodin entered resolutely, followed&#13;
by Father Caboccini and Samuel. The apartment in which these three&#13;
personage, now found themselves was very large. The daylight only&#13;
entered from a belvedere in the roof, the four sides of which had been&#13;
covered with leaden plates, each of which was pierced with seven holes,&#13;
forming a cross, thus:</p><p>*&#13;
           * * *&#13;
             *&#13;
             *&#13;
             *</p><p>Now, the light being only admitted through these holes, the obscurity&#13;
would have been complete, had it not been for a lamp, which burned on a&#13;
large massive slab of black marble, fixed against one of the walls.&#13;
One would have taken it for a funeral chamber, for it was all hung with&#13;
black curtains, fringed with white. There was no furniture, save the&#13;
slab of black marble we have already mentioned. On this slab was an iron&#13;
casket, of the manufacture of the seventeenth century, admirably adorned&#13;
with open work, like lace made of metal.</p><p>Addressing Rodin, who was wiping his forehead with his dirty&#13;
handkerchief, and looking round him with surprise, but not fear, Samuel&#13;
said to him: "The will of the testator, however strange it may appear,&#13;
is sacred with me, and must be accomplished in all things."</p><p>"Certainly," said Rodin; "but what are we to do here?"</p><p>"You will know presently, sir. You are the representative of the only&#13;
remaining heir of the Rennepont family, the Abbe Gabriel de Rennepont?"</p><p>"Yes, sir, and here are my papers," replied Rodin.</p><p>"To save time," resumed Samuel, "I will, previous to the arrival of the&#13;
magistrate, go through the inventory of the securities contained in&#13;
this casket, which I withdrew yesterday from the custody of the Bank of&#13;
France."</p><p>"The securities are there?" cried Rodin, advancing eagerly towards the&#13;
casket.</p><p>"Yes, sir," replied Samuel, "as by the list. Your secretary will call&#13;
them over, and I will produce each in turn. They can then be replaced&#13;
in the casket, which I will deliver up to you in presence of the&#13;
magistrate."</p><p>"All this seems perfectly correct," said Rodin.</p><p>Samuel delivered the list to Father Caboccini, and approaching the&#13;
casket, touched a spring, which was not seen by Rodin. The heavy lid&#13;
flew open, and, while Father Caboccini read the names of the different&#13;
securities, Samuel showed them to Rodin, who returned them to the old&#13;
Jew, after a careful examination. This verification did not last long,&#13;
for this immense fortune was all comprised, as we already know, in eight&#13;
government securities, five hundred thousand francs in bank-note,&#13;
thirty five thousand francs in gold, and two hundred and fifty francs in&#13;
silver--making in all an amount of two hundred and twelve millions, one&#13;
hundred and seventy-five thousand francs. When Rodin had counted the&#13;
last of the five hundred bank-notes, of a thousand francs each, he&#13;
said, as he returned them to Samuel: "It is quite right. Two hundred and&#13;
twelve millions, one hundred and seventy-five thousand francs!"</p><p>He was no doubt almost choked with joy, for he breathed with difficulty,&#13;
his eyes closed, and he was obliged to lean upon Father Caboccini's arm,&#13;
as he said to him in an altered voice: "It is singular. I thought myself&#13;
proof against all such emotions; but what I feel is extraordinary."</p><p>The natural paleness of the Jesuit increased so much, and he seemed&#13;
so much agitated with convulsive movements, that Father Caboccini&#13;
exclaimed: "My dear father, collect yourself; do not let success&#13;
overcome you thus."</p><p>Whilst the little one-eyed man was, attending to Rodin, Samuel carefully&#13;
replaced the securities in the iron casket. Thanks to his unconquerable&#13;
energy, and to the joy he felt at seeing himself so near the term of his&#13;
labors, Rodin mastered this attack of weakness, and drawing himself up,&#13;
calm and proud, he said to Caboccini: "It is nothing. I did not survive&#13;
the cholera to die of joy on the first of June."</p><p>And, though still frightfully pale, the countenance of the Jesuit shone&#13;
with audacious confidence. But now, when Rodin appeared to be quite&#13;
recovered, Father Caboccini seemed suddenly transformed. Though short,&#13;
fat, and one-eyed, his features assumed on the instant so firm, harsh,&#13;
and commanding an expression, that Rodin recoiled a step as he looked at&#13;
him. Then Father Caboccini, drawing a paper from his pocket, kissed it&#13;
respectfully, glanced sternly at Rodin, and read as follows, in a severe&#13;
and menacing tone:</p><p>"'On receipt of the present rescript, the Reverend Father Rodin will&#13;
deliver up all his powers to the Reverend Father Caboccini, who is&#13;
alone commissioned, with the Reverend Father d'Aigrigny, to receive the&#13;
inheritance of the Rennepont family, if, in His eternal justice,&#13;
the Lord should restore this property, of which our Company has been&#13;
wronged.</p><p>"'Moreover, on receipt of the present rescript, the Reverend Father&#13;
Rodin, in charge of a person to be named by the Reverend Father&#13;
Caboccini, shall be conveyed to our house in the Town of Laval, to be&#13;
kept in strict seclusion in his cell until further orders.'"</p><p>Then Father Caboccini handed the rescript to Rodin, that the latter&#13;
might read the signature of the General of the Company. Samuel, greatly&#13;
interested by this scene, drew a few steps nearer, leaving the casket&#13;
half-open. Suddenly, Rodin burst into a loud laugh--a laugh of joy,&#13;
contempt and triumph, impossible to describe. Father Caboccini looked&#13;
at him with angry astonishment; when Rodin, growing still more imperious&#13;
and haughty, and with an air of more sovereign disdain than ever, pushed&#13;
aside the paper with the back of his dirty hand and said: "What is the&#13;
date of that scribble?"</p><p>"The eleventh of May," answered Father Caboccini in amazement.</p><p>"Here is a brief, that I received last night from Rome, under date of&#13;
the eighteenth. It informs me that I am appointed GENERAL OF THE ORDER.&#13;
Read!"</p><p>Father Caboccini took the paper, read it, and remained thunderstruck.&#13;
Then, returning it humbly to Rodin, he respectfully bent his knee before&#13;
him. Thus seemed the ambitious views of Rodin accomplished. In spite of&#13;
the hatred and suspicion of that party, of which Cardinal Malipieri was&#13;
the representative and the chief, Rodin, by address and craft, audacity&#13;
and persuasion, and in consequence of the high esteem in which his&#13;
partisans at Rome held his rare capacity, had succeeded in deposing his&#13;
General, and in procuring his own elevation to that eminent post. Now,&#13;
according to his calculation, aided by the millions he was about to&#13;
possess, it would be but one step from that post to the pontifical&#13;
throne. A mute witness of this scene, Samuel smiled also with an air of&#13;
triumph, as he closed the casket by means of the spring known only to&#13;
himself. That metallic sound recalled Rodin from the heights of his&#13;
mad ambition to the realities of life, and he said to Samuel in a sharp&#13;
voice: "You have heard? These millions must be delivered to me alone."</p><p>He extended his hands eagerly and impatiently towards the casket, as&#13;
if he would have taken possession of it, before the arrival of the&#13;
magistrate. Then Samuel in his turn seemed transfigured, and, folding&#13;
his arms upon his breast, and drawing up his aged form to its full&#13;
height, he assumed a threatening and imposing air. His eyes flashed with&#13;
indignation, and he said in a solemn tone: "This fortune--at first the&#13;
humble remains of the inheritance of the most noble of men, whom the&#13;
plots of the sons of Loyola drove to suicide--this fortune, which has&#13;
since become royal in amount, thanks to the sacred probity of three&#13;
generations of faithful servants--this fortune shall never be the reward&#13;
of falsehood, hypocrisy and murder. No! the eternal justice of heaven&#13;
will not allow it."</p><p>"On murder? what do you mean, sir?" asked Rodin, boldly.</p><p>Samuel made no answer. He stamped his foot, and extended his arm slowly&#13;
towards the extremity of the apartment. Then Rodin and Father Caboccini&#13;
beheld an awful spectacle. The draperies on the wall were drawn aside,&#13;
as if by an invisible hand. Round a funeral vault, faintly illumined-by&#13;
the bluish light of a silver lamp, six dead bodies were ranged&#13;
upon black biers, dressed in long black robes. They were: Jacques&#13;
Rennepont--Francois Hardy--Rose and Blanche Simon--Adrienne and Djalma.&#13;
They appeared to be asleep. Their eyelids were closed, their hands&#13;
crossed over their breasts. Father Caboccini, trembling in every limb,&#13;
made the sign of the cross, and retreating to the opposite wall, buried&#13;
his face in his hands. Rodin on the contrary, with agitated countenance,&#13;
staring eyes, and hair standing on end, yielding to an invincible&#13;
attraction, advanced towards those inanimate forms. One would have said&#13;
that these last of the Renneponts had only just expired. They seemed to&#13;
be in the first hour of the eternal sleep.(44)</p><p>"Behold those whom thou host slain!" cried Samuel, in a voice broken&#13;
with sobs. "Yea! your detestable plots caused their death--and, as they&#13;
fell one by one, it was my pious care to obtain possession of their&#13;
poor remains, that they may all repose in the same sepulchre.&#13;
Oh!--cursed--cursed--cursed--be thou who has killed them! But their&#13;
spoils shall escape thy murderous hands."</p><p>Rodin, still drawn forward in spite of himself, had approached the&#13;
funeral couch of Djalma. Surmounting his first alarm, the Jesuit, to&#13;
assure himself that he was not the sport of frightful dream, ventured&#13;
to touch the hands of the Asiatic--and found that they were damp and&#13;
pliant, though cold as ice.</p><p>The Jesuit drew back in horror. For some seconds, he trembled&#13;
convulsively. But, his first amazement over, reflection returned, and,&#13;
with reflection came that invincible energy, that infernal obstinacy of&#13;
character, that gave him so much power. Steadying himself on his legs,&#13;
drawing his hand across his brow, raising his head, moistening his lips&#13;
two or three times before he spoke--for his throat and mouth grew&#13;
ever drier and hotter, without his being able to explain the cause--he&#13;
succeeded in giving to his features an imperious and ironical&#13;
expression, and, turning towards Samuel, who wept in silence, he said to&#13;
him, in a hoarse, guttural voice: "I need not show you the certificates&#13;
of their death. There they are in person." And he pointed with his bony&#13;
hand to the six dead bodies.</p><p>At these words of his General, Father Caboccini again made the sign of&#13;
the cross, as if he had seen a fiend.</p><p>"Oh, my God!" cried Samuel; "Thou hast quite abandoned this man. With&#13;
what a calm look he contemplates his victims!"</p><p>"Come, sir!" said Rodin, with a horrid smile; "this is a natural waxwork&#13;
exhibition, that is all. My calmness proves my innocence--and we had&#13;
best come at once to business. I have an appointment at two o'clock. So&#13;
let us carry down this casket."</p><p>He advanced towards the marble slab. Seized with indignation and horror,&#13;
Samuel threw himself before him, and, pressing with all his might on a&#13;
knob in the lid of the casket--a knob which yielded to the pressure--he&#13;
exclaimed: "Since your infernal soul is incapable of remorse, it may&#13;
perhaps be shaken by disappointed avarice."</p><p>"What does he say?" cried Rodin. "What is he doing?"</p><p>"Look!" said Samuel, in his turn assuming an air of savage triumph. "I&#13;
told you, that the spoils of your victims should escape your murderous&#13;
hands."</p><p>Hardly had he uttered these words, before through the open-work of the&#13;
iron casket rose a light cloud of smoke, and an odor as of burnt paper&#13;
spread itself through the room. Rodin understood it instantly. "Fire!"&#13;
he exclaimed, as he rushed forward to seize the casket. It had been made&#13;
fast to the heavy marble slab.</p><p>"Yes, fire," said Samuel. "In a few minutes, of that immense treasure&#13;
there will remain nothing but ashes. And better so, than that it should&#13;
belong to you or yours. This treasure is not mine, and it only remains&#13;
for me to destroy it--since Gabriel de Rennepont will be faithful to the&#13;
oath he has taken."</p><p>"Help! water! water!" cried Rodin, as he covered the casket with his&#13;
body, trying in vain to extinguish the flames, which, fanned by the&#13;
current of air, now issued from the thousand apertures in the lid; but&#13;
soon the intensity of the fire diminished, a few threads of bluish smoke&#13;
alone mounted upwards--and then, all was extinct.</p><p>The work was done! Breathless and faint, Rodin leaned against the marble&#13;
slab. For the first time in his life, he wept; large tears of rage&#13;
rolled down his cadaverous cheeks. But suddenly, dreadful pains, at&#13;
first dull, but gradually augmenting in intensity, seized on him with so&#13;
much fury, though he employed all his energy to struggle against them,&#13;
that he fell on his knees, and, pressing his two hands to his chest,&#13;
murmured with an attempt to smile: "It is nothing. Do not be alarmed. A&#13;
few spasms--that is all. The treasure is destroyed--but I remain General&#13;
of the Order. Oh! I suffer. What a furnace!" he added, writhing in&#13;
agony. "Since I entered this cursed house, I know not what ails me.&#13;
If--I had not lived on roots--water--bread--which I go myself to buy--I&#13;
should think--I was poisoned--for I triumph--and Cardinal Malipieri has&#13;
long arms. Yes--I still triumph--for I will not die--this time no more&#13;
than the other--I will not die!"</p><p>Then, as he stretched out his arms convulsively, he continued: "It is&#13;
fire that devours my entrails. No doubt, they have tried to poison me.&#13;
But when? but how?"</p><p>After another pause, Rodin again cried out, in a stifled voice: "Help!&#13;
help me, you that stand looking on--like, spectres!--Help me, I say!"</p><p>Horror-struck at this dreadful agony, Samuel and Father Caboccini were&#13;
unable to stir.</p><p>"Help!" repeated Rodin, in a tone of strangulation, "This poison is&#13;
horrible.--But how--" Then, with a terrific cry of rage, as if a sudden&#13;
idea had struck him, he exclaimed: "Ha! Faringhea--this morning--the&#13;
holy water--he knows such subtle poisons. Yes--it is he--he had an&#13;
interview with Malipieri. The demon!--Oh! it was well played. The&#13;
Borgias are still the same. Oh! it is all over. I die. They will regret&#13;
me, the fools!--Oh! hell! hell! The Church knows not its loss--but I&#13;
burn--help!"</p><p>They came to his assistance. Quick steps were heard upon the stairs, and&#13;
Dr. Baleinier, followed by the Princess de Saint-Dizier, appeared at the&#13;
entrance of the Hall of Mourning. The princess had learned vaguely that&#13;
morning the death of Father d'Aigrigny, and had come to question Rodin&#13;
upon the subject. When this woman, entering the room, suddenly saw the&#13;
frightful spectacle that offered itself to her view--when she saw&#13;
Rodin writhing in horrible agony, and, further on, by the light of the&#13;
sepulchral lamp, those six corpses--and, amongst them, her own niece,&#13;
and the two orphans whom she had sent to meet their death--she stood&#13;
petrified with horror, and her reason was unable to withstand the shock.&#13;
She looked slowly round her, and then raised her arms on high, and burst&#13;
into a wild fit of laughter. She had gone mad. Whilst Dr. Baleinier&#13;
supported the head of Rodin, who expired in his arms, Faringhea appeared&#13;
at the door; remaining in the shade, he cast a ferocious glance at&#13;
the corpse of the Jesuit. "He would have made himself the chief of the&#13;
Company of Jesus, to destroy it," said he; "with me, the Company of&#13;
Jesus stands in the place of Bowanee. I have obeyed the cardinal!"</p><p>(44) Should this appear incredible, we would remind the reader of&#13;
the marvellous discoveries in the art of embalming--particularly Dr.&#13;
Gannal's.</p><p>EPILOGUE.</p><p>CHAPTER I. FOUR YEARS AFTER.</p><p>Four years had elapsed, since the events we have just related,&#13;
when Gabriel de Rennepont wrote the following letter to Abbe Joseph&#13;
Charpentier, curate of the Parish of Saint-Aubin, a hamlet of Sologne:</p><p>"Springwater Farm, "June 2d, 1836.</p><p>"Intending to write to you yesterday, my bear Joseph, I seated myself&#13;
at the little old black table, that you will remember well. My window&#13;
looks, you know, upon the farmyard, and I can see all that takes place&#13;
there. These are grave preliminaries, my friend, but I am coming to the&#13;
point. I had just taken my seat at the table, when, looking from the&#13;
window, this is what I saw. You, my dear Joseph, who can draw so well,&#13;
should have been there to have sketched the charming scene. The sun was&#13;
sinking, the sky serene, the air warm and balmy with the breath of the&#13;
hawthorn, which, flowering by the side of a little rivulet, forms the&#13;
edge which borders the yard. Under the large pear-tree, close to the&#13;
wall of the barn, sat upon the stone bench my adopted father, Dagobert,&#13;
that brave and honest soldier whom you love so much. He appeared&#13;
thoughtful, his white head was bowed on his bosom; with absent mind,&#13;
he patted old Spoil-sport, whose intelligent face was resting on his&#13;
master's knees. By his side was his wife, my dear adopted mother,&#13;
occupied with her sewing; and near them, on a stool, sat Angela,&#13;
the wife of Agricola, nursing her last-born child, while the gentle&#13;
Magdalen, with the eldest boy in her lap, was occupied in teaching him&#13;
the letters of the alphabet. Agricola had just returned from the fields,&#13;
and was beginning to unyoke his cattle, when, struck, like me, no doubt,&#13;
with this picture, he stood gazing on it for a moment, with his hand&#13;
still leaning on the yoke, beneath which bent submissive the broad&#13;
foreheads of his two large black oxen. I cannot express to you, my&#13;
friend, the enchanting repose of this picture, lighted by the last rays&#13;
of the sun, here and there broken by the thick foliage. What various&#13;
and touching types! The venerable face of the soldier--the good, loving&#13;
countenance of my adopted mother--the fresh beauty of Angela, smiling&#13;
on her little child--the soft melancholy of the hunchback, now and&#13;
then pressing her lips to the fair, laughing cheek of Agricola's eldest&#13;
son--and then Agricola himself, in his manly beauty, which seems to&#13;
reflect so well the valor and honesty of his heart! Oh, my Friend!&#13;
in contemplating this assemblage of good, devoted, noble, and loving&#13;
beings, so dear to each other, living retired in a little farm of our&#13;
poor Sologne, my heart rose towards heaven with a feeling of ineffable&#13;
gratitude. This peace of the family circle--this clear evening, with the&#13;
perfume of the woods and wild flowers wafted on the breeze--this deep&#13;
silence, only broken by the murmur of the neighboring rill--all affected&#13;
me with one of these passing fits of vague and sweet emotion, which&#13;
one feels but cannot express. You well know it, my friend, who, in your&#13;
solitary walks, in the midst of your immense plains of flowering heath,&#13;
surrounded by forests of fir trees, often feel your eyes grow moist,&#13;
without being able to explain the cause of that sweet melancholy, which&#13;
I, too, have often felt, during those glorious nights passed in the&#13;
profound solitudes of America.</p><p>"But, alas! a painful incident disturbed the serenity of the picture.&#13;
Suddenly I heard Dagobert's wife say to him: 'My dear--you are weeping!'</p><p>"At these words, Agricola, Angela, and Magdalen gathered round the&#13;
soldier. Anxiety was visible upon every face. Then, as he raised his&#13;
head abruptly, one could see two large tears trickle down his cheek to&#13;
his white moustache. 'It is nothing, my children,' said he, in a voice&#13;
of emotion 'it is nothing. Only, to-day is the first of June--and this&#13;
day four years--' He could not complete the sentence; and, as he raised&#13;
his hands to his eyes, to brush away the tears, we saw that he held&#13;
between his fingers a little bronze chain, with a medal suspended to it.&#13;
That is his dearest relic. Four years ago, almost dying with despair at&#13;
the loss of the two angels, of whom I have so often spoken to you, my&#13;
friend, he took from the neck of Marshal Simon, brought home dead from a&#13;
fatal duel, this chain and medal which his children had so long worn.&#13;
I went down instantly, as you may suppose, to endeavor to soothe the&#13;
painful remembrances of this excellent man; gradually, he grew calmer,&#13;
and the evening was passed in a pious and quiet sadness.</p><p>"You cannot imagine, my friend, when I returned to my chamber, what&#13;
cruel thoughts came to my mind, as I recalled those past events, from&#13;
which I generally turn away with fear and horror. Then I saw once more&#13;
the victims of those terrible and mysterious plots, the awful depths of&#13;
which have never been penetrated thanks to the death of Father d'A.&#13;
and Father R., and the incurable madness of Madame de St.-D., the three&#13;
authors or accomplices of the dreadful deeds. The calamities occasioned&#13;
by them are irreparable; for those who were thus sacrificed to a&#13;
criminal ambition, would have been the pride of humanity by the good&#13;
they would have done. Ah, my friend! if you had known those noble&#13;
hearts; if you had known the projects of splendid charity, formed by&#13;
that young lady, whose heart was so generous, whose mind so elevated,&#13;
whose soul so great! On the eve of her death, as a kind of prelude to&#13;
her magnificent designs, after a conversation, the subject of which I&#13;
must keep secret, even from you, she put into my hands a considerable&#13;
sum, saying, with her usual grace and goodness: 'I have been threatened&#13;
with ruin, and it might perhaps come. What I now confide to you will at&#13;
least be safe--safe--for those who suffer. Give much--give freely--make&#13;
as many happy hearts as you can. My happiness shall have a royal&#13;
inauguration!!' I do not know whether I ever told you, my friend,&#13;
that, after those fatal events, seeing Dagobert and his wife reduced to&#13;
misery, poor 'Mother Bunch' hardly able to earn a wretched subsistence,&#13;
Agricola soon to become a father, and myself deprived of my curacy, and&#13;
suspended by my bishop, for having given religious consolations to&#13;
a Protestant, and offered up prayers at the tomb of an unfortunate&#13;
suicide--I considered myself justified in employing a small portion of&#13;
the sum intrusted to me by Mdlle. de Cardoville in the purchase of this&#13;
farm in Dagobert's name.</p><p>"Yes, my friend, such is the origin of my fortune. The farmer to&#13;
whom these few acres formerly belonged, gave us the rudiments of our&#13;
agricultural education, and common sense, and the study of a few good&#13;
practical books, completed it. From an excellent workman, Agricola has&#13;
become an equally excellent husbandman; I have tried to imitate him, and&#13;
have put my hand also to the plough there is no derogation in it, for&#13;
the labor which provides food for man is thrice hallowed, and it is&#13;
truly to serve and glorify God, to cultivate and enrich the earth He has&#13;
created. Dagobert, when his first grief was a little appeased, seemed to&#13;
gather new vigor from this healthy life of the fields; and, during his&#13;
exile in Siberia, he had already learned to till the ground. Finally, my&#13;
dear adopted mother and sister, and Agricola's good wife, have divided&#13;
between them the household cares; and God has blessed this little colony&#13;
of people, who, alas! have been sorely tried by misfortune, and who now&#13;
only ask of toil and solitude, a quite, laborious, innocent life, and&#13;
oblivion of great sorrows. Sometimes, in our winter evenings, you have&#13;
been able to appreciate the delicate and charming mind of the gentle&#13;
'Mother Bunch,' the rare poetical imagination of Agricola, the&#13;
tenderness of his mother, the good sense of his father, the exquisite&#13;
natural grace of Angela. Tell me, my friend, was it possible to unite&#13;
more elements of domestic happiness? What long evenings have we passed&#13;
round the fire of crackling wood, reading, or commenting on a few&#13;
immortal works, which always warm the heart, and enlarge the soul!&#13;
What sweet talk have we had, prolonged far into the night! And then&#13;
Agricola's pastorals, and the timid literary confidences of Magdalen!&#13;
And the fresh, clear voice of Angela, joined to the deep manly tones of&#13;
Agricola, in songs of simple melody! And the old stories of Dagobert,&#13;
so energetic and picturesque in their warlike spirit! And the adorable&#13;
gayety of the children, in their sports with good old Spoil-sport,&#13;
who rather lends himself to their play than takes part in it--for the&#13;
faithful, intelligent creature seems always to be looking for somebody,&#13;
as Dagobert says--and he is right. Yes, the dog also regrets those two&#13;
angels, of whom he was the devoted guardian!</p><p>"Do not think, my friend, that our happiness makes us forgetful. No, no;&#13;
not a day passes without our repeating, with pious and tender respect,&#13;
those names so dear to our heart. And these painful memories, hovering&#13;
forever about us, give to our calm and happy existence that shade of&#13;
mild seriousness which struck you so much. No doubt, my friend, this&#13;
kind of life, bounded by the family circle, and not extending beyond,&#13;
for the happiness or improvement of our brethren, may be set down as&#13;
selfish; but, alas! we have not the means--and though the poor man&#13;
always finds a place at our frugal table, and shelter beneath our roof,&#13;
we must renounce all great projects of fraternal action. The little&#13;
revenue of our farm just suffices to supply our wants. Alas! when I&#13;
think over it, notwithstanding a momentary regret, I cannot blame my&#13;
resolution to keep faithfully my sacred oath, and to renounce that great&#13;
inheritance, which, alas! had become immense by the death of my kindred.&#13;
Yes, I believe I performed a duty, when I begged the guardian of that&#13;
treasure to reduce it to ashes, rather than let it fall into the hands&#13;
of people, who would have made an execrable use of it, or to perjure&#13;
myself by disputing a donation which I had granted freely, voluntarily,&#13;
sincerely. And yet, when I picture to myself the realization of the&#13;
magnificent views of--my ancestor--an admirable Utopia, only possible&#13;
with immense resources--and which Mdlle. de Cardoville hoped to carry&#13;
into execution, with the aid of M. Francois Hardy, of Prince Djalma,&#13;
of Marshal Simon and his daughters, and of myself--when I think of the&#13;
dazzling focus of living forces, which such an association would have&#13;
been, and of the immense influence it might have had on the happiness of&#13;
the whole human race--my indignation and horror, as an honest man and&#13;
a Christian, are excited against that abominable Company, whose black&#13;
plots nipped in their bud all those great hopes, which promised so much&#13;
for futurity. What remains now of all these splendid projects? Seven&#13;
tombs. For my grave also is dug in that mausoleum, which Samuel has&#13;
erected on the site of the house in the Rue Neuve-Saint-Francois, and of&#13;
which he remains the keeper--faithful to the end!</p><p>"I had written thus far, my friend, when I received your letter. So,&#13;
after having forbidden you to see me, your bishop now orders that you&#13;
shall cease to correspond with me. Your touching, painful regrets&#13;
have deeply moved me, my friend. Often have we talked together of&#13;
ecclesiastical discipline, and of the absolute power of the bishops&#13;
over, us, the poor working clergy, left to their mercy without remedy.&#13;
It is painful, but it is the law of the church, my friend, and you have&#13;
sworn to observe it. Submit as I have submitted. Every engagement is&#13;
binding upon the man of honor! My poor, dear Joseph! would that you had&#13;
the compensations which remained to me, after the rupture of ties that I&#13;
so much value. But I know too well what you must feel--I cannot go on&#13;
I find it impossible to continue this letter, I might be bitter against&#13;
those whose orders we are bound to respect. Since it must be so, this&#13;
letter shall be my last. Farewell, my friend! farewell forever. My heart&#13;
is almost broken.</p><p>"GABRIEL DE RENNEPONT."</p><p>CHAPTER II. THE REDEMPTION.</p><p>Day was about to dawn. A rosy light, almost imperceptible, began to&#13;
glimmer in the east; but the stars still shone, sparkling with radiance,&#13;
upon the azure of the zenith. The birds awoke beneath the fresh foliage&#13;
of the great woods; and, with isolated warblings, sang the prelude of&#13;
their morning-concert. A light mist rose from the high grass, bathed in&#13;
nocturnal dew, while the calm and limpid waters of a vast lake reflected&#13;
the whitening dawn in their deep, blue mirror. Everything promised one&#13;
of those warm and joyous days, that belong to the opening of summer.</p><p>Half-way up the slope of a hill, facing the east, a tuft of old, moss&#13;
grown willows, whose rugged bark disappeared beneath the climbing&#13;
branches of wild honeysuckle and harebells, formed a natural harbor;&#13;
and on their gnarled and enormous roots, covered with thick moss, were&#13;
seated a man and a woman, whose white hair, deep wrinkles, and bending&#13;
figures, announced extreme old age. And yet this woman had only lately&#13;
been young and beautiful, with long black hair overshadowing her pale&#13;
forehead. And yet this man had, a short time ago, been still in the&#13;
vigor of his age. From the spot where this man and woman were reposing,&#13;
could be seen the valley, the lake, the woods, and, soaring above the&#13;
woods, the blue summit of a high mountain, from behind which the sun was&#13;
about to rise. This picture, half veiled by the pale transparency of the&#13;
morning twilight, was pleasing, melancholy, and solemn.</p><p>"Oh, my sister!" said the old man to the woman, who was reposing with&#13;
him beneath the rustic arbor formed by the tuft of willow-trees; "oh,&#13;
my sister! how many times during the centuries in which the hand of the&#13;
Lord carried us onward, and, separated from each other, we traversed the&#13;
world from pole to pole--how many times we have witnessed this awakening&#13;
of nature with a sentiment of incurable grief!--Alas! it was but another&#13;
day of wandering--another useless day added to our life, since it&#13;
brought death no nearer!"</p><p>"But now what happiness, oh, my brother! since the Lord has had mercy on&#13;
us, and, with us, as with all other creatures, every returning day is a&#13;
step nearer to the grave. Glory to Him! yes, glory!"</p><p>"Glory to Him, my sister! for since yesterday, when we again met, I feel&#13;
that indescribable languor which announces the approach of death."</p><p>"Like you, my brother, I feel my strength, already shaken, passing away&#13;
in a sweet exhaustion. Doubtless, the term of our life approaches. The&#13;
wrath of the Lord is satisfied."</p><p>"Alas, my sister! doubtless also, the last of my doomed race, will, at&#13;
the same time, complete our redemption by his death; for the will of&#13;
heaven is manifest, that I can only be pardoned, when the last of&#13;
my family shall have disappeared from the face of the earth. To him,&#13;
holiest amongst the holiest--was reserved the favor of accomplishing&#13;
this end he who has done so much for the salvation of his brethren!"</p><p>"Oh, yes, my brother! he who has suffered so much, and without&#13;
complaining, drunk to the dregs the bitter cup of woe--he, the minister&#13;
of the Lord, who has been his Master's image upon earth--he was fitted&#13;
for the last instrument of this redemption!"</p><p>"Yes, for I feel, my sister, that, at this hour, the last of my race,&#13;
touching victim of slow persecution, is on the point of resigning his&#13;
angelic soul to God. Thus, even to the end, have I been fatal to&#13;
my doomed family. Lord, if Thy mercy is great, Thy anger is great&#13;
likewise!"</p><p>"Courage and hope, my brother! Think how after the expiration cometh&#13;
pardon, and pardon is followed by a blessing. The Lord punished, in&#13;
you and your posterity, the artisan rendered wicked by misfortune and&#13;
injustice. He said to you: 'Go on! without truce or rest--and your labor&#13;
shall be vain--and every evening, throwing yourself on the hard ground,&#13;
you shall be no nearer to the end of your eternal course!'--And so, for&#13;
centuries, men without pity have said to the artisan: 'Work! work! work!&#13;
without truce or rest--and your labor shall be fruitful for all others,&#13;
but fruitless for yourself--and every evening, throwing yourself on the&#13;
hard ground, you shall be no nearer to happiness and repose; and your&#13;
wages shall only suffice to keep you alive in pain, privation, and&#13;
poverty!'"</p><p>"Alas! alas! will it be always thus?"</p><p>"No, no, my brother! and instead of weeping over your lost race, rejoice&#13;
for them--since their death was needed for your redemption, and in&#13;
redeeming you, heaven will redeem the artisan, cursed and feared by&#13;
those--who have laid on him the iron yoke. Yes, my brother! the time&#13;
draweth nigh--heaven's mercy will not stop with us alone. Yes, I tell&#13;
you; in us will be rescued both the WOMAN and the SLAVE of these&#13;
modern ages. The trial has been hard, brother; it has lasted throughout&#13;
eighteen centuries; but it will last no longer. Look, my brother!&#13;
see that rosy light, there in the east, gradually spreading over the&#13;
firmament! Thus will rise the sun of the new emancipation--peaceful,&#13;
holy, great, salutary, fruitful, filling the world with light and&#13;
vivifying heat, like the day-star that will soon appear in heaven!"</p><p>"Yes, yes, my sister! I feel it. Your words are prophetic. We&#13;
shall close our heavy eyes just as we see the aurora of the day of&#13;
deliverance--a fair, a splendid day, like that which is about to dawn.&#13;
Henceforth I will only shed tears of pride and glory for those of my&#13;
race, who have died the martyrs of humanity, sacrificed by humanity's&#13;
eternal enemies--for the true ancestors of the sacrilegious wretches,&#13;
who blaspheme the name of Jesus by giving it to their Company, were the&#13;
false Scribes and Pharisees, whom the Saviour cursed!--Yes! glory to the&#13;
descendants of my family, who have been the last martyrs offered up by&#13;
the accomplices of all slavery and all despotism, the pitiless enemies&#13;
of those who wish to think, and not to suffer in silence--of those that&#13;
would feign enjoy, as children of heaven, the gifts which the Creator&#13;
has bestowed upon all the human family. Yes, the day approaches--the end&#13;
of the reign of our modern Pharisees--the false priests, who lend their&#13;
sacrilegious aid to the merciless selfishness of the strong against the&#13;
weak, by daring to maintain in the face of the exhaustless treasures&#13;
of the creation, that God has made man for tears, and sorrow, and&#13;
suffering--the false priests, who are the agents of all oppression, and&#13;
would bow to the earth, in brutish and hopeless humiliation, the brow of&#13;
every creature. No, no! let man lift his head proudly! God made him to&#13;
be noble and intelligent free and happy."</p><p>"Oh, my brother! your words also are prophetic. Yes, yes! the dawn of&#13;
that bright day approaches, even as the dawn of the natural day which,&#13;
by the mercy of God, will be our last on earth."</p><p>"The last, my sister; for a strange weakness creeps over me, all matter&#13;
seems dissolving in me, and my soul aspires to mount to heaven."</p><p>"Mine eyes are growing dim, brother; I can scarcely see that light in&#13;
the east, which lately appeared so red."</p><p>"Sister! it is through a confused vapor that I now see the valley--the&#13;
lake--the woods. My strength fails me."</p><p>"Blessed be God, brother! the moment of eternal rest is at hand."</p><p>"Yes, it comes, my sister! the sweetness of the everlasting sleep takes&#13;
possession of my senses."</p><p>"Oh, happiness! I am dying--"</p><p>"These eyes are closing, sister!"</p><p>"We are then forgiven!"</p><p>"Forgiven!"</p><p>"Oh, my brother! may this Divine redemption extend to all those who&#13;
suffer upon the earth!"</p><p>"Die in peace, my sister! The great day has dawned--the sun is&#13;
rising--behold!"</p><p>"Blessed be God!"</p><p>"Blessed be God!"</p><p>And at the moment when those two voices ceased forever, the sun rose&#13;
radiant and dazzling, and deluged the valley with its beams.</p><p>To M. C--P--.</p><p>To you, my friend, I dedicated this book. To inscribe it with your name,&#13;
was to assume an engagement that, in the absence of talent, it should&#13;
be at least conscientious, sincere, and of a salutary influence, however&#13;
limited. My object is attained. Some select hearts, like yours, my&#13;
friend, have put into practice the legitimate association of labor,&#13;
capital, and intelligence, and have already granted to their workmen a&#13;
proportionate share in the profits of their industry. Others have&#13;
laid the foundations of Common Dwelling-houses, and one of the chief&#13;
capitalists of Hamburg has favored me with his views respecting an&#13;
establishment of this kind, on the most gigantic scale.</p><p>As for the dispersion of the members of the Company of Jesus, I have&#13;
taken less part in it than other enemies of the detestable doctrines of&#13;
Loyola, whose influence and authority were far greater than mine.</p><p>Adieu, my friend. I could have wished this work more worthy of you; but&#13;
you are indulgent, and will at least give me credit for the intentions&#13;
which dictated it.</p><p>Believe me, Yours truly,</p><p>EUGENE SUE.</p><p>Paris, 25th August, 1845. Paris, 25th August, 1845.</p><p>End of Project Gutenberg's The Wandering Jew, Complete, by Eugene Sue</p></section></body></FictionBook>
